Oxford Shoes Quotes

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Whenever I tell people I'm a misanthrope they react as though that's a bad thing, the idiots. I live in London, for God's sake. Have you walked down Oxford Street recently? Misanthropy's the only thing that gets you through it. It's not a personality flaw, it's a skill. It's nothing to do with sheer numbers. Move me to a remote cottage in the Hebrides and I'd learn to despise the postman, even if he only visited once a year. I can't abide other people, with their stink and their noise and their irritating ringtones. Bill Hicks called the human race 'a virus with shoes', and if you ask me he was being unduly hard on viruses; I'd consider a career in serial killing if the pay wasn't so bad.
Charlie Brooker (Screen Burn)
BUYING A PAIR OF shoes is one of the most optimistic acts I know, next to falling in love. I like nothing better than to see an old man wearing a brand new pair of brogues or cap-toed oxfords, preferably jaunty orange-brown, unscuffed, heels unworn. We want to be here tomorrow, but buying new shoes, like falling in love, says I plan on being here tomorrow.
Jonathan Carroll (Outside the Dog Museum (Answered Prayers #4))
Because around a crisis point, even the tiniest action can assume importance all out of proportion to its size. Consequences multiply and cascade, and anything—a missed telephone call, a match struck during a blackout, a dropped piece of paper, a single moment—can have empire-tottering effects. The Archduke Ferdinand’s chauffeur makes a wrong turn onto Franz-Josef Street and starts a world war. Abraham Lincoln’s bodyguard steps outside for a smoke and destroys a peace. Hitler leaves orders not to be disturbed because he has a migraine and finds out about the D-Day invasion eighteen hours too late. A lieutenant fails to mark a telegram “urgent” and Admiral Kimmel isn’t warned of the impending Japanese attack. “For want of a nail, the shoe was lost. For want of a shoe, the horse was lost. For want of a horse, the rider was lost.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
fuck VULGAR SLANG  v. [trans.] 1 have sexual intercourse with (someone).  [intrans.] (of two people) have sexual intercourse. 2 ruin or damage (something).  n. an act of sexual intercourse.  [with adj.] a sexual partner.  exclam. used alone or as a noun (the fuck) or a verb in various phrases to express anger, annoyance, contempt, impatience, or surprise, or simply for emphasis.    go fuck yourself an exclamation expressing anger or contempt for, or rejection of, someone.  not give a fuck (about) used to emphasize indifference or contempt.    fuck around spend time doing unimportant or trivial things.  have sexual intercourse with a variety of partners.  (fuck around with) meddle with.  fuck off [usu. in imperative] (of a person) go away.  fuck someone over treat someone in an unfair or humiliating way.  fuck someone up damage or confuse someone emotionally.  fuck something up (or fuck up) do something badly or ineptly.   fuck·a·ble adj.  early 16th cent.: of Germanic origin (compare Swedish dialect focka and Dutch dialect fokkelen); possibly from an Indo-European root meaning 'strike', shared by Latin pugnus 'fist'.   Despite the wideness and proliferation of its use in many sections of society, the word fuck remains (and has been for centuries) one of the most taboo words in English. Until relatively recently, it rarely appeared in print; even today, there are a number of euphemistic ways of referring to it in speech and writing, e.g., the F-word, f***, or fk. fuck·er  n. VULGAR SLANG a contemptible or stupid person (often used as a general term of abuse). fuck·head  n. VULGAR SLANG a stupid or contemptible person (often used as a general term of abuse). fuck·ing  adj. [attrib.] & adv. [as submodifier] VULGAR SLANG used for emphasis or to express anger, annoyance, contempt, or surprise. fuck-me  adj. VULGAR SLANG (of clothing, esp. shoes) inviting or perceived as inviting sexual interest. fuck-up  n. VULGAR SLANG a mess or muddle.  a person who has a tendency to make a mess of things. fuck·wit  n. CHIEFLY BRIT., VULGAR SLANG a stupid or contemptible person (often used as a general term of abuse). fu·coid
Oxford University Press (The New Oxford American Dictionary)
And for the four remaining days - the ninety-six remaining hours - we mapped out a future away from everything we knew. When the walls of the map were breached, we gave one another courage to build them again. And we imagined our home an old stone barn filled with junk and wine and paintings, surrounded by fields of wildflowers and bees. I remember our final day in the villa. We were supposed to be going that evening, taking the sleeper back to England. I was on edge, a mix of nerves and excitement, looking out to see if he made the slightest move toward leaving, but he didn’t. Toiletries remained on the bathroom shelves, clothes stayed scattered across the floor. We went to the beach as usual, lay side by side in our usual spot. The heat was intense and we said little, certainly nothing of our plans to move up to Provence, to the lavender and