“
The world might crumble, but Nikolai Lantsov would be holding up the ceiling with one hand and plucking a speck of dirt from his lapel with the other when it all went to ruin
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
The blond boy in the red trunks is holding your head underwater because he is trying to kill you, and you deserve it, you do, and you know this, and you are ready to die in this swimming pool because you wanted to touch his hands and lips and this means your life is over anyway. You’re in eighth grade. You know these things. You know how to ride a dirt bike, and you know how to do long division, and you know that a boy who likes boys is a dead boy, unless he keeps his mouth shut, which is what you didn't do, because you are weak and hollow and it doesn't matter anymore.
”
”
Richard Siken (Crush)
“
There was a smell of Time in the air tonight. He smiled and turned the fancy in his mind. There was a thought. What did time smell like? Like dust and clocks and people. And if you wondered what Time sounded like it sounded like water running in a dark cave and voices crying and dirt dropping down upon hollow box lids, and rain. And, going further, what did Time look like? Time look like snow dropping silently into a black room or it looked like a silent film in an ancient theater, 100 billion faces falling like those New Year balloons, down and down into nothing. That was how Time smelled and looked and sounded. And tonight-Tomas shoved a hand into the wind outside the truck-tonight you could almost taste time.
”
”
Ray Bradbury (The Martian Chronicles)
“
Lunch is served!" I shouted.
The brothers wasted no time. Kishan reached for the chicken, and Ren, the cookies. I smacked their hands away and handed each one a bacterial wipe.
Kishan grumbled, "Kells, I ate my food raw off the ground for three hundred years. I really don't think a little dirt's going to kill me.
”
”
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
“
Can't nothing bother me when I got my hands in the dirt, he said. Like I'm talking to God with my fingers.
”
”
Jesmyn Ward (Sing, Unburied, Sing)
“
Marie, let’s suppose that two firemen go into a forest to put out a small fire. Afterwards, when they emerge and go over to a stream, the face of one is all smeared with black, while the other man’s face is completely clean. My question is this: which of the two will wash his face?
That’s a silly question. The one with the dirty face of course.’
No, the one with the dirty face will look at the other man and assume that he looks like him. And, vice versa, the man with the clean face will see his colleague covered in grime and say to himself: I must be dirty too. I’d better have a wash.’
What are you trying to say?’
I’m saying that, during the time I spent in the hospital, I came to realize that I was always looking for myself in the women I loved. I looked at their lovely, clean faces and saw myself reflected in them. They, on the other hand, looked at me and saw the dirt on my face and, however intelligent or self-confident they were, they ended up seeing themselves reflected in me thinking that they were worse than they were. Please, don’t let that happen to you.
”
”
Paulo Coelho (The Zahir)
“
I want to have some reaction. I want to tremble or feel nauseated. I want to be the person who begins to weep. I want to be anyone but the person I am, who looks around to be sure no one saw, who wipes off my knife in the dirt, wipes off my hand on his clothes, and gets out of there before the guards come.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
The problem, if anything, was precisely the opposite. I had too much to write:
too many fine and miserable buildings to construct and streets to name and clock towers to set chiming,
too many characters to raise up from the dirt like flowers whose petals I peeled down to the intricate frail organs within,
too many terrible genetic and fiduciary secrets to dig up and bury and dig up again,
too many divorces to grant,
heirs to disinherit,
trysts to arrange,
letters to misdirect into evil hands,
innocent children to slay with rheumatic fever,
women to leave unfulfilled and hopeless,
men to drive to adultery and theft,
fires to ignite at the hearts of ancient houses.
”
”
Michael Chabon (Wonder Boys)
“
I’ve fought in three campaigns,” he began. “In seven pitched battles. In countless raids and skirmishes and desperate defences, and bloody actions of every kind. I’ve fought in the driving snow, the blasting wind, the middle of the night. I’ve been fighting all my life, one enemy or another, one friend or another. I’ve known little else. I’ve seen men killed for a word, for a look, for nothing at all. A woman tried to stab me once for killing her husband, and I threw her down a well. And that’s far from the worst of it. Life used to be cheap as dirt to me. Cheaper.
“I’ve fought ten single combats and I won them all, but I fought on the wrong side and for all the wrong reasons. I’ve been ruthless, and brutal, and a coward. I’ve stabbed men in the back, burned them, drowned them, crushed them with rocks, killed them asleep, unarmed, or running away. I’ve run away myself more than once. I’ve pissed myself with fear. I’ve begged for my life. I’ve been wounded, often, and badly, and screamed and cried like a baby whose mother took her tit away. I’ve no doubt the world would be a better place if I’d been killed years ago, but I haven’t been, and I don’t know why.”
He looked down at his hands, pink and clean on the stone. “There are few men with more blood on their hands than me. None, that I know of. The Bloody-Nine they call me, my enemies, and there’s a lot of ’em. Always more enemies, and fewer friends. Blood gets you nothing but more blood. It follows me now, always, like my shadow, and like my shadow I can never be free of it. I should never be free of it. I’ve earned it. I’ve deserved it. I’ve sought it out. Such is my punishment.
”
”
Joe Abercrombie (The Blade Itself (The First Law, #1))
“
M'sieur, I am as a slave to my wife." He kissed the tips of his fingers. "I am as the dirt beneath her feet." He clasped his hands. "I must bestow on her all that she desires, or die!"
"Pray make use of my sword, " invited his Grace. "It is in the corner behind you.
”
”
Georgette Heyer (These Old Shades (Alastair-Audley, #1))
“
Walk with me, hand in hand through the neon and styrofoam. Walk the razor blades and the broken hearts. Walk the fortune and the fortune hunted. Walk the chop suey bars and the tract of stars.
I know I am a fool, hoping dirt and glory are both a kind of luminous paint; the humiliations and exaltations that light us up. I see like a bug, everything too large, the pressure of infinity hammering at my head. But how else to live, vertical that I am, pressed down and pressing up simultaneously? I cannot assume you will understand me. It is just as likely that as I invent what I want to say, you will invent what you want to hear. Some story we must have. Stray words on crumpled paper. A weak signal into the outer space of each other.
The probability of separate worlds meeting is very small. The lure of it is immense. We send starships. We fall in love.
”
”
Jeanette Winterson (Gut Symmetries)
“
Do you like me? You know, like me like me?"
I cringe the moment I ask and cover my face with my hands. The smell of blood and trail dirt wafts into my nose. Something sinks inside me. What is it? Oh, I know, any dignity I could possibly have left.
”
”
Carrie Jones (Need (Need, #1))
“
We all eat a handful of dirt before we die, who cares if it tastes like cherries?
”
”
Thomas Siddell
“
For a moment nothing happens. The figure stands still and I stand cold and alive and-
He starts to run. I make my way down the rocks, slipping, sliding, trying to get to the plain. I wish, I think, my feet clumsy, moving too fast, not fast enough, I wish i could run, I wish I'd written a whole poem, I wish I kept the compass-
And then I reach the plain and wish for nothing but what I have. Ky. Running toward me. I have never seen him run like this, fast, free, strong, wild. He looks so beautiful, his body moves so right. He stops just close enough for me to see the blue of his eyes and forget the red on my hands and the green I wish I wore. "You're here," he says, breathing hard and hungry. sweat and dirt cover his face, and he looks at me as though I'm the only thing he ever needed to see. I open my mouth to say yes. But I only have time to breathe in before he closes the last of the distance. All I know is the kiss.
”
”
Ally Condie (Crossed (Matched, #2))
“
Curran snarled and hurled the rock against the mountain. The boulder flew, hit like a cannon ball, and rolled back down. Curran chased it, pulled another smaller rock out of the dirt, and smashed it against the first one.
Wow. He was really pissed.
Astamur's eyes were as big as plates.
"I can get him to put those back after he's done," I told him.
"No," Astamur said slowly. "It's fine."
Curran picked up the smaller rock with both hands and threw it onto the larger boulder. The boulder cracked and fell apart. Oops.
"Sorry we broke your rock."
Atsany took the pipe out of his mouth and said something.
"Mrrrhhhm," Astamur said.
"What did he say?"
"He said that the man must be your husband, because only someone we love very much can make us this crazy.
”
”
Ilona Andrews (Magic Rises (Kate Daniels, #6))
“
Her father had taught her about hands. About a dog's paws. Whenever her father was alone with a dog in a house he would lean over and smell the skin at the base of its paw. This, he would say, as if coming away from a brandy snifter, is the greatest smell in the world! A bouquet! Great rumours of travel! She would pretend disgust, but the dog's paw was a wonder: the smell of it never suggested dirt. It's a cathedral! her father had said, so-and-so's garden, that field of grasses, a walk through cyclamen--a concentration of hints of all the paths the animal had taken during the day.
”
”
Michael Ondaatje (The English Patient)
“
Everyone should get dirt on his hands each day. Doctors, intellectuals. Politicians, most of all. How can we presume to uplift the life of the working man, if we don't respect his work?
”
”
Barbara Kingsolver (The Lacuna)
“
I have had much experience with the unclean and uncivilized in the recent past. Shall I tell you what I discovered? I am not the state of my feet. I am not the dirt on my hands or the hygiene of my private parts. If I were these things, I would not have been at liberty to pray at any time since my arrest. But I did pray, because I am not these things. In the end, I am not even myself. I am a string of bones speaking the word God.
”
”
G. Willow Wilson (Alif the Unseen)
“
For me, the feeling of my hands in the dirt offers a deep, primordial
connection with the earth. When I am working the earth, I am at peace. It feels so right and so good.
”
”
Fran Sorin (Digging Deep: Unearthing Your Creative Roots Through Gardening)
“
She came out of sleep like a thunderclap—waking from dreams so deep and dark that she couldn’t remember anything but dirt and hands pulling her down into graves with cities inside them.
”
”
Holly Black (The Coldest Girl in Coldtown)
“
When life hands you dirt plant seeds.
”
”
Matshona Dhliwayo
“
Run,” he whispered. “Run.”
“No, Rand,” I said, brushing the dirt from his face. “I’m tired of running.”
