H Home Quotes

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If, after I depart this vale, you ever remember me and have thought to please my ghost, forgive some sinner and wink your eye at some homely girl.
H.L. Mencken
Have your heart right with Christ, and he will visit you often, and so turn weekdays into Sundays, meals into sacraments, homes into temples, and earth into heaven.
Charles Haddon Spurgeon
Her absence is like the sky, spread over everything. But no, that is not quite accurate. There is one place where her absence comes locally home to me, and it is a place I can't avoid. I mean my own body. It had such a different importance while it was the body of H.'s lover. Now it's like an empty house.
C.S. Lewis (A Grief Observed)
I guess I wanted to see roses all over your house, too. Maybe because you feel like home.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
What you’re seeing now is what I see every day. No matter how far I run, how hard I try to escape you—you’re everywhere I go. You’re everything I see. Loving you is like being trapped in a house of mirrors, little mouse. And I’ve never felt so at home while being so lost inside you.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
Books help to form us. If you cut me open, you will find volume after volume, page after page, the contents of every one I have ever read, somehow transmuted and transformed into me. Alice in Wonderland. the Magic Faraway Tree. The Hound of the Baskervilles. The Book of Job. Bleak House. Wuthering Heights. The Complete Poems of W H Auden. The Tale of Mr Tod. Howard''s End. What a strange person I must be. But if the books I have read have helped to form me, then probably nobody else who ever lived has read exactly the same books, all the same books and only the same books as me. So just as my genes and the soul within me make me uniquely me, so I am the unique sum of the books I have read. I am my literary DNA.
Susan Hill (Howards End Is on the Landing: A Year of Reading from Home)
Why there you are, Stephen,' cried Jack. 'You are come home, I find.' That is true,' said Stephen with an affectionate look: he prized statements of this kind in Jack.
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
I’ve just never met someone like you," as if I were a stranger from another town or an eccentric guest accompanying a mutual friend to a dinner party. It was a strange thought to hear from the mouth of the woman who had birthed and raised me, with whom I shared a home for eighteen years, someone who was half me. My mother had struggled to understand me just as I struggled to understand her. Thrown as we were on opposite sides of a fault line—generational, cultural, linguistic—we wandered lost without a reference point, each of us unintelligible to the other’s expectations, until these past few years when we had just begun to unlock the mystery, carve the psychic space to accommodate each other, appreciate the differences between us, linger in our refracted commonalities. Then, what would have been the most fruitful years of understanding were cut violently short, and I was left alone to decipher the secrets of inheritance without its key.
Michelle Zauner (Crying in H Mart)
No matter how far I run, how hard I try to escape you --you're everywhere I go. You're everything I see. Loving you is like being trapped in a house of mirrors, little mouse. And I've never felt so at home while being so lost inside you.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
SEPTEMBER 1, 1939 I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism's face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; 'I will be true to the wife, I'll concentrate more on my work,' And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the dead, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.
W.H. Auden (Another Time)
And I'm certain one day, you'll make it back home. With love, Your friend and Cêpan, -H
Pittacus Lore (The Power of Six (Lorien Legacies, #2))
[H]e lay awake, dreading the dawn when he would have to say good-bye to the small universe he had built for himself over the years.
Carlos Ruiz Zafón (The Prince of Mist (Niebla, #1))
So Merlyn sent you to me," said the badger, "to finish your education. Well, I can only teach you two things -- to dig, and love your home. These are the true end of philosophy.
T.H. White (The Once and Future King)
You're trying to be cool now, Leif? Seriously?" "I am the shit, home slice, straight up," he replied. "No. I mean, don't get me wrong, this is a great effort, but you still need to use more contractions. And your tone is so formal, it's like you're complimenting the pudding at a duke's dinner party." "Fucking H!" the vampire shouted, shaking his free left fist. He enunciated the g very clearly and projected his voice from his diaphragm, like a trained opera singer. "It's fuckin' A, not H, but yeah Leif, go ahead, let's throw down.
Kevin Hearne (Hexed (The Iron Druid Chronicles, #2))
A home is not a mere transient shelter: its essence lies in the personalities of the people who live in it.
H.L. Mencken
You’re going to ruin me, too. But unfortunately for you, that’s where I feel most at home.
H.D. Carlton (Does It Hurt?)
When the Washington Post telephoned me at home on Valentine's Day 1989 to ask my opinion about the Ayatollah Khomeini's fatwah, I felt at once that here was something that completely committed me. It was, if I can phrase it like this, a matter of everything I hated versus everything I loved. In the hate column: dictatorship, religion, stupidity, demagogy, censorship, bullying, and intimidation. In the love column: literature, irony, humor, the individual, and the defense of free expression. Plus, of course, friendship—though I like to think that my reaction would have been the same if I hadn't known Salman at all. To re-state the premise of the argument again: the theocratic head of a foreign despotism offers money in his own name in order to suborn the murder of a civilian citizen of another country, for the offense of writing a work of fiction. No more root-and-branch challenge to the values of the Enlightenment (on the bicentennial of the fall of the Bastille) or to the First Amendment to the Constitution, could be imagined. President George H.W. Bush, when asked to comment, could only say grudgingly that, as far as he could see, no American interests were involved…
Christopher Hitchens (Hitch 22: A Memoir)
I have dwelt ever in realms apart from the visible world; spending my youth and adolescence in ancient and little-known books, and in roaming the fields and groves of the region near my ancestral home. I do not think that what I read in these books or saw in these fields and groves was exactly what other boys read and saw there; but of this I must say little, since detailed speech would but confirm those cruel slanders upon my intellect which I sometimes overhear from the whispers of the stealthy attendants around me.
H.P. Lovecraft
I know what it's like to want to leave. How it feels when the home you have is a mirage, an illusion. But I know that wherever I am, if June's around, I'll be ok.
Mary H.K. Choi (Yolk)
All the great words, it seemed to Connie were cancelled, for her generation: love, joy, happiness, home, mother, father, husband, all these great, dynamic words were half dead now and dying from day to day.
D.H. Lawrence (Lady Chatterley's Lover)
A family. A home. I really want a... h-home.” “But you can’t steal it.” “I know,” Sam whispers. I know I know I know. “You have to build it.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
Wait, we can not break bread with you. You have taken the land which is rightfully ours. Years from now my people will be forced to live in mobile homes on reservations. Your people will wear cardigans, and drink highballs. We will sell our bracelets by the road sides, and you will play golf, and eat hot h'ors d'ourves. My people will have pain and degradation. Your people will have stick shifts. The gods of my tribe have spoken. They said do not trust the pilgrims, especially Sarah Miller. And for all of these reasons I have decided to scalp you and burn your village to the ground.
Paul Rudnick
The dude gives fish a run for their money, the way he flops when he fucks. Might as well lay out naked in the fish market—he’d have a better chance of finding someone to take him home. That person is not going to be me.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
i'd go out and party then come home to the moon an empty home and cold bed this was no way to live i needed more
R.H. Sin (A Beautiful Composition of Broken)
They should know that just because things get difficult, it's no reason to believe God is on vacation.
