Talented Boy Quotes

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Someone needs to tell those tales. When the battles are fought and won and lost, when the pirates find their treasures and the dragons eat their foes for breakfast with a nice cup of Lapsang souchong, someone needs to tell their bits of overlapping narrative. There's magic in that. It's in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict. From the mundane to the profound. You may tell a tale that takes up residence in someone's soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows what they might do because of it, because of your words. That is your role, your gift. Your sister may be able to see the future, but you yourself can shape it, boy. Do not forget that... there are many kinds of magic, after all.
Erin Morgenstern (The Night Circus)
Have I mentioned how hot Michael is? Hot, hot, hot. I mean, all guitar players are crushworthy - it's like it's issued with the talent - but I've been noticing lately that he is total Hottie McHottie of Hotland. Not that I could tell him that. Luckily, he is a boy. Hence, too dense to figure out why I'm staring at his ass.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
We don't choose our talents; but we needn't hide them in a napkin because they are not just what we want.
Louisa May Alcott (Jo's Boys)
He has no talent at all, that boy! You, who are his friend, tell him, please, to give up painting. –--Manet to Monet, on Renoir---
Edouard Manet
There are two kinds of anger: hot and cold. Boys and girls experience both, but as they grow up the anger separates according to the sex. Boys need hot anger to survive. They need inclination to fight, the drive to sink the knife into the flesh, the energy and initiative of fury. It's a requirement of hunting, of defense, of pride. Maybe of sex too. And girls need cold anger. They need the cold simmer, the ceaseless grudge, the talent to avoid forgiveness, the sidestepping of compromise. They need to know when they say something that they will never back down, ever, ever. It's the compensation for a more limited scope in the world. Cross a man and you struggle, one of you wins, you would adjust and go on -- or you lie there dead. Cross a woman and the universe is changed, once again, for cold anger requires an eternal vigilance in all matters of slight and offense.
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
A backup plan means somewhere in my head, I think I might fail and that word is not in my vocabulary. Plus I'm too talented to fail.
Malorie Blackman (Boys Don't Cry)
Maven is a talented liar, and I don't trust a single word he speaks. Even if he was telling the truth. Even if he is a product of his mother's meddling, a thorned flower forced to grow a certain way. That doesn't change things. I can't forget everything he's done to me and so many others. When I first met him, I was seduced by his pain. He was the boy in shadow, a forgotten son. I saw myself in him. Second always to Gisa, the bright star in my parents' world. I know now that was by design. He caught me back then, ensnaring me in a prince's trap. Now I'm in a king's cage. But so is he. My chains are Silent Stone. His is the crown.
Victoria Aveyard (King's Cage (Red Queen, #3))
He can't fly around tall buildings, or outrun a speeding train, the only talent he seems to have is leaving a nasty stain!
Tim Burton (The Melancholy Death of Oyster Boy and Other Stories)
Feminism … I think the simplest explanation, and one that captures the idea, is a song that Marlo Thomas sang, 'Free to be You and Me.' Free to be, if you were a girl—doctor, lawyer, Indian chief. Anything you want to be. And if you’re a boy, and you like teaching, you like nursing, you would like to have a doll, that’s OK too. That notion that we should each be free to develop our own talents, whatever they may be, and not be held back by artificial barriers—manmade barriers, certainly not heaven sent.
Ruth Bader Ginsburg (My Own Words)
Slender Youth. A tour companion who may be either a lost prince or a girl/princess in disguise. In the latter case it is tactful to pretend you think she is a boy. She/he will be ignorant, hasty and shy, and will need hauling out of trouble quite a lot. But she/he will grow up in the course of the Tour. In fact she/he will be the only Companion who will change in any way. Quite often, she/he will soon exhibit a very useful talent for magic and end up by hauling everyone else out of trouble. But this will not be until midway through your second brochure.
Diana Wynne Jones (The Tough Guide to Fantasyland)
How?" I had seen it with my own eyes, but I still didn't believe it. Then something struck me. "Take off your shirt!" "I'm not that kind of guy!" He frowned thoughtfully. "On second thought, why not?" I blushed angrily and looked at Raquel. "What is he? I don't see anything!" "He's not 'anything'.Just a talented boy." "Then how did he make a door? How did he get through the Paths?" "Wait,so am I allowed to put my shirt back on? Or did you want me to remove my pants,too?" Lend and I joined forces in a dark glare. "Only if you want me to vomit," I snapped.
Kiersten White (Supernaturally (Paranormalcy, #2))
Mr. Mancini had a singular talent for making me uncomfortable. He forced me to consider things I’d rather not think about – the sex of my guitar, for instance. If I honestly wanted to put my hands on a woman, would that automatically mean I could play? Gretchen’s teacher never told her to think of her piano as a boy. Neither did Lisa’s flute teacher, though in that case the analogy was obvious. On the off chance that sexual desire was all it took, I steered clear of Lisa’s instrument, fearing that I might be labeled a prodigy.
David Sedaris (Me Talk Pretty One Day)
When I asked him the meaning of life, Dr. Webb got very quiet and then told me life has no one meaning, it only has whatever meaning each of us puts on our own life. I'll tell you now that I still don't know the meaning of mine. And Lucas Cader, with all his brains and talent, doesn't know the meaning of his, either. But I'll tell you the meaning of all this. The meaning of some bird showing up and some boy disappearing and you knowing all about it. The meaning of this was not to save you, but to warn you instead. To warn you of confusion and delusion and assumption. To warn you of psychics and zombies and ghosts of your lost brother. To warn you of Ada Taylor and her sympathy and mothers who wake you up with vacuums. To warn you of two-foot-tall birds that say they can help, but never do.
John Corey Whaley (Where Things Come Back)
Stain Boy Of all the super heroes, the strangest one by far, doesn't have a special power, or drive a fancy car. next to Superman and batman, I guess he must seem tame. But to me he is quite special, and Stain Boy is his name. He can't fly around tall buildings, or outrun a speeding train, the only talent he seems to have is to leave a nasty stain. Sometimes I know it bothers him, that he can't run or swim or fly, and because of this one ability, his dry cleaning bill is sky-high.
Tim Burton
The gotta, as in: “I think I’ll stay up another fifteen-twenty minutes, honey, I gotta see how this chapter comes out.” Even though the guy who says it spent the day at work thinking about getting laid and knows the odds are good his wife is going to be asleep when he finally gets up to the bedroom. The gotta, as in: “I know I should be starting supper now — he’ll be mad if it’s TV dinners again — but I gotta see how this ends.” I gotta know will she live. I gotta know will he catch the shitheel who killed his father. I gotta know if she finds out her best friend’s screwing her husband. The gotta. Nasty as a hand-job in a sleazy bar, fine as a fuck from the world’s most talented call-girl. Oh boy it was bad and oh boy it was good and oh boy in the end it didn’t matter how rude it was or how crude it was because in the end it was just like the Jacksons said on that record — don’t stop til you get enough.
Stephen King (Misery)
How did you do it?" I brought the teacup to my mouth for another sip. "How did you guide Sophie's soul? I thought you were a reaper." "He's both," Nash said from behind me, and I turned just as he followed my father through the front door, pulling his long sleeves down one at a time. He and my dad had just loaded Aunt Val's white silk couch into the back of my uncle's truck, so he wouldn't have to deal with the bloodstains when he and Sohie got back from the hospital. "Tod is very talented." Tod brushed the curl back from his face and scowled. Harmony spoke up from the kitchen as the oven door squealed open. "Both my boys are talented." "Both?" I repeated, sure I'd heard her wrong. Nash sighed and slid onto the chair his mother had vacated, then gestured toward the reaper with one hand. "Kaylee, meet my brother, Tod.
Rachel Vincent (My Soul to Take (Soul Screamers, #1))
But even talented people, sooner or later, cracked their heads against their own personal ceilings.
Monica Wood (The One-in-a-Million Boy)
Remember – it's a long race and you can always outwork talent in the end.
Matthew Quick (Boy21)
Some high school boys define themselves by their peers, some by their dreams, and some by their wallets. They are characterized by their family ties, their sense of humor, their cultivated skills, and their natural talent. Some want a girl for a week. Some hope it lasts a lifetime. Some don't even want a girl at all.
Gwen Hayes (So Over You)
Her body went into meltdown, overwhelmed and unsure whether to heat up in arousal or panic under his scrutiny. Bloody hell. Nobody should be that sinful. A rich, talented, bad boy all rolled up into a package of I-don't-give-a-shit, I-know-how-good-I-look.
Eden Summers (Passionate Addiction (Reckless Beat, #2))
poetry readings have to be some of the saddest damned things ever, the gathering of the clansmen and clanladies, week after week, month after month, year after year, getting old together, reading on to tiny gatherings, still hoping their genius will be discovered, making tapes together, discs together, sweating for applause they read basically to and for each other, they can't find a New York publisher or one within miles, but they read on and on in the poetry holes of America, never daunted, never considering the possibility that their talent might be thin, almost invisible, they read on and on before their mothers, their sisters, their husbands, their wives, their friends, the other poets and the handful of idiots who have wandered in from nowhere. I am ashamed for them, I am ashamed that they have to bolster each other, I am ashamed for their lisping egos, their lack of guts. if these are our creators, please, please give me something else: a drunken plumber at a bowling alley, a prelim boy in a four rounder, a jock guiding his horse through along the rail, a bartender on last call, a waitress pouring me a coffee, a drunk sleeping in a deserted doorway, a dog munching a dry bone, an elephant's fart in a circus tent, a 6 p.m. freeway crush, the mailman telling a dirty joke anything anything but these.
