Do Me A Favour Quotes

We've searched our database for all the quotes and captions related to Do Me A Favour. Here they are! All 100 of them:

I'm tired of people thinking they're doing me favours.
Michael Thomas Ford (Suicide Notes)
Rob, do me a favour, tell your angry boss that I will see her and that when I do, I will be cleaning that mouth out and if she's lucky it'll be with my tongue.
Toni Aleo (Trying to Score (Assassins, #2))
I comma square bracket recruit's name square bracket comma do solemnly swear by square bracket recruit's deity of choice square bracket to uphold the Laws and Ordinances of the City of Ankh-Morpork comma serve the public truƒt comma and defend the ƒubjects of his ƒtroke her bracket delete whichever is inappropriate bracket Majeƒty bracket name of reigning monarch bracket without fear comma favour comma or thought of perƒonal ƒafety semi-colon to purƒue evildoers and protect the innocent comma comma laying down my life if neceƒsary in the cauƒe of said duty comma so help me bracket aforeƒaid deity bracket full stop Gods Save the King stroke Queen bracket delete whichever is inappropriate bracket full stop.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
Just don't die for me, you won't be doing me any favour !
Suzanne Collins
Can you do me a few favours? Show her off to the world. Shout it from the rooftops. Take her out on dates. She loves to dance - even though she's really bad at it. Make other couples jealous. Be her golden. Because I promise that she'll be yours.
Brittainy C. Cherry (Loving Mr. Daniels)
And the next time you want to fill my locker with menstrual products, do me a favour and make them pads. I've never been a tampon girl myself
Michelle Quach (Not Here to Be Liked)
Well he should get over himself. He tried to get me burned at the stake in Brit History yesterday. Here I am minding my own business like a good little girl, and out of the blue Tucker raises his hand and accuses me of being a witch" "sounds like something Tucker would do" admits wendy. "Everybody had to vote on it. I barely escaped with my nuns life. Obviously I'll have to return the favour.
Cynthia Hand (Unearthly (Unearthly, #1))
The most insightful thing I ever heard, was overheard. I was waiting for a rail replacement bus in Hackney Wick. These two old women weren’t even talking to me - not because I’d offended them, I hadn’t, I’d been angelic at that bus stop, except for the eavesdropping. Rail replacement buses take an eternity, because they think they’re doing you a favour by covering for the absent train, you’ve no recourse. Eventually the bus appeared, on the distant horizon, and one of the women, with the relief and disbelief that often accompanies the arrival of public transport said, ‘Oh look, the bus is coming.’ The other woman - a wise woman, seemingly aware that her words and attitude were potent and poetic enough to form the final sentence in a stranger’s book - paused, then said, ‘The bus was always coming.
Russell Brand (My Booky Wook)
Death, mademoiselle, unfortunately creates a prejudice. A prejudice in favour of the deceased. I heard what you said just now to my friend Hastings. ‘A nice bright girl with no men friends.’ You said that in mockery of the newspapers. And it is very true—when a young girl is dead, that is the kind of thing that is said. She was bright. She was happy. She was sweet-tempered. She had not a care in the world. She had no undesirable acquaintances. There is a great charity always to the dead. Do you know what I should like this minute? I should like to find someone who knew Elizabeth Barnard and who does not know she is dead! Then, perhaps, I should hear what is useful to me—the truth.
Agatha Christie (The A.B.C. Murders (Hercule Poirot, #13))
What about me?’ said Grantaire. ‘I’m here.’ ‘You?’ ‘Yes, me.’ ‘You? Rally Republicans! You? In defence of principles, fire up hearts that have grown cold!’ ‘Why not?’ ‘Are you capable of being good for something?’ ‘I have the vague ambition to be,’ said Grantaire. ‘You don’t believe in anything.’ ‘I believe in you.’ ‘Grantaire, will you do me a favour?’ ‘Anything. Polish your boots.’ ‘Well, don’t meddle in our affairs. Go and sleep off the effects of your absinthe.’ ‘You’re heartless, Enjolras.’ ‘As if you’d be the man to send to the Maine gate! As if you were capable of it!’ ‘I’m capable of going down Rue des Grès, crossing Place St-Michel, heading off along Rue Monsieur-le-Prince, taking Rue de Vaugirard, passing the Carmelite convent, turning into Rue d’Assas, proceeding to Rue du Cherche-Midi, leaving the Military Court behind me, wending my way along Rue des Vieilles-Tuileries, striding across the boulevard, following Chaussée du Maine, walking through the toll-gate and going into Richefeu’s. I’m capable of that. My shoes are capable of that.’ ‘Do you know them at all, those comrades who meet at Richefeu’s?' ‘Not very well. But we’re on friendly terms.’ ‘What will you say to them?’ ‘I’ll talk to them about Robespierre, of course! And about Danton. About principles.’ ‘You?’ ‘Yes, me. But I’m not being given the credit I deserve. When I put my mind to it, I’m terrific. I’ve read Prudhomme, I’m familiar with the Social Contract, I know by heart my constitution of the year II. “The liberty of the citizen ends where the liberty of another citizen begins.” Do you take me for a brute beast? I have in my drawer an old promissory note from the time of the Revolution. The rights of man, the sovereignty of the people, for God’s sake! I’m even a bit of an Hébertist. I can keep coming out with some wonderful things, watch in hand, for a whole six hours by the clock.’ ‘Be serious,’ said Enjolras. ‘I mean it,’ replied Grantaire. Enjolras thought for a few moments, and with the gesture of a man who had come to a decision, ‘Grantaire,’ he said gravely, ‘I agree to try you out. You’ll go to the Maine toll-gate.’ Grantaire lived in furnished lodgings very close to Café Musain. He went out, and came back five minutes later. He had gone home to put on a Robespierre-style waistcoat. ‘Red,’ he said as he came in, gazing intently at Enjolras. Then, with an energetic pat of his hand, he pressed the two scarlet lapels of the waistcoat to his chest. And stepping close to Enjolras he said in his ear, ‘Don’t worry.’ He resolutely jammed on his hat, and off he went.
Victor Hugo (Les Misérables)
Hey Atticus, do me a quick favour before we go? its easy. Sure. What is it? Hold Granuailes staff for just a minute. You know, rest it on the ground so that its like a walking stick or something and the top of it is near your right cheek. Granuaile and I traded weapons to humor him and I stood as instructed. Thats perfect! Now say this like Sir Ian McKellen I am Atticus the White, and I come back to you now at the turn of the tide.
Kevin Hearne (Hunted (The Iron Druid Chronicles, #6))
Do you know the only value life has is what life puts upon itself? And it is of course overestimated, for it is of necessity prejudiced in its own favour. Take that man I had aloft. He held on as if he were a precious thing, a treasure beyond diamonds of rubies. To you? No. To me? Not at all. To himself? Yes. But I do not accept his estimate. He sadly overrates himself. There is plenty more life demanding to be born. Had he fallen and dripped his brains upon the deck like honey from the comb, there would have been no loss to the world. The supply is too large.
Jack London (The Sea Wolf)
Darlin’, do me a favour here, all you ladies in the crowd tonight have gotta appreciate the fact that I’m a one woman type of bloke and I love my girl; I’ve loved my girl since the very first day I set eyes on her and back then she was just a girl… but I have had the pleasure these past few years of watching her grow into an absolutely beautiful young woman and as much as I love touring and playing in front of you lot every night, I’m counting down the days till I’m back in England and in her arms.
Lesley Jones (The Story of Us (Carnage, #1))
Nobody ever saw a dog make a fair and deliberate exchange of one bone for another with another dog. Nobody ever saw one animal by its gestures and natural cries signify to another, this is mine, that yours; I am willing to give this for that....But man has almost constant occasion for the help of his brethren, and it is in vain for him to expect it from their benevolence only. He will be more likely to prevail if he can interest their self-love in his favour, and show them that it is for their own advantage to do for him what he requires of them. Whoever offers to another a bargain of any kind, proposes to do this. Give me that which I want, and you shall have this which you want, is the meaning of every such offer; and it is in this manner that we obtain from one another the far greater part of those good offices which we stand in need of.
Adam Smith (An Inquiry into the Nature and Causes of the Wealth of Nations)
When I started feeling the drag of winter, I began to treat myself like a favoured child: with kindness and love. I assumed my needs were reasonable and that my feelings were signals of something important. I kept myself well fed and made sure I was getting enough sleep. I took myself for walks in the fresh air and spent time doing things that soothed me. I asked myself: What is this winter all about? I asked myself: What change is coming?
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
Those that come to see me, do me honour; and those that stay away, do me a favour.
Edward John Trelawny (Adventures Of A Younger Son (1897))
The pause was to Elizabeth's feelings dreadful. At length, with a voice of forced calmness, he said: "And this is all the reply which I am to have the honour of expecting! I might, perhaps, wish to be informed why, with so little endeavour at civility, I am thus rejected. But it is of small importance." "I might as well inquire," replied she, "why with so evident a desire of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character? Was not this some excuse for incivility, if I was uncivil? But I have other provocations. You know I have. Had not my feelings decided against you— had they been indifferent, or had they even been favourable, do you think that any consideration would tempt me to accept the man who has been the means of ruining, perhaps for ever, the happiness of a most beloved sister?
Jane Austen (Pride and Prejudice)
I will do you one last favour, in the name and memory of the figment you have replaced. I will clarify a misapprehension of yours. Circumstances did not conspire against me. I was not led into anything, nor did I fall. I chose my life and my course. I chose to do wrong in the hope that right might come of it. I regret it. I would choose differently now. But the choice was mine. Deny that, falsify it, tinsel it over with pious, pitying justification, and you deny everything I am and every scrap of what little good I have been able to do in my life. Good or bad, give me credit for what I have done. I would rather go honestly to Hell, admitting that I leaped knowingly into error and folly, than enter into the sweetest Heaven men can dream of by whining that I had been pushed.
Steven Brust (Freedom & Necessity)
All these polo-necked wankers from grammar schools were going out and buying songs like ‘San Francisco (Be Sure to Wear Some Flowers in Your Hair)’. Flowers in your hair? Do me a f**king favour. [...] Who gave a dog’s arse about what people were doing in San Francisco, anyway? The only flowers anyone saw in Aston were the ones they threw in the hole after you when you croaked it at the age of fifty-three ’cos you’d worked yourself to death. I hated those hippy-dippy songs, man. Really hated them.
Ozzy Osbourne (I Am Ozzy)
Do me a favour and go out and perform one of the activities I hear the youth enjoy this Friday, like defacing public property.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
From Beckett's "The Unnamable": "They love each other, marry, in order to love each other better, more conveniently, he goes off to the wars, he dies at the wars, she weeps, with emotion, at having loved him, at having lost him, yep, marries again, in order to love again..., more conveniently again, they love each other, you love as many times as necessary, as necessary in order to be happy, he comes back, the other comes back, from the wars, he didn't die at the wars after all, she goes to the station, to meet him, he dies in the train, of emotion, at the thought of seeing her again, having her again, she weeps, weeps again, with emotion again, at having lost him again, yep, goes back to the house, he's dead, the other is dead, the mother-in-law takes him down, he hanged himself, with emotion, at the thought of losing her, she weeps, weeps louder, at having loved him, at having lost him, there's a story for you, that was to teach me the nature of emotion, that's called emotion, what emotion can do, given favourable conditions, what love can do, well well, so that's emotion, that's love, and trains, and the nature of trains, and the meaning of...
