Radiant Dawn Quotes

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This first glance of a soul which does not yet know itself is like dawn in the heavens; it is the awakening of something radiant and unknown.
Victor Hugo (Les Misérables)
I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night, who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of cold-water flats floating across the tops of cities contemplating jazz, who bared their brains to Heaven under the El and saw Mohammedan angels staggering on tenement roofs illuminated, who passed through universities with radiant cool eyes hallucinating Arkansas and Blake-light tragedy among the scholars of war,
Allen Ginsberg (Howl and Other Poems)
Outside the window, a bank of clouds appeared on the horizon, inching slowly across the sky, finally slipping across the Moon and blocking out its radiant light. As he clicked off his overhead light, he turned his eyes one last time to the heavens. Outside, in the newly fallen darkness, the world had been transformed. The sky had become a glistening tapestry of stars.
Dan Brown
I love the prairie! So often I have seen the dawn come and the light flood over the land and everything turn radiant at once, that word "good" so profoundly affirmed in my soul that I am amazed I should be allowed to witness such a thing. There may have been a more wonderful first moment "when the morning stars sang together and all the sons of God shouted for joy," but for all I know to the contrary, they still do sing and shout, and they certainly might well. Here on the prairie there is nothing to distract attention from the evening and the morning, nothing on the horizon to abbreviate or to delay. Mountains would seem an impertinence from that point of view.
Marilynne Robinson (Gilead (Gilead, #1))
As we make the first step into the "bright sadness" of Lent, we see—far, far away—the destination. It is the joy of Easter, it is the entrance into the glory of the Kingdom. And it is this vision, the foretaste of Easter, that makes Lent's sadness bright and our lenten effort a "spiritual spring." The night may be dark and long, but all along the way a mysterious and radiant dawn seems to shine on the horizon.
Alexander Schmemann (Great Lent: Journey to Pascha)
I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night, who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of cold-water flats floating across the tops of cities contemplating jazz, who bared their brains to Heaven under the El and saw Mohammedan angels staggering on tenement roofs illuminated, who passed through universities with radiant cool eyes hallucinating Arkansas and Blake-light tragedy among the scholars of war, who were expelled from the academies for crazy & publishing obscene odes on the windows of the skull,
Allen Ginsberg (Collected Poems, 1947-1997)
I saw the best minds of my generation destroyed by Facebook, starving hysterical naked, dragging themselves through photo slideshows at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connections of their youth through the machinery of night, who clicking and poking and hollow-eyed and high sat up smoking in the supernatural brightness of tiny screens floating across the tops of cities contemplating likes, who bared their brains to the network and saw who got pregnant and who got fat and who’s living the life best lived by posting Instagrams of themselves staggering on tenement roofs illuminated, who passed through newly cropped profile pics with radiant cool eyes obsessing over whose ex’s new lover is the best looking ex-lover’s lover, who breaking their backs falling out of ergonomic chairs while shouting into the icy streets, Everybody look how clever I am, Look how much fun I am having, Look at this amazing party I went to, Look at how well-liked I am, Look at my effortless carefully constructed casual desperate thrown together fun, Everybody look, This is fun, Look, Look, I swear to God I am having so much fun.
Raphael Bob-Waksberg
Tell me why entire sleepless nights flash by in an inexhaustible blithe happiness, and when the dawn shines in through the windows, pink and radiant, and daybreak illumines the cheerless room with that uncertain fantastical light we know in Petersburg, does our dreamer, worn out and weary, throw himself on to his bed and fall asleep amid the blissful afterglow of his painfully shaken spirit and with such a languishingly sweet pain about his heart?
Fyodor Dostoevsky (White Nights)
This first glance of a soul which does not yet know itself is like the dawn in the sky. It is the awakening of something radiant and unknown. Nothing can express the dangerous chasm of this unlooked-for gleam which suddenly suffuses adorable mysteries, and which is made up of all the innocence of the present, and of all the passion of the future. It is a kind of irresolute lovingness which is revealed by chance, and which is waiting. It is a snare which Innocence unconsciously spreads, and in which she catches hearts without intending to, and without knowing it.
Victor Hugo (Les Misérables)
It was a long struggle against invisible foes, or to put it more accurately, against invisible foes that might not have been there at all, but it was a victorious struggle, in the course of which they understood that the victory would only be unconditional if they annihilated or, if he might put it in such old fashioned terms, said Korin, exiled, exiled anything that might have stood against them, or rather, fully absorbed it into the repulsive vulgarity of the world they now ruled, ruled if not exactly commanded, and thereby besmirched whatever was good and transcendent, not by saying a haughty 'no' to good and transcendent things, no, for they understood that the important thing was to say 'yes' from the meanest of motives, to give them their outright support, to display them, to nurture them; it was this that dawned on them and showed them what to do, that their best option was not to crush their enemies, to mock them or wipe them off the face of the earth, but, on the contrary, to embrace them, to take responsibility for them and so to empty them of their content, and in this way to establish a world in which it was precisely these things that would be the most liable to spread the infection so that the only power that had any chance of resisting them, by whose radiant light it might still have been possible to see the degree to which they had taken over people's lives... how could he make himself clearer at this point, Korin hesitated...