Charles Bukowski
You’re the boy Nina tailored to look like Kuwei,” Genya said. “And you want me to try to undo her work?” “Yes,” Wylan said, that one word imbued with a whole world of hope. “But I don’t have anything to bargain with.” Genya rolled her single amber eye. “Why are the Kerch so focused on money?” “Says the woman with a bankrupt country,” murmured Jesper. “What was that?” snapped Zoya. “Nothing,” said Jesper. “Just saying Kerch is a morally bankrupt country.” Zoya looked him up and down as if she was considering tossing him into a pool and boiling him alive. “If you want to waste your time and talent on these wretches, feel free. Saints know there’s room for improvement.” “Zoya—” “I’m going to go find a dark room with a deep pool and try to wash some of this country off.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
There's something wrong with that boy." Clay sounded mystified. "He's talented, ain't no one gonna argue that, but yeah... something." Sweaty, tired, and sore, Romeo sat on the mat in the massive martial arts center Clay owned with Jules and Wyatt. While trying to catch his breath, he watched Tino move to the beat of his own drummer as he worked out using a punching bag. With white headphones in his ears, his brother bounced and danced and kicked at that stuffed sack of beans, and for the life of him, Romeo couldn't tell if he was trying to hurt the thing or date it.
Kele Moon (Star Crossed (Battered Hearts, #2))
The band was formed on the reality show So You Think the British Don’t Have Talent?,
Goldy Moldavsky (Kill the Boy Band)
He could get anyone he wanted, the boy beyond good-looking as well as talented in ways he shouldn’t be.
Marita A. Hansen (Shattered Poetry (Broken Lives, #2))
She said that her grandmother was skeptical of many things in this world and of none more than men. She said that in every trade save war men of talent and vigor prosper. In war they die. Her grandmother spoke to her often of men and she spoke with great earnestness and she said that rash men were a great temptation to women and this was simply a misfortune like others and there was little that could be done to remedy it. She said that to be a woman was to live a life of difficulty and heartbreak and those who said otherwise simply had no wish to face the facts. And she said that since this was so nor could it be altered one was better to follow one’s heart in joy and in misery than simply to seek comfort for there was none. To seek it was only to welcome in the misery and to know little else. She said that these were things all women knew yet seldom spoke of. Lastly she said that if women were drawn to rash men it was only that in their secret hearts they knew that a man who would not kill for them was of no use at all.
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
Thank you for this. You’re a very talented agent of deassholization.” “Oh, this isn’t my method of choice. Trust me. But if it makes you happy then I’m okay with it.” She looks away shyly, but her eyes come back to mine, unable to resist the magnetism that’s between us. “Well, it makes me very happy.
Michelle Leighton (Down to You (The Bad Boys, #1))
It's not the talents and skills that people have that make them unique. It's what they do with them.
Lucy Smoke (Now or Never (Iris Boys #1))
This obsession was dangerous, he knew that. If anybody ever found out his reputation would be ruined, livelihood destroyed all for some hillbilly-kid with a tight ass and a talented mouth. Just a quick taste, a lick, a suck, a f**** and then he’ll be cured. The demon will succumb, Richard is sure of it. He just needs to scratch this itch, quench his thirst and then things will fall back into place. He’ll stop daydreaming about those eyes, that hair and that boy.
J.K. Jones
It's a simple choice! We can all be good boys and wear our letter sweaters around and get our little degrees and find some nice girl to settle, you know, down with... Take up what a friend of ours calls the hearty challenges of lawn care... Or we can blaze! Become legends in our own time, strike fear in the hearts of mediocre talent everywhere! We can scald dogs, put records out of reach! Make the stands gasp as we blow into an unearthly kick from three hundred yards out! We can become God's own messengers delivering the dreaded scrolls! We can race satan himslef till he wheezes fiery cinders down the back straight away... They'll speak our names in hushed tones, 'those guys are animals' they'll say! We can lay it on the line, bust a guy, show them a clean pair of heels. We can sprint the turn on a spring breeze and feel the winter leave our feet! We can, by god, let out demons loose and just wail on!
John L. Parker Jr. (Once a Runner)
it’s a long race and you can always outwork talent in the end
Matthew Quick (Boy21)
Talent is universal. Opportunity is not.
Tanitoluwa Adewumi (My Name Is Tani . . . and I Believe in Miracles: The Amazing True Story of One Boy’s Journey from Refugee to Chess Champion)
He was simply the most dangerous person in all the world; a person of small talent and large purse.
Delilah S. Dawson (Kill the Farm Boy (The Tales of Pell, #1))
The parental eye shed no tears when the time for leave-taking came; a half-rouble in copper coins was given to the boy by way of pocket-money and for sweets, and what is more important, the following admonition: "Mind now, Pavlusha, be diligent, don't fool or gad about, and above all please your teachers and superiors. If you please your superiors, then you will be popular and get ahead of everyone even if you lag behind in knowledge and talent. Don't be too friendly with the other boys, they will teach you no good; but if you do make friends, cultivate those who are better off and might be useful. Don't invite or treat anyone, but conduct yourself in such a way as to be treated yourself, and above all, take care of and save your pennies, that is the most reliable of all things. A comrade or friend will cheat you and be the first to put all the blame on you when in a fix, but the pennies won't betray you in any difficulty. With money you can do anything in the world." Having admonished his son thus, the father took leave of him and trundled off home on his 'magpie'. Though from that day the son never set eyes on him more, his words and admonitions had sunk deep into his soul.
Nikolai Gogol (Dead Souls)
I liked him, but since his particular field of interest was Remote Suggestion--the skill of projecting thoughts into people's heads from a distance--I didn't know whether I actually liked him or he was just suggesting I like him, which was both creepy and unethical. In fact, the whole Remote Suggestion or "seeding" idea had been banned once it was discovered to be the key ingredient in promoting talent less boy bands, which had until then been something of a mystery.
Jasper Fforde (The Song of the Quarkbeast (The Last Dragonslayer, #2))
Boy or girl? I had never thought about that. The men who work at the palace, they use words to govern the country and use strength to protect it. Bringing all kinds of brilliant men from the kingdom, and they all have amazing talents. But...how are they different from me? The women inside the palace, they had white skin and beautiful hair. And their clothes were fashionable, their hearts were gentle and ever changing like the snow in the wind. But...how am I anything like them?
Xia Da (長歌行 3 [Chang Ge Xing 3])
All great achievements arose from dissatisfaction. It is the desire to do better, to dig deeper that propels a civilization to greatness. All of us have heard the story of Icarus, the young boy who took the wings his father built for him. Wings that were meant to carry him over the ocean to freedom and used them instead for a joyride. For a brief moment Icarus felt what it was like to live like a god, to touch the sun, to soar above the common man. And for doing so he payed the ultimate price. Like Icarus we too have been given gifts: knowledge, education, experience. And with these gifts comes the responsibility of choice. We alone decide how our talents are bestowed upon the world. This is our destiny and we hold it in the palm of our hands.
Todd Bowden Apt Pupil
Once you've played for someone, sweated blood for them, won and lost games for them, then that person is transformed forever in your eyes. He simply isn't human anymore. He's something better than human, he's something stern and demanding. He tries to extract performances from your body that exceed your talent. He makes you more than you really are. He gives you a uniform, an identity, a feeling of brotherhood like you have never known before and most likely will never know again... All you can do for the rest of your life is feel gratitude that he let you taste the small dose of glory, a dose that really means nothing, but means absolutely everything to a boy growing up.
Pat Conroy
The world shown us in books, whether the books be confessed epics or professed gospels, or in codes, or in political orations, or in philosophic systems, is not the main world at all: it is only the self-consciousness of certain abnormal people who have the specific artistic talent and temperament. A serious matter this for you and me, because the man whose consciousness does not correspond to that of the majority is a madman; and the old habit of worshipping madmen is giving way to the new habit of locking them up. And since what we call education and culture is for the most part nothing but the substitution of reading for experience, of literature for life, of the absolete fictitious for the contemporary real, education, as you no doubt observed at Oxford, destroys, by supplantation, every mind that is not strong enough to see through the imposture and to use the great Masters of Arts as what they really are and no more: that is, patentees of highly questionable methods of thinking, and manufacturers of highly questionable, and for the majority but half valid representations of life. The school boy who uses his Homer to throw at his fellow's head makes perhaps the safest and most rational use of him; and I observe with reassurance that you occasionally do the same, in your prime, with your Aristotle.
George Bernard Shaw
And I am proud, but mostly, I’m angry. I’m angry, because when I look around, I’m still alone. I’m still the only black woman in the room. And when I look at what I’ve fought so hard to accomplish next to those who will never know that struggle I wonder, “How many were left behind?” I think about my first-grade class and wonder how many black and brown kids weren’t identified as “talented” because their parents were too busy trying to pay bills to pester the school the way my mom did. Surely there were more than two, me and the brown boy who sat next to me in the hall each day. I think about my brother and wonder how many black boys were similarly labeled as “trouble” and were unable to claw out of the dark abyss that my brother had spent so many years in. I think about the boys and girls playing at recess who were dragged to the principal’s office because their dark skin made their play look like fight. I think about my friend who became disillusioned with a budding teaching career, when she worked at the alternative school and found that it was almost entirely populated with black and brown kids who had been sent away from the general school population for minor infractions. From there would only be expulsions or juvenile detention. I think about every black and brown person, every queer person, every disabled person, who could be in the room with me, but isn’t, and I’m not proud. I’m heartbroken. We should not have a society where the value of marginalized people is determined by how well they can scale often impossible obstacles that others will never know. I have been exceptional, and I shouldn’t have to be exceptional to be just barely getting by. But we live in a society where if you are a person of color, a disabled person, a single mother, or an LGBT person you have to be exceptional. And if you are exceptional by the standards put forth by white supremacist patriarchy, and you are lucky, you will most likely just barely get by. There’s nothing inspirational about that.
Ijeoma Oluo (So You Want to Talk About Race)
Dear Young Black Males, You’ve got so much raw talent that’s within you. Utilize it and make your money! Don’t allow your gifts to go to waste. You don’t have to just sit back and watch other celebrities come up, get focused and get yours, too! Grind and make your dreams a reality. Put in the hard work. Be dedicated to yourself. Create an online presence and put yourself out there where people from all over the world can witness your talents. There are so many platforms online that will help propel you to where you want to be. Get busy! You know that you’ve got something special! Why not allow the world to see it? Don’t be afraid of success! Stop talking about it and be about it. Don’t doubt yourself! Just go for it! GO HARD.