“Forgive me, please.” He clutched my hand as his eyes beseeched me through tears of pain.
“You’re forgiven.”
He sighed once, then stopped breathing. The shine in his brown eyes dulled. I pulled his hood over his head.
”
”
Maria V. Snyder (Poison Study (Study, #1))
“
I came to realize that I was always looking for myself in the women I loved. I looked at their lovely, clean faces, and saw myself reflected in them. They, on the other hand, looked at me and saw the dirt on my face and, however intelligent and self confident they were, they ended up seeing themselves reflected in me and thinking that they were worse than they were. Please don't let that happen to you.
”
”
Paulo Coelho (The Zahir)
“
He laughs again. “You’re different, Caymen.”
“Different than what?”
“Than any other girl I’ve met.”
Considering most of the girls he’d met probably had fifty times as much money as I did, that wasn’t a hard feat to accomplish. Thinking about that makes my eyes sting.
“It’s refreshing. You make me feel normal.”
“Huh. I better work on that because you’re far from normal.”
He smiles and pushes my shoulder playfully. My heart slams into my ribs. “Caymen.”
I take another handful of dirt and smash it against his neck then try to make a quick escape. He grabs me from behind, and I see his hand, full of dirt, coming toward my face when the warning beeps of the tractor start up.
“Saved by the gravediggers,” he says.
”
”
Kasie West (The Distance Between Us (Old Town Shops, #1))
“
A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare.
He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it.
“This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam.
Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him.
That was this kiss.
They kissed again. Adam felt it in more than his lips.
Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window.
He did not understand anything.
It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible.
He was pretty sure he had just been Ronan’s first kiss.
“I’m gonna go downstairs,” Ronan said.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Out of all the piles of dirt, garbage, and shit we have been handed, we can grow a patch of daisies.
”
”
Patti Feuereisen (Invisible Girls: The Truth About Sexual Abuse--A Book for Teen Girls, Young Women, and Everyone Who Cares About Them)
“
Why won't you hold me?" I ask, drawing back a little.
He laughs a little, holds out his hands as if in explanation. They are covered in dirt and paint and blood.
I pull his hand to mine, put my palm against his. I can feel the grit of sand, the slick of paint, and the cuts and scrapes that speak of his own journey.
"It will all come clean," I tell him.
”
”
Ally Condie (Crossed (Matched, #2))
“
But then I'm distracted by movement in the Forest, a glimpse of red at the edge of my vision. She's no longer running, no longer even walking or standing, but crawling now. Dragging her broken body across the ground toward me, her fingers clawing at the dirt. Her progress is slow, unbearably so. Such that it's almost sad to see her reduced to this. Her body has used up it's stores of energy and has begun collapsing in on itself.
”
”
Carrie Ryan
“
My Papa's Waltz:
The whiskey on your breath
Could make a small boy dizzy;
But I hung on like death:
Such waltzing was not easy.
We romped until the pans
Slid from the kitchen shelf;
My mother's countenance
Could not unfrown itself.
The hand that held my wrist
Was battered on one knuckle;
At every step you missed
My right ear scraped a buckle.
You beat time on my head
With a palm caked hard by dirt,
Then waltzed me off to bed
Still clinging to your shirt.
”
”
Theodore Roethke
“
Tiffany got up early and lit the fires. When her mother came down, she was scrubbing the kitchen floor, very hard.
“Er…aren’t you supposed to do that sort of thing by magic, dear?” said her mother, who’d never really got the hang of what witchcraft was all about.
“No, Mum, I’m supposed not to,” said Tiffany, still scrubbing.
“But can’t you just wave your hand and make all the dirt fly away, then?”
“The trouble is getting the magic to understand what dirt is,” said Tiffany, scrubbing hard at a stain. “I heard of a witch over in Escrow who got it wrong and ended up losing the entire floor and her sandals and nearly a toe.”
Mrs. Aching backed away. “I thought you just had to wave your hands about,” she mumbled nervously.
“That works,” said Tiffany, “but only if you wave them about on the floor with a scrubbing brush.
”
”
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
“
If you can see a thing whole," he said, "it seems that it's always beautiful. Planets, lives. . . . But close up, a world's all dirt and rocks. And day to day, life's a hard job, you get tired, you loose the pattern. You need distance, interval. The way to see how beautiful earth is, is to see it from the moon. The way to see how beautiful life is, is from the vantage point of death."
"That's all right for Urras. Let it stay off there and be the moon-I don't want it! But I am not going to stand up on a gravestone and look down on life and say, 'O lovely!' I want to see it whole right in the middle of it, here, now. I don't give a hoot for eternity."
"It's nothing to do with eternity," said Shevek, grinning, a thin shaggy man of silver and shadow. "All you have to do to see life as a whole is to see it as mortal. I'll die, you'll die; how could we love each other otherwise? The sun's going to burn out, what else keeps it shining?"
"Ah! your talk, your damned philosophy!"
"Talk? It's not talk. It's not reason. It's hand's touch. I touch the wholeness, I hold it. Which is moonlight, which is Takver? How shall I fear death? When I hold it, when I hold in my hands the light-"
"Don't be propertarian," Takver muttered.
"Dear heart, don't cry."
"I'm not crying. You are. Those are your tears."
"I'm cold. The moonlight's cold."
"Lie down."
A great shiver went through his body as she took him in her arms.
"I'm afraid, Takver," he whispered.
”
”
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
“
Today, the sun is everywhere, and everything solid is nothing but its own shadow, I know that the real things in life, the things I remember, the things I turn over in my hands, are not houses, bank accounts, prizes or promotions. What I remember is love -- all love -- love of this dirt road, this sunrise, a day by the river, the stranger I met in a café. Myself, even, which is the hardest thing of all to love, because love and selfishness are not the same thing. It is easy to be selfish. It is hard to love who I am. No wonder I am surprised if you do.
”
”
Jeanette Winterson (Lighthousekeeping)
“
Tarquin turned from the table, just as the tent flaps parted for a pair of broad shoulders—
Varian. He didn’t so much as look at his High Lord, his focus going right to where Amren sat at the head of the table. As if he’d sensed she was here—or someone had reported. And he’d come running.
Amren’s eyes flicked up from the Book as Varian halted. A coy smile curved her red lips.
There was still blood and dirt splattered on Varian’s brown skin, coating his silver armor and close-cropped white hair. He didn’t seem to notice or care as he strode for Amren.
And none of us dared to speak as Varian dropped to his knees before Amren’s chair, took her shocked face in his broad hands, and kissed her soundly.
...
None of us lasted long after dinner.
Amren and Varian didn’t even bother to join us.
No, she’d just wrapped her legs around his waist, right there in front of us, and he’d stood, lifting her in one swift movement. I wasn’t entirely sure how Varian managed to walk them out of the tent while still kissing her, Amren’s hands dragging through his hair, letting out noises that were unnervingly like purring as they vanished into the camp.
Rhys had let out a low laugh as we all gawked in their wake. “I suppose that’s how Varian decided he’d tell Amren he was feeling rather grateful she ordered us to go to Adriata.”
Tarquin cringed. “We’ll alternate who has to deal with them on holidays.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
I don’t have good processing skills—at least I don’t think I do, because I turn everything into a fucking joke and then bury it in a shallow grave in whatever part of the mind something you never want to think about ever again goes…until its decomposing hand emerges from the dirt on a random Tuesday at 3 a.m. to remind you of that embarrassing thing you thought you’d forgotten.
”
”
Samantha Irby (Wow, No Thank You.)
“
What if there is no dirt on Merjack?
Oh, I can answer this one. (Omari raised his hand like he was in a classroom, then dropped it to his side.) We all die. (Omari)
I just love teenage angst. By the way, chip, there are worse things in life than dying. (Nero)
Like what? (Omari)
Living as a slave. (Alix)
”
”
Sherrilyn Kenyon (Born of Ice (The League: Nemesis Rising, #3; The League: Nemesis Legacy, #2))
“
Dirt's a funny thing,' the Boss said. 'Come to think of it, there ain't a thing but dirt on this green God's globe except what's under water, and that's dirt too. It's dirt makes the grass grow. A diamond ain't a thing in the world but a piece of dirt that got awful hot. And God-a-Mighty picked up a handful of dirt and blew on it and made you and me and George Washington and mankind blessed in faculty and apprehension. It all depends on what you do with the dirt. That right?
”
”
Robert Penn Warren (All the King's Men)
“
Briseis is kneeling by my body. She has brought water and cloth, and washes the blood and dirt from my skin. Her hands are gentle, as though she washes a baby, not a dead thing. Achilles opens the tent, and their eyes meet over my body.
"Get away from him," he says.
"I am almost finished. He does not deserve to lie in filth."
"I would not have your hands on him."
Her eyes are sharp with tears. "Do you think you are the only one who loved him?"
"Get out. Get out!"
"You care more for him in death than in life." Her voice is bitter with grief. "How could you have let him go? You knew he could not fight!"
Achilles screams, and shatters a serving bowl. "Get out!"
Briseis does not flinch. "Kill me. It will not bring him back. He was worth ten of you. Ten! And you sent him to his death!"
The sound that comes from him is hardly human. "I tried to stop him! I told him not to leave the beach!"
"You are the one who made him go." Briseis steps towards him. "He fought to save you, and your darling reputation. Because he could not bear to see you suffer!"
Achilles buries his face in his hands. But she does not relent. "You have never deserved him. I do not know why he ever loved you. You care only for yourself!"
Achilles' gaze lifts to meet hers. She is afraid, but does not draw back. "I hope that Hector kills you."
The breath rasps in his throat. "Do you think I do not hope the same?" he asks.
”
”
Madeline Miller (The Song of Achilles)
“
Man is made of dirt - I saw him made. I am not made of dirt. Man is a museum of diseases, a home of impurities; he comes to-day and is gone tomorrow; he begins as dirt and departs as stench; I am of the aristocracy of the Imperishables. And man has the Moral Sense. You understand? He has the Moral Sense. That would seem to be difference enough between us, all by itself."
