Belle Princess Quotes

We've searched our database for all the quotes and captions related to Belle Princess. Here they are! All 100 of them:

Can't help who you fall in love with, princess.
Belle Aurora (Willing Captive)
In that moment, she reminded me of a fairy princess. Or maybe a cracked-out Tinker Bell
Jennifer L. Armentrout (Obsidian (Lux, #1))
Tess, Tess, Tessa. Was there ever a more beautiful sound than your name? To speak it aloud makes my heart ring like a bell. Strange to imagine that, isn’t it—a heart ringing? But when you touch me, that is what it is like, as if my heart is ringing in my chest and the sound shivers down my veins and splinters my bones with joy.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Religion in its fanatic state may be a passion devoid of morality that will take any means to an end.
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
You are the last Five left in the competition, yes? Do you think that hurts your chances of becoming the princess?" The word sprang from my lips without thought. "No!" "Oh, my! You do have a spirit there!" Gavril seemed pleased to have gotten such an enthusiastic response. "So you think you'll beat out all the others, then? Make it to the end?" I thought better of myself. "No, no. It's not like that. I don't think I'm better than any of the other girls; they're all amazing. It's just...I don't think Maxon would do that, just discount someone because of their caste." I heard a collective gasp. I ran over the sentence in my head. It took me a minute to catch my mistake: I'd called him Maxon. Saying that to another girl behind closed doors was one thing, but to say his name without the word "Prince" in front of it was incredibly informal in public. And I'd said it on live television. I looked to see if Maxon was angry. He had a calm smile on his face. So he wasn't mad...but I was embarrassed. I blushed fiercely. "Ah, so it seems you really have gotten to know our prince. Tell me, what do you think of Maxon?" I ahd thought of several answers while I was waiting for my turn. I was going to make fun of his laugh or talk about the pet name he wanted his wife to call him. It seemed like the only way to save the situation was to get back the comedy. But as I lifted my eyes to make one of my comments, I saw Maxon's face. He really wanted to know. And I couldn't poke fun at him, not when I had a chance to say what I'd really started to think now that he was my friend. I couldn't joke about the person who'd saved me from facing absolute heartbreak at home, who fed my family boxes of sweets, who ran to me worried that I was hurt if I asked for him. A month ago, I had looked at the TV and seen a stiff, distant, boring person-someone I couldn't imagine anyone loving. And while he wasn't anything close to the person I did love, he was worthy of having someone to love in his life. "Maxon Schreave is the epitome of all things good. He is going to be a phenomenal king. He lets girls who are supposed to be wearing dresses wear jeans and doesn't get mad when someone who doesn't know him clearly mislabels him." I gave Gavril a keen look, and he smiled. And behind him, Maxon looked intrigued. "Whoever he marries will be a lucky girl. And whatever happens to me, I will be honored to be his subject." I saw Maxon swallow, and I lowered my eyes. "America Singer, thank you so much." Gavril went to shake my hand. "Up next is Miss Tallulah Bell." I didn't hear what any of the girls said after me, though I stared at the two seats. That interview had become way more personal than I'd intended it to be. I couldn't bring myself to look at Maxon. Instead I sat there replaying my words again and again in my head.
Kiera Cass (The Selection (The Selection, #1))
...I have big dreams, too. I used to think that made me different and strange. But when I came here and found all these books, I realized there are places in the world where I belong, even if I haven't found them yet.
Walt Disney Company (Belle's Discovery (Disney Princess Beginnings, #2))
No, sir!” cried Maxson, clearly incensed at the suggestion that he might engage in an activity as effete as reading fiction. “I want you to understand here and now that I do not read novels, no kind of novels!
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
She held him spellbound,” he went on, then let out a ragged breath. “So he went to his death.”[
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
British baby farmer Amelia Dyer, believed to have murdered several hundred infants in her care.[1
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
I can see that. She is lovely, very different from you. Oh, my clumsy tongue." Vollys's bells clanged. "You are lovely too, but in a quieter way. In temperament I see that you are different as well. She could lead a charge, but you could last a siege. This is fascinating, little Adelina. The more I look at her, the more clearly I see you. You may be a worthier opponent than even my Willard was.
Gail Carson Levine (The Two Princesses of Bamarre (The Two Princesses of Bamarre, #1))
In comparing Belle to Jack the Ripper as a murderer driven by bloodlust and employing a signature MO, this anonymous expert accurately identified her as the type of homicidal maniac for which no name had yet been coined: what a later age would call a serial killer.
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
The heavy black she had worn for years was gone; her dress was of turquoise-colored silk, bright and soft as the evening sky. It belled out full from her hips, and all the skirt was embroidered with thin silver threads and seed pearls and tiny crumbs of crystal, so that it glittered softly, like rain in April. She looked at the magician, speechless. “Do you like it?” “Where—” “It’s like a gown I saw a princess wear once, at the Feast of Sun-return in the New Palace in Havnor,” he said, looking at it with satisfaction. “You told me to show you something worth seeing. I show you yourself.
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
Some people are special because they're princes or princesses; or queens or kings! Some are special because they're presidents and senators; or because you can watch them on film! But what is the stuff that makes any person special? That makes any person more special than the world and everything in it? That would be love. Once you love someone? They're special, they're important. You make them important, it's your love that makes them more important than the whole world and everything in it! And guess what? That kind of important is real.