Stephanie Lahart
It is wrong to say that schoolmasters lack heart and are dried-up, soulless pedants! No, by no means. When a child's talent which he has sought to kindle suddenly bursts forth, when the boy puts aside his wooden sword, slingshot, bow-and-arrow and other childish games, when he begins to forge ahead, when the seriousness of the work begins to transform the rough-neck into a delicate, serious and an almost ascetic creature, when his face takes on an intelligent, deeper and more purposeful expression - then a teacher's heart laughs with happiness and pride. It is his duty and responsibility to control the raw energies and desires of his charges and replace them with calmer, more moderate ideals. What would many happy citizens and trustworthy officials have become but unruly, stormy innovators and dreamers of useless dreams, if not for the effort of their schools? In young beings there is something wild, ungovernable, uncultured which first has to be tamed. It is like a dangerous flame that has to be controlled or it will destroy. Natural man is unpredictable, opaque, dangerous, like a torrent cascading out of uncharted mountains. At the start, his soul is a jungle without paths or order. And, like a jungle, it must first be cleared and its growth thwarted. Thus it is the school's task to subdue and control man with force and make him a useful member of society, to kindle those qualities in him whose development will bring him to triumphant completion.
Hermann Hesse (Beneath the Wheel)
Nonetheless, he is a boy. Despite his talents, a boy. And a boy is more idealistic than a man, and high ideals in the hands of children can be as dangerous as weapons. He thought he was in the right, and because he thought he was in the right, he thought there would be an exception. That's that.
Adam Levin (The Instructions)
Dear Young Black Males, Don’t be afraid to shine! Dimming your light just to appeal to others is an insult to self. Be who YOU are. If you’re smart, don’t play dumb just to fit in. If you have a special talent, don’t be afraid to show it off. If you’re considered a nerd, OWN it! Intelligence is what many people wish they had. Stand tall with your head held high. Self-confidence is an attractive quality to have. People may talk about you, tease you, or even try to discourage you, but don’t you EVER quit or doubt yourself. Be brave! Be authentic! Be comfortable in your own skin! Your life has purpose and YOU matter.
Stephanie Lahart
But like all beautiful faces Emily's made you believe that its possessor was a better person than she was. It allowed her to pass for stoical when she was petrified, and mysterious and aloof when she was so filled with self-doubt that she bought presents for other people when it was her birthday, framed most of her conversation in terms of apology and regret, and for all her talent could no longer manage to string twenty-five paragraphs fo prose together to make a short story.
Michael Chabon (Wonder Boys)
The gotta. Nasty as a hand-job in a sleazy bar, fine as a fuck from the world’s most talented call-girl. Oh boy it was bad and oh boy it was good and oh boy in the end it didn’t matter how rude it was or how crude it was because in the end it was just like the Jacksons said on that record – don’t stop til you get enough. 8
Stephen King (Misery)
And how do you know he has a big dick? You’ve seen him once. And it was a five-second ‘Oh, that’s my boss, Kline’ conversation while we were walking across the parking lot. You haven’t even met him in person.” “Five seconds is all I need.” She tapped the side of her head. “You know my cockdar is off the chain. I can sense a giant swinging penis pendulum from at least ten miles away. It’s a God-given talent, Georgie.” I choked on my wine. “Let’s not bring God into this.” She raised an eyebrow. “God knows the G-spot needs a more than adequate-sized wiener to get the job done.” “I’m pretty sure that comment just got you wait-listed for heaven.
Max Monroe (Tapping the Billionaire (Billionaire Bad Boys, #1))
That's the real distinction between people: not between those who have secrets and those who don't, but between those who want to know everything and those who don't. This search is a sign of love, I maintain. It's similar with books. Not quite the same, of course (it never is); but similar. If you quite enjoy a writer's work, if you turn the page approvingly yet don't mind being interrupted, then you tend to like that author unthinkingly. Good chap, you assume. Sound fellow. They say he strangled an entire pack of Wolf Cubs and fed their bodies to a school of carp? Oh no, I'm sure he didn't; sound fellow, good chap. But if you love a writer, if you depend upon the drip-feed of his intelligence, if you want to pursue him and find him -- despite edicts to the contrary -- then it's impossible to know too much. You seek the vice as well. A pack of Wolf Cubs, eh? Was that twenty-seven or twenty-eight? And did he have their little scarves sewn up into a patchwork quilt? And is it true that as he ascended the scaffold he quoted from the Book of Jonah? And that he bequeathed his carp pond to the local Boy Scouts? But here's the difference. With a lover, a wife, when you find the worst -- be it infidelity or lack of love, madness or the suicidal spark -- you are almost relieved. Life is as I thought it was; shall we now celebrate this disappointment? With a writer you love, the instinct is to defend. This is what I meant earlier: perhaps love for a writer is the purest, the steadiest form of love. And so your defense comes the more easily. The fact of the matter is, carp are an endangered species, and everyone knows that the only diet they will accept if the winter has been especially harsh and the spring turns wet before St Oursin's Day is that of young minced Wolf Cub. Of course he knew he would hang for the offense, but he also knew that humanity is not an endangered species, and reckoned therefore that twenty-seven (did you say twenty-eight?) Wolf Cubs plus one middle-ranking author (he was always ridiculously modest about his talents) were a trivial price to pay for the survival of an entire breed of fish. Take the long view: did we need so many Wolf Cubs? They would only have grown up and become Boy Scouts. And if you're still so mired in sentimentality, look at it this way: the admission fees so far received from visitors to the carp pond have already enabled the Boy Scouts to build and maintain several church halls in the area.
Julian Barnes (Flaubert's Parrot)
Eric dubbed his pranks “the missions.” As they got under way, he ruminated about misfit geniuses in American society. He didn’t like what he saw. Eric was a voracious reader, and he had just gobbled up John Steinbeck’s The Pastures of Heaven, which includes a fable about the idiot savant Tularecito. The young boy had extraordinary gifts that allowed him to see a world his peers couldn’t even imagine—exactly how Eric was coming to view himself, though without Tularecito’s mental shortcomings. Tularecito’s peers failed to see his gifts and treated him badly. Tularecito struck back violently, killing one of his antagonists. He was imprisoned for life in an insane asylum. Eric did not approve. “Tularecito did not deserve to be put away,” he wrote in a book report. “He just needed to be taught to control his anger. Society needs to treat extremely talented people like Tularecito much better.” All they needed was more time, Eric argued—gifted misfits could be taught what was right and wrong, what was acceptable to society. “Love and care is the only way,” he said.
Dave Cullen (Columbine)
So? Maybe he's got a talent for it. Have you seen the pictures yet?" I shook my head. "Nope. He said
Selena Kitt (Billionaire Bad Boys of Romance Boxed Set)
She had the look of a mother or an older sister now—the old feminine disapproval of the destructive play of little boys and men.
Patricia Highsmith (The Talented Mr. Ripley (Ripley, #1))
[On Vivienne Westwood] Vivienne’s scary, for the reason any truthful, plain-talking person is scary – she exposes you. If you haven’t been honest with yourself, this makes you feel extremely uncomfortable, and if you are a con merchant the game is up. She's uncompromising in every way: what she says, what she stands for, what she expects from you and how she dresses. She's direct and judgmental with a strong northern accent that accentuates her sincerity. She has a confidence I haven't seen in any other woman. She’s strong, opinionated and smart. She can’t beat complacency. She’s the most inspiring person I’ve ever met. Sid told me, ‘Vivienne says you’re talented but last.’ I’ve worked at everything twice as hard since he said that.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
On, I don't think I'm a genius!' cried Josie, growing calm and sober as she listened to the melodious voice and looked into the expressive face that filled her with confidence, so strong, sincere and kindly was it. 'I only want to find out if I have talent enough to go on, and after years of study be able to act well in any of the good plays people never tire of seeing. I don't expected to be a Mrs. Siddons or a Miss Cameron, much as I long to be; but it does seem as if I had something in me which can't come out in any way but this. When I act I'm perfectly happy. I seem to live, to be in my own world, and each new part is a new friend. I love Shakespeare, and am never tired of his splendid people. Of course I don't understand it all; but it's like being alone at night with the mountains and the stars, solemn and grand, and I try to imagine how it will look when the sun comes up, and all is glorious and clear to me. I can't see, but I feel the beauty, and long to express it.
Louisa May Alcott (Jo's Boys)
WILDE: Oh — Bosie! (He weeps.) I have to go back to him, you know. Robbie will be furious but it can't be helped. The betrayal of one's friends is a bagatelle in the stakes of love, but the betrayal of oneself is a lifelong regret. Bosie is what became of me. He is spoiled, vindictive, utterly selfish and not very talented, but these are merely the facts. The truth is he was Hyacinth when Apollo loved him, he is ivory and gold, from his red rose-leaf lips comes music that fills me with joy, he is the only one who understands me. 'Even as a teething child throbs with ferment, so does the soul of him who gazes upon the boy's beauty; he can neither sleep at night nor keep still by day,' and a lot more besides, but before Plato could describe love, the loved one had to be invented. We would never love anybody if we could see past our invention. Bosie is my creation, my poem. In the mirror of invention, love discovered itself. Then we saw what we had made — the piece of ice in the fist you cannot hold or let go. (He weeps.)
Tom Stoppard (The Invention of Love)
The eighties are a sorely underrated decade in terms of musical composition. They don’t get nearly the respect they deserve. I try to use my platform in the world to bring attention to this travesty by singing eighties ballads whenever I get the chance. Like right now, as I sing “What About Me” by Moving Pictures on the karaoke stage. It was their one-hit wonder and a soul-stirring exercise in self-pity. My eyes are closed as I belt out the lyrics and sway behind he microphone. Not in time to the music—I’m so pissed, I’m lucky to still be standing at all. Usually I play the guitar too, but my fine-motor functions fell by the wayside hours ago. I’m a fantastic musician—not that anyone really notices. That talent gets lost in the shadow of the titles, the same way the talented offspring of two accomplished stars get discounted by the weight of their household name. My mother gave me my love of music—she played several instruments. I had tutors, first for the piano, then the violin—but it was the guitar that really stuck with me. The karaoke stage at The Goat used to be my second home and in the last few hours, I’ve given serious consideration to moving in beneath it. If Harry Potter was the Boy Under the Stairs, I could be the Prince Under the Stage. Why the fuck not?