"I know your race. It is made up of sheep. It is governed by minorities, seldom or never by majorities. It suppresses its feelings and its beliefs and follows the handful that makes the most noise. Sometimes the noisy handful is right, sometimes wrong; but no matter, the crowd follows it.
”
”
Mark Twain (The Mysterious Stranger and Other Stories)
“
I sing of a woman with ink on her hands and pictures hidden beneath her hair. I sing of a dog with skin like velvet pushed the wrong way.I sing of the shape a fallen body makes in the dirt beneath a tree, and I sing of an ordinary man who is wanted to know things no human being could tell him.This is the true beginning.
”
”
Carolyn Parkhurst (The Dogs of Babel)
“
She pivoted on one foot, turning her sword. Fast. Her head snapped toward me. Dark eyes stared straight at me. I detected no fear. Instead it was a look of challenge. So not a mouse after all, but something more. This could be interesting. I'd let her dance in the dirt a bit more. She was fun to watch.
She crouched with her hand out. What the hell was she doing... "Here, kitty, kitty, kitty." Oh my God, she was retarded and I was going to kill Jim.
”
”
Ilona Andrews
“
Winter’s head snapped around, away from Scarlet. Scarlet’s pace slowed, dread pulsing through her as she, too, heard the footsteps. Pounding footsteps, like someone was running at full speed toward them. She reached for the knife Jacin had given her. A man barrelled around the corner, heading straight for the princess. Winter tensed half a second before he reached her. Grabbing Winter’s elbow, he yanked back the red hood.
Scarlet gasped. Her knees weakened. The man stared at Winter with a mixture of confusion and disappointment and maybe even anger, all locked up in eyes so vividly green that Scarlet could see them glowing from here. She was the one hallucinating now.
She took a stumbling, uncertain step forward. Wanting to run toward him, but terrified it was a trick. Her hand tightened around the knife handle as Wolf, ignoring how Winter was trying to pull away, grabbed her arm and smelled the filthy red sleeve of Scarlet’s hoodie, streaked with dirt and blood. He growled, ready to tear the princess apart. “Where did you get this?” So desperate, so determined, so him. The knife slipped out of Scarlet’s hand. Wolf’s attention snapped to her. “Wolf?” she whispered.
His eyes brightened, wild and hopeful. Releasing Winter, he strode forward. His tumultuous eyes scooped over her. Devoured her.
When he was in arm’s reach, Scarlet almost collapsed into him, but at the last moment she had the presence of mind to step back. She planted a hand on his chest. Wolf froze, hurt flickering across his face.
“I’m sorry,” said Scarlet, her voice teetering with exhaustion. “It’s just…I smell so awful, I can hardly stand to be around myself right now, so I can’t even imagine what it’s like for you with your sense of sm-“
Batting her hand away, Wolf dug his fingers into Scarlet’s hair and crushed his mouth against hers. Her protests died with a muffled gasp. This time, she did collapse, her legs unable to hold her a second longer. Wolf fell with her, dropping his knees to break Scarlet’s fall and cradling her body against his. He was here. He was here.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
The fields are black and ploughed, and they lie like a great fan before us, with their furrows gathered in some hand beyond the sky, spreading forth from that hand, opening wide apart as they come toward us, like black pleats that sparkle with thin, green spangles.
”
”
Ayn Rand (Anthem)
“
In tiny Denmark the system wasso ingenious that if you knew some dirt about somebody, they also knew something just as bad about you. If it wasn't hushed up, the one person's offense quickly infected the other's. A strange, practical principle that meant that no one would say anything about anyone else, not even if they were caught with their hands in the biscuit tin.
”
”
Jussi Adler-Olsen
“
He was one whose power was akin to, and as strong as, the Old Powers of the earth; one who talked with dragons, and held off earthquakes with his word. And there he lay asleep on the dirt, with a little thistle growing by his hand. It was very strange. Living, being in the world, was a much greater and stranger thing than she had ever dreamed. The glory of the sky touched his dusty hair, and turned the thistle gold for a little while.
”
”
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
“
...she stood back and wiped the sweat-sting from her eyes. The air was clean. Her hands brown with dirt. Pride surged through her, raw and immense; she had believed happiness to be an absence - of fear, of pain, of grief - but here it roared in her as powerful as any sadness.
”
”
Anthony Marra (A Constellation of Vital Phenomena)
“
I used to come from the village with all that dirt and coarse ugliness like a pain within me, and the simpering pictures in the drawing-room seemed to me like a wicked attempt to find delight in what is false, while we don't mind how hard the truth is for the neighbors outside our walls. I think we have no right to come forward and urge wider changes for good, until we have tried to alter the evils which lie under our own hands.
”
”
George Eliot (Middlemarch)
“
You think that the world we live in is ordinary. We make noise and static to fill the empty spaces where ghosts live. We let other people grow our food, bleach our clothes. We seal ourselves in, clean the dirt from our skins, eat of animals whose blood does not stain our hands. We long ago left the ways of our ancestors, oracles and blood sacrifice, traffic with the spirit world, listening for the voices out of stones and trees. But maybe sometimes you have felt the uncanny, alone at night in a dark wood, or waiting by the edge of the ocean for the tide to come in. We have paved over the ancient world, but that does not mean we have erased it.
”
”
Sarah McCarry (All Our Pretty Songs (Metamorphoses, #1))
“
I used to think that I needed to be part of a story, a big story, one with trials and villains and temptations and rewards. That's how I would conquer it, conquer death."
She sighed again, and nestled in closer to me. "All that matters, in the end, is the little things. The way Mim says my name to wake me up in the morning. The way Bee's hand feels in mine. The way the sun cast my shadow across the yard yesterday. The way your cheeks flush when we kiss. The smell of hay and the taste of strawberries and the feel of fresh black dirt between my toes. This is what matters, Midnight.
”
”
April Genevieve Tucholke (Wink Poppy Midnight)
“
Darren knew the power of home, knew what it meant to stand on the land where your forefathers had forged your future out of dirt, knew the power of what could be loved up by hand, how a harvest could change a fate. He knew what it felt like to stand on the back porch of his family homestead in Camilla and feel the breath of his ancestors in the trees, feel the power of gratitude in every stray breeze.
”
”
Attica Locke (Bluebird, Bluebird (Highway 59, #1))
“
You didn't want to die. Most mortals don't, even if they find themselves in as desolate and soul-destroying a spot as you. Almost all of those who take their own lives wish at the last moment that they hadn't. They see at the end how much they've given up, how precious life is, even when it's treated them like dirt and crushed their dreams. Many think they've passed beyond hope, but they never really have, not until they pass beyond life itself. Alas, that knowledge comes too late for most would-be-suicides and they die with regret. Very few are offered the chance that you have been handed.
”
”
Darren Shan (Palace of the Damned (The Saga of Larten Crepsley, #3))
“
People who will not turn a shovel full of dirt on the project nor contribute a pound of material, will collect more money from the United States than will the People who supply all the material and do all the work. This is the terrible thing about interest ...But here is the point: If the Nation can issue a dollar bond it can issue a dollar bill. The element that makes the bond good makes the bill good also. The difference between the bond and the bill is that the bond lets the money broker collect twice the amount of the bond and an additional 20%. Whereas the currency, the honest sort provided by the Constitution pays nobody but those who contribute in some useful way. It is absurd to say our Country can issue bonds and cannot issue currency. Both are promises to pay, but one fattens the usurer and the other helps the People. If the currency issued by the People were no good, then the bonds would be no good, either. It is a terrible situation when the Government, to insure the National Wealth, must go in debt and submit to ruinous interest charges at the hands of men who control the fictitious value of gold.
”
”
Thomas A. Edison
“
But gardening is none of that, really. Strip away the gadgets and the techniques, the books and the magazines and the soil test kits, and what you're left with, at the end of the day, is this: a stretch of freshly turned dirt, a handful of seeds scratched into the surface, and a marker to remember where they went. It is at the same time an incredibly brave and an incredibly simple thing to do, entrusting your seeds to the earth and waiting for them to rise up out of the ground to meet you.
”
”
Amy Stewart (From the Ground Up: The Story of a First Garden)
“
The sun glistened on a drop of water as it fell from his hand to his knee. David wiped it off, but it left no tidemark: there was no more dirt to rub away. He took a deep breath and shivered. He was David. Everything else was washed away, the camp, its smell, its touch--and now he was David, his own master, free--free as long as he could remain so.
”
”
Anne Holm (I Am David)
“
My condolences
I'll shed a tear with your family
I'll open a bottle up, pour a little bit out in your memory
I'll be at the wake dressed in all black
I'll call out your name, but you won't call back
I'll hand a flower to your mother when I say goodbye
Cause baby you're dead to me
I need to kill you
That's the only way to get you out of my head
Oh I need to kill you
To silence all the sweet little things you said
I really want to kill you
Wipe you off the face of my earth
And bury your bracelet
Bury your bracelet
Six feet under the dirt
”
”
Melanie Martinez
“
I thought wulfen howls were bad when I heard them in my own garage. Hearing the high, glassy cry in the middle of the woods at night is infinitely worse, because the howls sounds like it could be words if you just listen hard enough. The horrible thing is that it pulls on that deep hidden part in every person-the blind animal part.
The part that knows you're the prey.
But the worst thing about it?
Is when it sounds right behind you, and something hits you from behind, tumbling you into another thorn-spiked mess of vines and branches, leaf mold and dirt filling your nose, and a huge, hot, hairy hand winds in your hair.
”
”
Lilith Saintcrow (Betrayals (Strange Angels, #2))
“
I hit at the dirt with my heels of my fists, and then pounded it again and again, the sand scattering around my hands until I was hitting the bare roots of the tree, and I kept it up, the pain shooting up through my palms and wrists. I had not cried for Margo until then, but now finally I did, pounding against the ground and shouting because there was no one to hear: I missed her I missed her I missed her I miss her.
”
”
John Green (Paper Towns)
“
But nobody wanted to speak on the true disposition of the world. And no one wanted to hear it...