László Krasznahorkai (War & War)
From golden showers of the ancient skies, On the first day, and the eternal snow of stars, You once unfastened giant calyxes For the young earth still innocent of scars: Young gladioli with the necks of swans, Laurels divine, of exiled souls the dream, Vermilion as the modesty of dawns Trod by the footsteps of the seraphim; The hyacinth, the myrtle gleaming bright, And, like the flesh of woman, the cruel rose, Hérodiade blooming in the garden light, She that from wild and radiant blood arose! And made the sobbing whiteness of the lily That skims a sea of sighs, and as it wends Through the blue incense of horizons, palely Toward the weeping moon in dreams ascends! Hosanna on the lute and in the censers, Lady, and of our purgatorial groves! Through heavenly evenings let the echoes answer, Sparkling haloes, glances of rapturous love! Mother, who in your strong and righteous bosom, Formed calyxes balancing the future flask, Capacious flowers with the deadly balsam For the weary poet withering on the husk.
Stéphane Mallarmé
प्रातः स्मरामि हृदि संस्फुरदात्मतत्त्वं सच्चित्सुखं परमहंसगतिं तुरीयम् । यत्स्वप्नजागरसुषुप्तिमवैति नित्यं तद्ब्रह्म निष्कलमहं न च भूतसङ्घः ॥१॥ prātaḥ smarāmi hṛdi saṃsphuradātmatattvaṃ saccitsukhaṃ paramahaṃsagatiṃ turīyam | yatsvapnajāgarasuṣuptimavaiti nityaṃ tadbrahma niṣkalamahaṃ na ca bhūtasaṅghaḥ ||1|| ~ At dawn, I meditate in my heart on the truth of the radiant inner Self. This true Self is Pure Being, Awareness, and Joy, the transcendent goal of the great sages. The eternal witness of the waking, dream and deep sleep states. I am more than my body, mind and emotions, I am that undivided Spirit. At dawn, I worship the true Self that is beyond the reach of mind and speech, By whose grace, speech is even made possible, This Self is described in the scriptures as “Not this, Not this”. It is called the God of the Gods, It is unborn, undying, one with the All. At dawn, I salute the true Self that is beyond all darkness, brilliant as the sun, The infinite, eternal reality, the highest. On whom this whole universe of infinite forms is superimposed. It is like a snake on a rope. The snake seems so real, but when you pick it up, it’s just a rope. This world is ever-changing, fleeting, but this eternal Light is real and everlasting. Who recites in the early morning these three sacred Slokas, which are the ornaments of the three worlds, obtains the Supreme Abode. ~ Adi Shankara (8th century)
Adi Shankaracharya
Miles away, factory smokestacks rimmed with flame sent up cast billowing clouds of smoke that gave watercolor look to the sky – orange yellow – a pink cast like dawn – beauty to the gray-layered winter sky like cotton batting laced with flame bleak and radiant simultaneously; and Felix in a rush of gratitude though his heartbeat was still erratic and his hands were sticky with blood could have weepy seeing such beauty in all he’d been a witness to most of his life, thinking Oh Jesus he was going to miss these opaque surfaces of a world he knew so well, it was like his skill turned inside out, all he loved out there, he was missing them even now when he was still here, still alive.
Joyce Carol Oates (You Must Remember This)
Aisling tumbled out, his gold eyes going wild about the room to take in all of them. His beak clicked as he worked it in silence. Then, as the breaking of ice may bring a cascade of water from winter’s falls, the griffin’s voice—no longer that small shrill copy of Taryn’s, but his own true voice—poured plaintively from him. “Mom!” Taryn jerked around, her mouth dropping open. Aisling bounded toward her and she swept him up into a tight embrace. He clutched at her shoulders with his talons, burying his head under her chin, and cried, “Mom! Yoo…rrrrr…oh…kay!” “Great gods,” Antilles heard himself say and he shot Tonka a startled glance. “He cannot be speaking?!” The horseman merely smiled. “And why not?” he murmured, resettling himself on his padded bolster. “For has he not been a miracle from the very first?” “You’re talking,” Taryn cried, true delight painting itself over the grief that had seemed to mask her since the dawning of this terrible day. She was radiant once more, burning with a joy and a healing light all its own as she hugged her griffin close. “Oh, my fierce prince! My big boy!” “Yoo…rrrr…Ai-sing,” whispered the griffin. His raptor’s eyes flicked to Antilles and his naked wings fluttered. “Tilly. Yoo…rrrr…sun-shy?” Taryn giggled, her face pressed to fur. “Aye, lad,” Antilles said, tossing his broken horn. “My sun and my moon and all my starry skies.