Emma Chase (Royally Matched (Royally, #2))
Here is a historical fact that somehow gets overlooked, and might seem controversial, but it just simply is true: The Beastie Boys should only be listened to by deaf people. Any other time it plays over speakers, it should be considered torture and an act of war. Even ducks, the songbirds of the feathered swimmers, hate The Beastie Boys, and consider them to be The Three Stooges of the musical world, with all of the vocal talent of Gilbert Gottfried.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
I have had an aversion to good spelling for sixty years and more, merely for the reason that when I was a boy there was not a thing I could do creditably except spell according to the book. It was a poor and mean distinction, and I early learned to disenjoy it. I suppose that this is because the ability to spell correctly is a talent, not an acquirement. There is some dignity about an acquirement, because it is a product of your own labor. It is earned, whereas to be able to do a thing merely by the grace of God, and not by your own effort, transfers the thing to our heavenly home--where possibly it is a matter of pride and satisfaction, but it leaves you naked and bankrupt.
Mark Twain (Autobiography of Mark Twain: Volume 1, Reader's Edition)
A boy can be celebrated because of his personality and talents, regardless of how he looks. In fact, talent can make a guy attractive who may not be by traditional standards. But a girl is usually only popular if she looks good.
Liz Prince (Tomboy: A Graphic Memoir)
At high school I was never comfortable for a minute. I did not know about Lonnie. Before an exam, she got icy hands and palpitations, but I was close to despair at all times. When I was asked a question in class, any simple little question at all, my voice was apt to come out squeaky, or else hoarse and trembling. When I had to go to the blackboard I was sure—even at a time of the month when this could not be true—that I had blood on my skirt. My hands became slippery with sweat when they were required to work the blackboard compass. I could not hit the ball in volleyball; being called upon to perform an action in front of others made all my reflexes come undone. I hated Business Practice because you had to rule pages for an account book, using a straight pen, and when the teacher looked over my shoulder all the delicate lines wobbled and ran together. I hated Science; we perched on stools under harsh lights behind tables of unfamiliar, fragile equipment, and were taught by the principal of the school, a man with a cold, self-relishing voice—he read the Scriptures every morning—and a great talent for inflicting humiliation. I hated English because the boys played bingo at the back of the room while the teacher, a stout, gentle girl, slightly cross-eyed, read Wordsworth at the front. She threatened them, she begged them, her face red and her voice as unreliable as mine. They offered burlesqued apologies and when she started to read again they took up rapt postures, made swooning faces, crossed their eyes, flung their hands over their hearts. Sometimes she would burst into tears, there was no help for it, she had to run out into the hall. Then the boys made loud mooing noises; our hungry laughter—oh, mine too—pursued her. There was a carnival atmosphere of brutality in the room at such times, scaring weak and suspect people like me.
Alice Munro (Dance of the Happy Shades)
When he began to play again, then sing those first few words, Aimee felt a flutter in her stomach she wasn’t able to squelch. She wasn’t a robot, after all. And it wasn’t so bizarre to get a little fluttery over a boy as talented and hot as Miles Carlisle. Millions of girls suffered the same ailment. But how many girls stood backstage, close enough that he’d accidentally felt her up in the dark? And how many of those girls had already had their heart broken by him?
Ophelia London (Aimee and the Heartthrob)
But since Catt was more realist than fabulist, she understood her actual death at the hands of her killer would be something much slower. It would be a classical feminine death, like a marriage…Raised by meek working-class parents, she despised petty groveling and had no talent for making shit up. She wanted to be a “real” intellectual moving with dizzying freedom between high and low points in the culture. And to a certain extent, she’d succeeded. Catt’s semi-name attracted a following among Asberger’s boys, girls who’d been hospitalized for mental illness, sex workers, Ivy alumnae on meth, and always, the cutters. With her small self-made fortune, Catt saw herself as Moll Flanders, out-sourcing her visiting professorships and writing commissions to younger artists whose work she believed in. But she’d reached a point lately where the same young people she’d helped were blogging against her, exposing the ‘cottage industry’ she ran out of her Los Angeles compound facing the Hollywood sign … the same compound these bloggers had lived in rent-free after arriving from Iowa City, Alberta, New Zealand. Loathing all institutions, Catt had become one herself. Even her dentist asked her for money.
Chris Kraus (Summer of Hate)
Well, this is extremely interesting,’ said the Episcopal Ghost. ‘It’s a point of view. Certainly, it’s a point of view. In the meantime…’ ‘There is no meantime,’ replied the other. ‘All that is over. We are not playing now. I have been talking of the past (your past and mine) only in order that you may turn from it forever. One wrench and the tooth will be out. You can begin as if nothing had ever gone wrong. White as snow. It’s all true, you know. He is in me, for you, with that power. And—I have come a long journey to meet you. You have seen Hell: you are in sight of Heaven. Will you, even now, repent and believe?’ ‘I’m not sure that I’ve got the exact point you are trying to make,’ said the Ghost. ‘I am not trying to make any point,’ said the Spirit. ‘I am telling you to repent and believe.’ ‘But my dear boy, I believe already. We may not be perfectly agreed, but you have completely misjudged me if you do not realise that my religion is a very real and a very precious thing to me.’ ‘Very well,’ said the other, as if changing his plan. ‘Will you believe in me?’ ‘In what sense?’ ‘Will you come with me to the mountains? It will hurt at first, until your feet are hardened. Reality is harsh to the feet of shadows. But will you come?’ ‘Well, that is a plan. I am perfectly ready to consider it. Of course I should require some assurances…I should want a guarantee that you are taking me to a place where I shall find a wider sphere of usefulness—and scope for the talents that God has given me—and an atmosphere of free inquiry—in short, all that one means by civilisation and—er—the spiritual life.’ ‘No,’ said the other. ‘I can promise you none of these things. No sphere of usefulness: you are not needed there at all. No scope for your talents: only forgiveness for having perverted them. No atmosphere of inquiry, for I will bring you to the land not of questions but of answers, and you shall see the face of God.
C.S. Lewis (The Great Divorce)
Its my experience that girls tend to be terrifically smart until they grow breasts. You may dismiss this observation as my personal prejudice, based on my own tender age, but thirteen years seems to be when human beings reach their fullest flower of intelligence, personality, and pluck. Both girls and boys... Let girls get their menstruation or boys have their first wet dream, and they instantly forget their own brilliance and talent... Girls get their boobs and forget they were ever so gutsy and smart. Boys, too, can display their own brand of clever and funny behaviour, but let them get that first erection and they go complete moron for the next 60 years. For both genders, adolescence occurs as a kind of Ice Age of Dumbness.
Chuck Palahniuk (Damned (Damned, #1))
...a large and ridiculous gunner told me that I looked like an out-of-work chorus boy. He was very startled when I told him that was exactly what I was, but that I found it easier to get work as a naval officer, a job requiring considerably less talent.
William Donaldson
But the greatest paradox of the sport has to do with the psychological makeup of the people who pull the oars. Great oarsmen and oarswomen are necessarily made of conflicting stuff—of oil and water, fire and earth. On the one hand, they must possess enormous self-confidence, strong egos, and titanic willpower. They must be almost immune to frustration. Nobody who does not believe deeply in himself or herself—in his or her ability to endure hardship and to prevail over adversity—is likely even to attempt something as audacious as competitive rowing at the highest levels. The sport offers so many opportunities for suffering and so few opportunities for glory that only the most tenaciously self-reliant and self-motivated are likely to succeed at it. And yet, at the same time—and this is key—no other sport demands and rewards the complete abandonment of the self the way that rowing does. Great crews may have men or women of exceptional talent or strength; they may have outstanding coxswains or stroke oars or bowmen; but they have no stars. The team effort—the perfectly synchronized flow of muscle, oars, boat, and water; the single, whole, unified, and beautiful symphony that a crew in motion becomes—is all that matters. Not the individual, not the self.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Some people want to put restrictions on themselves according to their talent, intelligence, or experience. Others worry about their age. But with God, one person can always make a difference, regardless of circumstances or situation. And age means nothing to Him. When Jesus fed the five thousand, a boy provided the loaves and fishes (John 6:1-13). And in the case of Noah, when it began to rain and he entered the ark, he was six hundred years old! You’re never too old—or too young—to make a difference for God.
John C. Maxwell (Running with the Giants: What the Old Testament Heroes Want You to Know About Life and Leadership (Giants of the Bible))
An example of the Peter Pan syndrome is used in Aldous Huxley's 1962 novel Island. In it, one of the characters talks about male "dangerous delinquents" and "power-loving troublemakers" who are "Peter Pans". These types of males were "boys who can't read, won't learn, don't get on with anyone, and finally turn to the more violent forms of delinquency." He uses Adolf Hitler as an archetype of this phenomenon:[15] A Peter Pan if ever there was one. Hopeless at school. Incapable either of competing or co- operating. Envying all the normally successful boys—and, because he envied, hating them and, to make himself feel better, despising them as inferior beings. Then came the time for puberty. But Adolf was sexually backward. Other boys made advances to girls, and the girls responded. Adolf was too shy, too uncertain of his manhood. And all the time incapable of steady work, at home only in the compensatory Other World of his fancy. There, at the very least, he was Michelangelo. Here, unfortunately, he couldn't draw. His only gifts were hatred, low cunning, a set of indefatigable vocal cords and a talent for nonstop talking at the top of his voice from the depths of his Peter-Panic paranoia. Thirty or forty million deaths and heaven knows how many billions of dollars—that was the price the world had to pay for little Adolf's retarded maturation.