The whites came to this land for a fresh start and to escape the tyranny of their masters, just as the Freeman had fled theirs. But the ideals they held up for themselves, they denied others. Cora had heard Michael recite the Declaration of Independence back on the Randall plantation many times, his voice drifting through the village like an angry phantom. She didn't understand the words, most of them at any rate, but created equal was not lost on her. The white men who wrote it didn't understand it either, if all men did not truly mean all men. Not if they snatched away what belonged to other people, whether it was something you could hold in your hand, like dirt, or something you could not, like freedom.
”
”
Colson Whitehead (The Underground Railroad)
“
He never described himself as a poet or his work as poetry. The fact that the lines do not come to the edge of the page is no guarantee. Poetry is a verdict, not an occupation. He hated to argue about the techniques of verse. The poem is a dirty, bloody, burning thing that has to be grabbed first with bare hands. Once the fire celebrated Light, the dirt Humility, the blood Sacrifice. Now the poets are professional fire-eaters, freelancing at any carnival. The fire goes down easily and honours no one in particular.
”
”
Leonard Cohen (The Favorite Game)
“
He waved his hand; and it was as though, with an invisible feather wisk, he had brushed away a little dust, and the dust was Harappa, was Ur of the Chaldees; some spider-webs, and they were Thebes and Babylon and Cnossos and Mycenae. Whisk. Whisk—and where was Odysseus, where was Job, where were Jupiter and Gotama and Jesus? Whisk—and those specks of antique dirt called Athens and Rome, Jerusalem and the Middle Kingdom—all were gone. Whisk—the place where Italy had been empty. Whisk, the cathedrals; whisk, whisk, King Lear and the Thoughts of Pascal. Whisk, Passion; whisk, Requiem; whisk, Symphony; whisk...
”
”
Aldous Huxley (Brave New World)
“
Glokta felt his hand bunching into a fist on the parapet. ‘We must make the Gurkish pay for every stride of ground.’ We must make them pay for my ruined leg. ‘For every inch of dirt.’ For my missing teeth. ‘For every meagre shack, and crumbling hut, and worthless stretch of dust.’ For my weeping eye, and my twisted back, and my repulsive shadow of a life. He licked at his empty gums. ‘Make them pay.
”
”
Joe Abercrombie (Before They Are Hanged (The First Law, #2))
“
You wanted Death? This is it. Dirt and decay, nothing more. Death translates us all into earth.” He frowned at me, his cheeks puffing slightly. “Are you disappointed? Did you want a man in black robes? I’m sure I’ve a set somewhere. A dour, thin face with bony hands? I’ve more bones in this house than you could ever count. You’ve been moping over half the world looking for Death as though that word meant anything but cold bodies and mushrooms growing out of young girls’ eye-sockets. What an exceptionally stupid child!” Suddenly he moved very fast, like a turtle after a spider—such unexpected movement from a thing so languid and round. He clapped my throat in his hand, squeezing until I could not breathe…I whistled and wheezed, beating at his chest, and my vision blurred, thick as blood. “You want Death?” he hissed. “I am Death. I will break your neck and cover you with my jar of dirt. When you kill, you become Death, and so Death wears a thousand faces, a thousand robes, a thousand gazes.” He loosened his grip. “But you can be Death, too. You can wear that face and that gaze. Would you like to be Death? Would you like to live in this house and learn his trade?
”
”
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
“
Love is like this small room where a child brings you to show you all their treasures. First the child shows you all the new toys that are bright and shiny and top of the line. But then she shows you all the stuff that has ended up at the bottom of the trunk. There are dolls with eyes that wobble, hair that is falling out of their heads, and dirt behind their ears. Their fingertips have been chewed off by dogs and they have been drawn on with ballpoint pen. It has been so long since they have been held or anyone has told them that they are lovely. They lie at the bottom of the toy chest, hidden and ashamed. You are either going to be disgusted by them, or you are going to be so filled with love for them that your heart almost breaks.
I took his hand in mine.
”
”
Heather O'Neill (The Girl Who Was Saturday Night)
“
August 21.
... I've become pretty good at telling weeds fom not-weeds. But every once in a while I have my doubts. I come across an especially difficult root. I pull and it doesn't come out. I pull again. It resists. I dig my gloved fingers into the soil and grab it with both hands and pull yet again. It begins to come out, but I can see it's going to take several more hard pulls. And that's when the doubts begin. I begin to wonder: Have I made a mistake? Is this really a weed? If it's not supposed to be here, why is it resisting so? But it's too late now. There's nothing to do with a plant half pulled but to go all the way. And so I tug some more, and finally, shedding clods of dirt and worms, it breaks free of the earth---and I try not to hear the tiny, anguished cry.
”
”
Jerry Spinelli (Love, Stargirl (Stargirl, #2))
“
Look around you, Lessa of Pern, look around the Weyr with unveiled eyes. Old and hallowed is the Weyr? Yes, but shabby and worn – and disregarded. Yes, you were elated to sit in the Weyrwoman’s great chair at the Council Table, but the padding is thin and the fabric dusty. Humbled to think your hands rest where Moreta’s and Torene’s had rested? Well, the stone is ingrained with dirt and needs a good scrubbing. And your rump may rest where theirs did – but that’s not where you have your brains.
”
”
Anne McCaffrey (Dragonflight (Dragonriders of Pern, #1))
“
Together they crawled through the attic space, looking for the source of a roof leak they’d discovered in the last bathroom. Jax was out in front,
braving the spiderwebs. Maddie was behind him, working really hard at not looking at his butt.
And failing spectacularly.
So when he unexpectedly twisted around, holding out his hand for the clipboard she was now holding, he caught her staring at him.
“I, um—You have a streak of dirt,” she said.
“A streak of dirt.”
Yes.” She pointed to his left perfectly muscled butt cheek. “There.”
He was quiet for a single, stunned beat. She couldn’t blame him, given that they were both covered in dirt from the filthy attic. “Thanks,” he finally
said. “It’s important to know where the dirt streaks are.”
“It is,” she agreed, nodding like a bobble head. “Probably you should stain-stick it right away. I have some in my purse.”
“Are you offering to rub it on my ass?
”
”
Jill Shalvis (Simply Irresistible (Lucky Harbor, #1))
“
His hand was a claw, sharp enough to open her. She would be like all the others—Ruta Badowski, in her broken dancing shoes. Tommy Duffy, still with the dirt of his last baseball game under his nails. Gabriel Johnson, taken on the best day of his life. Or even Mary White, holding out for a future that never arrived. She’d be like all those beautiful, shining boys marching off to war, rifles at their hips and promises on their lips to their best girls that they’d be home in time for Christmas, the excitement of the game showing in their bright faces. They’d come home men, heroes with adventures to tell about, how they’d walloped the enemy and put the world right side up again, funneled it into neat lines of yes and no. Black and white. Right and wrong. Here and there. Us and them. Instead, they had died tangled in barbed wire in Flanders, hollowed by influenza along the Western Front, blown apart in no-man’s-land, writhing in trenches with those smiles still in place, courtesy of the phosgene, chlorine, or mustard gas. Some had come home shell-shocked and blinking, hands shaking, mumbling to themselves, following orders in some private war still taking place in their minds. Or, like James, they’d simply vanished, relegated to history books no one bothered to read, medals put in cupboards kept closed. Just a bunch of chess pieces moved about by unseen hands in a universe bored with itself.
”
”
Libba Bray (The Diviners (The Diviners, #1))
“
when she was 7, a boy pushed her on the playground
she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs
when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you
he probably just thinks you’re cute’
but the thing is,
when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same
you teach her that boys show their affection through aggression
and she grows into a young woman who constantly mistakes the two
because no one ever taught her the difference
‘boys will be boys’
turns into
‘that’s how he shows his love’
and bruises start to feel like the imprint of lips
she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist
the one adult she tells scolds her
‘you know he loses his temper easily
why the hell did you have to provoke him?’
so she shrinks
folds into herself, flinches every time a man raises his voice
by the time she’s 16 she’s learned her job well
be quiet, be soft, be easy
don’t give him a reason
but for all her efforts, he still finds one
‘boys will be boys’ rings in her head
‘boys will be boys
he doesn’t mean it
he can’t help it’
she’s 7 years old on the playground again
with a mouth full of rocks and blood that tastes like copper love
because boys will be boys baby don’t you know
that’s just how he shows he cares
she’s 18 now and they’re drunk
in the split second it takes for her words to enter his ears they’re ruined
like a glass heirloom being dropped between the hands of generations
she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment
she touches the bruise the next day
boys will be boys
aggression, affection, violence, love
how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war
she draws tally marks on her walls ratios of kisses to bruises
one entire side of her bedroom turns purple, one entire side of her body
boys will be boys will be boys will be boys
when she’s 20, a boy touches her hips and she jumps
he asks her who the hell taught her to be scared like that and she wants to laugh
doesn’t he know that boys will be boys?
it took her 13 years to unlearn that lesson from the playground
so I guess what I’m trying to say is
i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things
baby they exist in different universes
my niece can’t even speak yet but I think I’ll start with her now
don’t ever accept the excuse that boys will be boys
don’t ever let him put his hands on you like that
if you see hate blazing in his eyes don’t you ever confuse it with love
baby love won’t hurt when it comes
you won’t have to hide it under long sleeves during the summer
and
the only reason he should ever reach out his hand
is to hold yours
”
”
Fortesa Latifi
“
It doesn't have to be this way...Whatever else is lost, the knowledge isn't. Just because things get out of hand, just because things get smashed, just because everything comes apart, it doesn't mean that it always has to be that way, now and forever. Whether it's care that does it or sheer blind luck, things can work, things can grow, things can change and still stay together. If only they get enough chances, things can work out in the end. We're here, aren't we? In all our awesome complexity, we're here, even though we started out as nothing but ambitious dirt, nothing but clever clay. And in the end, one way or another, we'll find a way to get it all together, to make things work. That's life, May. That's what real life is all about.
”
”
Brian M. Stableford
“
I will hold what I am inside, and keep my hands tight around all the things I have seen and heard, and felt. The poems composed as I washed and scythed and cooked until my hands were raw. The sagas I know by heart. I am sinking all I have left and going underwater. If I speak, it will be in bubbles of air. They will not be able to keep my words for themselves. They will see the whore, the madwoman, the murderess, the female dripping blood into the grass and laughing with her mouth choked with dirt. They will say ‘Agnes’ and see the spider, the witch caught in the webbing of her own fateful weaving. They might see the lamb circled by ravens, bleating for a lost mother. But they will not see me. I will not be there.
