Grip You Quotes

We've searched our database for all the quotes and captions related to Grip You. Here they are! All 100 of them:

Why are you worrying about YOU-KNOW-WHO, when you should be worrying about YOU-NO-POO? The constipation sensation that's gripping the nation!
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
The spell. Victor said you had to want me... to care about me... for it to work." When he didn't say anything, I tried to grip his shirt, but my fingers were too weak. "Did you? Did you want me?" His words came out thickly. "Yes, Roza. I did want you. I still do. I wish... we could be together." "Then why did you lie to me?" We reached the clinic, and he managed to open the door while still holding me. As soon as he stepped inside, he began yelling for help. "Why did you lie?" I murmured again. Still holding me in his arms, he looked down at me. I could hear voices and footsteps getting closer. "Because we can't be together." "Because of the age thing, right?" I asked. "Because you're my mentor?" His fingertip gently wiped away a tear that had escaped down my cheek. "That's part of it," he said. "But also... well, you and I will both be Lissa's gaurdians someday. I need to protect her at all cost. If a pack of Strogoi come, I need to throw my body between them and her." I know that. Of course that's what you have to do." The black sparkles were dancing in front of my eyes again. I was fading out. "No. If I let myself love you, I won't throw myself in front of her. I'll throw myself in front of you.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
Will rose slowly to his feet. He could not believe he was doing what he was doing, but it was clear that he was, clear as the silver rim around the black of Jem’s eyes. “If there is a life after this one,” he said, “let me meet you in it, James Carstairs.” “There will be other lives.” Jem held his hand out, and for a moment, they clasped hands, as they had done during their parabatai ritual, reaching across twin rings of fire to interlace their fingers with each other. “The world is a wheel,” he said. “When we rise or fall, we do it together.” Will tightened his grip on Jem’s hand, which felt thin as twigs in his. “Well, then,” he said, through a tight throat, “since you say there will be another life for me, let us both pray I do not make as colossal a mess of it as I have this one.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
There was a clatter as the basilisk fangs cascaded out of Hermione's arms. Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet. "Is this the moment?" Harry asked weakly, and when nothing happened except that Ron and Hermione gripped each other still more firmly and swayed on the spot, he raised his voice. "OI! There's a war going on here!" Ron and Hermione broke apart, their arms still around each other. "I know, mate," said Ron, who looked as though he had recently been hit on the back of the head with a Bludger, "so it's now or never, isn't it?" "Never mind that, what about the Horcrux?" Harry shouted. "D'you think you could just --- just hold it in, until we've got the diadem?" "Yeah --- right --- sorry ---" said Ron, and he and Hermione set about gathering up fangs, both pink in the face.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Piper gripped his hand and followed him, “If I fall, you’re catching me.” “Uh, sure.” Jason hoped he wasn’t blushing. Leo stepped out next. “You’re catching me, too, Superman. But I ain’t holding your hand.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Butch tightened his grip on his cell and wished there were an app that let you reach through a phone and bitch slap someone.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
Percy, let me go" she croaked. "You can't pull me up." His face was white with effort. She could see in his eyes that he knew it was hopeless. "Never," he said. He looked up at Nico, fifteen feet above. "The other side, Nico! We'll see you there. Understand?" Nico's eyes widened. "But-" "Lead them!" Percy shouted. "Promise me!" "I-I will." Below them, the voice laughed in the darkness. Sacrifices. Beautiful sacrifices to wake the goddess. Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome. "We're staying together," he promised. "You're not getting away from me. Never again." Only then did she understand what would happen. A one-way trip. A very hard fall. "As long as we're together," she said. She heard Nico and Hazel still screaming for help. She saw sunlight far, far above- maybe the last sunlight she would ever see. Then Percy let go of his ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
There aren't any syringes." Red Sox came over and held a sterile pack out. When she tried to take it from him, he kept a grip on the thing. "I know you'll use this wisely." "Wisely?" She snapped the syringe out of his hand. "No, I'm going to poke him in the eye with it. Because that's what they trained me to do in medical school.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
It doesn't really matter whether you grip the arms of the dentist's chair or let your hands lie in your lap. The drill drills on.
C.S. Lewis (A Grief Observed)
...there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there.
Bret Easton Ellis (American Psycho)
I don't hate you, Jace." "I don't hate you, either." She looked up at him, relieved. "I'm glad to hear that—" "I wish I could hate you," he said. His voice was light, his mouth curved in an unconcerned half smile, his eyes sick with misery. "I want to hate you. I try to hate you. It would be so much easier if I did hate you. Sometimes I think I do hate you and then I see you and I—" Her hands had grown numb with their grip on the blanket. "And you what?" "What do you think?" Jace shook his head. "Why should I tell you everything about how I feel when you never tell me anything? It's like banging my head on a wall, except at least if I were banging my head on a wall, I'd be able to make myself stop." Clary's lips were trembling so violently that she found it hard to speak. "Do you think it's easy for me?" she demanded.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Aside from the obvious, Francesca, what do you want in return for supplying information?” Bones asked, getting back to the subject. “You to take me,” she replied at once. “Not gonna happen!” I spat, squeezing him possessively. Three sets of widened eyes fixed on me. That’s when I realized that what I had a firm grip on was no longer his hand.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
To feel anything deranges you. To be seen feeling anything strips you naked. In the grip of it pleasure or pain doesn’t matter. You think what will they do what new power will they acquire if they see me naked like this. If they see you feeling. You have no idea what. It’s not about them. To be seen is the penalty.
Anne Carson (Red Doc>)
Softly, Magnus said, "Aku cinta kamu." "What does that mean?" Magnus disentangled himself from Alec's grip. "It means I love you. Not that that changes anything.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Annabeth gripped the hilt of her dagger. “A bounty on our heads . . . as if we didn’t attract enough monsters already.” “Do we get WANTED posters?” Leo asked. “And do they have our bounties, like, broken down on a price list?” Hazel wrinkled her nose. “What are you talking about?” “Just wondering how much I’m going for these days,” Leo said. “I mean, I can understand not being as pricey as Percy or Jason, maybe . . . but am I worth, like, two Franks, or three Franks?
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
When jumping is the sole option, you jump, and try to make it work.
Brandon Mull (Grip of the Shadow Plague (Fablehaven, #3))
Magic does that. It wastes you away. Once it grips you by the ear, the real world gets quieter and quieter, until you can hardly hear it at all.
Catherynne M. Valente (Deathless)
Eric was holding my hands, and I was digging my nails into him like we were doing something else. He won't mind, I though, as I realized I'd drawn blood. And sure enough, he didn't. "Let go," he advised me, and I loosened my grip on his hands. "No, not of me," he said smiling. "You can hold on to me as long as you want.
Charlaine Harris (Club Dead (Sookie Stackhouse, #3))
Maybe love shouldn’t be built on a foundation of compromises, but maybe it can’t exist without them either. Not the kind that forces two people into shapes they don’t fit in, but the kind that loosens their grips, always leaves room to grow. Compromises that say, there will be a you-shaped space in my heart, and if your shape changes, I will adapt. No matter where we go, our love will stretch out to hold us, and that makes me feel like … like everything will be okay.