R. Lee Smith (The Wizard in the Woods (Lords of Arcadia, #2))
All yesterday it poured, and all night long I could not sleep; the rain unceasing beat Upon the shingled roof like a weird song, Upon the grass like running children’s feet. And down the mountains by the dark cloud kissed, Like a strange shape in filmy veiling dressed, Slid slowly, silently, the wraith-like mist, And nestled soft against the earth’s wet breast. But lo, there was a miracle at dawn! The still air stirred at touch of the faint breeze, The sun a sheet of gold bequeathed the lawn, The songsters twittered in the rustling trees. And all things were transfigured in the day, But me whom radiant beauty could not move; For you, more wonderful, were far away, And I was blind with hunger for your love
Claude McKay
I. In the greenest of our valleys, By good angels tenanted, Once a fair and stately palace - Radiant palace - reared its head. In the monarch Thought's dominion - It stood there ! Never seraph spread a pinion Over fabric half so fair. II. Banners yellow, glorious, golden, On its roof did float and flow; (This - all this - was in the olden Time long ago) And every gentle air that dallied, In that sweet day, Along the ramparts plumed and pallid, A winged odor went away. III. Wanderers in that happy valley Through two luminous windows saw Spirits moving musically To a lute's well-tunéd law, Round about a throne, where sitting (Porphyrogene !) In state his glory well befitting, The ruler of the realm was seen. IV. And all with pearl and ruby glowing Was the fair palace door, Through which came flowing, flowing, flowing, And sparkling evermore, A troop of Echoes whose sweet duty Was but to sing, In voices of surpassing beauty, The wit and wisdom of their king. V. But evil things, in robes of sorrow, Assailed the monarch's high estate ; (Ah, let us mourn, for never morrow Shall dawn upon him, desolate !) And, round about his home, the glory That blushed and bloomed Is but a dim-remembered story Of the old time entombed. VI. And travellers now within that valley, Through the red-litten windows, see Vast forms that move fantastically To a discordant melody ; While, like a rapid ghastly river, Through the pale door, A hideous throng rush out forever, And laugh - but smile no more.
Edgar Allan Poe (The Fall of the House of Usher and Other Tales)
A Summer's Singing" "Where does that singing start, you know, that thin sound—almost pure light? Not the birds at false dawn or their song when morning comes, feathered throats warm with meaning. A different kind of music. Listen, it is somewhere near you. In the heart, emptied of fear, stubbornly in love with itself at last, the old desires a ruined chorus, a radiant bloody choir. Where does the singing start? Here, where you are, there’s room between your heartbeats, as if everything you have ever been begins, inside, to sing.
Lorna Crozier
What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.” Lady Eloise and Lady Mortand screamed in unison, Sir William choked on his wine, and Sir Francis gaped at her in horror, but Elizabeth wasn’t quite finished. She saved the coup de grace until the meal was over. As soon as everyone arose she insisted they sit back down so a proper prayer of gratitude could be said. Raising her hands heavenward, Elizabeth turned a simple grace into a stinging tirade against the sins of lust and promiscuity that rose to crescendo as she called down the vengeance of doomsday on all transgressors and culminated in a terrifyingly lurid description of the terrors that awaited all who strayed down the path of lechery-terrors that combined dragon lore with mythology, a smattering of religion, and a liberal dash of her own vivid imagination. When it was done Elizabeth dropped her eyes, praying in earnest that tonight would loose her from her predicament. There was no more she could do; she’d played out her hand with all her might; she’d given it her all. It was enough. After supper Sir Francis escorted her to her chamber and, with a poor attempt at regret, announced that he greatly feared they wouldn’t suit. Not at all. Elizabeth and Berta departed at dawn the following morning, an hour before Sir Francis’s servants stirred themselves. Clad in a dressing robe, Sir Francis watched from his bedchamber window as Elizabeth’s coachman helped her into her conveyance. He was about to turn away when a sudden gust of wind caught Elizabeth’s black gown, exposing a long and exceptionally shapely leg to Sir Francis’s riveted gaze. He was still staring at the coach as it circled the drive; through its open window he saw Elizabeth laugh and reach up, unpinning her hair. Clouds of golden tresses whipped about the open window, obscuring her face, and Sir Francis thoughtfully wet his lips.
