Guy Martin Quotes

Maybe you know the monsters, Martin," Murphy said quietly. "But I know the guy who stops them. And if they don't return the girl, we'll make them regret it." She nodded at me and said, "Let's go. We can watch Dresden kill the bitch.

I was on the street. This guy waved to me, and he came up to me and said, 'I'm sorry, I thought you were someone else.' And I said, 'I am.

I pressed PLAY and started up Chiron's favorite--the All-Time Greatest Hits of Dean Martin. Suddenly the air was filled with violins and a bunch of guys moaning in Italian. The demon pigeons went nuts. They started flying in circles, running into each other like they wanted to bash their own brains out.

You don't just have people who wake up in the morning and say, "What evil things can I do today, because I'm Mr. Evil?" People do things for what they think are justified reasons. Everybody is the hero of their own story, and you have to keep that in mind. If you read a lot of history, as I do, even the worst and most monstrous people thought they were the good guys. We're all very tangled knots.

I thought if I made sure to be an upstanding member of society, I’d be exempt from the stuff THOSE black guys deal with, you know? Really hard to swallow that I was wrong.

...So in his own way Guy Clinch confronted the central question of his time, a question you saw being asked and answered everywhere you looked, in every headline and haircut: if, at any moment, nothing might matter, then who said that nothing didn't matter already?

I think I've been waiting for the big gesture, the one where the guy stands in the rain and declares his love or makes some scene at a football game that ends with the crowd doing the slow clap. It's official. Romantic comedies have ruined me.

Martin said, “A mixed metaphor is like a beautiful woman.” “How so?” “They can both make a guy look stupid.

I'm writing my book in fifth person, so every sentence starts out with: " I heard from this guy who told somebody ...

In 1965, a psychologist named Martin Seligman started shocking dogs. He was trying to expand on the research of Pavlov--the guy who could make dogs salivate when they heard a bell ring. Seligman wanted to head in the other direction, and when he rang his bell, instead of providing food, he zapped the dogs with electricity. To keep them still, he restrained them in a harness during the experiment. After they were conditioned, he put these dogs in a big box with a little fence dividing it into two halves. He figured if the dog rang the bell, it would hop over the fence to escape, but it didn't. It just sat there and braced itself. They decided to try shocking the dog after the bell. The dog still just sat there and took it. When they put a dog in the box that had never been shocked before or had previously been allowed to escape and tried to zap it--it jumped the fence. You are just like these dogs. If, over the course of your life, you have experienced crushing defeat or pummeling abuse or loss of control, you convince yourself over time that there is no escape, and if escape is offered, you will not act--you become a nihilist who trusts futility above optimism. Studies of the clinically depressed show that they often give in to defeat and stop trying. . . Any extended period of negative emotions can lead to you giving in to despair and accepting your fate. If you remain alone for a long time, you will decide loneliness is a fact of life and pass up opportunities to hang out with people. The loss of control in any situation can lead to this state. . . Choices, even small ones, can hold back the crushing weight of helplessness, but you can't stop there. You must fight back your behavior and learn to fail with pride. Failing often is the only way to ever get the things you want out of life. Besides death, your destiny is not inescapable.

Luke’s like no other guy that I know. I mean, I respect him. I have really high standards and I only respect two other guys,” she said, casually. “I know.” I said dryly, “Jesus and Martin Luther King Jr.

Essentially, I'm a very real person; good and bad. And the public image is one of being very good, I suppose. But one of the reasons I'm attracted to people like Martin Luther King, Jr., Gandhi, Christ, to pacifism, is because naturally, I'm the guy that would not turn the other cheek - but, when people see you're attracted to that, they think you are that.

The real issue? He didn't wanna be the black guy accused of "playing the race card" at a state tournament.

To my beloved friends, there’s simply no life without you guys. Thanks for the advice and the love and the billion dinners and laughs. Without you all . . . I’d look for new friends and get them.

He frowned. She laughed. He brightened. She pouted. He grinned. She flinched. Come on: we don’t do that. Except when we’re pretending. Only babies frown and flinch. The rest of us just fake with our fake faces. He grinned. No He didn’t. If a guy grins at you for real these days, you’d better chop his head off before he chops off yours. Soon the sneeze and the yawn will be mostly for show. Even the twitch. She laughed. No she didn’t. We laugh about twice a year. Most of us have lost our laughs and now make do with false ones. He smiled. Not quite true. All that no good to think, no good to say, no good to write. All that no good to write.

Scully could see that Mulder might be a nice guy. Well-meaning. Talented. With his heart in the right place. But his head was definitely screwed on wrong.

I want to be remembered as a damn good entertainer, nothing spectacular. A good entertainer who made people enjoy themselves and made them laugh a little. I want them to think “He was a nice guy. He did pretty good and we loved him".

And while Trish stared - stared, as it now seemed, into her own eyes - Guy held her hand and watched the crowd: how it bled colour from the enormous room and drew all energy towards itself, forming one triumphal being; how it trembled, then burst or came or died, releasing individuality; and how the champion was borne along on its subsidence, his back slapped, his hair tousled, mimed by female hands and laughing, like the god of mobs.

Your such a cynic. Exactly, that's what you call a guy who tells you the truth.

This isn’t a fucking fairy tale. I’m not going to turn into a good guy because her cunt is made of velvet and rainbows.

Is this you giving me advice on how to survive a guy like you? Because that’s a little fucked up, even for you.

All they needed was a title. Carmack had the idea. It was taken from The Color of Money, the 1986 Martin Scorsese film in which Tom Cruise played a brash young pool hustler. In one scene Cruise saunters into a billiards hall carrying his favorite pool cue in a stealth black case. “What you got in there?” another player asks. Cruise smiles devilishly, because he knows what fate he is about to spring upon this player, just as, Carmack thought, id had once sprung upon Softdisk and as, with this next game, they might spring upon the world. “In here?” Cruise replies, flipping open the case. “Doom.

Bad news? The person driving said Aston Martin was the last person I wanted—or expected—to pick me up. He wasn’t an I’ll do my buddy a favor and rescue his stranded little sister kinda guy. He was a look at me wrong and I’ll destroy you and everyone you care about kinda guy, and he’d do it looking so calm and gorgeous you wouldn’t notice your world burning down around you until you were already a heap of ashes at his Tom Ford-clad feet.