Emily Henry (Book Lovers)
He gripped her hard, forcing her to meet his eyes as he snarled, “I see you. I see every part of you. And I am not afraid.” I will not be afraid. A line in the burning brightness. My name is Aelin Ashryver Galathynius . . . And I will not be afraid.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
To experience real agony is something hard to write about, impossible to understand while it grips you; you're frightened out of your wits, can’t sit still, move, or even go decently insane.
Charles Bukowski (The People Look Like Flowers at Last)
Spend the night with me.” (...) “I’m tired of living like I’m not alive.” He dropped his hands from my face to grip my shoulders. “I’m bloody sick to death of it. I want one night to be alive. With you.” He closed his eyes and leaned his forehead on mine. “Please, Anna. One last night and we’ll go back to being safe again. I need this. I need you.
Wendy Higgins (Sweet Peril (Sweet, #2))
Hot or not, there went my tenuous grip on my temper. 'I don't need you looking out for what's best for me, Aiden. I'm not a child!' His eyes narrowed. 'I of all people know you're not a child, Alex. And I sure as hell didn't treat you like one last night.
Jennifer L. Armentrout (Deity (Covenant, #3))
Captain! To your left there’s a Lunar guard and on your right is a doctor who’s running tests on Lunars and I’m being held by one of Levana’s wolf hybrids and please be careful!” Thorne took a step back into the hallway a gun from his waistband. He spent a moment swiveling the barrel of the gun in each direction, but nobody moved to attack him. With some surprise, Cress realized that the operative’s grip had weakened. “Er…” Thorne furrowed his brow, aiming the gun somewhere near the window. “Could you describe all those threats again because I feel like I missed something.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
In My Secret Life" "I saw you this morning, you were moving so fast. Can't seem to loosen my grip On the past. And I miss you so much, there's no one in sight. And we're still making love In my secret life. I smile when I am angry, I cheat and I lie, I do what I have to do to get by, In my secret life.
Leonard Cohen
It’s me,” he said, and cleared his throat. “I could understand if you didn’t believe me, but I swear on the Angel, Iz, it’s me.” Alec said nothing, but his grip on Jace’s hand tightened. “You don’t need to swear,” he said, and with his free hand touched the parabatai rune near his collarbone. “I know. I can feel it. I don’t feel like I’m missing a part of me anymore.” “I felt it too.” Jace took a ragged breath. “Something missing. I felt it, even with Sebastian, but I didn’t know what it was I was missing. But it was you. My parabatai.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Maybe you need to get a grip on your libido, Barrons!" Fuck you, Ms. Lane!" You just try. I‘ll kick the shit out of you!" You think you could?" Bring it on." He grabbed a fistful of my T-shirt, and dragged me up against him until our noses touched. I‘ll bring it on, Ms. Lane. But remember you asked for it. So don‘t even think about trying to tap out on the mat and quit the fight." You hear anybody crying ‗Uncle‘ here, Barrons? I don‘t." Fine." Fine.
Karen Marie Moning (Bloodfever (Fever, #2))
Percy?" Annabeth gripped his arm. "Oh, bad," he muttered. "Bad. Bad." He looked across the table at Frank and Hazel. "You guys remember Polybotes?" "The giant who invaded Camp Jupiter," Hazel said. "The anti-Poseidon you whacked in the head with a Terminus statue. Yes, I think I remember
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Max!' Nudge cried, rushing over to hug me. Her thin arms gripped me tight, and I hugged her back, scratching her wings where they joined her shoulders, the way she liked. 'We were so worried—I didn’t know what had happened to you, and we didn’t know what to do, and Fang said we going to eat rats, and—' 'Okay, okay. Everything’s okay,' I told her. I met Fang’s eyes over her shoulder and mouthed rats? silently. A flicker of a grin crossed his lips and then was gone.
James Patterson (The Angel Experiment (Maximum Ride, #1))
I've got you. I swear to God, I've got you," said Noah. "Stay with me, Echo." I wanted to. I wanted to stay with him, but the shouting and screams and glass breaking in my mind grew louder. "Make it stop." He tightened his grip on my arms. "Fight, Echo! You've got to fucking fight. Come on, baby. You're safe.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I want to make a few things clear.” Christian’s lips brushed mine with each word. “Touch another man, he dies. Let another man touch you, he dies. Tell me I can’t touch you…” His grip tightened on the back of my neck as his voice dropped. “And I will fucking die.
Ana Huang (Twisted Lies (Twisted, #4))
Let go," he advised me, and I loosened my grip on his hands. "No, not of me," he said, smiling. "You can hold on to me as long as you want. Let go of the pain, Sookie. Let go. You need to drift away." It was the first time I had relinquished my will to someone else. As I looked at him, it became easy, and I retreated from the suffering and uncertainty of this strange place.
Charlaine Harris (Club Dead (Sookie Stackhouse, #3))
You've sort of made up for it tonight,' said Harry. 'Getting the sword. Finishing off the Horcux. Saving my life.' 'That makes me sound a lot cooler than I was,' Ron mumbled. 'Stuff like that always sounds cooler than it really was,' said Harry. 'I've been trying to tell you that for years.' Simultaneously they walked forwards and hugged, Harry gripping the still sopping back of Ron's jacket.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Wolf, are you asking me to be ... your alpha female?" He hesitated. Scarlet couldn't help it - she burst into laughter. "Oh - I'm sorry. That was mean. I know I shouldn't tease you about this." Still grinning, she made to retract her hand, but he was suddenly gripping it, refusing to relinquish the touch. "You just look so scared, like I'm going to disappear any minute. We're stuck on a spaceship, Wolf. I'm not going anywhere." His lips twitched, his nervousness beginning to ease away, though his hand stayed tense over hers. "Alpha female," he murmured. "I sort of like that." Beaming, Scarlet gave a mild shrug. "It could grow on me.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
That was cool.' You're psychotic.
Brandon Mull (Grip of the Shadow Plague (Fablehaven, #3))
Will seemed about to lunge off toward the whisperers to administer rough justice, but Jem had a firm grip on the back of his parabatai’s coat. Being Jem, Tessa reflected, must be a great deal like being the owner of a thoroughbred dog that liked to bite your guests. You had to have a hand on his collar constantly.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
He grabbed my arm. "Wait. You're mad?" I yanked my coat from his grip. "You know...I don't even know why I'm surprised." His eyebrows pulled in. "I can't win with you. I can't win with you! You say you're done...I'm fucking miserable over here! I had to break my phone into a million pieces to keep from calling you every minute of the damn day-I've had to play it off like everything is just fine at school so you can be happy...and you're fucking mad at me? You broke my fuckin' heart!" His last words echoed into the night.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
I’ll tell them,” she said. “I’ll tell them it was my fault.” He looked at her, gold eyes incredulous. “You can’t lie to them.” “I’m not. I brought you back,” she said. “You were dead, and I brought you back. I upset the balance, not you. I opened the door for Lilith and her stupid ritual. I could have asked for anything, and I asked for you.” She tightened her grip on his shirt, her fingers white with cold and pressure. “And I would do it again. I love you, Jace Wayland—Herondale—Lightwood—whatever you want to call yourself. I don’t care. I love you and I wil always love you, and pretending it could be any other way is just a waste of time.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Gosh, what a gripping story. You must have been simply terrified. Meanwhile we went to Godric's Hollow and, let's think, what happened there, Harry? Oh yes, You-Know-Who's snake turned up, it nearly killed both of us, and then You-Know-Who himself arrived and missed us by about a second. Imagine losing fingernails, Harry! That really puts our sufferings into perspective, doesn't it?
