“
You think that you are an iconoclast, but you’re not. You just move, or replace what you cannot have. If you fail at something, you retreat into something else. Nothing changes you.... I left you because I knew I could never change you. You would stand in the room so still sometimes, as if the greatest betrayal of yourself would be to reveal one more inch of your character.
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”
Michael Ondaatje (The English Patient)
“
About time, what I really learned from studying English is: time is different with timing.
I understand the difference of these two words so well. I understand falling in love with the right person in the wrong timing could be the greatest sadness in a person's entire life.
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Xiaolu Guo (A Concise Chinese-English Dictionary for Lovers)
“
Her father had taught her about hands. About a dog's paws. Whenever her father was alone with a dog in a house he would lean over and smell the skin at the base of its paw. This, he would say, as if coming away from a brandy snifter, is the greatest smell in the world! A bouquet! Great rumours of travel! She would pretend disgust, but the dog's paw was a wonder: the smell of it never suggested dirt. It's a cathedral! her father had said, so-and-so's garden, that field of grasses, a walk through cyclamen--a concentration of hints of all the paths the animal had taken during the day.
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”
Michael Ondaatje (The English Patient)
“
The Oxford English Dictionary is the greatest work of reference ever written, and it’s largely the result of a Scotsman who left school at fourteen, and a criminally insane American.
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”
Mark Forsyth (The Etymologicon: A Circular Stroll Through the Hidden Connections of the English Language)
“
Really, it is unfair to say that English spelling is not an accurate rendering of speech. It is – it's only that it renders the speech of the 16th century.
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”
Guy Deutscher (The Unfolding of Language: An Evolutionary Tour of Mankind's Greatest Invention)
“
You’ll become the head of the number one tech start-up in all of China, and I’ll be a renowned, award-winning journalist or English professor. Together, we’ll—” “Be the nation’s greatest power couple?” he offers. “I was going to say conquer the world,” I admit. “But sure. I guess we can start small.
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”
Ann Liang (If You Could See the Sun)
“
I know your head aches. I know you're tired. I know your nerves are as raw as meat in a butcher's window. But think what you're trying to accomplish - just think what you're dealing with. The majesty and grandeur of the English language; it's the greatest possession we have. The noblest thoughts that ever flowed through the hearts of men are contained in its extraordinary, imaginative and musical mixtures of sounds. And that's what you've set yourself out to conquer, Eliza. And conquer it you will.
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”
George Bernard Shaw (My Fair Lady)
“
The peculiar predicament of the present-day self surely came to pass as a consequence of the disappointment of the high expectations of the self as it entered the age of science and technology. Dazzled by the overwhelming credentials of science, the beauty and elegance of the scientific method, the triumph of modern medicine over physical ailments, and the technological transformation of the very world itself, the self finds itself in the end disappointed by the failure of science and technique in those very sectors of life which had been its main source of ordinary satisfaction in past ages.
As John Cheever said, the main emotion of the adult Northeastern American who has had all the advantages of wealth, education, and culture is disappointment.
Work is disappointing. In spite of all the talk about making work more creative and self-fulfilling, most people hate their jobs, and with good reason. Most work in modern technological societies is intolerably dull and repetitive.
Marriage and family life are disappointing. Even among defenders of traditional family values, e.g., Christians and Jews, a certain dreariness must be inferred, if only from the average time of TV viewing. Dreary as TV is, it is evidently not as dreary as Mom talking to Dad or the kids talking to either.
School is disappointing. If science is exciting and art is exhilarating, the schools and universities have achieved the not inconsiderable feat of rendering both dull. As every scientist and poet knows, one discovers both vocations in spite of, not because of, school. It takes years to recover from the stupor of being taught Shakespeare in English Lit and Wheatstone's bridge in Physics.
Politics is disappointing. Most young people turn their backs on politics, not because of the lack of excitement of politics as it is practiced, but because of the shallowness, venality, and image-making as these are perceived through the media--one of the technology's greatest achievements.