Dandy," Martin replied, once again pleased with his response. A girl can make a guy feel good, great, and even fabulous, but how often does a lady hear that her man is feeling dandy? Not often, he guessed.

What are you reading?’ he asks this afternoon. ‘Kafka’s Metamorphosis,’ George says, without looking up. ‘And what’s it about?’ ‘Guy turns into a giant bug and eventually dies.’ ‘Not exactly life-affirming,’ Martin observes. ‘Life isn’t exactly life-affirming,’ George says. ‘How have you been able to read so many books?’ he asks, and she looks up from Kafka, her thumb marking the page. ‘I’m a weird girl in high school. I’ve had some time to kill.

I tended to fall in love with characters in books. Most guys I went to school with were far too interested in sports or video games. How could they hold a candle to Mister Darcy’s intensity, Tom Joad’s ethics, Martin Eden’s passion, Caleb Trask’s struggle for goodness, or Edmond Dantes’ cunning intellect?

I pressed PLAY and started up Chiron’s favorite—the All-Time Greatest Hits of Dean Martin. Suddenly the air was filled with violins and a bunch of guys moaning in Italian.

No one ever thinks about the guy who was raised by the guy who was raised by wolves.

Martin Van Buren was a shitty guy. Not just because he was a bad president, and not just because he was pro-slavery. Van Buren was shitty in a very general sort of way. And with all that that implies.

What I mean," I (Hank) said, "is that in every book I've read lately, the guys need to be saved by the gals. Every guy character seems written with a healthy dose of stupid, and the only way he could find his way out of a bucket is if a girl character shows him how. You haven't noticed that?" - p. 164, Vanishing Act, by Laura Martin.

Here was a group of guys that would look right at home at a table in the cafeteria of the Googleplex, the Microsoft Redmond campus, or a science fiction convention, but they were in Medieval England, dressed as wizards, and they were all looking at Martin.

The loneliness of people who sit alone in furnished rooms in crowded cities, because they’ve got nowhere to go and no one to talk to. The loneliness of guys who go to bars to meet someone, only to discover they don’t know how to strike up a conversation, and wouldn’t have the courage to do so if they did. There’s no grandeur to that kind of loneliness. No purpose and no poetry. It’s loneliness without meaning. It’s sad and squalid and pathetic, and it stinks of self-pity. Oh yes, it hurts at times to be alone among the stars. But it hurts a lot more to be alone at a party. A lot more.

When I looked around the neighborhood, I found out that kids wasn’t the only crooks. We was surrounded by crooks, and plenty of ’em was guys that were supposed to be legit, like the landlords and the storekeepers and the politicians and cops on the beat. All of ‘em was stealin’ from somebody. And we had the real pros, the old Dons from the old country, with their big black cars and mustaches to match. We used to make fun of them behind their backs, but our parents were scared to death of them. The only thing is, we knew they was rich, and rich was what counted, because the rich got away with anythin'.

Sure, I've gotten some disbelieving stares when I've tried to explain this little habit of mine to, say, a bus seatmate. I've watched a guy adjust his posture, or get up and move back several rows, even if it meant he now sat next to someone else who was clearly on the verge of some other kind of insanity.

Few people understood the exceptional role the civil rights movement had on the white boys and girls of the South. Bill Clinton would never have become who he was without the shining example of Martin Luther King. The same is true of Jimmy Carter and Fritz Hollings and Richard and Joe Riley. Imagine this: you’re a little white kid and you watch firehoses turned on people who don’t seem to be hurting anyone, and fierce dogs being tuned on young men who carry signs about freedom. We white kids grew up watching movies and TV and guess what we had learned to do? We had learned to tell the good guys from the bad guys.

Me: Now I understand why a guy can give up his freedom and shackle himself to one girl and spend the rest of his life working at a job he hates just to support the girl's offspring and then he dies, the end. Susie: Yeah, and now I understand why a girl can give up her freedom and shackle herself to one guy and ruin her body giving birth to the guy's offspring and put her career on hold and not realize her dreams of travel so she can cook and clean and raise the offspring of the guy and then she dies, the end.

Our memory is a more perfect world than the universe; it gives life back to those who no longer exist. —Guy de Maupassant, “Suicides

Don’t take the first word that comes to your mind. I want you to really think into it, feel it. The right word is so important, you guys.

It’s late. Need place to rehearse Dead Guy. I lie at bottom of stairs. Wife comes home. Do I break character? Never. She dials shrink.

I'm writing my book in fifth person, so every sentance starts out with: " I heard fron this guy who told somebody ..." -Demetri Martin

I’m a lot more concerned about the guy that has one gun; he probably knows how to use it.

None of the guys can figure out how a fuckoff like Alexander got you, and we ask him about it often. So, yeah, sucks you found out the way you did. But it doesn't suck, you finding out

None of the guys can figure out how a fuckoff like Alexander got you, and we ask him about it often. So, yeah, sucks you found out the way you did. But it doesn't suck, you finding out.

The problem with being an adult is absolutely everything. Bills. Work. The bone-crushing disappointment that comes from knowing the guy you want isn’t right for you. A slowed metabolism.

It's not that I've changed, but that everyone else has changed toward me, just because they think I'm male now. And I feel less self-conscious because of that. I haven't changed inside at all.

Have you guys really prayed about this?” “Have you prayed in faith for him to be healed?” They imply that we haven’t prayed long or hard enough, used the right words, or sufficiently trusted God, and that’s why Martin wasn’t healed. In those moments, I want to respond, “Oh, faith! That’s a great idea! We should try that. Until now, we’ve haven’t been praying in faith, we’ve been praying in the sandbox!

Even if you cannot achieve much in the way of fitness, every little [bit] helps. The other guy might be getting tired too. If he has five seconds' worth of fight left in him and you have 10, you will win.

As an IBM document describing the Watson technology points out: “We have noses that run, and feet that smell. How can a slim chance and a fat chance be the same, but a wise man and a wise guy are opposites?

Left alone in an interrogation room, some men will look as though they're well into their last ten seconds before throwing up. And they'll look that way for hours. They sweat like they just climbed out of the swimming pool. They eat and swallow air. I mean these guys are really going through it. You come and tip a light in their face. And they're bugeyed - the orbs both big and red, and faceted also. Little raised soft-cornered squares, wired with rust. These are the innocent.

