Hairy Woman Quotes

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Fuck you. (Dev) Thank you so much for the offer, but while you do have a certain feminine quality in your demeanor and a remarkable head of hair that any woman would envy, you’re far too hairy for my tastes. No offense. (Fury)
Sherrilyn Kenyon (Dead After Dark)
Keep that hairy mutt outside the great hall,” Merlin ordered as they made their way to the treasury door. “No.” “You are acting like a child.” “I am a woman masquerading as a 15 year old boy king who makes no decisions about his own kingdom. The least you will allow me to do is to make decisions regarding my pets.” “Fine.
K.M. Shea (Enchanted (King Arthur and Her Knights, #2))
But the truth of the matter is, girls do not groom for men, but for other women. A man will deal with a hairy leg but another woman will use that hair to strangle your self-worth.
Christy Leigh Stewart
No man as godly as George, the only fault he finds with God is that he made folk with too few orifices. If George could meet a woman with a quinny under her armpit, he would call out 'Glory be' and set her up in a house and visit her every day, until the novelty wore off. Nothing is forbidden to George, you see. He'd go to it with a terrier bitch if she wagged her tail at him and said bow-wow.' For once he is struck silent. He knows he will never get it out of his mind, the picture of George in a hairy grapple with a little ratting dog.
Hilary Mantel (Bring Up the Bodies (Thomas Cromwell, #2))
I would think it odd, he said, that he had never married. I did not, in fact, think it at all odd--the statistical chances against any woman being prepared to endure both the hairiness of his legs and the tedium of his conversation seemed to be negligible. I did not express this view, but said sympathetically that the military life must be difficult to combine with the domestic.
Sarah Caudwell (Thus Was Adonis Murdered (Hilary Tamar, #1))
The Joy of Sex!—Elaine brought home that dreary tract one day, those tidings of comfort and joy by some Californicated Englishman, and we studied the ghastly pictures, the two hundred different positions. What a joyless book. That poor fucker the instructor-model, performing his gymnastic routines over and over, with slight variations, for three hundred pages, each and every time upon the same woman. No wonder he has that look on his soft hairy degenerate face of a bored he-dog hooked up on the street with an exhausted bitch, longing to leave but unable to extricate himself from what breeders call a “tie.” The woman in the book looks only slightly happier; somebody out of mercy should have emptied a bucket of ice water on the miserable couple. Technique, technique, technical engineering, curse of the modern world, debasing what should be a wild, free, spontaneous act of violent delight into an industrial procedure. Comfort’s treatise is a training manual, a workbook which might better have been entitled The Job of Sex.
Edward Abbey (The Fool's Progress)
Because of pressure from society, many a man has married a woman with whom he isn’t compatible; she likes fairy tales, whereas he likes hairy males.
Mokokoma Mokhonoana
the moons is pretty wrinkly hairy ass cracks aren’t
a wise woman
I use that word endlessly: "primitive." "Oh, the primitive world," I say. "What instinctive truths were lost with it!" And while I sit there, baiting a poor, unimaginative woman with the word that freaky boy tries to conjure the reality! I sit looking at pages of centaurs trampling the soil of Argos - and outside my window he is trying to become one, in a Hampshire field! ... I watch that woman knitting, night after night - a woman I haven't kissed in six years - and he stands in the dark for an hour, sucking the sweat of his God's hairy cheek! Then in the morning, I put away my books on the cultural shelf, close up the Kodachrome snaps of Mount Olympus, touch my reproduction statue of Dionysus for luck - and go off to hospital to treat him for insanity. Do you see?
Peter Shaffer (Equus (Penguin Plays))
How any woman could like a hairy man is beyond me. Not that I’m prejudiced. I’m just saying that if a man I fancied was hairy, I’d get the wax out, and I’d rip the strips off him until he was clean and bare.
Nita Prose (The Maid (Molly the Maid, #1))
I've heard the long sigh go up, from around me, the sigh like air coming out of an air mattress, I've seen Aunt Lydia place her hand over the mike, to stifle the other sounds coming from behind her, I've leaned forward to touch the rope in front of me, in time with the others, both hands on it, the rope hairy, sticky with tar in the hot sun, then placed my hand on my heart to show my unity with the Salvagers and my consent, and my complicity in the death of this woman. I have seen the kicking feet and the two in black who now seize hold of them and drag downward with all their weight. I don't want to see it anymore. I look at the grass instead. I describe the rope. 43 The
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
Just so," said Bariano with equanimity. "But let me cite you a parable, or, if you prefer, a paradox. Assume that you are lying in bed asleep. Your dreaming brings you into the company of an alluring woman who starts to make exciting suggestions. At this moment a large dirty pet animal clambers upon the bed and sprawls its hairy bulk beside you with its tail draped over your forehead. You move restlessly in your sleep and in so doing press your face against one of its organs. In your dream it seems that the beautiful woman is kissing you with warm moist lips, causing a delightful sensation. You are thrilled and exalted! Then you wake up and discover the truth of the contact, and you are displeased. Now then: consider carefully! Should you enjoy the rapture of the dream? Or, after beating the animal, should you huddle cheerlessly in the dark brooding upon the event? Arguments can be developed in either direction.
