Iron Man 1 Quotes

We've searched our database for all the quotes and captions related to Iron Man 1. Here they are! All 100 of them:

In Emma's defense, Cameron's annoying, but he's hot." Julian gave her a look. "I mean, if you like guys who look like a redheaded Captain America, which I... don't? "Captain America is definitely the most handsome Avenger," said Cristina. "But I like the Hulk. I would like to heal his broken heart." "We're Nephilim," said Julian. "We're not even supposed to know about the Avengers. Besides," he added, "Iron Man is obviously the best-looking.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Man...heats up like a lightbulb: red hot in the twinkling of an eye and cold again in a flash. The female, on the other hand...heats up like an iron. Slowly, over a low heat, like tasty stew. But then, once she has heated up, there's no stopping her.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Man, that was impressive. You must've jumped three feet in the air. What did you think I was, leatherface or something? -Robbie Goodfell
Julie Kagawa (The Iron King (The Iron Fey, #1))
...it’s just another one of those things I don’t understand: everyone impresses upon you how unique you are, encouraging you to cultivate your individuality while at the same time trying to squish you and everyone else into the same ridiculous mould. It’s an artist’s right to rebel against the world’s stupidity.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
Perks of refusing to play by the rules: you don’t have to choose between the boy who’d torture a man to death with you and the boy who welcomes you back with pastries.
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
Every man believes to some extent that the world began when he was born and, at the moment of leaving it, suffers at having to let the Universe remain unfinished.
Maurice Druon (The Iron King (The Accursed Kings, #1))
You're scared?' He shook his head. 'Floppy's scared.' 'What's Floppy scared of?' 'The man in the closet
Julie Kagawa (The Iron King (The Iron Fey, #1))
The Iron Throne will go to the man who has the strength to seize it.
George R.R. Martin (Fire & Blood (A Targaryen History, #1))
So be it. I'll wear my iron and hold my tongue. A man who won't listen can't hear.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky tonks, restaurants and whore houses, and little crowded groceries, and laboratories and flophouses. Its inhabitant are, as the man once said, "whores, pimps, gambler and sons of bitches," by which he meant Everybody. Had the man looked through another peephole he might have said, "Saints and angels and martyrs and holymen" and he would have meant the same thing.
John Steinbeck (Cannery Row (Cannery Row, #1))
You think I'm playing at some game? You think iron will keep you safe? Hear my words, manling. Do not mistake me for my mask. You see light dappling on the water and forget the deep, cold dark beneath. Listen. You cannot hurt me. You cannot run or hide. In this I will not be defied. I swear by all the salt in me: if you run counter to my desire, the remainder of your brief mortal span will be an orchestra of misery. I swear by stone and oak and elm: I'll make a game of you. I'll follow you unseen and smother any spark of joy you find. You'll never know a woman's touch, a breath of rest, a moment's peace of mind. And I swear by the night sky and the ever-moving moon: if you lead my master to despair, I will slit you open and splash around like a child in a muddy puddle. I'll string a fiddle with your guts and make you play it while I dance. You are an educated man. You know there are no such things as demons. There is only my kind. You are not wise enough to fear me as I should be feared. You do not know the first note of the music that moves me. -Bast
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
I have been around long enough to discount most superstitions for what they are: I was around when many of them began to take root, after all. But one superstition to which I happen to subscribe is that bad juju comes in threes. The saying in my time was, "Storm clouds are thrice cursed," but I can't talk like that and expect people to believe I'm a twenty-one year-old American. I have to say things like, "Shit happens, man.
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
SEPTEMBER 1, 1939 I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism's face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; 'I will be true to the wife, I'll concentrate more on my work,' And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the dead, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.
W.H. Auden (Another Time)
We all know he ranks me above Iron Man, Thor, and whatever other Avenger makes an on-screen appearance. Not just because I'm clearly better and clearly not fictional. But because I'm his bodyguard. His real-life superhero.
Krista Ritchie (Damaged Like Us (Like Us, #1))
...underneath their human guises, they looked like the typical faery - that is, no wings, scantily clad and kind of man-pretty like Orlando Bloom's Legolas...
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
You can realize your dream, as long as it’s got enough nightmare in it
Kieron Gillen (Iron Man, Vol. 1: Believe)
I loved IRON MAN: Robert Downey Jr. has been and probably will be my favourite actor for a long time…but IRON MAN, THE INCREDIBLE HULK, SUPERMAN RETURNS and all the others feel a little like Saturday morning cartoons next to the carbon black glory that is 'The Dark Knight.' Trust me, *this* is the future of this sort of thing.
Grant Morrison (JLA: The Deluxe Edition, Vol. 1)
if you like guys who look like a redheaded Captain America, which I . . . don’t?” “Captain America is definitely the most handsome Avenger,” said Cristina. “But I like the Hulk. I would like to heal his broken heart.” “We’re Nephilim,” said Julian. “We’re not even supposed to know about the Avengers. Besides,” he added, “Iron Man is obviously the best-looking.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
On a scale of ‘one’ to ‘middle-aged man asking you to put on a smile for him,’ how uncomfortable did that make you?- Yizhi
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
We are often criminals in the eyes of the earth, not only for having committed crimes, but because we know what crimes have been committed. - The Man in the Iron Mask (155)
Michael Robotham (Suspect (Joseph O'Loughlin, #1))
You ever see a man who doesn’t know he’s unhappy, Leopard? Look for it in the scars on his woman’s face. Or in the excellence of his woodcraft and iron making, or in the masks he makes to wear himself because he forbids the world to see his own face. I am not happy, Leopard. But I am not unhappy that I know.
Marlon James (Black Leopard, Red Wolf (The Dark Star Trilogy #1))
The Nevernever is dying, human. It grows smaller and smaller every decade. Too much progress, too much technology. Mortals are losing their faith in anything but science. Even the children of man are consumed by progress. They sneer at the old stories and are drawn to the newest gadgets, computers, or video games. They no longer believe in monsters of magic. As cities grown and technology takes over the world, belief and imagination fade away, and so do we." "What can we do to stop it?" I whispered. "Nothing." Grimalkin raised a hind leg and scratched an ear. "Maybe the Nevenever will hold out till the end of the world. Maybe it will disappear in a few centuries. Everything dies eventually, human.
Julie Kagawa (The Iron King (The Iron Fey, #1))
Haven't you seen that part of me as well? A man's many things. To isolate one part of him and judge him on that alone is to do him an injustice, don't you think?
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
Perhaps his gloom was due to his profession, that he lived among fallen empires, and in reading these languages that had not been spoken by the common man in centuries, he had all about him the ruin of language, evidence of toppled suburbs, grass growing among the mosaics, and voices that had been choked with poison, iron, age, or ash.