You hear the one about the guy married this joker, just gorgeous, long blond hair, face like an angel, body to match. On their wedding night, she comes out in this white teddy and says to him, honey, I’ve got good news and bad news. He says, yeah, so give me the good news first. Well, she says, the good news is that this is what the wild card did to me, and she whirls around and gives him a good look, till he’s grinning and drooling. So what’s the bad news? he asks. The bad news, she says, is that my real name is Joseph.

Chris is a dick. Everyone on the team knows—hell, everyone on other teams know. You didn’t want to waste your life away with a guy like him. When TK said he’d marry you? You laughed, but you were the only one because every other person at the table knew he was serious.

Visit any comedy club, or watch Bridesmaids, Curb Your Enthusiasm, The Simpsons, South Park, Family Guy or Louis CK’s routines on YouTube, and you’ll realize that Americans pay comedians millions of dollars to talk about things most of them have felt, or thought, but never said in public. In

She’s a heroine, don’t you know?” said Aphrodite. The goddess started fluttering her eyelashes. “We can’t all be helpless waifs, waiting in high white towers for men to rescue us. We can’t all be Helens of Troy with men fighting for us! We women need powerful symbols of steel and fire to put us right up there with those arrogant guys!” “I

Most people don’t get (or want) to look at old news footage, but we looked at thirty years of stories relating to motherhood. In the 1970s, with the exception of various welfare reform proposals, there was almost nothing in the network news about motherhood, working mothers, or childcare. And when you go back and watch news footage from 1972, for example, all you see is John Chancellor at NBC in black and white reading the news with no illustrating graphics, or Walter Cronkite sitting in front of a map of the world that one of the Rugrats could have drawn–that’s it. But by the 1980s, the explosion in the number of working mothers, the desperate need for day care, sci-fi level reproductive technologies, the discovery of how widespread child abuse was–all this was newsworthy. At the same time, the network news shows were becoming more flashy and sensationalistic in their efforts to compete with tabloid TV offerings like A Current Affair and America’s Most Wanted. NBC, for example introduced a story about day care centers in 1984 with a beat-up Raggedy Ann doll lying limp next to a chair with the huge words Child Abuse scrawled next to her in what appeared to be Charles Manson’s handwriting. So stories that were titillating, that could be really tarted up, that were about children and sex, or children and violence–well, they just got more coverage than why Senator Rope-a-Dope refused to vote for decent day care. From the McMartin day-care scandal and missing children to Susan Smith and murdering nannies, the barrage of kids-in-jeopardy, ‘innocence corrupted’ stories made mothers feel they had to guard their kids with the same intensity as the secret service guys watching POTUS.

Kill ’em with kindness. My point is the world is full of guys like Jared and that employee, and most of them will never change. So it’s up to you fellas to push through it. Probably best not to talk with your fists in the future…” He nudged Manny. “But at least you have an idea of what you’re up against. Try not to let it stop you from doing your best, all right?

I went to my favourite meeting of the year, the Southern 100, and my Honda 600 threw a con-rod, splitting the case and letting oil spill onto the exhaust, setting the bike on fire. Race fans at the roadside poured beer and bottles of water over it to put out the flames. After the TT race failure I’d had with the bike I wouldn’t have been bothered if they’d let it burn.

Two rows of five showers faced each other, so you could get a good look at as many as three different guys. For instance, today he saw three different guys all diligently scrubbing their penises into various states of erection. The one in the middle wore a thick metal cock ring, which shocked Martin. He did think you should at least pretend you came to the gym to workout.

Martin hesitated. This was a definite yes and no answer. Yes, gay guys picked up strangers on the street, for that matter sometimes so did lesbians. And certainly straight people did whether they'd admit it or not. Of course, straight people were encouraged not to pick up people on the street, while gays and lesbians were encouraged not to exist at all. But none of that was the point.

I wake on the fiction couch deeply hungover, my head cracking, with Rachel telling me to get up. She’s holding my eyelids open like she used to do in high school when we’d stayed up all night talking and then slept through the morning alarm. ‘Get. Up. Henry.’ ‘What time is it? I ask, batting off her hands. ‘It’s eleven. The shop’s been open for an hour. There are customers asking for books I can’t find. George is yelling at a guy called Martin Gamble who’s here to help me create the database. And as a separate issue, Amy’s waiting in the reading garden.’ ‘Amy’s here?’ I sit up and mess my hair around. ‘How do I look?’ ‘I decline to answer on the grounds that technically you’re my boss and I don’t want to start my new job by insulting you.’ ‘Thank you,’ I say. ‘I appreciate that.

One guy was wearing a loincloth and a hat made of a wolf’s skull, which he insisted was his dress ensemble. Later, Martin worked up the nerve to ask him a few questions. It turned out his name was Richard, and he was from Portland, Oregon, in the year 2003. “Yeah, that’s where you’re from originally,” Martin said. “But where do you live?” Richard said, “Portland, in the year two thousand and three. I own a food truck.

He might not even be the guy she thinks he is,’ Martin says. ‘He might be a psychopath.’ ‘All the psychopaths are on the internet now,’ I say. ‘Why?’ ‘More potential for victims, I guess.’ ‘No, why wouldn’t George want to meet him? If she really is so sure about who he is?’ ‘Scared,’ I say. ‘She’s shy.’ ‘She doesn’t seem shy. She seems hostile and aggressive.’ ‘It’s a cover,’ I say, working something out about my sister as I say it. ‘Good cover,’ Martin says, but I think he’s worked it out too because some of the anger’s gone out of his voice.

