Collecting Antiques Quotes

Is it wrong, wanting to be at home with your record collection? It's not like collecting records is like collecting stamps, or beermats, or antique thimbles. There's a whole world in here, a nicer, dirtier, more violent, more peaceful, more colorful, sleazier, more dangerous, more loving world than the world I live in; there is history, and geography, and poetry, and countless other things I should have studied at school, including music.

But, if we regard knowledge as an antique, as “ancient wisdom” to be collected, then we are on the wrong path.

Scheherazade had perused the books, annals and legends of preceding Kings, and the stories, examples and instances of bygone men and things; indeed it was said that she had collected a thousand books of histories relating to antique races and departed rulers. She had perused the works of the poets and knew them by heart; she had studied philosophy and the sciences, arts and accomplishments; and she was pleasant and polite, wise and witty, well read and well bred.

I call it guerilla TV.

Cherishables,” I agreed. “Lovely little finds that have tiny value but lots of heart. Tea tins, picture frames, old perfume bottles. Half the fun is finding them, and the other half imagining where they came from.

To give you an idea of my state of mind I can not do better than compare it to one of those rooms we see nowadays in which are collected and mingled the furniture of all times and countries. Our age has no impress of its own. We have impressed the seal of our time neither on our houses nor our gardens, nor on anything that is ours. On the street may be seen men who have their beards trimmed as in the time of Henry III, others who are clean-shaven, others who have their hair arranged as in the time of Raphael, others as in the time of Christ. So the homes of the rich are cabinets of curiosities: the antique, the gothic, the style of the Renaissance, that of Louis XIII, all pell-mell. In short, we have every century except our own—a thing which has never been seen at any other epoch: eclecticism is our taste; we take everything we find, this for beauty, that for utility, another for antiquity, still another for its ugliness even, so that we live surrounded by debris, as if the end of the world were at hand.

In fact, if a museum were filled with all of the world's stolen artworks, it would be the most impressive collection ever created. It would have far more Baroque sculptures, much better Surrealist paintings, and the best Greek antiquities of any known institution. A gallery of stolen art would make the Louvre seem like a small-town gallery in comparison. Experts call it the Lost Museum.

Unhappy is he to whom the memories of childhood bring only fear and sadness. Wretched is he who looks back upon lone hours in vast and dismal chambers with brown hangings and maddening rows of antique books, or upon awed watches in twilight groves of grotesque, gigantic, and vine-encumbered trees that silently wave twisted branches far aloft. Such a lot the gods gave to me—to me, the dazed, the disappointed; the barren, the broken.

Some days, my life flashes before me in the blink of an eye, until I get to the scenes I wish I could change, and they play over again and again, until I can't see straight. Promise me though, you'll stop pouring every ounce of yourself into work. Save a part of your life for something else.

Be beautiful, noble, like the antique ant, Who bore the storms as he bore the sun, Wearing neither gown nor helmet, Though he was archbishop and soldier: Wore only his own flesh. ... Trace the tracelessness of the ant, Every ant has reached this perfection. As he comes, so he goes, Flowing as water flows, Essential but secret like a rose.

One senses that it is a region of cosmic antiquity, and that man is no more significant here than any other of the insects that crawl in the dust.

Sharded in black, like beetles, Frail as antique earthenware One breath might shiver to bits, The old women creep out here To sun on the rocks...

Willow trees up high bend amid ancient knowledge shared softly by antique winds. Through attained wisdom they mature, strong and certain, enchanting the bygone winds

His walks were always adventures in antiquity, during which he managed to recapture from the myriad relics of a glamorous old city a vivid and connected picture of the centuries before.

The Song Of The Happy Shepherd The woods of Arcady are dead, And over is their antique joy; Of old the world on dreaming fed; Grey Truth is now her painted toy; Yet still she turns her restless head: But O, sick children of the world, Of all the many changing things In dreary dancing past us whirled, To the cracked tune that Chronos sings, Words alone are certain good. Where are now the warring kings, Word be-mockers?—By the Rood, Where are now the watring kings? An idle word is now their glory, By the stammering schoolboy said, Reading some entangled story: The kings of the old time are dead; The wandering earth herself may be Only a sudden flaming word, In clanging space a moment heard, Troubling the endless reverie. Then nowise worship dusty deeds, Nor seek, for this is also sooth, To hunger fiercely after truth, Lest all thy toiling only breeds New dreams, new dreams; there is no truth Saving in thine own heart. Seek, then, No learning from the starry men, Who follow with the optic glass The whirling ways of stars that pass— Seek, then, for this is also sooth, No word of theirs—the cold star-bane Has cloven and rent their hearts in twain, And dead is all their human truth. Go gather by the humming sea Some twisted, echo-harbouring shell. And to its lips thy story tell, And they thy comforters will be. Rewording in melodious guile Thy fretful words a little while, Till they shall singing fade in ruth And die a pearly brotherhood; For words alone are certain good: Sing, then, for this is also sooth. I must be gone: there is a grave Where daffodil and lily wave, And I would please the hapless faun, Buried under the sleepy ground, With mirthful songs before the dawn. His shouting days with mirth were crowned; And still I dream he treads the lawn, Walking ghostly in the dew, Pierced by my glad singing through, My songs of old earth’s dreamy youth: But ah! she dreams not now; dream thou! For fair are poppies on the brow: Dream, dream, for this is also sooth.

I pity those reviewers above, and people like them, who ridicule authors like R.A. Boulay and other proponents of similar Ancient Astronaut theories, simply for putting forth so many interesting questions (because that's really what he often throughout openly admits is all he does does) in light of fascinating and thought-provoking references which are all from copious sources. Some people will perhaps only read the cover and introduction and dismiss it as soon as any little bit of information flies in the face of their beliefs or normalcy biases. Some of those people, I'm sure, are some of the ones who reviewed this book so negatively without any constructive criticism or plausible rebuttal. It's sad to see how programmed and indoctrinated the vast majority of humanity has become to the ills of dogma, indoctrination, unverified status quos and basic ignorance; not to mention the laziness and conformity that results in such acquiescence and lack of critical thinking or lack of information gathering to confirm or debunk something. Too many people just take what's spoon fed to them all their lives and settle for it unquestioningly. For those people I like to offer a great Einstein quote and one of my personal favorites and that is: "Condemnation without investigation is the highest form of ignorance" I found this book to be a very interesting gathering of information and collection of obscure and/or remote antiquated information, i.e. biblical, sacred, mythological and otherwise, that we were not exactly taught to us in bible school, or any other public school for that matter. And I am of the school of thought that has been so for intended purposes. The author clearly cites all his fascinating sources and cross-references them rather plausibly. He organizes the information in a sequential manner that piques ones interest even as he jumps from one set of information to the next. The information, although eclectic as it spans from different cultures and time periods, interestingly ties together in several respects and it is this synchronicity that makes the information all the more remarkable. For those of you who continue to seek truth and enlightenment because you understand that an open mind makes for and lifelong pursuit of such things I leave you with these Socrates quotes: "True wisdom comes to each of us when we realize how little we understand about life, ourselves, and the world around us.

There is a saying from Roman antiquity: Fiat justitia—ruat caelum. “Do justice, and let the skies fall.” In every epoch, there have been those to argue that “greater” goods, such as tribal solidarity or social cohesion, take precedence over the demands of justice. It is supposed to be an axiom of “Western” civilisation that the individual, or the truth, may not be sacrificed to hypothetical benefits such as “order.” But in point of fact, such immolations have been very common. To the extent that the ideal is at least paid lip service, this result is the outcome of individual struggles against the collective instinct for a quiet life.

But this was not enough on its own to generate the kind of terror that Mao wanted. On 18 August, a mammoth rally was held in Tiananmen Square in the center of Peking, with over a million young participants. Lin Biao appeared in public as Mao's deputy and spokesman for the first time. He made a speech calling on the Red Guards to charge out of their schools and 'smash up the four olds' defined as 'old ideas, old culture, old customs, and old habits." Following this obscure call, Red Guards all over China took to the streets, giving full vent to their vandalism, ignorance, and fanaticism. They raided people's houses, smashed their antiques, tore up paintings and works of calligraphy. Bonfires were lit to consume books. Very soon nearly all treasures in private collections were destroyed. Many writers and artists committed suicide after being cruelly beaten and humiliated, and being forced to witness their work being burned to ashes. Museums were raided. Palaces, temples, ancient tombs, statues, pagodas, city walls anything 'old' was pillaged. The few things that survived, such as the Forbidden City, did so only because Premier Zhou Enlai sent the army to guard them, and issued specific orders that they should be protected. The Red Guards only pressed on when they were encouraged. Mao hailed the Red Guards' actions as "Very good indeed!" and ordered the nation to support them. He encouraged the Red Guards to pick on a wider range of victims in order to increase the terror. Prominent writers, artists, scholars, and most other top professionals, who had been privileged under the Communist regime, were now categorically condemned as 'reactionary bourgeois authorities." With the help of some of these people's colleagues who hated them for various reasons, ranging from fanaticism to envy, the Red Guards began to abuse them. Then there were the old 'class enemies': former landlords and capitalists, people with Kuomintang connections, those condemned in previous political campaigns like the 'rightists' and their children.