Aldous Huxley
Consider Ricky, a teenage boy with autism who was a talented pianist. Ricky once volunteered to entertain the residents of an assisted-living center. He had never visited such a facility, but his parents told him what a lovely, caring gesture it would be. They also informed him that some of the elderly people he would see had terminal illnesses and other challenges, so surely his music would help to lift their spirits. On the day of his performance, a few dozen residents gathered in a recreation room to listen. Before he sat down to play, Ricky introduced himself, said how happy he was to be there, and added this: “I’m very sorry that some of you are going to die soon.
Barry M. Prizant (Uniquely Human: A Different Way of Seeing Autism)
He was scowling. "What the hell? If I had a daughter and she was dating a guy like me, I'd take him out back and threaten him with a shotgun to make sure he treated her right." Kit's mouth fell open. "You?" "Yeah." He folded his arms, his scowl growing heavier. "Jeez, Kit, he didn't even tell me to be good to you. That's bullshit." Realizing he was dead serious, she bit the inside of her cheek to keep from smiling. "Where did you pick up this chivalrous instinct?" "My father," he said, the sneer that usually accompanied any mention of Robert St. John missing from his voice. "He's a son of a bitch, but he brought me up to look after any women under my care." "Under your care?" Kit raised an eyebrow. "Chauvinistic much?" He shrugged. "Yeah, well, maybe it is, but I'm not changing. My imaginary daughters are never dating musicians. Ever." Stomach somersaulting at the idea of little girls with Noah's features and talent, she shook her head. "Noah St. John, bad boy of rock and concerned father of imaginary daughters. Hell hath frozen over and become an ice rink.
Nalini Singh (Rock Redemption (Rock Kiss, #3))
Its my experience that girls tend to be terrifically smart until they grow breasts. You may dismiss this observation as my personal prejudice, based on my own tender age, but thirteen years seems to be when human beings reach their fullest flower of intelligence, personality, and pluck. Both girls and bots... Let girls get their menstruation or boys have their first wet dream, and they instantly forget their own brilliance and talent... Girls get their boobs and forget they were ever so gutsy and smart. Boys, too, can display their own brand of clever and funny behaviour, but let them get that first erection and they go complete moron for the next 60 years. For both genders, adolescence occurs as a kind of Ice Age of Dumbness.
Chuck Palahniuk (Damned (Damned, #1))
I know you don’t approve of me or my ways, Ezra, but I got to make my way in this world the best I can. I got to work with what talents I got ’cause ain’t nobody gonna look out for me but me. I will play my music, I will sing my songs, I will dance my dances. And sometimes, as I have found in my life, it’s easier being a boy. That’s the way of it. Till later, Ezra.” I
L.A. Meyer (Curse of the Blue Tattoo: Being an Account of the Misadventures of Jacky Faber, Midshipman and Fine Lady (Bloody Jack, #2))
Great crews may have men or women of exceptional talent or strength; they may have outstanding coxswains or stroke oars or bowmen; but they have no stars. The team effort—the perfectly synchronized flow of muscle, oars, boat, and water; the single, whole, unified, and beautiful symphony that a crew in motion becomes—is all that matters. Not the individual, not the self.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
John's particular talents hadn't gone unnoticed but they weren't his artistic talents. They were his talents for having his fellow students fall about with shocked, uncontrollable laughter at his wicked, disrespectful wit. His ability to disrupt a lecture had to be seen to be believed and John's appearance was even worse than his humour. I think he was the last stronghold of the Teddy Boys - totally aggressive and anti-establishment. My first impression of John, as he slouched reluctantly into the lettering class for the first time, was one of apprehension. I felt that I had nothing in common with this individual and as far as I was concerned I never would. In fact he frightened me to death. The only thing that John and I had in common was that we were both blind as bats without our glasses.
Cynthia Lennon (A Twist Of Lennon)
There have been times during my life when I have wish to be a boy again, not to have the energy and perfect health of youth, but know once more the innocence and the delight in even the smallest of things that we often fail to feel full strength as the years drift by. What is easy to forget, however, until you apply yourself to the task of memory, is that childhood is a time of fear, as well; some of those fears are reasonable, others irrational and inspired by a sense of powerlessness in a world where often power over others seems to be what drives so many of our fellow human beings. In the swoon of childhood, the possibility of werewolves is as real as the school yard shooter, the idea of vampires as credible as the idea of a terrorist attack, the neighbor possessing paranormal talents as believable as a psychopath.
Dean Koontz (The City (The City, #1))
I’m not sorry. Not sorry for claiming you.” She sucks in her breath, staring at me with wide eyes. “You are the prize above all other prizes, and I got to you first,” I say through gritted teeth. It’s wrong, but what I’m saying feels so right. Passion blazes bright in my chest, flowing down my limbs. “You belong to me. I’ve taken you. I will never let you go. And I’m not sorry. You are perfect in every way. Smart, talented, beautiful.” I manage to pry my fist open to touch her cheek. “Funny. You are the light to my darkness. You brought me to life. All these years, I’ve been half-dead. It was the only way to survive the pain of my mother’s illness, my father’s death. The heaviness that belongs to my pack. But you—you sparked me back to life. And for that I cannot be sorry. I cannot. So I beg your forgiveness. I do. But I could never regret claiming you. Not in this lifetime, or any other.
Renee Rose (Alpha's Prize (Bad Boy Alphas, #3))
It is good that the boy did not kill him.” “Qué va. The gypsy wanted me to kill him last night. The gypsy is an animal.” “You’re an animal, too,” she said. “But intelligent.” “We are both intelligent,” Agustín said. “But the talent is Pablo!” “But difficult to put up with. You do not know how ruined.” “Yes. But a talent. Look, Pilar. To make war all you need is intelligence. But to win you need talent and material.” “I will think it over,” she said.
Ernest Hemingway (For Whom the Bell Tolls)
Watching him then, I simply couldn’t think of him doing anything other than winning. Loss wasn’t the norm, it couldn’t be. I didn’t have the words for it then, what it felt like to watch my cousin, whom I love and whose worries are our worries and whose pain is our pain, manage to be so good at something, to triumph so completely. More than a painful life, more than a culture or a society with the practice and perfection of violence as a virtue and a necessity, more than a meanness or a willingness to sacrifice oneself, what I felt—what I saw—were Indian men and boys doing precisely what we’ve always been taught not to do. I was seeing them plainly, desperately, expertly wanting to be seen for their talents and their hard work, whether they lost or won. That old feeling familiar to so many Indians—that we can’t change anything; can’t change Columbus or Custer, smallpox or massacres; can’t change the Gatling gun or the legislative act; can’t change the loss of our loved ones or the birth of new troubles; can’t change a thing about the shape and texture of our lives—fell away. I think the same could be said for Sam: he might not have been able to change his sister’s fate or his mother’s or even, for a while, his own. But when he stepped in the cage he was doing battle with a disease. The disease was the feeling of powerlessness that takes hold of even the most powerful Indian men. That disease is more potent than most people imagine: that feeling that we’ve lost, that we’ve always lost, that we’ve already lost—our land, our cultures, our communities, ourselves. This disease is the story told about us and the one we so often tell about ourselves. But it’s one we’ve managed to beat again and again—in our insistence on our own existence and our successful struggles to exist in our homelands on our own terms. For some it meant joining the U.S. Army. For others it meant accepting the responsibility to govern and lead. For others still, it meant stepping into a metal cage to beat or be beaten. For my cousin Sam, for three rounds of five minutes he gets to prove that through hard work and natural ability he can determine the outcome of a finite struggle, under the bright, artificial lights that make the firmament at the Northern Lights Casino on the Leech Lake Reservation.
David Treuer (The Heartbeat of Wounded Knee: Native America from 1890 to the Present)
The obvious costs of such a policy became apparent to me as I sat along the back wall of vault V22 at NSA headquarters with two of the more talented infrastructure analysts, whose workspace was decorated with a seven-foot-tall picture of Star Wars’ famous wookie, Chewbacca. I realized, as one of them was explaining to me the details of his targets’ security routines, that intercepted nudes were a kind of informal office currency, because his buddy kept spinning in his chair to interrupt us with a smile, saying, “Check her out,” to which my instructor would invariably reply “Bonus!” or “Nice!” The unspoken transactional rule seemed to be that if you found a naked photo or video of an attractive target—or someone in communication with a target—you had to show the rest of the boys, at least as long as there weren’t any women around. That was how you knew you could trust each other: you had shared in one another’s crimes.
Edward Snowden (Permanent Record)
However difficult the future might prove, anything was worth this single, exhilarating moment. Absolutely anything. Absolutely nothing would stop him from wreaking vengeance on the menace who had brought him to his knees. Grimly, Dragon set his mind apart from the waves of pain still resonatng within him and turned to the far more pleasant contemplation of the punishment he would inflict. No one,not even a green boy,could be pardoned for such an assault. He would have to pay and pay dearly.The only question was how. First he had to be caught,but that was no matter. Had the imp of hell deliberately set out to mark his trail,he could not have left it clearer. Granted, Dragon was a hunter of rare skill, but it required no special talent to see where the boy had gone. His way was littered with broken branches, trampled grass, even bits of wool caught on prickler bushes. By the length of his stride, he had run as fast as a bat out of hell, which suggested he at least had a brain, much good that it would do him.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
I dunno…After seeing him this summer at the beach, maybe Mama’s onto something. I mean, let’s face it--the boy’s hot. You could do worse. Much worse.” “Yeah, well…there’s more to it than looks,” I grumble. “Right. There’s also intelligence--check. Talent--check. Character--check.” She ticks each one off on her fingers. “As far as I can tell, he’s got it all--the total package. I mean, okay, so he’s the boy next door, and Mom and Laura Grace have been bugging you two about each other since forever. But seriously, what more do you want?
Kristi Cook (Magnolia (Magnolia Branch, #1))
The Reforms had stopped just short of banning castration—allowing, as the law said, a mother to preserve her son’s vocal talent. In practice, it meant that poor women had options besides exposing the infant to the Wild. If the boy had a voice, she could cut him, let him earn coin as a singer. But it was more likely, if the boy survived infancy, that his mother would indenture him to a brothel, or a highborn household. Tsabrak’s mother had chosen that path—had gotten lucky, too, that she’d contracted him to a proconsul. Better money than brothels, if you caught a highborn’s eye.