”
”
Hannah Kent (Burial Rites)
“
I want to live where soul meets body
And let the sun wrap its arms around me
And bathe my skin in water cool and cleansing
And feel, feel what its like to be new
And I cannot guess what we'll discover
When we turn the dirt with our palms cupped like shovels
But I know our filthy hands can wash one another’s
And not one speck will remain
And I do believe it’s true
That there are roads left in both of our shoes
But if the silence takes you
Then I hope it takes me too
So brown eyes I hold you near
Cause you’re the only song I want to hear
”
”
Death Cab for Cutie
“
She loved that boy with her whole heart, but my God, there were days when she couldn’t fully breathe until she’d left him at the schoolyard gate. That’s all over now; she would staple him to her, sew him into her skin, affix her body permanently to his now, if she could. She’d grow her hair into his scalp, would become his conjoined twin-mother. She would forgo a private thought in her head for the rest of her life, if she could keep him safe. Luca waits at the corner, and Lydia looks beyond him, across the street, where the side of a building is painted with graffiti. A giant question mark. No. No, it’s not a question mark. Lydia stops cold. She puts her hand out for Luca.
”
”
Jeanine Cummins (American Dirt)
“
The sun was just beginning to rise when we reached the corn mill, which surprised me until I remembered that A) England has freakishly early sunrises in the summer, and B) we'd been gone nearly two hours. I was pretty sure I'd never been so wiped out in my entire life. I felt hollow and exhausted, and as I looked at Archer, almost unbearably sad. I tried to tell myself that it was just because I'd been nearly squished by the space-time continuum,but I knew that wasn't it.
I think Archer was feeling something similar, because his hands shook slightly as he lifted the chain from around our necks. It hit the floor with a heavy thump, sending up a cloud of dust motes. They sparkled in the shaft of pale pink light that fell between us, looking surprisingly pretty for dirt.
Archer's face was streaked with sweat, and there was a smudge above his left eyebrow, as well as a dark stain on his torso that was probably ghoul blood. I had a feeling I looked just as rough.
"Well," he said at last, his voice slightly hoarse. "That was the worst first date I've ever been on.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Under the ground seep the toxins of the population that lives above. If you have to, you will eat roots and earthworms. It is always night. Candles burn in lanterns made from tin cans. When it is nighttime up above, you can crawl out, but only for a little while. You feel ashamed of your matted hair, your torn clothes, the dirt on your face. Who would want to speak to you? They are all shiny and pretty. They have parents and house with gardens. What do you have? The earth. Whole handfuls of it. The lizard people with their slit eyes and scaly skin. Your loneliness. Your longing.
”
”
Francesca Lia Block (The Waters & the Wild)
“
For a split second today I could smell home. It smelled like sunset on a dirt road. I thought my heart was going to break. The world I left behind was so close I could almost touch it. Everything in me cried out for it. It's amazing how certain shades of agony have their own beauty. I can't ever seem to make myself believe that the home I once knew doesn't even exist anymore. It's still too real inside my head. I wish I had a handful of dust from back then, so that I could keep it in a bottle and always have it near.
”
”
Damien Echols (Life After Death)
“
Make a ritual ablution before each prayer, beginning every action with "In the name of God, the Compassionate, the Merciful." First wash your hands, intending to pull them away from the affairs of this world. Then wash your mouth, remember and reciting God's name, purifying it in order to utter His Name. Wash your nose wishing to inhale the perfumes of the Divine. Wash your face feeling shame, and intending to wipe from it arrogance and hypocrisy. Wash your forearms trusting God to make you do what is good. Wet the top of your head feeling humility and wash your ears (in preparation) to hear the address of your Lord. Wash from your feet the dirt of the world so that you don't stain the sands of Paradise. Then thank and praise the Lord, and send prayers of peace and blessing upon our Master, who brought the canons of Islam and taught them to us.
After you leave the place of your ablution without turning your back to it, perform two cycles of prayer out of hope and thankfulness for His making you clean.
Next, stand in the place where you are going to make your prayers as if between the two hands of your Lord. Imagine, without forms and lines, that you are facing the Ka'bah, and that there is no one else on the face of this earth but you. Bring yourself to express your servanthood physically. Choose the verses you are going to recite, understanding their meanings within you. With the verses that start with "Say..." feel that you are talking to your Lord as He wishes you to do: let every word contain praise. Allow time between the sentences, contemplating what our Master, the Messenger of God, gave us, trying to keep it in your heart. Believing that your destiny is written on your forehead, place it humbly on the floor in prostration. When you finish and give salutations to your right and to your left, keep your eyes on yourself and your connection with your Lord, for you are saluting the One under whose power you are and who is within you...
”
”
Ibn ʿArabi
“
Describing good relatedness to someone, no matter how precisely or how often, does not inscribe it into the neural networks that inspire love. Self-help books are like car repair manuals: you can read them all day, but doing so doesn't fix a thing. Working on a car means rolling up your sleeves and getting under the hood, and you have to be willing to get dirt on your hands and grease beneath your fingernails. Overhauling emotional knowledge is no spectator sport; it demands the messy experience of yanking and tinkering that comes from a limbic bond. If someone's relationship today bear a troubled imprint, they do so because an influential relationship left its mark on a child's mind. When a limbic connection has established a neural pattern, it takes a limbic connection to revise it.
”
”
Thomas Lewis (A General Theory of Love)
“
He loved her. He did. He fucking loved this woman. He loved her giggle when she couldn’t control it. He loved the mischief in her eyes when she was playful. He loved how her body stiffened and hands balled up and her gaze could eat through a grown man when she was mad. But none of that compared to how much he loved her sighs, the sound of his name when she screamed it, the way her mouth responded to his kisses, her scent—God he could bottle her juices and become a billionaire, but he would never because he couldn’t, in that moment, ever imagine another man with her. He would kill to keep her his, pay every cent of his fortune, destroy his career and never have another if it would keep her his. This was not a rebound, this was not infatuation, this was the end of his life as he knew it, and the realization hit that even if she didn’t want him, he would never ever find another woman like her, he would never ever get over her. He closed his eyes, felt her leg move against his, her chest heaving against his, her mouth by his neck, and he had never been so terrified.
”
”
Alessandra Torre (Hollywood Dirt (Hollywood Dirt, #1))
“
The world kept slipping out from underneath Chaol's feet, so much so that he grabbed a handful of dirt just to remember where he was and that this was real, not some nightmare. Dorian. His friend; unharmed, but--but not Dorian. Not even close to Dorian, as the prince smirked at that beautiful, white-haired witch. The face was the same, but the soul gazing out of those sapphire eyes had not been created in this world.
Chaol squeezed the dirt harder. He had run. He had run from Dorian, and let this happen. It hadn't been hope that he carried when he fled, but stupidity. Aelin had been right. It would be a mercy to kill him.
”
”
Sarah J. Maas
“
That night marks my life's dark center, the moment when growing up ended and the long downward slope toward death began. The wonder to me now is that I thought myself worth saving...I reached out and clung for life with my good left hand like a claw, grasping at moving legs to raise myself from the dirt. Desperate to save myself in a river of people saving themselves. And if they chanced to look down and see me struggling underneath them, they saw that even the crooked girl believed her own life was precious. That is what it means to be a beast in the kingdom.
”
”
Barbara Kingsolver (The Poisonwood Bible)
“
Annie, who up until this very day had always felt like a child--which is why she could not marry, she could not be a wife--now felt quietly ancient. She thought how for years onstage she had used the image of walking up the dirt road holding her father's hand, the snow-covered fields spread around them, the woods in the distance, joy spilling through her--how she had used this scene to have tears immediately come to her eyes, for the happiness of it, and the loss of it. And now she wondered if it had even happened, if the road had ever been narrow and dirt, if her father had ever held her hand and said that his family was the most important thing to him.
”
”
Elizabeth Strout (Anything Is Possible (Amgash, #2))
“
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better.
Real women do not have curves. Real women do not look like just one thing.
Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever.
Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions.
Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them.
Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides.
Real women wear high heels and skirts. Or not.
Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to.
Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced.
Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real.
There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body.
I’m going to say it again because it’s important: There is no wrong way to have a body.
And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap.
You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real.
Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
”
”
Hanne Blank
“
SPRING POEM
It is spring, my decision, the earth
ferments like rising bread
or refuse, we are burning
last year's weeds, the smoke
flares from the road, the clumped stalks
glow like sluggish phoenixes / it wasn't
only my fault / birdsongs burst from
the feathered pods of their bodies, dandelions
whirl their blades upwards, from beneath
this decaying board a snake
sidewinds, chained hide
smelling of reptile sex / the hens
roll in the dust, squinting with bliss, frogbodies
bloat like bladders, contract, string
the pond with living jelly
eyes, can I be this
ruthless? I plunge
my hands and arms into the dirt,
swim among stones and cutworms,
come up rank as a fox,
restless. Nights, while seedlings
dig near my head
I dream of reconciliations
with those I have hurt
unbearably, we move still
touching over the greening fields, the future
wounds folded like seeds
in our tender fingers, days
I go for vicious walks past the charred
roadbed over the bashed stubble
admiring the view, avoiding
those I have not hurt
yet, apocalypse coiled in my tongue,
it is spring, I am searching
for the word:
finished
finished
so I can begin over
again, some year
I will take this word too far.
”
”
Margaret Atwood (You are Happy)
“
As gale-winds swirl and shatter under the shrilling gusts on days when drifts of dust lie piled thick on the roads and winds whip up the dirt in a dense whirling cloud- so the battle broke, storming chaos, troops inflamed, slashing each other with bronze, carnage mounting, manslaughtering combat bristling with rangy spears, the honed lances brandished in hand and ripping flesh and the eyes dazzled now, blind with the glare of bronze, glittering helmets flashing, breastplates freshly burnished, shields fiery in sunlight, fighters plowing on in a mass. Only a veteran steeled at heart could watch that struggle and still thrill with joy and never feel the terror.