Harry H. Harrison Jr. (1001 Things Every Teen Should Know Before They Leave Home: (Or Else They'll Come Back))
New York is just a place. It's the people who will become a home for you.
Mary H.K. Choi (Yolk)
I WANT her though, to take the same from me. She touches me as if I were herself, her own. She has not realized yet, that fearful thing, that I am the other, she thinks we are all of one piece. It is painfully untrue. I want her to touch me at last, ah, on the root and quick of my darkness and perish on me, as I have perished on her. Then, we shall be two and distinct, we shall have each our separate being. And that will be pure existence, real liberty. Till then, we are confused, a mixture, unresolved, unextricated one from the other. It is in pure, unutterable resolvedness, distinction of being, that one is free, not in mixing, merging, not in similarity. When she has put her hand on my secret, darkest sources, the darkest outgoings, when it has struck home to her, like a death, "this is _him!_" she has no part in it, no part whatever, it is the terrible _other_, when she knows the fearful _other flesh_, ah, dark- ness unfathomable and fearful, contiguous and concrete, when she is slain against me, and lies in a heap like one outside the house, when she passes away as I have passed away being pressed up against the _other_, then I shall be glad, I shall not be confused with her, I shall be cleared, distinct, single as if burnished in silver, having no adherence, no adhesion anywhere, one clear, burnished, isolated being, unique, and she also, pure, isolated, complete, two of us, unutterably distinguished, and in unutterable conjunction. Then we shall be free, freer than angels, ah, perfect. VIII AFTER that, there will only remain that all men detach themselves and become unique, that we are all detached, moving in freedom more than the angels, conditioned only by our own pure single being, having no laws but the laws of our own being. Every human being will then be like a flower, untrammelled. Every movement will be direct. Only to be will be such delight, we cover our faces when we think of it lest our faces betray us to some untimely fiend. Every man himself, and therefore, a surpassing singleness of mankind. The blazing tiger will spring upon the deer, un-dimmed, the hen will nestle over her chickens, we shall love, we shall hate, but it will be like music, sheer utterance, issuing straight out of the unknown, the lightning and the rainbow appearing in us unbidden, unchecked, like ambassadors. We shall not look before and after. We shall _be_, _now_. We shall know in full. We, the mystic NOW. (From the poem the Manifesto)
D.H. Lawrence
We don’t talk about it. There’s never so much as a knowing look. We sit here in silence, eating our lunch. But I know we are all here for the same reason. We’re all searching for a piece of home, or a piece of ourselves. We look for a taste of it in the food we order and the ingredients we buy. Then we separate. We bring the haul back to our dorm rooms or our suburban kitchens, and we re-create the dish that couldn’t be made without our journey. What we’re looking for isn’t available at a Trader Joe’s. H Mart is where your people gather under one odorous roof, full of faith that they’ll find something they can’t find anywhere else.
Michelle Zauner (Crying in H Mart)
As many conventionally unhappy parents did in the 1950s, my parents stayed together for the sake of the children—they divorced after my youngest brother left home for college. I only wish they had known that modeling their dysfunctional relationship was far more damaging to their children than their separation would have been.
Bruce H. Lipton (The Honeymoon Effect: The Science of Creating Heaven on Earth)
Curses are like chickens, they always come home to roost.
Charles Haddon Spurgeon
I've come home to you." "H-home...to me?" "I knew it," Aunt Thea said. "It's him." The strange man nodded. "It's me." It's who?" Maddie blurted out. ..."Don't you know me, mo chridhe?
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
The girls that are wanted are good girls Good from the heart to the lips Pure as the lily is white and pure From its heart to its sweet leaf tips The girls that are wanted are girls with hearts They are wanted for mothers and wives Wanted to cradle in loving arms The strongest and frailest of lives. The clever, the witty, the brilliant girl There are few who can understand But, oh! For the wise, loving home girls There's a constant, steady demand.
J.H.Gray
If we can use an H-bomb--and as you said it's no checker game; it's real, it's war and nobody is fooling around--isn't it sort of ridiculous to go crawling around in the weeds, throwing knives and maybe getting yourself killed . . . and even losing the war . . . when you've got a real weapon you can use to win? What's the point in a whole lot of men risking their lives with obsolete weapons when one professor type can do so much more just by pushing a button?' Zim didn't answer at once, which wasn't like him at all. Then he said softly, 'Are you happy in the Infantry, Hendrick? You can resign, you know.' Hendrick muttered something; Zim said, 'Speak up!' I'm not itching to resign, sir. I'm going to sweat out my term.' I see. Well, the question you asked is one that a sergeant isn't really qualified to answer . . . and one that you shouldn't ask me. You're supposed to know the answer before you join up. Or you should. Did your school have a course in History and Moral Philosophy?' What? Sure--yes, sir.' Then you've heard the answer. But I'll give you my own--unofficial--views on it. If you wanted to teach a baby a lesson, would you cuts its head off?' Why . . . no, sir!' Of course not. You'd paddle it. There can be circumstances when it's just as foolish to hit an enemy with an H-Bomb as it would be to spank a baby with an ax. War is not violence and killing, pure and simple; war is controlled violence, for a purpose. The purpose of war is to support your government's decisions by force. The purpose is never to kill the enemy just to be killing him . . . but to make him do what you want him to do. Not killing . . . but controlled and purposeful violence. But it's not your business or mine to decide the purpose of the control. It's never a soldier's business to decide when or where or how--or why--he fights; that belongs to the statesmen and the generals. The statesmen decide why and how much; the generals take it from there and tell us where and when and how. We supply the violence; other people--"older and wiser heads," as they say--supply the control. Which is as it should be. That's the best answer I can give you. If it doesn't satisfy you, I'll get you a chit to go talk to the regimental commander. If he can't convince you--then go home and be a civilian! Because in that case you will certainly never make a soldier.
Robert A. Heinlein (Starship Troopers)
When I'm working I'm wishing I was doing nothing and when I'm doing nothing I'm wondering if I should be working. I hurry through what I've got to do and then, when I've got nothing to do, I keep glancing at the clock, wishing it was time to go out. Then, when I'm out, I'm wondering how long it will be before I'm back home.
Geoff Dyer (Out of Sheer Rage: Wrestling With D.H. Lawrence)
Warm are the still and lucky miles, White shores of longing stretch away, A light of recognition fills The whole great day, and bright The tiny world of lovers' arms. Silence invades the breathing wood Where drowsy limbs a treasure keep, Now greenly falls the learned shade Across the sleeping brows And stirs their secret to a smile. Restored! Returned! The lost are borne On seas of shipwreck home at last: See! In a fire of praising burns The dry dumb past, and we Our life-day long shall part no more.
W.H. Auden
I’m coming home with my little mouse tonight. And then? We’re going to burn down the world together.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
I gave way to a wave of home-sickness that almost shames me now when I recollect it. I find it impossible in cold blood, and at this distance, to put into words the longing that shook me. I have forgotten the pain in the neck, but never will I forget the pain in my heart.