C. JoyBell C.
In Chicago, the appetite for every juicy tidbit about the case was fed by the yellow papers, which—when no actual news was available—cheerfully dished out wild rumor, lurid gossip, and even rank fabrication.
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
Bringing up the rear, the place of greatest danger, comes Tiger Lily, proudly erect, a princess in her own right. She is the most beautiful of dusky Dianas and the belle of the Piccaninnies, coquettish, cold, and amorous by turns; there is not a brave who would not have the wayward thing to wife, but she staves off the altar with a hatchet.
J.M. Barrie (Peter Pan)
Smith bristled. “We don’t sweat people here,” he said. “La Porte is a civilized town. We’re not like Chicago and New York.”[
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
In the incident of her husband’s death, her temptation to commit the alleged atrocities may have had its birth.”[
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
With the memory of Dr. H. H. Holmes still fresh in their minds
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
She made me love her,” said Colson, “and she scared me at the same time. I was suspicious of her on account of the way her husband, Peter Gunness, died.
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
None of these men stayed around very long, though neither Greening nor anyone else ever witnessed their departure. Strangely, every one of them left his trunk behind.
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
to the place soon to be known throughout the nation as the “murder farm.”[4]
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
God made man and woman. He made man the stronger and set him over a particular field. He gave woman a peculiar nature and set her in the home to be the presiding spirit there.
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
metamorphosed into a creature as evil as any mythical Hulder: “a woman,
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
The friendly relations Belle enjoyed with her neighbors when she first came to La Porte were not fated to last. “No one was a friend of hers,” Louisa Diessl
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
The scientific investigator, in seeking an explanation for Mrs. Gunness’ unnatural crimes, would say that she was emotionally dead,” Munsterberg wrote.
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
Religion is not the same as ethics. Religion in its fanatic state may be a passion devoid of morality that will take any means to an end.
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
unwanted notoriety to La Porte. It was not his purpose, said Smith, either “to defend the character of Belle Gunness” or “to drag it down.” From the “dismembered bodies of nine persons [that] were found
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
I have observed that religion is not restraining in a moral see. Religion is not the same as ethics. Religion in its fanatic state may be a passion devoid of morality that will take any means to an end.
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
There had, of course, been notorious murders in Indiana before. Perhaps the most sensational was the 1895 case of Reverend William E. Hinshaw. A much-admired figure in the village of Belleville, Hinshaw was accused of killing his wife, Thirza—who had discovered his affair
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
Ode to Algebra Thrust into this dingy classroom we die like lampless moths locked into the desolation of fluorescent lights and metal desks. Ten minutes until the bell rings. What use is the quadratic formula in our daily lives? Can we use it to unlock the secrets in the hearts of those we love? Five minutes until the bell rings. Cruel Algebra teacher, won't you let us go?
Meg Cabot (The Princess Diaries (The Princess Diaries, #1))
After consulting census books, cemetery records, city directories, and various other documents, he definitively established that the story the dying Carlson told about her background was true in every detail. She was not Belle Gunness.[
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
Midnight was a fairy-tale thing. She didn't know if Preston had been thinking about that when he promised it, but Effy was remembering all the curses that turned princesses back to peasant girls as soon as the bell struck twelve. Why was it always girls whose forms could not be trusted? Everything could be taken away from them in an instant.
Ava Reid (A Study in Drowning)
this person saw Mrs. Gunness as “a maniac of the much-dreaded type that includes the White Chapel murderer.” It is “not money” that drives such killers “but the constantly growing appetite for blood, to cut deep and watch the blood flow, to dabble the hands in it, to revel in the odor of it.” One “distinguishing features of these criminals is their invariable use of the same methods in every case. Mrs. Gunness decapitated every one of her victims. In every case she severed the limbs. Always there was the maximum of mutilation.”[9]
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
You have a lot to explore beyond this cottage if you want to know everything about the world. Explore until your heart is full, Belle. And then explore some more.
Walt Disney Company (Belle's Discovery (Disney Princess Beginnings, #2))
Mrs. Gunness, the paper declared, was “now thought to be still alive.”[
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
the Norwegians of Chicago were widely regarded as a frugal, industrious, and upstanding people, who enhanced the moral character of the metropolis.
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
May 5, the Chicago American, within the space of a few paragraphs, branded her as both “the most fiendish murderer of the age” and “the most fiendish murderess in history.
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
In the view of one prominent alienist, she was “a woman of dual personality: a kind and indulgent mother at certain times and at others a demon without fear of God of man or of the law.
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
Several Indiana communities seemed seized by a perverse envy. When rumors spread that “a new ‘death farm’ where Mrs. Belle Gunness buried many of her victims” had been discovered near Warsaw
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
liked that touch way too much, given his current status as my captor. Then again, Belle had always been the Princess who resonated most with me… nothing wrong with a little Stockholm syndrome, was there?
Tate James (Honey Trap (The Guild, #1))
The night before, Belle had stayed up past her bedtime, making a few changes to her doll with her father's tools. She couldn't help it. Inspiration had struck. Her father always told her that when inspiration strikes, you must grab it.