Alors, il ne reste plus qu’une seule hypothèse acceptable : c’est que la science d’Idris est bien vraiment cachée dans la Pyramide, mais parce qu’elle se trouve incluse dans sa structure même, dans sa disposition extérieure et intérieure et dans ses proportions ; et tout ce qu’il peut y avoir de valable dans les «découvertes» que les modernes ont faites ou cru faire à ce sujet ne représente en somme que quelques fragments infimes de cette antique science traditionnelle.

A tale of manners, to be interesting, must either refer to antiquity so great as to have become venerable, or it must bear a vivid reflection of those scenes which are passing daily before our eyes, and are interesting from their novelty.

She [Bernice] didn’t like anything that had an adult theme, with only one exception, her collection of erotic female memorabilia. They were all antiques, fragments of other women’s sexuality that was somehow easier to deal with than her own.

Whenever, in after times, I have gone through museums of old furniture in Paris, London, Munich, or Vienna, with the gray-headed custodian who shows you the splendors of time past, I have peopled the rooms with figures from the Collection of Antiquities.

He was relaxing in his cabin after one particularly strenuous workout, sprawled facedown across his bunk, reading. The volume was one of Kirk's own cherished bound books. "The kind of book you can hold in your hands," as Sam Cogley had put it. The lawyer had introduced him to the hobby of collecting "real" books, and Kirk had found this remarkably well-preserved copy of an old favorite in an antique shop on Canpus IV. He was absorbed in the adventures of Captain Nemo and the Nautilus when the door signal flashed.

Ramona was technically a private rare and antique maps dealer, a consultant who worked with wealthy clients to help them build their personal collections, but dealer was not what her father and Swann called Ramona on the rare occasions she came up in conversation.

My maman said I was an old soul, caught up in a past life, which I’d never been able to shake, from the way I dressed, to my shop, and my dreamy obsession with the past. Maybe she was right. Perhaps that’s why I found the loosening of traditions so heartbreaking. It

This conglomeration of decayed antiquity, collected with the disease of greed, surely invites our charity. It would be better to forget these trumpery ideas, and learn the best of traditions by observing your own functions, and regarding modernity in an unbiased way.10

like the Dove, the Lamb, and the Cock adorning our church towers. Yet all this does not alter the fact that in childhood we go through a phase when archaic thinking and feeling once more rise up in us, and that all through our lives we possess, side by side with our newly acquired directed and adapted thinking, a fantasy-thinking which corresponds to the antique state of mind. Just as our bodies still retain vestiges of obsolete functions and conditions in many of their organs, so our minds, which have apparently outgrown those archaic impulses, still bear the marks of the evolutionary stages we have traversed, and re-echo the dim bygone in dreams and fantasies.

Take it all, all of it!" Greg cried out. "These things here...I've been making them better, fixing them. It doesn't matter...they don't matter. I've been here before." He paused to try to collect himself. "It's my past, my present...these things--" He lifted a hand out to the objects around him. "These things are me." Now whispering, "Can't you see me?

Regret is such a miserable word. But there have been plenty of times alone, where I wished I took the risk and gave someone my heart, and not just a sliver of it. After one stumble, you've pulled the shutters down. Closed up shop. I'm just saying, don't waste your life protecting your heart, or you'll get to the end of it and realize it wasn't worth it.

Pirate and Osbie Feel are leaning on their roof-ledge, a magnificent sunset across and up the winding river, the imperial serpant, crowds of factories, flats, parks, smoky spires and gables, incandescent sky casting downward across the miles of deep streets and roofs cluttering and sinuous river Thames a drastic strain of burnt orange, to remind a visitor of his mortal transience here, to seal or empty all the doors and windows in sight to his eyes that look only for a bit of company, a word or two in the street before he goes up to the soap-heavy smell of the rented room and the squares of coral sunset on the floor-boards—an antique light, self-absorbed, fuel consumed in the metered winter holocaust, the more distant shapes among the threads or sheets of smoke now perfect ash ruins of themselves, nearer windows, struck a moment by the sun, not reflecting at all but containing the same destroying light, this intense fading in which there is no promise of return, light that rusts the government cars at the curbsides, varnishes the last faces hurrying past the shops in the cold as if a vast siren had finally sounded, light that makes chilled untraveled canals of many streets, and that fills with the starlings of London, converging by millions to hazy stone pedestals, to emptying squares and a great collective sleep. They flow in rings, concentric rings on the radar screens. The operators call them ‘angels.

I chose to remain single because I couldn't commit to one person. But it isn't easy. There are plenty of times when I wonder if I made a huge mistake with some of the men I've loved and let go. Maybe I would have enjoyed love, after the dizzying rapture faded, and was replaced with something more fulsome? Truer, deeper? But I never gave it a chance. And that might have been a huge mistake...

On a spring day in 1988…a Massachusetts man who collected books about local history was rummaging through a bin in a New Hampshire antiques barn when something caught his eye. Beneath texts on fertilizers and farm machines lay a slim, worn pamphlet with tea-colored paper covers, titled Tamerlane and Other Poems, by an unnamed author identified simply as “a Bostonian.” He was fairly certain he had found something exceptional, paid the $15 price, and headed home, where Tamerlane would spend only one night. The next day, he contacted Sotheby’s, and they confirmed his suspicion that he had just made one of the most exciting book discoveries in years. The pamphlet was a copy of Edgar Allan Poe’s first text, written when he was only fourteen years old, a find that fortune-seeking collectors have imagined happening upon probably more than they’d like to admit. The humble-looking, forty-page pamphlet was published in 1827 by Calvin F.S. Thomas, a relatively unknown Boston printer who specialized in apothecary labels, and its original price was about twelve cents. But this copy, looking good for its 161 years, most of which were probably spent languishing in one dusty attic box after another, would soon be auctioned for a staggering $198,000.

The world,’ he said, ‘grows hourly more and more sceptical of all that lies beyond its own narrow radius; and our men of science foster the fatal tendency. They condemn as fable all that resists experiment. They reject as false all that cannot be brought to the test of the laboratory or the dissecting-room. Against what superstition have they waged so long and obstinate a war, as against the belief of apparitions? And yet what superstition has maintained its hold upon the minds of men so long and so firmly? Show me any fact in physics, in history, in archaeology, which is supported by testimony so wide and so various. Attested by all races of men, in all ages, and in all climates, by the soberest sages of antiquity, by the rudest savage of today, by the Christian, the Pagan, the Pantheist, the Materialist, this phenomenon is treated as a nursery tale by the philosophers of our century. Circumstantial evidence weighs with them as a feather in the balance. The comparison of causes with effects, however valuable in physical science, is put aside as worthless and unreliable. The evidence of competent witnesses, however conclusive in a court of justice, counts for nothing. He who pauses before he pronounces is condemned as a trifler. He who believes, is a dreamer or a fool.

Is it so wrong, wanting to be at home with your record collection? It’s not like collecting records is like collecting stamps, or beermats, or antique thimbles. There’s a whole world in here, a nicer, dirtier, more violent, more peaceful, more colorful, sleazier, more dangerous, more loving world than the world I live in; there is history, and geography, and poetry, and countless other things I should have studied at school, including music.