K. Eason (Outlaw (On the Bones of Gods #2))
Girls, I was dead and down in the Underworld, a shade, a shadow of my former self, nowhen. It was a place where language stopped, a black full stop, a black hole Where the words had to come to an end. And end they did there, last words, famous or not. It suited me down to the ground. So imagine me there, unavailable, out of this world, then picture my face in that place of Eternal Repose, in the one place you’d think a girl would be safe from the kind of a man who follows her round writing poems, hovers about while she reads them, calls her His Muse, and once sulked for a night and a day because she remarked on his weakness for abstract nouns. Just picture my face when I heard - Ye Gods - a familiar knock-knock at Death’s door. Him. Big O. Larger than life. With his lyre and a poem to pitch, with me as the prize. Things were different back then. For the men, verse-wise, Big O was the boy. Legendary. The blurb on the back of his books claimed that animals, aardvark to zebra, flocked to his side when he sang, fish leapt in their shoals at the sound of his voice, even the mute, sullen stones at his feet wept wee, silver tears. Bollocks. (I’d done all the typing myself, I should know.) And given my time all over again, rest assured that I’d rather speak for myself than be Dearest, Beloved, Dark Lady, White Goddess etc., etc. In fact girls, I’d rather be dead. But the Gods are like publishers, usually male, and what you doubtless know of my tale is the deal. Orpheus strutted his stuff. The bloodless ghosts were in tears. Sisyphus sat on his rock for the first time in years. Tantalus was permitted a couple of beers. The woman in question could scarcely believe her ears. Like it or not, I must follow him back to our life - Eurydice, Orpheus’ wife - to be trapped in his images, metaphors, similes, octaves and sextets, quatrains and couplets, elegies, limericks, villanelles, histories, myths… He’d been told that he mustn’t look back or turn round, but walk steadily upwards, myself right behind him, out of the Underworld into the upper air that for me was the past. He’d been warned that one look would lose me for ever and ever. So we walked, we walked. Nobody talked. Girls, forget what you’ve read. It happened like this - I did everything in my power to make him look back. What did I have to do, I said, to make him see we were through? I was dead. Deceased. I was Resting in Peace. Passé. Late. Past my sell-by date… I stretched out my hand to touch him once on the back of the neck. Please let me stay. But already the light had saddened from purple to grey. It was an uphill schlep from death to life and with every step I willed him to turn. I was thinking of filching the poem out of his cloak, when inspiration finally struck. I stopped, thrilled. He was a yard in front. My voice shook when I spoke - Orpheus, your poem’s a masterpiece. I’d love to hear it again… He was smiling modestly, when he turned, when he turned and he looked at me. What else? I noticed he hadn’t shaved. I waved once and was gone. The dead are so talented. The living walk by the edge of a vast lake near, the wise, drowned silence of the dead.
Carol Ann Duffy (The World's Wife)
My brothers were considerably younger than myself; but I had a friend in one of my schoolfellows, who compensated for this deficiency. Henry Clerval was the son of a merchant of Geneva, an intimate friend of my father. He was a boy of singular talent and fancy. I remember, when he was nine years old, he wrote a fairy tale, which was the delight and amazement of all his companions. His favourite study consisted in books of chivalry and romance; and when very young, I can remember, that we used to act plays composed by him out of these favourite books, the principal characters of which were Orlando, Robin Hood, Amadis, and St. George.
Mary Wollstonecraft Shelley (Frankenstein)
Evil is seductive; you will have to remain strong and not fall prey to its temptations.” He stood in front of Carlos first and placed a hand on his head. “Carlos de Vil, you possess a keen intellect; however, do not let your head rule your heart. Learn to see what is truly in front of you.” Evie was next, and Yen Sid did the same, resting a hand above her dark blue locks. “Evie, remember that when you believe you are alone in the world, you are far from friendless.” Jay bowed down and removed his beanie so the good professor could lay his hand on his head too. “Jay of Agrabah, a boy of many talents, open your eyes and discover that the riches of the world are all around you.
Melissa de la Cruz (Return to the Isle of the Lost (Descendants, #2))
By failing to make the obvious connection between an openly misogynistic culture and the mysterious lack of women, Levy contributed to the myth of innately talented hackers being implicitly male. And, today, it’s hard to think of a profession more in thrall to brilliance bias than computer science. ‘Where are the girls that love to program?’ asked a high-school teacher who took part in a summer programme for advanced-placement computer-science teachers at Carnegie Mellon; ‘I have any number of boys who really really love computers,’ he mused. ‘Several parents have told me their sons would be on the computer programming all night if they could. I have yet to run into a girl like that.’ This may be true, but as one of his fellow teachers pointed out, failing to exhibit this behaviour doesn’t mean that his female students don’t love computer science. Recalling her own student experience, she explained how she ‘fell in love’ with programming when she took her first course in college. But she didn’t stay up all night, or even spend a majority of her time programming. ‘Staying up all night doing something is a sign of single-mindedness and possibly immaturity as well as love for the subject. The girls may show their love for computers and computer science very differently. If you are looking for this type of obsessive behavior, then you are looking for a typically young, male behavior. While some girls will exhibit it, most won’t.
Caroline Criado Pérez (Invisible Women: Data Bias in a World Designed for Men)
We’re reminded of a story we heard about a wise old man who lived high in the Himalayan mountains. Periodically he ventured down into the local town to entertain the villagers with his special knowledge and talents. One of his skills was to psychically tell them the contents in their pockets, boxes, or minds. A few young boys decided to play a joke on the old man and discredit his special abilities. One came up with the idea to capture a bird and hide it in his hands. He knew, of course, the man would know the object in his hands was a bird. The boy devised a plan. Knowing the wise old man would correctly state the object in his hands was a bird, the boy would ask the old man if the bird was dead or alive. If the wise man said the bird was alive, the boy would crush the bird in his hands, so that when he opened his hands the bird would be dead. But if the man said the bird was dead, the boy would open his hands and let the bird fly free. No matter what the man said, the boy would prove the old man a fraud. The following week, the man came down from the mountain into the village. The boy quickly caught a bird, cupped it out of sight behind his back, walked up to the wise old man, and asked, “What is it that I have in my hands?” The man said, “You have a bird, my son.” The boy then asked, “Tell me, is the bird alive or dead?” The wise old man looked at the boy and said, “The bird is as you choose it to be.” So it is with your life.
Michael Hyatt (Living Forward: A Proven Plan to Stop Drifting and Get the Life You Want)
For attractive lips, speak words of kindness. For lovely eyes, seek out the good in people. For a slim figure, share your food with the hungry. For beautiful hair, let a child run his fingers through it once a day. For poise, walk with the knowledge you’ll never walk alone. ...카톡【ACD5】텔레【KKD55】 We leave you a tradition with a future. The tender loving care of human beings will never become obsolete. People even more than things have to be restored, renewed, revived, reclaimed and redeemed and redeemed and redeemed. Never throw out anybody. ♥물뽕 구입♥물뽕 구매♥물뽕 판매♥물뽕 구입방법♥물뽕 구매방법♥물뽕 파는곳♥물뽕 가격♥물뽕 파는곳♥물뽕 정품구입♥물뽕 정품구매♥물뽕 정품판매♥물뽕 가격♥물뽕 복용법♥물뽕 부작용♥ Remember, if you ever need a helping hand, you’ll find one at the end of your arm. As you grow older, you will discover that you have two hands: one for helping yourself, the other for helping others. Your “good old days” are still ahead of you, may you have many of them 수면제,액상수면제,낙태약,여성최음제,ghb물뽕,여성흥분제,남성발기부전치유제,비아,시알,88정,드래곤,바오메이,정력제,남성성기확대제,카마그라젤,비닉스,센돔,,꽃물,남성조루제,네노마정,러쉬파퍼,엑스터시,신의눈물,lsd,아이스,캔디,대마초,떨,마리화나,프로포폴,에토미데이트,해피벌륜 등많은제품판매하고있습니다 원하시는제품있으시면 추천상으로 더좋은제품으로 모시겠습니다 It is a five-member boy group of YG Entertainment who debuted in 2006. It is a group that has had a great influence on young fashion trends, the idol group that has been pouring since then, and the Korean music industry from the mid to late 2000s. Since the mid-2000s, he has released a lot of hit songs. He has played an important role in all aspects of music, fashion, and trends enjoyed by Korea's generations. In 2010, the concept of emphasizing exposure, The number of idols on the line as if they were filmed in the factory instead of the "singer", the big bang musicality got more attention, and the ALIVE of 2012, the great success of the MADE album from 2015 to 2016, It showed musical performance, performance, and stage control, which made it possible to recognize not only the public in their twenties and thirties but also men and women, both young and old, as true artists with national talents. Even today, it is in a unique position in terms of musical performance, influence, and trend setting, and it is the idol who keeps the longest working and longest position. We have made the popularity of big bang by combining various factors such as exquisite talent of all members, sophisticated music, trendy style, various arts and performances in broadcasting, lovecalls and collaboration of global brands, and global popularity. The big bang was also different from the existing idols. It is considered to be a popular idol, a idol, because it has a unique musicality, debut as a talented person in a countless idol that has become a singer as a representative, not a talent. In addition, the male group is almost the only counterpart to the unchanging proposition that there is not a lot of male fans, and as mentioned several times, it has been loved by gender regardless of gender.
The meeting of two personalities is like the contact of two chemical substances: if there is any rea
Know Thyself, a wise old Greek once said. Know Thyself. Now what does this mean, boys and girls? It means, be what you are. Don't try to be Sally or Johnny or Fred next door; be yourself. God doesn't want a tree to be a waterfall, or a flower to be a stone. God gives to each one of us a special talent." Janice and Rabbit become unnaturally still; both are Christians. God's name makes them feel guilty. "God wants some of us to become scientists, some of us to become artists, some of us to become firemen and doctors and trapeze artists. And He gives to each of us the special talents to become these things, provided we work to develop them. We must work, boys and girls. So: Know Thyself. Learn to understand your talents, and then work to develop them. That's the way to be happy.