Walt Disney Company (Belle's Discovery (Disney Princess Beginnings, #2))
My mother used to tell me, every time we were watching Cinderella, that Cinderella had the best attitude and that I should strive to be just like her. Later when I grew up, I resented my mother for teaching me that way, as I saw it as the reason why I often felt preyed on by people who were much more like the ugly stepsisters. But now, all of a sudden, I’ve realized that what my mom meant was that no matter how ugly people can be to you, no matter how rough they treat you, no matter how much their actions tempt you to become your worst— you should overcome them by never letting them steal your gentleness. People only win when they are able to take away your gentleness, your sweetness. But if you remember that you’re a princess, and they’re just not, at the end of the day you win! Still, my mom should have pointed me in the direction of Belle from Beauty and the Beast. Cinderella is fine, but had she taught me that Belle was the best way to be, I would have probably never grown to resent that. Belle always retained her gentleness but she could still beat up a pack of wolves at the same time and that’s the kind of princess I wanted to be like! Not to mention she loved books!
C. JoyBell C.
Thrust into this dingy classroom we die like lampless moths locked into the desolation of fluorescent lights and metal desks. Ten minutes until the bell rings. What use is the quadratic formula in our daily lives? Can we use it to unlock the secrets in the hearts of those we love? Five minutes until the bell rings. Cruel Algebra teacher, won’t you let us go?
Meg Cabot (The Princess Diaries (The Princess Diaries, #1))
My Belle. I'm so proud of you. Look at what you created here." Belle blushed. "I didn't create it, Papa. It's Hugo's shop." "But you found the missing pieces," her father said. "And that's the mark of a dreamer and a doer. Otherwise known as an inventor.
Walt Disney Company (Belle's Discovery (Disney Princess Beginnings, #2))
One would think there was enough unavoidable tragedy in everyone’s existence to keep him from seeking the hideous and unsightly,” he mused. “And yet it may be the fact that each has his cross to bear that leads him to come in contact with the world’s wretchedness as a sort of palliative to his own.”[11]
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
Several Indiana communities seemed seized by a perverse envy. When rumors spread that “a new ‘death farm’ where Mrs. Belle Gunness buried many of her victims” had been discovered near Warsaw, “the citizens of that place were thrown into a fever excitement” and appeared crestfallen when the story proved false.[
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
-You find the metal, I’ll make the bell,” said Liam. “Listen, this rampage sounds like it’s going to make a real mess out of the city. I just got my studio rebuilt from the last fire, and I’m fairly certain my insurance doesn’t cover ‘acts of archangels.’ At least, not without a large deductible. Any ideas on how to stop the ritual?"-
J.C. Nelson (Soul Ink (Grimm Agency, #1.5))
Belle Gunness was a lady fair In Indiana State. She weighed about three hundred pounds, And that is quite some weight. That she was stronger than a man Her neighbors all did own; She butchered hogs right easily, And did it all alone. But hogs were just a sideline She indulged in now and then; Her favorite occupation Was a-butchering of men.
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
Théophile Gautier (Mademoiselle de Maupin)
Every woman should feel like a princess on her wedding day; it’s practically a law.
Anna Bell (Don't Tell the Groom)
a court jester mannequin, complete with a red and yellow hat that had bells on the
Daisy Meadows (Cassidy the Costume Fairy (Princess Fairies #2))
Before Ellen could ask what she meant, she was striding off again.
Julia Donaldson (Princess Mirror-Belle and the Magic Shoes)
The scientific investigator, in seeking an explanation for Mrs. Gunness’ unnatural crimes, would say that she was em
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
Remind me to sneak you out of the bedroom window of your dad’s house more often. Look at Belle getting white-girl wasted,
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
Mrs. Belle Gunness, the grim widow of La Porte, Indiana, with her castle of death and her yard filled with graves,
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
Project Princess Teeny feet rock layered double socks Popping side piping of many colored loose lace ups Racing toe keeps up with fancy free gear slick slide and just pressed recently weaved hair Jeans oversized belie her hips, back, thighs that have made guys sigh for milleni year Topped by an attractive jacket her suit’s not for flacking, flunkies, junkies or punk homies on the stroll. Her hands mobile thrones of today’s urban goddess Clinking rings link dragon fingers no need to be modest. One or two gap teeth coolin’ sport gold initials Doubt you get to her name just check from the side please chill. Multidimensional shrimp earrings frame her cinnamon face Crimson with a compliment if a comment hits the right place Don’t step to the plate with datelines from ‘88 Spare your simple, fragile feelings with the same sense that you came Color woman variation reworks the french twist with crinkle cut platinum frosted bangs from a spray can’s mist Never dissed, she insists: “No you can’t touch this.” And, if pissed, bedecked fists stop boys who must persist. She’s the one. Give her some. Under fire. Smoking gun. Of which songs are sung, raps are spun, bells are rung, rocked, pistols cocked, unwanted advances blocked, well stacked she’s jock. It’s all about you girl. You go on. Don’t you dare stop.
Tracie Morris (Intermission)
It isn’t the perfect ‘fairytale love story’ I read about when I was a little girl. The ones with the perfect Prince Charming and the sweet and innocent princess. Instead, I fell in love with the Harley riding ‘bad boy’, and Lawson fell for the southern belle with a wild streak a mile wide. But if you ask me, I think eight-year-old me would love the way our happily ever after turned out.
Danielle Jamie (Mine Would Be You (Sweet Home Alabama #1))
I referred to the innate human need for what psychologist Arie Kruglanski was the first to label “cognitive closure,” which he defined as “the individual’s need for a firm answer to a question and aversion to ambiguity.”[ 3]
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
Throughout the nineteenth and early-twentieth centuries, newspapermen covering highly publicized murder trials rarely failed to comment, generally in tongue-clucking tones, on the large number of women who flocked to these proceedings and often made up the majority of spectators. That ordinary housewives and mothers should evince such eager interest in gruesome and salacious crimes seemed a shocking violation of every prevailing belief about the so-called gentler sex.