H.V. Morton (In Search Of England)
Watching, not doing. Seeking safety in not  being seen. It's a habit you can fall into, willing yourself into invisibility. And it doesn't serve you well in life. Believe me it doesn't. Not with people and loves and hearts and homes and work. But for the first few days with a new hawk, making yourself disappear is the greatest skill in the world.
Helen Macdonald (H is for Hawk)
Race relations never improve in war time; they always worsen. And it is when the boys come home the Ku Klux Klans are organized. I believe with George Schuyler that the only really feasible way to improve the general situation of the American Negro is to convince more and more whites that he is, as men go in this world, a decent fellow, and that amicable living with him is not only possible but desirable. Every threat of mass political pressure, every appeal to political mountebanks, only alarms the white brother, and so postpones the day of reasonable justice.
H.L. Mencken
WHAT ARE YOU SMILING ABOUT YOUR JEANS ARE FROM H&M FOR THE LOVE OF GOD.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
The road ain't even marked. Home don't have to be.
Daniel H. Wilson (Robopocalypse (Robopocalypse, #1))
It’s late and most of the clerks are at home in their beds, dreaming of swimming in pools filled with real money.
Carla H. Krueger (From the Horse’s Mouth)
We sit here in silence, eating our lunch. But I know we are all here for the same reason. We’re all searching for a piece of home, or a piece of ourselves.
Michelle Zauner (Crying in H Mart)
the Bible, all of it, is livable; it is the text for living our lives. It reveals a God-created, God-ordered, God-blessed world in which we find ourselves at home and whole.
Eugene H. Peterson (Eat This Book: A Conversation in the Art of Spiritual Reading)
I wanted to take all her broken pieces, and fucking shatter them—turn them into dust so she could never be whole again. I realize now how foolish it was when I could take those pieces and give them a home amongst my own.
H.D. Carlton (Does It Hurt?)
Man had been content to live in ease and delight upon the labours of his fellow-man, had taken Necessity as his watchword and excuse, and in the fullness of time Necessity had come home to him.
H.G. Wells (The Time Machine)
The boys had seized the cave, and in it they’d found a home away from Welton, away from parents, teachers, and friends—a place where they could be people they never dreamed they’d be. The Dead Poets Society was alive and thriving and ready to seize the day.
N.H. Kleinbaum (Dead Poets Society)
May yours be the sparkle of light on the ocean, The whisper of foam on the sea, The warm sand guiding your feet safely home, A pebble in your pocket from me. Some sea glass, a starfish, some driftwood, a whelk, Treasures washed up on the shore. A flower, a feather, an urchin, a pearl, Keep your eyes open for more. May you know yourself held in the palm of Her hand, Blessed by the waves wild and free, Blown by the wind, anointed with salt, Beloved of She of the Sea.
Lucy H. Pearce (She of the Sea)
I learned that one person hurting another really is like a hand curling into a fist to smash the foot. And that all that really matters is family and other people. And that the purpose of life is to find the Light of God, but not the light from some old guy with a beard sitting up there judging us. The light is the love we give each other on our way back home. And that God wouldn’t mind if we spent a little less time telling him how great he is and a little more time loving each other, and not just the people we’re supposed to love, but everyone.
Paul H. Magid (Lifting the Wheel of Karma)
You are not disposable. I know you feel that way when people choose to walk out of your life, but their emptiness causes space. And that vacant area of your life is desperately crying out for the one meant to take up residence. Let the angry tenant go. You don't want someone staying because you've begged and pleaded for their occupancy. You want the one who sees your quaking heart and says: "Honey I'm home".
Alfa Holden (Abandoned Breaths)
Early on, when they'd just started home schooling together, he'd written a note on the margin of her page: "What's your star sign?" She'd turned to him, "What does my star sigh?" and he'd seen how much she'd liked the idea that she owned a star, and that it sighed; he'd seen in her eyes that her mind was rushing through the possible words that it could sigh. It's true that his handwriting was bad: the "n" looked a lot like an "h." But when he's crossed it out and written "sign," underlining the "n" three times, a vagueness had wandered onto her face, and she'd thought for a moment, then said, "Pisces," and smiled.
Jaclyn Moriarty (A Corner of White (The Colours of Madeleine, #1))
Hey Pete. What's up?" "'What's up? You ran away from home!" Dropping my backpack on a bench, I sat down and looked out at the water. "I'll be back next Monday. Is that still considered running away?" I pulled the phone away from my ear as he hollered, "Yes, that's still running away!
H.R. Willaston (Nine Days)
E-V-E-R-Y-T-H-I-N-G—is connected. The soil needs rain, organic matter, air, worms and life in order to do what it needs to do to give and receive life. Each element is an essential component. “Organizing takes humility and selflessness and patience and rhythm while our ultimate goal of liberation will take many expert components. Some of us build and fight for land, healthy bodies, healthy relationships, clean air, water, homes, safety, dignity, and humanizing education. Others of us fight for food and political prisoners and abolition and environmental justice. Our work is intersectional and multifaceted. Nature teaches us that our work has to be nuanced and steadfast. And more than anything, that we need each other—at our highest natural glory—in order to get free.
Adrienne Maree Brown (Emergent Strategy: Shaping Change, Changing Worlds)
Man has made such a mighty struggle to feel at home on the face of the earth, without even yet succeeding.
D.H. Lawrence (The Complete Works)
My eldest cat, “Nigger-Man,” was seven years old and had come with me from my home in Bolton, Massachusetts;
H.P. Lovecraft (The Complete Fiction of H.P. Lovecraft (Knickerbocker Classics))
You decided that when I came home, I was worth loving as a broken shell of a person. I think you can learn to love me as someone who is fierce and strong, right? So now, I want you to come home, and whatever version of yourself you wake up to be, and whatever version you grow into—I’ll love you, too.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
Make him stop drinking'. He prayed every night. " 'Lord, let my father die', he prayed very often. 'Let him not be killed at pit'", he prayed when, after tea, the father did not come home from work.
D.H. Lawrence (Sons and Lovers)
Somewhere I lost myself. I lost the beat of my heart as my own drum. I have a sense that it was the same time I lost Medicine Woman. One day my soul slipped out of my body. Or maybe it was pulled too hard. Or shocked away. I don’t know. But I know that I lost Her. And have been sick ever since. An orphaned child In a world that does not feel like home.
Lucy H. Pearce (Medicine Woman: Reclaiming the Soul of Healing)
I wonder how many people at H Mart miss their families. How many are thinking of them as they bring their trays back from the different stalls. If they’re eating to feel connected, to celebrate these people through food. Which ones weren’t able to fly back home this year, or for the past ten years? Which ones are like me, missing the people who are gone from their lives forever?