John Updike
Sumptuary laws were passed by the Senate limiting expenditure on banquets and clothing, but as the senators ignored these regulations, no one bothered to observe them. “The citizens,” Cato mourned, “no longer listen to good advice, for the belly has no ears.”9 The individual became rebelliously conscious of himself as against the state, the son as against the father, the woman as against the man. Usually the power of woman rises with the wealth of a society, for when the stomach is satisfied hunger leaves the field to love. Prostitution flourished. Homosexualism was stimulated by contact with Greece and Asia; many rich men paid a talent ($3600) for a male favorite; Cato complained that a pretty boy cost more than a farm.10 But women did not yield the field to these Greek and Syrian invaders. They took eagerly to all those supports of beauty that wealth now put within their reach. Cosmetics became a necessity, and caustic soap imported from Gaul tinged graying hair into auburn locks.11 The rich bourgeois took pride in adorning his wife and daughter with costly clothing or jewelry and made them the town criers of his prosperity. Even in government the role of women grew. Cato cried out that “all other men rule over women; but we Romans, who rule all men, are ruled by our women.”12 In 195 B.C.. the free women of Rome swept into the Forum and demanded the repeal of the Oppian Law of 215, which had forbidden women to use gold ornaments, varicolored dresses, or chariots. Cato predicted the ruin of Rome if the law should be repealed. Livy puts into his mouth a speech that every generation has heard:
Will Durant (Caesar and Christ (Story of Civilization, #3))
Dear Sawyer and Quin, If you ever read this and I'm gone I want you to know something that has been weighing on me. I watch you two play and it can be so sad sometimes. You two have been best friends since Sawyer's birth. Always inseparable. It's been adorable , but comes with its challenges. I'm worried when I watch you boys. Quinton, you are always driven by your ego. You're strong and talented, but much too determined to beat down everyone in your efforts to be the best. You push yourself to win a competition, then shove it in someone's face. I’ve rarely seen you compliment others, but you always give yourself a pat on the back. You don't play anything for the love of it, you play to win and normally do. I've seen you tear down your brother so many times just to feel good about yourself. You don't have to do that, dear. You don't have to spend your life trying to prove that you're amazing. One day you'll fail and be alone because you've climbed to the top of a pyramid with only enough room for yourself. Don't let it get to that point and if you do, learn humility from your brother. He could do without so much of it. Sawyer, just because you're most often the underdog and the peaceful introspective kid, don't think I'm letting you off the hook. Your humility has become your worst enemy. It's so intense that I wonder if it will be your vice one day, instead of your greatest virtue. It's one thing to believe you are below all men, even when you're not, but it's another thing to be crippled by fear and to no longer try. Sometimes , dear, I think you fear being good at something because you've tasted the bitterness of being the one who comes in last and you don't want to make others feel that way. That's sweet of you and I smile inside when I see you pretending to lose when you race your younger cousins , but if you always let people beat you they may never learn to work hard for something they want. It's okay to win, just win for the right reasons and always encourage those who lose. Oh, and Sawyer, I hope one day you read this. One day when it matters. If so, remember that the bottom of a mountain can be just as lonely as the top. I hope the two of you can learn to climb together one day. As I'm writing this you are trying to climb the big pine tree out back. Quin is at the top, rejoicing in his victory and taunting Sawyer. And Sawyer is at the bottom, afraid to get hurt and afraid to be sad about it. I'm going to go talk to you two separately now. I hope my words mean something. Love you boys, Mom
Marilyn Grey (When the City Sleeps (Unspoken #6))
When Benjamin Bloom studied his 120 world-class concert pianists, sculptors, swimmers, tennis players, mathematicians, and research neurologists, he found something fascinating. For most of them, their first teachers were incredibly warm and accepting. Not that they set low standards. Not at all, but they created an atmosphere of trust, not judgment. It was, “I’m going to teach you,” not “I’m going to judge your talent.” As you look at what Collins and Esquith demanded of their students—all their students—it’s almost shocking. When Collins expanded her school to include young children, she required that every four-year-old who started in September be reading by Christmas. And they all were. The three- and four-year-olds used a vocabulary book titled Vocabulary for the High School Student. The seven-year-olds were reading The Wall Street Journal. For older children, a discussion of Plato’s Republic led to discussions of de Tocqueville’s Democracy in America, Orwell’s Animal Farm, Machiavelli, and the Chicago city council. Her reading list for the late-grade-school children included The Complete Plays of Anton Chekhov, Physics Through Experiment, and The Canterbury Tales. Oh, and always Shakespeare. Even the boys who picked their teeth with switchblades, she says, loved Shakespeare and always begged for more. Yet Collins maintained an extremely nurturing atmosphere. A very strict and disciplined one, but a loving one. Realizing that her students were coming from teachers who made a career of telling them what was wrong with them, she quickly made known her complete commitment to them as her students and as people. Esquith bemoans the lowering of standards. Recently, he tells us, his school celebrated reading scores that were twenty points below the national average. Why? Because they were a point or two higher than the year before. “Maybe it’s important to look for the good and be optimistic,” he says, “but delusion is not the answer. Those who celebrate failure will not be around to help today’s students celebrate their jobs flipping burgers.… Someone has to tell children if they are behind, and lay out a plan of attack to help them catch up.” All of his fifth graders master a reading list that includes Of Mice and Men, Native Son, Bury My Heart at Wounded Knee, The Joy Luck Club, The Diary of Anne Frank, To Kill a Mockingbird, and A Separate Peace. Every one of his sixth graders passes an algebra final that would reduce most eighth and ninth graders to tears. But again, all is achieved in an atmosphere of affection and deep personal commitment to every student. “Challenge and nurture” describes DeLay’s approach, too. One of her former students expresses it this way: “That is part of Miss DeLay’s genius—to put people in the frame of mind where they can do their best.… Very few teachers can actually get you to your ultimate potential. Miss DeLay has that gift. She challenges you at the same time that you feel you are being nurtured.
Carol S. Dweck (Mindset: The New Psychology of Success)
One day, I met a new patient who had been previously diagnosed with severe psychosis. The 55-year-old woman was suffering from depression and anxiety. She had never worked in her life and for a long time had been too anxious to leave home. In the discussion, I had a hunch. The woman might well be psychotic, but she seemed to have extraordinary intuitive powers. Could it be that she was anxious because she was overwhelmed by these powers and didn’t know what to do with them? My hunch was confirmed at the end of the session. I was pregnant at the time, and the woman suddenly told me, out of the blue, “What a beautiful boy! What a pity he hasn’t yet turned to be head-first.” She was right on both counts, but how could she know? I recommended to her that she learn to master her psychic powers. She registered in a course with a renowned teacher. We helped her with her depression in the hospital, but the training proved the key to her healing. Today she is transformed. She has a thriving practice where she offers her talents to the world. What used to cripple her with anxiousness now provides her with meaning and income.81
Frederic Laloux (Reinventing Organizations: A Guide to Creating Organizations Inspired by the Next Stage of Human Consciousness)
Maybe a young Jacques Cousteau...?" Sadie was still working on the boy in the suit. "But that would just be silly. I mean, a suit...? On.No." Apparently our scrutiny hadn't gone unnoticed. Teddy-Jacques-Whoever was bearing down on us,smiling broadly under the mustache that,I noticed, was coming loose at one corner. "Good evening,ladies!" He was a senior, I thought. We didn't have any classes together; he was AP everything,but I thought I remembered seeing him during Performance Night in the spring, part of a co-ed a capella group. They'd done a Black Eyed Peas song-pretty well,too. He was cute, too, in a pale,lanky way. "Walter Elias Disney," he said with a bow. "At your disposal." "Walt Disney?" Sadie was obviously too intrigued to be shy. "Um...?" He grinned and waved his arm at the spectacle behind him with a flourish. "The myriad talents of Johnny Depp aside,it is debatable whether any of this would have come about without me. It seemed only appropriate that I should make an appearance." I nodded. "I'll buy that." He bowed again,but his eyes stayed on Sadie. "Would you care to dance?" "Oh.I....Oh." Several emotions flooded her face in an instant: terror, pleasure, uncertainty, and why-the-hell-not. She darted a glance at me. I gave a quick, emphatic nod. I would be fine. She absolutely should dance. "Sure," she said. And off they went.
Melissa Jensen (The Fine Art of Truth or Dare)
Frankie turned back and forth in front of the three-way mirror. "I have absolutely no ass whatsoever." A few feet away,a woman whose designer velour fit her like a sausage casing, gave an amused snort. "Honey," she said over a display of two-hundred-dollar T-shirts. "I have been waiting forty years to say those words." Frankie padded toward her in his socks and Alexander McQuenn pants.He thrust his hands into the pockets, pulling the fabric tighter, and presented her with his outthrust bottom. "Honestly. This is what you want?" She lasted about five seconds before grinning-and sighing at the same time. "No,I guess not." He turned around, leaned in, and informed her conspiratorially, "There is not a T-shirt on earth worth that much." She looked down at the plain blue cotton in her hands. "You are so right." She put it back. "And with that face, sweetie, you could have the ass of a rhino and no one would notice.I'm just saying." "What does she know?" he muttered when she'd gone. "What good has this face done me?" Apparently, Connor hadn't been quite as available as he'd let on. Apparently, along with dancing, juggling was one of his talents. "You couldn't have known," Sadie said gently. "Oh,yes,I could.I mean, he's a guy,isn't he?" There's not much you can say to a boy when he makes a statement like that. So we just scooted in until we were up against Frankie's thin shoulders, bookending him.