She loved old things. The brown-brick place was a survivor of the 1907 earthquake and fire, and proudly bore a plaque from the historical society. The building had a haunted history- it was the site of a crime of passion- but Tess didn't mind. She'd never been superstitious. The apartment was filled with items she'd collected through the years, simply because she liked them or was intrigued by them. There was a balance between heirloom and kitsch. The common thread seemed to be that each object had a story, like a pottery jug with a bas-relief love story told in pictures, in which she'd found a note reading, "Long may we run. -Gilbert." Or the antique clock on the living room wall, each of its carved figures modeled after one of the clockmaker's twelve children. She favored the unusual, so long as it appeared to have been treasured by someone, once upon a time. Her mail spilled from an antique box containing a pigeon-racing counter with a brass plate engraved from a father to a son. She hung her huge handbag on a wrought iron finial from a town library that had burned and been rebuilt in a matter of weeks by an entire community. Other people's treasures captivated her. They always had, steeped in hidden history, bearing the nicks and gouges and fingerprints of previous owners. She'd probably developed the affinity from spending so much of her childhood in her grandmother's antique shop.

with their saucer eyes and their velvet dresses, their Shirley Temple curls of blood-red hair and their Cupid’s-bow lips molded into little pink oh!’s of wonder at the world. Writes fairy tales about girl demons, wolf princes, the cozy phantasmagoria of her native New Hampshire. Collects antique typewriters, each of which she claims has its own unique “ghost energy” that she channels into her stories as she types, head tilted back, eyes closed. She is the literal doll-pet of the other Bunnies.

For a while I considered dropping out of Barnard to help. It felt unbearably selfish, just downright wrong, to be indulging myself with an education in the liberal arts at a fancy private college while Mom and Dad were on the streets. But Lori convinced me that dropping out was a lamebrained idea. It wouldn’t do any good, she said, and besides, dropping out would break Dad’s heart. He was immensely proud that he had a daughter in college, and an Ivy League college at that. Every time he met someone new, he managed to work it into the first few minutes of conversation. Mom and Dad, Brian pointed out, had options. They could move back to West Virginia or Phoenix. Mom could work. And she was not destitute. She had her collection of antique Indian jewelry, which she kept in a self-storage locker. There was the two-carat diamond ring that Brian and I had found under the rotten lumber back in Welch; she wore it even when sleeping on the street. She still owned property in Phoenix. And she had the land in Texas, the source of her oil-lease royalties.

The city's earthly lights blotted out the stars as always. The sky was nice and clear, but only a few stars were visible, the very bright ones that twinkled as pale points here and there. Still, the moon stood out clearly against the sky. It hung up there faithfully, without a word of complaint concerning the city lights or the noise or the air pollution. It he focused hard on the moon, he could make out the strange shadows formed by its gigantic craters and valleys. Tengo's mind emptied as he stared at the light of the moon. Inside him, memories that had been handed down from antiquity began to stir. Before human beings possessed fire or tools or language, the moon had been their ally. It would calm people's fears now and then by illuminating the dark world like a heavenly lantern. Its waxing and waning gave people an understanding of the concept of time. Even now, when darkness had been banished from most parts of the world, there remained a sense of human gratitude toward the moon and its unconditional compassion. It was imprinted upon human genes likes a warm collective memory.

The conspiracy of international capitalism and Bolshevism is not an absurd phenomenon but a natural condition. The driving force in both cases is that race whose hatred has torn mankind to pieces time and again throughout the millennia, corrupted it inside, exploited it economically, and destroyed it politically. International Jewry is “the ferment of the decomposition of people and states” today as in antiquity. Things will remain this way, unless the people find the strength to rid themselves of this germ. Proclamation for the 10th anniversary of the Power Taking January 30, 1943

By means of this psychological process a collective culture gradually came into existence, in which the “rights of man” were guaranteed for the individual to an immeasurably greater degree than in antiquity. But it had the disadvantage of depending on a subjective slave culture, that is to say on a transfer of the old mass enslavement into the psychological sphere, with the result that, while collective culture was enhanced, individual culture was degraded. Just as the enslavement of the masses was the open wound of the ancient world, so the enslavement of the inferior functions is an ever-bleeding wound in the psyche of modern man.

His concept of allochrony - initially introduced shyly as 'untimeliness', then later radicalized to an exit from modernity - is based on the idea, as suggestive as it is fantastic, that antiquity has no need of repetitions enacted in subsequent periods, because it 'essentially' returns constantly on its own strength. In other words, antiquity - or the ancient - is not an overcome phase of cultural development that is only represented in the collective memory and can be summoned by the wilfulness of education. It is rather a kind of constant present - a depth time, a nature time, a time of being - that continues underneath the theatre of memory and innovation that occupies cultural time.

While the Austrian crown was dissolving like jelly in your fingers, everyone wanted Swiss francs and American dollars, and large numbers of foreigners exploited the economic situation to feed on the twitching corpse of the old Austrian currency. Austria was ‘discovered’, and became disastrously popular with foreign visitors in a parody of the society season. All the hotels in Vienna were crammed full with these vultures; they would buy anything, from toothbrushes to country estates; they cleared out private collections of antiquities and the antique dealers’ shops before the owners realised how badly they had been robbed and cheated in their time of need. Hotel receptionists from Switzerland and Dutch shorthand typists stayed in the princely apartments of the Ringstrasse hotels. Incredible as it may seem, I can vouch for it that for a long time the famous, de luxe Hotel de l’Europe in Salzburg was entirely booked by unemployed members of the English proletariat, who could live here more cheaply than in their slums at home, thanks to the generous unemployment benefit they received. Anything that was not nailed down disappeared. Word gradually spread of the cheap living and low prices in Austria. Greedy visitors came from further and further afield, from Sweden, from France, and you heard more Italian, French, Turkish and Romanian than German spoken in the streets of the city centre of Vienna.

Song" The girl with the lovely face, goes, gathering olives. The wind, that towering lover, takes her by the waist. Four riders go by on Andalusian ponies, in azure and emerald suits, in long cloaks of shadow. ‘Come to Cordoba, sweetheart!’ The girl does not listen. Three young bullfighters go by, slim-waisted in suits of orange, with swords of antique silver. ‘Come to Sevilla, sweetheart!’ The girl does not listen. When the twilight purples, with the daylight’s dying, a young man goes by, holding roses, and myrtle of moonlight. ‘Come to Granada, my sweetheart!’ But the girl does not listen. The girl, with the lovely face, goes on gathering olives, while the wind’s grey arms are embracing her waist.

Sargon, the obscure adventurer who had emerged as though from nowhere to nurture this proud ambition, to extinguish the independence of neighboring city-states and to rule supreme over the “totality of the lands under heaven,” had always remained the model of a Mesopotamian strongman. Almost two thousand years after his foundation of Akkad, he remained the cynosure of great kings. Indeed, in the decades before the Persian conquest, the obsession with him had become a veritable craze. At Susa, the capital of Elam, a victory memorial originally inscribed by Sargon’s grandson had been lovingly dusted down and put on prominent display; in Akkad itself, when a statue of the great man was excavated, Nabonidus had come rushing in high excitement to inspect it, and to supervise its restoration. Museums had sprung up everywhere: at Ur, for instance, the antiquities collection maintained by Nabonidus’ daughter, Princess En-nigaldi-Nanna, had been carefully labeled and put on display for the edification of the public. Meanwhile, in Babylon itself, scholars pored over great libraries of archives, tracing ancient documents, recycling archaic phrases, looking to the distant past to legitimize the needs and whims of their masters. The people of Mesopotamia, living as they did amid the lumber of millennia, had always been profoundly respectful of antiquity. Rather than feeling oppressed by it, they recycled it, cannibalized it, and turned it to their advantage.

Celina surveyed her inventory. Candied lemon and orange slices dipped in chocolate, roasted coffee beans enrobed in dark chocolate, and coconut confections enveloped in milk chocolate. Petite Coeurs with a crème fraîche and raspberry liqueur filling, rum-spiked caramels covered in milk chocolate, bittersweet espresso truffles studded with crushed Sicilian pistachios. For her seaside fantasy collection, the antique cast iron molds had yielded whimsical chocolate shells and seahorses. Within clam shells formed from chocolate were nestled pearls of white chocolate. Among the delicacies were her trademark stars: creamy milk chocolate, dark chocolate filled with peppermint-flavored crème fraîche, and white chocolate iced with candied lemon peel.

On the collective level, the race manifests itself in ceaseless upheavals. Whereas social and political systems previously endured for centuries, today every generation destroys the old world and builds a new one in its place. As the Communist Manifesto brilliantly put it, the modern world positively requires uncertainty and disturbance. All fixed relations and ancient prejudices are swept away, and new structures become antiquated before they can ossify. All that is solid melts into air. It isn’t easy to live in such a chaotic world, and it is even harder to govern it. Hence modernity needs to work hard to ensure that neither human individuals nor the human collective will try to retire from the race, despite all the tension and chaos it creates.