Jack Vance
The room smells of lemon oil, heavy cloth, fading daffodils, the leftover smells of cooking that have made their way from the kitchen or the dining room, and of Serena Joy's perfume: Lily of the Valley. Perfume is a luxury, she must have some private source. I breathe it in, thinking I should appreciate it. It's the scent of pre-pubescent girls, of the gifts young children used to give their mothers, for Mother's Day; the smell of white cotton socks and white cotton petticoats, of dusting powder, of the innocence of female flesh not yet given over to hairiness and blood. It makes me feel slightly ill, as it I'm in a closed car on a hot muggy day with an older woman wearing too much face powder. This is what the sitting room is like, despite its elegance.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
I’m sorry,” he interrupted, his arm sliding around her waist. He pulled her into the shelter of his body, her back fitting against his hairy chest. “I didn’t mean to nettle you. Here, rest against me.” He nuzzled into the pale streamers of her hair. “What a fiery little wench you are.” “I’m not fiery,” Lottie protested, for that quality was hardly something that befitted a ladylike graduate of Maidstone’s. “Yes, you are.” His hand curved possessively over her hip. “I’ve known it from the moment we met. It’s one of the reasons I wanted you.” “You said you wanted me merely for convenience.” “Well, there is that,” he said with a grin, and reacted swiftly as she tried to elbow him. “But in truth, convenience had nothing to do with it. I wanted you more than any woman I’ve ever met.” “Why did you insist on marriage, when I offered to be your mistress?” “Because being a mistress wasn’t good enough for you.” He paused before adding quietly, “You deserve everything I can give you, including my name.” -Nick & Lottie
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
A woman from the Hunan Province told it to me,” said Charon. “Once upon a time a stranger came to a remote village with an elephant. Everyone got excited, including three blind men who didn’t know what an elephant was. They decided to find out for themselves. “The first man approached the elephant near its head. He reached his hand out and felt the leathery ear. The second man approached from behind and brushed the elephant’s bristly tail. The third came at it from the side and stroked its wide midsection. “ ‘What a strange creature an elephant is,’ the first man said. ‘So flat and thin, like wash hung from the line.’ “ ‘What are you talking about?’ said the second man. ‘That animal was hairy and coarse, like the bristles on a stiff broom.’ “ ‘You are both wrong!’ said the third. ‘The beast was as broad and sturdy as a wall.’ They three men argued and argued, but they never could come to an agreement.” Charon
William Ritter (Ghostly Echoes (Jackaby, #3))
Woman," sayz a Voice, "What are you a-crying for?" "Oh!" sayz I. "Are you the Pharisee?" A small black thinge. Hairie. Legges like jug-handles. Face not a bitt handsome. It had a long, blacke taile - at which I waz much surprized. Irishmen have tailes neare a quarter of a yard longe (as I thinke is commonly known) but I never hearde before that Pharisees have them.
Susanna Clarke (The Ladies of Grace Adieu and Other Stories)
Round-bottomed, soft-bellied, irrational, magical, too caring, too carefree, proudly demanding, unfettered by dependence, sexually unashamed, hairy, hungry, unpredictable, silently present, intangibly distant, ceaselessly gossipy, alarmingly uninhibited, seething with potential, incomprehensible, altogether unfathomable, dangerous and deliciously powerful, she is the hag. She bleeds. She laughs so hard her belly shakes, she snorts and farts. She is the dark side of woman, the inside, the raw side beneath the surface skin we are taught so well to cleanse and tone and remedy with paint. She is the woman whose self-expression is not quite under control. Mysterious, intuitive, emotional, curvaceous, lustful, needy, selfish, natural and free, she is the me we long to - but know we shouldn’t - reveal. Feeling
Emma Restall Orr (Kissing the Hag: The Dark Goddess and the Unacceptable Nature of Woman)
The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queen’s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athena’s goblet high and greeted all, but spoke in a beclouded mood: “In all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, man’s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my island’s newest sprouts, I drink not to the gods but to man’s dauntless mind.” All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hunger’s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.
Nikos Kazantzakis (The Odyssey: A Modern Sequel)
In fact, in recent years I have become more and more didactic about pubic hair - to the point where I now believe that there are only four things a grown, modern woman should have: a pair of yellow shoes (they unexpectedly go with everything), a friend who will come and post bail at 4 a.m., a fail-safe pie recipe, and a proper muff. A big, hairy minge. A lovely furry moof that looks - when she sits, naked - as if she has a marmoset sitting in her lap. A tame marmoset, that she can send of to pickpocket things, should she so need it - like that trained monkey in Raiders of the Lost Ark.