Judith McNaught (Almost Heaven (Sequels, #3))
I. In the greenest of our valleys, By good angels tenanted, Once a fair and stately palace— Radiant palace—reared its head. In the monarch Thought’s dominion— It stood there! Never seraph spread a pinion Over fabric half so fair. II. Banners yellow, glorious, golden, On its roof did float and flow (This—all this—was in the olden Time long ago); THE FALL OF THE HOUSE OF USHER14 And every gentle air that dallied, In that sweet day, Along the ramparts plumed and pallid, A winged odor went away. III. Wanderers in that happy valley Through two luminous windows saw Spirits moving musically To a lute’s well-tunèd law; Round about a throne, where sitting (Porphyrogene!) In state his glory well befitting, The ruler of the realm was seen. IV. And all with pearl and ruby glowing Was the fair palace door, Through which came flowing, flowing, flowing And sparkling evermore, A troop of Echoes whose sweet duty Was but to sing, In voices of surpassing beauty, The wit and wisdom of their king. V. But evil things, in robes of sorrow, Assailed the monarch’s high estate; (Ah, let us mourn, for never morrow Shall dawn upon him, desolate!) And, round about his home, the glory That blushed and bloomed EDGAR ALLAN POE 15 Is but a dim-remembered story Of the old time entombed. VI. And travellers now within that valley, Through the red-litten windows see Vast forms that move fantastically To a discordant melody; While, like a rapid ghastly river, Through the pale door, A hideous throng rush out forever, And laugh—but smile no more.
Edgar Allan Poe (The Fall of the House of Usher)
THE BOOK OF A MONK’S LIFE I live my life in circles that grow wide And endlessly unroll, I may not reach the last, but on I glide Strong pinioned toward my goal. About the old tower, dark against the sky, The beat of my wings hums, I circle about God, sweep far and high On through milleniums. Am I a bird that skims the clouds along, Or am I a wild storm, or a great song? Many have painted her. But there was one Who drew his radiant colours from the sun. My God is dark- like woven texture flowing, A hundred drinking roots, all intertwined; I only know that from His warmth I'm growing. More I know not: my roots lie hidden deep My branches only are swayed by the wind. Dost thou not see, before thee stands my soul In silence wrapt my Springtime's prayer to pray? But when thy glance rests on me then my whole Being quickens and blooms like trees in May. When thou art dreaming then I am thy Dream, But when thou art awake I am thy Will Potent with splendour, radiant and sublime, Expanding like far space star-lit and still Into the distant mystic realm of Time. I love my life's dark hours In which my senses quicken and grow deep, While, as from faint incense of faded flowers Or letters old, I magically steep Myself in days gone by: again I give Myself unto the past:- again I live. Out of my dark hours wisdom dawns apace, Infinite Life unrolls its boundless space ... Then I am shaken as a sweeping storm Shakes a ripe tree that grows above a grave ' Round whose cold clay the roots twine fast and warm- And Youth's fair visions that glowed bright and brave, Dreams that were closely cherished and for long, Are lost once more in sadness and in song.
Rainer Maria Rilke
Today, the 4-billion-year-old regime of natural selection is facing a completely different challenge. In laboratories throughout the world, scientists are engineering living beings. They break the laws of natural selection with impunity, unbridled even by an organism’s original characteristics. Eduardo Kac, a Brazilian bio-artist, decided in 2000 to create a new work of art: a fluorescent green rabbit. Kac contacted a French laboratory and offered it a fee to engineer a radiant bunny according to his specifications. The French scientists took a run-of-the-mill white rabbit embryo, implanted in its DNA a gene taken from a green fluorescent jellyfish, and voilà! One green fluorescent rabbit for le monsieur. Kac named the rabbit Alba. It is impossible to explain the existence of Alba through the laws of natural selection. She is the product of intelligent design. She is also a harbinger of things to come. If the potential Alba signifies is realised in full – and if humankind doesn’t annihilate itself meanwhile – the Scientific Revolution might prove itself far greater than a mere historical revolution. It may turn out to be the most important biological revolution since the appearance of life on earth. After 4 billion years of natural selection, Alba stands at the dawn of a new cosmic era, in which life will be ruled by intelligent design. If this happens, the whole of human history up to that point might, with hindsight, be reinterpreted as a process of experimentation and apprenticeship that revolutionised the game of life. Such a process should be understood from a cosmic perspective of billions of years, rather than from a human perspective of millennia. Biologists the world over are locked in battle with the intelligent-design movement, which opposes the teaching of Darwinian evolution in schools and claims that biological complexity proves there must be a creator who thought out all biological details in advance. The biologists are right about the past, but the proponents of intelligent design might, ironically, be right about the future. At the time of writing, the replacement of natural selection by intelligent design could happen in any of three ways: through biological engineering, cyborg engineering (cyborgs are beings that combine organic with non-organic parts) or the engineering of in-organic life.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I am a child of the everlasting King. I am forgiven. I am a warrior. I am cloaked in righteous armor. I was made for adventure. I was built for battle. I am part of a larger story. My true and lasting affirmation comes only from my King. I am unique above all creation--planned and perfect in design. I have been created for a glorious destiny. All my ways are established by you, my King, and I walk in them. My life and actions are real, authentic, and without compromise. I am quickened and made alive through the power of your Spirit. My whole life is before me. I am a shining gift from God to this lost world. I know my name, I understand my calling, and I am worthy to walk in it. I am strong, brave, and courageous in the face of my enemies. Whatever is good, whatever is pure, whatever is true, dwell on these things. My sins are scattered as far as the east is from the west. I am a good husband to my wife. I am a good father to my daughters. The past is over, and the future glimmers with radiant light. I will look to the new day, the dawning of hope. I will step forward with the truth before me and will no longer look on the day that is gone. The past is over; the future has begun.