The medical psychotherapist today must make clear to his more educated patients the foundations of religious experience, and set them on the road to where such an experience becomes possible. If, therefore, as a doctor and scientist, I analyse abstruse religious symbols and trace them back to their origins, my sole purpose is to conserve, through understanding, the values they represent, and to enable people to think symbolically once more, as the early thinkers of the Church were still able to do. This is far from implying an arid dogmatism. It is only when we, today, think dogmatically, that our thought becomes antiquated and no longer accessible to modern man. Hence a way has to be found which will again make it possible for him to participate spiritually in the substance of the Christian message. [341]

What the poet has to say to the torso of the supposed Apollo, however, is more than a note on an excursion to the antiquities collection. The author's point is not that the thing depicts an extinct god who might be of interest to the humanistically educated, but that the god in the stone constitutes a thing-construct that is still on air. We are dealing with a document of how newer message ontology outgrew traditional theologies. Here, being itself is understood as having more power to speak and transmit, and more potent authority, than God, the ruling idol of religions. In modern times, even a God can find himself among the pretty figures that no longer mean anything to us - assuming they do not become openly irksome. The thing filled with being, however, does not cease to speak to us when its moment has come.

Because I love you, Mia Sharpe. You are my route to happiness. All of my routes to happiness lead to you, and I haven’t ever found anyone else that has even come close. I love that you are willing to sit in an empty apartment until you find just the right piece of antique furniture that speaks to you even if it takes months. I love the way you call me Beckett most of the time, and Ellie only when it really matters. I love the way you tell people what their gift is when you hand them a wrapped present. I love that you became a firefighter so that you can save people from suffering what you’ve suffered. And I love you so much, that I’ll love you through all of the times where you find it hard to love yourself. Every day. Because there isn’t a piece of you that’s ruined inside, no matter what you might think on your worst days.

In my book Wandlungen und Symbole der Libido8 I left the whole question open as to the origin of the peculiar course the libido took in the Christian process of development. I spoke of a splitting of libido into two halves, each directed against the other. The explanation of this is to be found in a one-sided psychological attitude so extreme that compensations from the unconscious became an urgent necessity. It is precisely the Gnostic movement in the early centuries of our era that most clearly demonstrates the breakthrough of unconscious contents at the moment of compensation. Christianity itself signified the collapse and sacrifice of the cultural values of antiquity, that is, of the classical attitude. At the present time it is hardly necessary to remark that it is a matter of indifference whether we speak of today or of that age two thousand years

I read a heap of books to prepare to write my own. Valuable works about art crime include The Rescue Artist by Edward Dolnick, Master Thieves by Stephen Kurkjian, The Gardner Heist by Ulrich Boser, Possession by Erin Thompson, Crimes of the Art World by Thomas D. Bazley, Stealing Rembrandts by Anthony M. Amore and Tom Mashberg, Crime and the Art Market by Riah Pryor, The Art Stealers by Milton Esterow, Rogues in the Gallery by Hugh McLeave, Art Crime by John E. Conklin, The Art Crisis by Bonnie Burnham, Museum of the Missing by Simon Houpt, The History of Loot and Stolen Art from Antiquity Until the Present Day by Ivan Lindsay, Vanished Smile by R. A. Scotti, Priceless by Robert K. Wittman with John Shiffman, and Hot Art by Joshua Knelman. Books on aesthetic theory that were most helpful to me include The Power of Images by David Freedberg, Art as Experience by John Dewey, The Aesthetic Brain by Anjan Chatterjee, Pictures & Tears by James Elkins, Experiencing Art by Arthur P. Shimamura, How Art Works by Ellen Winner, The Art Instinct by Denis Dutton, and Collecting: An Unruly Passion by Werner Muensterberger. Other fascinating art-related reads include So Much Longing in So Little Space by Karl Ove Knausgaard, What Is Art? by Leo Tolstoy, History of Beauty edited by Umberto Eco, On Ugliness also edited by Umberto Eco, A Month in Siena by Hisham Matar, Art as Therapy by Alain de Botton and John Armstrong, Art by Clive Bell, A Philosophical Enquiry into the Sublime and Beautiful by Edmund Burke, Seven Days in the Art World by Sarah Thornton, The Painted Word by Tom Wolfe, and Intentions by Oscar Wilde—which includes the essay “The Critic as Artist,” written in 1891, from which this book’s epigraph was lifted.

In my book Wandlungen und Symbole der Libido8 I left the whole question open as to the origin of the peculiar course the libido took in the Christian process of development. I spoke of a splitting of libido into two halves, each directed against the other. The explanation of this is to be found in a one-sided psychological attitude so extreme that compensations from the unconscious became an urgent necessity. It is precisely the Gnostic movement in the early centuries of our era that most clearly demonstrates the breakthrough of unconscious contents at the moment of compensation. Christianity itself signified the collapse and sacrifice of the cultural values of antiquity, that is, of the classical attitude. At the present time it is hardly necessary to remark that it is a matter of indifference whether we speak of today or of that age two thousand years ago.

Between the religion of a people and its actual mode of life there is always a compensatory relation, otherwise religion would have no practical significance at all. Beginning with the highly moral religion of the Persians and the notorious dubiousness, even in antiquity, of Persian habits of life, right down to our own “Christian” era, when the religion of love assisted at the greatest blood-bath in the world’s history—wherever we turn this rule holds true. We may therefore infer from the symbol of the Delphic reconciliation an especially violent split in the Greek character. This would also explain the longing for deliverance which gave the mysteries their immense significance for the social life of Greece, and which was completely overlooked by the early admirers of the Greek world. They were content with naïvely attributing to the Greeks everything they themselves lacked.

Ancient astrology, and, to some degree, its modern descendant, are compelling mixtures of science (or pseudo-science) and classical myth. Jung interpreted astrology as the psychology of antiquity. The stars and planets, he suggested, are ‘archetypal images’: manifestations of the collective unconscious. Jung’s student, Erich Neumann, developed his ideas on archetypes, especially in relation to the archetype of the nurturing Goddess. His ideas were influential upon those who later promoted goddess worship, a central element in most (though not all) New Age practice. New Agers believe that the energy of the cosmos flows from one single source (monism), and that what we call ‘god’ or ‘goddess’ is a principle identified with the cosmos. New Age philosophy has embraced the idea that goddess worship originated in prehistoric times, when, broadly speaking, matriarchal society preceded the patriarchal order, and people worshipped the ‘Great Goddess’.

Our modern prophetic idealism is narrow because it has undergone a persistent process of elimination. We must ask for new things because we are not allowed to ask for old things. The whole position is based on this idea that we have got all the good that can be got out of the ideas of the past. But we have not got all the good out of them, perhaps at this moment not any of the good out of them. And the need here is a need of complete freedom for restoration as well as revolution. We often read nowadays of the valor or audacity with which some rebel attacks a hoary tyranny or an antiquated superstition. There is not really any courage at all in attacking hoary or antiquated things, any more than in offering to fight one’s grandmother. The really courageous man is he who defies tyrannies young as the morning and superstitions fresh as the first flowers. The only true free–thinker is he whose intellect is as much free from the future as from the past. He cares as little for what will be as for what has been; he cares only for what ought to be.

The bridge from dogma to the inner experience of the individual has broken down. Instead, dogma is “believed”;4 it is hypostatized, as the Protestants hypostatize the Bible, illegitimately making it the supreme authority, regardless of its contradictions and controversial interpretations. (As we know, anything can be authorized out of the Bible.) Dogma no longer formulates anything, no longer expresses anything; it has become a tenet to be accepted in and for itself, with no basis in any experience that would demonstrate its truth.5 Indeed, faith has itself become that experience. The faith of a man like Paul, who had never seen our Lord in the flesh, could still appeal to the overwhelming apparition on the road to Damascus and to the revelation of the gospel in a kind of ecstasy. Similarly, the faith of the man of antiquity and of the medieval Christian never ran counter to the consensus omnium but was on the contrary supported by it. All this has completely changed in the last three hundred years. But what comparable change has kept pace with this in theological circles?