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
When you come out of the grips of a depression there is an incredible relief, but not one you feel allowed to celebrate. Instead, the feeling of victory is replaced with anxiety that it will happen again, and with shame and vulnerability when you see how your illness affected your family, your work, everything left untouched while you struggled to survive. We come back to life thinner, paler, weaker … but as survivors. Survivors who don’t get pats on the back from coworkers who congratulate them on making it. Survivors who wake to more work than before because their friends and family are exhausted from helping them fight a battle they may not even understand. I hope to one day see a sea of people all wearing silver ribbons as a sign that they understand the secret battle, and as a celebration of the victories made each day as we individually pull ourselves up out of our foxholes to see our scars heal, and to remember what the sun looks like.
Jenny Lawson (Furiously Happy: A Funny Book about Horrible Things)
Alex gripped my chin and brought my gaze to his. “What did I tell you? You’re mine, Sunshine. You’re never touching another man unless you want him six feet in the ground. So yes, we’re fucking exclusive.
Ana Huang (Twisted Love (Twisted, #1))
Grief was not a line, carrying you infinitely further from loss. You never knew when you would be sling-shot backward into its grip. —
Brit Bennett (The Mothers)
A virgin," Flaminius smiled deviously. "I'll take her." Instantly, surprised chatter erupted. Mother Guardian held up her hand for silence. "You cannot be serious, Sire." "Oh, but I am," he replied with a smirk.
Therisa Peimer (Taming Flame)
I kicked off my shoes and pulled his hand away from the wheel so I could straddle his lap and hold him. His grip on me was excruciatingly tight, but I didn't complain. We were on an insanely busy street, with endless cars rumbling past on one side and a crush of pedestrians on the other, but neither of us cared. He was shaking violently, as if he were sobbing uncontrollably, but he made no sound and shed no tears. The sky cried for him, the rain coming down hard and angry, steaming off the ground.
Sylvia Day (Reflected in You (Crossfire, #2))
Why do you have such faith in me, Aurelia?"  "I've told you a million times that I love you, you make me feel safe and cherished, and you care deeply for our people. Why wouldn't I have faith in you?
Therisa Peimer (Taming Flame)
Ever bike? Now that's something that makes life worth living!...Oh, to just grip your handlebars and lay down to it, and go ripping and tearing through streets and road, over railroad tracks and bridges, threading crowds, avoiding collisions, at twenty miles or more an hour, and wondering all the time when you're going to smash up. Well, now, that's something! And then go home again after three hours of it...and then to think that tomorrow I can do it all over again!
Jack London
There is something about spending Christmas alone, naked, sitting by the Christmas tree gripping a shotgun, that lets you know your life is spinning dangerously outta control.
Nikki Sixx (The Heroin Diaries: A Year in the Life of a Shattered Rock Star)
Black is the color that is no color at all. Black is the color of a child's still, empty bedroom. The heaviest hour of night-the one that traps you in your bunk, suffocating in another nightmare. It is a uniform stretched over the broad shoulders of an angry young man. Black is the mud, the lidless eye watching your every breath, the low vibrations of the fence that stretches up to tear at the sky. It is a road. A forgotten night sky broken up by faded stars. It is the barrel of a new gun, leveled at your heart. The color of Chubs's hair, Liam's bruises, Zu's eyes. Black is a promise of tomorrow, bled dry from lies and hate. Betrayal. I see it in the face of a broken compass, feel it in the numbing grip of grief. I run, but it is my shadow. Chasing, devouring, polluting. It is the button that should never have been pushed, the door that shouldn't have opened, the dried blood that couldn't be washed away. It is the charred remains of buildings. The car hidden in the forest, waiting. It is the smoke. It is the fire. The spark. Black is the color of memory. It is our color. The only one they'll use to tell our story.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
I waited for the fear to hit; waited for my body to shriek to find a way to get out of this dinner, but ... nothing. Maybe it'd be a mercy to be ended— A broad hand gripped my face—gently enough not to hurt, but hard enough to make me look at him. "Don't you ever think that," Rhysand hissed, his eyes livid. "Not for one damned moment.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Rose. Listen to me. Run. Run as fast and as hard as you can back to your dorm. Tell the guardians." I nodded. There was no questioning here. Reaching out, he gripped my upper arm, gaze locked on me to make sure I understood his next words. "Do not stop," he said. "No matter what you hear, no matter what you see, do not stop. Not until you've warned the others. Don't stop unless you're directly confronted. Do you understand?" I nodded again. He released his hold. "Tell them buria." I nodded again. "Run.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
What did you do?” I mumble. He is just a few feet away from me now, but not close enough to hear me. As he passes me he stretches out his hand. He wraps it around my palm and squeezes. Squeezes, then lets go. His eyes are bloodshot; he is pale. “What did you do?” This time the question tears from my throat like a growl. I throw myself toward him, struggling against Peter’s grip, though his hands chafe. “What did you do?” I scream. “You die, I die too” Tobias looks over his shoulder at me. “I asked you not to do this. You made your decision. These are the repercussions.
Veronica Roth
Aidan from the past: He took her hands in his bloodied, callused ones. “Accept me?” His eyes glowed, his lashes spiked from rain. Declan in the present: He gripped her nape. “I fuckin love you, Regin!” Rain spiked his lashes as he gazed down at her, commanding her, “Love me back!
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
I'm all right,' Jace protested, but his hand gripped Alec's sleeve tightly. 'I can stand.' It looks to me like you're using a wall to prop you up. That's not my definition of "standing."' It's leaning,' Jace told him. 'Leaning comes right before standing.
Cassandra Clare
I’m not careful," she said as he touched his lips to her temple. His warm breath stirred the curls by her ear. "I’m just not you." She felt him laugh. His hands slid down her sides, gripped her waist. “That, you are definitely not. Much prettier.” “You must love me,” she said, breath hitching as his lips traveled excruciatingly slowly along her jaw. “I never thought you’d admit anyone was prettier than you.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Meghan,” whispered a voice, heart wrenchingly familiar, drawing me out of the void. I recognized it immediately, just as I realized it was a figment of my desperate imagination, because the real owner of that voice would never be here, talking to me. Ash? “Wake up,” he murmured, his deep voice cutting through the layers of the darkness. “Don’t do this. If you don’t come out of this soon, you’ll fade away and drift forever. Fight it. Come back to us.” I didn’t want to wake up. There was nothing but pain waiting for me in the real world. If I was asleep, I couldn’t feel anything. If I was asleep, I didn’t have to face Ash and the cold contempt on his face when he looked at me. Darkness was my retreat, my sanctuary. I drew back from Ash’s voice, deeper into the comforting blackness. And, through the layer of dreams and delirium, I heard a quiet sob. “Please.” A hand gripped mine, real and solid, anchoring me to the present. “I know what you must think of me, but…” The voice broke off, took a ragged breath. “Don’t leave,” it whispered. “Meghan, don’t go. Come back to me.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
...there was some kind of connection between the capacity to love and the capacity to love *running*. The engineering was certainly the same: both depended on loosening your grip on your own desires, putting aside what you wanted and appreciating what you've got, being patient and forgiving and... undemanding...maybe we shouldn't be surprised that getting better at one could make you better at the other.