James L. Rubart (Soul's Gate (Well Spring #1))
I have just spoken of that morbid condition of the auditory nerve which rendered all music intolerable to the sufferer, with the exception of certain effects of stringed instruments. It was, perhaps, the narrow limits to which he thus confined himself upon the guitar which gave birth, in great measure, to the fantastic character of his performances. But the fervid facility of his impromptus could not be so accounted for. They must have been, and were, in the notes, as well as in the words of his wild fantasies (for he not unfrequently accompanied himself with rhymed verbal improvisations), the result of that intense mental collectedness and concentration to which I have previously alluded as observable only in particular moments of the highest artificial excitement. The words of one of these rhapsodies I have easily remembered. I was, perhaps, the more forcibly impressed with it as he gave it, because, in the under or mystic current of its meaning, I fancied that I perceived, and for the first time, a full consciousness on the part of Usher of the tottering of his lofty reason upon her throne. The verses, which were entitled “The Haunted Palace,” ran very nearly, if not accurately, thus:— I. In the greenest of our valleys, By good angels tenanted, Once a fair and stately palace— Radiant palace—reared its head. In the monarch Thought’s dominion— It stood there! Never seraph spread a pinion Over fabric half so fair. II. Banners yellow, glorious, golden, On its roof did float and flow (This—all this—was in the olden Time long ago); And every gentle air that dallied, In that sweet day, Along the ramparts plumed and pallid, A winged odor went away. III. Wanderers in that happy valley Through two luminous windows saw Spirits moving musically To a lute’s well-timed law; Round about a throne, where sitting (Porphyrogene!) In state his glory well befitting, The ruler of the realm was seen. IV. And all with pearl and ruby glowing Was the fair palace door, Through which came flowing, flowing, flowing And sparkling evermore, A troop of Echoes whose sweet duty Was but to sing, In voices of surpassing beauty, The wit and wisdom of their king. V. But evil things, in robes of sorrow, Assailed the monarch’s high estate; (Ah, let us mourn, for never morrow Shall dawn upon him, desolate!) And, round about his home, the glory That blushed and bloomed Is but a dim-remembered story Of the old time entombed. VI. And travellers now within that valley, Through the red-litten windows see Vast forms that move fantastically To a discordant melody; While, like a rapid ghastly river, Through the pale door; A hideous throng rush out forever, And laugh—but smile no more.
Edgar Allan Poe (Terrifying Tales)
Never, not in the brightest days of the Renaissance, has learning appeared in such a radiant light as it did to the gay young men of imperial Athens. Listen to one of them talking to Socrates, just waked up in the early dawn by a persistent hammering at his door: “What’s here?” he cries out, still half asleep. “O Socrates,” and the voice is that of a lad he knows well, “Good news, good news!” “It ought to be at this unearthly hour. Well, out with it.” The young fellow is in the house now. “O Socrates, Protagoras has come. I heard it yesterday evening. And I was going to you at once but it was so late—” “What’s it all about—Protagoras? Has he stolen something of yours?” The boy bursts out laughing. “Yes, yes, that’s just it. He’s robbing me of wisdom. He has it—wisdom, and he can give it to me. Oh, come and go with me to him. Start now.” That eager, delightful boy in love with learning can be duplicated in nearly every dialogue of Plato. Socrates has but to enter a gymnasium; exercise, games, are forgotten. A crowd of ardent young men surround him. Tell us this. Teach us that, they clamor. What is Friendship? What is Justice? We will not let you off, Socrates. The truth—we want the truth. “What delight,” they say to each other, “to hear wise men talk!” “Egypt and Phœnicia love money,” Plato remarks in a discussion on how nations differ. “The special characteristic of our part of the world is the love of knowledge.