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
If Gretchen had been feeling charitable she would have let me die...I wanted to die. I was ready to die. If she had put a scalpel in my hand, I would have stabbed myself in the neck and happily bled to death right there in her basement. She didn't do me any favours by not killing me. Gretchen enjoys people's pain. And she just found a way to prolong my pain and her pleasure. Believe me, it was the cruellest thing she could have done to me. If she could have thought of something crueller she would have done it. Gretchen doesn't show people mercy.
Chelsea Cain (Heartsick (Archie Sheridan & Gretchen Lowell, #1))
Do you know the only value life has is what life puts upon itself? And it is of course over-estimated since it is of necessity prejudiced in its own favour. Take that man I had aloft. He held on as if he were a precious thing, a treasure beyond diamonds or rubies. To you? No. To me? Not at all. To himself? Yes. But I do not accept his estimate. He sadly overrates himself. There is plenty more life demanding to be born. Had he fallen and dripped his brains upon the deck like honey from the comb, there would have been no loss to the world. He was worth nothing to the world. The supply is too large. To himself only was he of value, and to show how fictitious even this value was, being dead he is unconscious that he has lost himself. He alone rated himself beyond diamonds and rubies. Diamonds and rubies are gone, spread out on the deck to be washed away by a bucket of sea- water, and he does not even know that the diamonds and rubies are gone. He does not lose anything, for with the loss of himself he loses the knowledge of loss. Don't you see? And what have you to say?
Jack London (The Sea Wolf)
I yet beseech your majesty,-- If for I want that glib and oily art, To speak and purpose not; since what I well intend, I'll do't before I speak,--that you make known It is no vicious blot, murder, or foulness, No unchaste action, or dishonour'd step, That hath deprived me of your grace and favour; But even for want of that for which I am richer, A still-soliciting eye, and such a tongue As I am glad I have not, though not to have it Hath lost me in your liking.
William Shakespeare
No strings, Justin. I want you on your feet, not your knees, and I'd rather see you presiding at the seance table than hungry or desperate. I don't want you to capitulate. I never want you to do that. Merely, I would take it as a very great favour if you'd please, please let me give you back your freedom to choose.
K.J. Charles (An Unnatural Vice (Sins of the Cities, #2))
That war [Bosnian war] in the early 1990s changed a lot for me. I never thought I would see, in Europe, a full-dress reprise of internment camps, the mass murder of civilians, the reinstiutution of torture and rape as acts of policy. And I didn't expect so many of my comrades to be indifferent - or even take the side of the fascists. It was a time when many people on the left were saying 'Don't intervene, we'll only make things worse' or, 'Don't intervene, it might destabilise the region. And I thought - destabilisation of fascist regimes is a good thing. Why should the left care about the stability of undemocratic regimes? Wasn't it a good thing to destabilise the regime of General Franco? It was a time when the left was mostly taking the conservative, status quo position - leave the Balkans alone, leave Milosevic alone, do nothing. And that kind of conservatism can easily mutate into actual support for the aggressors. Weimar-style conservatism can easily mutate into National Socialism. So you had people like Noam Chomsky's co-author Ed Herman go from saying 'Do nothing in the Balkans', to actually supporting Milosevic, the most reactionary force in the region. That's when I began to first find myself on the same side as the neocons. I was signing petitions in favour of action in Bosnia, and I would look down the list of names and I kept finding, there's Richard Perle. There's Paul Wolfowitz. That seemed interesting to me. These people were saying that we had to act. Before, I had avoided them like the plague, especially because of what they said about General Sharon and about Nicaragua. But nobody could say they were interested in oil in the Balkans, or in strategic needs, and the people who tried to say that - like Chomsky - looked ridiculous. So now I was interested.
Christopher Hitchens
I wasn’t very good at leaving you alone when I tried. I don’t know how to do it.” “Will you do me a favour? Stop trying to figure that one out.” She half-smiled. “I suppose, given the frequency of your near-death experiences, it’s actually safer for me to stay close.” “True story. You never know when another rogue van might attack.
Stephenie Meyer (Twilight / Life and Death (Twilight, #1, #1.75))
Oh, Arkady, do me a favour, do let us for once have a really good quarrel - no holds barred, to the death." "But if we do, it'll end in..." "Blows?" Bazarov continued. "What if it does? Here, in the hay, in these idyllic surroundings, far from the world and the eyes of men - it doesn't matter. But you won't beat me. I'm going to take you now by the throat...
Ivan Turgenev (Fathers and Sons)
In that case,' [he said,] 'you can probably do me a favour.' I never, in my life, felt less inclined to confer a favour on any man. 'I am busy,' said I.
Nathaniel Hawthorne (The Blithedale Romance)
it’s been a long day and, yes, you’re trying to do me a favour, but I’m having the worst fucking evening and…and I’m going to the toilet.
Alexis Hall (Boyfriend Material (London Calling, #1))
Fortune favours the brave, sir," said Carrot cheerfully. "Good. Good. Pleased to hear it, captain. What is her position vis a vis heavily armed, well prepared and excessively manned armies?" "Oh, no–one's ever heard of Fortune favouring them, sir." "According to General Tacticus, it's because they favour themselves," said Vimes. He opened the battered book. Bits of paper and string indicated his many bookmarks. "In fact, men, the general has this to say about ensuring against defeat when outnumbered, out–weaponed and outpositioned. It is..." he turned the page, "'Don't Have a Battle.'" "Sounds like a clever man," said Jenkins. He pointed to the yellow horizon. "See all that stuff in the air?" he said. "What do you think that is?" "Mist?" said Vimes. "Hah, yes. Klatchian mist! It's a sandstorm! The sand blows about all the time. Vicious stuff. If you want to sharpen your sword, just hold it up in the air." "Oh." "And it's just as well because otherwise you'd see Mount Gebra. And below it is what they call the Fist of Gebra. It's a town but there's a bloody great fort, walls thirty feet thick. 's like a big city all by itself. 's got room inside for thousands of armed men, war elephants, battle camels, everything. And if you saw that, you'd want me to turn round right now. Whats your famous general got to say about it, eh?" "I think I saw something..." said Vimes. He flicked to another page. "Ah, yes, he says, 'After the first battle of Sto Lat, I formulated a policy which has stood me in good stead in other battles. It is this: if the enemy has an impregnable stronghold, see he stays there.'" "That's a lot of help," said Jenkins. Vimes slipped the book into a pocket. "So, Constable Visit, there's a god on our side, is there?" "Certainly, sir." "But probably also a god on their side as well?" "Very likely, sir. There's a god on every side." "Let's hope they balance out, then.
Terry Pratchett (Jingo (Discworld, #21; City Watch, #4))
Having one of my favours is more than enough, and we've already reached mutually assured destruction status, Sorrengail. Now, can you push through it, or do you need me to carry you?' 'That sounds more like an insult, not an offer.' 'You're catching on.' But his pace slows to match mine.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Listen to me very carefully, and think hard about what happens if you go over my head to do something for me that you think is right. What is my normal reaction?” Gabe slumps slightly. “Not favourable?
Lily Morton (Rule Breaker (Mixed Messages, #1))
Fuck off, bitch," the girl stood too and was shooting arrows through her eyes, but I just smiled. "Fuck off, Bitch?" I mimicked and forced a laugh. "If you want a slanging match with me, I suggest you broaden your vocabulary considerably before uttering another word and giving me further reason to believe that you came from a settlement of inbred idiots."  The girl turned pink under her thick layer of foundation.  "Do yourself a favour and sit down." I shook my head, "You won't win with me." I spat.
Cora Hawkes (Rocked Under (Rocked, #1))
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
Who else knows about this besides us?” “Just Patti...” “Okay. That should be okay. Is that it?” “And Kaidan,” I added. My eyes darted everywhere but his face. I was in for it. “Who?” There was an edge to his voice. His eyes searched mine. I didn't want to tell him a single thing about Kaidan. I knew how it would sound. I took my hands from his, pulling the braid over my shoulder to mess with it. “He's my friend. He's the one who drove me here to see you.” “You told some human kid?” I coughed, buying time. “He's Neph, too.” Jonathan LaGray went rigid and his ruddy cheeks paled. I squirmed as his eyes bored into mine. “Which one's his father?” he asked through clenched teeth. “Richard Rowe. I guess you'd know him as Pharzuph.” Oh, boy. He wasn't pale anymore. “You came across the country—” “Shhh!” I warned him as people looked over. He lowered his voice to a shouted whisper. “-with the son of the Duke of Lust? Son of a—” He pounded a fist down on the table and a guard stepped toward us. I waved and nodded at the man, trying to reassure him it was fine, and my father pulled his balled hands down into his lap. After a moment the guard walked back to the wall and looked away. “Don't worry!” I whispered. “I told you; we're just friends.” He closed his eyes and massaged his forehead with his fingers to calm his temper. “You tell him that his father is never to know about you or whatever Sister Ruth tells you. Understand?” “He would never tell his father anything. But, um...” I swallowed. “Unfortunately, Pharzuph already knows about me.” His eyes flashed red again and it nearly stopped my heart. I pressed my back into the seat, causing it to wobble. “Aren't you worried people will see your eyes when you do that?” I asked, sure that my own eyes were gigantic at that moment. “Humans can't see it. And don't try to change the subject. I know Pharzuph,” he growled. “He's a real bastard on earth and in hell. He'd do anything to gain favour.” “Kaidan thinks he'll forget about me if I lie low.” “Maybe momentarily, while he's busy or distracted with his work, but you'll cross his mind again someday.
Wendy Higgins (Sweet Evil (Sweet, #1))
Do you mind not intoning the responses, Jeeves?" I said. "This is a most complicated story for a man with a headache to have to tell, and if you interrupt you'll make me lose the thread. As a favour to me, therefore, don't do it. Just nod every now and then to show that you're following me." I closed my eyes and marshalled the facts. "To start with then, Jeeves, you may or may not know that Mr Sipperley is practically dependent on his Aunt Vera." "Would that be Miss Sipperley of the Paddock, Beckley-on-the-Moor, in Yorkshire, sir?" "Yes. Don't tell me you know her!" "Not personally, sir. But I have a cousin residing in the village who has some slight acquaintance with Miss Sipperley. He has described her to me as an imperious and quick-tempered old lady. ... But I beg your pardon, sir, I should have nodded." "Quite right, you should have nodded. Yes, Jeeves, you should have nodded. But it's too late now.
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
I should be able to get her to you by dawn.” “Good.” “And yes, you will be somewhere very secluded.” “Good.” “Do me a favour, though, and try not to break any retaining walls, please.” He smirked. “I’ll try my best, but I can’t make any promises.” “You know what? You’re just going to buy this house from me. It’s sure to sustain damage, and I’ll never get the mental pictures out of my mind.” “Done.” “It’s not her, mind you. Picturing her--“ “It’s very important that you shut up now, Gavin.
Elizabeth Hunter (A Fall of Water (Elemental Mysteries, #4))
Good afternoon, Sir. Shall I fetch the medical kit?" "Ah, no thanks, old boy. bit of a row. Do me a favour, if the constable comes knocking, tell him I was here all morning will you?" "Killed someone again, did we?" "Never before luncheon, Dodsley. It's still early yet.