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
He had come for her. She held his gaze as she grabbed her own dagger and cut her palm, right over the scar she’d given herself at Nehemia’s grave. And though she knew he could read the words on her face, she said, “To what ever end?” He nodded, and she joined hands with him, blood to blood and soul to soul, his other arm coming around to grip her tightly. Their hands clasped between them, he whispered into her ear, “I claim you, too, Aelin Galathynius.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Her magic sent him sprawling, and it then hurled into Rhysand again - so hard that his head cracked against the stones and the knife dropped from his splayed fingers. No one made a move to help him, and she struck him once more with her power. The red marble splintered where he hit it, spiderwebbing toward me. With wave after wave she hit him. Rhys groaned. "Stop," I breathed, blood filling my mouth as I strained a hand to reach her feet. "Please." Rhys's arms buckled as he fought to rise, and blood dripped from his nose, splattering on the marble. His eyes met mine. The bond between us went taut. I flashed between my body and his, seeing myself through his eyes, bleeding and broken and sobbing. I snapped back into my own mind as Amarantha turned to me again. "Stop? Stop? Don't pretend you care, human," she crooned, and curled her finger. I arched my back, my spine straining to the point of cracking, and Rhysand bellowed my name as I lost my grip on the room.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Rhys gave no warning as he gripped my arm, snarling softly, and tore off my glove. His touch was like a brand, and I flinched, yielding a step, but he held firm until he'd gotten both gloves off. " I heard you begging someone, anyone, to rescue you, to get you out. I heard you say no." "I didn't say anything." He turned my bare hand over, his hold tightening as he examined the eye he'd tattooed. He tapped the pupil. Once. Twice. " I heard it loud and clear.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
…there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this—and I have countless times, in just about every act I’ve committed—and coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothing….
Bret Easton Ellis (American Psycho)
I'll follow you to the next life if I have to," he whispered harshly in her ear. "You'll never be free of me. I'll chase you through heaven and hell and beyond." He continued to whisper without stopping while his hands gripped her body close to his. "You stay with me, Holly," he muttered savagely. "Don't do this to me. You stay, damn you.
Lisa Kleypas (Where Dreams Begin)
You are not replaceable,” he said. His hands were shaking as he gripped her. “You are not required to make your death convenient. You are allowed to be important to people. The reason I took that fucking Vow was to keep you alive. To keep you safe." - Chapter 52: Flashback 27
SenLinYu (Manacled)
How do you know, when you think blue — when you say blue — that you are talking about the same blue as anyone else? You cannot get a grip on blue. Blue is the sky, the sea, a god’s eye, a devil’s tail, a birth, a strangulation, a virgin’s cloak, a monkey’s ass. It’s a butterfly, a bird, a spicy joke, the saddest song, the brightest day. Blue is sly, slick, it slides into the room sideways, a slippery trickster. This is a story about the color blue, and like blue, there’s nothing true about it. Blue is beauty, not truth. ‘True blue’ is a ruse, a rhyme; it’s there, then it’s not. Blue is a deeply sneaky color.
Christopher Moore (Sacré Bleu: A Comedy d'Art)
I say, Watson,’ he whispered, ‘would you be afraid to sleep in the same room as a lunatic, a man with softening of the brain, an idiot whose mind has lost its grip?’ ‘Not in the least,’ I answered in astonishment. ‘Ah, that’s lucky,’ he said, and not another word would he utter that night.
Arthur Conan Doyle (The Valley of Fear (Sherlock Holmes, #7))
Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome. "We're staying together," he promised. "You're not getting away from me. Never again." Only then did she understand what would happen. A one-way trip. A very hard fall. "As long as we're together," she said. She heard Nico and Hazel still screaming for help. She saw the sunlight far,f ar above-maybe the last sunlight she would ever see. Then Percy let go of his tiny ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
She sucked in a shuddering breath, and he pulled back far enough for them to share breath. Her fingers shook as she brushed them against his mouth, and his control nearly shredded apart right there. 'What are you waiting for?' he said, the words near guttural. 'Bastard,' she murmured, and kissed him. Her mouth was soft and warm, and he bit back a groan. His body went still—his entire world went still—at that whisper of a kiss, the answer to a question he’d asked for centuries. He realized he was staring only when she withdrew slightly. His fingers tightened at her waist. 'Again,' he breathed. She slid out of his grip. 'If we live through tomorrow, you’ll get the rest.' He didn’t know whether to laugh or roar. 'Are you trying to bribe me into surviving?' She smiled at last. And damn if it didn’t kill him, the quiet joy in her face. They had walked out of darkness and pain and despair together. They were still walking out of it. So that smile … It struck him stupid every time he saw it and realized it was for him.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Even as she spoke, silver blue flashed on her other side and then Illium was standing beside her, his wing touching Elena's in an intimacy that made Raphael raise an eyebrow. Illium's lips curved in a wicked smile that did little to hide the intensity of his emotions. I would not watch you die again, Sire. His veins stood out against his skin as he gripped the wrist of one hand with the other. Raphael met those eyes of gold that had stood beside him for centuries. If I had done so, I would have gone knowing you would keep my heart safe. Illium's gaze went to Elena. Always.
Nalini Singh (Archangel's Consort (Guild Hunter, #3))
When a man starts my program, he often says, “I am here because I lose control of myself sometimes. I need to get a better grip.” I always correct him: "Your problem is not that you lose control of yourself, it’s that you take control of your partner. In order to change, you don’t need to gain control over yourself, you need to let go of control of her.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
I would argue that masturbation is the human animal's most important adaptation. The very cornerstone of our technological civilization. Our hands evolved to grip tools, all right—including our own. You see, thinkers, inventors, and scientists are usually geeks, and geeks have a harder time getting laid than anyone. Without the built-in sexual release valve provided by masturbation, it's doubtful that early humans would have ever mastered the secrets of fire or discovered the wheel. And you can bet that Galileo, Newton, and Einstein never would have made their discoveries if they hadn't first been able to clear their heads by slapping the salami (or "knocking a few protons off the old hydrogen atom"). The same goes for Marie Curie. Before she discovered radium, you can be certain she first discovered the little man in the canoe.
Ernest Cline (Ready Player One (Ready Player One, #1))
He gripped her shoulders determinedly. 'I should’ve told you this earlier, Jordan. Now that I’ve got my chance, you’re going to hear it whether you like it or not. You came into my life and messed the whole thing up and now I’m screwed. Because I’m in love with you. As in balls-out, head-over-heels, watching-Dancing-with-the-Stars-on-Monday-nights, wine-and-bubble-bath kind of love. Hell, I think I’d even wear a scarf indoors for you.