Caitlin Moran (How to Be a Woman)
Come now, Tichy. For half a century civilization hasn't been left to its own devices. A hundred years ago a certain Dior was dictating fashions in clothing. Today this sort of regulating has embraced all walks of life. If prostheticism is voted in, I assure you, in a couple of years everyone will consider the possession of a soft, hairy, sweating body to be shameful and indecent. A body needs washing, deodorizing, caring for, and even then it breaks down, while in a prostheticized society you can snap on the loveliest creations of modern engineering. What woman doesn't want to have silver iodide instead of eyes, telescoping breasts, angel's wings, iridescent legs, and feet that sing with every step?
Stanisław Lem (The Futurological Congress: From the Memoirs of Ijon Tichy)
Is it because I’m marrying a woman? Is that why Orion hasn’t responded? He’s never been homophobic, but maybe this strikes too close to home. Bruises his male ego. That time when we met with the lawyers to negotiate the terms of the divorce, he’d already been drinking. I could smell it. And it wasn’t exactly the cocktail hour; it was 11:00 A.M. I’d wanted to say something to him about it after we left, but I didn’t. I was still trying to figure out what the new rules were about such things, now that we were almost divorced. The other day, I tried imagining what it would be like if the shoe was on the other foot—if he had left me for a man. It was a ridiculous exercise: picturing two hairy-chested men in bed with each other, one of them Orion. LOL, as Marissa would put it. LMFAO.
Wally Lamb (We Are Water)
The sun goes down and it's night-time in New Orleans. The moon rises, midnight chimes from St. Louis cathedral, and hardly has the last note died away than a gruesome swampland whistle sounds outside the deathly still house. A fat Negress, basket on arm, comes trudging up the stairs a moment later, opens the door, goes in to the papaloi, closes it again, traces an invisible mark on it with her forefinger and kisses it. Then she turns and her eyes widen with surprise. Papa Benjamin is in bed, covered up to the neck with filthy rags. The familiar candles are all lit, the bowl for the blood, the sacrificial knife, the magic powders, all the paraphernalia of the ritual are laid out in readiness, but they are ranged about the bed instead of at the opposite end of the room as usual. The old man's head, however, is held high above the encumbering rags, his beady eyes gaze back at her unflinchingly, the familiar semicircle of white wool rings his crown, his ceremonial mask is at his side. 'I am a little tired, my daughter,' he tells her. His eyes stray to the tiny wax image of Eddie Bloch under the candles, hairy with pins, and hers follow them. 'A doomed one, nearing his end, came here last night thinking I could be killed like other men. He shot a bullet from a gun at me. I blew my breath at it, it stopped in the air, turned around, and went back in the gun again. But it tired me to blow so hard, strained my voice a little.' A revengeful gleam lights up the woman's broad face. 'And he'll die soon, papaloi?' 'Soon,' cackles the weazened figure in the bed. The woman gnashes her teeth and hugs herself delightedly. ("Papa Benjamin" aka "Dark Melody Of Madness")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
And thank you for bringing me." "A pleasure." Bartel returned politely, and stole one last look at the incredible smiling Hairy. Rider stood. Though he was relieved to hear that she planned on staying for a while, he was glad for an excuse to escape his landlady's inquisition. "I'll give you a hand, Bartel." Just short of grabbing the older man's arm, he hustled him out the door. Once outside, bartel chortled jovially. "Ease up,son. She isn't coming after us." Rider exhaled deeply and grinned. "Who put the burr under the lady's saddle?" he asked as they approached the carriage. "Don't know, but she came flying into my store saying she had to get out here and get out here now! I tried to tell her I was too busy to be gallivanting all over hell's half acre, but do you think she'd listen? Uh-uh. Kept ranting and raving something 'bout Miss Willow's welfare. The woman was in a real dither all the way here." Rider groaned. Bartel slapped his back. "I can commiserate with you,son. There isn't anything scarier than a virtuous woman on a crusade.