Gaelen Foley
Two virtues remain to be discovered in the State—first, temperance, and then justice which is the end of our search. Very true. Now, can we find justice without troubling ourselves about temperance? I do not know how that can be accomplished, he said, nor do I desire that justice should be brought to light and temperance lost sight of; and therefore I wish that you would do me the favour of considering temperance first. Certainly,
Plato (The Republic)
As Ian popped the lock and opened the car door, he turned to Phoebe. “Can you do me a favour?” She immediately stepped toward him, fully embracing their new mature relationship. “Of course.” Ian looked pointedly over his own shoulder and said, “Tell me the truth. Does this car make my glowing ass look fat?” She’d naturally followed the direction of his gaze, but now she looked up, hard, into his eyes. And she smiled back at him despite herself. She even laughed. “You’re an idiot.” “When things get too serious, I get a rash.” She pointedly looked back down at his nether regions, despite the fact doing so made her blush. Still, she spoke coolly, dryly. “Not on your ass.” If Ian believed in love, that would’ve been it for him. Instantly. Enthrallingly. Eternally. Instead, he just laughed. “Thank God for that. See if there’s anything remotely clothinglike in the backseat or the trunk.
Suzanne Brockmann (Do or Die (Reluctant Heroes #1))
his eldest daughter, who was his delight and pride, Scheherazade said to him, "Father, I have a favour to ask of you. Will you grant it to me?" "I can refuse you nothing," replied he, "that is just and reasonable." "Then listen," said Scheherazade. "I am determined to stop this barbarous practice of the Sultan's, and to deliver the girls and mothers from the awful fate that hangs over them." "It would be an excellent thing to do," returned the grand-vizir,
Anonymous (The Arabian Nights Entertainments)
It would be fair to say that the coppers in Amersham jail didn’t take much of a shine to me. My little dance, my little ego, it didn’t do me any favours in there. I wasn’t the bat-biting, Alamo-pissing, ‘Crazy Train’-singing rock’n’roll hero. All that celebrity shit counts for nothing with the Thames Valley Police.
Ozzy Osbourne (I Am Ozzy)
Says O'Sullivan to me, "Mr. Fay, I'll have a word wid yeh?" "Certainly," says I; "what can I do for you?" "Sell me your sea- boots, Mr. Fay," says O'Sullivan, polite as can be. "But what will you be wantin' of them?" says I. "'Twill be a great favour," says O'Sullivan. "But it's my only pair," says I; "and you have a pair of your own," says I. "Mr. Fay, I'll be needin' me own in bad weather," says O'Sullivan. "Besides," says I, "you have no money." "I'll pay for them when we pay off in Seattle," says O'Sullivan. "I'll not do it," says I; "besides, you're not tellin' me what you'll be doin' with them." "But I will tell yeh," says O'Sullivan; "I'm wantin' to throw 'em over the side." And with that I turns to walk away, but O'Sullivan says, very polite and seducin'-like, still a-stroppin' the razor, "Mr. Fay," says he, "will you kindly step this way an' have your throat cut?" And with that I knew my life was in danger, and I have come to make report to you, sir, that the man is a violent lunatic.
Jack London (The Mutiny of the Elsinore)
Jack knows there is nothing more comforting than routine so he denies me any semblance of it. Although he doesn't know it, he is doing me a favour.
B.A. Paris (Behind Closed Doors)
...I do not think that it is right for a man to appeal to the jury or to get himself acquitted by doing so; he ought to inform them of the facts and convince them by argument. The jury does not sit to dispense justice as a favour, but to decide where justice lies; and the oath which they have sworn is not to show favour at their own discretion, but to return a just and lawful verdict... Therefore you must not expect me, gentlemen, to behave towards you in a way which I consider neither reputable nor moral nor consistent with my religious duty.
Socrates (Apology, Crito And Phaedo Of Socrates.)
It is merely a lust of the blood and a permission of the will. Come, be a man: drown thyself! drown cats and blind puppies. I have professed me thy friend, and I confess me knit to thy deserving with cables of perdurable toughness; I could never better stead thee than now. Put money in thy purse; follow thou the wars; defeat thy favour with an usurped beard; I say, put money in thy purse. It cannot be that Desdemona should long continue her love to the Moor,—put money in thy purse,—nor he his to her: it was a violent commencement, and thou shalt see an answerable sequestration;—put but money in thy purse.—These Moors are changeable in their wills:—fill thy purse with money: the food that to him now is as luscious as locusts shall be to him shortly as acerb as the coloquintida. She must change for youth: when she is sated with his body, she will find the error of her choice: she must have change, she must: therefore put money in thy purse.—If thou wilt needs damn thyself, do it a more delicate way than drowning. Make all the money thou canst; if sanctimony and a frail vow betwixt an erring barbarian and a supersubtle Venetian be not too hard for my wits and all the tribe of hell, thou shalt enjoy her; therefore make money. A pox of drowning thyself! it is clean out of the way: seek thou rather to be hanged in compassing thy joy than to be drowned and go without her.
William Shakespeare
The shrieks were coming from two quite naked girls, who were pursued by a pair of apes snapping at their bottoms. [...] So he now raises his double-barrelled Spanish rifle, fires and kills both apes. 'God be praised, my dear Calambo! I have delivered these two poor creatures from grave peril; if it was a sin to kill an Inquisitor and a Jesuit, I have made ample amends by saving the lives of two girls [...]' He was about to continue, but words failed him when he saw the two girls throw their arms lovingly around the two apes and collapse in tears over their corpses, filling the air with the most pitiful lamentations. 'I was not expecting quite so much tenderness of heart,' he said at last to Cacambo, who replied: 'You've excelled yourself this time, Master; you have just despatched the two lovers of these young ladies.' '-Their lovers! Is it possible? You're making fun of me, Cacambo; how could anyone believe in such a thing?' - 'My dear Master,' retorted Cacambo, 'you are always astounished by everything; why do you find it so strange that in some countries it is apes who enjoy the favours of young ladies? After all, they are one-quarter human, just as I am one-quarter Spanish.
Voltaire (Candide)
Even though I know that this hope that my mother will love me, and be the kind, loving, interested, nurturing mother that I so want, need, and deserve … even though that hope is a vain one, and I know it’s a vain one, it’s too hard to let it go. The alternative is accepting that I will never, ever have a mother, and that’s too hard for me to face. Even though I just cannot let go of this hope – no matter that I know it would free me – I love and accept myself anyway. Even though I keep clinging to this hope, despite everything, despite all the evidence, and I know it’s not doing me any favours, I love and accept myself anyway.
Danu Morrigan (You're Not Crazy—It's Your Mother: Understanding and Healing for Daughters of Narcissistic Mothers)
Kieran?' He looked at me. 'Please... please try to be careful.' He lifted his brows. 'Are you worried about me?' Crossing my arms, I nodded. 'Don't be nice to me,' he replied, and I sensed amusement from him. 'It weirds me out.' 'Sorry.' He smiled then as he walked to where I stood. 'You don't sound remotely sorry.' I grinned at him. 'Do me a favour,' Kieran said, looking down at me. 'Protect your Prince, Poppy.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
I understood very clearly that something was required of me, but could not guess what I was expected to do. Some persons, knowing that they were later going to ask a favour, would have made themselves more agreeable when a favour was being asked of them. That was not Widmerpool’s way. I almost admired him for making so little effort to conceal his lack of interest in my own affairs, while waiting his time to demand something of myself.
Anthony Powell (The Kindly Ones (A Dance to the Music of Time, #6))
READER, You have here an honest book; it does at the outset forewarn You that, in contriving the same, I have proposed to myself no other than a domestic and private end: I have had no consideration at all either to Your service or to my glory. My powers are not capable of any such design. I have dedicated it to the particular commodity of my kinsfolk and friends, so that, having lost me (which they must do shortly), they may therein recover some traits of my conditions and humours, and by that means preserve more whole, and more life-like, the knowledge they had of me. Had my intention been to seek the world's favour, I should surely have adorned myself with borrowed beauties: I desire therein to be viewed as I appear in mine own genuine, simple, and ordinary manner, without study and artifice: for it is myself I paint. My defects are therein to be read to the life, and any imperfections and my natural form, so far as public reverence hath permitted me. If I had lived among those nations, which (they say) yet dwell under the sweet liberty of nature's primitive laws, I assure thee I would most willingly have painted myself quite fully and quite naked. Thus, reader, myself am the matter of my book: there's no reason You should employ Your leisure about so frivolous and vain a subject. Therefore farewell.
Michel de Montaigne (The Complete Essays)
And I say to you, on the word of a Prince, I cannot tell how naturally the mother loveth the child, for I was never the mother of any; but certainly, if a Prince and Governor may as naturally and earnestly love her subjects as the mother doth love the child, then assure yourselves that I, being your lady and mistress, do as earnestly and tenderly love and favour you. And I, thus loving you, cannot but think that ye as heartily and faithfully love me.
Queen Mary I
To the gods I am indebted for having good grandfathers, good parents, a good sister, good teachers, good associates, good kinsmen and friends, nearly everything good. Further, I owe it to the gods that I was not hurried into any offence against any of them, though I had a disposition which, if opportunity had offered, might have led me to do something of this kind; but, through their favour, there never was such a concurrence of circumstances as put me to the trial.
Marcus Aurelius (Meditations)
I had never deserved to be forgiven in the first place when I aas converted. I could do nothing to merit God's favour, His grace, His love. If all I had ever known was unmerited and undeserved grace, how could I then forfeit that which I never earned?... Was I too proud, in some strange, inverted way to humble myself to accept an unmerited forgiveness? I know that it was all of grace, yet my inner being wanted the right to do something to merit it. I was trying to work out my own salvation, to earn God's forgiveness, to prove the sincerity of my repentance...At last I knew that it was true. It was not based on my feeling or on my emotions. It was not dependent on my faith or my obedience. In no way could I merit or deserve it. He loved me. He knew me through and through, better than I knew myself, and yet still, He loved me. Christ died on Calvary to tell me that. Christ lives in Heaven, an unceasing intercessor on my behalf to make that love real to me in my experience.
Helen Roseveare (Living Sacrifice: Willing to be Whittled as an Arrow)
Miss Bennet, I shall be completely blunt and honest and beg your pardon if I cross a line in some manner; however, I sense you are requesting a candid response.” He paused, awaiting her favour until she nodded. “I feel drawn to you in a way I do not totally understand, yet there it is. I have never felt so inclined towards another. What this connection bodes for the future, I do not know. You are pretty, intelligent, honest, proper, and many other fine qualities I believe I could list without hesitation. I think it entirely probable you and I would be perfect for each other. It is my intention to discover if this is possible. I do not wish to trifle with your emotions, nor do I wish to have my own sensibilities manipulated; therefore, if you cannot imagine even the remotest chance of returning affection, tell me now and I shall abide by your pleasure. On the other hand, if you sense, even vaguely, a returned interest in me, then let us proceed with willing minds and hearts.
Sharon Lathan (Loving Mr. Darcy: Journeys Beyond Pemberley (Darcy Saga #2))
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Adam Silvera
I knew the kind of look she'd given me. She was like people back home in Halifax, where people's friendliness was a measure of how big a fool they thought you were. They liked the look of themselves doing favours and thought you might fall for thinking that was kindness.