light. To the fields of sunflowers. I looked at my watch. We were almost there. It was happening. I kept saying to myself, he’s going to do it. I left him on the bed dozing, and went out to the shop to get water and peaches. I walked the streets as if they were my new home. Bonjour to everyone, me walking barefoot, oh so confident, free. And I imagined how we’d go out later to eat, and we’d celebrate at our bar. And I’d phone Mabel and Mabel would say, I understand. I raced back to the villa, ran up the stairs and died. Our rucksacks were open on the bed, our shoes already packed away inside. I watched him from the door. He was silent, his eyes red. He folded his clothes meticulously, dirty washing in separate bags. I wanted to howl. I wanted to put my arms around him, hold him there until the train had left the station. I’ve got peaches and water for the journey, I said. Thank you, he said. You think of everything. Because I love you, I said. He didn’t look at me. The change was happening too quickly. Is there a taxi coming? My voice was weak, breaking. Madame Cournier’s taking us. I went to open the window, the scent of tuberose strong. I lit a cigarette and looked at the sky. An airplane cast out a vivid orange wake that ripped across the violet wash. And I remember thinking, how cruel it was that our plans were out there somewhere. Another version of our future, out there somewhere, in perpetual orbit. The bottle of pastis? he said. I smiled at him. You take it, I said. We lay in our bunks as the sleeper rattled north and retraced the journey of ten days before. The cabin was dark, an occasional light from the corridor bled under the door. The room was hot and airless, smelled of sweat. In the darkness, he dropped his hand down to me and waited. I couldn’t help myself, I reached up and held it. Noticed my fingertips were numb. We’ll be OK, I remember thinking. Whatever we are, we’ll be OK. We didn’t see each other for a while back in Oxford. We both suffered, I know we did, but differently. And sometimes, when the day loomed gray, I’d sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on the stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible./
Sarah Winman (Tin Man)
Professor of Comparative Literature, B.A. Harvard. Ph.D. Sorbonne, Oxford. Somewhere certificates pasted in full-of-truth blue book. At points we diverge, essential points in fact. Always a clean white page to begin on. Où sont les neiges. The boy had been strangely unreluctant. Although detached, even cold in a numb, childish fashion, the boy had willingly submitted. First his shoes, then his socks and trousers pulled off by the Doctor’s trembling white hands, his priest hands moving of themselves, mechanical but infused with timeless primordial mystery that guided his fingers with a logic more powerful and comprehending than his own being. The flesh presented to his lips, staleness of his own groin floating up to meet him as he knelt. Breath of a dying wino. With this kiss I thee wed, the lean black bridegroom puff of veiled white beside him arm curled into his as they stood rigid with grotesque, confectionary smiles atop the pyramid of cake. Stale cake toppling then as knife keenly enters collapsing with a wheeze the creamy icing. He gave of himself in grudged thin spasms. The hierophant rose on stiff knees.
John Edgar Wideman (A Glance Away)
Earlier yet, in 1917, an amateur geologist named Albert E. Knapp claimed to have found a fossilized human footprint from the Triassic period—the imprint of a shoe made of stitched dinosaur hide. This led him to believe that humans and dinosaurs had coexisted in Nevada’s Great Basin 200 million years ago. The New York Times took Knapp’s finding somewhat seriously, as did Nobel Prize-winning Oxford scientist Frederick Soddy, who used it to support his pet theory of a superior race of prehistoric humans that destroyed itself after achieving scientific mastery over atomic energy.
Sarah Vowell (The Best American Nonrequired Reading 2017)
Tonight she had pulled on a dark blue cap, and matching gloves, as much to avoid touching her surrounds as it was for any standard of fashion. As the sun had fled the area, these garments were almost like a cloak of nocturnal invisibility, strategically blending her into the shadows. Only her stocking-clad calves and ankles were exposed, and her trusty stacked-heel Oxfords – shoes she could wear in most acceptable establishments, and could run in. One never knew when such qualities might matter. - Chapter 2, The Ghosts of Paris
Tara Moss (The Ghosts of Paris (Billie Walker Mystery, #2))
At seven fifteen the following evening, Christopher Keller was seated at a waterfront café in the Corsican port of Ajaccio, an empty wineglass on the table before him, a freshly lit Marlboro burning between the first and second fingers of his sledgehammer right hand. He wore a pale gray suit by Richard Anderson of Savile Row, an open-neck white dress shirt, and handmade oxford shoes. His hair was sun-bleached, his skin was taut and dark, his eyes were bright blue. The notch in the center of his thick chin looked as though it had been cleaved with a chisel.