M.T. Anderson (The Pox Party (The Astonishing Life of Octavian Nothing, Traitor to the Nation, #1))
Hadrian held the headphones close to one ear. “What is this, Eden? You’re listening to music? Stupid, crappy music?” The square-jawed man stared blankly at him. “It’s Celine Dion, sir.” “Get security up here! I want this man in irons. Prepare the Dark Hole!
Steven Erikson (Willful Child (Willful Child, #1))
We are one. Man, horse, lance, we are one beast of blood and wood and iron.
George R.R. Martin (A Knight of the Seven Kingdoms (The Tales of Dunk and Egg, #1-3))
Shark!" I yelled as my feet hit the wet sand. "There's a shark out there! Everyone get out of the water!" Man, you want to see humans move fast? Scream that on a crowded beach and watch what happens. Its amazing the fear people have for a scaly, sharp toothed predator. I watched the water empty in seconds, parents scooping up their children and heading to shore, desperate to get out of the ocean, and found it a little ironic. They were so terrified of the big, nasty monster out in the water, when there was a bigger, nastier, deadlier one right here on the beach.
Julie Kagawa (Talon (Talon, #1))
Mori smiled properly. The lines around his eyes were deeper than usual now. They made him look like an old photograph of a young man, often crushed, but ironed carefully so that only the ghosts of the marks remained.
Natasha Pulley (The Watchmaker of Filigree Street (The Watchmaker of Filigree Street, #1))
Old Man River! That seems far too austere a name For something made of mirth and rage. O, roiling red-blood river vein, If chief among your traits is age, You're a wily, convoluted sage. Is "old" the thing to call what rings The vernal heart of wester-lore; What brings us brassy-myth made kings (And preponderance of bug-type things) To challenge titans come before? Demiurge to a try at Avalon-once-more! And what august vitality In your wide aorta stream You must have had to oversee Alchemic change of timber beam To iron, brick and engine steam. Your umber whiskey waters lance The prideful sober sovereignty Of faulty-haloed Temperance And wilt her self-sure countenance; Yes, righteousness is vanity, But your sport's for imps, not elderly. If there's a name for migrant mass Of veteran frivolity That snakes through seas of prairie grass And groves of summer sassafras, A name that flows as roguishly As gypsy waters, fast and free, It's your real name, Mississippi.
Tracy J. Butler (Lackadaisy: Volume #1 (Lackadaisy, #1))
To kill the Windigo, Meloux had said, you must become a Windigo, too. A man was never just a man. A man was endless possibility waiting to become.
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
This man was so vain, he probably thought the troubadours’ songs were about him
Sarah Rees Brennan (Long Live Evil (Time of Iron, #1))
These days things had a way of happening around him. Although events seemed chaotic, Cork was beginning to suspect they weren't at all. Sam Winter Moon used to say that sometimes the only way a man learns the true spirit of a rock is to stub his toe on it.
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
He had a charm about him sometimes, a warmth that was irresistible, like sunshine. He planted Saffy triumphantly on the pavement, opened the taxi door, slung in his bag, gave a huge film-star wave, called, "All right, Peter? Good weekend?" to the taxi driver, who knew him well and considered him a lovely man, and was free. "Back to the hard life," he said to Peter, and stretched out his legs. Back to the real life, he meant. The real world where there were no children lurking under tables, no wives wiping their noses on the ironing, no guinea pigs on the lawn, nor hamsters in the bedrooms, and no paper bags full of leaking tomato sandwiches.
Hilary McKay (Saffy's Angel (Casson Family, #1))
You went with Cameron?" Julian said. Livvy held up a hand. "In Emma's defense, Cameron's annoying, but he's hot." Julian gave her a look. "I mean, if you like guys who look like a redheaded Captain America, which I... don't?" "Captain America is definitely the most handsome Avenger," said Cristina. "But I like the Hulk. I would like to heal his broken heart." "We're Nephilim, said Julian. "We're not even supposed to know about the Avengers. Besides," he added, "Iron Man is obviously the best-looking." -- "I have no idea who the Avengers are," observed Mark, who had finished his strawberries and was eating sugar out of a packet. Ty looked gratified - he had no time for superheroes.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
But in these woods it's best to believe in all possibilities. There's more in these woods than a man can ever hope to understand.
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
If you keep acting like an idiot and don't get yourself straight, someone's gonna get HURT because of it.
Margaret Stohl (The Life of Captain Marvel #1)
He was a big, bony man. Iron muscles shaped his jacket sleeves and quickly wore through new trousers. He had a way of imposing himself just by standing there.
Georges Simenon (Pietr the Latvian (Maigret, #1))
The hand of God strikes swiftly, particularly when assisted by the hand of man.
Maurice Druon (The Iron King (The Accursed Kings, #1))
How ironic the two of us were sitting here: me, the girl who remembered almost nothing, and Alex, the man who remembered everything.
Ana Huang (Twisted Love (Twisted, #1))
In the midst of the battle between rebellion and surrender Bantry was suddenly uncertain what Flynn was starved for. The sensuality of a man’s kiss? Or the rich, iron taste of blood?
Mel Keegan (Nocturne (Nocturne #1))
When a court officer suggested quarantine for Nerissa, she grabbed the man's pen and jammed it into the back of his hand, screaming that he was a Crimson Guard witch come to remove her memories and replace them with bird-song. They decided to skip quarantine after that.
Caitlin Kittredge (The Iron Thorn (Iron Codex, #1))
Hugh shut his eyes for a long moment. The world was sliding sideways, and he really needed to get a grip. “Who would I be marrying?” “The White Warlock.” Hugh’s eyes snapped open. “You want me to marry a man?