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
To think that you dared—to think that my—my noble boy—" "He wasn't very noble. Mothers don't ever really know their sons, I think." "Shameless girl!" cried Mrs. Morrison, so loud, so completely beside herself, that Priscilla hastily rang her bell... "Open the door for this lady," she said to Annalise, who appeared with a marvellous promptitude; and as Mrs. Morrison still stood her ground and refused to see either Annalise or the door Priscilla ended the interview by walking out herself, with great dignity, into the bathroom.
Elizabeth von Arnim (The Princess Priscilla's Fortnight)
You make me sound like some kind of heartless ice princess.' 'No, of course not, Belle. I must admit, you have always been uncommonly nice to every pimply-faced boy who has ever asked you to dance.' 'Thank you. I think.' 'It's probably why so many pimply-faced boys ask you to dance.
Julia Quinn (Dancing at Midnight (The Splendid Trilogy, #2))
To one outraged commentator, the mad “scramble of 15,000 people” to the site of such “appalling and atrocious” crimes was a sad commentary on the moral state of supposedly civilized man—“galling, incontrovertible proof that the race is still but a little removed from a stage of actual savagery.”[
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
In the library I search for a good book. We have many books, says Mrs. Rose, the librarian, and ALL of them are good. Of course she says that. It's her job. But do I want to read about Trucks Trains and Transport? Or even Horses Houses and Hyenas? In the fiction corner there are pink boks full of princesses and girls who want to be princesses and black books about bad boys and brave boys and brawny boys. Where is the book about a girl whose poems don't rhyme and whose Granny is fading? Pearl, says Mrs. Rose, the bell has rung. I go back to class empty-handed empty headed empty-hearted.
Sally Murphy (Pearl Verses the World)
I was walking ahead of our little group and, as the Wallace princesses approached, I stepped off the sidewalk into the dew-dampened grass to let them pass. Aunt Belle saw this; she hurried up to me and asked, "Why did you get off the walk when you met those girls?" I replied, as if it should have been clear to anyone, "Because they are the prettiest girls in town! And I didn't want them to get their feet wet!" Aunt Belle grabbed me above the right elbow with both of her hands and shook me until I actually saw blue stars, roughly pushed me back onto the sidewalk, and growled between clenched teeth, emphasizing each word: "DON'T YOU EVER, EVER GET OFF THE SIDEWALK FOR ANYONE! YOU ARE AS PRETTY AS ANYONE! DO YOU UNDERSTAND?
Mildred Armstrong Kalish (Little Heathens: Hard Times and High Spirits on an Iowa Farm During the Great Depression)
Jessabelle, I'm sorry to just leave, but I need some time. Time to get my head back on straight. Time to remember who I really am. Time with my Creator, the one who knew before the foundations of the earth what would happen over the last few days. I wish more than anything, that I could process all of this with you, go through all of this together, because I'm coming to understand that, out of all the men in the world, God picked me for you. It's so much more than lineage. It's you. How you've come into your own. How you've blossomed and grown. I'm so privileged to see that secret side of you-the side no one else gets to see. The side where you secretly paint your second toenail a different color because everyone else does the fourth one, but you're not sure my mother would approve so you never wear open-toed shoes to show them off. You only eat M&Ms in odd numbers. You use your right hand to put hair behind your ear, but never your left. You didn't know I knew those things, did you? I've watched you over the last few months and learned more about you than I realized until I tried to put my thoughts on paper. You're sleeping just feet away from me as I write this. Your even breathing brings some peace to my troubled soul. The small smile on your face makes me wonder what your dreaming about and if, in your sleep, you've managed to find happiness instead of the turmoil life always seems to bring. I have to stop myself from wondering if dream-Jessabelle has found happiness with someone besides dream-Malachi, because I've realized something in the last couple of days. I love you. My life didn't really begin until you walked down the aisle into it. I want to be man enough to tell you to your face, to kiss you, to tell you over and over what you've come to mean to me, but I can't. Not yet... You are the only one for me, sweet Mia Belle. I love you with my entire being, in a way I never believed possible to love another person. I didn't know this kind of love truly existed outside of fairy tales. Always, Kai
Carol Moncado (Hand-Me-Down Princess (The Monarchies of Belles Montagnes #4))
Papa! You painted my nose!" "I certainly did," her father said. "But why?" Belle tried to see the purple dot on her face. Maurice grinned. "Because that mark makes you even more beautiful. Different and special from the inside out, just like your fantastic doll. And just like your mother, who you look and act more like every day." Belle eyed her father suspiciously. "A purple mark does all that?" "Yes. Because it's yours and only yours," Maurice said.