Melissa Jensen (The Fine Art of Truth or Dare)
The boy shows talent. The overheard words still rankled. Boy! At twenty-four! He’d like to see that banker do a man’s work around a ranch. He’d have blisters on those smooth hands inside of two hours. Not to mention how he’d feel after a long day in the saddle. Elizabeth wouldn’t be happy with Livingston. He knew it. True, the man had money, a large house, and a purebred pedigree—all the things she probably wanted in a man. But it wouldn’t be enough. He had instincts about her in the same way he knew horses—what they needed, how to touch them. In the last week, there’d been times when she’d thawed and shown her feelings. He’d bet anything a special woman lurked beneath her proper Boston exterior. With Livingston, that woman would never emerge. He straightened and ground a fist into his palm. He couldn’t step back and let Livingston waltz away with her. It wouldn’t be right. He’d have to change. Force himself past his shyness. Force himself to open up. Nick wasn’t sure how he’d do it. Aside from what he’d learned from Miz Carter, he’d not had any training in proper society manners. Now, he’d seen for himself how different things were in the East. But something in Elizabeth had touched him, something that went beyond social barriers, and he knew she’d sensed it too. He might not have much wealth to offer, but there were other things he could do to make her happy, and he’d love her with all his heart.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
Cuvintele lui Cioran răspândesc umezeala pivnițelor și putreziciunea mormintelor, dar sunt prea meschine. (...) Tot ce are comun un literat, fie el și de un mai mic calibru, cu Kafka, Conrad sau Mickiewicz, ceea ce este talent autentic sau autentică superioritate sau autentică maturitate - nu are ce căuta în ”pivnița” lui Cioran. Aș vrea să-i reamintesc lui Cioran că nu numai arta în exil, ci, în genere, orice fel de artă se află în cea mai strânsă relație cu descompunerea, se naște din decadență, este preschimbarea maladiei în sănătate. Și orice artă, în general, vine în atingere cu ridicolul, înfrângerea, umilința. Oare să existe un artist, care să nu fie, așa cum spune Cioran, ”o făptură plină de ambiție, agresivă în căderea sa, un ins dezamăgit dublat de un cuceritor”? Oare a văzut vreodată Cioran un artist, un scriitor, care să nu fie, să nu fie nevoit să fie un megaloman? Și arta, așa cum a spus cândva pe bună dreptate Boy, este un uriaș cimitir: din o mie de indivizi care n-au reușit să se realizeze, menținându-se în zona unei dureroase insuficiențe, doar unul sau doi vor reuși cu adevărat ”să existe”. Așadar, această murdărie, veninul acestor ambiții înșelate, zbaterea aceasta în gol, această catastrofă nu au prea multe în comun cu emigrarea, și destule cu arta - constituie trăsătura caracteristică a oricărei cafenele literare și este cu adevărat destul de indiferent în ce parte a lumii se chinuie niște scriitori, care nu sunt de ajuns de scriitori pentru a fi cu adevărat scriitori.
Witold Gombrowicz (Diary)
To suggest, as Shine does, that my father was in some way mean-spirited is totally unfair. Holding back David’s career was not in the least my father’s aim. He was extremely proud of his son and nurtured his talent in every way. He was David’s strongest advocate. But allowing any boy who had just turned fourteen to live by himself so far away without proper provisions being made for him would have been irresponsible, to say the least. In David’s case, it would have been particularly inappropriate. He had never been abroad before; he was completely hopeless in practical matters; and he needed to be looked after, cooked for, and cared for. He was also by that time behaving rather erratically, although of course we did not know then that these may have been the first signs of a serious mental illness. My father’s attitude was proved correct: when David did go to London of his own volition four years later, he fell ill and ended up receiving psychiatric care. In any case there simply wasn’t enough money available to finance the trip to America. Contrary to what is related in Shine, where my father and Mr. Rosen decide that David should have a bar mitzvah as a method of raising money for this trip, David had already had his bar mitzvah almost a year earlier, when he turned thirteen, the usual age for this ceremony. His bar mitzvah had nothing to do with “digging for gold,” as Mr. Rosen puts it in Shine, in one of several offensive references in the film to Jews or Judaism. My father may not have been an Orthodox Jew himself, but he still had a strong desire to hold onto the basic tenets of Jewish tradition and to pass them on to his children.
Margaret Helfgott (Out of Tune: David Helfgott and the Myth of Shine)
With a scowl, he turned from the window, but it was too late. The sight of Lady Celia crossing the courtyard dressed in some rich fabric had already stirred his blood. She never wore such fetching clothes; generally her lithe figure was shrouded in smocks to protect her workaday gowns from powder smudges while she practiced her target shooting. But this morning, in that lemon-colored gown, with her hair finely arranged and a jeweled bracelet on her delicate wrist, she was summer on a dreary winter day, sunshine in the bleak of night, music in the still silence of a deserted concert hall. And he was a fool. "I can see how you might find her maddening," Masters said in a low voice. Jackson stiffened. "Your wife?" he said, deliberately being obtuse. "Lady Celia." Hell and blazes. He'd obviously let his feelings show. He'd spent his childhood learning to keep them hidden so the other children wouldn't see how their epithets wounded him, and he'd refined that talent as an investigator who knew the value of an unemotional demeanor. He drew on that talent as he faced the barrister. "Anyone would find her maddening. She's reckless and spoiled and liable to give her husband grief at every turn." When she wasn't tempting him to madness. Masters raised an eyebrow. "Yet you often watch her. Have you any interest there?" Jackson forced a shrug. "Certainly not. You'll have to find another way to inherit your new bride's fortune." He'd hoped to prick Masters's pride and thus change the subject, but Masters laughed. "You, marry my sister-in-law? That, I'd like to see. Aside from the fact that her grandmother would never approve, Lady Celia hates you." She did indeed. The chit had taken an instant dislike to him when he'd interfered in an impromptu shooting match she'd been participating in with her brother and his friends at a public park. That should have set him on his guard right then. A pity it hadn't. Because even if she didn't despise him and weren't miles above him in rank, she'd never make him a good wife. She was young and indulged, not the sort of female to make do on a Bow Street Runner's salary. But she'll be an heiress once she marries. He gritted his teeth. That only made matters worse. She would assume he was marrying her for her inheritance. So would everyone else. And his pride chafed at that. Dirty bastard. Son of shame. Whoreson. Love-brat. He'd been called them all as a boy. Later, as he'd moved up at Bow Street, those who resented his rapid advancement had called him a baseborn upstart. He wasn't about to add money-grubbing fortune hunter to the list. "Besides," Masters went on, "you may not realize this, since you haven't been around much these past few weeks, but Minerva claims that Celia has her eye on three very eligible potential suitors." Jackson's startled gaze shot to him. Suitors? The word who was on his lips when the door opened and Stoneville entered. The rest of the family followed, leaving Jackson to force a smile and exchange pleasantries as they settled into seats about the table, but his mind kept running over Masters's words. Lady Celia had suitors. Eligible ones. Good-that was good. He needn't worry about himself around her anymore. She was now out of his reach, thank God. Not that she was ever in his reach, but- "Have you got any news?" Stoneville asked. Jackson started. "Yes." He took a steadying breath and forced his mine to the matter at hand.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history. I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad, which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list. But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk. The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield. This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.
Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)
Dear Peter K, First of all I refuse to call you Kavinsky. You think you’re so cool, going by your last name all of a sudden. Just so you know, Kavinsky sounds like the name of an old man with a long white beard. Did you know that when you kissed me, I would come to love you? Sometimes I think yes. Definitely yes. You know why? Because you think EVERYONE loves you, Peter. That’s what I hate about you. Because everyone does love you. Including me. I did. Not anymore. Here are all your worst qualities: You burp and you don’t say excuse me. You just assume everyone else will find it charming. And if they don’t, who cares, right? Wrong! You do care. You care a lot about what people think of you. You always take the last piece of pizza. You never ask if anyone else wants it. That’s rude. You’re so good at everything. Too good. You could’ve given other guys a chance to be good, but you never did. You kissed me for no reason. Even though I knew you liked Gen, and you knew you liked Gen, and Gen knew you liked Gen. But you still did it. Just because you could. I really want to know: Why would you do that to me? My first kiss was supposed to be something special. I’ve read about it, what it’s supposed to feel like00fireworks and lightning bolts and the sound of waves crashing in your ears. I didn’t have any of that. Thanks to you it was as unspecial as a kiss could be. The worst part of it is, that stupid nothing kiss is what made me start liking you. I never did before. I never even thought about you before. Gen has always said that you are the best-looking boy in our grade, and I agreed, because sure, you are. But I still didn’t see the allure of you. Plenty of people are good-looking. That doesn’t make them interesting or intriguing or cool. Maybe that’s why you kissed me. To do mind control on me, to make me see you that way. It worked. Your little trick worked. From then on, I saw you. Up close, your face wasn’t so much handsome as beautiful. How many beautiful boys have you ever seen? For me it was just one. You. I think it’s a lot to do with your lashes. You have really long lashes. Unfairly long. Even though you don’t deserve it, fine, I’ll go into all the things I like(d) about you: One time in science, nobody wanted to be partners with Jeffrey Suttleman because he has BO, and you volunteered like it was no big deal. Suddenly everybody thought Jeffrey wasn’t so bad. You’re still in chorus, even though all the other boys take band and orchestra now. You even sing solos. And you dance, and you’re not embarrassed. You were the last boy to get tall. And now you’re the tallest, but it’s like you earned it. Also, when you were short, no one even cared that you were short--the girls still liked you and the boys still picked you first for basketball in gym. After you kissed me, I liked you for the rest of seventh grade and most of eighth. It hasn’t been easy, watching you with Gen, holding hands and making out at the bus stop. You probably make her feel very special. Because that’s your talent, right? You’re good at making people feel special. Do you know what it’s like to like someone so much you can’t stand it and know that they’ll never feel the same way? Probably not. People like you don’t have to suffer through those kinds of things. It was easier after Gen moved and we stopped being friends. At least then I didn’t have to hear about it. And now that the year is almost over, I know for sure that I am also over you. I’m immune to you now, Peter. I’m really proud to say that I’m the only girl in this school who has been immunized to the charms of Peter Kavinsky. All because I had a really bad dose of you in seventh grade and most of eighth. Now I never ever have to worry about catching you again. What a relief! I bet if I did ever kiss you again, I would definitely catch something, and it wouldn’t be love. It would be an STD! Lara Jean Song
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))