”
”
Homer (The Iliad)
“
You shall no longer take things at second or third hand....
nor look through the eyes of the dead....
nor feed on
the spectres in books.
I tramp a perpetual journey
All goes onward and outward.... and nothing collapses,
And to die is different from what any one supposed, and luckier.
If no other in the world be aware I sit content,
And if each and all be aware I sit content.
The final three stanzas of 'Song of Myself" were also highlighted.
I bequeath myself to the dirt to grow from the grass I love,
If you want me again look for me under your bootsoles.
You will hardly know who I am or what I mean,
But I shall be good health to your nevertheless,
And filter and fibre your blood.
Failing to fetch me at first keep encouraged,
Missing me one places search another,
I stop some where waiting for you
It became a weekend of reading, of trying to see her in the fragments of the poem she'd left for me. I could never get anywhere with the lines, but I kepr thinking about them anyway, becase I didn't want to disappoint her. She wanted me to play out with the string, to find the place where she had stopped and was waiting for me, to follow the bread crumb trail until it dead-ended into her.
”
”
John Green (Paper Towns)
“
The grime was no man’s grime but death and human locomotives,
all that dress of dust, that veil of darkened railroad skin, that smog of cheek, that eyelid of black mis’ry, that sooty hand or phallus or protuberance of artificial worse-than-dirt—industrial—modern—all that civilization spotting your crazy golden crown—
and those blear thoughts of death and dusty loveless eyes and ends and withered roots below, in the home-pile of sand and sawdust, rubber dollar bills, skin of machinery, the guts and innards of the weeping coughing car, the empty lonely tincans with their rusty tongues alack, what more could I name, the smoked ashes of some cock cigar, the cunts of wheelbarrows and the milky breasts of cars, wornout asses out of chairs & sphincters of dynamos—all these
entangled in your mummied roots—and you there standing before me in the sunset, all your glory in your form!
”
”
Allen Ginsberg (Howl, Kaddish and Other Poems)
“
He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it.
“This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam.
Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him.
That was this kiss.
They kissed again. Adam felt it in more than his lips.
Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window.
He did not understand anything.
It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible.
He was pretty sure he had just been Ronan’s first kiss.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
I thought of my father, alone and elsewhere, his head cradled in his hands. I thought of the day he'd punched a hole straight through the kitchen wall, thinking she'd be tucked away inside. All those places he'd looked and never found. Inside their mattress. In stained-glass windows. How he'd scoured the carpet for her stray hair and strung them all together with a ribbon; how he'd slept with that one lock swathed across his nostrils, hugging a pillow fitted with a nightshirt. How he'd dug up the backyard, stripped and sweating. How he'd played her favorite album on repeat and loud, a lure. How when we took up the carpet in my bedroom to find her, under the carpet was wood. Under the wood there was cracked concrete. Under the concrete there was dirt. Under the dirt there was a cavity of water. I swam down into the water with my nose clenched and lungs burning in my chest but I could not find the bottom and I couldn't see a thing.
”
”
Blake Butler
“
Quantum physicists discovered that physical atoms are made up of vortices of energy that are constantly spinning and vibrating; each atom is like a wobbly spinning top that radiates energy. Because each atom has its own specific energy signature (wobble), assemblies of atoms (molecules) collectively radiate their own identifying energy patterns. So every material structure in the universe, including you and me, radiates a unique energy signature. If it were theoretically possible to observe the composition of an actual atom with a microscope, what would we see? Imagine a swirling dust devil cutting across the desert’s floor. Now remove the sand and dirt from the funnel cloud. What you have left is an invisible, tornado-like vortex. A number of infinitesimally small, dust devil–like energy vortices called quarks and photons collectively make up the structure of the atom. From far away, the atom would likely appear as a blurry sphere. As its structure came nearer to focus, the atom would become less clear and less distinct. As the surface of the atom drew near, it would disappear. You would see nothing. In fact, as you focused through the entire structure of the atom, all you would observe is a physical void. The atom has no physical structure—the emperor has no clothes! Remember the atomic models you studied in school, the ones with marbles and ball bearings going around like the solar system? Let’s put that picture beside the “physical” structure of the atom discovered by quantum physicists. No, there has not been a printing mistake; atoms are made out of invisible energy not tangible matter! So in our world, material substance (matter) appears out of thin air. Kind of weird, when you think about it. Here you are holding this physical book in your hands. Yet if you were to focus on the book’s material substance with an atomic microscope, you would see that you are holding nothing. As it turns out, we undergraduate biology majors were right about one thing—the quantum universe is mind-bending. Let’s look more closely at the “now you see it, now you don’t” nature of quantum physics. Matter can simultaneously be defined as a solid (particle) and as an immaterial force field (wave). When scientists study the physical properties of atoms, such as mass and weight, they look and act like physical matter. However, when the same atoms are described in terms of voltage potentials and wavelengths, they exhibit the qualities and properties of energy (waves). (Hackermüller, et al, 2003; Chapman, et al, 1995; Pool 1995) The fact that energy and matter are one and the same is precisely what Einstein recognized when he concluded that E = mc2. Simply stated, this equation reveals that energy (E) = matter (m, mass) multiplied by the speed of light squared (c2). Einstein revealed that we do not live in a universe with discrete, physical objects separated by dead space. The Universe is one indivisible, dynamic whole in which energy and matter are so deeply entangled it is impossible to consider them as independent elements.
”
”
Bruce H. Lipton (The Biology of Belief: Unleasing the Power of Consciousness, Matter and Miracles)
“
Open Letter to Neil Armstrong"
Dear Neil Armstrong,
I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard?
Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky?
I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath.
Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love.
God, I'd do it every day, if I could just land next to her.
One small step for man, but she's one giant leap for my kind.
”
”
Mike McGee
“
This story takes place a half a billion years ago-an inconceivably long time ago, when this planet would be all but recognizable to you. Nothing at all stirred on the land except the wind and the dust. Not a single blade of grass waved in the wind, not a single cricket chirped, not a single bird soared in the sky. All these things were tens of millions of years away in the future.
But of course there was an anthropologist on hand. What sort of world would it be without an anthropologist? He was, however a very depressed and disillusioned anthropologist, for he'd been everywhere on the planet looking for someone to interview, and every tape in his knapsack was as blank as the sky. But one day as he was moping alongside the ocean he saw what seemed to be a living creature in the shallows off shore. It was nothing to brag about, just sort of a squishy blob, but it was the only prospect he'd seen in all his journeys, so he waded out to where it was bobbing in the waves.
He greeted the creature politely and was greeted in kind, and soon the two of them were good friends. The anthropologist explained as well as he could that he was a student of life-styles and customs, and begged his new friend for information of this sort, which was readily forthcoming. ‘And now’, he said at last, ‘I'd like to get on tape in your own words some of the stories you tell among yourselves.’
‘Stories?’ the other asked.
‘You know, like your creation myth, if you have one.’
‘What is a creation myth?’ the creature asked.
‘Oh, you know,’ the anthropologist replied, ‘the fanciful tale you tell your children about the origins of the world.’
Well, at this, the creature drew itself up indignantly- at least as well as a squishy blob can do- and replied that his people had no such fanciful tale.
‘You have no account of creation then?’
‘Certainly we have an account of creation,’ the other snapped. ‘But its definitely not a myth.’
‘Oh certainly not,’ the anthropologist said, remembering his training at last. ‘Ill be terribly grateful if you share it with me.’
‘Very well,’ the creature said. ‘But I want you to understand that, like you, we are a strictly rational people, who accept nothing that is not based on observation, logic, and scientific method.’
‘"Of course, of course,’ the anthropologist agreed.
So at last the creature began its story. ‘The universe,’ it said, ‘was born a long, long time ago, perhaps ten or fifteen billion years ago. Our own solar system-this star, this planet, and all the others- seem to have come into being some two or three billion years ago. For a long time, nothing whatever lived here. But then, after a billion years or so, life appeared.’
‘Excuse me,’ the anthropologist said. ‘You say that life appeared. Where did that happen, according to your myth- I mean, according to your scientific account.’
The creature seemed baffled by the question and turned a pale lavender. ‘Do you mean in what precise spot?’
‘No. I mean, did this happen on land or in the sea?’
‘Land?’ the other asked. ‘What is land?’
‘Oh, you know,’ he said, waving toward the shore, ‘the expanse of dirt and rocks that begins over there.’
The creature turned a deeper shade of lavender and said, ‘I cant imagine what you're gibbering about. The dirt and rocks over there are simply the lip of the vast bowl that holds the sea.’
‘Oh yes,’ the anthropologist said, ‘I see what you mean. Quite. Go on.’
‘Very well,’ the other said. ‘For many millions of centuries the life of the world was merely microorganisms floating helplessly in a chemical broth. But little by little, more complex forms appeared: single-celled creatures, slimes, algae, polyps, and so on.’
‘But finally,’ the creature said, turning quite pink with pride as he came to the climax of his story, ‘but finally jellyfish appeared!
”
”
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
“
There are probably a few things worse than climbing into a hole that is actually underneath a creepy basement, but at that moment, it was hard to think of any of them.
I was only a few steps down the ladder before I was plunged into darkness. The dim light in the cellar wasn’t strong enough to penetrate the gloom. I was also pretty sure that the tunnel was narrower now, and as I took another step down, both my shoulders brushed the walls.
The metallic taste of fear flooded my mouth as my suddenly sweaty hands slid on the iron rungs.
“Mercer?” Archer called from above me. “You okay?”
I rested my forehead on the back of my hands, and tried to keep the panic out of my voice as I replied, “Yeah, fine. Why do you ask?”
“Because you’re gasping.”
Oh. Now that he mentioned it, my breath was heaving in and out of my lungs pretty quickly. I made an effort to slow it down as he asked, “Is it the dark, or-“ He grunted a little and shifted. Dirt rained down on me, and I shut my eyes.