Michelle Zauner (Crying in H Mart)
Should I, too, prefer the title of 'non-Jewish Jew'? For some time, I would have identified myself strongly with the attitude expressed by Rosa Luxemburg, writing from prison in 1917 to her anguished friend Mathilde Wurm: What do you want with these special Jewish pains? I feel as close to the wretched victims of the rubber plantations in Putamayo and the blacks of Africa with whose bodies the Europeans play ball… I have no special corner in my heart for the ghetto: I am at home in the entire world, where there are clouds and birds and human tears. An inordinate proportion of the Marxists I have known would probably have formulated their own views in much the same way. It was almost a point of honor not to engage in 'thinking with the blood,' to borrow a notable phrase from D.H. Lawrence, and to immerse Jewishness in other and wider struggles. Indeed, the old canard about 'rootless cosmopolitanism' finds a perverse sort of endorsement in Jewish internationalism: the more emphatically somebody stresses that sort of rhetoric about the suffering of others, the more likely I would be to assume that the speaker was a Jew. Does this mean that I think there are Jewish 'characteristics'? Yes, I think it must mean that.
Christopher Hitchens (Hitch 22: A Memoir)
[H]umans live in a world where it's words and not deeds that have power, where the ultimate skill is mastery of language. This is a terrible thing because basically we are primates who've been programmed to eat, sleep, reproduce, conquer and make our territory safe, and the ones who are most gifted at that, the most animal types among us, always get screwed by the others, the fine talkers, despite these latter being incapable of defending their own garden or bringing a rabbit home for dinner or procreating properly. Humans live in a world where the weak are dominant. This is a terrible insult to our animal nature, a sort of perversion or a deep contradiction.
Muriel Barbery (The Elegance of the Hedgehog)
Three boys are desirable because one will probably die, while the second will stay home to tend the farm, providing for parents as they age as well as making enough money to send the third child to school so that he can get a better job and end this cycle.
Peter H. Diamandis (Abundance: The Future is Better Than You Think)
Cassio is a ladies’ man, that is to say, a man who feels most at home in feminine company where his looks and good manners make him popular, but is ill at ease in the company of his own sex because he is unsure of his own masculinity. […] Cassio is a ladies’ man, not a seducer. With women of his own class, what he enjoys is socialized eroticism; he would be frightened of a serious personal passion. For physical sex he goes to prostitutes and when, unexpectedly, Bianca falls in love with him, like many of his kind, he behaves like a cad and brags of his conquest to others.
W.H. Auden (The Dyer's Hand and Other Essays)
Actually I do not think that there are any wrong reasons for liking a statue or a picture. Someone may like a landscape painting because it reminds him of home, or a portrait because it reminds him of a friend. There is nothing wrong with that. All of us, when we see a painting, are bound to be reminded of a hundred-and-one things which influence our likes and dislikes. As long as these memories help us to enjoy what we see, we need not worry. It is only when some irrelevant memory makes us prejudiced, when we instinctively turn away from a magnificent picture of an alpine scene because we dislike climbing, that we should search our mind for the reason for the aversion which spoils a pleasure we might otherwise have had. There are wrong reasons for disliking a work of art.
E.H. Gombrich (The Story of Art)
If I wasn’t me and you weren’t you, I’d go home with you in a heartbeat. You know that, right?” I told him quietly. For a second he glanced away, then bent his head to reply, his voice husky, “It’s because you’re you and I’m me that we want each other, Karla. And I wouldn’t have it any other way.” Before I could stop him his mouth dipped to mine, and he laid a soft, lingering kiss on my lips.
L.H. Cosway (Hearts of Blue (Hearts, #4))
The longing of the human heart to know its true nature, our passionate desire to know who we are and to know our origin and our home, is all too easily placated with ready answers. The path described in this book reflects an approach which is far from a ready answer, but begins and ends with a sense of humility before the mystery of our existence. The work of coming to know one’s true nature has perhaps been made easier by the knowledge in this book, but it remains a task requiring tremendous patience and perseverance.
A.H. Almaas (The Point of Existence: Transformations of Narcissism in Self-Realization (Diamond Mind Series, 3))
Isn't it nice how we actually enjoy talking to each other now?" I said to her once on a trip home from college, after the bulk of the damage done in my teenage years had been allayed. "It is," she said. "You know what I realised? I've just never met someone like you." I've just never met someone like you, as if I were a stranger from another town or an eccentric guest accompanying a mutual friend to a dinner party. It was a strange thought to hear from the mouth of the woman who had birthed and raised me, with whom I shared a home for eighteen years, someone who was half me. My mother had struggled to understand me just as I struggled to understand her. Thrown as we were on opposite sides of a fault like—generational, cultural, linguistic—we wandered lost without a reference point, each of us unintelligible to the other's expectations, until these past few years when we had just begun to unlock the mystery, carve the psychic space to accommodate each other, appreciate the differences between us, linger in our refracted commonalities.
Michelle Zauner (Crying in H Mart)
Connie went slowly home to Wragby. `Home!'...it was a warm word to use for that great, weary warren. But then it was a word that had had its day. It was somehow cancelled. All the great words, it seemed to Connie, were cancelled for her generation: love, joy, happiness, home, mother, father, husband, all these great, dynamic words were half dead now, and dying from day to day. Home was a place you lived in, love was a thing you didn't fool yourself about, joy was a word you applied to a good Charleston, happiness was a term of hypocrisy used to bluff other people, a father was an individual who enjoyed his own existence, a husband was a man you lived with and kept going in spirits. As for sex, the last of the great words, it was just a cocktail term for an excitement that bucked you up for a while, then left you more raggy than ever. Frayed! It was as if the very material you were made of was cheap stuff, and was fraying out to nothing.
D.H. Lawrence (Lady Chatterley's Lover)
La saudade no es homesickness ni es heimweh. El kaihomielisyss finlandés, aunque recuerde a home y a miel, expresa solo su dimensión más invernal. El sökundur islandés es seco, el tesknota polaco apenas la toca; al lack inglés le falta algo, el steak checo se encoje; y en el ihaldus estonio la “h” es helada. La morriña rueda hacia ella como una piedra de trayectoria asintótica. Los brazos largos del longing no la alcanzan. En Sehnsucht se demora demasiado una “e”. La saudade no es nostalgia y no es melancolía: quizá la saudade tampoco sea saudade.
Valeria Luiselli (Papeles falsos)
Sometimes,” he said, “life does seem to be unfair. Do you know the story of Elijah and the Rabbi Jachanan?” “No,” said the Wart. He sat down resignedly upon the most comfortable part of the floor, perceiving that he was in for something like the parable of the looking-glass. “This rabbi,” said Merlyn, “went on a journey with the prophet Elijah. They walked all day, and at nightfall they came to the humble cottage of a poor man, whose only treasure was a cow. The poor man ran out of his cottage, and his wife ran too, to welcome the strangers for the night and to offer them all the simple hospitality which they were able to give in straitened circumstances. Elijah and the Rabbi were entertained with plenty of the cow’s milk, sustained by home-made bread and butter, and they were put to sleep in the best bed while their kindly hosts lay down before the kitchen fire. But in the morning the poor man’s cow was dead.” “Go on.” “They walked all the next day, and came that evening to the house of a very wealthy merchant, whose hospitality they craved. The merchant was cold and proud and rich, and all that he would do for the prophet and his companion was to lodge them in a cowshed and feed them on bread and water. In the morning, however, Elijah thanked him very much for what he had done, and sent for a mason to repair one of his walls, which happened to be falling down, as a return for his kindness. “The Rabbi Jachanan, unable to keep silence any longer, begged the holy man to explain the meaning of his dealings with human beings. “ ‘In regard to the poor man who received us so hospitably,’ replied the prophet, ‘it was decreed that his wife was to die that night, but in reward for his goodness God took the cow instead of the wife. I repaired the wall of the rich miser because a chest of gold was concealed near the place, and if the miser had repaired the wall himself he would have discovered the treasure. Say not therefore to the Lord: What doest thou? But say in thy heart: Must not the Lord of all the earth do right?’