Walt Disney Company (Belle's Discovery (Disney Princess Beginnings, #2))
When the emotions are dead, a woman is not affected by any of the natural feminine feelings of horror, fright at the sight of blood, or pity that ordinarily influence a normal person. Because her emotions were dead, she could carve a body to pieces, gather up all the piteous dismembered parts, throw them into a gunny sack, carry them out on her back in a moonlit night, dig a grave in the yard, and throw the troublesome bundle into the hole without a tremor.[4]
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
Your Royal presence is requested at the hundredth annual League of Underground Fairytale Characters Conference and Formal Ball. Conference dress is business casual. Ball dress is obvious. Remember, Princess Snow, no weapons of any kind will be allowed into the ballroom. Please leave the bows, knives, guns, and lasers at home. And, dear, please refrain from punching anyone. We haven’t forgotten about your coming of age ball.” Belle snorted. “Sounds like Giles still has an excellent memory and his
S.E. Babin (The Hunt For Snow (Fairytale League #1))
Each hour burns slowly away, although time means nothing to him now. Time is quite lost to him in his eternal darkness, in his eternal timelessness, though it leans so heavily on me. All day long I wait for the slow rolling in of the gray evening and the mournful tolling of the Compline bell, when I can go to the chapel and pray for his soul, though he will never again hear my whispers, nor the quiet chanting of the priests. Then I can go to bed. But when I get to bed I dare not sleep because I cannot bear the dreams that come. I dream of him. Over and over again I dream of him.
Philippa Gregory (The White Princess (The Plantagenet and Tudor Novels, #5))
I'm the one who's different." "A princess, you mean?" She pinched his arm lightly as the carriage turned onto rue Dauphine. "Not a princess." Belle's refusal to take the title marriage to Lio would have afforded her was a touchy subject between them. He mercifully let it go. "But certainly not the girl you were then." She turned her attention to the wallpapered panel of the carriage, tracing the embossed flowers with the tip of her finger, unwilling to let him see her smile falter once more. She didn't know how to explain that she would always be that girl, that no titles or fine clothing would change her. In her bones, she was a poor, provincial peasant who had risen far above her station.
Emma Theriault (Rebel Rose (The Queen's Council, #1))
Never play the princess when you can be the queen: rule the kingdom, swing a scepter, wear a crown of gold. Don’t dance in glass slippers, crystal carving up your toes -- be a barefoot Amazon instead, for those shoes will surely shatter on your feet. Never wear only pink when you can strut in crimson red, sweat in heather grey, and shimmer in sky blue, claim the golden sun upon your hair. Colors are for everyone, boys and girls, men and women -- be a verdant garden, the landscape of Versailles, not a pale primrose blindly pushed aside. Chase green dragons and one-eyed zombies, fierce and fiery toothy monsters, not merely lazy butterflies, sweet and slow on summer days. For you can tame the most brutish beasts with your wily wits and charm, and lizard scales feel just as smooth as gossamer insect wings. Tramp muddy through the house in a purple tutu and cowboy boots. Have a tea party in your overalls. Build a fort of birch branches, a zoo of Legos, a rocketship of Queen Anne chairs and coverlets, first stop on the moon. Dream of dinosaurs and baby dolls, bold brontosaurus and bookish Belle, not Barbie on the runway or Disney damsels in distress -- you are much too strong to play the simpering waif. Don a baseball cap, dance with Daddy, paint your toenails, climb a cottonwood. Learn to speak with both your mind and heart. For the ground beneath will hold you, dear -- know that you are free. And never grow a wishbone, daughter, where your backbone ought to be.
Clementine Paddleford
During the last two decades of the nineteenth century and the first of the twentieth, France enjoyed an upsurge of artistic flourishing that became known as La Belle Epoque. It was a time of change that heralded both art nouveau and post impressionism, when painters as diverse as Monet, Cezanne and Toulouse Lautrec worked. It was an age of extremes, when Proust and Anatole France were fashionable along with the notorious Monsieur Willy, Colette's husband. On the decorative arts, Mucha, Gallé and Lalique were enjoying success; and the theatre Lugné-Poe was introducing the grave works of Ibsen at the same time as Parisians were enjoying the spectacle of the can-can of Hortense Schneider. Paris was the crossroads of a new and many-faceted culture, a culture that was predominately feminine in form, for, above all, la belle Epoque was the age of women. Women dominated the cultural scene. On the one hand, there was Comtesse Greffulhe, the patron of Proust and Maeterlinck, who introduced greyhound racing into France; Winaretta Singer, Princesse de Polignac, for whom Stravinsky wrote Renard; Misia Sert, the discoverer of Chanel and Diaghilev's closest friend. On the other were the great dancers of the Moulin Rouge, immortalised by Toulouse lautrec — Jane Avril, Yvette Guilbert, la Goulue; as well as such celebrated dramatic actresses as the great Sarah Bernhardt. It would not be possible to speak of La belle Epoque without the great courtesans who, in many ways, perfectly symbolized the era, chief of which were Liane de Pougy, Émilienne d'Alençon, Cléo de Mérode and La Belle Otero.
Charles Castle (La Belle Otero: The Last Great Courtesan)
Lose yourself in the city’s rickety streets, blind canals, wrought-iron gates, uninhabited courtyards—may I go on? Why, thank you—leery Gothic carapaces, Ararat roofs, shrubbery-tufted brick spires, medieval overhangs, laundry sagging from windows, cobbled whirlpools that suck your eye in, clockwork princes and chipped princesses striking their hours, sooty doves, and three or four octaves of bells, some sober, some bright.
Anonymous
Mi mostrò il libro. «Te lo leggo per farti rilassare». «Parla di sport?» «Scherma. Lotta. Tortura. Veleno. Vero amore. Odio. Vendetta. Uomini buoni. Belle dame. Serpenti. Ragni. Bestie di ogni natura e tipo. Dolore. Morte. Uomini coraggiosi. Uomini codardi. Gli uomini più forti. Inseguimenti. Fughe. Menzogne. Verità. Passione. Miracoli». «Sembra okay» dissi e chiusi gli occhi.