Ilona Andrews (Iron and Magic (The Iron Covenant, #1))
Captain America is definitely the most handsome Avenger,' said Cristina. 'But I like the Hulk. I would like to heal his broken heart.' 'We're Nephilim,' said Julian. 'We're not even supposed to know about the Avengers. Besides,' he added, 'Iron Man is obviously the best-looking.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Why Do People become Shadowhunters, by Magnus Bane This Codex thing is very silly. Downworlders talk about the Codex like it is some great secret full of esoteric knowledge, but really itès a Boy Scout manual. One thing that it mysteriously doesnèt address is why people become Shadowhunters. And you should know that people become Shadowhunters for many stupid reasons. So here is an addition to your copy. Greetings, aspiring young Shadowhunter-to-be- or possibly already technically a Shadowhunter. I canèt remember whether you drink from the Cup first or get the book first. Regardless, you have just been recruited by the Monster Police. You may be wondering, why? Why of all the mundanes out there was I selected and invited to this exclusive club made up largely, at least from a historical perspective, of murderous psychopaths? Possible Reasons Why 1. You possess a stout heart, strong will, and able body. 2. You possess a stout body, able will, and strong heart. 3. Local Shadowhunters are ironically punishing you by making you join them. 4. You were recruited by a local institute to join the Nephilim as an ironic punishment for your mistreatment of Downworlders. 5. Your home , village, or nation is under siege by demons. 6. You home, village, or nation is under siege by rogue Downworlders. 7. You were in the wrong place at the wrong time. 8.You know too much, and should be recruited because the secrecy of the Shadow World has already been compromised for you. 9. You know too little; it would be helpful to the Shadowhunters if you knew more. 10. You know exactly the right amount, making you a natural recruit. 11. You possess a natural resistance to glamour magic and must be recruited to keep you quiet and provide you with some basic protection. 12. You have a compound last name already and have convinced someone important that yours is a Shadowhunter family and the Shadowhunteriness has just been weakened by generations of bad breeding. 13. You had a torrid affair with a member of the Nephilim council and now he's trying to cover his tracks. 14. Shadowhunters are concerned they are no longer haughty and condescending enough-have sought you out to add a much needed boost of haughty condescension. 15. You have been bitten by a radioactive Shadowhunter, giving you the proportional strength and speed of a Shadowhunter. 16. Large bearded man on flying motorcycle appeared to take you away to Shadowhunting school. 17. Your mom has been in hiding from your evil dad, and you found out you're a Shadowhunter only a few weeks ago. That's right. Seventeen reasons. Because that's how many I came up with. Now run off, little Shadowhunter, and learn how to murder things. And be nice to Downworlders.
Cassandra Clare (The Shadowhunter's Codex)
Once someone's dead, being sorry doesn't cut it. If you hit a man, you can apologize. If you destroy his property, you can pay him back. But if you take his life, there's nothing you can ever do to make that right. Do you understand?
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
If he expected an answer - and he wasn't certain that he didn't - he was disappointed. He told himself he had imagined the voice in the wind. The Windigo was a myth. But there was a part of him that knew different. Sam Winter Moon has cautioned him long ago that it was best to believe in all possibilities, that there were more mysteries in the world than a man could ever hope to understand.
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
Men are hungry fools. If they cannot eat it, wear it, or use it, they kill it anyway. They spread like fungus through the heart of the world. Lift a rock, and there: man. But that is not quite right. At least fungus grows and feeds other life. Men only devour. Everywhere they reshape in their image. To their needs. Forests are felled for their homes. Fields are forced to bear their fruits, their grains, their decisions. A fungus only kills. Men change. Men demand order from nature. Men melt rocks and form metal, biting iron to pierce and slay. What can she do against such poison?
Kiersten White (The Guinevere Deception (Camelot Rising, #1))
Unerringly locating Riley's dick in his loose dress pants, Jack grabbed it forcefully and leaned close to Riley's ear, hearing the quick indrawn breath from his husband. A spark of lust flashed through his own body as he contemplated what to do next. Finally he decided. He was tired of all the pussy-footing around, and the darkness of the hallway invited sin. He moved his hand on Riley's hard dick, listening to the groan in Riley's throat. Riley, you know who this belongs to? This belongs to me." He gentled the touch, twisting his hand. "I saw you flirting and sharing with those girls out there, and I'm telling you now, I don't share. No one else gets to see this. No one else gets to touch it. No one else gets to taste it. Just me. It's mine for one whole year, and I have the contract to prove it." Riley tried to form a reply as Jack moved his hand again. It was good to see the other man speechless for once. "Don't worry though, husband.I'm gonna treat it so good. I've decided that I'm gonna make it,and you, feel so damn good you'll never look at another woman again. You only have to say the word, and I'll show you what you signed up for." His voice fell into a heated whisper, the words low and drawled. Now do we need to get out of here? I'm thinking I might need to take you home and show you who you belong to." Riley's eyes widened, his dick fully hard, iron in Jack's clever hands. "I can make you scream. You wouldn't even know your name when I finished with you." "Jack—please." Riley's voice was broken. Everything Jack wanted to hear. "Please?" Riley blinked, unconsciously pushing his groin into Jack's hold. Jack knew what followed next was certainly not a decision Riley made with his upstairs brain. "Fuck, Jack. Let's get the hell out of here.
R.J. Scott (The Heart of Texas (Texas, #1))
A man who would agree to betray his own conscience for the sake of a mitre, might well also steal and betray.
Maurice Druon (The Iron King (The Accursed Kings, #1))
The corpse fell forward and hit its forehead on the iron handle. - That would have been really painful if the circumstances had been a little different, said Allan
Jonas Jonasson (The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared (The Hundred-Year-Old Man, #1))
So he let himself look, he let himself yearn, he let his heart ache for his lord, for that noble little fool-that beautiful good man
Alexandra Rowland (A Taste of Gold and Iron (Mahisti Dynasty, #1))
sometimes the only way a man learns the true spirit of a rock is to stub his toe on it.
William Kent Krueger (Iron Lake (Cork O'Connor #1))
Sam Winter Moon had cautioned him long ago that it was best to believe in all possibilities, that there were more mysteries in the world than a man could ever hope to understand. 13
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
Bartlett was someone I used to hold in high esteem, for a man in his position. Now I realized he was a tool of the system, ineffective and weak, which was ironic for a man with so much power.
Tamron Hall (As the Wicked Watch (Jordan Manning, #1))
skintight layer of clothing that extends from my feet to my neck that’s supposed to help improve my hypertrophic scarring. The Iron Maiden describes hypertrophic scarring as skin that exhibits the three Rs of being red,
Alan Russell (Burning Man (Gideon and Sirius, #1))
This anger in your eyes, is it because you are hunting the Windigo?". "I don't know what it is I'm hunting, Henry." Meloux nodded thoughtfully, still looking keenly at Cork. "The Windigo was a man once. His heart was not always ice. What makes a man's heart turn to ice? I would think bout that, and I would think about how to fight the Windigo.
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky tonks, restaurants and whore houses, and little crowded groceries, and laboratories and flophouses. Its inhabitant are, as the man once said, "whores, pimps, gambler and sons of bitches," by which he meant Everybody.
John Steinbeck (Cannery Row (Cannery Row, #1))
Dresses?” He was standing so near that she could see the fine thread detail on his jacket, and smelled not perfume, but horses and iron. Dorian grinned. “What remarkable eyes you have! And how angry you are!” Coming within strangling distance of the Crown Prince of Adarlan, son of the man who sentenced her to a slow, miserable death, her self-control balanced on a fragile edge—dancing along a cliff.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
The hand of the king was the second-most powerful man in the Seven Kingdoms. He spoke with the king’s voice, commanded the Kings army’s, drafted the king’s laws. At times he even sat upon the Iron Throne to dispense king’s justice, when the king was absent, or sick, or otherwise indisposed. Robert was offering him a responsibility as large as the realm itself. It was the last thing in the world he wanted.