Rebecca Silver Slayter (In the Land of Birdfishes)
We would ideally remain able to laugh, in the gentlest way, when we are made the special target of a sulker’s fury. We would recognise the touching paradox. The sulker may be six foot one and holding down adult employment, but the real message is poignantly retrogressive: ‘Deep inside, I remain an infant, and right now I need you to be my parent. I need you correctly to guess what is truly ailing me, as people did when I was a baby, when my ideas of love were first formed.’ We do our sulking lovers the greatest possible favour when we are able to regard their tantrums as we would those of an infant. We are so alive to the idea that it’s patronising to be thought of as younger than we are, we forget that it is also, at times, the greatest privilege for someone to look beyond our adult self in order to engage with – and forgive – the disappointed, furious, inarticulate child within.
Alain de Botton (The Course of Love)
For me, feminism isn't just about gender equality as an end goal, because that implied that the structures we live under currently are the correct ones and the only problem with them is that women do not experience equity beneath them. I disagree. I am in favour of reimagine what out societies should look like, including the ways in which masculine ideas of power and leadership are absorbed as natural and normal. Feminism is also about liberating women from the expectation that we behave in a certain kind of way in order to be taken seriously or given any kind of power at all, however nominal it might be.
Clementine Ford (Fight Like a Girl)
The lion snorted. 'You treat all as a game. That is why they sent for me - Malcador cannot trust you. No one can trust you. Your Legion is a rabble that would brawl among themselves if you were not there to smack their heads together.' 'If only they were more like yours,' said Russ, mockingly. 'Yes,' replied the Lion, exasperated. 'Yes. Is that so hard to imagine?' Russ loosened his arms, letting Krakenmaw swing lazily before him. 'I know why you do this. I know why you conquer, world after world, driving your sons after every campaign Malcador finds for you. But our father won't do it, brother. He won't choose a favourite. And if He did, it wouldn't be you - it would be Sanguinius, or Rogal, or Horus. So you're wasting yourself, trying to be noticed. It doesn't work like that.' The Lion let slip a scornful laugh. 'Not all of us are so without friends in the Palace, Leman, and you have no idea who our father favours.
Chris Wraight (Leman Russ: The Great Wolf (The Horus Heresy: Primarchs, #2))
The intense view of these manifold contradictions and imperfections in human reason has so wrought upon me, and heated my brain, that I am ready to reject all belief and reasoning, and can look upon no opinion even as more probable or likely than another. Where am I, or what? From what causes do I derive my existence, and to what condition shall I return? Whose favour shall I court, and whose anger must I dread? What beings surround me? and on whom have, I any influence, or who have any influence on me? I am confounded with all these questions, and begin to fancy myself in the most deplorable condition imaginable, invironed with the deepest darkness, and utterly deprived of the use of every member and faculty. Most fortunately it happens, that since reason is incapable of dispelling these clouds, nature herself suffices to that purpose, and cures me of this philosophical melancholy and delirium, either by relaxing this bent of mind, or by some avocation, and lively impression of my senses, which obliterate all these chimeras. I dine, I play a game of backgammon, I converse, and am merry with my friends; and when after three or four hours' amusement, I would return to these speculations, they appear so cold, and strained, and ridiculous, that I cannot find in my heart to enter into them any farther.
David Hume
But as to your writing me that I don’t love you very much, I don’t know whether you’re saying this in earnest or whether I should realise that you’re joking with me. Still, what you say disturbs me. You are measuring a very healthy expression of a wife’s loyalty by the standard of the insincere flattery of well-worn phrases. But I shall love you, my husband. What does it mean to you that you reassure me with those trivial little compliments? Do you want me to believe that you expect me to comb my hair in a stylish fashion for your homecoming? Or to feign adoring looks with a painted face? Let women without means, who worry and have no confidence in their virtue, flutter their eyelashes and play games to gain favour with their husbands. This is the adulation of a fox and the birdlime of deceitful bird hunting. I don’t want to have to buy you at such a price. I’m not a person who lays more stock in words than duty. I am truly your Laura, whose soul is the same one you in turn had hoped for.
Laura Cereta
During his illness he had spent every minute of consciousness calling upon God, every second of every minute. Ya Allah whose servant lies bleeding do not abandon me now after watching oven me so long. Ya Allah show me some sign, some small mark of your favour, that I may find in myself the strength to cure my ills. O God most beneficent most merciful, be with me in this my time of need, my most grievous need. Then it occurred to him that he was being punished, and for a time that made it possible to suffer the pain, but after a time he got angry. Enough, God, his unspoken words demanded, why must I die when I have not killed, are you vengeance or are you love? The anger with God carried him through another day, but then it faded, and in its place there came a terrible emptiness, an isolation, as he realized he was talking to _thin air_, that there was nobody there at all, and then he felt more foolish than ever in his life, and he began to plead into the emptiness, ya Allah, just be there, damn it, just be. But he felt nothing, nothing nothing, and then one day he found that he no longer needed there to be anything to feel. On that day of metamorphosis the illness changed and his recovery began. And to prove to himself the non-existence of God, he now stood in the dining-hall of the city's most famous hotel, with pigs falling out of his face.
Salman Rushdie (The Satanic Verses)
Madam, do me the favour of refraining from speaking to me for the remainder of the flight. “Are you a duke? You talk like a duke.” His head jerks if he wants to look my way, but he manages to keep his gaze forward, his lips compressed so tightly they’re turning white at the edges. A travesty. “Oh, or maybe a prince I know” I snap my fingers. “Prince Charming!
Kristen Callihan (Managed (VIP, #2))
But," say you, "what will become of me if . . . ?" This is indeed a temptation of the enemy. Why should you be so ingenious in tormenting yourself beforehand about something which perhaps will never happen? Sufficient for the day is the evil thereof. Uneasy forebodings do us much harm; why do you so readily give way to them? We make our own troubles, and what do we gain by it? but lose, instead, so much both for time and eternity. When we are obsessed in spite of ourselves by these worrying revisions let us be faithful in making a continual sacrifice of them to the sovereign Master. I conjure you to do this, as in this way you will induce God to deal favourably with you and to help you in every way. You will acquire a treasure of virtue and merit for Heaven, and a submission and abandonment which will enable you to make more progress in the ways of God than any other practice of piety. It is, possibly, with this view that God permits all these troublesome and trying imaginations. Profit by them then, and God will bless you. By your submission to His good pleasure you will make greater progress than you could by hearing beautiful sermons, or reading pious books.
Jean-Pierre de Caussade (Abandonment to Divine Providence)
Later on, towards the middle of my life, I grew more and more opposed to alcoholic drinks: I, an opponent of vegetarianism, who have experienced what vegetarianism is, — just as Wagner, who converted me back to meat, experienced it, — cannot with sufficient earnestness advise all more spiritual natures to abstain absolutely from alcohol. Water answers the purpose. . . . I have a predilection in favour of those places where in all directions one has opportunities of drinking from running brooks. In vino Veritas: it seems that here once more I am at variance with the rest of the world about the concept 'Truth' — with me spirit moves on the face of the waters. . . . Here are a few more indications as to my morality. A heavy meal is digested more easily than an inadequate one. The first principle of a good digestion is that the stomach should become active as a whole. A man ought, therefore, to know the size of his stomach. For the same reasons all those interminable meals, which I call interrupted sacrificial feasts, and which are to be had at any table d'hôte, are strongly to be deprecated. Nothing should be eaten between meals, coffee should be given up — coffee makes one gloomy. Tea is beneficial only in the morning. It should be taken in small quantities, but very strong. It may be very harmful, and indispose you for the whole day, if it be taken the least bit too weak. Everybody has his own standard in this matter, often between the narrowest and most delicate limits. In an enervating climate tea is not a good beverage with which to start the day: an hour before taking it an excellent thing is to drink a cup of thick cocoa, feed from oil. Remain seated as little as possible, put no trust in any thought that is not born in the open, to the accompaniment of free bodily motion — nor in one in which even the muscles do not celebrate a feast. All prejudices take their origin in the intestines. A sedentary life, as I have already said elsewhere, is the real sin against the Holy Spirit.
Friedrich Nietzsche (Ecce Homo)
And while thou livest, dear Kate, take a fellow of plain and uncoined constancy; for he perforce must do thee right, because he hath not the gift to woo in other places: for these fellows of infinite tongue, that can rhyme themselves into ladies' favours, they do always reason themselves out again. What! a speaker is but a prater; a rhyme is but a ballad. A good leg will fall; a straight back will stoop; a black beard will turn white; a curled pate will grow bald; a fair face will wither; a full eye will wax hollow: but a good heart, Kate, is the sun and the moon; or, rather, the sun, and not the moon; for it shines bright and never changes, but keeps his course truly. If thou would have such a one, take me; and take me, take a soldier; take a soldier, take a king. And what sayest thou then to my love? speak, my fair, and fairly, I pray thee
William Shakespeare
Marcia was silent a moment. Then a sort of softer gleam came into her angry eye. "Tell me some more about her," she said. Adele clapped her hands. "Ah, that's splendid," she said. "You're beginning to feel kinder. What we would do without our Lucia I can't imagine. I don't know what there would be to talk about." "She's ridiculous!" said Marcia relapsing a little. "No, you mustn't feel that," said Adele. "You mustn't laugh at her ever. You must just richly enjoy her." "She's a snob!" said Marcia, as if this was a tremendous discovery. "So am I: so are you: so are we all," said Adele. "We all run after distinguished people like--like Alf and Marcelle. The difference between you and Lucia is entirely in her favour, for you pretend you're not a snob, and she is perfectly frank and open about it. Besides, what is a duchess like you for except to give pleasure to snobs? That's your work in the world, darling; that's why you were sent here. Don't shirk it, or when you're old you will suffer agonies of remorse. And you're a snob too. You liked having seven--or was it seventy?--Royals at your dance." "Well, tell me some more about Lucia," said Marcia, rather struck by this ingenious presentation of the case. "Indeed I will: I long for your conversion to Luciaphilism. Now to-day there are going to be marvellous happenings...
E.F. Benson (Lucia in London (The Mapp & Lucia Novels, #3))
Marry, if you would put me to verses or to dance for your sake, Kate, why you undid me: for the one, I have neither words nor measure, and for the other, I have no strength in measure, yet a reasonable measure in strength. If I could win a lady at leap-frog, or by vaulting into my saddle with my armour on my back, under the correction of bragging be it spoken. I should quickly leap into a wife. Or if I might buffet for my love, or bound my horse for her favours, I could lay on like a butcher and sit like a jack-an-apes, never off. But, before God, Kate, I cannot look greenly nor gasp out my eloquence, nor I have no cunning in protestation; only downright oaths, which I never use till urged, nor never break for urging. If thou canst love a fellow of this temper, Kate, whose face is not worth sun-burning, that never looks in his glass for love of any thing he sees there, let thine eye be thy cook. I speak to thee plain soldier: If thou canst love me for this, take me: if not, to say to thee that I shall die, is true; but for thy love, by the Lord, no; yet I love thee too. And while thou livest, dear Kate, take a fellow of plain and uncoined constancy; for he perforce must do thee right, because he hath not the gift to woo in other places: for these fellows of infinite tongue, that can rhyme themselves into ladies’ favours, they do always reason themselves out again. What! a speaker is but a prater; a rhyme is but a ballad. A good leg will fall; a straight back will stoop; a black beard will turn white; a curled pate will grow bald; a fair face will wither; a full eye will wax hollow: but a good heart, Kate, is the sun and the moon; or, rather, the sun, and not the moon; for it shines bright and never changes, but keeps his course truly. If thou would have such a one, take me; and take me, take a soldier; take a soldier, take a king. And what sayest thou then to my love? speak, my fair, and fairly, I pray thee.