William Goldman (The Princess Bride)
List of Elizabeth Lennox Books   The Texas Tycoon’s Temptation   The Royal Cordova Trilogy Escaping a Royal Wedding The Man’s Outrageous Demands Mistress to the Prince   The Attracelli Family Series Never Dare a Tycoon Falling For the Boss Risky Negotiations Proposal to Love Love's Not Terrifying Romantic Acquisition   The Billionaire's Terms: Prison Or Passion The Sheik's Love Child The Sheik's Unfinished Business The Greek Tycoon's Lover The Sheik's Sensuous Trap The Greek's Baby Bargain The Italian's Bedroom Deal The Billionaire's Gamble The Tycoon's Seduction Plan The Sheik's Rebellious Mistress The Sheik's Missing Bride Blackmailed by the Billionaire The Billionaire's Runaway Bride The Billionaire's Elusive Lover The Intimate, Intricate Rescue   The Sisterhood Trilogy The Sheik's Virgin Lover The Billionaire's Impulsive Lover The Russian's Tender Lover The Billionaire's Gentle Rescue   The Tycoon's Toddler Surprise The Tycoon's Tender Triumph   The Friends Forever Series The Sheik's Mysterious Mistress The Duke's Willful Wife The Tycoon's Marriage Exchange   The Sheik's Secret Twins The Russian's Furious Fiancée The Tycoon's Misunderstood Bride   Love By Accident Series The Sheik's Pregnant Lover The Sheik's Furious Bride The Duke's Runaway Princess   The Russian's Pregnant Mistress   The Lovers Exchange Series The Earl's Outrageous Lover The Tycoon's Resistant Lover   The Sheik's Reluctant Lover The Spanish Tycoon's Temptress   The Berutelli Escape Resisting The Tycoon's Seduction The Billionaire’s Secretive Enchantress   The Big Apple Brotherhood The Billionaire’s Pregnant Lover The Sheik’s Rediscovered Lover The Tycoon’s Defiant Southern Belle   The Sheik’s Dangerous Lover (Novella)   The Thorpe Brothers His Captive Lover His Unexpected Lover His Secretive Lover His Challenging Lover   The Sheik’s Defiant Fiancée (Novella) The Prince’s Resistant Lover (Novella) The Tycoon’s Make-Believe Fiancée (Novella)   The Friendship Series The Billionaire’s Masquerade The Russian’s Dangerous Game The Sheik’s Beautiful Intruder   The Love and Danger Series – Romantic Mysteries Intimate Desires Intimate Caresses Intimate Secrets Intimate Whispers   The Alfieri Saga The Italian’s Passionate Return (Novella) Her Gentle Capture His Reluctant Lover Her Unexpected Admirer Her Tender Tyrant Releasing the Billionaire’s Passion (Novella) His Expectant Lover   The Sheik’s Intimate Proposition (Novella)   The Hart Sisters Trilogy The Billionaire’s Secret Marriage The Italian’s Twin Surprise The Forbidden Russian Lover   The War, Love, and Harmony Series Fighting with the Infuriating Prince (Novella) Dancing with the Dangerous Prince (Novella)
Elizabeth Lennox (The Sheik's Baby Surprise (The Boarding School Series Book 4))
As we waited inside for our turn to leave, we could hear the cheers and applause break out in the streets as the prince and princess emerged for their ride back to the palace. The bells of Saint Paul’s rang out, proclaiming the royal marriage. Our hearts were bursting with pride and happiness for Diana. The wedding had been a magnificent ritual, flawlessly orchestrated. A deeply moving personal event, as well as a splendid state occasion--a royal pageant on a scale that the British execute better than anyone in the world. As Pat and I joined the exuberant crowds outside, we were struck again by the public’s spontaneous, joyful response to their new princess. On that glorious, sunny July day, all of us--the thousands of guests in the congregation, the hundreds of thousands of people on the streets of London, the hundreds of millions of television viewers around the world, and most of all, Diana herself--believed in the fairy tale.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Attending Diana’s funeral was the saddest thing I’ve ever done. The image of her solitary coffin and the haunting echo of the guards’ footsteps will stay with me always. I prayed for her young sons, for whom she will be irreplaceable. I looked across the square at the thousands of people who remained, listening to the Abbey bells, unwilling to leave. Men and women alike were still blinking back tears, biting trembling lips, or openly crying after seeing Diana’s casket being borne away. The funeral service had been truly sublime--a funeral fit for a queen. Yet, Diana would have been more deeply touched by the unprecedented and heartfelt expressions of love and loss from ordinary people. She had said she wanted to be a “princess for the world.” The world’s sorrow for her untimely death made it undeniably clear that she was, indeed, “the people’s princess,” as Tony Blair had so eloquently called her. On that mournful day, her lonely path away from royal convention had been completely vindicated. But the cost had been too high.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Nervously I tried to check my reflection in the opaque window of the front door. I had an idea that equerries to Her Royal Highness the Princess of Wales were several inches taller than me in their Gucci loafers and carried a reassuring air of Labradors and sports cars. They certainly did not lose their cuff links. Summoning up all my stiffening thoughts, I pressed the bell. I could not hear if it had rung, so after several minutes I pressed it again, just as the door opened to reveal the Prince of Wales’s butler. He was about my height and wore a dark blue jacket with the Prince of Wales’s monogram on the lapels. He looked politely unimpressed. “Oh yes,” he said. “Come in.” Later, I came to know Harold Brown well and grew to admire his professionalism. At home and abroad, he quietly bore the hundreds of little stresses that came with dealing with his royal employers at their less attractive moments. His gift as a mimic had me crying tears of laughter into my whiskey on many foreign tours. That afternoon, however, he was every inch the guardian of his master’s privacy and impassively allowed me to follow him to the Equerries’ Room where I was to await the royal summons. Like so much of the apartment, although undeniably comfortable and well appointed, the Equerries’ Room was dark. Clever effects had been achieved with concealed lighting, pastel colorings, and flowers, but the overriding impression was one of pervasive gloom. Two people were already there—the Princess’s lady-in-waiting, Anne Beckwith-Smith, and her current equerry, Richard Aylard. They were there to examine me as a possible recruit to their exclusive way of life. During the last few days they had been examining five others as well, of course, so they were understandably distant, if polite. I was polite too—this was surely part of the selection process—and determined, like the butler, to look unimpressed. But I did need to go to the loo. Badly. Groping in the semigloom of the cloakroom, I became the latest visitor to fumble for the trick light switch on a fiendish trompe l’oeil before finding the real switch on the wall behind me.