George R.R. Martin (A Game of Thrones #1)
Captain America is definitely the most handsome Avenger," said Cristina. "But I like the Hulk. I would like to heal his broken heart." "We're Nephilim," said Julian. "We're not even supposed to know about the Avengers. Besides," he added, "Iron Man is obviously the best-looking.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Captain America is definitely the most handsome Avenger,” said Cristina. “But I like the Hulk. I would like to heal his broken heart.” “We’re Nephilim,” said Julian. “We’re not even supposed to know about the Avengers. Besides,” he added, “Iron Man is obviously the best-looking.” “Can
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Barney, the big purple cartoon dinosaur with the perpetual stupid grin. Barney, and Smurfs, Mickey Mouse, unicorns, and a lot of other fictional characters were painted on the truck. Whoever decided which characters to paint on the truck had made interesting choices, like, why was Iron Man waving to the Smurfs?
Craig Alanson (Columbus Day (Expeditionary Force, #1))
The Penny Dreadfuls emerge,pulsating with excitement and energy,from...the staff room. Okay. So it's not as glamorous as emerging from a backstage, but they do look GREAT.Well,two of them do. The bassist is the same as always. Reggie used to come into work, mooching free tickets off Toph for the latest comic book movies. He has these long bangs that droop over half his face and cover his eyes,and I could never tell what he thought about anything. I'd be like, "How was the new Iron Man?" And he'd say, "Fine," in this bored voice. And because his eyes were hidden,I didn't know if he meant a good fine, or a so-so fine,or a bad fine. It was irritating.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Perks of refusing to play by the rules: you don't have to choose between the boy who'd torture a man to death with you and the boy who would welcome you back with pastries after.
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
believe in all possibilities, that there were more mysteries in the world than a man could ever hope to understand.
William Kent Krueger (Iron Lake (Cork O'Connor #1))
It's a sad day when you count a man lucky for only losing a left hand and part of his ass.
Dean M. Cole (Ambush (Sector 64, #1))
Meine Wurst!” Better your sausage than your life, man!
Lilith Saintcrow (The Iron Wyrm Affair (Bannon & Clare, #1))
It was time for Cork to return to the bed in the guest room. But he lingered beside this son who trusted him lay awake knowing there were monsters in the wind outside, that his son's fear was not unjustified, and that Stevie would have to face them alone someday. There were people out there so cruel they would wound him for the pleasure of it, dreadful circumstances no man in his worst imaginings could conjure, disappointments so overwhelming they could crush his dreams like eggshells. For a child like Stevie, a child of special graces, there would be such pain that Cork nearly wept in anticipation of it. Against those monsters, a father was powerless. But again the simple terrors of the night, he would do his best.
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
Out of the steam and the foam and the froth, a man in white with poor eyesight will craft a liquid paradox, and it shall be called the Triple Nonfat Double Bacon Five-Cheese Mocha!”>
Kevin Hearne (Hounded, Hexed, Hammered - The Iron Druid Chronicles Bundle (The Iron Druid Chronicles, #1-3))
Amiamo i mondi di fantasia perché il mondo in cui viviamo non ci soddisfa completamente. Troviamo conforto e rifugio nelle pagine di un fumetto, o nell’episodio di un telefilm epico, perché nella fantasia altrui troviamo ciò che la nostra realtà non ci ha ancora dato. Perché vorremmo di più dal mondo reale, e da noi stessi. Grazie a loro ci sentiamo diversi, migliori, forse più forti. Se Iron Man riesce a salvare il pianeta, allora anch’io potrò salvare gli alberghi di mio padre. Se Carrie Mathison riesce ad uccidere un terrorista, allora anche tu potrai fare un lavoro che non ti piace. Non c’è nulla di più immaturo, me ne rendo conto. Un uomo e una donna in età adulta che investono tempo e denaro in faccende da adolescenti. In molti la considerano una follia.
Alessia Esse (La tentazione di Laura (Nel cuore di New York, #1))
In a throne above them sat a dead man with the head of a wolf. He wore an iron crown and held a leg of lamb in one hand as a king might hold a scepter, and his eyes followed Dany with mute appeal.
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
For, in those centuries, when numbers of children died in the cradle and half the women in childbirth, when epidemics ravaged adult life, when wounds were but rarely cured, and sores did not heal, when the Church’s teaching was ceaselessly directed towards a consciousness of sin, when the statues in the sanctuaries showed worms gnawing at corpses, when each one carried throughout his life the spectre of his own decomposition before his eyes and the idea of death was habitual, natural and familiar, to be present at a man’s last breath was not, as it is for us, a tragic reminder of our common destiny.
Maurice Druon (The Iron King (The Accursed Kings, #1))
My attention was quickly riveted by a large red star close to the distant horizon. As I gazed upon it I felt a spell of overpowering fascination—it was Mars, the god of war, and for me, the fighting man, it had always held the power of irresistible enchantment. As I gazed at it on that far-gone night it seemed to call across the unthinkable void, to lure me to it, to draw me as the lodestone attracts a particle of iron.
Edgar Rice Burroughs (A Princess of Mars (Barsoom, #1))
If you desire a man to tell you comfortable lies about your prowess, and so fetter any hope of true excellence, I'm sure you may find one anywhere. Not all prisons are made of iron bars. Some are made of feather beds.
Lois McMaster Bujold (The Curse of Chalion (World of the Five Gods, #1))
Cork, promise me something.” “What?” “You won’t do anything that’ll get you hurt.” “I’m not what you’d call a brave man,” he assured her. She sighed, her breath making the hair at the back of his neck shiver. “Maybe not, but you’re stubborn, and that’s just as bad.” After
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
I swear to you, sitting a throne is a thousand times harder than winning one. Laws are a tedious business and counting coppers is worse. And the people ... there is no end of them. I sit on that damnable iron chair and listen to them complain until my mind is numb and my ass is raw. They all want somenthing, money or land or justice. The lies they tell ... and my lords and ladies are no better. I am surrounded by flatterers and fools. It can drive a man to madness, Ned. Half of them don't dare to tell me the truth, and the other half can't find it. There are nights I wish we had lost at the Trident. Ah, no, not truly, but...
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Yes, Tristan could see things other people could not, but the trouble was that he didn’t believe his own eyes when he saw them. The child told routinely of his worthlessness was now a man bereft of fantasy, lacking the inventiveness to give him a broader scope. Ironically, it was his own nature that crippled him most.