Julie James (A Lot like Love (FBI/US Attorney, #2))
She laid her head against his collarbone, and he kissed her temple. To her shock, she felt a shudder roll through his body about the same time she registered wetness against her skin. Tears. His tears. She started to turn around, but he tightened his grip. “Stay,” he said in a choked voice. “Just let me hold you, baby. Just let me hold you.
Maya Banks (The Darkest Hour (KGI, #1))
What do you care?" I barked, and his grip tightened enough on my wrists that I knew my bones would snap with a little more pressure. "What do I care?" he breathed, wrath twisting his features. Wings - those membranous, glorious wings - flared from his back, crafted from the shadows behind him. "What do I care?" But before he could go on, his head snapped to the door, then back to my face. The wings vanished as quickly as they had appeared, and then his lips were crushing into mine. His tongue pried my mouth open, forcing himself into me, into the space where I could still taste Tamlin. I pushed and trashed, but he held firm, his tongue sweeping over the roof of my mouth, against my teeth, claiming me - The door was flung wide, and Amarantha's curved figure filled its space. Tamlin - Tamlin was beside her, his eyes slightly wide, shoulders tight as Rhys's lips still crushed mine. Amarantha laughed, and a mask of stone slammed down on Tamlin's face. void of feeling, void of anything vaguely like the Tamlin I'd been tangled up with moments before.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
A person shows signs of clutching on too fast, of being needy, of not hearing the word "no," of jealousy, of guarding you and your freedom. But the signs can be so small they skitter right past you. Sometimes they dance past, looking satiny, something you should applaud. Someone's jealousy can make you feel good. Special. But it's not even about you. It's about a hand that is already gripping. It's about their need, circling around your throat
Deb Caletti (Stay)
We’re still going to be seeing each other,” he murmured. “And don’t even lie. I know that makes you happy, You told me you wanted me.” Hold your horses. “When?” “At the lake.” He slanted his headm and I should’ve pulled back. His lips curved knowingly against mine, and he let go of my wrist. “You said you wanted me.” Both of my hand were on his chest. They had a mind of their own. I claimed no responsibility for them. “I had a fever. Lost my mind.” “Whatever, Kitten.” Daemon gripped my hips, lifting me onto the edge of he desk with an ease that was disturbing. “I know better.
Jennifer L. Armentrout (Onyx (Lux, #2))
He surged upward and paused at her entrance. “Look at me, Alexa.” Half drugged, she opened her eyes and gazed at the man she loved with every part of her being, waiting for him to claim her, waiting to take anything he could give. “It’s always been you.” He paused as if to be sure she heard and understood the words. Intensity gleamed within amber depths. He gripped her fingers, as if trying to speak beyond words. “And it will always be you.
Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
people used to tell me that i had beautiful hands told me so often, in fact, that one day i started to believe them until i asked my photographer father, “hey daddy could i be a hand model” to which he said no way, i dont remember the reason he gave me and i wouldve been upset, but there were far too many stuffed animals to hold too many homework assignment to write, too many boys to wave at too many years to grow, we used to have a game, my dad and i about holding hands cus we held hands everywhere, and every time either he or i would whisper a great big number to the other, pretending that we were keeping track of how many times we had held hands that we were sure, this one had to be 8 million 2 thousand 7 hundred and fifty three. hands learn more than minds do, hands learn how to hold other hands, how to grip pencils and mold poetry, how to tickle pianos and dribble a basketball, and grip the handles of a bicycle how to hold old people, and touch babies , i love hands like i love people, they're the maps and compasses in which we navigate our way through life, some people read palms to tell your future, but i read hands to tell your past, each scar marks the story worth telling, each calloused palm, each cracked knuckle is a missed punch or years in a factory, now ive seen middle eastern hands clenched in middle eastern fists pounding against each other like war drums, each country sees theyre fists as warriors and others as enemies. even if fists alone are only hands. but this is not about politics, no hands arent about politics, this is a poem about love, and fingers. fingers interlock like a beautiful zipper of prayer. one time i grabbed my dads hands so that our fingers interlocked perfectly but he changed positions, saying no that hand hold is for your mom. kids high five, but grown ups, we learn how to shake hands, you need a firm hand shake,but dont hold on too tight, but dont let go too soon, but dont hold down for too long, but hands are not about politics, when did it become so complicated. i always thought its simple. the other day my dad looked at my hands, as if seeing them for the first time, and with laughter behind his eye lids, with all the seriousness a man of his humor could muster, he said you know you got nice hands, you could’ve been a hand model, and before the laughter can escape me, i shake my head at him, and squeeze his hand, 8 million 2 thousand 7hundred and fifty four.
Sarah Kay
The gremlin stopped, blinking up at me with an almost hurt expression. 'Master punish bad kitty?' he said in a pitiful voice. 'No I'm not going to punish the bad kitty,' I said and Grimalkin snorted. 'And you aren't either. I want to talk to you. Will you stay and not run off if we let you go?' He bobbed his head, as best as he could while his ears were gripped tightly by Puck. 'Master wants Razor stay, Razor stay. Not move until told. Promise.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Celaena threw her weight into the dagger she held aloft, and gained an inch. His arms strained. She was going to kill him. She truly going to kill him. He made himself look into her eyes, look at the face so twisted with rage that he couldn't find her. "Celaena," he said, squeezing her wrists so hard that he hoped the pain registered somewhere- wherever she had gone. But she still wouldn't lossen her grip on the blade. "Celaena, I'm your friend." She stared at him, panting through gritted teeth, her breath coming quicker and quicker before she roared, the sound filling the room, his blood, his world: "You will never be my friend. You will always be my enemy." She bellowed the last word with such soul-deep hated that he felt it like a punch to the gut. She surged again, and he lost his grip on the wrist that held the dagger. The blade plunged down.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Cam held her closer. "Marry me, Amelia. You're what I want. You're my fate." One hand slid to the back of her head, gripping the braids and ribbons to keep her mouth upturned. "Say yes." He nibbled at her lips, licked at them, opened them. He kissed her until she writhed in his arms, her pulse racing. "Say it, Amelia, and save me from ever having to spend a night with another woman. I'll sleep indoors. I'll get a haircut. God help me, I think I'd even carry a pocket watch if it pleased you.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
They really kicked me out?" "Refunded the tuition and everything." Julie blinked a couple of times coming to grips with this tidbit. "So what happens now?" "I expect you'll be a bum. Homeless and jobless begging on the street for a crust of bread..." "Kate." "Oh, alright, I suppose if you come by the office once in a while I'll give you a sandwich. You can squat in the office on the floor when it gets too cold outside. We can even get you a little blanket to lie on...