Tony Williams: You’ve often mentioned that Tales of Hoffmann (1951) has been a major influence on you. George Romero: It was the first film I got completely involved with. An aunt and uncle took me to see it in downtown Manhattan when it first played. And that was an event for me since I was about eleven at the time. The imagery just blew me away completely. I wanted to go and see a Tarzan movie but my aunt and uncle said, “No! Come and see a bit of culture here.” So I thought I was missing out. But I really fell in love with the film. There used to be a television show in New York called Million Dollar Movie. They would show the same film twice a day on weekdays, three times on Saturday, and three-to-four times on Sunday. Tales of Hoffmann appeared on it one week. I missed the first couple of days because I wasn’t aware that it was on. But the moment I found it was on, I watched virtually every telecast. This was before the days of video so, naturally, I couldn’t tape it. Those were the days you had to rent 16mm prints of any film. Most cities of any size had rental services and you could rent a surprising number of films. So once I started to look at Tales of Hoffmann I realized how much stuff Michael Powell did in the camera. Powell was so innovative in his technique. But it was also transparent so I could see how he achieved certain effects such as his use of an overprint in the scene of the ballet dancer on the lily ponds. I was beginning to understand how adept a director can be. But, aside from that, the imagery was superb. Robert Helpmann is the greatest Dracula that ever was. Those eyes were compelling. I was impressed by the way Powell shot Helpmann sweeping around in his cape and craning down over the balcony in the tavern. I felt the film was so unique compared to most of the things we were seeing in American cinema such as the westerns and other dreadful stuff I used to watch. Tales of Hoffmann just took me into another world in terms of its innovative cinematic technique. So it really got me going. Tony Williams: A really beautiful print exists on laserdisc with commentary by Martin Scorsese and others. George Romero: I was invited to collaborate on the commentary by Marty. Pat Buba (Tony’s brother) knew Thelma Schoonmaker and I got to meet Powell in later years. We had a wonderful dinner with him one evening. What an amazing guy! Eventually I got to see more of his movies that I’d never seen before such as I Know Where I’m Going and A Canterbury Tale. Anyway, I couldn’t do the commentary on Tales of Hoffmann with Marty. But, back in the old days in New York, Marty and I were the only two people who would rent a 16mm copy of the film. Every time I found it was out I knew that he had it and each time he wanted it he knew who had it! So that made us buddies.

The Gospels are the canon within the canon. The Bible, as martin Luther said, is the cradle that holds Christ. The point of gravity is the story of Jesus, the Gospel. The closer a text of the Bible is to that story or to the heart of that story's message, the more authority it has. The father away it is, the less its authority. It's a story of how the God who spoke through prophets and poets was the same God who showed up later in a human body and walked around like he didn't understand the rules. Jesus said God's would is like a father running into the road to meet his no-good child as if the child's no-goodness was no matter. Jesus' stories seemed like nonsense, but then they also seemed like absolute truth at the same time. He just kept saying that the things we think are so important rarely are: things like holding grudges and making judgments and hoarding wealth and being first. Then one night, this Jesus got all weird at dinner and said a loaf of bread was his body and a cup of wine was his blood, and all of it is for forgiveness. All of it means our no-goodness is no matter. Then he went and got himself killed in a totally preventable way. Three days later he blew his friends' minds by showing back up and being all like, "You guys have any snacks? I'm starving.

The most vital weapons at the disposal of a special forces soldier are his intellect and his mental toughness. Sometimes it all comes down to 'who wants it most', i.e. whoever is more willing to keep fighting and trying to survive. Being able to keep your head and look for advantages or escape routes is a big plus too. Getting into 'survival mode' requires shifting mental gears when you need to. Good training helps with this as well as giving you the skills you need, but ultimately the will that drives your bid to survive is yours. If you give in to fear or go into denial, pretending that it is not happening, then you will fail. Instead you must accept that it IS really happening and deal with it. So if you find yourself thinking, "What's he going to do to me?', you have to force yourself to answer, 'Nothing. I'm not going to let him.' If you have done all you can to avoid trouble and it finds you anyway, then it is down to you to make a way out of the situation with as little harm to yourself as possible. Yes, you will be scared. Yes, you might indeed get hurt. Yes, it is possible that you could fail to defend yourself... but not for lack of trying. If the bad guy will not let you withdraw or de-escalate the situation, if he insists on fighting then he has decided that someone is going to get hurt. But it is you, not him, that gets to decide who.

Oh, so you think it’s easier being Black than being gay? I tell you what, you go somewhere don’t nobody have to know you gay unless you tell them. I’m Black everywhere. I can’t hide that shit,” Ike said. Tex pulled his towel out and twisted it with both hands. “Yeah, you can’t hide that you’re Black. But the fact that you think I should hide who I am proves my point. Like Dr. King said: an injustice anywhere is a threat to justice everywhere,” Tex said. Ike sucked his teeth and sat back onto his stool. “You guys let me know if you want anything else,” Tex said. He turned and walked to the other end of the bar. “Damn, he dropped the Martin Luther King card on your ass. I think he won that round, Grasshopper,” Buddy Lee said.

I’m surprised that Phillip worked so fast,” Gwen said. “He’s never seemed all that romantic to me.” “Well, he doesn’t show that side to you, Gwen. You’re like a sister to him.” Gwen smiled. “Are you saying he’s shown that side of himself to you?” “Not directly,” Martin said, just defensively enough to make it clear he was in on the joke. “But I know it’s there. Guys like Phillip are like, hmm . . . You know those cheap frozen chicken pot pies you get from the grocery store? Phillip’s like one of those. He’s all bland and beige on the surface, a little bit flaky too, but underneath, on the inside, he’s a scalding hot, bubbling mass of passion and gravy. And peas.” “And chicken?” Gwen offered. “Less than you’d think,” Martin said.

I have to say that the situation didn't look very promising. There was a woman in the bed right enough. But there was a man there too. Fully clothed, enormous in midnight-blue serge suit and peaked cap, he knelt above her rhythmically slapping her face with a pendulum action of his heavy-gloved hand. No, this didn't look like our kind of thing at all. Warily John slipped out of his socks and shirt. You have to give him credit: he keeps his cool and works the percentages. Now the two mean moved strangely past each other; and with some diffidence John climbed into bed. The other guy stared at us, with raised, with churning face. Then he did some shouting and strode out of there - though he paused, and thoughtfully dimmed the lights, as he left the room. We heard his boots on the stairs. The lady clutched me. "My husband!" she explained.