Daniel Silva (Portrait of an Unknown Woman (Gabriel Allon, #22))
I feel my hackles rise, however, when I hear people refer to the serial comma as the Oxford comma. Why does Oxford get all the credit? Why does the stricter, more conservative choice belong to the university that gave us the eponymous shirt with the button-down collar and the androgynous lace-up shoe? Why not the Harvard comma, or the Rutgers comma, or the Cornhusker comma?
Mary Norris (Between You & Me: Confessions of a Comma Queen)
pompe /pɔ̃p/ I. nf 1. (appareil) pump • ~ à bicyclette | bicycle pump 2. ○(chaussure) shoe 3. (apparat) pomp • en grande ~ | with great pomp 4. ○ (exercice) press-up (GB), push-up • faire des ~s | to do push-ups 5. ◑[soldiers' slang] • (classe) soldat de première ~ | lance corporal • soldat de seconde ~ | private II. nfpl vanities • les ~s de Satan | Satan's pomps III. Idiomes 1. avoir un coup de pompe | to be knackered (familier) (GB) ou pooped (familier) 2. à toute pompe○ | at top speed, as quickly as possible 3. marcher or être à côté de ses pompes○ | not to be with it, to be away with the fairies (familier)
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
He is the smartest shoe in the house! And that includes Dad’s Brown Oxfords. They only look bright and polished.
Alanna Fenn (Slippers Meet Socks (The Adventures of Dad's Slippers, #1))
For want of a nail, the shoe was lost. For want of a shoe, the horse was lost. For want of a horse, the rider was lost.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
v. [trans.] put someone or something into (a space or container) so that it is completely or almost completely full: I filled up the bottle with water;the office was filled with reporters.    [intrans.] (fill with) become full of: Eleanor's eyes filled with tears.  become an overwhelming presence in: a pungent smell of garlic filled the air.  cause (someone) to have an intense experience of an emotion or feeling: his presence filled us with foreboding.  appoint a person to hold (a vacant position): the number of high-tech jobs and the people who can fill them.  hold and perform the expected duties of (a position or role): she fills the role of the “good” child.  occupy or take up (a period of time): the next few days were filled with meetings.  be supplied with the items described in (a prescription or order): she needed to fill a prescription.  block up (a cavity in a tooth) with cement, amalgam, or gold.  [intrans.] (of a sail) curve out tautly as the wind blows into it.  (of a weather system) increase in barometric pressure. Compare with DEEPEN.  [trans.] (of the wind) blow into (a sail), causing it to curve outward.  [POKER] complete (a good hand) by drawing the necessary cards.   n. (one's fill) an amount of something that is as much as one wants or can bear: we have eaten our fill;I've had my fill of surprises for one day.    an amount of something that will occupy all the space in a container.  material, loose or compacted, that fills a space, esp. in building or engineering work: loose polystyrene fill.  the action of filling something, esp. of shading or color in a region of a computer graphics display.  (in popular music) a short interjected phrase on a particular instrument.    fill the bill see BILL1.  fill someone's shoesINFORMAL take over someone's function or duties and fulfill them satisfactorily.    fill in act as a substitute for someone when they are unable to do their job: my producer will have to have someone
Oxford University Press (The New Oxford American Dictionary)
masking them behind a genuinely infectious maniacal laugh, a curiously baby-fat face, and an anodyne presentation of pleated khakis, sensible shoes, and blue Oxford shirt. Still, from the start, I had no doubt that Jeff Bezos would eat my face off if that is what he needed to do to get ahead.
Kara Swisher (Burn Book: A Tech Love Story)
...the same six faces. All male. All white. All over sixty. Not exactly the great and the good of Rustington. But the guys who pulled strings. The guys that had made good. Five check shirts buttoned to the collar. No tie. And Brad at the Head. But Brad wore a tie, and a crisp white Oxford shirt. Dark suit. Highly polished black shoes.' The first time James attended he thought he had inadvertently walked onto a Coen Brothers movie set.
Graham J. Young (Twin Secrets: An Evans and Hales Crime Thriller)