Charlotte McPherren (Song of the Willow)
Wilderness by Carl Sandburg There is a wolf in me . . . fangs pointed for tearing gashes . . . a red tongue for raw meat . . . and the hot lapping of blood—I keep this wolf because the wilderness gave it to me and the wilderness will not let it go. There is a fox in me . . . a silver-gray fox . . . I sniff and guess . . . I pick things out of the wind and air . . . I nose in the dark night and take sleepers and eat them and hide the feathers . . . I circle and loop and double-cross. There is a hog in me . . . a snout and a belly . . . a machinery for eating and grunting . . . a machinery for sleeping satisfied in the sun—I got this too from the wilderness and the wilderness will not let it go. There is a fish in me . . . I know I came from salt-blue water-gates . . . I scurried with shoals of herring . . . I blew waterspouts with porpoises . . . before land was . . . before the water went down . . . before Noah . . . before the first chapter of Genesis. There is a baboon in me . . . clambering-clawed . . . dog-faced . . . yawping a galoot’s hunger . . . hairy under the armpits . . . here are the hawk-eyed hankering men . . . here are the blonde and blue-eyed women . . . here they hide curled asleep waiting . . . ready to snarl and kill . . . ready to sing and give milk . . . waiting—I keep the baboon because the wilderness says so. There is an eagle in me and a mockingbird . . . and the eagle flies among the Rocky Mountains of my dreams and fights among the Sierra crags of what I want . . . and the mockingbird warbles in the early forenoon before the dew is gone, warbles in the underbrush of my Chattanoogas of hope, gushes over the blue Ozark foothills of my wishes—And I got the eagle and the mockingbird from the wilderness. O, I got a zoo, I got a menagerie, inside my ribs, under my bony head, under my red-valve heart—and I got something else: it is a man-child heart, a woman-child heart: it is a father and mother and lover: it came from God-Knows-Where: it is going to God-Knows-Where—For I am the keeper of the zoo: I say yes and no: I sing and kill and work: I am a pal of the world: I came from the wilderness.
Carl Sandburg (The Complete Poems)
I wanted to go back and leer at my strange Dickensian mother in the hash joint. I tingled all over from head to foot. It seemed I had a whole host of memories leading back to 1750 in England and that I was in San Francisco now only in another life and in another body. "No," that woman seemed to say with that terrified glance, "don’t come back and plague your honest, hard-working mother. You are no longer like a son to me - and like your father, my first husband. ‘Ere this kindly Greek took pity on me." (The proprietor was a Greek with hairy arms.) "You are no good, inclined to drunkenness and routs and final disgraceful robbery of the fruits of my ‘umble labors in the hashery. O son! did you not ever go on your knees and pray for deliverance for all your sins and scoundrel’s acts? Lost boy! Depart! Do not haunt my soul; I have done well forgetting you. Reopen no old wounds, be as if you had never returned and looked in to me - to see my laboring humilities, my few scrubbed pennies - hungry to grab, quick to deprive, sullen, unloved, mean- minded son of my flesh. Son! Son!
Jack Kerouac (On the Road)
Hunding, stop skulking in the hallway and get in here.” The bellhop poked his head around the doorway. “I wasn’t skulking,” he said defensively. “I was lingering.” “Come in. I need you to do three things. One: Find a way to track Thor’s FitnessKnut. Report his whereabouts at all times.” “Won’t he just circle the worlds in order?” I made a face. “Thor’s sense of direction is terrible. His path will likely be erratic. Moving on. Two: Have squads of einherjar launch surprise attacks on the Bifrost. I want to know that Heimdall is on guard.” “Very good, sir. And the third thing?” “Inform the thanes that as of tomorrow, I will be unavailable for a while.” I transformed my appearance from a rugged one-eyed god of wisdom to a beautiful two-eyed woman clad in chain mail. “I will be living with my Valkyries to decide for myself which of them deserves to be captain.” Hunding raised a hairy eyebrow. “An idea from Utgard-Loki, Lord Odin?” “Wisdom can be gleaned from any source if one only looks hard enough.” I paused, thinking. “Let’s put that on a T-shirt. And, Hunding?” “My lord?” I transformed back into my true form. “Download cute baby goat videos to my phablet. I must learn what all the fuss is about.
Rick Riordan (9 From the Nine Worlds)
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
Hallgrímur Helgason
After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of the world. But their wallets always waited cold sober in the cloakroom while the Icelandic purse lay open for all in the middle of the table. Our men were the greater Vikings in this regard. “Reputation is king, the rest is crap!” my Bæring from Bolungarvík used to say. Every evening had to be legendary, anything else was a defeat. But the morning after they turned into weak-willed doughboys. But all the same I did succeed in loving them, those Icelandic clodhoppers, at least down as far as their knees. Below there, things did not go as well. And when the feet of Jón Pre-Jón popped out of me in the maternity ward, it was enough. The resemblances were small and exact: Jón’s feet in bonsai form. I instantly acquired a physical intolerance for the father, and forbade him to come in and see the baby. All I heard was the note of surprise in the bass voice out in the corridor when the midwife told him she had ordered him a taxi. From that day on I made it a rule: I sacked my men by calling a car. ‘The taxi is here,’ became my favourite sentence.
Hallgrímur Helgason
They were empowered and fulfilled. They dated occasionally but were just as happy living the feminist dream of a professional woman not answerable to any man. Do what they wanted to, go where they wanted to and spend indecent amount of money on clothes and shoes, it was all good. There were not slaves to diets, shaving hairy legs, waxing eyebrows, dying their roots, endless showers, applying tons of make-up and trying to be domestic goddesses. They could slum around in leisure suits and runners reading Cosmo with a fag in their mouth and a cup of coffee in their hands. There could be slummy mummies or tidy queens or takeaway junkies it all depended on their daily rota and social live. Good, freedom was definitely good. One husband in a lifetime was enough for them
Annette J. Dunlea
I’m being molested by a hairy orange creature with a personality disorder. Now I know what it feels like to be a woman locked in a room with Donald Trump.