Ilona Andrews (Magic Slays (Kate Daniels, #5))
Well, I believe she went in to rescue some Raggers from the pits,” Cuffs said. “She wasn’t all that specific.” “She went in to rescue — why would she do that?” Amon gripped the ironwork, studying the streetlord’s face. Was he lying? And if so, what was the purpose? “Guess she’s kind of taken with us,” Cuffs said. “You know, the glamor of the gang life and all. Getting beat up every other day, arrested for crimes you didn’t commit, long nights in gaol, sleeping in the cold and wet. It’s...seductive.” He raised an eyebrow.
Cinda Williams Chima (The Demon King (Seven Realms, #1))
Hmm,” said a small voice in his ear. “Difficult. Very difficult. Plenty of courage, I see. Not a bad mind either. There’s talent, oh my goodness, yes — and a nice thirst to prove yourself, now that’s interesting. . . . So where shall I put you?” Harry gripped the edges of the stool and thought, Not Slytherin, not Slytherin. “Not Slytherin, eh?” said the small voice. “Are you sure? You could be great, you know, it’s all here in your head, and Slytherin will help you on the way to greatness, no doubt about that — no? Well, if you’re sure — better be GRYFFINDOR!
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Sometmes when you pull knives on people, they get this impression that you're going to hurt them, and then they're completely terrified. Crazy, I know!" "Okay," said Nick. He turned to Jamie & popped his left wrist sheath again. "Look." Jamie backed up. "Which part of 'completely terrified' did you translate as 'show us your knives, Nick'? Don't show me your knives, Nick. I have no interest in your knives." Nick rolled his eyes. "This is a quillon dagger. That's a knife with a sword handle. I like it because it has a good grip for stabbing." "Why do you say these things?" Jamie inquired piteously. "Is it to make me sad?" "I didn't have you cornered," Nick went on. "You could've run. And this dagger doesn't have an even weight distribution; it's absolute rubbish for throwing. If I had any intention of hurting you, I'd have used a knife I could throw." Jamie blinked. "I will remember those words always. I may try to forget them, but I sense that I won't be able to.
Sarah Rees Brennan (The Demon's Covenant)
How do I love thee? wondered Orion. "Let me see. I love thee passionately and eternally...obviously eternally-that goes without saying." Holly blinked sweat from her eyes. "Is he serious?" she called over her shoulder to Foaly. "Oh, absolutely," said the centaur "If he asks you to look for birthmarks, say no immediately." "Oh, I would never." Orion assured her. "Ladies don't look for birthmarks; that is work for jolly fellows like the Goodly Beast and myself. Ladies, like Miss Short, do enough by simply existing. They exude beauty, and that is enough." "I am not exuding anything." said Holly, through gritted teeth. Orion tapped her shoulder. "I beg to differ. You're exuding right now, a wonderful aura. It's pastel blue with little dolphins." Holly gripped the wheel tightly. "I'm going to be sick. Did he just say pastel blue?" "And dolphins, little ones," said Foaly.
Eoin Colfer (The Atlantis Complex (Artemis Fowl, #7))
Mom, please don't use 'the happy voice.' It reminds me of the day Tinkles died." "Who was Tinkles?" Sue asked around a mouthful of pancake. "My cat. When I was five, Tinkles died choking on a mouse that was a bit ambitious for a kitten to eat." "It was terribly traumatic for Aurelia because it was the first time she'd experienced loss."  "What did you do to help her get through it?"  Rosalind smiled at Mother Guardian. "Well, after a good cry, we performed an autopsy." Aurelia reached for her mother's hand. "I never thanked you for that.
Therisa Peimer (Taming Flame)
You’re mine, mo duinne,” he said softly, pressing himself into my depths. “Mine alone, now and forever. Mine, whether ye will it or no.” I pulled against his grip, and sucked in my breath with a faint “ah” as he pressed even deeper. “Aye, I mean to use ye hard, my Sassenach,” he whispered. “I want to own you, to possess you, body and soul.” I struggled slightly and he pressed me down, hammering me, a solid, inexorable pounding that reached my womb with each stroke. “I mean to make ye call me ‘Master,’ Sassenach.” His soft voice was a threat of revenge for the agonies of the last minutes. “I mean to make you mine.
Diana Gabaldon (Outlander (Outlander, #1))
Today," she told it, "death comes to all your circuits. Will it be slow and systematic or fast and brutal?" Considering, she circled it, "Tough decision. I've waited so long for this moment. Dreamed of it." Showing her teeth, she began to roll up her sleeves. "What," Roarke asked from the doorway that connected their work areas, "is that?" "The former bane of my existence. The Antichrist of technology. Do we have a hammer?" Studying the pile on the floor, he walked in. "Several, I imagine, of various types." "I want all of them. Tiny little hammers, big, wallbangers, and everything in between." "Might one ask why?" "I'm going to beat this thing apart, byte by byte, until there's nothing left but dust from the last trembling chip." "Hmmm." Roarke crouched down, examined the pitifully out-of-date system. "When did you haul this mess in here?" "Just now. I had it in the car. Maybe I should use acid, just stand here and watch it hiss and dissolve. That could be good." Saying nothing, Roarke took a small case out of his pocket, opened it, and chose a slim tool. With a few deft moves, he had the housing open. "Hey! Hey! What're you doing?" "I haven't seen anything like this in a decade. Fascinating. Look at this corrosion. Christ, this is a SOC chip system. And it's cross-wired." When he began to fiddle, she rushed over and slapped at his hands. "Mine. I get to kill it." "Get a grip on yourself," he said absently and delved deeper into the guts. "I'll take this into research." "No. Uh-uh. I have to bust it apart. What if it breeds?