William Shakespeare (Henry V)
I had never deserved to be forgiven in the first place when I Was converted. I could do nothing to merit God's favour, His grace, His love. If all I had ever known was unmerited and undeserved grace, how could I then forfeit that which I never earned?... Was I too proud, in some strange, inverted way to humble myself to accept an unmerited forgiveness? I know that it was all of grace, yet my inner being wanted to right to do something to merit it. I was trying to work out my own salvation, to earn God's forgiveness, to prove the sincerity of my repentance...At last I knew that it was true. It was not based on my feeling or on my emotions. It was no dependent on my faith or my obedience. In no way could I merit or deserve it. He loved me. He knew me through and through, better than I knew myself, and yet still, He loved me. Christ died on Calvary to tell me that. Christ lives in Heaven, an unceasing intercessor on my behalf to make that love real to me in my experience.
Helen Roseveare (Living Sacrifice: Willing to be Whittled as an Arrow)
Well, as for slavery…it is true that I should not like to be one myself, yet Nelson was in favour of it and he said that the country’s shipping would be ruined if the trade were put down. Perhaps it comes more natural if you are black…but come, I remember how you tore that unfortunate scrub Bosville to pieces years ago in Barbados for saying that the slaves liked it – that it was in their masters’ interest to treat them kindly – that doing away with slavery would be shutting the gates of mercy on the negroes. Hey, hey! The strongest language I have ever heard you use. I wonder he did not ask for satisfaction.’ ‘I think I feel more strongly about slavery than anything else, even that vile Buonaparte who is in any case one aspect of it…Bosville…the sanctimonious hypocrite…the silly blackguard with his “gates of mercy”, his soul to the Devil – a mercy that includes chains and whips and branding with a hot iron. Satisfaction. I should have given it him with the utmost good-will: two ounces of lead or a span of sharp steel; though common ratsbane would have been more appropriate.’ ‘Why, Stephen, you are in quite a passion.’ ‘So I am. It is a retrospective passion, sure, but I feel it still. Thinking of that ill-looking flabby ornamented conceited self-complacent ignorant shallow mean-spirited cowardly young shite with absolute power over fifteen hundred blacks makes me fairly tremble even now – it moves me to grossness. I should have kicked him if ladies had not been present.
Patrick O'Brian (The Wine-Dark Sea (Aubrey/Maturin, #16))
When do you wish to go?” “Early to-morrow morning, sir.” “Well, you must have some money; you can’t travel without money, and I daresay you have not much: I have given you no salary yet. How much have you in the world, Jane?” he asked, smiling. I drew out my purse; a meagre thing it was. “Five shillings, sir.” He took the purse, poured the hoard into his palm, and chuckled over it as if its scantiness amused him. Soon he produced his pocket-book: “Here,” said he, offering me a note; it was fifty pounds, and he owed me but fifteen. I told him I had no change. “I don’t want change; you know that. Take your wages.” I declined accepting more than was my due. He scowled at first; then, as if recollecting something, he said— “Right, right! Better not give you all now: you would, perhaps, stay away three months if you had fifty pounds. There are ten; is it not plenty?” “Yes, sir, but now you owe me five.” “Come back for it, then; I am your banker for forty pounds.” “Mr. Rochester, I may as well mention another matter of business to you while I have the opportunity.” “Matter of business? I am curious to hear it.” “You have as good as informed me, sir, that you are going shortly to be married?” “Yes; what then?” “In that case, sir, Adèle ought to go to school: I am sure you will perceive the necessity of it.” “To get her out of my bride’s way, who might otherwise walk over her rather too emphatically? There’s sense in the suggestion; not a doubt of it. Adèle, as you say, must go to school; and you, of course, must march straight to—the devil?” “I hope not, sir; but I must seek another situation somewhere.” “In course!” he exclaimed, with a twang of voice and a distortion of features equally fantastic and ludicrous. He looked at me some minutes. “And old Madam Reed, or the Misses, her daughters, will be solicited by you to seek a place, I suppose?” “No, sir; I am not on such terms with my relatives as would justify me in asking favours of them—but I shall advertise.
Charlotte Brontë (Jane Eyre)
What could I say? … All those people knew I had killed her; the only other person who could have helped me at all was dead too. So I just stood there, looking at the judge and shaking my head. I didn’t have a leg to stand on. ‘Ask the mercy of the court,’ said Epstein, the lawyer they had assigned to defend me. ‘What was that?’ the judge said. ‘Your Honour,’ Epstein said, ‘ – we throw ourselves on the mercy of the court. This boy admits killing the girl, but he was only doing her a personal favour –
Horace McCoy (They Shoot Horses, Don't They?)
I remember once, in talking to Mr. Burne-Jones about modern science, his saying to me, ‘the more materialistic science becomes, the more angels shall I paint: their wings are my protest in favour of the immortality of the soul.’ But these are the intellectual speculations that underlie art. Where in the arts themselves are we to find that breadth of human sympathy which is the condition of all noble work; where in the arts are we to look for what Mazzini would call the social ideas as opposed to the merely personal ideas? By virtue of what claim do I demand for the artist the love and loyalty of the men and women of the world? I think I can answer that. Whatever spiritual message an artist brings to his aid is a matter for his own soul. He may bring judgment like Michael Angelo or peace like Angelico; he may come with mourning like the great Athenian or with mirth like the singer of Sicily; nor is it for us to do aught but accept his teaching, knowing that we cannot smite the bitter lips of Leopardi into laughter or burden with our discontent Goethe’s serene calm. But for warrant of its truth such message must have the flame of eloquence in the lips that speak it, splendour and glory in the vision that is its witness, being justified by one thing only - the flawless beauty and perfect form of its expression: this indeed being the social idea, being the meaning of joy in art. Not laughter where none should laugh, nor the calling of peace where there is no peace; not in painting the subject ever, but the pictorial charm only, the wonder of its colour, the satisfying beauty of its design.
Oscar Wilde (The English Renaissance of Art)
I MEAN not to defend the scapes of any, Or justify my vices being many; For I confess, if that might merit favour, Here I display my lewd and loose behaviour. I loathe, yet after that I loathe, I run: 5 Oh, how the burthen irks, that we should shun. I cannot rule myself but where Love please; Am driven like a ship upon rough seas. No one face likes me best, all faces move, A hundred reasons make me ever love. 10 If any eye me with a modest look, I blush, and by that blushful glance am took; And she that’s coy I like, for being no clown, Methinks she would be nimble when she’s down. Though her sour looks a Sabine’s brow resemble, 15 I think she’ll do, but deeply can dissemble. If she be learned, then for her skill I crave her; If not, because she’s simple I would have her. Before Callimachus one prefers me far; Seeing she likes my books, why should we jar? 20 Another rails at me, and that I write, Yet would I lie with her, if that I might: Trips she, it likes me well; plods she, what then? She would be nimbler lying with a man. And when one sweetly sings, then straight I long, 25 To quaver on her lips even in her song; Or if one touch the lute with art and cunning, Who would not love those hands for their swift running? And her I like that with a majesty, Folds up her arms, and makes low courtesy. 30 To leave myself, that am in love with all, Some one of these might make the chastest fall. If she be tall, she’s like an Amazon, And therefore fills the bed she lies upon: If short, she lies the rounder: to speak troth, 35 Both short and long please me, for I love both. I think what one undecked would be, being drest; Is she attired? then show her graces best. A white wench thralls me, so doth golden yellow: And nut-brown girls in doing have no fellow. 40 If her white neck be shadowed with brown hair, Why so was Leda’s, yet was Leda fair. Amber-tress’d is she? Then on the morn think I: My love alludes to every history: A young wench pleaseth, and an old is good, 45 This for her looks, that for her womanhood: Nay what is she, that any Roman loves, But my ambitious ranging mind approves?
Ovid
The Priceless Job of Motherhood God of Heaven I am here on Earth To follow a Divine mandate Of being a loving Mother I know I have no strength To do this on my own I pray for your wisdom To perform this task Without a fright As I raise these children Please help me remember I was never hired for this role But highly favoured To find myself in it Hence, I acknowledge this privilege Of being a parent to them Lord, I lift my hands And bow to Your majestic Name I say at top of my voice Thank you, Father For the priceless job of Motherhood!
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
Tell me, Mar,” she would say (and here it must be explained, that when she called him by the first syllable of his first name, she was in a dreamy, amorous, acquiescent mood, domestic, languid a little, as if spiced logs were burning, and it was evening, yet not time to dress, and a thought wet perhaps outside, enough to make the leaves glisten, but a nightingale might be singing even so among the azaleas, two or three dogs barking at distant farms, a cock crowing—all of which the reader should imagine in her voice)—“Tell me, Mar,” she would say, “about Cape Horn.” Then Shelmerdine would make a little model on the ground of the Cape with twigs and dead leaves and an empty snail shell or two. “Here’s the north,” he would say. “There’s the south. The wind’s coming from hereabouts. Now the Brig is sailing due west; we’ve just lowered the top-boom mizzen; and so you see—here, where this bit of grass is, she enters the current which you’ll find marked—where’s my map and compasses, Bo’sun?—Ah! thanks, that’ll do, where the snail shell is. The current catches her on the starboard side, so we must rig the jib boom or we shall be carried to the larboard, which is where that beech leaf is,—for you must understand my dear—” and so he would go on, and she would listen to every word; interpreting them rightly, so as to see, that is to say, without his having to tell her, the phosphorescence on the waves, the icicles clanking in the shrouds; how he went to the top of the mast in a gale; there reflected on the destiny of man; came down again; had a whisky and soda; went on shore; was trapped by a black woman; repented; reasoned it out; read Pascal; determined to write philosophy; bought a monkey; debated the true end of life; decided in favour of Cape Horn, and so on. All this and a thousand other things she understood him to say and so when she replied, Yes, negresses are seductive, aren’t they? he having told her that the supply of biscuits now gave out, he was surprised and delighted to find how well she had taken his meaning. “Are you positive you aren’t a man?” he would ask anxiously, and she would echo, “Can it be possible you’re not a woman?” and then they must put it to the proof without more ado.