Nick Spalding (Checking Out)
warned you that my Wolf might be dangerous to you—might see you as the enemy or prey. You shouldn’t have risked letting me in.” “I had to,” I said simply. “I’m a vet—or I was going to be, anyway, before Celeste came along and turned me even though I didn’t want to be turned. I can’t stand to see an animal in pain. I had to help you.” He gave me a grim look. “You’re lucky I didn’t take your face off.” I gave him an arch little smile. “You were too busy eating bacon—three packs of it.” “Three packs?” He stared at me in disbelief. “You let me eat three packs of bacon? Fuck, woman—my cholesterol is going to be through the roof.” I shrugged. “It was the only way to keep you busy while I treated your paw. Besides, you didn’t strike me as the kind of guy who worried about things like cholesterol. If you did, why would you have three packs of bacon in your fridge in the first place?” “There was a sale at Publix,” he grumbled. “That precooked stuff—it keeps forever.” “It does as long as you don’t turn into a huge hairy wolf and gobble it up all at once,” I said solemnly, trying not to laugh.
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
I’m going to pepper his hairy ass with birdshot.” Her jaw twitched.
Kim Michele Richardson (The Book Woman's Daughter (The Book Woman of Troublesome Creek, #2))
No stage pirate, no bandit of Southern Europe, was ever half so formidable in appearance as this terrible personage. He stood motionless as a pillar of stone, but his little red eyes, quick and shrewd, roved from one to another of our faces, as if he were making a mental estimate of each one of us—like the ogre who selected his fattest prisoner to grace his pot-pie. I own that I shuddered as his glance fell upon me; and we were all more or less disquieted by our rough seizure and the uncertainty of the fate that awaited us. This man—the red giant—was undoubtedly the leader of the outlaw band, for having pulled our boat upon the beach and dragged Bryonia to a position beside it, all eyes were turned enquiringly upon him. He strode forward a few steps, fixed his eyes firmly upon Uncle Naboth, and said: “Did you leave anyone aboard the ship?” I gave a start of surprise. The voice of the huge bandit was as gentle and soft as that of a woman. “No,” said my uncle. “I guess, Major, we’ve got ’em all now,” remarked one of the men. The giant nodded and turned again to Uncle Naboth. “You must pardon us, sir, for our seeming rudeness,” said he, with a politeness that seemed absolutely incongruous, coming from his coarse, hairy lips. “My men and I are in desperate straights, and only desperate remedies will avail to save us. I beg you all to believe that we have no personal enmity toward you whatever.” Then he turned to his men, and with a wave of his hand added: “Bring them along.
Walter Scott (The Greatest Sea Novels and Tales of All Time)
My mother understood, implicitly, the power of it. See these hips, these teeth, these eyebrows, these stockings that bunch and sag at the ankles? They’re worth capturing, holding on to forever. I’ll never be this young again. Or this lonely. Or this hairy. Come one, come all, to my private show.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
He sat on the edge of the mattress, his nerves sizzling as Daisy gathered up the loose folds of her nightgown. She crawled into his lap with the delicacy of a cat. The scent of sweet female skin filled his nostrils, and her weight settled on his thighs. Linking her slender arms around his neck, she said gravely, “I missed you.” His palms charted the shape of her body; the tender curves, the slender waist, the firm heart-shaped bottom. But as enchanting as he found Daisy’s physical charms, they didn’t affect him a fraction as intensely as the warm, lively intelligence of her nature. “I missed you too.” Daisy’s fingers played in his hair, the delicate touch sending jolts of pleasure from the base of his skull to his groin. Her voice turned provocative. “Did you meet many women in Bristol? Westcliff mentioned something about a dinner, and a soirée given by your host—” “I didn’t notice any women.” Matthew found it hard to think over the exquisite writhing desire. “You’re the only one I’ve ever wanted.” She touched the tip of her nose to his in a playful nudge. “You weren’t celibate in the past, however.” “No,” Matthew admitted, closing his eyes as he felt the caress of her breath against his skin. “It’s a lonely feeling, wishing the woman in your arms was someone else. Not long before I left New York, I realized that every woman I’d been with in the past seven years had resembled you in some way. One would have your eyes, another your hands, or your hair…I thought I would spend the rest of my life searching for little reminders of you. I thought—” Her mouth pressed against his, absorbing the raw confession.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Mike knew that Rosemary was too good for him and that no beautiful woman would fall for a fat, hairy, lonely no-hoper that chose to live in a pig sty of a home. 