The churches are disappointing, even for most believers. If Christ brings us new life, it is all the more remarkable that the church, the bearer of this good news, should be among the most dispirited institutions of the age. The alternatives to the institutional churches are even more grossly disappointing, from TV evangelists with their blown-dry hairdos to California cults led by prosperous gurus ignored in India but embraced in La Jolla.
Social life is disappointing. The very franticness of attempts to reestablish community and festival, by partying, by groups, by club, by touristy Mardi Gras, is the best evidence of the loss of true community and festival and of the loneliness of self, stranded as it is as an unspeakable consciousness in a world from which it perceives itself as somehow estranged, stranded even within its own body, with which it sees no clear connection.
But there remains the one unquestioned benefit of science: the longer and healthier life made possible by modern medicine, the shorter work-hours made possible by technology, hence what is perceived as the one certain reward of dreary life of home and the marketplace: recreation.
Recreation and good physical health appear to be the only ambivalent benefits of the technological revolution.
”
”
Walker Percy (Lost in the Cosmos: The Last Self-Help Book)
“
Think of my Pleasure in Solitude, in comparison of my commerce with the world - there I am a child - there they do not know me not even my most intimate acquaintance - I give into their feelings as though I were refraining from irritating a little child - Some think me middling, others silly, other foolish - every one thinks he sees my weak side against my will; when in thruth it is with my will - I am content to be thought all this because I have in my own breast so graet a resource. This is one great reason why they like me so; because they can all show to advantage in a room, and eclipese from a certain tact one who is reckoned to be a good Poet - I hope I am not here playing tricks 'to make the angels weep': I think not: for I have not the least contempt for my species; and though it may sound paradoxical: my greatest elevations of Soul leave me every time more humbled - Enough of this - though in your Love for me you will not think it enough.
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”
John Keats
“
if you say, ‘Full fathom five thy father lies’, you will be considered the greatest poet who ever lived. Express precisely the same thought any other way – e.g. ‘your father’s corpse is 9.144 metres below sea level’ – and you’re just a coastguard with some bad news.
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Mark Forsyth (The Elements of Eloquence: How To Turn the Perfect English Phrase)
“
I think I succeeded as a writer because I did not come out of an English department. I used to write in the chemistry department. And I wrote some good stuff. If I had been in the English department, the prof would have looked at my short stories, congratulated me on my talent, and then showed me how Joyce or Hemingway handled the same elements of the short story. The prof would have placed me in competition with the greatest writers of all time, and that would have ended my writing career.
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Kurt Vonnegut Jr.
“
Speaking of novels,’ I said, ‘you remember we decided once, you, your husband and I, that Proust’s rough masterpiece was a huge, ghoulish fairy tale, an asparagus dream, totally unconnected with any possible people in any historical France, a sexual travestissement and a colossal farce, the vocabulary of genius and its poetry, but no more, impossibly rude hostesses, please let me speak, and even ruder guests, mechanical Dostoevskian rows and Tolstoian nuances of snobbishness repeated and expanded to an unsufferable length, adorable seascapes, melting avenues, no, do not interrupt me, light and shade effects rivaling those of the greatest English poets, a flora of metaphors, described—by Cocteau, I think—as “a mirage of suspended gardens,” and, I have not yet finished, an absurd, rubber-and-wire romance between a blond young blackguard (the fictitious Marcel), and an improbable jeune fille who has a pasted-on bosom, Vronski’s (and Lyovin’s) thick neck, and a cupid’s buttocks for cheeks; but—and now let me finish sweetly—we were wrong, Sybil, we were wrong in denying our little beau ténébreux the capacity of evoking “human interest”: it is there, it is there—maybe a rather eighteenth-centuryish, or even seventeenth-centuryish, brand, but it is there. Please, dip or redip, spider, into this book [offering it], you will find a pretty marker in it bought in France, I want John to keep it. Au revoir, Sybil, I must go now. I think my telephone is ringing.
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Vladimir Nabokov (Pale Fire)
“
Imagine, I said, what could happen if English continues to grow as it has. Maybe one day it will be the only language left to learn. If that happens, I concluded, it will be the greatest intellectual disaster that the planet has ever known.