T.H. White
It is an interesting, though idle, speculation, what would be the effect on us if all our reformers, revolutionaries, planners, politicians, and life-arrangers in general were soaked in Homer from their youth up, like the Greeks. They might realize that on the happy day when there is a refrigerator in every home, and two in none, when we all have the opportunity of working for the common good (whatever that is), when Common Man (whoever he is) is triumphant, though not improved--that men will still come and go like the generations of leaves in the forest; that he will still be weak, and the gods strong and incalculable; that the quality of a man matters more than his achievement; that violence and recklessness will still lead to disaster, and that this will fall on the innocent as well as on the guilty.
H.D.F. Kitto (The Greeks)
If it really was Queen Elizabeth who demanded to see Falstaff in a comedy, then she showed herself a very perceptive critic. But even in The Merry Wives of Windsor, Falstaff has not and could not have found his true home because Shakespeare was only a poet. For that he was to wait nearly two hundred years till Verdi wrote his last opera. Falstaff is not the only case of a character whose true home is the world of music; others are Tristan, Isolde and Don Giovanni.
W.H. Auden (The Dyer's Hand and Other Essays)
The most holy association is to Be as you are. This is Freedom. This is beyond imagination, very new and very fresh. So just keep Quiet. Do not think. It is you. It is you. Don't stir a thought, and if a thought comes, let it, don't waver, don't doubt your majesty. It is so simple. The one who has It will know that they have done it. When you are quiet it is Beauty, Joy and Stillness. It is effortless. Effort is to disturb your mind, effort is playing with corpses in the graveyard. Just contemplate that which is always silence. Go to the Source. Do not believe anything, simply stay quiet and return home and do not rest until you are there. Peace is only available when there is no “I” and you need an “I” to do practice. The secret to Bliss is to stop the search, stop thinking, stop not-thinking, and keep Quiet. The best practice is to Know “Who am I.” You are Brahman, know this. If you want to do anything, just Always adore Self.
H.W.L. Poonja (The Truth Is)
Of the name and abode of this man but little is written, for they were of the waking world only; yet it is said that both were obscure. It is enough to know that he dwelt in a city of high walls where sterile twilight reigned, and that he toiled all day among shadow and turmoil, coming home at evening to a room whose one window opened not on the fields and groves but on a dim court where other windows stared in dull despair. —"Azathoth" from Dagon and Other Macabre Tales
H.P. Lovecraft (Dagon and Other Macabre Tales)
Let him who reads forgive the intrusion of a dream into a history of fact. But it came so home to me—I saw it all so clear in a moment, as it were; and, besides, who shall say what proportion of fact, past, present, or to come, may lie in the imagination? What is imagination? Perhaps it is the shadow of the intangible truth, perhaps it is the soul's thought.
H. Rider Haggard (She (She, #1))
several of our company told of ghosts, one, how a man had been slain on the way to the wars, but had not known it, his ghost going on, thinking himself alive, performing deeds of great valor, even returning home in triumph where he bought lands, begot sons, and lived in contentment for many years before discovering one day, by chance, that he was already dead.
H.P. Lovecraft (The Cthulhu Mythos Megapack: 40 Modern and Classic Lovecraftian Stories)
I saw it from that hidden, silent place Where the old wood half shuts the meadow in. It shone through all the sunset's glories - thin At first, but with a slowly brightening face. Night came, and that lone beacon, amber-hued, Beat on my sight as never it did of old; The evening star - but grown a thousandfold More haunting in this hush and solitude. It traced strange pictures on the quivering air - Half-memories that had always filled my eyes - Vast towers and gardens; curious seas and skies Of some dim life - I never could tell where. But I knew that through the cosmic dome Those rays were calling from my far, lost home.
H.P. Lovecraft (Fungi From Yuggoth)
I s’pose you know—though I can see you’re a Westerner by your talk—what a lot our New England ships used to have to do with queer ports in Africa, Asia, the South Seas, and everywhere else, and what queer kinds of people they sometimes brought back with ’em. You’ve probably heard about the Salem man that came home with a Chinese wife, and maybe you know there’s still a bunch of Fiji Islanders somewhere around Cape Cod.
H.P. Lovecraft (The Call of Cthulhu and Other Weird Stories)
Back at home, I called again to have her walk me through the process, frustrated that her instructions were always so convoluted, even when it came to making rice. “What do you mean put my hand on top of the rice and add water until it covers it?” “Put water in until water covers your hand!” “Covers my hand? Covers my hand until where?” “Until it covers the top of your hand!” I held the phone against my shoulder, my left hand submerged under water, laid flat on the surface of the white rice. “How many cups is that?” “Honey, I don’t know, Mommy doesn’t use cup!
Michelle Zauner (Crying in H Mart)
One minute I was at home reading in bed and the next thing I knew I was waking up on board a helicopter with some crazy Russian woman.’ ‘Oh don’t worry, we’re familiar with the crazy Russian woman,’ Otto laughed. ‘One piece of advice though: I wouldn’t call her that to her face.’ ‘Not if you’re a fan of the whole not eating through a straw thing anyway,’ Shelby said, grinning. ‘I do not believe that Raven would ever assault a student without good reason,’ Wing said with a frown. ‘I know. I was just, you know, exaggerating, because . . . funny . . . never mind,’ Shelby said with a sigh. Otto tried very hard not to laugh.
Mark Walden (Dreadnought (H.I.V.E., #4))
The trees were tinted exquisitely to an uncertain glory as the great red sinking sun flashed its rays on their crystal mantle. The vale of Aylesbury was drowsing beneath a slowly deepening shroud of mist. Above it the hills, their crests rounded and shaded by silver and rose coppices, seemed to have set in them great smoky eyes of flame where the last rays burned in them. 'It is like some dream world,' thought Mr. Cort. 'It is curious how, wherever the sun strikes, it seems to make an eye, and each one fixed on me; those hills, even those windows. But, judging from that mist, I shall have a slow journey home... ("Blind Man's Bluff")
H. Russell Wakefield
Mom's afraid you two will fight if you come," my father admitted later. "She knows she has to put all her focus into getting better." I assumed the seven years I'd lived away from home had healed the wounds between us, that the strain built up in my teenage years had been forgotten. My mother had found ample space in the three thousand miles between Eugene and Philadelphia to relax her authority, and for my part, free to explore my creative impulses without constant critique, I came to appreciate all the labors she performed, their ends made apparent only in her absence. Now we were closer than ever, but my father's admission revealed there were memories of which my mother could not let go.