“Both,” I choked out. “Apparently I’m claustrophobic now. That’s, uh, new. Probably a side effect of fleeing a burning building through an underground tunnel.” I took another shaky breath. “Yay for psychological trauma.”
“Come back up,” Archer said automatically, and I kind of loved him for that.
“No,” I said, willing my feet to keep moving. “We’re trying to save the world here, Cross. No time for panic attacks.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Get the hell out of—” Aelin let out a low whistle. “Allow me to introduce to you, Captain Rolfe, the incomparable, the beautiful, and the absolutely and all-around flawless Queen of Terrasen.” Dorian’s brows creased. But footsteps sounded, and then—The males shifted as Aelin Galathynius indeed strode into the room, clad in a dark green tunic of equal wear and dirt, her golden hair unbound, her turquoise-and-gold eyes laughing as she strode past a slack-jawed Rolfe and perched on the arm of Aelin’s chair. Dorian couldn’t tell—without a Fae’s sense of smell, he couldn’t tell. “What—what devilry is this,” Rolfe hissed, yielding a single step. Aelin and Aelin looked at each other. The one in black grinned up at the newcomer. “Oh, you are gorgeous, aren’t you?” The one in green smiled, but for all its delight, all its wicked mischief … It was a softer smile, made with a mouth that was perhaps less used to snarling and teeth-baring and getting away with saying hideous, swaggering things. Lysandra, then. The two queens faced Rolfe. “Aelin Galathynius had no twin,” he growled, a hand on his sword. Aelin in black—the true Aelin, who had been among them all along—rolled her eyes. “Ugh, Rolfe. You ruin my fun. Of course I don’t have a twin.” She jerked her chin at Lysandra, and the shifter’s flesh glowed and melted, hair becoming a heavy, straight fall of dark tresses, her skin sun-kissed, her uptilted eyes a striking green.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse.'
The nurse looked and clucked in horror. Francie stood there with the hot flamepoints of shame burning her face. The doctor was a Harvard man, interning at the neighborhood hospital. Once a week, he was obliged to put in a few hours at one of the free clinics. He was going into a smart practice in Boston when his internship was over. Adopting the phraseology of the neighborhood, he referred to his Brooklyn internship as going through Purgatory, when he wrote to his socially prominent fiancee in Boston.
The nurse was as Williamsburg girl... The child of poor Polish immigrants, she had been ambitious, worked days in a sweatshop and gone to school at night. Somehow she had gotten her training... She didn't want anyone to know she had come from the slums.
After the doctor's outburst, Francie stood hanging her head. She was a dirty girl. That's what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn't breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies?
She looked at the nurse... She thought the nurse might say something like:
Maybe this little girl's mother works and didn't have time to wash her good this morning,' or, 'You know how it is, Doctor, children will play in the dirt.' But what the nurse actuallly said was, 'I know, Isn't it terrible? I sympathize with you, Doctor. There is no excuse for these people living in filth.'
A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb. The nurse had chosen the forgetting way. Yet, as she stood there, she knew that years later she would be haunted by the sorrow in the face of that starveling child and that she would wish bitterly that she had said a comforting word then and done something towards the saving of her immortal soul. She had the knowledge that she was small but she lacked the courage to be otherwise.
When the needle jabbed, Francie never felt it. The waves of hurt started by the doctor's words were racking her body and drove out all other feeling. While the nurse was expertly tying a strip of gauze around her arm and the doctor was putting his instrument in the sterilizer and taking out a fresh needle, Francie spoke up.
My brother is next. His arm is just as dirty as mine so don't be suprised. And you don't have to tell him. You told me.' They stared at this bit of humanity who had become so strangely articulate. Francie's voice went ragged with a sob. 'You don't have to tell him. Besides it won't do no godd. He's a boy and he don't care if he is dirty.'... As the door closed, she heard the doctor's suprised voice.
I had no idea she'd understand what I was saying.' She heard the nurse say, 'Oh, well,' on a sighing note.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
What kind of soldier are you that you’re going to just sit in a cell while the world is thrown into chaos? Do you not understand what could happen if those weapons fall into the wrong hands? How could you be so selfish? (Syd)
I’m selfish? Look, Agent Westbrook, your daddy’s a Boston stockbroker. I’m a death broker. I’m sure you don’t lecture Daddy on finance, so don’t even try to lecture me on assassination politics. I know all about them. Some bureaucratic ass-wipe sitting in a pristine office that’s totally isolated from the rest of the world decides the son of King Oomp-Loomp is a threat. He then hands down orders to people like me to go off King Oomp-Loompa’s son. Like an idiot, I do what he says without question. I hunt my target down, using information that is mostly bullshit and unreliable, gathered by someone like you who assured me it was correct as the time. But hey, if it changes minute by minute, and God forbid we pass that along to you. So me and my spotter lie in the grass, sand, or snow for days on end, cramped and hungry, never able to move more than a millimeter an hour until I have that one perfect shot I’ve been waiting for days. I take it, and then we lie there like pieces of dirt until we can inch our way back to safety, where hopefully the helicopter team will remember that they were supposed to retrieve us. Have you any idea of the nerves it takes to do what I do? To lie there on the ground while other armed men search for you? Have them step on you and not be able to even breathe or wince because if you do, it’s not only your life, but the life of your spotter? Do you know what it’s like to have the brains of your best friend spayed into your face and not be able to render aid to him because you know he’s dead and if you do, you’ll be killed too? I have been into the bowels of hell and back, Miz Westbrook. I have stared down the devil and made him sweat. So don’t tell me I don’t take this seriously. (Steele)
”
”
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
“
Nice to have you back, girl,” he said softly. Then he turned to Alyss. “Ready to go?” She held up a hand. “One thing I have to take care of,” she said. She looked around the camp and spotted Petulengo, lurking guiltily by the goat pen. “Petulengo!” she called. Her voice was high and penetrating and he started, realizing he had been spotted. He looked around, seeking an escape route. But as he did so, Will unslung the massive longbow from his shoulder and casually plucked an arrow from his quiver. Suddenly, escaping didn’t seem like such a good idea. Then Alyss favored Petulengo with her most winning smile. “Don’t be frightened, dear,” she said soothingly. “I just want to say good-bye.” She beckoned to him, smiling encouragingly, and he stepped forward, gradually gaining in confidence as he realized that, somehow, he had won the favor of this young woman. Some of his old swagger returned as he approached and stood before her, urged a little closer by that smile. Underneath the ash and the dirt, he thought, she was definitely a looker. He gave her a smile in return. Petulengo, it has to be said, fancied himself with the ladies. Treat ’em rough and they’ll eat out of your hand, he thought. Then the smile disappeared like a candle being blown out. He felt a sudden jolt of agony in his right foot. Alyss’s heavy boot, part of Hilde’s wardrobe, had stamped down on his instep, just below the ankle. He doubled over instinctively, gasping with pain. Then Alyss pivoted and drove the heel of her open left hand hard into his nose, snapping his head back and sending him reeling. His arms windmilled and he crashed over onto the hard-packed dirt of the compound. He lay groggily, propped up on his elbows, coughing as blood coursed down the back of his throat. “Next time you throw firewood at an old lady,” Alyss told him, all traces of the winning smile gone, “make sure she can’t do that.” She turned to Will and dusted her hands together in a satisfied gesture. “Now I’m ready to go,” she said.
”
”
John Flanagan (The Lost Stories (Ranger's Apprentice, #11))
“
Where are we?” she asked when I pulled into a parking lot.
“The park.”
“Isn’t it dangerous at night?”
“Not here. Come on.” I pulled her out of her seat and grabbed a blanket from the trunk before trekking through the soft grass.
“You always keep a blanket in your car?”
“Yeah, for emergencies. Never know when you might need it. Food, water, first-aid kit, too.”
“Oh!” she grunted and caught my arm as one of her heels pierced the soft dirt and sank.
“You should take those off.”
“And walk around barefoot? Hello? Ever heard of hookworms and tetanus?”
“Ever heard of snapping your ankles as you fall flat on your face in the dark?” I asked as I squatted in front of her and slipped her foot out of the high heels.
“What are you doing?” she gasped, tumbling forward and grabbing onto my shoulders for support.
“Removing your obstacles.”
She landed a bare foot on the grass as I undid the other shoe. “So now I get tetanus?”
I looked up at her, my hands lightly stroking her ankles up to her calves. “You worry too much.”
“It’s a real risk. Ask Preeti.”
I stood slowly, moving up her body, and hovered above her.
“How…how far are we walking?” she asked.
“To the river.”
“In the dark?”
I nodded and handed her the shoes.
“Took these off and you won’t even carry them?”
“I’ll carry them,” I replied, swooped down, and threw her over the blanket on my shoulder.
Liya yelped. “Put me down!”
“So you can get tetanus?” I asked and walked toward the river.
She laughed. “I hate you!”
“You love it.”
She slapped my butt and then poked her pointy elbows into my shoulder as she arched her back. “Enjoying the view of my backside from over there?”
I slid my hand up the back of her thighs and tugged her dress down to keep her covered.
“This isn’t so bad,” she said.
“Oh, yeah?”
“Yeah.” She slapped my butt again. “Giddyap!”
“All right. You asked for it.”
Her next words were swallowed up in a scream as I took off at a full sprint.
She gripped my shirt, clutching for my waist, as the breeze broke around us. I ran the short distance to the riverside in no time, slowing only when the moonlit gleam on the water’s surface appeared.
I placed Liya on the grass, but she swayed away. I grabbed her by the waist to steady her and chuckled. “Are you okay?”
“You try doing that upside down.
”
”
Sajni Patel (The Trouble with Hating You (The Trouble with Hating You, #1))
“
You guys could handle this on your own. Why risk getting kicked out of your He-Man-Monster-Haters Club?"
"Because we can't handle this on our own. At least I don't think we can."
"You said yourself you already have some Prodigium working with you. Why not go to them?"
"We have a handful," he said, frustration creeping into his voice. "And most of them suck. Look, just consider it a peace offering, okay? My way of saying I'm sorry for lying to you. And pulling a knife in your presence, even if it was just to open a damn window to get out before you vaporized me."