In every classic comedy duo, from Laurel and Hardy to Abbott and Costello to Martin and Lewis, in order for the exchange to work, the quality of the straight man had to be as dynamic as that of the funny guy. Carl was the best at this. I could use a single question as a springboard to unplanned exposition and tangents that would be as much of a surprise to Carl as they were to the audience. Carl was a gifted partner: While he deferred the punch lines to me, he knew me well enough to follow along and cross paths enough to set me up for more opportunities. He also knew he could throw me a complete curveball and I’d swing for the fences. We were a great ad-libbed high-wire act, and like the best high-wire acts, ours was dependent upon complete trust and respect for each other. Carl once said, “A brilliant mind in panic is a wonderful thing to behold.

Did you mean to hang up on me, Gunnar? You haven’t spoken for a while,” I said neutrally. “Fuck you and the horse you rode in on,” he growled. “I take it you found the owner?” I asked. I heard him dismiss the agent before speaking to me. “The report declares that a certain Gunnar Randulf and Nathin Temple have owned this 2012 Land Rover Defender Hard Top for the last three months. Funny, because I don’t remember ever using my home as collateral for a…” I heard a few more clicks. “$80,000 SUV.” “I remember you having it, but you sent it off to Vilnar for customization, which added on close to $100,000, if I remember correctly.” “Hmmm… It’s not as expensive as the Aston Martin,” he said disappointedly. “You destroyed the Aston Martin in less than 12 hours. This thing has bulletproof glass, and all sorts of other additions that would make it practically impossible to total. Unless you wanted to play chicken with an armored truck heading out of Fort Knox. That might be a different story. Then again, with as much as was spent on this guy, the armored truck might just die in shame.

My father strode up and cleared his throat. “Oh, hello, Mr. Martin,” Seth said. “Hello,” my father said. They shook hands. “Charlotte, your mom and I want to discuss something with you, but I don’t think it’s a good time now. I think you need some rest.” “Oh Jesus, what now?” I said. “Charlotte!” my mother scolded. “I’m drunk, you guys. It’s not a big deal.” Seth anchored me to his side by wrapping an arm around my waist. My mother stuck her hand out to Seth. “Hello, Seth, I’m Charlotte’s mom, Laura.” She blushed. “Oh, Motherrr, are you blushing? He’s just a professional baseball plaaayer with twelve-pack abs and perfect hair, get over it!” “Let’s go, drunky.” Seth pulled me along. “Hey, Taylor,” my father said, calling Seth by his last name. We turned back to see my dad point to his own eyes and then to Seth’s. I’m watching you, he mouthed, and then he buckled over and started laughing. “Your family is totally weird,” Seth said into my ear. “I see where you get your sense of humor.” “Yep, they’re all right. By the way, it’s your fault I’m drunk.” I caught Helen’s eye as we left the bar. Seth waved, she smiled, and Roddy laughed. “I think you had a little too much before I got involved.” “I told you that. Hey, wanna go skinny-dipping?” “I’m getting you a sandwich and then I’m putting you to bed,” he said. “Killjoy.

There were three great comedians in my formative years—Bill Cosby, Bill Murray, and Richard Pryor—and they wrecked comedy for a generation. How? By never saying anything funny. You can quote a Steve Martin joke, or a Rodney Dangerfield line, but Pryor, Cosby, and Murray? The things they said were funny only when they said them. In Cosby’s case, it didn’t even need to be sentences: “The thing of the thing puts the milk in the toast, and ha, ha, ha!” It was gibberish and America loved it. The problem was that they inspired a generation of comedians who tried coasting on personality—they were all attitude and no jokes. It was also a time when comedy stars didn’t seem to care. Bill Murray made some lousy movies; Richard Pryor and Eddie Murphy made even more; and any script that was too lame for these guys, Chevy Chase made. These were smart people—they had to know how bad these films were, but they just grabbed a paycheck and did them. Most of these comic actors started as writers—they could have written their own scripts, but they rarely bothered. Then, at the end of a decade of lazy comedy and half-baked material, The Simpsons came along. We cared about jokes, and we worked endless hours to cram as many into a show as possible. I’m not sure we can take all the credit, but TV and movies started trying harder. Jokes were back. Shows like 30 Rock and Arrested Development demanded that you pay attention. These days, comedy stars like Seth Rogen, Amy Schumer, Kristen Wiig, Melissa McCarthy, and Jonah Hill actually write the comedies they star in.

I had to drive through a very poor and largely Hispanic section of Miami to get to the apartment complex where Casey Martin had died. There were a lot of beautiful women on the sidewalks and at the outdoor cafés, a lot of tough guys and a lot of guys who weren’t tough but trying to look like they were. The streets were alive with what criminally passed for music nowadays, and there were smells of cooking in the air that suggested savory tastes. Small, hole-in-the-wall shops marked one end, and some more upscale stores the other. The dividing line between the two was discernible not just by the stores, but the women. The women and even younger girls at the lower income end seemed softer, friendlier, quicker with a genuine smile. The ones walking into the trendy places were just as pretty, more expensively dressed, but more apt to express scorn than produce a spontaneous smile. The upscale women appeared to be from a different planet. For them, everything was sexist, everything a slight. They were eternal victims, even though the entire world was in their favor. The women at the poor end fell in love, watched out for their men, while the more affluent were stand-offish and demanding, making certain any man “lucky” enough to be with them lived in the right zip code, had the right amount of bling to give them, and above all, had been properly neutered. The balls of their boyfriends and husbands — sometimes they had both — were always in their handbag, somewhere between the trendy lip liner and eye shadow. A kiss from one of the poor girls was a sweet gift, filled with passion and tenderness, even if it could only last a night. A kiss from an uptown girl meant you’d checked off all her right boxes, and she needed to fulfill her duty. Girls without money were from Venus, girls with money were from Mars.