But Willi had withdrawn himself. For one thing, he did not approve of such bohemianism as collective bedroom breakfasts. “If we were married,” he had complained, “it might be all right.” I laughed at him, and he said: “Yes. Laugh. But there’s sense in the old rules. They kept people out of trouble.” He was annoyed because I laughed, and said that a woman in my position needed extra dignity of behaviour. “What position?”—I was suddenly very angry, because of the trapped feeling women get at such moments. “Yes, Anna, but things are different for men and for women. They always have been and they very likely always will be.” “Always have been?”—inviting him to remember his history. “For as long as it matters.” “Matters to you—not to me.” But we had had this quarrel before; we knew all the phrases either was likely to use—the weakness of women, the property sense of men, women in antiquity, etc., etc., etc., ad nauseam. We knew it was a clash of temperament so profound that no words could make any difference to either of us—the truth was that we shocked each other in our deepest feelings and instincts all the time. So

The quarrel between the poet and the thinker could surely be composed if the thinker took the words of the poet not literally but symbolically, which is how the tongue of the poet desires to be understood. Can Schiller have misunderstood himself? It would almost seem so, otherwise he could not argue thus against himself. The poet speaks of a spring of unsullied beauty which flows beneath every age and generation, and is constantly welling up in every human heart. It is not the man of Greek antiquity whom the poet has in mind, but the old pagan in ourselves, that bit of eternally unspoiled nature and pristine beauty which lies unconscious but living within us, whose reflected splendour transfigures the shapes of the past, and for whose sake we fall into the error of thinking that those heroes actually possessed the beauty we seek. It is the archaic man in ourselves, who, rejected by our collectively oriented consciousness, appears to us as hideous and unacceptable, but who is nevertheless the bearer of that beauty we vainly seek elsewhere. This is the man the poet Schiller means, but the thinker mistakes him for his Greek prototype. What the thinker cannot deduce logically from his evidential material, what he labours for in vain, the poet in symbolic language reveals as the promised land.

The development briefly outlined here seems to have been anticipated in medieval and Gnostic symbolism, just as the Antichrist was in the New Testament. How this occurred I will endeavour to describe in what follows. We have seen that, as the higher Adam corresponds to the lower, so the lower Adam corresponds to the serpent. For the mentality of the Middle Ages and of late antiquity, the first of the two double pyramids, the Anthropos Quaternio, represents the world of the spirit, or metaphysics, while the second, the Shadow Quaternio, represents sublunary nature and in particular man’s instinctual disposition, the “flesh”—to use a Gnostic-Christian term—which has its roots in the animal kingdom or, to be more precise, in the realm of warm-blooded animals. The nadir of this system is the cold-blooded vertebrate, the snake,30 for with the snake the psychic rapport that can be established with practically all warm-blooded animals comes to an end. That the snake, contrary to expectation, should be a counterpart of the Anthropos is corroborated by the fact—of especial significance for the Middle Ages—that it is on the one hand a well-known allegory of Christ, and on the other hand appears to be equipped with the gift of wisdom and of supreme spirituality.31 As Hippolytus says, the Gnostics identified the serpent with the spinal cord and the medulla. These are synonymous with the reflex functions.

It is rather like arguing with an Irishman,” wrote Michael Hadow of his many conversations with Dayan. “He enjoys knocking down ideas just for the sake of argument and one will find him arguing in completely opposite directions on consecutive days.” Indeed, Dayan was a classic man of contradictions: famed as a warrior, he professed deep respect for the Arabs, including those who attacked his village, Nahalal, in the early 1930s, and who once beat him and left him for dead. A poet, a writer of children’s stories, he admitted publicly that he regretted having children, and was a renowned philanderer as well. A lover of the land who made a hobby of plundering it, he had amassed a huge personal collection of antiquities. A stickler for military discipline, he was prone to show contempt for the law. As one former classmate remembered, “He was a liar, a braggart, a schemer, and a prima donna—and in spite of that, the object of deep admiration.” Equally contrasting were the opinions about him. Devotees such as Meir Amit found him “original, daring, substantive, focused,” a commander who “radiated authority and leadership [with] … outstanding instincts that always hit the mark.” But many others, among them Gideon Rafael, saw another side of him: “Rocking the boat is his favorite tactic, not to overturn it, but to sway it sufficiently for the helmsman to lose his grip or for some of its unwanted passengers to fall overboard.” In private, Eshkol referred to Dayan as Abu Jildi, a scurrilous one-eyed Arab bandit.

HEART OF TEA DEVOTION rc t c//'VI/~ L tLP /'V to/ a My dear, ifyou couldgive me a cup of tea to clear my muddle of a head I should better understand your affairs. CHARLES DICKENS If teacups could talk, my house would be full of conversation ... because my house is full of teacups. My collection of china cups-begun many years ago, when I set up housekeeping as a child bride-has long since outgrown its home in the glass-front armoire and spread out to occupy side tables and shelves and hooks in the kitchen or find safe harbor in the dining-room hutch. Some of these cups I inherited from women I love-my mother and my aunties. Some are gifts from my husband, Bob, or from my children or from special friends. A few are delightful finds from elegant boutiques or dusty antique shops. One cup bears telltale cracks and scars; it was the only one I could salvage when a shelf slipped and 14 cups fell and shattered. Three other cups stand out for their intense color-my aunt was always attracted to that kind of dramatic decoration. Yet another cup, a gift, is of a style I've never much cared for, but now it makes me smile as I remember the houseguest who "rescued" it from a dark corner of the armoire because it looked "lonely." Each one of my teacups has a history, and each one is precious to me. I have gladly shared them with guests and told their stories to many people. Recently, however, I have been more inclined to listen. I've been wondering what all those cups, with their history and long experience, are trying to say to me. What I hear from them, over and over, is an invitation-one I want to extend to you: When did you last have a tea party? When was the last time you enjoyed a cup of tea with someone you care about? Isn't it time you did it again?

Instead there was a rush on me of people having to have immediate action; some hand-hacked old kitchen stiff as thickened with grease as a miner or sandhog would be with clay, wanting me to go and see his boss, subito; or an Indian would bring his grievances written in a poem on a paper bag soaked with doughnut oil.[….] There were Greek and Negro chambermaids from all the hotels, porters, doormen, checkroom attendants, waitresses, specialists [….]. All kinds were coming. The humanity of the under-galleries of pipes, storage, and coal made an appearance, maintenance men, short-order grovelers; or a ducal Frenchman, in homburg, like a singer, calling himself “the beauty cook,” who wrote down on his card without taking off his gloves. And then old snowbirds and white hound-looking faces, guys with Wobbly cards from an earlier time, old Bohunk women with letters explaining what was wanted, and all varieties of assaulted kissers, infirmity, drunkenness, dazedness, innocence, limping, crawling, insanity, prejudice, and from downright leprosy the whole way again to the most vigorous straight- backed beauty. So if this collection of people has nothing in common with what would have brought up the back of a Xerxes’ army or a Constantine’s, new things have been formed; but what struck me in them was a feeling of antiquity and thick crust. But I expect happiness and gladness have always been the same, so how much variation should there be in their opposite? Dealing with them, signing them into the organization and explaining what to expect, wasn’t all generous kindness. In large part it was rough, when I wanted to get out of the way. The demand was that fierce, the idea having gotten around that it was a judgment hour, that they wanted to pull you from your clerical side of the desk to go with them.

Even man’s strength comes from Brahman. It is clear from these examples, which could be multiplied indefinitely, that the Brahman concept, by virtue of all its attributes and symbols, coincides with that of a dynamic or creative principle which I have termed libido. The word Brahman means prayer, incantation, sacred speech, sacred knowledge (veda), holy life, the sacred caste (the Brahmans), the Absolute. Deussen stresses the prayer connotation as being especially characteristic.71 The word derives from barh (cf. L. farcire), ‘to swell,’72 whence “prayer” is conceived as “the upward-striving will of man towards the holy, the divine.” This derivation indicates a particular psychological state, a specific concentration of libido, which through overflowing innervations produces a general state of tension associated with the feeling of swelling. Hence, in common speech, one frequently uses images like “overflowing with emotion,” “unable to restrain oneself,” “bursting” when referring to such a state. (“What filleth the heart, goeth out by the mouth.”) The yogi seeks to induce this concentration or accumulation of libido by systematically withdrawing attention (libido) both from external objects and from interior psychic states, in a word, from the opposites. The elimination of sense-perception and the blotting out of conscious contents enforce a lowering of consciousness (as in hypnosis) and an activation of the contents of the unconscious, i.e., the primordial images, which, because of their universality and immense antiquity, possess a cosmic and suprahuman character. This accounts for all those sun, fire, flame, wind, breath similes that from time immemorial have been symbols of the procreative and creative power that moves the world. As I have made a special study of these libido symbols in my book Symbols of Transformation, I need not expand on this theme here.