Most girls got flowers. I got a dirt put used for demon raising. Nice.
"Thanks," I replied. "But don't you want in on this?"
He looked at me, and not for the first time, I wished his eyes weren't so dark. It would have been nice to have some idea of what was going on in his head. "That's up to you," he said.
Mom always liked to say that we hardly ever know the decisions we make that change our lives,mostly because they're little ones. You take this bus instead of that one and end up meeting your soul mate, that kind of thing. But there was no doubt in my mind that this was one of those life-changing moments. Tell Archer no,and I'd never see him again. And Dad and Jenna wouldn't be mad at me, and Cal...Tell Archer yes, and everything suddenly got twistier and more complicated than Mrs. Casnoff's hairdo.
And even though I'm a twisty and complicated girl, I knew what my answer had to be.
"It's too much of a risk, Cross. Maybe one day when I'm head of the Council, and you're...well, whatever you're going to be for L'Occhio di Dio, we could work on some kind of collaboration." That brought up depressig images of me and Archer sittig across a boardroom table, sketching out battle plans on a whiteboard, so my voice was a little shaky when I continued. "But for now, it's too dangerous." And not just because basically everyone in our lives would want to kill us if they found out, I thought. But because I was pretty sure I was still in love with him, and I thought he might feel something similar for me, and there was no way we could work together preventing the Monster Apocalypse/World War III without that becoming an issue.
Not that I could say any of that.
Archer's face was blank as he said, "Cool. Got it."
"Cross," I started to say, but then his eyes slid past me and went wide with horror. At the same time, I became aware of a slithering noice behind me. That just could not be good; in my experience, nothing pleasant slithers.
Still, I was not prepared for the nightmares climbing out of the crater.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
I opened myself up to the kiss and kissed him back with enthusiasm. Putting all my secret emotions and tender feelings into the embrace, I wound my arms around his neck and slid my hands into his hair. Pulling his body that much closer to mine, I embraced him with all the warmth and affection that I wouldn’t allow myself to express verbally.
He paused, shocked for a brief instant, and then quickly adjusted his approach, escalating into a passionate frenzy. I shocked myself by matching his energy. I ran my hands up his powerful arms and shoulders and then down his chest. My senses were in turmoil. I felt wild. Eager. I clutched at his shirt. I couldn’t get close enough to him. He even smelled delicious.
You’d think that several days of being chased by strange creatures and hiking through a mysterious kingdom would make him smell bad. In fact, I wanted him to smell bad. I’m sure I did. I mean, how can you expect a girl to be fresh as a daisy while traipsing through the jungle and getting chased by monkeys. It’s just not possible.
I desperately wanted him to have some fault. Some weakness. Some…imperfection. But Ren smelled amazing-like waterfalls, a warm summer day, and sandalwood trees all wrapped up in a sizzling, hot guy.
How could a girl defend herself from a perfect onslaught delivered by a pefect person? I gave up and let Mr. Wonderful take control of my senses. My blood burned, my heart thundered, my need for him quickened, and I lost all track of time in his arms. All I was aware of was Ren. His lips. His body. His soul. I wanted all of him.
Eventually, he put his hands on my shoulders and gently separated us. I was surprised that he had the strength of will to stop because I was nowhere near being able to. I blinked my eyes open in a daze. We were both breathing hard.
“That was…enlightening,” he breathed. “Thank you, Kelsey.”
I blinked. The passion that had dulled my mind dissipated in an instant, and my mind sharply focused on a new feeling. Irritation.
“Thank you? Thank you! Of all the-“ I slammed up the steps angrily and then spun around to look down at him. “No! Thank you, Ren!” My hands slashed at the air. “Now you got what you wanted, so leave me alone!” I ran up the stairs quickly to put some distance between us.
Enlightening? What was that about? Was he testing me? Giving me a one-to-ten score on my kissing ability? Of all the nerve?
I was glad that I was mad. I could shove all the other emotions into the back of my mind and just focus on the anger, the indignation.
He leapt up the stairs two at a time. “That’s not all I want, Kelsey. That’s for sure.”
“Well, I no longer care about what you want!”
He shot me a knowing look and raised an eyebrow. Then, he lifted his foot out of the opening, placed it on the dirt, and instantly changed back into a tiger.
I laughed mockingly. “Ha!” I tripped over a stone but quickly found my footing. “Serves you right!” I shouted angrily and stumbled blindly along the dim path.
After figuring out where to go, I marched off in a huff. “Come on, Fanindra. Let’s go find Mr. Kadam.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
I've been ordered to take you men with me. I've been told that if you don't come I can shoot you. Well, you know I won't do that. Not Maine men. I won't shoot any man who doesn't want this fight. Maybe someone else will, but I won't. So that's that."
He paused again. There was nothing on their faces to lead him.
"Here's the situation. I've been ordered to take you along, and that's what I'm going to do. Under guard if necessary. But you can have your rifles if you want them. The whole Reb army is up the road a ways waiting for us and this is no time for an argument like this. I tell you this: we sure can use you. We're down below half strength and we need you, no doubt of that. But whether you fight or not is up to you. Whether you come along, well, you're coming."
Tom had come up with Chamberlain's horse. Over the heads of the prisoners Chamberlain could see the regiment falling into line out in the flaming road. He took a deep breath.
"Well, I don't want to preach to you. You know who we are and what we're doing here. But if you're going to fight alongside us there's a few things I want you to know."
He bowed his head, not looking at eyes. He folded his hands together.
"This regiment was formed last fall, back in Maine. There were a thousand of us then. There's not three hundred of us now." He glanced up briefly. "But what is left is choice."
He was embarrassed. He spoke very slowly, staring at the ground.
"Some of us volunteered to fight for Union. Some came in mainly because we were bored at home and this looked like it might be fun. Some came because we were ashamed not to. Many of us came...because it was the right thing to do. All of us have seen men die. Most of us never saw a black man back home. We think on that, too. Freedom...is not just a word."
He looked into the sky, over silent faces.
"This is a different kind of army. If you look at history you'll see men fight for pay, or women, or some other kind of loot. They fight for land, or because a king makes them, or just because they like killing. But we're here for something new. I don't...this hasn't happened much in the history of the world. We're an army going out to set other men free."
He bent down, scratched the black dirt into his fingers. He was beginning to warm to it; the words were beginning to flow. No one in front of him was moving. He said, "This is free ground. All the way to the Pacific Ocean. No man has to bow. No man born to royalty. Here we judge you by what you do, not by what your father was. Here you can be something. Here's a place to build a home. It isn't the land- there's always more land. It's the idea that we all have value, you and me, we're worth something more than the dirt. I never saw dirt I'd die for, but I'm not asking you to come join us and fight for dirt. What we're all fighting for, in the end, is each other.
”
”
Michael Shaara (The Killer Angels: A Novel of the Civil War)
“
I never wanted it to end. I wondered if it felt like this the first time. Seeing him. Really seeing him.
He wiped his eyes. “You really want to know, don’t you.”
“Yeah.”
“Why?”
I gave in. I couldn’t not. I reached over and put my hand on his knee. He tensed briefly but settled when I curled my fingers over his leg, just letting my hand rest there. I couldn’t look at him. I thought my face was on fire.
He said, “That’s….” His voice broke. He cleared his throat. “After the hunters came, something shifted. Between us. I don’t know how or why exactly. You stopped being weird around me.”
“Seems like I’ve picked that right up again.”
He chuckled. “A little. It’s okay, though. It’s like… a beginning. You came to me one day. You were sweating. I remember thinking something bad had happened because you kept wringing your hands until I thought you were going to break your bones. I asked you what was wrong. And you know what you said?
“Probably something stupid.”
“You said that you didn’t think you could ever give up on me. That no matter how long it took, you would be there until I told you otherwise. That you weren’t going to push me for anything but you thought I should know that you had… intentions.”
“Oh dear god,” I said in horror. “And that worked?”
Kelly snorted, and I felt his hand on the back of mine. “Not quite. But what you said next did.”
I looked over at him. “What did I say?”
He was watching me with human eyes, and I thought I could love him. I saw how easy it could be. I didn’t, not yet, but oh, I wanted to. “You said you thought the world of me. That we’d been through so much and you couldn’t stand another day if I didn’t know that. You told me that you were a good wolf, a strong wolf, and if I’d only give you a chance, you’d make sure I’d never regret it.”
I had to know. “Have you?”
“No,” he whispered. “Not once. Not ever.” He looked away. “It was good between us. We took it slow. You smiled all the time. You brought me flowers once. Mom was pissed because you ripped them up from her flower bed and there were still roots and dirt hanging from the bottom, but you were so damn proud of yourself. You said it was romantic. And I believed you.” He plucked a blade of grass and held it in the palm of his hand. “There was something… I don’t know. Endless. About you and me.” He took my hand off his knee and turned it over. He set the blade of grass in my palm and closed his hand over mine. He looked toward the sky and the stars through the canopy of leaves. “We came here sometimes. Just the two of us. And you would pretend to know all the stars. You would make up stories that absolutely weren’t true, and I remember looking at you, thinking how wonderful it was to be by your side. And if we were lucky, there’d be—ah. Look. Again.” His voice was wet and soft, and it cracked me right down the middle.
Fireflies rose around us, pulsing slowly. At first there were only two or three, but then more began to hang heavy in the air. They were yellow-green, and I wondered how this could be real. Here. Now. This moment. How I ever could have forgotten this.
Forgotten him.
It had to have been the strongest magic the world had ever known.
That was the only way I’d have ever left his side.
He reached out with his other hand, quick and light, and snatched a firefly out of the air. He was careful not to crush it. He leaned his head toward mine like he was about to tell me a great secret.
Instead he opened his hand between us.
The firefly lay near the bottom of his ring finger. Its shell was black with a stripe down the middle. It barely moved.
“Just wait,” Kelly whispered.
I did.
It only took a moment.
The firefly pulsed in his hand.
“There it is,” he said. He pulled away and lifted his hand. The firefly took to its wings, lifting off and flying away.
He stared after it.
I only had eyes for him.
”
”
T.J. Klune (Heartsong (Green Creek, #3))