Edith Hamilton (The Greek Way)
in the under or mystic current of its meaning, I fancied that I perceived, and for the first time, a full consciousness on the part of Usher, of the tottering of his lofty reason upon her throne. The verses, which were entitled "The Haunted Palace," ran very nearly, if not accurately, thus: I. In the greenest of our valleys, By good angels tenanted, Once a fair and stately palace— Radiant palace—reared its head. In the monarch Thought's dominion— It stood there! Never seraph spread a pinion Over fabric half so fair. II. Banners yellow, glorious, golden, On its roof did float and flow; (This—all this—was in the olden Time long ago) And every gentle air that dallied, In that sweet day, Along the ramparts plumed and pallid, A winged odor went away. III. Wanderers in that happy valley Through two luminous windows saw Spirits moving musically To a lute's well-tunéd law, Round about a throne, where sitting (Porphyrogene!) In state his glory well befitting, The ruler of the realm was seen. IV. And all with pearl and ruby glowing Was the fair palace door, Through which came flowing, flowing, flowing, And sparkling evermore, A troop of Echoes whose sweet duty Was but to sing, In voices of surpassing beauty, The wit and wisdom of their king. V. But evil things, in robes of sorrow, Assailed the monarch's high estate; (Ah, let us mourn, for never morrow Shall dawn upon him, desolate!) And, round about his home, the glory That blushed and bloomed Is but a dim-remembered story Of the old time entombed. VI. And travellers now within that valley, Through the red-litten windows, see Vast forms that move fantastically To a discordant melody; While, like a rapid ghastly river, Through the pale door, A hideous throng rush out forever, And laugh—but smile no more.
Edgar Allan Poe (Complete Works)
Wounded by the fatal lances of his own nostalgia and that of others, he admired the persistence of the spiderwebs on the dead rose bushes, the perseverance of the rye grass, the patience of the air in the radiant February dawn.
Gabriel García Márquez (One Hundred Years of Solitude)
So he lay there, desperate as a beetle fallen on its back, trying not to think of all the things he did not want to think of, as the dawn sifted into the room like a radiant gray dust.
Benjamin Black (The Silver Swan (Quirke, #2))
To pray,” he continued, “is so beautiful. It means looking to heaven and to our heart. We know that we have a good Father who is God.” Looking to heaven and to our heart. This brief definition of the meaning of prayer sums up the mind of the new pope, which moves from the most sublime things—heaven, the eternal, the absolute, the true, the good, the beautiful—to the most simple, down-to-earth things—the things in the human heart. The first is the realm that transcends all that we do, the realm that is not yet here but that we long for, hope for. The second is the realm of our most intimate privacy, the core of our being, the source of our identity, and of our hopes. And for Pope Francis, prayer connects these two realms. The furthest out, and the furthest in. And to pray, to bring about this “communion” between what is furthest out and furthest in, is radiant, he tells us. It is an aesthetic judgment. To pray, he is telling us, before it is good, or true, or effective, or powerful, is “beautiful.” And he says this because he knows the human heart, the human soul, is made to be drawn toward the beautiful, as a sunflower turns toward the sun, following it from dawn until dusk.
Robert Moynihan (Pray for Me: The Life and Spiritual Vision of Pope Francis, First Pope from the Americas)
She came to him toward morning. She entered very carefully, moving silently, floating through the chamber like a phantom; the only sound was that of her mantle brushing her naked skin. Yet this faint sound was enough to wake the witcher—or maybe it only tore him from the half-slumber in which he rocked monotonously, as though traveling through fathomless depths, suspended between the seabed and its calm surface amid gently undulating strands of seaweed. He did not move, did not stir. The girl flitted closer, threw off her mantle and slowly, hesitantly, rested her knee on the edge of the large bed. He observed her through lowered lashes, still not betraying his wakefulness. The girl carefully climbed onto the bedclothes, and onto him, wrapping her thighs around him. Leaning forward on straining arms, she brushed his face with hair which smelled of chamomile. Determined, and as if impatient, she leaned over and touched his eyelids, cheeks, lips with the tips of her breasts. He smiled, very slowly, delicately, grasping her by the shoulders, and she straightened, escaping his fingers. She was radiant, luminous in the misty brilliance of dawn. He moved, but with pressure from both hands, she forbade him to change position and, with a light but decisive movement of her hips, demanded a response. He responded. She no longer backed away from his hands; she threw her head back, shook her hair. Her skin was cool and surprisingly smooth. Her eyes, glimpsed when her face came close to his, were huge and dark as the eyes of a water nymph. Rocked, he sank into a sea of chamomile as it grew agitated and seethed.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Did you ever look back? To the times where things are easy. Its beautiful. Roses are red, as the sun shone its light on a crispy meadowed leaves. All the laughter and joy, memories of long lost innocence and naive optimism. Its another day in paradise. Have you ever wondered about the future? People grow apart, life gets lonely with your mind playing chase with you. Its daunting. Violets might not be blue, but I certainly do. Like the cold wind that freezes you in your track as you venture the dark, soulless night in this city of stars. Is this really the life in paradise? I walk alone on a crowded street, can't shake my loneliness in these busy madness. But the dawn did come, enlightening lost souls in its radiant crimson light. Like a fire rekindled to ignite this young body of an old soul. Its another day in paradise, and youre hoping to see it coming. And when the time comes, it will be nothing like you've ever seen.