Virginia Woolf (Orlando: A Biography)
Whether this propensity be one of those original principles in human nature of which no further account can be given; or whether, as seems more probable, it be the necessary consequence of the faculties of reason and speech, it belongs not to our present subject to inquire. It is common to all men, and to be found in no other race of animals, which seem to know neither this nor any other species of contracts. Two greyhounds, in running down the same hare, have sometimes the appearance of acting in some sort of concert. Each turns her towards his companion, or endeavours to intercept her when his companion turns her towards himself. This, however, is not the effect of any contract, but of the accidental concurrence of their passions in the same object at that particular time. Nobody ever saw a dog make a fair and deliberate exchange of one bone for another with another dog. Nobody ever saw one animal by its gestures and natural cries signify to another, this is mine, that yours; I am willing to give this for that. When an animal wants to obtain something either of a man or of another animal, it has no other means of persuasion but to gain the favour of those whose service it requires. A puppy fawns upon its dam, and a spaniel endeavours by a thousand attractions to engage the attention of its master who is at dinner, when it wants to be fed by him. Man sometimes uses the same arts with his brethren, and when he has no other means of engaging them to act according to his inclinations, endeavours by every servile and fawning attention to obtain their good will. He has not time, however, to do this upon every occasion. In civilised society he stands at all times in need of the cooperation and assistance of great multitudes, while his whole life is scarce sufficient to gain the friendship of a few persons. In almost every other race of animals each individual, when it is grown up to maturity, is entirely independent, and in its natural state has occasion for the assistance of no other living creature. But man has almost constant occasion for the help of his brethren, and it is in vain for him to expect it from their benevolence only. He will be more likely to prevail if he can interest their self-love in his favour, and show them that it is for their own advantage to do for him what he requires of them. Whoever offers to another a bargain of any kind, proposes to do this. Give me that which I want, and you shall have this which you want, is the meaning of every such offer; and it is in this manner that we obtain from one another the far greater part of those good offices which we stand in need of. It is not from the benevolence of the butcher, the brewer, or the baker that we expect our dinner, but from their regard to their own interest. We address ourselves, not to their humanity but to their self-love, and never talk to them of our own necessities but of their advantages. Nobody but a beggar chooses to depend chiefly upon the benevolence of his fellow-citizens. Even a beggar does not depend upon it entirely. The charity of well-disposed people, indeed, supplies him with the whole fund of his subsistence. But though this principle ultimately provides him with all the necessaries of life which he has occasion for, it neither does nor can provide him with them as he has occasion for them. The greater part of his occasional wants are supplied in the same manner as those of other people, by treaty, by barter, and by purchase. With the money which one man gives him he purchases food. The old clothes which another bestows upon him he exchanges for other old clothes which suit him better, or for lodging, or for food, or for money, with which he can buy either food, clothes, or lodging, as he has occasion.
Adam Smith (The Wealth of Nations)
They’ve got take-out gourmet sprout-and-avocado sandwiches and coffee with steamed milk, and we eat those and drink that while we discuss the arrangement of the pictures. I say I favour a chronological approach, but Charna has other ideas, she wants things to go together tonally and resonate and make statements that amplify one another. I get more nervous, this kind of talk makes me twitch. I’m putting some energy into silence, resisting the impulse to say I have a headache and want to go home. I should be grateful, these women are on my side, they planned this whole thing for me, they’re doing me an honour, they like what I do. But still I feel outnumbered, as if they are a species of which I am not a member.
Margaret Atwood (Cat’s Eye)
Phoenix Blood There are only two things I am sure of in this world: the first is, one day, this life will come to its final destination in death The second: people will try to obliterate you, and believe me, even the ones that once promised you forever will betray you, it never fails to happen when love turns dark. Do yourself a favour when this happens; reclaim yourself from them. I know you have been taught to slice out your own heart, hand it over again and again to selfish hands, because it is all you have known since you were a child. You are an open wound looking for someone to cure you. And when they see that, they will scratch at it, steal your voice, thinking your magic will go with it, hoping your core swallows itself up.
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
He will be more likely to prevail if he can interest their self-love in his favour, and shew them that it is for their own advantage to do for him what he requires of them. Whoever offers to another a bargain of any kind, proposes to do this. Give me that which I want, and you shall have this which you want, is the meaning of every such offer; and it is in this manner that we obtain from one another the far greater part of those good offices which we stand in need of. It is not from the benevolence of the butcher, the brewer, or the baker, that we expect our dinner, but from their regard to their own interest. We address ourselves, not to their humanity, but to their self-love, and never talk to them of our own necessities, but of their advantages.
Adam Smith (Wealth of Nations (Classics of World Literature))
A man may take his own life for many reasons, and it is impossible to make a general statement; but whenever suicide is a gesture—done, that is, to impress or influence or embarrass others—it is always, so it seems to me, a sign of immaturity and muddled thinking. However much we may admire the fortitude of this Vietnamese monk, the wisdom of his action remains very much in doubt. I do not know the details of the provocation offered by the Catholic Head of State, but the monk appears to have killed himself 'fighting for the cause of Buddhism'. Certainly this action is infinitely more honourable than the setting fire to churches and the crowning of statues that seem to be the favoured methods of giving battle in this country; but it does not follow that it is any the less misguided.
Nanavira Thera
Have you ever made the world stand still before?" "What does that mean?" "It means making a conscious decision to leave the world behind, just for a little bit. To improve yourself and improve the world at the same time. To make yourself move better, and the world move better, when you come back to it. You have to make sure that no one and nothing causes you any problems during that time. Read a good book, watch good movies and above all, enjoy good conversation with someone who inspires you. And you know what?" "What?", I said, excited and intrigued. "Then the world gives you a reward. The universe moves in favour of those who move it. And the ones who move it are the ones who know how to make it stand still. Do you want to move the world, or do you want the world to move you?
Albert Espinosa (If You Tell Me to Come, I'll Drop Everything, Just Tell Me to Come)
You gave everything, Rhys. You went through that hell for us, for fifty years.' He'd never addressed it- not fully. 'You think I don't know what happened? I know, Rhys. We all do. And we know you did it to save us, spare us.' He shook his head, sunlight glinting off that dark, winged helmet. 'Let us return the favour. Let us repay the debt.' 'There is no debt to repay.' Rhys's voice broke. The sound of it cracked my heart. Cassian's own voice broke as he said, 'I never got to repay your mother- for her kindness. Let me do it this way. Let me buy you time.' 'I can't.' I wasn't sure if in the entire history of Illyria, there had ever been such a discussion.' 'You can,' Cassian said gently. 'You can, Rhys.' He gave a lazy grin. 'Save some of the glory for the rest of us.' 'Cassian-
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
In God’s own name, Sir Knight of the Sorry Face, I just can’t stand some of these things you come out with, making me think that everything you tell me about chivalries, and winning kingdoms and empires, and giving islands away and doing other favours and great deeds, as knight errants do, must all be empty lies, and a fraction or a friction or whatever it is you call it. Because anyone who hears you saying that a barber’s basin is Mambrino’s helmet, and sticking to your story for days on end – what’s he going to think except that the man who says things like that must be queer in the head? Yes, I’ve got the basin in my saddle-bag, well dented, and the reason I’ve got it there is to take it home and mend it for trimming my beard, if God’s good enough to let me see my wife and children again some day.
Miguel de Cervantes Saavedra (Don Quixote)
Do you have an obscure fact regarding cartography that would catch the attention of a man whose only other interest is the sweet pea? I PRESUME THAT WAS A SERIOUS QUESTION? It was. THE HEREFORD MAPPA MUNDI IS ORIENTED TO THE EAST. PERHAPS A COMMENT ON THE SIGNIFICANCE OF THIS? IF HE IS AN ENTHUSIAST, ANY USE OF THE WORD MAPPA MUNDI SHOULD WORK IN YOUR FAVOUR. Then he sent another: FAR BE IT FROM ME TO PRY INTO YOUR PERSONAL BUSINESS, BUT ARE YOU CERTAIN THIS IS A MAN YOU WISH TO IMPRESS? I laughed. He is moneyed, with a good deal in the funds, three country estates, and would spend his life consumed by cartography and the sweet pea, thus proclaimed an eligible candidate. Alas, not for me, but my cousin, a reality I fully accept. USE THE WORD THEORY IF YOU CAN. MEN WHO THINK THEY KNOW A GREAT DEAL FIND SATISFACTION FROM THE WORD. THE VERY LITTLE I KNOW ABOUT YOUR LIFE EXHAUSTS ME.
Beth Brower (The Unselected Journals of Emma M. Lion Vol. 2)
Be calm! I entreat you to hear me, before you give vent to your hatred on my devoted head. Have I not suffered enough that you seek to increase my misery? Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it. Remember, thou hast made me more powerful than thyself; my height is superior to thine; my joints more supple. But I will not be tempted to set myself in opposition to thee. I am thy creature, and I will be even mild and docile to my natural lord and king, if thou wilt also perform thy part, the which thou owest me. Oh, Frankenstein, be not equitable to every other, and trample upon me alone, to whom thy justice, and even thy clemency and affection, is most due. Remember, that I am thy creature; I ought to be thy Adam; but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Everywhere I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous." "Begone! I will not hear you. There can be no community between you and me; we are enemies. Begone, or let us try our strength in a fight, in which one must fall." "How can I move thee? Will no entreaties cause thee to turn a favourable eye upon thy creature, who implores thy goodness and compassion? Believe me, Frankenstein: I was benevolent; my soul glowed with love and humanity: but am I not alone, miserably alone? You, my creator, abhor me; what hope can I gather from your fellow-creatures, who owe me nothing? they spurn and hate me. The desert mountains and dreary glaciers are my refuge. I have wandered here many days; the caves of ice, which I only do not fear, are a dwelling to me, and the only one which man does not grudge. These bleak skies I hail, for they are kinder to me than your fellow-beings. If the multitude of mankind knew of my existence, they would do as you do, and arm themselves for my destruction. Shall I not then hate them who abhor me? I will keep no terms with my enemies. I am miserable, and they shall share my wretchedness. Yet it is in your power to recompense me, and deliver them from an evil which it only remains for you to make so great that not only you and your family, but thousands of others, shall be swallowed up in the whirlwinds of its rage. Let your compassion be moved, and do not disdain me. Listen to my tale: when you have heard that, abandon or commiserate me, as you shall judge that I deserve. But hear me. The guilty are allowed, by human laws, bloody as they are, to speak in their own defence before they are condemned. Listen to me, Frankenstein. You accuse me of murder; and yet you would, with a satisfied conscience, destroy your own creature. Oh, praise the eternal justice of man! Yet I ask you not to spare me: listen to me; and then, if you can, and if you will, destroy the work of your hands.
Mary Wollstonecraft Shelley (Frankenstein)
He started for the companion stairs, but turned his head for a final word. "Do you know the only value life has is what life puts upon itself? And it is of course over-estimated since it is of necessity prejudiced in its own favour. Take that man I had aloft. He held on as if he were a precious thing, a treasure beyond diamonds or rubies. To you? No. To me? Not at all. To himself? Yes. But I do not accept his estimate. He sadly overrates himself. There is plenty more life demanding to be born. Had he fallen and dripped his brains upon the deck like honey from the comb, there would have been no loss to the world. He was worth nothing to the world. The supply is too large. To himself only was he of value, and to show how fictitious even this value was, being dead he is unconscious that he has lost himself. He alone rated himself beyond diamonds and rubies. Diamonds and rubies are gone, spread out on the deck to be washed away by a bucket of sea- water, and he does not even know that the diamonds and rubies are gone. He does not lose anything, for with the loss of himself he loses the knowledge of loss. Don't you see? And what have you to say?