Olivie Blake (The Atlas Six (The Atlas, #1))
Remarkable, if for nothing else, because of this, that all of those men and women who stayed for any reason left behind them some monument, some structure of marble and brick and stone that still stands; so that even when the gas lamps went out and the planes came in and the office buildings crowded the blocks of Canal Street, something irreducible of beauty and romance remained; not in every street perhaps, but in so many that the landscape is for me the landscape of those times always, and walking now in the starlit streets of the Quarter or the Garden District I am in those times again. I suppose that is the nature of the monument. Be it a small house or a mansion of Corinthian columns and wrought-iron lace. The monument does not say that this or that man walked here. No, that what he felt in one time in one spot continues. The moon that rose over New Orleans then still rises. As long as the monuments stand, it still rises. The feeling, at least here...and there...it remains the same.
Anne Rice (Interview with the Vampire (The Vampire Chronicles, #1))
Hello, sunshine,” said Jim’s voice. “I’m kind of busy.” I turned the file on its side and examined the doodle. Still nothing. “No shit,” he said. “Yeah. No gigs for me.” “That’s not why I’m calling.” I frowned at the phone and turned the file upside down. “I’m all ears.” “Someone wants to meet you,” he said. “Tell him to get in line,” I mumbled. The doodle almost looked like something. “I’m not joking.” “You never joke because you’re too damn busy proving that you’re a badass. Come on, black leather cloak? In mid-spring Atlanta? Besides I don’t have time to meet anybody.” Jim’s voice dropped low and he spoke each word very distinctly. “Think very carefully. Do you really want me to tell the man no?” Something about the way he said “the man” stopped me. I sat still and thought very hard about what kind of “man” would inspire Jim to use that voice. “What did I do to warrant the Beast Lord’s attention?” I asked dryly. “You’re sitting in the diviner’s office, aren’t you?” Touché. The Beast Lord was the Pack King, the lord of the shapechangers, and he ruled his brethren with an iron fist. Few ever saw him and the mention of his title was enough to make the loudest shapechanger shut up. In other words, he was precisely the kind of fellow my father and Greg had warned me to avoid. I ground my teeth, thinking of a way to weasel out of it.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Did I...' 'Ser the curtains on fire?' He lifts a brow. 'Yes.' 'Oh.' I can't find it in me to be embarrassed, so I brush the backs of my fingers across the stubble along his jaw. 'And you put it out.' 'Yes. Right before I destroyed your throwing target.' He grimaces. 'I'll get you a new one.' I glance over at the armoire. 'And we...' 'Yep.' He lifts his brows. 'and I'm pretty sure you need a new chair, too.' 'That was...' I didn't even get the man's pants entirely off, and my dressing gown is haphazardly hanging from one shoulder. 'Frighteningly perfect.' He cups the side of my face. ' We should get you cleaned up and to sleep. We can worry about... your room tomorrow. Ironically, your bed is the only thing we didn't wreck.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
This was a desperate contest. Each move and counter move a fear and sweat-soaked thread to be woven later into fireside verse by those who had the gift. For now, though, they made just a dreadful, discordant song. The clank of blade on shield boss. The dull thud of sword on limewood boards and, now and then, the scrape of a blade's edge across iron ringmail or down bronze scales. And always the breathing, ragged and urgent. A man's lungs pumping in his chest like forge bellows, feeding the fire of hate and the blood lust. These sounds told the true story. They were the lyre strings before they are tuned to melodious accord, before the bard's fingers caress them to lift our hearts and our ideals. No glory now. Just two men hacking at each other with sharp steel. Each craving the other's death. Both desperate to live.
Giles Kristian (Lancelot (The Arthurian Tales, #1))
She wanted to order him clapped in irons, as he so deserved. But she was stopped by what she saw in the faces of the watching men: disapproval, instinctive and involuntary, but disapproval, nonetheless. They were not comfortable when power was wielded by a woman, not at a man’s expense, a man who had just acquitted himself so spectacularly at Lincoln, winning their reluctant respect in a way she knew she never could.
Sharon Kay Penman (When Christ and His Saints Slept (Henry II & Eleanor of Aquitaine, #1))
The judicious words of Danish philosopher Søren Kierkegaard (1813-1855), the first existentialist philosopher, are apropos to end this lumbering manuscript. 1. “One must learn to know oneself before knowing anything else.” 2. “Life always expresses the results of our dominate thoughts.” 3. “Face the facts of being what you are, for that is what changes what you are.” 4. “Personality is only ripe when a man has made the truth his own.” 5. “Love is all, it gives all, and it takes all.” 6. “Don’t forget to love yourself.” 7. “Anxiety is the dizziness of freedom.” 8. “Life has its own hidden forces, which you can only discover by living.” 9. “The highest and most beautiful things in life are not to be heard about, or read about, nor seen, but if one will, are to be lived.” 10. “Patience is necessary, and one cannot reap immediately where one has sown.” 11. “It seems essential, in relationships and all tasks, that we concentrate on only what is most significant and important.” 12. “To dare is to lose one’s footing momentarily. Not to dare is to lose oneself.” 13. “Since my earliest childhood, a barb of sorrow has lodged in my heart. As long as it stays I am ironic, if it is pulled out I shall die.” 14. “A man who as a physical being is always turned to the outside, thinking that his happiness lies outside of him, finally turns inward and discovers that the source is within him.” 15. “Just as in earthly life lovers long for the moment when they are able to breathe forth their love for each other, to let their souls blend into a soft whisper, so the mystic longs for the moment in prayer he can, as it were, creep into God.” Kierkegaard warned, “The greatest hazard of all, losing the self, can occur very quietly in the world, as if it were nothing at all. No other loss can occur so quietly; any other loss – an arm, a leg, five dollars, a wife, etc. – is sure to be noticed.” Kierkegaard said that the one method to avoid losing oneself is to live joyfully in the moment, which he described as “to be present in oneself in truth,” which in turn requires “to be today, in truth be today.
Kilroy J. Oldster (Dead Toad Scrolls)
He took a step back and stared down at her, and she watched the cold mask slowly slip back over his face. “So…that’s it? You just decide I’m not good enough to be with and-“ “Oh, Alessandro no! You know that’s not-“ “Well, let me tell you something, if you think you’re going to keep me away from my baby-“ “No,” Bree promised. “You can see him anytime you want…at my apartment.” He laughed bitterly and sniffled. “You know something ironic, Brianna? You’re probably the only woman who could have turned me into that man that you deem worthy of your love,” Alessandro walked towards the door and opened it. “Daddy?” a small voice called out. Both Alessandro and Bree turned to Will wearing identically stunned expressions. “Can you stay wif me ‘till I go sleep ‘gain?” Alessandro choked on a sob and left the room, slamming the door behind him.
E. Jamie (The Vendetta (Blood Vows, #1))
There were men moving up the street, four abreast and three ranks deep, armed with cudgels and oval shields. They hadn’t resorted to violence yet, but had managed to clear a good length of street behind them with iron glares and those big shields. Behind them walked a man in soiled leathers with a wolf’s pelt draped over his head. He raised his arms and called out to the crowd. “Good people of Conthas! Hear me!” Clay searched the crowd for good people and came up short, but Wolfhead went on nevertheless.
