Farmhouse Decor Quotes

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Positive. In other news, Marcie's throwing a Halloween party here at the farmhouse." Patch smiled. "Grey - Millar family drama?" "The theme is famous couples from history. Could she be any less original? Worse, she's roped my mom into this. They went shopping for decorations today. For three whole hours. It's like they're suddenly best friends." I picked up another apple slice and made a face at it. "Marcie is ruining everything. I wanted Scott to go with Vee, but Marcie already convinced him to go with her." Patch's smile widened. I aimed my best sulky look at him. "This isn't funny. Marcie is destroying my life. Whose side are you on anyway?" Patch raised his hands in surrender. "I'm staying out of this.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
On my first evening in the back country, I skipped down the porch steps of the farmhouse-leaving my father inside and the radio playing and my small suitcase decorated with neon flower stickers unpacked-and wandered towards the upside-down school bus I'd spied from an upstairs window.
Mitch Cullin (Tideland)
Rusted ringer washers. Gas stoves. Dry rotted tires and busted television sets decorated the flat rock hollows. The country yards of rusted trailers and broken-down farmhouses with abandoned red clay tractors. Vehicles on cinder blocks. It was the poor man's fairy tale of rural survival.
Frank Bill (Crimes in Southern Indiana: Stories)
Perhaps she could do something nice for Mama instead of buying her things. She might see if she could keep the house tidied for her or find out one of the farm tasks that Mama didn’t love and do it for her. One thing was for sure: Elizabeth had all she wanted just being there with Mama. Maybe being with each other was gift enough. Later that day, when Elizabeth and Mama arrived at Beatrice’s house for her party, the door opened, and instead of the warm, arm-stretched hello Elizabeth had gotten as a child, a middle-aged woman stood in front of them. The woman had mousy hair swept into an updo, eyes that almost disappeared when she smiled, and a hunter-green corduroy dress with Christmas trees printed all over it. Her gaze fluttering over to Elizabeth, she beckoned them inside. “I’m Ella, Ray’s wife,” she told Elizabeth. “Nice to meet you,” Elizabeth said as Ella beamed at her over her shoulder, while her mother swung the gift bag with the kitchen dish and towel set she’d gotten for Beatrice by her side. Ella ushered them down the narrow hallway of the house to the kitchen that smelled of sugar and butter. The long rectangular farmhouse table was covered in Christmas cupcakes on pedestals, all of them decorated with different green and red icing shapes, assortments of holiday cookies, and platters of food. Ray was perusing the fare, pinching a few crackers with cheese, a paper plate in his weathered hand.
Jenny Hale (The Christmas Letters)
the sideboard. The farmhouses of Ireland are full of them: massive pieces of furniture fashioned in remote outhouses by self-taught cabinet-makers, veneered in polished walnut or oak and decorated with carved curlicues like brocade. This one stood on four squat splayed legs with clawed talons for feet; not the sort of furniture that you could comfortably turn your back on.
J.J. Toner (The Black Orchestra Boxset - Books 1 - 3)