The Addams dwelling at 25 West Fifty-fourth Street was directly behind the Museum of Modern Art, at the top of the building. It was reached by an ancient elevator, which rumbled up to the twelfth floor. From there, one climbed through a red-painted stairwell where a real mounted crossbow hovered. The Addams door was marked by a "big black number 13," and a knocker in the shape of a vampire. ...Inside, one entered a little kingdom that fulfilled every fantasy one might have entertained about its inhabitant. On a pedestal in the corner of the bookcase stood a rare "Maximilian" suit of armor, which Addams had bought at a good price ("a bargain at $700")... It was joined by a half-suit, a North Italian Morion of "Spanish" form, circa 1570-80, and a collection of warrior helmets, perched on long stalks like decapitated heads... There were enough arms and armaments to defend the Addams fortress against the most persistent invader: wheel-lock guns; an Italian prod; two maces; three swords. Above a sofa bed, a spectacular array of medieval crossbows rose like birds in flight. "Don't worry, they've only fallen down once," Addams once told an overnight guest. ... Everywhere one looked in the apartment, something caught the eye. A rare papier-mache and polychrome anatomical study figure, nineteenth century, with removable organs and body parts captioned in French, protected by a glass bell. ("It's not exactly another human heart beating in the house, but it's close enough." said Addams.) A set of engraved aquatint plates from an antique book on armor. A lamp in the shape of a miniature suit of armor, topped by a black shade. There were various snakes; biopsy scissors ("It reaches inside, and nips a little piece of flesh," explained Addams); and a shiny human thighbone - a Christmas present from one wife. There was a sewing basket fashioned from an armadillo, a gift from another. In front of the couch stood a most unusual coffee table - "a drying out table," the man at the wonderfully named antiques shop, the Gettysburg Sutler, had called it. ("What was dried on it?" a reporter had asked. "Bodies," said Addams.)...

Two men were advancing towards the car along the cross track. One man carried a short wooden bench on his back, the other a big wooden object about the size of an upright piano. Richard hailed them, they greeted him with every sign of pleasure. Richard produced cigarettes and a cheerful party spirit seemed to be developing. Then Richard turned to her. “Fond of the cinema? Then you shall see a performance.” He spoke to the two men and they smiled with pleasure. They set up the bench and motioned to Victoria and Richard to sit on it. Then they set up the round contrivance on a stand of some kind. It had two eye-holes in it and as she looked at it, Victoria cried: “It’s like things on piers. What the butler saw.” “That’s it,” said Richard. “It’s a primitive form of same.” Victoria applied her eyes to the glass-fronted peephole, one man began slowly to turn a crank or handle, and the other began a monotonous kind of chant. “What is he saying?” Victoria asked. Richard translated as the singsong chant continued: “Draw near and prepare yourself for much wonder and delight. Prepare to behold the wonders of antiquity.” A crudely coloured picture of Negroes reaping wheat swam into Victoria’s gaze. “Fellahin in America,” announced Richard, translating. Then came: “The wife of the great Shah of the Western world,” and the Empress Eugénie simpered and fingered a long ringlet. A picture of the King’s Palace in Montenegro, another of the Great Exhibition. An odd and varied collection of pictures followed each other, all completely unrelated and sometimes announced in the strangest terms. The Prince Consort, Disraeli, Norwegian Fjords and Skaters in Switzerland completed this strange glimpse of olden far-off days. The showman ended his exposition with the following words: “And so we bring to you the wonders and marvels of antiquity in other lands and far-off places. Let your donation be generous to match the marvels you have seen, for all these things are true.” It was over. Victoria beamed with delight. “That really was marvellous!” she said. “I wouldn’t have believed it.” The proprietors of the travelling cinema were smiling proudly. Victoria got up from the bench and Richard who was sitting on the other end of it was thrown to the ground in a somewhat undignified posture. Victoria apologized but was not ill pleased. Richard rewarded the cinema men and with courteous farewells and expressions of concern for each other’s welfare, and invoking the blessing of God on each other, they parted company. Richard and Victoria got into the car again and the men trudged away into the desert. “Where are they going?” asked Victoria. “They travel all over the country. I met them first in Transjordan coming up the road from the Dead Sea to Amman. Actually they’re bound now for Kerbela, going of course by unfrequented routes so as to give shows in remote villages.” “Perhaps someone will give them a lift?

maman said I was an old soul, caught up in a past life, which I’d never been able to shake, from the way I dressed, to my shop, and my dreamy obsession with the past. Maybe she was right. Perhaps that’s why I found the loosening of traditions so heartbreaking. It felt like Parisians were racing to become more and more modern, and with it we were closing a door on our history. Memories would be lost for good as generations left this world, if we didn’t cherish their possessions and their stories that connected past to present.

What’s the first thing you’re going to do when you get back to your house?” Tony asked Hooter, who was walking in front of him. “I’m going to knock on the door and ask my parents to empty the refrigerator,” Hooter told him. “I’d do it myself, but I want to save all my energy for eating.” Hooter laughed. “I’ll just have them shovel all the food out.” “The first thing that I’m going to do,” Tony said dreamily, “is to go up to my bathroom and soak in a nice hot tub, and when I get out I’ll have big soft towels and clean clothes.” “The first thing that I’m going to do when I get home is to frame George Washington’s socks,” Q said happily. “I’ll hang them in a place of reverence over my antique snakeskin collection.” “What about you, Matt. What’s the first thing that you’re going to do when you get home?” Hooter wanted to know. “The first thing that I’m going to do is to read a book,” Matt said with a smile. “Read a book?” Hooter frowned. “Which book?” Tony asked suspiciously. “Adventures in History.” Matt grinned. This was followed by a chorus of groans from Tony, Hooter, and Q. “Oh, don’t worry,” Matt told his fellow club members. “If I find anything interesting in it, I’ll invite all of you for the next trip.

also wish to express my thanks to the Department of Antiquities of the Republic of Turkey and to the Director of the Archaeological Museum in Istanbul for generously making it possible for me to utilize the Sumerian literary tablets in the Istanbul Museum of the Ancient Orient. To the two curators of the tablet collection of this museum, Muazzez cik and Hatice Kizilyay, I am particularly

Modern Westerners are accustomed to conceive of the human compound in a form as simplified and as reduced as possible, since they consist only of two elements, one of which is the body, and the other of which is called indifferently soul or spirit; we say modern Westerners, because, in truth, this dualistic theory has only finally become established since Descartes. We can not undertake to make here a history, even succinct, of the question; we will say only that, previously, the idea that one had of the soul and the body did not include this complete opposition of nature which makes their union really inexplicable, and also that there were, even in the West, conceptions less "simplistic", and closer to those of the Orientals, for whom the human being is a whole much more complex. Moreover, it was far from thinking of this last degree of simplification represented by materialist theories, even more recent than all the others, and according to which man is not even at all a compound, since it is reduced to a single element, the body. Among the old conceptions to which we have just alluded, we would find many, without going back to antiquity, and going only to the Middle Ages, who envisage in man three elements, distinguishing between the soul and the spirit; [...] Vitalism, because it poses the question badly, and because, being in fact only a theory of physiologists, it places itself in a very special point of view, gives rise to a very simple objection. If it is admitted, like Descartes, that the nature of the mind and that of the body have not the least point of contact, then it is not possible that there is between them an intermediary or a middle term; or, on the contrary, we admit, like the ancients, that they have a certain affinity of nature, and then the intermediary becomes useless, for this affinity suffices to explain that one can act on the other.

The notion that graduate school is a specialized training ground for future professors has been untenable for more than two generations, but the antiquated structure of graduate education marks our collective longing for a brief postwar golden age when a job as a professor was waiting for anyone with a doctorate. This

Personalism therefore includes among its leading ideas, the affirmation of the unity of mankind, both in space and time, which was foreshadowed by certain schools of thought in the latter days of antiquity and confirmed in the Judeo-Christian tradition. For the Christian there are neither citizens nor barbarians, neither bond nor free, neither Jew nor gentile, neither white, black or yellow, but only men created in the image of God and called to salvation in Christ. The conception of a human race with a collective history and destiny, from which no individual destiny can be separated, is one of the sovereign ideas of the Fathers of the Church. In a secularised form, this is the animating principle of eighteenth century cosmopolitanism, and later of Marxism. It is flatly opposed to the ideas of absolute discontinuity between free spirits (as in Sartre) or between civilizations (in Malraux or Frobenius). It is against every form of racialism or of caste, against the ‘elimination of the abnormal’ , the contempt of the foreigner, against the totalitarians’ denigration of political adversaries—in short, it is altogether against the fabrication of scapegoats. Any man, however different, or even degraded, remains a man, for whom we ought to make a human way of life possible.