Nicholas Eames (Kings of the Wyld (The Band, #1))
He roars, “What have you done?” I don’t answer. My heart beats crazy happy just to see her get across the iron. She’s not burned. She’s still human. “Zara.” His voice is measured. “I need her to maintain control.” “You don’t need to be in control. You’re all trapped. So there’ll be no more stealing boys, no more shooting arrows in the woods, getting people lost. It’s all over.” The metal is cold on my fingers. Devyn grabs more wire, starts another flight. A group of pixies leaps for him, screaming, a wild, chaotic mess. They start clawing at each other, lost in fear and hunger, angry. A pixie in a pink dress shrieks when another wearing a black gown lashes at her, slashing through the skin on her arm. “Zara?” The king tries to be calm and nice. He tries to look human. It doesn’t work. “Do you know what this means? Do you know the power that I’ll lose? The need? We will fight in here. We will kill each other.” “I know,” I say and my voice shakes as I stare at him, this man who is in my blood, but not me. He is not me. Still, I understand his need, his fear. He is stuck in this awful place where there is no moral way to move forward. “I’m so sorry.” And I am.
Carrie Jones (Need (Need, #1))
The first true men had tools and weapons only a little better than those of their ancestors a million years earlier, but they could use them with far greater skill. And somewhere in the shadowy centuries that had gone before they had invented the most essential tool of all, though it could be neither seen nor touched. They had learned to speak, and so had won their first great victory over Time. Now the knowledge of one generation could be handed on to the next, so that each age could profit from those that had gone before. Unlike the animals, who knew only the present, Man had acquired a past; and he was beginning to grope toward a future. He was also learning to harness the force of nature; with the taming of fire, he had laid the foundations of technology and left his animal origins far behind. Stone gave way to bronze, and then to iron. Hunting was succeeded by agriculture. The tribe grew into the village, the village into the town. Speech became eternal, thanks to certain marks on stone and clay and papyrus. Presently he invented philosophy, and religion. And he peopled the sky, not altogether inaccurately, with gods. As his body became more and more defenseless, so his means of offense became steadily more frightful. With stone and bronze and iron and steel he had run the gamut of everything that could pierce and slash, and quite early in time he had learned how to strike down his victims from a distance. The spear, the bow the gun and finally the guided missile had given him weapons of infinite range and all but infinite power. Without those weapons, often though he had used them against himself, Man would never have conquered his world. Into them he had put his heart and soul, and for ages they had served him well. But now, as long as they existed, he was living on borrowed time.
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
Al’Akir and his Queen, el’Leanna, had Lan brought to them in his cradle. Into his infant hands they placed the sword of Malkieri kings, the sword he wears today. A weapon made by Aes Sedai during the War of Power, the War of the Shadow that brought down the Age of Legends. They anointed his head with oil, naming him Dai Shan, a Diademed Battle Lord, and consecrated him as the next King of the Malkieri, and in his name they swore the ancient oath of Malkieri kings and queens.” Agelmar’s face hardened, and he spoke the words as if he, too, had sworn that oath, or one much similar. “To stand against the Shadow so long as iron is hard and stone abides. To defend the Malkieri while one drop of blood remains. To avenge what cannot be defended.” The words rang in the chamber. “El’Leanna placed a locket around her son’s neck, for remembrance, and the infant, wrapped in swaddling clothes by the Queen’s own hand, was given over to twenty chosen from the King’s Bodyguard, the best swordsmen, the most deadly fighters. Their command: to carry the child to Fal Moran. “Then did al’Akir and el’Leanna lead the Malkieri out to face the Shadow one last time. There they died, at Herat’s Crossing, and the Malkieri died, and the Seven Towers were broken. Shienar, and Arafel, and Kandor, met the Halfmen and the Trollocs at the Stair of Jehaan and threw them back, but not as far as they had been. Most of Malkier remained in Trolloc hands, and year by year, mile by mile, the Blight has swallowed it.” Agelmar drew a heavyhearted breath. When he went on, there was a sad pride in his eyes and voice. “Only five of the Bodyguards reached Fal Moran alive, every man wounded, but they had the child unharmed. From the cradle they taught him all they knew. He learned weapons as other children learn toys, and the Blight as other children their mother’s garden. The oath sworn over his cradle is graven in his mind. There is nothing left to defend, but he can avenge. He denies his titles, yet in the Borderlands he is called the Uncrowned, and if ever he raised the Golden Crane of Malkier, an army would come to follow. But he will not lead men to their deaths. In the Blight he courts death as a suitor courts a maiden, but he will not lead others to it. “If you must enter the Blight, and with only a few, there is no man better to take you there, nor to bring you safely out again. He is the best of the Warders, and that means the best of the best.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
Robert looked off into the darkness, for a moment as melancholy as a Stark. “I swear to you, sitting a throne is a thousand times harder than winning one. Laws are a tedious business and counting coppers is worse. And the people … there is no end of them. I sit on that damnable iron chair and listen to them complain until my mind is numb and my ass is raw. They all want something, money or land or justice. The lies they tell … and my lords and ladies are no better. I am surrounded by flatterers and fools. It can drive a man to madness, Ned. Half of them don’t dare tell me the truth, and the other half can’t find it.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Marxist Man could not have come upon the earth at a more illogical time. In an age when technological advances have finally made it feasible to adequately feed, clothe and house the entire human race, Marxist Man stands as a military threat to this peaceful achievement. His sense of insecurity drives him to demand exclusive control of human affairs in a day when nearly all other peoples would like to create a genuine United nations dedicated to world peace and world-wide prosperity. Although man can travel faster than sound and potentially provide frequent, intimate contacts between all cultures and all peoples, Marxist Man insists on creating iron barriers behind which he can secretly work.
W. Cleon Skousen (The Naked Communist: 1)
The body directly before him, however, was that of a child. The blue of the eyes was now covered in a milky film, giving it its only depth, since all that was behind that veil was flat, like iron shields or silver coins, sealed and deprived of all promise. They were, he told himself yet again, eyes that no longer worked, and the loss of that was beyond comprehension. He would paint this child’s face. He would paint it a thousand times. Ten thousand. He would offer the paintings as gifts to every man and every woman of the realm. And each time any one man or woman stirred awake the hearth gods of anger and hate, feeding the gaping mouth of violence and uttering pathetic lies about making things better, or right, or pure, or safe, he would give them yet another copy of this child’s face.