Jack London (The Sea Wolf By Jack London)
Phoenix Blood There are only two things I am sure of in this world: the first is, one day, this life will come to its final destination in death The second: people will try to obliterate you, and believe me, even the ones that once promised you forever will betray you, it never fails to happen when love turns dark. Do yourself a favour when this happens; reclaim yourself from them. I know you have been taught to slice out your own heart, hand it over again and again to selfish hands, because it is all you have known since you were a child. You are an open wound looking for someone to cure you. And when they see that, they will scratch at it, steal your voice, thinking your magic will go with it, hoping your core swallows itself up. This is where you remember the lava of the volcano you come from, your ancestors were made from fire and it runs like hum that sings through your own vein-rivers of blood. You are not an open wound, they just want you to think you are. They have done this to every woman before you, yet women were made to endure; they become the earth, they adapt like water, they turn into diamonds to survive as who they are. This is how we become magic, we walk through fire and become more holy. They try to break us, we do not accept defeat. They try to devastate us, we still discover how to be happy. They banish us to the depths of hell, we just absorb and master the heat.
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
IF, O most illustrious Knight, I had driven a plough, pastured a herd, tended a garden, tailored a garment: none would regard me, few observe me, seldom a one reprove me; and I could easily satisfy all men. But since I would survey the field of Nature, care for the nourishment of the soul, foster the cultivation of talent, become expert as Daedalus concerning the ways of the intellect; lo, one doth threaten upon beholding me, another doth assail me at sight, another doth bite upon reaching me, yet another who hath caught me would devour me; not one, nor few, they are many, indeed almost all. If you would know why, it is because I hate the mob, I loathe the vulgar herd and in the multitude I find no joy. It is Unity that doth enchant me. By her power I am free though thrall, happy in sorrow, rich in poverty, and quick even in death. Through her virtue I envy not those who are bond though free, who grieve in the midst of pleasures, who endure poverty in their wealth, and a living death. They carry their chains within them; their spirit containeth her own hell that bringeth them low; within their soul is the disease that wasteth, and within their mind the lethargy that bringeth death. They are without the generosity that would enfranchise, the long suffering that exalteth, the splendour that doth illumine, knowledge that bestoweth life. Therefore I do not in weariness shun the arduous path, nor idly refrain my arm from the present task, nor retreat in despair from the enemy that confronteth me, nor do I turn my dazzled eyes from the divine end. Yet I am aware that I am mostly held to be a sophist, seeking rather to appear subtle than to reveal the truth; an ambitious fellow diligent rather to support a new and false sect than to establish the ancient and true; a snarer of birds who pursueth the splendour of fame, by spreading ahead the darkness of error; an unquiet spirit that would undermine the edifice of good discipline to establish the frame of perversity. Wherefore, my lord, may the heavenly powers scatter before me all those who unjustly hate me; may my God be ever gracious unto me; may all the rulers of our world be favourable to me; may the stars yield me seed for the field and soil for the seed, that the harvest of my labour may appear to the world useful and glorious, that souls may be awakened and the understanding of those in darkness be illumined. For assuredly I do not feign; and if I err, I do so unwittingly; nor do I in speech or writing contend merely for victory, for I hold worldly repute and hollow success without truth to be hateful to God, most vile and dishonourable. But I thus exhaust, vex and torment myself for love of true wisdom and zeal for true contemplation. This I shall make manifest by conclusive arguments, dependent on lively reasonings derived from regulated sensation, instructed by true phenomena; for these as trustworthy ambassadors emerge from objects of Nature, rendering themselves present to those who seek them, obvious to those who gaze attentively on them, clear to those who apprehend, certain and sure to those who understand. Thus I present to you my contemplation concerning the infinite universe and innumerable worlds.
Giordano Bruno (On the Infinite, the Universe and the Worlds: Five Cosmological Dialogues (Collected Works of Giordano Bruno Book 2))
But among the elect, martyrdom is always a possibility; and to be an artist is not altogether a choice - the God of Art picks you, not the other way around. Therefore the artistic vocation has an aura of tragedy and doom about it. 'We poets in our youth begin in gladness,' said Wordsworth, 'But thereof comes in the end despondency and madness.' Consider Franz Kafka's story, 'A Fasting-Artist.' The fasting-artist is an artist dedicated completely to his art. This art is grotesque: the artist stays in a cage and starves himself— much like a self-mortifying Christian ascetic of old — and at first he is very popular: crowds flock to marvel at him. Then fashions change - the art-for-art's sake fashion was by Kafka's time falling out of widespread favour — and the fasting-artist ends up in a neglected corner of a circus menagerie, and people forget he's in the cage. Finally they poke around in the rotten straw and rediscover him, more dead than alive. Here's what happens next: 'I always wanted you to admire my fasting,' said the fasting-artist. 'And we do admire it,' said the overseer obligingly. 'But you shouldn't admire it,' the fasting-artist said. 'All right, we don't admire it then,' said the overseer, 'but why shouldn't we admire it?' 'Because I have to fast, I can't help it,' said the fasting-artist. 'Whatever next,' said the overseer. 'And why can't you help it?' 'Because,' said the fasting-artist... 'I could never find the nourishment I liked. Had I found it, believe me, I would never have caused any stir, and would have eaten my fill just like you and everyone else.' Those were his last words.. .
Margaret Atwood (Negotiating with the Dead: A Writer on Writing)
It’s a soulful Sunday, somehow I found myself pulling out my journal and started writing a letter to Sensuality. And it goes like this: Sensuality... You’ve opened me up to a world of possibilities and set me on an adventure that has never ceased to amaze me. You have led me through unfounded territories. Through the highest highs and lowest lows I’ve felt your current, sometimes raging like an angry sea and at times blowing as gentle as a cool summer breeze. You’ve filled me with such an insatiable desire, which has been both a curse and a blessing. You’ve sensitized my soul, made it to feel even the most gentle touch of the lightest feather. You daily seduce me into your deep waters, waters so deep I find myself drowning, yet not losing my breath. Sensuality... I love how you soothe me when I’m hurting. I love how you comfort and put me back together when I’m feeling broken. I love how you whisper in my ear and say ‘do not despair, I’m here.’ You uncover my deepest desires and set my soul on fire. You light me up and make me shine like the brightest star on a clear summer night. There’s never a dull moment with you. Just when I think there can’t possibly be more, you show me again and again that there’s always another level... another layer... another blessing. Your mysteries never run out. I’ve come know you like God’s very own presence. Indeed, you are His very own favour to my soul. His divine beauty, passion and wisdom have I come to know through you. Through you I’ve learned how to stand in my worthiness rather than in my shame. That’s why I love you and will forever hold you close... very close... to my heart. Xoxo.
Lebo Grand
The people like me, finally, after years and years of agitation, made deeply moving and eloquent speeches against the wrongness of your domination over us, and then finally, after the mutilated bodies of you, your wife, and your children were found in your beautiful and spacious bungalow at the edge of your rubber plantation—found by one of your many house servants (none of it was ever yours; it was never, ever yours)—you say to me, “Well, I wash my hands of all of you, I am leaving now,” and you leave, and from afar you watch as we do to ourselves the very things you used to do to us. And you might feel that there was more to you than that, you might feel that you had understood the meaning of the Age of Enlightenment (though, as far as I can see, it had done you very little good); you loved knowledge, and wherever you went you made sure to build a school, a library (yes, and in both of these places you distorted or erased my history and glorified your own). But then again, perhaps as you observe the debacle in which I now exist, the utter ruin that I say is my life, perhaps you are remembering that you had always felt people like me cannot run things, people like me will never grasp the idea of Gross National Product, people like me will never be able to take command of the thing the most simpleminded among you can master, people like me will never understand the notion of rule by law, people like me cannot really think in abstractions, people like me cannot be objective, we make everything so personal. You will forget your part in the whole setup, that bureaucracy is one of your inventions, that Gross National Product is one of your inventions, and all the laws that you know mysteriously favour you.
Jamiaca Kincaid
The Venetians catalogue everything, including themselves. ‘These grapes are brown,’ I complain to the young vegetable-dealer in Santa Maria Formosa. ‘What is wrong with that ? I am brown,’ he replies. ‘I am the housemaid of the painter Vedova,’ says a maid, answering the telephone. ‘I am a Jew,’ begins a cross-eyed stranger who is next in line in a bookshop. ‘Would you care to see the synagogue?’ Almost any Venetian, even a child, will abandon whatever he is doing in order to show you something. They do not merely give directions; they lead, or in some cases follow, to make sure you are still on the right way. Their great fear is that you will miss an artistic or ‘typical’ sight. A sacristan, who has already been tipped, will not let you leave until you have seen the last Palma Giovane. The ‘pope’ of the Chiesa dei Greci calls up to his housekeeper to throw his black hat out the window and settles it firmly on his broad brow so that he can lead us personally to the Archaeological Museum in the Piazza San Marco; he is afraid that, if he does not see to it, we shall miss the Greek statuary there. This is Venetian courtesy. Foreigners who have lived here a long time dismiss it with observation : ‘They have nothing else to do.’ But idleness here is alert, on the qui vive for the opportunity of sightseeing; nothing delights a born Venetian so much as a free gondola ride. When the funeral gondola, a great black-and-gold ornate hearse, draws up beside a fondamenta, it is an occasion for aesthetic pleasure. My neighbourhood was especially favoured this way, because across the campo was the Old Men’s Home. Everyone has noticed the Venetian taste in shop displays, which extends down to the poorest bargeman, who cuts his watermelons in half and shows them, pale pink, with green rims against the green side-canal, in which a pink palace with oleanders is reflected. Che bello, che magnifici, che luce, che colore! - they are all professori delle Belle Arti. And throughout the Veneto, in the old Venetian possessions, this internal tourism, this expertise, is rife. In Bassano, at the Civic Museum, I took the Mayor for the local art-critic until he interupted his discourse on the jewel-tones (‘like Murano glass’) in the Bassani pastorals to look at his watch and cry out: ‘My citizens are calling me.’ Near by, in a Paladian villa, a Venetian lasy suspired, ‘Ah, bellissima,’ on being shown a hearthstool in the shape of a life-size stuffed leather pig. Harry’s bar has a drink called a Tiziano, made of grapefruit juice and champagne and coloured pink with grenadine or bitters. ‘You ought to have a Tintoretto,’ someone remonstrated, and the proprietor regretted that he had not yet invented that drink, but he had a Bellini and a Giorgione. When the Venetians stroll out in the evening, they do not avoid the Piazza San Marco, where the tourists are, as Romans do with Doney’s on the Via Veneto. The Venetians go to look at the tourists, and the tourists look back at them. It is all for the ear and eye, this city, but primarily for the eye. Built on water, it is an endless succession of reflections and echoes, a mirroring. Contrary to popular belief, there are no back canals where tourist will not meet himself, with a camera, in the person of the another tourist crossing the little bridge. And no word can be spoken in this city that is not an echo of something said before. ‘Mais c’est aussi cher que Paris!’ exclaims a Frenchman in a restaurant, unaware that he repeats Montaigne. The complaint against foreigners, voiced by a foreigner, chimes querulously through the ages, in unison with the medieval monk who found St. Mark’s Square filled with ‘Turks, Libyans, Parthians, and other monsters of the sea’. Today it is the Germans we complain of, and no doubt they complain of the Americans, in the same words.