Michelle Zauner (Crying in H Mart)
With families, I stopped creating encyclopedias of data about all their issues and began to search instead for the member with the greatest capacity to be a leader as I have defined it. That person generally turned out to be the one who could express himself or herself with the least amount of blaming and the one who had the greatest capacity to take responsibility for his or her own emotional being and destiny. I began to coach the “leader” alone, letting the rest of the family drop out and stay home. I stopped trying to get people to “communicate” or find better ways of managing their issues. Instead, I began to concentrate on helping the leader to become better defined and to learn how to deal adroitly with the sabotage that almost invariably followed any success in this endeavor. Soon I found that the rest of the family was “in therapy” whether or not they came into my office.
Edwin H. Friedman (A Failure of Nerve: Leadership in the Age of the Quick Fix)
I have heard the songs of many gods, child. Silly gods, powerful gods, and capricious gods, and biddable gods, and dull. Long ago, when you first welcomed us to your household, and fed us and gave us shelter, and invited us to stay, I listened to you say that we are all -- Jana'ata and Runa and H'uman -- children of a God so high that our ranks and our differences are as nothing in his far sight." Suukmel looked out over the sweep of the valley, dotted now with small stone houses and filled with the sound of voices high and low, home to Runa and to Jana'ata and to the one single outlandish being whom Ha'anala called brother. "I thought then that this was merely a song sung by a foreigner to a foolish girl who believed nonsense. But Taksayu was dear to me, and Isaac was dear to you. I was willing to hear this song, because I had once yearned for a world in which lives would be governed not by lineage and lust and moribund law, but by love and loyalty. In this one valley, such lives are possible," she said. "If it is a mistake to hope for such a world, then it is a magnificent mistake.
Mary Doria Russell (Children of God (The Sparrow, #2))
On the raptors kept for falconry: "They talk every night, deep into the darkness. They say about how they were taken, about what they can remember about their homes, about their lineage and the great deeds of their ancestors, about their training and what they've learned and will learn. It is military conversation, really, like what you might have in the mess of a crack cavalry regiment: tactics, small arms, maintenance, betting, famous hunts, wine, women, and song. Another subject they have is food. It is a depressing thought," he continued, "but of course they are mainly trained by hunger. They are a hungry lot, poor chaps, thinking of the best restaurants where they used to go, and how they had champagne and caviar and gypsy music. Of course, they all come from noble blood." "What a shame that they should be kept prisoners and hungry." "Well, they do not really understand that they are prisoners any more than the cavalry officers do. They look on themselves as being 'dedicated to their profession,' like an order of knighthood or something of that sort. You see, the member of the Muse [where Raptors are kept for falconry] is restricted to the Raptors, and that does help a lot. They know that none of the lower classes can get in. Their screened perches do not carry Blackbirds or such trash as that. And then, as for the hungry part, they're far from starving or that kind of hunger: they're in training, you know! And like everybody in strict training, they think about food.
T.H. White (The Sword in the Stone (The Once and Future King, #1))
A classmate from elementary school had married and divorced. Yamada was now raising two children on his own and going gray, which made her laugh. Kazumi, who had been living with a man, went home to her family. Yuusuke, who was trying to become a public servant, failed his test. Yamazaki, who was making erotic games, had all his dreams destroyed. "I'm testing my own talent. It doesn't have to be an erotic game, but I'll do. . . I'll do something!" When he proclaimed this, drunk from sake, his future already was set as a dairy farmer, chasing after cows. I no longer could see how he could escape it. At reunions and parties, everyone laughed and made a big fuss. Those events were fun, as was karaoke. Everyone had a good time and seemed sure that the future would be perfect: We could become anything! We could do anything! We could become happy! These things were true—but steadily, very steadily, at a speed so terribly slow we didn't even notice it, we were being run down. There was nothing we could do, even if we were in trouble, defeated, of crying. Every one of us eventually had some terrible experiences. The only difference was whether it would happen sooner or later; but in the end, we all would fall into some really unbearable situation. I was scared. I was scared of all sorts of things.
Tatsuhiko Takimoto (Welcome to the N.H.K.)
The unhappiness of men, maintained by Socrates, depends upon their badness being brought home to them in conscience. If, because of their insensibility or lack of proper reproof, the error of their way is not impressed upon them, they have no motive to reform. The fact that the evil-doer has become such gradually, and does not realize the evil in him, is no reason why we should not blame him; it is the function of blame to make him and others realize it, to define evil-doer when he is dead, or has sincerely and openly repented, not while he remains a force for wrong.
Charles Horton Cooley (Social Organization by Charles H. Cooley)
Surely, though, I must have stolen into the future and landed in an H.G. Wells-style world - a horrific, fantastic society in which people's faces contained only eyes, millions of healthy young adults and children dropped dead from the flu, boys got transported out of the country to be blown to bits, and the government arrested citizens for speaking the wrong words. Such a place couldn't be real. And it couldn't be the United States of America, "the land of the free and the home of the brave." But it was. I was on a train in my own country, in a year the devil designed. 1918.
Cat Winters (In the Shadow of Blackbirds)
I treasure ruefully some memories of W.H. Auden that go back to the middle 1960s, when he arrived in New Haven to give a reading of his poems at Ezra Stiles College. We had met several times before, in New York City and at Yale, but were only acquaintances. The earlier Auden retains my interest, but much of the frequently devotional poetry does not find me. Since our mutual friend John Hollander was abroad, Auden phoned to ask if he might stay with my wife and me, remarking of his dislike of college guest suites. The poet arrived in a frayed, buttonless overcoat, which my wife insisted on mending. His luggage was an attache case containing a large bottle of gin, a small one of vermouth, a plastic drinking cup, and a sheaf of poems. After being supplied with ice, he requested that I remind him of the amount of his reading fee. A thousand dollars had been the agreed sum, a respectable honorarium more than forty years ago. He shook his head and said that as a prima donna he could not perform, despite the prior arrangement. Charmed by this, I phoned the college master - a good friend - who cursed heartily but doubled the sum when I assured him that the poet was as obdurate as Lady Bracknell in 'The Importance of Being Earnest'. Informed of this yielding, Auden smiled sweetly and was benign and brilliant at dinner, then at the reading, and as he went to bed after we got home.
Harold Bloom (The Anatomy of Influence: Literature as a Way of Life)
Luther Burbank was born in a brick farmhouse in Lancaster Mass, he walked through the woods one winter crunching through the shinycrusted snow stumbling into a little dell where a warm spring was and found the grass green and weeds sprouting and skunk cabbage pushing up a potent thumb, He went home and sat by the stove and read Darwin Struggle for Existence Origin of Species Natural Selection that wasn't what they taught in church, so Luther Burbank ceased to believe moved to Lunenburg, found a seedball in a potato plant sowed the seed and cashed in on Darwin’s Natural Selection on Spencer and Huxley with the Burbank potato. Young man go west; Luther Burbank went to Santa Rosa full of his dream of green grass in winter ever- blooming flowers ever- bearing berries; Luther Burbank could cash in on Natural Selection Luther Burbank carried his apocalyptic dream of green grass in winter and seedless berries and stoneless plums and thornless roses brambles cactus— winters were bleak in that bleak brick farmhouse in bleak Massachusetts— out to sunny Santa Rosa; and he was a sunny old man where roses bloomed all year everblooming everbearing hybrids. America was hybrid America could cash in on Natural Selection. He was an infidel he believed in Darwin and Natural Selection and the influence of the mighty dead and a good firm shipper’s fruit suitable for canning. He was one of the grand old men until the churches and the congregations got wind that he was an infidel and believed in Darwin. Luther Burbank had never a thought of evil, selected improved hybrids for America those sunny years in Santa Rosa. But he brushed down a wasp’s nest that time; he wouldn’t give up Darwin and Natural Selection and they stung him and he died puzzled. They buried him under a cedartree. His favorite photograph was of a little tot standing beside a bed of hybrid everblooming double Shasta daisies with never a thought of evil And Mount Shasta in the background, used to be a volcano but they don’t have volcanos any more.