Mel Straw (The Reality of One Man)
Paul, the baby is coming very soon.” He smiled. “That’s getting real obvious.” “You’re my very best friend, Paul.” “Thanks, Vanni,” he said, but he furrowed his eyebrows. Suspicious. “I want you to be with me during the delivery.” “With you how?” he asked. “I want you to be the one to encourage me, coach me, coax me. Hold my hand. Support me.” “Um… Isn’t that Mel’s job?” “Mel is going to be very much a coach, but she’s also going to be the midwife and she’ll be busy with other things. Especially when the baby is coming out. I need you to do this.” “Vanni,” he said, scooting forward on his chair, “I’m a guy.” “I know. Guys do this.” “I can’t…Vanni, I shouldn’t…. Vanessa, listen. I can’t see you like that. It wouldn’t be…appropriate.” “Well, actually, I thought about my brother or my dad and frankly, that really doesn’t appeal to me. So,” she said, lifting a video from the table beside her, “I got us a childbirth movie from Mel.” “Aw, no,” he said, pleading. She stood up and popped it into the VCR, then sat down again with the remote in her hand. “Jack delivered his own son,” she said. “I know, but in case you’re interested, he wasn’t thrilled about it at the time. And he refuses to do it again—he’s adamant about that. And, Vanni, this isn’t my son. This is my best friend’s son.” “Of course I know that, Paul. But since it is your best friend’s son, he’d be so grateful.” She started the video. “Now, I want you to concentrate on what the partner is doing. Don’t worry about the mother. Most of the time while I’m in labor you’ll either be behind me, or helping me walk or squat to use gravity to help with the dilating, or reminding me to breathe properly. It’s not like you’re going to have your face in the field of birth.” “I’m starting to feel kind of weak,” he said. “Why don’t you ask Brie or Paige, if you need someone for that?” “I could do that, but to tell you the truth, I’m much closer to you. And you’re here—right here. You can do this. We’ll watch the movie together and if you have any questions, just ask me.” He looked at the screen, his brows drawn together. He squinted. This was an unattractive woman, giving birth. Well, not just yet—she was working up to it. Her big belly was sticking out, which was not what made her plain. It was the stringy hair, monobrow, baggy socks on her feet and—“Vanni, she has very hairy legs.” “If that’s what worries you I can still manage to shave my legs, even though I have to admit I’ve lost interest.” The hospital gown on the woman was draped over her belly and legs in such a way that when she started to rise into a sitting position, spreading her thighs and grabbing them to bear down, she was covered. Then the doctor or midwife or whoever was in charge flipped that gown out of the way and there, right in Paul’s face, was the top of a baby’s head emerging from the woman’s body. “Aw, man,” he whined, putting his head in his hands. “I said watch the coach—don’t worry about the woman,” Vanni lectured. “It’s pretty damn hard to not look at that, Vanni,” he said. “Concentrate.” So
Robyn Carr (Whispering Rock (Virgin River, #3))
I don’t take kindly to any of you shanty boys touching me,” she said. “So unless I give you permission, from now on, you’d best keep your hands off me.” With the last word, she lifted her boot and brought the heel down on Jimmy’s toes. She ground it hard. Like most of the other shanty boys, at the end of a day out in the snow, he’d taken off his wet boots and layers of damp wool socks to let them dry overnight before donning them again for the next day’s work. Jimmy cursed, but before he could move, she brought her boot down on his other foot with a smack that rivaled a gun crack. This time he howled. And with an angry curse, he shoved her hard, sending her sprawling forward. She flailed her arms in a futile effort to steady herself and instead found herself falling against Connell McCormick. His arms encircled her, but the momentum of her body caused him to lose his balance. He stumbled backward. “Whoa! Hold steady!” Her skirt and legs tangled with his, and they careened toward the rows of dirty damp socks hanging in front of the fireplace. The makeshift clotheslines caught them and for a moment slowed their tumble. But against their full weight, the ropes jerked loose from the nails holding them to the beams. In an instant, Lily found herself falling. She twisted and turned among the clotheslines but realized that her thrashing was only lassoing her against Connell. In the downward tumble, Connell slammed into a chair near the fireplace. Amidst the tangle of limbs and ropes, she was helpless to do anything but drop into his lap. With a thud, she landed against him. Several socks hung from his head and covered his face. Dirty socks covered her shoulders and head too. Their stale rotten stench swarmed around her. And for a moment she was conscious only of the fact that she was near to gagging from the odor. She tried to lift a hand to move the sock hanging over one of her eyes but found that her arms were pinned to her sides. She tilted her head and then blew sideways at the crusty, yellowed linen. But it wouldn’t budge. Again she shook her head—this time more emphatically. Still the offending article wouldn’t fall away. Through the wig of socks covering Connell’s head, she could see one of his eyes peeking at her, watching her antics. The corner of his lips twitched with the hint of a smile. She could only imagine what she looked like. If it was anything like him, she must look comical. As he cocked his head and blew at one of his socks, she couldn’t keep from smiling at the picture they both made, helplessly drenched in dirty socks, trying to remove them with nothing but their breath. “Welcome to Harrison.” His grin broke free. “You know how to make a girl feel right at home.” She wanted to laugh. But as he straightened himself in the chair, she became at once conscious of the fact that she was sitting directly in his lap and that the other men in the room were hooting and calling out over her intimate predicament. She scrambled to move off him. But the ropes had tangled them together, and her efforts only caused her to fall against him again. She was not normally a blushing woman, but the growing indecency of her situation was enough to chase away any humor she may have found in the situation and make a chaste woman like herself squirm with embarrassment. “I’d appreciate your help,” she said, struggling again to pull her arms free of the rope. “Or do all you oafs make a sport of manhandling women?” “All you oafs?” His grin widened. “Are you insinuating that I’m an oaf?” “What in the hairy hound is going on here?” She jumped at the boom of Oren’s voice and the slam of the door. The room turned quiet enough to hear the click-click of Oren pulling down the lever of his rifle. She glanced over her shoulder to the older man, to the fierceness of his drawn eyebrows and the deadly anger in his eyes as he took in her predicament.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
The beam of light fixed on the bloody head of an old woman suspended from a hairy fist attached to a harrier, giant arm.