Patrick D. Jephson (Shadows Of A Princess: An Intimate Account by Her Private Secretary)
The story of Cinderella is a metaphor for our life experience. Just like Cinderella, some of us will often find ourselves as the only value-giver, surrounded by value-takers. Our goal is to create value, to become sculptors of value; while their goal is to focus on their own value and try to take by all means, to add more to it. When you take value, that's because you're not creating it in the spaces you are in and that surround you. You're not a valuable experience in other people's lives. You're the ugly stepsisters. But unlike Cinderella, we need to be more like Belle. We need to know our own worth while our own worth is happening.
C. JoyBell C.
Will spun around. He could barely see Cecily; Jem had thrown himself between her and Benedict, and he was spattered in black blood and mud. Behind Jem, Tessa had dragged Tatiana into her lap; their skirts belled out together, Tatiana’s gaudy pink mixing with the ruined gold of Tessa’s wedding dress. Tessa had bent over her as if to protect her from the sight of her father, and much of the demon blood had splashed upon Tessa’s hair and clothes. She looked up, her face pale, and her eyes met Will’s. For a moment the garden, the noise, the stench of blood and demon, vanished away, and he was alone in a soundless place with only Tessa. He wanted to run to her, wrap her in his arms. Protect her.
Cassandra Clare (Clockwork Princess (The Infernal Devices Book 3))
pouf à la Belle Poule. The Queen modeled it on the real life Belle Poule, a French frigate that went against the British in June 1778.
Geri Walton (Marie Antoinette's Confidante: The Rise and Fall of the Princesse de Lamballe)
From new title ATOMICAS Shatter the Dream A WORD from the ATOMICAS I wake up every morning hearing the bell for Round One La Porcelana Fight until they can’t KISS US Army SGT. Team Black Damaged women are the most dangerous kind, because they already know they can survive. My enemies will not be so fortunate. OVERLOAD Mess with the ATOMICAS and I will rust your blood. Rusty If I ever let my head down, it will only be to admire my shoes. Ms. Newton Throw me to the wolves. I will return leading the pack RABID and Theodore Chaos is loved by the wild, not the weak FERAL and Genovese I will destroy my enemies in the most beautiful way possible, and when I leave, they will know why storms are named after people. Sea Wasp A Princess becomes an ATOMICA when she slays her own dragons. Shatterdream I will shake my bloody knuckles in my enemy’s face. A fight with the ATOMICAS is a fight to the death. I’ll slap an egg out of you. Thunder Girl I like my sunshine with a shot of hurricane. CRISIS In my defense, Mother, the moon was full, and I was the only witch unburned. Merga Starpattern I go from zero to beating you silly really quick. ZAG I’m stuck between a rock and someone I want to hit with it. Conduit Wink at Death and then beat him down like it’s your job. VOX I would rather be strong and scary than pretty and useless. I fight things that would set your soul on fire. Poltergeist
D.W. Hill (Girl Wanted: Apply in Person: The ATOMICAS Series)
In his Remembrance of Things Past, Marcel Proust would model his Baron de Charlus on Montesquiou, just as he would base the Princess Yourbeletieff and Madame Verdurin on Misia, the actress Berma on Sarah Bernhardt, and elements of the character of Bergotte on Prince Edmond de Polignac (although more on Anatole France).
Mary McAuliffe (Dawn of the Belle Epoque: The Paris of Monet, Zola, Bernhardt, Eiffel, Debussy, Clemenceau, and Their Friends)
addition to Debussy, Ravel had begun to attract the interest of patrons such as the Princesse Edmond de Polignac, to whom he dedicated the Pavane pour une Infante défunte, and Misia Natanson, who became a lifelong devotee.
Mary McAuliffe (Dawn of the Belle Epoque: The Paris of Monet, Zola, Bernhardt, Eiffel, Debussy, Clemenceau, and Their Friends)
For my Baby bell i will do anything, i wanted to be the person she fell in love with and i still do and will be if i have the chance, I have nothing but love for her that will continue till my dying day, i will never let her down again and i will protect honour cherish ever single moment i may have with her, if she never comes back then i have lost the most wonderful special loving kind adorable sweet princess i could of ever hoped to have met, and every memory good or bad, i will keep and hold onto, as i will never find anyone like her again. xxx i have to say sorry every single day for the rest of my life i will, i will show her i love her every second of everyday. xxxx
richard ninnim
This was a girl who belonged in ballgowns and expensive jewels, not tattered hand-me-downs. This was a girl who brought me, a fucking mafia kingpin, to my knees, with one. Single. Look.