Jonathan Davy
The robin in your tender heart Hungers for the red berry That titillates your tongue. She carols as the snow falls— And not with the chorus of the dawn In radiant spring. What might have been? Your voice silenced, The spirit of you Destroyed, I see glimpses of your fire From the light that has vanished From your eyes. Your wings soar, Only not to follow Your heart. Whatever the passion, Let it burn. It will save you.
D.K. Sanz/Kyrian Lyndon (Remnants of Severed Chains)
It cannot be otherwise, for it is bitterly disheartening to see that which your inmost soul believes to be right and true, to see this Truth reviled and struck in the face by the meanest camp follower in the victorious army, to hear her called vile names, while you can do nothing at all except to love her even more faithfully, kneel to her in your heart with even deeper adoration, and see her beautiful face as radiantly beautiful as ever and as full of majesty, shining with the same immortal light, no matter how much dust is whirled up around her white forehead, no matter how thickly the poisonous fog closes around her halo. It is bitterly disheartening, and your soul suffers injury inevitably, for it is so easy to hate until your heart is weary, or to draw around you the cold shadows of contempt, or to be dulled by pain and let the world go its own way.-- Of course, if there is that within you which makes you not choose the easiest way nor evade the whole matter, but walk upright with all your faculties tense and all your sympathies wide awake, taking the blows and stings of defeat as the scourge falls on your back again and again, and still keep your bleeding hope from dropping, while you listen for the distant rumblings that presage revolution, and look for the faint, distant dawn that some day-- some time, perhaps ... If you have that within you!--but don't try it, Lyhne. Imagine what the life of such a man must be, if he is to be true to himself.
Jens Peter Jacobsen (Niels Lyhne)
It also had extraordinary acoustics: in the hush of the small hours, a goods truck smashing into a pothole sounded like an explosion, and the fantastic howl of a passing motorbike once caused Rachel to vomit with terror. Around the clock, ambulances sped eastward on West 23rd Street with a sobbing escort of police motorcycles. Sometimes I confused the cries of the sirens with my son's night-time cries. I would leap out of bed and go to his bedroom and helplessly kiss him, even though my rough face sometimes woke him and I'd have to stay with him and rub his tiny rigid back until he fell asleep once more. Afterwards I slipped out onto the balcony and stood there like a sentry. The pallor of the so-called hours of darkness was remarkable. Directly to the north of the hotel, a succession of cross-streets glowed as if each held a dawn. The tail lights, the coarse blaze of deserted office buildings, the lit storefronts, the orange fuzz of the street lanterns: all this garbage of light had been refined into a radiant atmosphere that rested in a low silver heap over Midtown and introduced to my mind the mad thought that the final twilight was upon New York.
Joseph O'Neill (Netherland)
Silent night, holy night Son of God, love’s pure light Radiant beams from Thy holy face With the dawn of redeeming grace . . .
Diane Moody (A Christmas Peril (The Teacup Novellas, #5))
I am tempted to simply look at her for hours, but our time is limited. Duty comes with the dawn. I intend to have her coming plenty more times before that happens.
Katee Robert (Radiant Sin (Dark Olympus, #4))
Ah, the splendor of the Atlantic dawn, akin to the bloom of morning glory! But as the sun casts its final rays upon the ocean’s edge, we bid farewell to the radiant god Helios, who, with a petit mort, falls spent into the embrace of Pacific dusk.
Michael Chapman Pincher (Long Lost Love: Diary of a Rambling Romeo: Outclassing the Men: Fearless females take the lead on this Epic Voyage)
Day was dawning, light was filtering through the clouds, a soft rain fell, and when the oxen lumbered off, there was a moment that was pale and golden, and tiny droplets of rain sparkled in the breeze, and the grassland was greener than ever. Then it began to pour and everything shone, even the dark grey of the clouds; it was the beginning of another life. It was a radiant omen.
Gabriela Cabezón Cámara (The Adventures of China Iron)
The Impossible Banquet by Stewart Stafford Awakened by a stinging sun, Radiant wings of flame and gold, I breathe in dawn’s virgin hopes, With icy shards of doubting cold. Am I not my parents' child? Lost my way on a freedom roam, Invitation to a tempting feast, Over family, love, and home. Trapped within the world's crosshairs, Locked down with time to burn, Casting runestones, but too late, For visible escape, I yearn. An obsessive lady by my side, A judge of karma infernal, She took my life with her own hand, Bequeathing a wound eternal. Tomorrow’s hopes are now a ghost, No merciful release to illuminate, I wish to scrub away the past, A vain rebirth to change my fate. But I’m caught in the Reaper's maw, I weep for you who procrastinate, Sold my soul on Devil's Bridge, Then dragged through a fiery gate. Hope, community, society crash, Towering feats of grotesquery, You may not grieve for me who's gone, Time's cruel critic is all you see. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
I love the prairie! So often I have seen the dawn come and the light flood over the land and everything turn radiant at once, that word "good" so profoundly affirmed in my soul that I am amazed I should be allowed to witness such a thing.