Billy Wells (Scary Stories: A Collection of Horror - Volume 1 (Chamber of Horror Series))
Mornin’, Captain Winston!” Tempy grinned. “Oh, Andrew. Look at your hair! So handsome!” Andrew smiled and ducked his head. “Mama did it.” “Well, maybe your sweet mama could get ahold of the Captain’s hair too.” Jake curbed his smile. “I beg your pardon?” Tempy eyed him as Andrew shot out the door. “You cut off that hairy old beard, but you ain’t done nothin’ yet with that hair.” She set the pail of milk on a table. “We got that auction comin’ up and you bein’ the only soldier and all . . . You might wanna tidy up a bit. Sit on down on that stool and let Missus Prescott fix you up.” Accustomed to Tempy’s teasing, Jake looked over at Aletta to get her take on the conversation. But her eyes held the same reservation from moments before. Only this time, the pain—no, the dread—in them gave him an uneasy feeling. Especially when she looked away. “You know, Tempy, I think you’re right.” He sat down on the stool, beginning to feel as though the older woman was giving him a little help. “I could probably stand some tidying up. If you don’t mind . . . Mrs. Prescott,” he said softly. Aletta looked at him as though she suspected his primary reason for being on that stool was to be close to her. And if that’s what she was thinking, she would’ve been right.
Tamera Alexander (Christmas at Carnton (Carnton #0.5))
I couldn’t take it. Crossing the best woman in two worlds deserved a reckoning. I couldn’t remember my introverted tendencies when I gripped the guys’ arms to hobble forward. “Look, you arrogant jackfishes, if Lane says she can find the jewels, then you’d best believe she’ll deliver. She’s not a pretty little prom queen you can pat on the head and ignore. This is the best offer you’ve gotten in decades. I suggest you take your heads out of your hairy buttholes long enough to see the miracle standing right in front of you.” Crap, I said butthole already.
Mary E. Twomey (Faite Box Set 1 (Faite #1-3))
Anyway, now after this revolution this book argues that things have gone a bit too far. Women, like, HAVE to be sexual now. To the point where our 'sexiness' is making us into, like, a sexiness product. I mean, look at all the gross porn all the guys at college watch, for one. Or any advert where a woman washes her hair and gets an orgasm from her shampoo. Or the way you can't buy a pair of denim shorts now that cover your butt cheeks. Or how in adverts for anything, women's bodies aren't shown as a whole--we're just disjointed legs, or cleavages, or hands -- just our sexual bits cut off and shoved onto a page to sell a watch or something. Women are 'supposed' to be sexy now--otherwise we're prudes, or one of those hairy feminists nobody wants to sleep with. You see how we're judged all the time? How awful it is to be described as no one wanting to shag you? We have to be 'hot' now, otherwise we've failed at life. And if we achieve stuff and we're not hot--it's the first thing people lob at us to undermine everything we've achieved.