John Dos Passos (The 42nd Parallel (U.S.A. #1))
I have met with but one or two persons in the course of my life who understood the art of Walking, that is, of taking walks, who had a genius, so to speak, for sauntering; which word is beautifully derived "from idle people who roved about the country, in the middle ages, and asked charity, under pretence of going à la sainte terre" — to the holy land, till the children exclaimed, "There goes a sainte-terrer", a saunterer — a holy-lander. They who never go to the holy land in their walks, as they pretend, are indeed mere idlers and vagabonds, but they who do go there are saunterers in the good sense, such as I mean. Some, however, would derive the word from sans terre, without land or a home, which, therefore, in the good sense, will mean, having no particular home, but equally at home everywhere. For this is the secret of successful sauntering. He who sits still in a house all the time may be the greatest vagrant of all, but the Saunterer, in the good sense, is no more vagrant than the meandering river, which is all the while sedulously seeking the shortest course to the sea. But I prefer the first, which indeed is the most probable derivation. For every walk is a sort of crusade, preached by some Peter the Hermit (1) in us, to go forth and reconquer this holy land from the hands of the Infidels.
Henry David Thoreau
I wouldn’t say so. I’ve told people I’m a medieval historian when asked what I do. It freezes conversation. If one tells them one’s a poet, one gets these odd looks which seem to say, “Well, what’s he living off?” In the old days a man was proud to have in his passport, Occupation: Gentleman. Lord Antrim’s passport simply said, Occupation: Peer—which I felt was correct. I’ve had a lucky life. I had a happy home, and my parents provided me with a good education. And my father was both a physician and a scholar, so I never got the idea that art and science were opposing cultures—both were entertained equally in my home. I cannot complain. I’ve never had to do anything I really disliked. Certainly I’ve had to do various jobs I would not have taken on if I’d had the money; but I’ve always considered myself a worker, not a laborer. So many people have jobs they don’t like at all. I haven’t, and I’m grateful for that.
W.H. Auden
Piano Softly, in the dusk, a woman is singing to me; Taking me back down the vista of years, till I see A child sitting under the piano, in the boom of the tingling strings And pressing the small, poised feet of a mother who smiles as she sings. In spite of myself, the insidious mastery of song Betrays me back, till the heart of me weeps to belong To the old Sunday evenings at home, with winter outside And hymns in the cosy parlour, the tinkling piano our guide. So now it is vain for the singer to burst into clamour With the great black piano appassionato. The glamour Of childish days is upon me, my manhood is cast Down in the flood of remembrance, I weep like a child for the past.
D.H. Lawrence
Nazi persecution didn’t limit itself to race. Religion, national origin, alternative lifestyles, persons with disabilities—all were targets. How would you characterize the Slavs? Gypsies? Moors? All the lines get blurred. Even within Judaism, there are many races. There are Negro Jews in Ethiopia and Middle Eastern Jews in Iraq. There have been Jews in Japan since the 1860s. Poland was fractionally Jewish, but there were still three and a half million Jews living there in the 1930s.” “But still, today it all seems so incomprehensible.” Ben raised his eyebrows. “Incomprehensible because we’re Americans? Land of the free and home of the brave? Let’s not kid ourselves. We’ve authored our own chapters in the history of shame, periods where the world looked at us and shook its head. Early America built an economy based on slavery and it was firmly supported by law. Read the Supreme Court’s decision in Dred Scott. We trampled entire cultures of Native Americans. ‘No Irish Need Apply’ was written on factory gates in nineteenth-century New York.” Ben shook his head. “We’d like to think we’re beyond such hatred, but the fact is, we can never let our guard down. That’s why this case is so important. To you and to me. It’s another reminder of what can happen when evil is allowed to incubate. Find a reason to turn your nose up at a culture, to denigrate a people because they’re different, and it’s not such a giant leap from ethnic subjugation to ethnic slaughter.” Catherine
Ronald H. Balson (Once We Were Brothers (Liam Taggart & Catherine Lockhart, #1))
That was our first home. Before I felt like an island in an ocean, before Calcutta, before everything that followed. You know it wasn’t a home at first but just a shell. Nothing ostentatious but just a rented two-room affair, an unneeded corridor that ran alongside them, second hand cane furniture, cheap crockery, two leaking faucets, a dysfunctional doorbell, and a flight of stairs that led to, but ended just before the roof (one of the many idiosyncrasies of the house), secured by a sixteen garrison lock, and a balcony into which a mango tree’s branch had strayed. The house was in a building at least a hundred years old and looked out on a street and a tenement block across it. The colony, if you were to call it a colony, had no name. The house itself was seedy, decrepit, as though a safe-keeper of secrets and scandals. It had many entries and exits and it was possible to get lost in it. And in a particularly inspired stroke of whimsy architectural genius, it was almost invisible from the main road like H.G. Wells’ ‘Magic Shop’. As a result, we had great difficulty when we had to explain our address to people back home. It went somewhat like this, ‘... take the second one from the main road….and then right after turning left from Dhakeshwari, you will see a bird shop (unspecific like that, for it had no name either)… walk straight in and take the stairs at the end to go to the first floor, that’s where we dwell… but don’t press the bell, knock… and don't walk too close to the cages unless you want bird-hickeys…’’ ('Left from Dhakeshwari')
Kunal Sen
Our bodies speak, if you would only listen. They speak another language: the mother tongue. It’s half the puzzle, the missing pieces you have been searching for, the how and why behind the symptoms you fixate on, the whole behind the healing, which cannot be found at the bottom of a bottle of pills. But you do not speak our language. My sick sisterhood, whose bodies have been felled by mysterious illnesses, bearing the arcane names of men long dead, to signify their suffering with no cure, no hope. The mothers who long for answers to the questions that their bodies are living, for soul-utions to the protest against this cold, hard world. Into their dry hungry mouths are dropped pills not answers. Prescriptions and descriptions of symptoms – not cures or laws to halt the toxic corporate world that is allowed to carry on felling us like trees in the Amazon… Each woman is an Amazon. But she does not know it. Instead she is treated. Separately. Her pile of notes, her bills, growing higher. Each one believes the sickness is hers alone. Each is sent home, ignored, tolerated. Alone. In the darkness. Until one day Medicine Woman arises within her. And there in the centre of her pain she finds her outrage, her strength, her persistence as she searches for answers. She finds the will to die to this world and the right to live a different life where she is honoured for the value of her soul, not the sweat of her brow. She begins to understand the messages her body is sending… Things are not right. In here… out there. She begins to remember there is magic in her: the power to heal, the power to transform. Medicine Woman rises.