J.D. Robb (Witness in Death (In Death, #10))
I reach out and take his hand. “Well, he probably used up a lot of resources helping me knock you out,” I say mischievously. “Yeah, about that,” says Peeta, entwining his fingers in mine. “Don’t try something like that again.” “Or what?” I ask. “Or . . . or . . .” He can’t think of anything good. “Just give me a minute.” “What’s the problem?” I say with a grin. “The problem is we’re both still alive. Which only reinforces the idea in your mind that you did the right thing,” says Peeta. “I did do the right thing,” I say. “No! Just don’t, Katniss!” His grip tightens, hurting my hand, and there’s real anger in his voice. “Don’t die for me. You won’t be doing me any favors. All right?” I’m startled by his intensity but recognize an excellent opportunity for getting food, so I try to keep up. “Maybe I did it for myself, Peeta, did you ever think of that? Maybe you aren’t the only one who . . . who worries about . . . what it would be like if. . .” I fumble. I’m not as smooth with words as Peeta. And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don’t want him to die. And it’s not about the sponsors. And it’s not about what will happen back home. And it’s not just that I don’t want to be alone. It’s him. I do not want to lose the boy with the bread. “If what, Katniss?” he says softly. I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I’m feeling, it’s no one’s business but mine. “That’s exactly the kind of topic Haymitch told me to steer clear of,” I say evasively, although Haymitch never said anything of the kind. In fact, he’s probably cursing me out right now for dropping the ball during such an emotionally charged moment. But Peeta somehow catches it. “Then I’ll just have to fill in the blanks myself,” he says, and moves in to me. This is the first kiss that we’re both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious. This is the first kiss that makes me want another. But I don’t get it. Well, I do get a second kiss, but it’s just a light one on the tip of my nose because Peeta’s been distracted. “I think your wound is bleeding again. Come on, lie down, it’s bedtime anyway,” he says.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Diana gave her a measured look and ducked down behind the counter. She came up a moment later with a sword about the length of Clary's forearm. "What do you think of this?" Clary stared at the weapon. It was undoubtedly beautiful. The cross-guard, grip and pommel were gold chased with obsidian, the blade a silver so dark it was nearly black. "It's a shortsword. You might want to look at the other side," said Diana, and she flipped the sword over. On the opposite side of the blade, down the center ridge, ran a pattern of black stars. "Oh." Clary's heart thumped painfully; she took a step away and nearly bumped into Jace, who had come up behind her, frowning. "That's a Morgenstern sword." "Yes, it is." The sword-seller's eyes were shrewd. "Long ago the Morgensterns commissioned two blades from Wayland the Smith-a matched set. You have doubtless seen the the larger sword already, for Valentine Morgenstern carried it, and now his son carries it after him." "You know who we are," Jace said. It wasn't a question. "Who Clary is." "The Shadowhunter world is small," said Diana, and she looked from one of them to the other. "I'm on the Council. I've seen you give testimony, Valentine's daughter." Clary looked doubtfully at the blade. "I've seen two men bear the larger version of that sword, and I hated them both. There are no Morgensterns in this world now who are dedicated to anything but evil." Jace said, "There's you." "I'll give it to you," said Diana. "You're right that people hate the Morgensterns; it's not the sort of item I could sell elsewhere. Or would necessarily want to. It should go to good hands." "I don't want it," Clary said. "If you flinch from it, you give it power over you," said Diana. "Take it, and cut your brother's throat with it, and reclaim the honor of your blood.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.” “Alex!” He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.” The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak. He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.
Lauren Oliver (Requiem (Delirium, #3))
Cupping my cheeks, he exhaled a soft groan, and his lips scorched mine as he deepened the kiss until we both were breathless from its intensity. Daemon moved as close as he could with the chair between us. Gripping his arms, I held onto him, wanting him closer. The chair prevented all but our lips and hands from touching. Frustrating. Move, I ordered restlessly. It trembled under my foot, and then the heavy oak chair slid out from under me, dodging our leaning bodies. Unprepared for the sudden void, Daemon lurched forward, and I was unable to carry the unexpected weight. I collapsed backward, bringing Daemon along with me. The full contact of his body, flush against mine, sent my senses into chaotic overdrive. His tongue swept over mine as his fingers splayed across my cheeks. His hand slid down my side, gripping my hip as he urged me closer. The kisses slowed and his chest rose as he drank me in. With one last lingering exploration, he lifted his head and smiled down at me. My heart skipped a beat as he hovered over me with an expression that tugged deep in my chest. He moved his finger back up, along my cheek, trailing an invisible path to my chin. "I didn't move that chair, Kitten." "I know." "I'm assuming you didn't like where it was?" "It was in your way," I said. My hands were still curled around his arms. "I can see that." Daemon smoothed a fingertip over the curve of my bottom lip before taking my hand, pulling me up.
Jennifer L. Armentrout (Onyx (Lux, #2))
Father . . . ," Gabriel began. "Father is a worm." Will gave a short laugh. He was in gear as if he had just come from the practice room, and his hair curled damply against his temples. He was not looking at Tessa, but she had grown used to that. Will hardly ever looked at her unless he had to. "It's good to see you've come round to our view of things, Gabriel, but this is an unusual way of announcing it." Gideon shot Will a reproachful look before turning back to his brother. "What do you mean, Gabriel? What did Father do?" Gabriel shook his head. "He's a worm," he said again, tonelessly. "I know. He has brought shame on the name of Lightwood, and lied to both of us. He shamed and destroyed our mother. But we need not be like him." Gabriel pulled away from his brother's grip, his teeth suddenly flashing in an angry scowl. "You're not listening to me," he said. "He's a worm. A worm. A bloody great serpentlike thing. Since Mortmain stopped sending the medicine, he's been getting worse. Changing. Those sores upon his arms, they started to cover him. His hands, his neck, h-his face . . ." Gabriel's green eyes sought Will. "It was the pox, wasn't it? You know all about it, don't you? Aren't you some sort of expert?" "Well, you needn't act as if I invented it," said Will. "Just because I believed it existed. There are accounts of it—old stories in the library—
Cassandra Clare (The Infernal Devices: Clockwork Princess (The Infernal Devices: Manga, #3))
I want to breathe, I hate this night I want to wake up, I hate this dream I’m trapped inside of myself and I’m dead Don’t wanna be lonely Just wanna be yours Why is it so dark where you’re not here It’s dangerous how wrecked I am Save me because I can’t get a grip on myself Listen to my heartbeat It calls you whenever it wants to Because within this pitch black darkness You are shining so brightly Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me Give me your hand save me save me Save me, save me Today the moon shines brighter on the blank spot in my memories It swallowed me, this lunatic, please save me tonight (Please save me tonight, please save me tonight) Within this childish madness you will save me tonight I knew that your salvation Is a part of my life and the only helping hand that will embrase my pain The best of me, you’re the only thing I have Please raise your voice so that I can laugh again Play on Listen to my heartbeat, it calls you whenever it wants to Because within this pitch black darkness, you are shining so brightly Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me Give me your hand save me save me Thank you for letting me be me For helping me fly For giving me wings For straightening me out For waking me from being suffocated For waking me from a dream which was all I was living in When I think of you the sun comes out So I gave my sadness to the dog (Thank you. For being ‘us’) Give me your hand save me save me I need your love before I fall, fall Give me your hand save me save me I need your love before I fall, fall
BTS
What’s three?” I asked, hoping to move away from this uncomfortable topic. The smile pulled at his lips again. “Three.” One of his hands cupped my face and the other slid around my back. He pulled my body against his and my heart began to pound. I took advantage of my free hand and pushed at his chest. “I don’t think so, Lily,” he said. “If you want to get rid of me, you’ll need to do better than that.” I drew a sharp breath and tried to wiggle away, but he held me firmly in place, watching me struggle. He grinned as he lifted me up onto the sink. “What are you doing?” I started to panic. “Someone could come in!” “If they see us, they’ll just turn around and get out of here,” he murmured, lips touching my ear. “No one crosses me.” His hips pressed against my knees, opening them, pushing my skirt up my legs. I gripped his shirt, clinging to him so I wouldn’t fall into the sink. His hand pushed into my lower back. I gasped as his body fitted against mine. Heat flooded my chest, my pelvis. I thought I would drown in it. “We can’t—” His lips stopped my words. The kiss just made me dizzier. I dug my fingers into his shoulders. “You said you didn’t want to be left alone.” His tongue flicked over my cheekbone. “This is me pestering you.” “Aren’t you breaking the rules?” I could barely get the words out. “What about the union?” “I’d rather have you on my own terms.” His hand slipped between my thighs. All strength fled my limbs. “I can’t breathe.” “That means you like it.” He kissed me again.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
Hold on to me!” Tedros yelled, hacking briars with his training sword.Dazed, Agatha clung to his chest as he withstood thorn lashes with moans of pain. Soon he had the upper hand and pulled Agatha from the Woods towards the spiked gates, which glowed in recognition and pulled apart, cleaving a narrow path for the two Evers. As the gates speared shut behind them,Agatha looked up at limping Tedros, crisscrossed with bloody scratches, blue shirt shredded away. “Had a feeling Sophie was getting in through the Woods,” he panted, hauling her up into slashed arms before she could protest. “So Professor Dovey gave me permission to take some fairies and stakeout the outer gates. Should have known you’d be here trying to catch her yourself.” Agatha gaped at him dumbly. “Stupid idea for a princess to take on witches alone,” Tedros said, dripping sweat on her pink dress. “Where is she?” Agatha croaked. “Is she safe?” “Not a good idea for princesses to worry about witches either,” Tedros said, hands gripping her waist. Her stomach exploded with butterflies. “Put me down,” she sputtered— “More bad ideas from the princess.” “Put me down!”Tedros obeyed and Agatha pulled away. “I’m not a princess!” she snapped, fixing her collar. “If you say so,” the prince said, eyes drifting downward.Agatha followed them to her gashed legs, waterfalls of brilliant blood. She saw blood blurring— Tedros smiled. “One . . . two . . . three . . .”She fainted in his arms. “Definitely a princess,” he said.