Mary McCarthy
Strong underneath, though!’ decided Julian. ‘There’s no softness there, if you ask me. I think Emma’s got authority but it’s the best sort. It’s quiet authority . . .’ ‘Rita wasn’t exactly loud, Martin!’ Elizabeth pointed out, rather impatiently. ‘I bet Rita was very like Emma before she was elected head girl. Was she, Belinda? You must have been at Whyteleafe then.’ Belinda had been at Whyteleafe longer than the others. She had joined in the junior class. She frowned now, deep in thought. ‘Why, Elizabeth, I do believe you’re right! I remember overhearing some of the teachers say that Rita was a bit too young and as quiet as a mouse and might not be able to keep order! But they were proved wrong. Rita was nervous at the first Meeting or two. But after that she was such a success she stayed on as head girl for two years running.’ ‘There, Martin!’ said Elizabeth. ‘Lucky the teachers don’t have any say in it then, isn’t it?’ laughed Julian. ‘I think all schools should be run by the pupils, the way ours is.’ ‘What about Nora?’ asked Jenny, suddenly. ‘She wouldn’t be nervous of going on the platform.’ ‘She’d be good in some ways,’ said Belinda, her mind now made up, ‘but I don’t think she’d be as good as Emma . . .’ They discussed it further. By the end, Elizabeth felt well satisfied. Everyone seemed to agree that Thomas was the right choice for head boy. And apart from Martin, who didn’t know who he wanted, and Jenny, who still favoured Nora, everyone seemed to agree with her about Emma. Because of the way that Whyteleafe School was run, in Elizabeth’s opinion it was extremely important to get the right head boy and head girl. And she’d set her heart on Thomas and Emma. She felt that this discussion was a promising start. Then suddenly, near the end of the train journey, Belinda raised something which made Elizabeth’s scalp prickle with excitement. ‘We haven’t even talked about our own election! For a monitor to replace Susan. Now she’s going up into the third form, we’ll need someone new. We’ve got Joan, of course, but the second form always has two.’ She was looking straight at Elizabeth! ‘We all think you should be the other monitor, Elizabeth,’ explained Jenny. ‘We talked amongst ourselves at the end of last term and everyone agreed. Would you be willing to stand?’ ‘I – I—’ Elizabeth was quite lost for words. Speechless with pleasure! She had already been a monitor once and William and Rita had promised that her chance to be a monitor would surely come again. But she’d never expected it to come so soon! ‘You see, Elizabeth,’ Joan said gently, having been in on the secret, ‘everyone thinks it was very fine the way you stood down in favour of Susan last term. And that it’s only fair you should take her place now she’s going up.’ ‘Not to mention all the things you’ve done for the school. Even if we do always think of you as the Naughtiest Girl!’ laughed Kathleen. ‘We were really proud of you last term, Elizabeth. We were proud that you were in our form!’ ‘So would you be willing to stand?’ repeated Jenny. ‘Oh, yes, please!’ exclaimed Elizabeth, glancing across at Joan in delight. Their classmates wanted her to be a monitor again, with her best friend Joan! The two of them would be second form monitors together. ‘There’s nothing I’d like better!’ she added. What a wonderful surprise. What a marvellous term this was going to be! They all piled off at the station and watched their luggage being loaded on to the school coach. Julian gave Elizabeth’s back a pat. There was an amused gleam in his eyes. ‘Well, well. It looks as though the Naughtiest Girl is going to be made a monitor again. At the first Meeting. When will that be? This Saturday? Can she last that long without misbehaving?’ ‘Of course I can, Julian,’ replied Elizabeth, refusing to be amused. ‘I’m going to jolly well make certain of that!’ That, at least, was her intention.
Enid Blyton (Naughtiest Girl Wants to Win)
I have thought and thought since you were gone, and there is something I wish to say.' Cardan's face is serious, almost grave, in a way that he seldom allows himself to be. 'When my father sent me away, at first I tried to prove that I was nothing like he thought me. But when that didn't work, I tried to be exactly what he believed I was instead. If he thought I was bad, I would be worse. If he thought I was cruel, I would be horrifying. I would live down to his every expectation. If I couldn't have his favour, then I would have his wrath. 'Balekin did not know what to do with me. He made me attend his debauches, made me serve wine and food to show off his tame little prince. When I grew older and more ill-tempered, he grew to like having someone to discipline. His disappointments were my lashing, his insecurities my flaws. And yet, he was the first person who saw something in me he liked- himself. He encouraged all my cruelty, inflamed all my rage. And I got worse. 'I wasn't kind, Jude. Not to many people. Not to you. I wasn't sure if I wanted you or if I wanted you gone from my sight so that I would stop feeling as I did, which made me even more unkind. But when you were gone- truly gone beneath the waves- I hated myself as I never have before.' I am so surprised by his words that I keep trying to find the tick in them. He can't truly mean what he's saying. 'Perhaps I am foolish, but I am not a fool. You like something about me,' he says, mischief lighting his face, making its planes more familiar. 'The challenge? My pretty eyes? No matter, because there is more you do not like and I know it. I can't trust you. Still, when you were gone I had to make a great many decisions, and so much of what I did right was imagining you beside me, Jude, giving me a bunch of ridiculous orders I nonetheless obeyed.' I am robbed of speech. He laughs, his warm hand going to my shoulder. 'Either I've surprised you or you are as ill as Madoc claimed.
Holly Black (The Wicked King (The Folk of the Air, #2))
I said, “there was a society of men among us, bred up from their youth in the art of proving, by words multiplied for the purpose, that white is black, and black is white, according as they are paid. To this society all the rest of the people are slaves. For example, if my neighbour has a mind to my cow, he has a lawyer to prove that he ought to have my cow from me. I must then hire another to defend my right, it being against all rules of law that any man should be allowed to speak for himself. Now, in this case, I, who am the right owner, lie under two great disadvantages: first, my lawyer, being practised almost from his cradle in defending falsehood, is quite out of his element when he would be an advocate for justice, which is an unnatural office he always attempts with great awkwardness, if not with ill-will. The second disadvantage is, that my lawyer must proceed with great caution, or else he will be reprimanded by the judges, and abhorred by his brethren, as one that would lessen the practice of the law. And therefore I have but two methods to preserve my cow. The first is, to gain over my adversary’s lawyer with a double fee, who will then betray his client by insinuating that he hath justice on his side. The second way is for my lawyer to make my cause appear as unjust as he can, by allowing the cow to belong to my adversary: and this, if it be skilfully done, will certainly bespeak the favour of the bench. Now your honour is to know, that these judges are persons appointed to decide all controversies of property, as well as for the trial of criminals, and picked out from the most dexterous lawyers, who are grown old or lazy; and having been biassed all their lives against truth and equity, lie under such a fatal necessity of favouring fraud, perjury, and oppression, that I have known some of them refuse a large bribe from the side where justice lay, rather than injure the faculty, by doing any thing unbecoming their nature or their office.
Jonathan Swift (Gulliver's Travels)
How long will a man lie i’th earth ere he rot ? Clow. Fayth if a be not rotten before a die, as we haue many pockie corſes, that will ſcarce hold the laying in, a will laſt you ſom eyght yeere, or nine yeere. A Tanner will laſt you nine yeere. Ham. Why he more then another ? Clow. Why ſir, his hide is ſo tand with his trade, that a will keepe out water a great while ; & your water is a ſore decayer of your whorſon dead body, heer's a ſcull now hath lyen you i'th earth 23. yeeres. Ham. Whoſe was it ? Clow. A whorſon mad fellowes it was, whoſe do you think it was ? Ham. Nay I know not. Clow. A peſtilence on him for a madde rogue, a pourd a flagon of Reniſh on my head once ; this ſame skull ſir, was ſir Yoricks skull, the Kings Iester. Ham. This ? Clow. Een that. Ham. Alas poore Yorick, I knew him Horatio, a fellow of infinite ieſt, of moſt excellent fancie, hee hath bore me on his backe a thouſand times, and now how abhorred in my imagination it is: my gorge riſes at it. Heere hung thoſe lyppes that I haue kiſt I know not howe oft, where be your gibes now ? your gamboles, your ſongs, your flaſhes of merriment, that were wont to ſet the table on a roare, not one now to mocke your owne grinning, quite chapfalne. Now get you to my Ladies table, & tell her, let her paint an inch thicke, to this favour ſhe must come, make her laugh at that. Hora. What's that my Lord ? Ham. Dooſt thou thinke Alexander lookt a this faſhion i'th earth ? Hora. Een ſo. Ham. And ſmelt ſo pah. Hora. Een ſo my Lord. Ham. To what baſe vſes wee may returne Horatio ? Why may not imagination trace the noble duſt of Alexander, till a find it ſtopping a bunghole ? Hor. Twere to conſider too curiouſly to confider ſo. Ham. No faith, not a iot, but to follow him thether with modeſty enough, and likelyhood to leade it. Alexander dyed, Alexander was buried, Alexander returneth to duſt, the duſt is earth , of earth vvee make Lome & why of that Lome whereto he was conuerted, might they not ſtoppe a Beare-barrell ? Imperious Ceſar dead, and turn'd to Clay, Might ſtoppe a hole, to keepe the wind away. O that that earth which kept the world in awe, Should patch a wall t'expell the waters flaw. But ſoft, but ſoft awhile, here comes the King, The Queen, the Courtiers, who is this they follow? And with ſuch maimed rites ? this doth betoken, The corſe they follow, did with deſprat hand Foredoo it owne life, twas of ſome eſtate, Couch we a while and marke.
William Shakespeare
Some find it hard to write emotively. I've had some people say to me that they simply cannot. There are two ways to try and achieve it, to either draw upon your own lives experiences or pushing your imagination into those circumstances and feeling how your heart reacts. When I write emotively much of it comes from my own experiences and thoughts. But for some things it is not because I have experienced every emotion in my short life time already. It means I am able to imagine in my mind a given situation and feel how my heart reacts to those thoughts. Forcing myself deep into the moment of fantasy and not fearing how I feel. Some writers rely on this skill, not picturing it in their mind they are feeling it as though with their own heart even though the situation is not one they have found themselves to have been in. I believe I struggle with this, I challenge myself in some of my stories and writing that I do but I find myself favouring writing about what I know, what I have felt in my own life, love being most favoured but also excitement, worry, fear and of course sorrow. Many people will be happy to write about joy and happiness but would never write of their fears and weaknesses, feeling that for others to see you so exposed in a raw state of emotion adds to the agony of the original event you are writing about. Especially those who want to be seen as strong all the time, they worry that so show any emotion other than strength of positivity is weakness. This façade is very telling, it reminds us that we only see the parts of people that they want us to see. I'm quite happy with a little motivational post, but no one, no human is able to be positive every moment of every day. It makes me think that behind closed doors these strong motivational people have their quiet moments and keep the sadness to themselves, which is a little sad for me, because they choose to maybe be alone when those around them would want to support them in return for all the motivation they bring. There are many who will understand that the support they can give is not to make you bounce back and be happy, but to simply sit down by your side and keep you company, making sure you're not alone in your darkness, not forcing you out from it too soon. The other frustration is that persistent insistence that we must all be happy everyday, all the time and if we're not there's something wrong with us which of course is nonsense. Whenever I read something of sadness, filled with grief and sorrow I feel a beautiful moment of honesty revealed by an individual. That they are offering their vulnerability to the world, that I have something connect to. That I am not the only one who has found themselves collapsed to my knees crying in a shower at 3am. That I, like them, am human after all.
Raven Lockwood