In my experience, the more you think, the more you’ll scare yourself. Better to keep moving forward.

In the realm of history, few things capture the imagination as much as ancient artifacts. Among these treasures of the past, rare Roman coins stand out as exquisite objects that not only hold immense historical significance but also carry a unique appeal for collectors and enthusiasts alike. In this article, we embark on a journey to explore the fascinating world of rare Roman coins, their historical context, and the joy of discovering these precious relics of antiquity.

Jack sat and then looked down at the card in his hand. Beautiful blues and greens edged out with delicate gold scrollwork. “Fine antiques and collectibles? How is that relevant to our case?

Novel Emporium is India's only trusted portal for buyers & sellers, powered by Marudhar Arts. We specialize in selling & buying antique coins, notes, etc. Collect old antique coins and Get 100% authentic items on novelemporium.com

Collecting antiquities is to archeology as rape is to love.

punishment.

grill

But if you have a passion for collecting valuable items such as rare coins, fine wine, artwork, antiques, cars, or books, for example, your hobby may be a fun way to enhance your retirement funds.

Money has always been a tool used to control the people. It did not evolve from thousands of years of barter and trade like we are led to believe; the priest-kings of ancient Sumer first introduced it. Written in the Sumerian tablets (the oldest written and deciphered record of human history), is a financial transaction of depositing silver shekels at the palace temple. It is one of the earliest examples of a “Bill of Exchange” used by modern banks, and tells us that temples in antiquity served as the first banks, creating a link between bankers and royal bloodlines as far back as we can trace.

For God’s sake take care that your judgment does not deceive you. Why, I pray you, do you call false, things which the whole of antiquity has held as articles of faith? Why do you not rather censure your fancies which will not embrace the doctrine of these books, than censure these books which have been received for so long a time because they do not jump with your humor? Because you will not believe what the books teach, you condemn it; why do you not rather condemn your presumption which is incredulous to their teaching?

The items people own reveal something about the owners. Every quaint item that a person selects to surround themselves with has a basic quiddity, the essence, or inherent nature of things. As a people, we assign a value meaning not only to the things that we presently possess, but also to the items destined for one generation to hand down to the next generation.

La vérité est que entre l’Égypte antique et l’Égypte actuelle, il n’y a qu’une coïncidence géographique, sans la moindre continuité historique ; aussi la tradition dont il s’agit est-elle encore plus complètement étrangère, dans le pays où elle exista jadis, que le Druidisme ne l’est pour les peuples qui habitent aujourd’hui les anciens pays celtiques ; et le fait qu’il en subsiste des monuments beaucoup plus nombreux ne change rien à cet état de choses. Nous tenons à bien préciser ce point une fois pour toutes, afin de couper court à toutes les illusions que se font trop facilement à cet égard ceux qui n’ont jamais eu l’occasion d’examiner les choses de près ; et, en même temps, cette remarque détruira encore plus complètement les prétentions des « pseudo-initiés » qui, tout en se recommandant de l’antique Égypte, voudraient donner à entendre qu’ils se rattachent à quelque chose qui subsisterait en Égypte même ; nous savons d’ailleurs que ceci n’est point une supposition purement imaginaire, et que certains, comptant sur l’ignorance générale, en quoi ils n’ont malheureusement pas tout à fait tort, poussent effectivement leurs prétentions jusque là.

Q: What is the most common remark made by old people in antique stores? A: “I remember these.

Whether individual, collective, or even written history, memory is not a fixed, passive storage system: it is dynamic, changing according to different circumstances. The unconscious is always at play, rearranging conscious memories in time and space, juxtaposing some and splitting or reshaping others, suppressing or recalling. Memory has been likened to stones from antiquity that are re-used to make different, later buildings.

They faced each other in silence for a long minute, both of them clearly uncomfortable. He hated all the awkwardness between them. To hell with that. He smiled at her. "So do I get to know what's in that diary?" She blushed crimson. "That diary got you into this mess. You could have been killed. How can you joke about it?" "No joke. I'm sincerely interested." An understatement. He would have given his antique baseball bat collection to know what she'd written about him ten years ago. "I was a foolish teenager." "And now?" He stepped closer.

Under the Ptolemys, the Museum Library of Alexandria grew to contain more than 700,000 scrolls, and included all the great classical works of antiquity. In 272 C.E. the main library was destroyed by the Roman Emperor Lucius Aurelianus, but much of the collection of classical works was saved by removing it to the nearby Temple of Serapis. In 391 C.E., under the Roman Emperor, Theodosius, the Christians, wishing to obliterate all centers of pagan (non-Christian) learning and culture, burned the remaining collection of classical literature, accomplishing the virtual elimination of all recorded thought of the remote past. It is for that reason that today we possess only scraps and pieces of scattered lines from the great mystics and philosophers of antiquity, along with bits of hearsay by later chroniclers who were, for the most part, indifferent or antipathetic to them.

The Bible says, "Be kind and compassionate to one another" (Ephesians 4:32). So be a blessing in someone's life today. ur hearts will be found in the vicinity of our treasures." That's so true, isn't it? Over the years, I've asked hundreds of women to tell me the stories of their treasures. I've been treated to some incredible stories, from a loving grandmother to an inherited Bible, from a mysterious, closed-up room to antique furniture. I've learned about collections and great recipes. The stories are all about the special objects or people in our lives that speak to us about love and hope and memories. Listen carefully to these words from Psalm 119:16: "[LORD,] I delight in your decrees; I will not neglect your word." Now thats a treasure. don't know what I'd do without friends. They cry with me, laugh with me-and, for sure-they're the ones who most often "speak truth" (whether I want to hear it or not). There's nothing that makes life better than friends. My advice? Do everything you can to nurture the special people in your life. It sometimes takes extra thought and definitely precious time, but what joy is yours when you do! Every Saturday morning at seven, my friend Sharon spends a very special hour on the phone with her sister. It's the highlight of the week for both of them. They love and support one another, laugh, and share even the most mundane happenings of the week. Enjoy and treasure your relationships!

riendship is a treasure. If you possess even one nugget of the real thing-you're rich! So celebrate! Give your friend a book or an item with a note explaining its importance. Or set up a spa day. Why not add to her collection-or even start one for her! A bell, a miniature animal, an antique ...something in line with her interests. Personalized notepads are always great and practical! You could get her a monogrammed Bible or a hymnbook for her devotional times. Or one of those wonderful little rosebush trees if she's into gardening. Express your care and love for her friendship. by not widen your circle of friends? Don't miss the joy of sharing your Christian life through hospitality. Bible studies and small-group meetings are great ways to open your home and your heart. Fill a basket with food and take it to neighbors. What a surprise it will be for them! Host a neighborhood barbecue, potluck, theme dinner (ask everyone to bring something related to the theme), or even start a dinner club and meet somewhere different each month. Throw an "all girls" party for you and your friends. Volunteer at a homeless shelter or hospital. What do you enjoy most? Let that be the focus of your hospitality to others.

Cranswell led them to the left, into the Egyptian exhibit hall, and Fastitocalon remembered why he didn’t spend much time in places like this: the intense, knotted, crisscrossing trails of time and metaphysical significance that hung around collections of antiquities were exhausting to experience, and the older the object the heavier its weight on reality. The things in here were old.

we are all flawed, fragile, cast-off china, collecting dust in the antique store that is life. The trick is finding someone who sees our worth despite the tiny, hairline cracks.

I act like I’m fine alone, but I want someone. I want that someone. The person who wants to be with me, no matter what. Who is on the same page with me, on all of the things that matter. Who’s going to be there at the end of the day even when I might be work obsessed or stubborn or – whatever. The person who doesn’t leave, who – who goes antiquing with me even if she hates it and knows just how I take my coffee and likes to spend weekends making lists of activities to make the most of our time. Who can see that I maybe don’t open up easily, but will decide I’m worth it, anyway. The person… who deals with me and all my crap and doesn’t get sick of it – of me – as soon as the shine is gone.