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
You do not want to help us,” Will said to Magnus. “You do not want to position yourself as an enemy of Mortmain’s.” “Well, can you blame him?” Woolsey rose in a whirl of yellow silk. “What could you possibly have to offer that would make the risk worth it to him?” “I will give you anything,” said Tessa in a low voice that Will felt in his bones. “Anything at all, if you can help us help Jem.” Magnus gripped a handful of his black hair. “God, the two of you. I can make inquiries. Track down some of the more unusual shipping routes. Old Molly —” “I’ve been to her,” Will said. “Something’s frightened her so badly she won’t even crawl out of her grave.” Woolsey snorted. “And that doesn’t tell you anything, little Shadowhunter? Is it really worth all this, just to stretch your friend’s life out another few months, another year? He will die anyway. And the sooner he dies, the sooner you can have his fiancée, the one you’re in love with.” He cut his amused gaze toward Tessa. “Really you ought to be counting down the days till he expires with great eagerness.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Then he snarled at her. “You are not leaving me.” It was an order, and she didn’t have to follow anyone’s orders. That was part of being Omega instead of a regular werewolf – who might have had a snowball’s chance in hell of being a proper mate. “You need someone stronger,” Anna told him again. “So you wouldn’t have to hide when you’re hurt. So you could trust your mate to take care of herself and help, damn it, instead of having to protect me from whatever you are hiding.” She hated crying. Tears were weaknesses that could be exploited and they never solved a damned thing. Sobs gathered in her chest like a rushing tide and she needed to get away from him before she broke. Instead of fighting his grip, she tried to slide out of it. “I need to go,” she said to his chest. “I need–” His mouth closed over hers, hot and hungry, warming her mouth as his body warmed her body. “Me,” Charles said, his voice dark and gravelly as if it had traveled up from the bottom of the earth, his eyes a bright gold. “You need me.
Patricia Briggs (Fair Game (Alpha & Omega, #3))
He turned my way, and I was so engrossed in my thoughts that I didn't notice for a second. Then I realized I was staring at him, and looked away fast, cheeks flaming. I could feel him looking at me. Frowning slightly, like he was trying to figure something out. Before he could, I gulped my warm water and said, "Must be almost lunchtime," which was a stupid thing to say, but all I could think of. It took him a moment before he answered, shrugging and saying, "Maybe." Then, " You okay?" I nodded. "You want to talk about what happened downstairs? With Banks?" I nodded again. "I should get Simon," he said. "He'll want to know." Another nod, but he didn't move, just watched me as I kept sipping the warm water. "Chloe." I took my time looking up, certain he'd figured out what I'd been thinking and was about to let me down gently. He wouldn't say, " Sorry, I'm not interested, " because that wouldn't be Derek- too presumptious- but he'd find some way to convey the same message, as I had with Simon. I like you. I just don't like you that way. "Chloe?" I looked up than, and what I saw in his eyes-- my hands fumbled the glass, and I dropped it, water spalashing over me, soaking my jeans. I scrambled to catch that glass before it hit the floor, barely making it, on one knee, prize gripped firmly in my hand. And I was still there when I felt the glass being tugged from my fingers. I looked up to see Derek crouching in front of me, his face inches from mine. He leaned forward and-- "What'd you lose?" Simon's voice came from the doorway, and we shot to our feet so fast we collided.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
I want to talk about creating your life. There’s a quote I love, from the poet Mary Oliver, that goes: Tell me, what is it you plan to do with your one wild and precious life? I so clearly remember what it was like, being young and always in the grip of some big fat daydream. I wanted to be a writer always, but more than that, I wanted to have an extraordinary life. I’m sure I dreamed it a million different ways, and that plenty of them were ridiculous, but I think the daydreams were training for writing, and I also think they spurred me to pursue my dreams for real. Daydreaming, however awesome it is, is passive. It happens in your head. Learning to make dreams real is another matter, and I think it should be the work of your life. Everyone’s life, whatever their dream (unless their dream is to be an axe murderer or something.) It took me a while to finish a book. Too long. And you know, it doesn’t matter how good a writer you are unless you finish what you start! I think this is the hardest part for most people who want to write. I was in my mid-30s before I figured it out. The brain plays tricks. You can be convinced you’re following your dream, or that you’re going to start tomorrow, and years can pass like that. Years. The thing is, there will be pressure to adjust your expectations, always shrinking them, shrinking, shrinking, until they fit in your pocket like a folded slip of paper, and you know what happens to folded slips of paper in your pocket. They go through the wash and get ruined. Don’t ever put your dream in your pocket. If you have to put it somewhere, get one of those holsters for your belt, like my dad has for his phone, so you can whip it out at any moment. Hello there, dream. Also, don’t be realistic. The word “realistic” is poison. Who decides? And “backup plan” is code for, “Give up on your dreams,” and everyone I know who put any energy into a backup plan is now living that backup plan instead of their dream. Put all your energy into your dream. That’s the only way it will ever become real. The world at large has this attitude, “What makes you so special that you think you deserve an extraordinary life?” Personally, I think the passion for an extraordinary life, and the courage to pursue it, is what makes us special. And I don’t even think of it as an “extraordinary life” anymore so much as simple happiness. It’s rarer than it should be, and I believe it comes from creating a life that fits you perfectly, not taking what’s already there, but making your own from scratch. You can let life happen to you, or you can happen to life. It’s harder, but so much better.
Laini Taylor
Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore. Yes, sure,' George said, looking into the stormdrain. And a balloon? I’ve got red and green and yellow and blue...' Do they float?' Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...' George reached. The clown seized his arm. And George saw the clown’s face change. What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke. They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches. They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–' George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly. Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more. Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth. The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.
Stephen King (It)