Imagine that you are a seamstress who works in a cloth shop in the city of Corinth, in Greece, in the year 56. Eutychus, a guy who lives next door to you and works in a leather workshop nearby, has just joined a new club, and he tells you about it. First, they don’t meet in the daytime, but either early, before light, or after dark. There are only enough of them to fill a decent-sized dining room, but they call themselves the “town meeting.” You’re not quite sure what they do at these meetings. They don’t appear to worship any god or goddess that you can see. They use the term “god” sometimes, but this god doesn’t have a name, and to you that would be bizarre. Remember, you are pretending that you’re a Greek living in the year 56 in Corinth. To you, these people look as if they don’t believe in gods at all; they look like atheists. The people in this new club have a very high respect for a criminal Jew who led some kind of guerrilla war and was executed long ago, somewhere in Syria. Eutychus says, though, that this Jew is still alive somewhere. In fact, Eutychus says that the Jew “bought” him, although you didn’t know that Eutychus was ever a slave. In fact, you’re pretty sure he wasn’t a slave. So what does it mean that this guy bought him? At these town meetings they eat meals—which is not unusual since most clubs in your society eat meals—but they call the meals the “boss’s dinner,” or sometimes “the thank-you.” Some people say they eat human flesh at these dinners, but you doubt that because for some reason they seem to be vegetarians. You doubt whether vegetarians would eat human flesh. Eutychus says that to initiate new members into their club, they “dip them,” naked, and then they “get healthy.” Once you’re in the club, they call you “comrade,” and you have sex with anyone and everyone, because it doesn’t matter anymore whether you’re a man or a woman; in fact, they kind of figure you’re neither—or both.

Morning sweetheart," he said quietly, thinking it was Sarah who'd kissed him awake. "What time is it? I guess I better get up huh? We've got a long drive ahead of us today." "From what I hear, you were up quite a bit last night," Tina said, smiling at him sweetly. He opened his eyes then and sat up quickly. "Oh...hi, uh...good morning. Jeez I'm sorry, I thought you were Sarah," he said quickly. "Wait...you were kissing me again? God Tina, we can't keep doing that. If Sarah finds out...," he said, but he didn't get to finish. "Sarah already knows," Sarah said, leaning against the door jam with her coffee in her hand, as well as a second cup that she'd brought for him. Jarrod actually fell out of bed he was so shocked by her sudden appearance. It was heartbreaking how incredibly guilty he looked. "Oh god, sweetie I was asleep, I swear. I didn't do it on purpose," he said quickly. "Didn't you? You mean you don't enjoy kissing her?" Sarah asked, really enjoying this little game. "Well, yeah...I mean...oh jeez." "You're not sure? Maybe you should kiss her again, and then you can decide," Sarah said. Tina just smiled and then pooched her lips out at him. "Come on you guys, I just woke up. Please don't mess with me, it's too early for that." "Tell me something," Sarah said. "Who did you have sex with last night?" Jarrod just stood there looking confused. "Uh...you. You were here for it right?" he said finally. "Yeah, I was, but it was really Tina you were doing all night, wasn't it? She looked damn good in that outfit, didn't she?" That did it. Now his face turned beet red and he just stood there, naked and looking incredibly guilty. "It's ok sweetie, I don't mind...really. Now here, drink your coffee and get ready. We have a big day ahead of us," she said as she handed him his coffee and gave him a kiss. "Wait...what? God I'm so confused," he said. "I would be too if I was standing in front of two girls naked with a cup of coffee in my hand. Careful you don't spill it. You might burn something you'll be needing later," Sarah laughed as both her and Tina walked out the door and headed back to the kitchen. Jarrod just stood there in a state of total confusion, wondering what the hell just happened.

Would the pair of you like to turn your backs so you exclude us more effectively?” Jode asks. “We’re just adding to the list.” I hold up my journal. “Daryn.” Gideon shakes his head, pretending to be disappointed. “It’s our list.” “A list?” Jode leans back, resting his head against his bag. “What’s this list about?” Rather than explain it, I just lean over and give it to him. Gideon puts his hand over his heart and winces. “I hate sharing, Martin.” I lean up, whispering in his ear. “Some things are only for you.” He gives me a long unblinking look that makes my face burn and my body feel light and hot. “This is an outrage,” Jode says dryly. “I’m in here once and Gideon is here … two, three, four times?” “Three,” I say. “The last one doesn’t really count.” “Oh, it counts,” Gideon says. “How many times am I in it?” Marcus asks. “Are you guys making this a competition?” “Of course.” “Yeah.” “Definitely. And I’m dominating.” “For real,” Marcus says. “How many times am I on there?” “Once, like me. For your winning smile.” Jode closes the notebook and tosses it to Marcus. “But don’t let it go to your head. Gideon’s arse has a spot on the list as well.” Gideon looks at me and winks. “Like I said, dominating.” “Dare, you got a pen?” Marcus asks. This catches me by surprise for a moment. “Yes.” I toss it to him, smiling. This is perfect. Whatever he adds, it’s already perfect. As Marcus writes, Jode leans back and gazes up at the trees. “You’re thinking it’ll be five for you after this. Aren’t you, Gideon?” “You know me well, Ellis.” Marcus finishes writing. He sets the pen in the fold and hands the journal to Gideon. I lean in and read. Marcus’s handwriting is elegant cursive—almost astonishingly elegant. And what he wrote is, as expected, perfection. Even better is that Gideon reads it aloud. “‘Twenty-eight. The family you make.’” He looks at Marcus. “Damn right, bro. This is the best one here.” He looks at me. “Tied with fourteen.” “Ah, yes,” Jode says. “Gideon’s Super Lips.” Marcus shakes his head at me. “Why?” “It was a mistake. I wrote it before the list went public. What’s your addition, Jode? It can be anything. Anything that has significance to you.” “Full English breakfast,” he says, without missing a beat. “Bacon, eggs, sausages, baked beans, grilled tomato, mushrooms, toast, marmalade. With tea, of course. One of life’s undeniable pleasures.” My mouth instantly waters. “Well, it’s no trail mix, but all right.” I add “English Breakfast” to the list.

A man with tangled white hair looked up. Marco’s eyes widened when he recognized the guy. He’d written an article about Mr. Martins that ruined his business. As he walked by, Mr. Martins stood. “Hey, I know you!” Mr. Martins exclaimed. “You ruined my life!” Marco acted like he didn’t notice and quickly went away.

That old man’s guitar had lost its voice. It was played out. So was he. But while his mind might have forgotten more music than most would ever know, his fingers had not. Where most folks saw an itinerant drunk, I tasted the residue of musical genius. At one time, this guy had been somebody.