Marilynne Robinson (Gilead (Gilead, #1))
Dawn Landscape The last watch has sounded in the Amble-Awe. Radiant color spreads above Solar-Terrace Mountain, then cold sun clears high peaks. Mist and cloud linger across layered ridges, And earth split-open hides river sails deep. Leaves clatter at heaven’s clarity. I listen, And face deer at my bramble gate-so close Here, we touch our own kind in each other. Tu Fu
David Hinton (Awakened Cosmos: The Mind of Classical Chinese Poetry)
What he had just seen was no longer the ingenuous and simple eye of a child; it was a mysterious gulf which had half opened, then abruptly closed again. There comes a day when the young girl glances in this manner. Woe to him who chances to be there! That first gaze of a soul which does not, as yet, know itself, is like the dawn in the sky. It is the awakening of something radiant and strange. Nothing can give any idea of the Free eBooks at Planet eBook.com 1199 dangerous charm of that unexpected gleam, which flashes suddenly and vaguely forth from adorable shadows, and which is composed of all the innocence of the present, and of all the passion of the future. It is a sort of undecided tenderness which reveals itself by chance, and which waits. It is a snare which the innocent maiden sets unknown to herself, and in which she captures hearts without either wishing or knowing it. It is a virgin looking like a woman. It is rare that a profound revery does not spring from that glance, where it falls. All purities and all candors meet in that celestial and fatal gleam which, more than all the bestplanned tender glances of coquettes, possesses the magic power of causing the sudden blossoming, in the depths of the soul, of that sombre flower, impregnated with perfume and with poison, which is called love.
Hugo
The language, in fact, was Danish. After a moment, Nilsson recognized the lyrics, Jacobsen’s Songs of Gurre, and Schönberg’s melodies for them. The call of King Valdemar’s men, raised from their coffins to follow him on the spectral ride that he was condemned to lead, snarled forth. “Be greeted, King, here by Gurre Lake! Across the island our hunt we take, From stringless bow let the arrow fly That we have aimed with a sightless eye. We chase and strike at the shadow hart, And dew like blood from the wound will start. Night raven swinging And darkly winging, And leafage foaming where hoofs are ringing, So shall we hunt ev’ry night, they say, Until that hunt on the Judgment Day. Holla, horse, and holla, hound, Stop awhile upon this ground! Here’s the castle which erstwhile was. Feed your horses on thistledown; Man may eat of his own renown.” She started to go on with the next stanza, Valdemar’s cry to his lost darling; but she faltered and went directly to his men’s words as dawn breaks over them. “The cock lifts up his head to crow, Has the day within him, And morning dew is running red With rust, from off our swords. Past is the moment! Graves are calling with open mouths, And earth sucks down ev’ry light-shy horror. Sink ye, sink ye! Strong and radiant, life comes forth With deeds and hammering pulses. And we are death folk, Sorrow and death folk, Anguish and death folk. To graves! To graves! To dream-bewildered sleep— Oh, could we but rest peaceful!
Poul Anderson (Tau Zero)
Lord, through the dimness, come with dawning and drawing light. Breathe on me till I am in a pure radiant frame of body and mind for Thy work and for Thy glory this day.
Oswald Chambers (If Ye Shall Ask)
That first gaze of a soul which does not, as yet, know itself, is like the dawn in the sky. It is the awakening of something radiant and strange. Nothing can give any idea of the dangerous charm of that unexpected gleam, which flashes suddenly and vaguely forth from adorable shadows, and which is composed of all the innocence of the present, and of all the passion of the future. It is a sort of undecided tenderness which reveals itself by chance, and which waits. It is a snare which the innocent maiden sets unknown to herself, and in which she captures hearts without either wishing or knowing it. It is a virgin looking like a woman
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Several years ago, Edward Farrell of Detroit took his two-week summer vacation to Ireland to celebrate his favorite uncle's eightieth birthday. On the morning of the great day, Ed and his uncle got up before dawn, dressed in silence, and went for a walk along the shores of Lake Killarney. Just as the sun rose, his uncle turned and stared straight at the rising orb. Ed stood beside him for twenty minutes with not a single word exchanged. Then the elderly uncle began to skip along the shoreline, a radiant smile on his face. After catching up with him, Ed commented, "Uncle Seamus, you look very happy. Do you want to tell me why?" "Yes, lad," the old man said, tears washing down his face. "You see, the Father is very fond of me. Ah, me Father is very fond of me." ... If you too can answer with gut-level honesty, "Oh yes, the Father is very fond of me," there comes a relaxedness and serenity, a compassionate attitude toward yourself in your brokenness, that elucidates the meaning of tenderness.
Brennan Manning (The Wisdom of Tenderness: What Happens When God's Fierce Mercy Transforms Our Lives)