Lucy H. Pearce (Medicine Woman: Reclaiming the Soul of Healing)
A mood of constructive criticism being upon me, I propose forthwith that the method of choosing legislators now prevailing in the United States be abandoned and that the method used in choosing juries be substituted. That is to say, I propose that the men who make our laws be chosen by chance and against their will, instead of by fraud and against the will of all the rest of us, as now... ...that the names of all the men eligible in each assembly district be put into a hat (or, if no hat can be found that is large enough, into a bathtub), and that a blind moron, preferably of tender years, be delegated to draw out one... The advantages that this system would offer are so vast and obvious that I hesitate to venture into the banality of rehearsing them. It would in the first place, save the commonwealth the present excessive cost of elections, and make political campaigns unnecessary. It would in the second place, get rid of all the heart-burnings that now flow out of every contest at the polls, and block the reprisals and charges of fraud that now issue from the heart-burnings. It would, in the third place, fill all the State Legislatures with men of a peculiar and unprecedented cast of mind – men actually convinced that public service is a public burden, and not merely a private snap. And it would, in the fourth and most important place, completely dispose of the present degrading knee-bending and trading in votes, for nine-tenths of the legislators, having got into office unwillingly, would be eager only to finish their duties and go home, and even those who acquired a taste for the life would be unable to increase the probability, even by one chance in a million, of their reelection. The disadvantages of the plan are very few, and most of them, I believe, yield readily to analysis. Do I hear argument that a miscellaneous gang of tin-roofers, delicatessen dealers and retired bookkeepers, chosen by hazard, would lack the vast knowledge of public affairs needed by makers of laws? Then I can only answer (a) that no such knowledge is actually necessary, and (b) that few, if any, of the existing legislators possess it... Would that be a disservice to the state? Certainly not. On the contrary, it would be a service of the first magnitude, for the worst curse of democracy, as we suffer under it today, is that it makes public office a monopoly of a palpably inferior and ignoble group of men. They have to abase themselves to get it, and they have to keep on abasing themselves in order to hold it. The fact reflects in their general character, which is obviously low. They are men congenitally capable of cringing and dishonorable acts, else they would not have got into public life at all. There are, of course, exceptions to that rule among them, but how many? What I contend is simply that the number of such exceptions is bound to be smaller in the class of professional job-seekers than it is in any other class, or in the population in general. What I contend, second, is that choosing legislators from that populations, by chance, would reduce immensely the proportion of such slimy men in the halls of legislation, and that the effects would be instantly visible in a great improvement in the justice and reasonableness of the laws.
H.L. Mencken (A Mencken Chrestomathy)
I wanted not to say things in a letter. But if you don’t feel certain, I’ll tell you. I really don’t know what love means. I don’t feel like they do on the film. But I love you, whether or not. I don’t think much about you, because what is the good. But — ’ here were words scratched out. ‘Nay, what can I say? Don’t let us say things. You are home to me. I don’t care about houses. When I think of you — but I don’t think if I can help it, if a man starts thinking, the fat is in the fire. Everything is a prison, I know that. You are the only bit of freedom I’ve ever had. I never felt free. I’ve always felt cooped in and small, except with you, and with you I’m all right, you open all the world to me. When I think about how you opened to me, nay, I don’t care what happens. But I don’t think if I can help it. We’ve got to live our lives, you yours and me mine. Best never think, something’s bound to happen. And the day will come again, and happen the night, when we’ve got the world to ourselves.
D.H. Lawrence (John Thomas and Lady Jane: The Second Lady Chatterley's Lover)
Coming home is terrible whether the dogs lick your face or not; whether you have a wife or just a wife-shaped loneliness waiting for you. Coming home is terribly lonely, so that you think of the oppressive barometric pressure back where you have just come from with fondness, because everything's worse once you're home. You think of the vermin clinging to the grass stalks, long hours on the road, roadside assistance and ice creams, and the peculiar shapes of certain clouds and silences with longing because you did not want to return. Coming home is just awful. And the home-style silences and clouds contribute to nothing but the general malaise. Clouds, such as they are, are in fact suspect, and made from a different material than those you left behind. You yourself were cut from a different cloudy cloth, returned, remaindered, ill-met by moonlight, unhappy to be back, slack in all the wrong spots, seamy suit of clothes dishrag-ratty, worn. You return home moon-landed, foreign; the Earth's gravitational pull an effort now redoubled, dragging your shoelaces loose and your shoulders etching deeper the stanza of worry on your forehead. You return home deepened, a parched well linked to tomorrow by a frail strand of… Anyway . . . You sigh into the onslaught of identical days. One might as well, at a time . . . Well . . . Anyway . . . You're back. The sun goes up and down like a tired whore, the weather immobile like a broken limb while you just keep getting older. Nothing moves but the shifting tides of salt in your body. Your vision blears. You carry your weather with you, the big blue whale, a skeletal darkness. You come back with X-ray vision. Your eyes have become a hunger. You come home with your mutant gifts to a house of bone. Everything you see now, all of it: bone." A poem by - Eva H.D.
Eva H.D.
April 25 MORNING “Rise up my love, my fair one, and come away.” — Song of Solomon 2:10 LO, I hear the voice of my Beloved! He speaks to me! Fair weather is smiling upon the face of the earth, and He would not have me spiritually asleep while nature is all around me awaking from her winter’s rest. He bids me “Rise up,” and well He may, for I have long enough been lying among the pots of worldliness. He is risen, I am risen in Him, why then should I cleave unto the dust? From lower loves, desires, pursuits, and aspirations, I would rise towards Him. He calls me by the sweet title of “My love,” and counts me fair; this is a good argument for my rising. If He has thus exalted me, and thinks me thus comely, how can I linger in the tents of Kedar and find congenial associates among the sons of men? He bids me “Come away.” Further and further from everything selfish, grovelling, worldly, sinful, He calls me; yea, from the outwardly religious world which knows Him not, and has no sympathy with the mystery of the higher life, He calls me. “Come away” has no harsh sound in it to my ear, for what is there to hold me in this wilderness of vanity and sin? O my Lord, would that I could come away, but I am taken among the thorns, and cannot escape from them as I would. I would, if it were possible, have neither eyes, nor ears, nor heart for sin. Thou callest me to Thyself by saying “Come away,” and this is a melodious call indeed. To come to Thee is to come home from exile, to come to land out of the raging storm, to come to rest after long labour, to come to the goal of my desires and the summit of my wishes. But Lord, how can a stone rise, how can a lump of clay come away from the horrible pit? O raise me, draw me. Thy grace can do it. Send forth Thy Holy Spirit to kindle sacred flames of love in my heart, and I will continue to rise until I leave life and time behind me, and indeed come away.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)