King Aenys himself. His scorn drove others to offer their swords. The names of the four Maegor chose are writ large in the history of Westeros: Ser Bramm of Blackhull, a hedge knight; Ser Rayford Rosby; Ser Guy Lothston, called Guy the Glutton; and Ser Lucifer Massey, Lord of Stonedance. The names of the seven Warrior’s Sons have likewise come down to us. They were: Ser Damon Morrigen, called Damon the Devout, Grand Captain of the Warrior’s Sons; Ser Lyle Bracken; Ser Harys Horpe, called Death’s Head Harry; Ser Aegon Ambrose; Ser Dickon Flowers, the Bastard of Beesbury; Ser Willam the Wanderer; and Ser Garibald of the Seven Stars, the septon knight. [Dick Bean] F&B

If you're going to go out, go out in a blaze of glory.

Love puts a guy’s head up his ass. Is that happening to me

And that one guy, Martin that everyone liked, well he had a gash above his right eye and bruising near his jawline making him look even more corrupt. It took a moment for me to remember hearing he was a boxer. He caught me staring and stared back. No blinking. No movement. Just staring. Staring. I looked away blushing. From my periphery I could see him raise a hand to the cut above his eye then quickly shove his fists into the front pockets of his jeans. I turned my head to catch his eyes fall to the floor. It looked like he was focused on the leg of a barstool, but I think I saw a smile split his face.

pictures.” Charlie and Sam were arguing at the top of their lungs. Nannie was chasing after Emily Michelle with a change of clothes. David Michael came in and pretended to faint from the smell. Mom bustled in and yelled at Charlie and Sam for not cleaning the fridge. “Guys, will you please be quiet?” I yelled. Honestly, you’d think it would be easy to find peace and quiet in a mansion. But nooooo. Everyone just had to be in the same room as Kristy. Yes, you heard right. Mansion. With

So,” said Toby, as he topped off a large castle, “did you hear about the dying man named Al who wanted a city named after him?” “No,” I replied, smiling. “Well, this guy Al knows he hasn’t got much time left, so he says to his friend, ‘Promise me they’ll name a city after me.’ And his friend says, ‘I promise, Al.’ And Al says, ‘Will it be big?’ and the friend says, ‘Sure will, Al,’ and Al says, ‘Will it be pretty?’ and the friend says, ‘Count on it, Al.’” “They named a city Al?” I interrupted. Toby grinned and went right on. “And Al says, ‘And you promise it’ll be named after me?’ and the friend says, ‘You betcha, Mr. Buquerque.’ Get it?” said Toby. “The guy’s name was Al Buquerque? Albuquerque? As in New Mexico?

I heard about this guy one time who, back in the fifties, went off into the bush and tried to convert the natives. He got off the plane, and they surrounded him and shoved about eight spears through his chest.” He shook his head. “Seems like a waste, don’t it? Before he left, somebody asked him why he was going.” Unc walked toward the edge of the porch and talked to me over his shoulder. “He said he gave up what he couldn’t keep to gain what he couldn’t lose.

Have I been an idiot all this time? Love puts a guy’s head up his ass. Is that happening to me? No way, I think. No fucking way.

Another young actor in Charlie’s class with me was a guy by the name of Martin Sheen. In one session Marty did a monologue from The Iceman Cometh, and he blew the roof off—I said, this is it, this is a great actor we are witnessing. He was the next James Dean as far as I was concerned. I got to be friends with Marty Sheen, and one day he said to me, “You know what my real name is, don’t you? Estevez.” He was half Spanish and he came from Ohio, out there in the Midwest, where he had a tough upbringing. He was one of ten kids in a working-class family that was always struggling for money. He had tenacity and grit and I could tell he was one of the best people I’d ever know, all grace and humility. I loved him. I still do. Marty Sheen moved in with me in the South Bronx so we could split the rent. We worked together at the Living Theatre in Greenwich Village, where we cleaned toilets and laid down rugs for the sets of the plays they put on.

And now I'm wondering, is this what happens with MS? Does it just become a sequence of demolition to the body? Like a pattern of dating the wrong guys, slowly breaking you down until you're a shell of your old existence?

Your such a cynic. Exactly, thats what you call a guy who tells you the truth.

Always code as if the guy who ends up maintaining your code will be a violent psychopath who knows where you live.

She was trying--for Carolyn, for herself, for her darling Mr. Darcy, she was trying to live this, and Martin’s presence had the effect of shining a light on how shallow it all was, besides reminding her of every guy who had tossed her aside. She was having a grand time and his judgment was souring the punch. She turned her shoulder to him and addressed Mr. Nobley. “Thank you, sir. Thus far the highlight of my stay has been making love to you.” Mr. Nobley bowed in acknowledgment. The conversation completely quieted. Jane thought she detected Martin sort of slump his shoulders. “Well, good night, all,” Jane said, and made a quick getaway to her room… …where she lay on her bed, stared at her canopy, and wished that encounter didn’t stick to her still, that she could just scrape it off her shoe. What would Martin have said if she’d let him speak? No, never mind, these things never end well. Wait, there had been something good, coiling on the edge of her memory…ah yes, Mr. Nobley had been about to kiss her. She closed her eyes and held to that moment as she would to the tatters of a really great dream in the waking gray of dawn.