It is only through history that a people becomes fully conscious of itself. This is why history should be seen as the rational self-consciousness of the human race, and is to the human race what the reflective, coherent, rationally conditioned consciousness is to the individual, the absence of which imprisons animals in the narrow, intuitive present. This is why every gap in history is like a gap in the recollecting self-consciousness of a human being; and we stand before a memorial of prehistoric antiquity that has outlived information about itself, such as, e.g., the pyramids, temples, and palaces in Yucatan, just as insensibly and naïvely as an animal in the presence of a human action in which it is involved as a servant, or just as a person before his own old secret code to which he has forgotten the key, or indeed just as a sleepwalker who discovers in the morning what he has done during the night. In this sense, history is to be regarded as the reason or the enlightened self-consciousness of the human race, and occupies the place of an immediate collective self-consciousness of the entire race, so that it is only through history that the human race is really made into a whole, into one humanity. This is the true value of history; and accordingly the chief basis for the universal and excessive interest we take in it is that it is of personal concern to the human race.

It is only through history that a people becomes fully conscious of itself. This is why history should be seen as the rational self-consciousness of the human race, and is to the human race what the reflective, coherent, rationally conditioned consciousness is to the individual, the absence of which imprisons animals in the narrow, intuitive present. This is why every gap in history is like a gap in the recollecting self-consciousness of a human being; and we stand before a memorial of prehistoric antiquity that has outlived information about itself, such as, e.g., the pyramids, temples, and palaces in Yucatan, just as insensibly and naïvely as an animal in the presence of a human action in which it is involved as a servant, or just as a person before his own old secret code to which he has forgotten the key, or indeed just as a sleepwalker who discovers in the morning what he has done during the night. In this sense, history is to be regarded as the reason or the enlightened self-consciousness of the human race, and occupies the place of an immediate collective self-consciousness of the entire race, so that it is only through history that the human race is really made into a whole, into one humanity. This is the true value of history; and accordingly the chief basis for the universal and excessive interest we take in it is that it is of personal concern to the human race.

It is only through history that a people becomes fully conscious of itself. This is why history should be seen as the rational self-consciousness of the human race, and is to the human race what the reflective, coherent, rationally conditioned consciousness is to the individual, the absence of which imprisons animals in the narrow, intuitive present. This is why every gap in history is like a gap in the recollecting self-consciousness of a human being; and we stand before a memorial of prehistoric antiquity that has outlived information about itself, such as, e.g., the pyramids, temples, and palaces in Yucatan, just as insensibly and naïvely as an animal in the presence of a human action in which it is involved as a servant, or just as a person before his own old secret code to which he has forgotten the key, or indeed just as a sleepwalker who discovers in the morning what he has done during the night. In this sense, history is to be regarded as the reason or the enlightened self-consciousness of the human race, and occupies the place of an immediate collective self-consciousness of the entire race, so that it is only through history that the human race is really made into a whole, into one humanity. This is the true value of history; and accordingly the chief basis for the universal and excessive interest we take in it is that it is of personal concern to the human race.

Leave your books alone. Don’t let yourself be distracted any longer; you can’t allow yourself that any more (II, 2, 2). Throw away your thirst for reading, so that when you die, you will not be grumbling, but will be in true serenity, thanking the gods from the bottom of your heart (II, 3, 3). Marcus is no longer to disperse himself by gathering extracts from authors in the course of his readings, for he no longer has time to read. He is no longer, out of intellectual curiosity or speculative interest, to write great quantities of “note-cards,” as we would call them nowadays: rather, he is to write only in order to influence himself, and concentrate on the essential principles (II, 3, 3): Let these thoughts be enough, if they are life-principles (dogmata) for you. Marcus, then, is to keep on writing. From now on, however, he will write only efficacious thoughts: that is, those which totally transform his way of living. As he wrote these texts, which were to become our Meditations, Marcus no doubt used these “note-cards” which he was afraid he would no longer have the time to reread; just as he no doubt had recourse to his collections of extracts in order to take from them the quotations from authors which he reproduced in several books of the Meditations. Formally, then, Marcus’ literary activity did not change. He continued to write down for himself all kinds of notes and reflections (hypomnēmata); but the finality of these intellectual exercises had become completely modified. From the point of view of the imminence of death, one thing counts, and one alone: to strive always to have the essential rules of life present in one’s mind, and to keep placing oneself in the fundamental disposition of the philosopher, which consists essentially in controlling one’s inner discourse, in doing only that which is of benefit to the human community, and in accepting the events brought to us by the course of the Nature of the All. Thus, the Meditations belong to that type of writing called hypomnēmata in antiquity, which we could define as “personal notes taken on a day-to-day basis.

Ember smiled brightly. “Hello! We haven’t met before. My name is Ellen. I’m an antiques dealer around these parts?” Mrs. Bailey looked surprised, but gave a polite smile. “Oh, yes?” “Yes. I’m sorry to burst in on you like this, I know it’s early. But I heard from one of the women in the historical society--Yolanda? You know her, don’t you?--that you collect antique ice picks. Best collection in the county, she said.” Mrs. Bailey smiled, looking a little confused. Ember wasn’t sure if there was a Yolanda in the historical society, but evidently Mrs. Bailey wasn’t sure, either. “Of course,” said Mrs. Bailey. “I have some very special pieces. I didn’t realize the historical society knew about them. Would you like to see them? I keep them just in here.” She pointed back behind her, into the house. “That would be lovely,” Ember said eagerly. So Mrs. Bailey let Ember inside. Ember noticed with a bashful feeling that the large picture she had knocked had been replaced on the wall, but all the glass of the frame was missing. Probably it had taken a long time to clean up all those many pieces. “My name is Anna, by the way,” Mrs. Bailey was saying. “It’s nice to meet you, Ember. I’m always so pleased to know young people such as yourself who are interested in antiques.

An oft-repeated tale recounts that a Christian mob destroyed the Great Library of Alexandria in 391 and burnt its books in the street. According to some versions, the repository in question was the original library in the Brucheium, while others state that it was a ‘daughter’ library located in the Serapeum. This tale has entered so deeply into the popular imagination that it even sometimes appears in otherwise respectable books of history. It is, however, a myth, originated in the late 18th century, when the great historian Edward Gibbon read an unwarranted meaning into a single sentence from the Christian chronicler Paul Orosius (fl. 414–17). The subtext of the legend is that the Christians of the fourth century were intensely hostile to the science, literature, and scholarship of classical culture, and that such matters were the special preserve of the pagans of Alexandria. This too is an 18th-century myth. The city’s scholarly and scientific class comprised Christians as well as pagans, and Christian scholars, rhetoricians, philosophers and scientists were active in Alexandria right up until the city fell to Arab Muslim invaders in 642. Regarding the library in the Brucheium – whose size, again, is impossible to determine – many ancient historians believed that it (or a large part of its collection) had already gone up in flames following Julius Caesar’s assault on the city in 48 or 47 BC, during his wars with Pompey. Some historians now also claim that, if any part of the original library remained, it vanished in 272, during the emperor Aurelian’s campaigns to reunite the empire. Whether either story is true, the Great Library of the Ptolemies no longer existed by the late fourth century. As for the ‘daughter’ library, it may have been situated within the enclosure of the Serapeum; there were, at any rate, library stacks in the temple. However, the Pagan historian Ammianus Marcellinus (c.330–95) indicates that whatever library had once been there was long gone before the Serapeum’s demolition in 391. More importantly, none of the original accounts of the temple’s destruction mentions a library, not even the account written by the devout pagan Eunapius of Sardis (c.345–c.420), who despised Christians and who, as an erudite man, would have been enraged by the burning of precious texts. Later Medieval legend claimed that the actual final destruction of the ‘Library’ or libraries of Alexandria was the work of the Arab conquerors of the seventh century ad. Of this, however, no account exists that was written before the 12th century. Whatever the case, the scurrilous story of the Great Library’s destruction by Christians is untrue. It may tell us something about modern misconceptions regarding the past, but tells us nothing about Christian or pagan antiquity.

My own collection of mascara wands, eyebrow pencils, lip, lid and blusher brushes were stored on the lavender vanity top in an antique sun-purpled Victorian glass spoon holder.

1753: Founding of the British Museum, due to the legacy of Sir Hans Sloane, who bequeaths his library, antiquities, and collection of natural curiosities for that purpose.