Steven Erikson (Forge of Darkness (The Kharkanas Trilogy #1))
There were always such dwellings--the abode of the cook or the man who tended the yard, or the woman who did the washing and ironing; so normal and unexceptionable as to attract no attention, the places where lives were led in the shadow of the employer in the larger house. And the cause, Mma Ramotswe knew from long experience, of deep resentments and, on occasion, murderous hatreds. Those flowed from exploitation and bad treatment--the things that people would do to one another with utter predictability and inevitability unless those in authority made it impossible and laid down conditions of employment. She had seen shocking things in the course of her work, even here in Botswana, a good country where things were well run and people had rights; human nature, of course, would find its way round the best of rules and regulations.
Alexander McCall Smith (The Saturday Big Tent Wedding Party (No. 1 Ladies' Detective Agency, #12))
And then came a damp, cold night in Flanders, through which we marched in silence, and when the day began to emerge from the mists, suddenly an iron greeting came whizzing at us over our heads, and with a sharp report sent the little pellets flying between our ranks, ripping up the wet ground; but even before the little cloud had passed, from two hundred throats the first hurrah rose to meet the first messenger of death. Then a crackling and a roaring, a singing and a howling began, and with feverish eyes each one of us was drawn forward, faster and faster, until suddenly past turnip fields and hedges the fight began, the fight of man against man. And from the distance the strains of a song reached our ears, coming closer and closer, leaping from company to company, and just as Death plunged a busy hand into our ranks, the song reached us too and we passed it along: Deutschland, Deutschland über Alles, über Alles in der Welt!
Adolf Hitler (Mein Kampf)
Then at last, when he could stand it no longer, he would peel back a tiny bit of the paper wrapping at one corner to expose a tiny bit of chocolate, and then he would take a tiny nibble – just enough to allow the lovely sweet taste to spread out slowly over his tongue. The next day, he would take another tiny nibble, and so on, and so on. And in this way, Charlie would make his sixpenny bar of birthday chocolate last him for more than a month. But I haven’t yet told you about the one awful thing that tortured little Charlie, the lover of chocolate, more than anything else. This thing, for him, was far, far worse than seeing slabs of chocolate in the shop windows or watching other children munching bars of creamy chocolate right in front of him. It was the most terrible torturing thing you could imagine, and it was this: In the town itself, actually within sight of the house in which Charlie lived, there was an ENORMOUS CHOCOLATE FACTORY! Just imagine that! And it wasn’t simply an ordinary enormous chocolate factory, either. It was the largest and most famous in the whole world! It was WONKA’S FACTORY, owned by a man called Mr Willy Wonka, the greatest inventor and maker of chocolates that there has ever been. And what a tremendous, marvellous place it was! It had huge iron gates leading into it, and a high wall surrounding it, and smoke belching from its chimneys, and strange whizzing sounds coming from deep inside it. And outside the walls, for half a mile around in every direction, the air was scented with the heavy rich smell of melting chocolate! Twice a day, on his way to and from school, little Charlie Bucket had to walk right past the gates of the factory. And every time he went by, he would begin to walk very, very slowly, and he would hold his nose high in the air and take long deep sniffs of the gorgeous chocolatey smell all around him. Oh, how he loved that smell! And oh, how he wished he could go inside the factory and see what it was like!
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket #1))
Identify your strengths, and then—this is important—major in them. Take a few irons out of the fire so this one can get hot. Failing to focus on our strengths may prevent us from accomplishing the unique tasks God has called us to do. A lighthouse keeper who worked on a rocky stretch of coastline received oil once a month to keep his light burning. Not being far from a village, he had frequent guests. One night a woman needed oil to keep her family warm. Another night a father needed oil for his lamp. Then another needed oil to lubricate a wheel. All the requests seemed legitimate, so the lighthouse keeper tried to meet them all. Toward the end of the month, however, he ran out of oil, and his lighthouse went dark, causing several ships to crash on the coastline. The man was reproved by his superiors, “You were given the oil for one reason,” they said, “to keep the light burning.”1 We cannot meet every need in the world. We cannot please every person in the world. We cannot satisfy every request in the world. But some of us try. And in the end, we run out of fuel. Have a sane estimate of your abilities and stick to them.
Max Lucado (Just Like Jesus: A Heart Like His)
Once, on the road, Prim met a meditating sage who had spent most of his life on top of a flat rock. They had black bread and shared some ajash, as was custom. The sage was thankful, as the road was not very frequently traveled in those days and he was very near the point of starvation. During his conversation, he was delighted to learn of Prim’s extensive mastery of Empty Palms and the fifty five earthly purities. Delighted, and as payment for his meal, he taught Prim the meaning of watchfulness. This was the old breathing and cold-atum technique often used by warrior monks in those days. It ran through the following methodology: Build a tower, and make it impregnable. Make every stone so tightly sealed that no insect can squeeze through, no grain of sand can make it inside. Your tower must have no windows or doors. It must not accept passage by friend or foe. No weapon, no act of violence, and not one mote of love may penetrate its stony interior. “Why build the tower this way?” said Prim? “It will make you invincible,” said the sage, “This is the way of Ya-at slave monks. Their skin is like iron, and so are their hearts. They are inured to death and fear. Grief shall never find them, and neither shall weakness.” Prim thought a moment, and came upon a realization, for she was wise, obedient, and an excellent daughter. “If a man built a tower this way, he would quickly starve, no matter how strong he became.” The sage was even more delighted. “Yes,” he said, “There is a better way, and I will teach it to you: Once you have built your tower, you must deconstruct it, brick by brick, stone by stone. You must do it meticulously and carefully, so that while you leave no physical trace of it remaining, your tower is still built in your mind and your heart, ready to spring anew at a moment’s notice. You can enjoy the fresh air, and eat fine meals, and enjoy a good drink with your friends, but all the while your tower remains standing. You are both prisoner and warden. This is the hardest way, but the strongest.” Prim saw the wisdom in this, and quickly made to return to the road, but the sage stopped her before she left. “As you to your earlier remark,” the sage said, “The man who builds his tower but cannot take it apart again – that man is at the pinnacle of his strength. But that man will surely perish.” – Prim Masters the Road
Tom Parkinson-Morgan (Kill 6 Billion Demons, Book 1)
Leaving the paintings for a moment, he turned to a large bench-size object covered with another cloth; upon whipping off the cloth, he found himself staring into the snarling face and exceptionally long, talon-like teeth of a tiger. He fell back onto the ornately woven red rug beneath them and lay on his back, stunned, as a shower of fine dust fell over him. “You get that out of your system?” Etta asked, stepping around his prone form. His hand lashed out, closing around her ankle like an iron. The woman was mad if she thought he’d let her take another step forward— “It’s dead,” she said, looking down at him with an amused smile. “As gross as it is, it’s been preserved and stuffed to be displayed. Look.” He inhaled sharply through his nose as she reached out a hand to stroke its head. As promised, it did not move. It did not blink. The tiger was dead. “What are the chances your mother killed and stuffed it herself?” “Pretty good, I think.” Etta held up a framed photograph of an older man in the garb of an early twentieth-century explorer, who was holding a rifle. The tiger lay dead at the toes of his boots, and beside it was a grinning, tiny, blond girl—a younger version of the woman in the other photograph he’d seen. Rose. And he’d wondered from whom Etta had inherited her casual disregard for danger.