You do seem different.” He touched her arms, pulled her in closer. “I’m happy to see you too, if you’d know. I think I missed you a bit.” “That’s the nicest thing you’ve ever said to me.” “I’m certain I could think of something nicer.” He looked up, thinking before turning back to her again. “I’m sorry about what I said before. All the other women I’ve seen at Pembrook Park seemed to be toying with ideas of affairs while their husbands were on business trips. I couldn’t reconcile what I knew of the women who come here and what I knew of you. When I saw you that day walking with Mr. Nobley and the others, I realized you’re here because you’re not satisfied--you’re looking for something. And when I finally realized that, can you imagine how lucky I felt that out of everyone, you would choose me?” “Thanks,” she said. “That was honest and encouraging, but Martin, you were going for nice.” “I wasn’t finished yet! I also wanted to tell you that you’re beautiful.” “That’s better.” “Unbelievably beautiful. And…and I don’t know how to say it. I’m not very good at saying what I’m thinking. But you make me feel like myself.” He swept a loose lock of hair from her forehead. “You remind me of my sister.” “Oh, really? You have that kind of sister?” “Yes, confident, funny…” “No, I meant the kind that you want to smooch.” Martin swept her up again, this time in a more romantic style than the over-the-shoulder baggage. She fit her arm around his neck and let him kiss her. She pressed her hand to his chest, trying to detect if his heart was pounding like hers. She peered at him and saw a little frown line between his eyes. “No, my sister doesn’t kiss half so well.” He walked her around, singing some ludicrous lullaby as though she were a baby, then set her down on a tree stump so they were nearly the same height. “Martin, could you lose your job over this?” He traced the line of her cheek with his finger. “At the moment, I don’t care.” “I’ll talk to Mrs. Wattlesbrook about it at our departure meeting tomorrow, but I don’t think my opinion means much to her.” “It might. Thank you.” Then there was silence and with it a hint of ending, and Jane realized she wasn’t quite ready for it. Martin was the first real guy she’d ever been able to relax with, turn off the obsessive craziness and just have fun. She needed to be with him longer and practice up for the real world. “I’m supposed to leave tomorrow,” she said, “but I can stay a couple more days, change my flight. I could find a hotel in London, far away from Wattlesbrook’s scope of vision, and I could see you. Just hang out a bit before I go home, no weirdness, no pressure, I promise.” He smiled broadly. “That’s an offer I can’t refuse because I’m simply mad to see you in pants. I have a feeling you have a very nice bum.

If we’re friends, I’m only the funniest guy you know because you don’t know John Cleese.
Or Steve Martin. Or Jack Handey. Or, or, or, I could go on for Orafoura.

Now, Tom had seemed like a decent guy when we watched him during track practice, and seeing that sign on the bulletin board had given us a clue that he had a good heart, too. But it was almost as if he knew we needed more convincing. And by the time we lost him—just a few streets away from our block—we were positive he couldn’t be the same guy who had robbed Speedy Jack’s. In fact, he turned out to be the nicest, most polite, most civic-minded boy I’ve ever seen. Here’s what we saw him do: He spotted a dog wandering into the road and stopped to coax it onto the sidewalk. He helped a little old lady across the street (really!), holding his hand up to stop traffic for her. He hopped off his skateboard and bent down to tie a child’s shoe. The mother (whose arms were full of groceries) looked like she wanted to hug him. He gave directions to a motorist, nodding politely at all her questions. He picked up litter from the sidewalk and threw it into a trash can. He stopped to admire a baby in its carriage. It was while he was cooing over the baby that Sunny gave me a disgusted look. “Are we wasting our time, or what?” she asked. I giggled. “Somehow I find it hard to believe he could swat a fly, much less hold up a store.” When Tom finished with the baby, he straightened up, stepped back onto his skateboard, and zipped around a corner. We let him go. Sunny sighed. “He’ll make some girl a fine husband one day,” she said, with a straight face. Then we cracked up. We were still laughing about it a half hour later, when Jill and Maggie showed up at Sunny’s for our party-planning session. We told them all about “Saint Tom,” as we’d begun to call him.

There are lots of good cops around. Dumb guys who are good cops. Inflexible, limited, tough, self-satisfied types who are all good cops. It would be better if there were a few more good guys who were cops.” His

a steadily increasing number of millennials are finally beginning to wake up to the choice we face as a civilization, and to the value they’ve so long overlooked in traditional standards of morality and beauty. They are wondering: is modern culture really so great if it means we substitute Meghan Trainor for Mozart, Emma Sulkowicz for Da Vinci, or Bell Hooks for Plato? Is it really such a step forward that our civilization, which once shed both blood and ink debating Martin Luther’s 95 Theses, is now reduced to considering theses like VICE Magazine’s “Dear Straight Guys: It’s Time to Start Putting Things In Your Butt?” Is this all there is, or can we do better? No,

Shocked that I might be a bad guy after all. Well, nice to meet you too.

David tried to relax. His gaze drifted to the crowded sidewalks of stressed humanity, comparing them to the idealized versions in billboards and storefronts. Even without hallucinations, it was a horrifying scene, he reflected. And Wharton believed he was going to bring a revolution to all this. “Most people are other people,” he said aloud. “Their thoughts are someone else’s opinions, their lives a mimicry, their passions a quotation.” “Which is itself a quotation,” chimed Wharton. “Oscar Wilde, I believe.” “Nothing gets past you.” “Not anymore.” David glanced at the confident figure sitting next to him. He tilted again, “So, how are you going to save all these people? They’re just a bunch of dupes who don’t even realise they’re getting fucked. There’s no golden future for the human race.” “Whoo! We need to get you detoxed – fast! Your mind is toxic!” “The fucks running this planet – they got us all stupid and downtrodden. They’ve got the media, the corporations, the banks. They just fill our troughs and we come a-gathering around, pushing each other about in the mud. They’ve got all the aces … Shit, they print the fucking aces!” “Do you think you’re telling me something new? You’ve got it wrong. I’m telling you something new here.” Wharton faced him and moved closer, almost confrontational. “The guys in charge – the fucks – the fat old dudes in the smoky backroom. They’re sitting on a powder keg, which is this: humanity and its potential – a potential so hard wired, so written into every cell, that it’s destiny. And they’re desperate to avoid anything that might cause a spark.” Light and dark took turns on Wharton’s face as they rolled on. He continued, “We are that spark. … Think small, you’ll be small. It’s time to go beyond all that programming and conditioning. The very fact that this material reality even exists is a fact too wondrous to truly behold. Too wondrous to behold! So, naturally, most of the time, it’s not ‘beheld’.” Despite the hushed tone, he was enjoying himself. “Don’t get made mundane just because of what the system tells you – it’s only the reigning ideology of the day. ‘Naive realism’, we call it. (…)

Martin Hughes found that four-year-olds were perfectly happy to tell you that ‘two plus three’ equal ‘five’, and were even quite willing to say that ‘two wuggles and three wuggles’ make ‘five wuggles’, without having a clue what a wuggle was. But they refused to add ‘two thousands and three thousands’ because, they said, ‘we haven’t done thousands yet’. By four years of age they had already learned that maths was a very special and precarious world where you had to tread carefully, and had to wait to be ‘taught’ before you could move.99

These days Martin came across an increasing number of guys he wouldn't kick out of bed. As the years passed, out of necessity, his standards gradually lowered.

It would never occur to me to go through a guy’s underwear. A