Holly Bourne (How Hard Can Love Be? (The Spinster Club, #2))
—though the witchman greatly covetous and greedy for gold be,” mumbled the old woman, half-closing her eyes, “giveth ye not such a one more than: for a drowner, one silver penny or three halves; for a werecat, silver pennies two; for a plumard, silver pennies—” “Those were the days,” muttered the witcher. “Thank you Grandma. And now show us where it speaks of the devil and what the book says about devils. This time ‘tis grateful I’d be to heareth more, for to learn the ways and means ye did use to deal with him most curious am I.” “Careful Geralt,” chuckled Dandelion. “You’re starting to fall into their jargon. It’s an infectious mannerism.” The woman, controlling her shaking hands with difficulty, turned several pages. The witcher and the poet leaned over the table. The etching did, in effect, show the ball-thrower: horned, hairy, tailed and smiling maliciously. “The deovel,” recited the woman. “Also called willower” or “sylvan”. For livestock and domestic fowl, a tiresome and great pest is he. Be it your will to chase him from your hamlet, tamest thou—” “Well, well,” murmured Dandelion. “—takers thou of nuts, one fistful,” continued the woman, running her fingers along the parchment. “Next, takest thou of iron balls a second fistful. Of honey and utricle, of birch tar a second. Of grey soap a firkin; of soft cheese another. There where the deovel dwelleth, goest thou when ‘tis night. Commenceth then to eat the nuts. Anon, the deovel who hath great greed, will hasten and ask if they are tasty indeed. Givest to him then the balls of iron—” “Damn you,” murmured Dandelion. “Pox take—” “Quiet,” said Geralt. “Well, Grandma. Go on.” “…having broken his teeth he will be attentive as thou eatest the honey. Of said honey he will himself desire. Givest him of birch tar, then yourself eateth soft cheese. Soon, hearest thou, will the deovel grumbleth and tumbleth, but makest of it as naught. Yet if the deovel desireth soft cheese, givest him soap. For soap the deovel withstandeth not—” “You got to the soap?” interrupted Geralt with a stony expression turning toward Dhun and Nettly. “In no way,” groaned Nettly. “If only we had got to the balls. But he gave us what for when he bit a ball—” “And who told you to give him so many?” Dandelion was enraged. “It stands written in the book, one fistful take. Yet ye giveth of balls a sackful! Ye furnished him with ammunition for two years, the fools ye be!” “Careful,” smiled the witcher. “You’re starting to fall into their jargon. It’s infectious.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
I Ask That I Do Not Die —but if I do I want an open coffin I am an American poet and therefore open for business Owls peck the windows of the 21st century as if looking for the board members of Exxon Mobil who who who who who Listen my beloved nothings your seriousness will kill you! But before you die my doctors have prescribed happiness God is a warm brick or a claw or the silence that survives empires An old woman in the rain with a pot of mushroom soup is one of God’s disguises. Her dog lifts its leg another one of God’s shenanigans and pushes its nose into morning’s ribcage I point my hand God this and God that and when God has nothing I still have my hairy hand for a pillow Put me in an open box so when God reaches inside my holes I can still see how a taxi makes a city more a city slippers on my feet, and only half covered by a sheet, in a yellow taxi so as not to seem laid out in state but in transit
Ilya Kaminsky
Or maybe I should give it a guess: you think I’m a big hairy manimal who’s never gonna be able to work well with this here human cupcake,” he said. Then just for good measure, he flung a finger in her general direction. As if nobody were going to know that he meant the woman in the pale pink dress with the cherry-covered cardigan to match. Or understand that this was almost definitely a jab about her weight, on top of the rest of this mess.
Charlotte Stein (When Grumpy Met Sunshine)
You should try it,” she says casually as she keeps walking up. “Dick is way better than hairy biscuit.” What? Hairy biscuit . . . what woman says hairy biscuit? This chick is fucking weird.
T.L. Swan (The Do-Over (Miles High Club, #4))
It's easier to rebel against hair norms if you're a woman generally unburdened by them in the first place. My hair—brown hair—is politicized in every direction. It's either an unearthly glory, hair so perfect that people want to buy it in bags, or it's an unholy and crude display of the most aggressive kind of femininity: the kind that doesn't actually care about what you consider feminine. When Lena Dunham grows her armpit hair, it's a stance, but not one with much weight. For it to really matter, for your rebellion to extend outside yourself, you have to have been born with hair-baggage—that nagging reminder that what comes out of your body naturally makes you repulsive, or tells people that you are deserving of a slur, or that your sexuality can exist only in a specific vacuum of kink or a generous acceptance. Black and brown women know this, in two different ways, but few others do. When Lena grows her body hair out, it's a rebellion. When a brown woman does it, it's a mutiny.
Scaachi Koul (One Day We'll All Be Dead and None of This Will Matter)
Other girls might worry about losing their guy to another woman, but not me. I'd already lost mine - to a Hairy-Nosed Wombat.
Barbara Venkataraman (Engaged in Danger (Jamie Quinn Mystery #4))
He could smash it. He could sunder that hairy shell and scatter pieces of its crooked legs. He could be human in that last moment. He could exalt in his ability to destroy. But there were more of them crawling through the breach, and he was old, and Lain was older now, and he sought that other human quality, so scarce of late, and put his arms around her, holding the woman as tightly to him as he dared, the stick clattering to the floor.
Adrian Tchaikovsky (Children of Time (Children of Time, #1))