Alexandra Bracken (Passenger (Passenger, #1))
Ready yourselves!' Mullone heard himself say, which was strange, he thought, for he knew his men were prepared. A great cry came from beyond the walls that were punctuated by musket blasts and Mullone readied himself for the guns to leap into action. Mullone felt a tremor. The ground shook and then the first rebels poured through the gates like an oncoming tide. Mullone saw the leading man; both hands gripping a green banner, face contorted with zeal. The flag had a white cross in the centre of the green field and the initials JF below it. John Fitzstephen. Then, there were more men behind him, tens, then scores. And then time seemed to slow. The guns erupted barely twenty feet from them. Later on, Mullone would remember the great streaks of flame leap from the muzzles to lick the air and all of the charging rebels were shredded and torn apart in one terrible instant. Balls ricocheted on stone and great chunks were gouged out by the bullets. Blood sprayed on the walls as far back as the arched gateway, limbs were shorn off, and Mullone watched in horror as a bloodied head tumbled down the sloped street towards the barricade. 'Jesus sweet suffering Christ!' Cahill gawped at the carnage as the echo of the big guns resonated like a giant's beating heart. Trooper O'Shea bent to one side and vomited at the sight of the twitching, bleeding and unrecognisable lumps that had once been men. A man staggered with both arms missing. Another crawled back to the gate with a shattered leg spurting blood. The stench of burnt flesh and the iron tang of blood hung ripe and nauseating in the oppressive air. One of the low wooden cabins by the wall was on fire. A blast of musketry outside the walls rattled against the stonework and a redcoat toppled backwards onto the cabin's roof as the flames fanned over the wood. 'Here they come again! Ready your firelocks! Do not waste a shot!' Johnson shouted in a steady voice as the gateway became thick with more rebels. He took a deep breath. 'God forgive us,' Corporal Brennan said. 'Liberty or death!' A rebel, armed with a blood-stained pitchfork, shouted over-and-over.
David Cook (Liberty or Death (The Soldier Chronicles #1))
Oh," I answered vaguely, "there are still reformers of all sorts in the world." "Reformers!" he cried, his face lighting up with a new interest. "Ah! you mean those profound thinkers who seek to cure every disease of the social body by means of legislation. Yes, yes! tell me about them! Society still believes in them?" "Believes in them!" I cried indignantly. "Surely it does. Why, the great political parties are responding to the cry of the downtrodden masses, and—" "Oh," he said dreamily, "they are still responding?" "What do you mean by still responding?" I demanded curtly. "Why, I remember that in my time, too, the people always responded. The party leaders would say to them that they were in a bad way and needed help. The people would cry out in joy to think their leaders had discovered this. Then the leaders would wink at each other and jump upon the platforms and explain to the people that what was needed was a new law of some sort. The people would weep for happiness at such wisdom and would beg their leaders to get together and make the law. And the law that the leaders would make when they got together was one that would put the people still more in their power. So that is still going on?" I recognized that he was ironical, but I answered with a sneer: "The people get what they deserve, and what they wish. They have only to demand through the ballot box, you know." "Ah, yes," he murmured with a grin, "I had forgotten the ballot box. Dear me! how could I have forgotten the ballot box?" Providentially the keeper came to notify me that my time was up, and I turned away. "One thing more," cried the prisoner; "is it still the case that the American people enjoy their freedom best when they are enslaved in some way?" "You are outrageous," I exclaimed; "the American people are not enslaved in any way. It is true they are restricted for their own good by those more capable of judging than they. That must always be the case." "I don't know about must," he sighed, "but I am sure it will always be the case as long as a man's idea of freedom is his ability to impose some slavish notion on his brother.
Various (Mother Earth, Vol. 1 No. 2, April 1906 Monthly Magazine Devoted to Social Science and Literature)
Cultivate Spiritual Allies One of the most significant things you learn from the life of Paul is that the self-made man is incomplete. Paul believed that mature manhood was forged in the body of Christ In his letters, Paul talks often about the people he was serving and being served by in the body of Christ. As you live in the body of Christ, you should be intentional about cultivating at least three key relationships based on Paul’s example: 1. Paul: You need a mentor, a coach, or shepherd who is further along in their walk with Christ. You need the accountability and counsel of more mature men. Unfortunately, this is often easier said than done. Typically there’s more demand than supply for mentors. Some churches try to meet this need with complicated mentoring matchmaker type programs. Typically, you can find a mentor more naturally than that. Think of who is already in your life. Is there an elder, a pastor, a professor, a businessman, or other person that you already respect? Seek that man out; let him know that you respect the way he lives his life and ask if you can take him out for coffee or lunch to ask him some questions — and then see where it goes from there. Don’t be surprised if that one person isn’t able to mentor you in everything. While he may be a great spiritual mentor, you may need other mentors in the areas of marriage, fathering, money, and so on. 2. Timothy: You need to be a Paul to another man (or men). God calls us to make disciples (Matthew 28:19). The books of 1st and 2nd Timothy demonstrate some of the investment that Paul made in Timothy as a younger brother (and rising leader) in the faith. It’s your job to reproduce in others the things you learn from the Paul(s) in your life. This kind of relationship should also be organic. You don’t need to approach strangers to offer your mentoring services. As you lead and serve in your spheres of influence, you’ll attract other men who want your input. Don’t be surprised if they don’t quite know what to ask of you. One practical way to engage with someone who asks for your input is to suggest that they come up with three questions that you can answer over coffee or lunch and then see where it goes from there. 3. Barnabas: You need a go-to friend who is a peer. One of Paul’s most faithful ministry companions was named Barnabas. Acts 4:36 tells us that Barnabas’s name means “son of encouragement.” Have you found an encouraging companion in your walk with Christ? Don’t take that friendship for granted. Enjoy the blessing of friendship, of someone to walk through life with. Make it a priority to build each other up in the faith. Be a source of sharpening iron (Proverbs 27:17) and friendly wounds (Proverbs 27:6) for each other. But also look for ways to work together to be disruptive — in the good sense of that word. Challenge each other in breaking the patterns of the world around you in order to interrupt it with the Gospel. Consider all the risky situations Paul and Barnabas got themselves into and ask each other, “what are we doing that’s risky for the Gospel?
Randy Stinson (A Guide To Biblical Manhood)