Isabella Starling (Breaking Belle (Princess After Dark #2))
Right in the centre was a tall bell tower of white stone, from which long ago some princess had leapt onto the stones below, and despite all the centuries that had passed, this incident was vaguely remembered by the townspeople.
Victor Pelevin (Omon Ra)
Horseshit? Fuck you. I will defend my Belle and Mulan awesome warrior princess road comedy fan fiction to the fucking death.
Lila Monroe (Get Lucky (Lucky In Love, #1))
William and Kate escaped to Villa Hibiscus on the exclusive island enclave of Mustique in the Grenadines. Mustique had royal connections going back to the 1950s, when the high-living Princess Margaret built a lavish villa there. Mick Jagger bought a place on Mustique in 1971 and was soon joined by the likes of David Bowie and Richard Branson. Two other island residents—fashion moguls John and Belle Robinson, founders of the Jigsaw clothing chain—graciously waved the customary $14,000 weekly rental fee and lent Villa Hibiscus, their estate overlooking Macaroni Beach, to the young cadet and his girlfriend. The
Christopher Andersen (Brothers and Wives: Inside the Private Lives of William, Kate, Harry, and Meghan)
Tess, Tess, Tessa. Was there ever a more beautiful sound than your name? To speak it aloud makes my heart ring like a bell. Strange to imagine that, isn’t it—a heart ringing? But when you touch me, that is what it is like, as if my heart is ringing in my chest.
Cassandra Clare (The Infernal Devices: Clockwork Princess #18)
She had been adamant that she would never be Princess Belle, eager to avoid the false trappings that came with a title so flimsy in a principality. But queen of a kingdom in its own right? That was no empty title.
Emma Theriault (Rebel Rose (The Queen's Council, #1))
She had been a storm that didn't move roofs, but she'd spent a year watching storms that did. Instead of striking off on her own, as she'd always done, she decided to learn to listen. In spring, she went to Eilean Glan, and she listened to the old queen teach girls to heal. In summer, she went to Ardbarrach, and as the bells rang, she listened to the value of order. In fall, she returned home long enough for her mother to prepare for the journey, and then, as they rode around a new and fragile Scotland, she listened to her mother talk about peace. In winter, she returned to DunBroch to think about all she had learned over the long, dark season.
Maggie Stiefvater (Bravely)
Then again, Belle had always been the Princess who resonated most with me… nothing wrong with a little Stockholm syndrome, was there?
Tate James (Honey Trap (The Guild, #1))
Scar: We’re going to watch Frozen. Are you coming back to our room? My lips parted and utter excitement ran through me. I shoved my Atlas back into my pocket and started running up the stairs, taking them two at a time. He’d finally dropped his walls, he was allowing me to peek into his heart and see the Disney princess living in there. Was it Belle? Aurora? Ariel? Of course it was Ariel. He’d been waiting to get his legs for years and live above the sea. We needed to have another movie night. Maybe he’d wear Mickey Mouse ears if I bought them for him. We could get matching ones for the pride. Different colours for each of us.
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
I respect the hell out of Belle, she’s the only princess to save her prince from a fate worse than death. She was no shrinking wallflower with a damsel in distress vibe that even as a ten year old pissed me off.
Adaline Winters (Whispers of the Dead (Cora Roberts, #1))
Naturally, reading led to writing. The opposite side of the same coin. I created words with my pen where people didn't giggle and point when I spoke. Where my parents tucked me in. Where I didn't stutter. Where I had chores assigned by a chart on the wall with my name on it. Where the seat at the table was mine and I was missed if the bell rang and I didn't fill it. Where I was always the prince who rescued the princess, the Hobbit who destroyed the ring, the boy who saved Narnia. Where I was Pip. Sometimes I wrote all night. Filling pad after pad. True or make believe mattered little. Life was in the telling. In the exhale. Writing became the outlet for the one-sided conversation inside my head. The only place I knew complete expression. A thought encapsulated. A breath deep enough to fill me. Punctuation with certainty. Writing was how I worked out the goings on the inside. The act of making story made sense of what I couldn't make sense of. Like being an orphan and never being adopted.
Charles Martin (Unwritten)
Back home, she had become something larger than Belle. Whether they knew she broke the curse or not, the people of Aveyon viewed Belle as their savior. Some thought she had rescued them from an inattentive, reclusive prince; far fewer knew she had broken the curse that had been drowning the kingdom for a decade. Everyone wanted her to be their princess, to embrace her new role to the fullest extent. But she couldn't bring herself to do that, not yet at least.
Emma Theriault (Rebel Rose (The Queen's Council, #1))
I feel Rory squeezing my hand, Belle messing with my hair. I love them and I know they mean well—but they’re trying to soothe something that can never be soothed, to slap a coating of princess over the messy remnants of my snarling monster.
Sarah Kuhn (From Little Tokyo, with Love)
Anderson’s dark brows slanted down. “If I remember correctly, you said you didn’t need a partner. Your exact words, I believe, were, ‘I don’t need no motherfucking middle-aged bastard being my partner.’ Ring a bell?” “None whatsoever.
Bella J. (Mafia Princess (Royal Mafia, #1))
When they arrived in Rochester, Buell and his companion proceeded straight to the Powers Hotel, where they informed the house detective of their suspicions.
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)