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David Crystal (Language Death (Canto))
“
John Mitchel’s famous declaration that God sent the blight but the English created the Famine.
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Tim Pat Coogan (The Famine Plot: England's Role in Ireland's Greatest Tragedy)
“
Critics and academics have been trying for forty years to bury the greatest work of imaginative fiction in English. They ignore it, they condescend to it, they stand in large groups with their backs to it - because they're afraid of it. They're afraid of dragons. They have Smaugophobia. "Oh those awful Orcs," they bleat, flocking after Edmund Wilson. They know if they acknowledge Tolkien they'll have to admit that fantasy can be literature, and that therefore they'll have to redefine what literature is. And they're too damned lazy to do it.
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Ursula K. Le Guin (The Wave in the Mind: Talks and Essays on the Writer, the Reader and the Imagination)
“
In the Welsh language there is a particularly beautiful word: ‘Hiraeth’. It has no direct English translation, but the general sense of the term is an overwhelming feeling of grief and longing for one’s people and land of the past, a kind of amplified spiritual homesickness for a place one has never been to.
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Edward Brooke-Hitching (The Phantom Atlas: The Greatest Myths, Lies and Blunders on Maps)
“
TEN GREATEST ENGLISH POETS Chaucer, Spenser, Shakespeare, Milton, Burns, Wordsworth, Keats, Shelley, Tennyson, Browning. TEN GREATEST ENGLISH ESSAYISTS Bacon, Addison, Steele, Macaulay, Lamb, Jeffrey, De Quincey, Carlyle, Thackeray and Matthew Arnold.
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”
Joseph Devlin (How to Speak and Write Correctly)
“
In Britain I found things to be very different. I have yet to meet a single English person who has actually admitted to anti-negro prejudice. It is even generally believe that no such thing exists here. A negro is free to board any bus or train and sit anywhere, provided he has paid the appropriate fare. The fact that many people might pointedly avoid sitting near to him is casually overlooked. He is free to seek accommodation in any licensed hotel or boarding house - the courteous refusal which frequently follows is never ascribed to prejudice. The betrayal I now felt was greater because it had been perpetuated with the greatest of charm and courtesy.
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”
E.R. Braithwaite (To Sir, With Love)
“
William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his sexuality, religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest examples in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime, and in 1623 two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's. Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the nineteenth century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare with a reverence that George Bernard Shaw called "bardolatry". In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are consistently performed and reinterpreted in diverse cultural and political contexts throughout the world. Source: Wikipedia
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William Shakespeare (Romeo and Juliet)
“
St Paul taught that the celibate cared for the things of the Lord while the married cared for the things of the world. This was endorsed (in theory at least) by the 500-year-old legacy of communal celibacy within the hundreds of monasteries that dominated the English countryside. At
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Tracy Borman (The Private Lives of the Tudors: Uncovering the Secrets of Britain’s Greatest Dynasty)
“
What did it profit that I read the greatest human ideas of the so-called “liberal arts” in the books I got hold of. My thinking was enslaved to corrupt desires, so what difference did it make that I could read and understand these books? I delighted in learning, but I had no divine context for what my mind picked up. I had no foundation to discern what is true or certain. I was standing with my back to the light, so that the things that should be illuminated were in shadow, even though they were in front of my face.
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Augustine of Hippo (The Confessions of St. Augustine: Modern English Version)
“
The neighbors... hadn't, thankfully, done the usual by saying that Losley was a pleasant neighbor who'd kept herself to herself. (Always delivered in a tone of voice that suggested that, since keeping oneself to oneself was the single greatest thing one English person could do for another, the suspect ought to be excused whatever psychopathic shit they'd visited on other people.)
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Paul Cornell (London Falling (Shadow Police, #1))
“
The Romans gave Venus, their goddess of love, many of the attributes of Bastet, and often depicted her with a cat. Some historians believe importing cats to England was the Romans' greatest contribution toward civilizing the British.
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Globe Digests (Cat Talk A Lighthearted Look at Living with Cats)
“
The English were fascinated with the Italian people and their amazing Epicurean culture. Italian poetry, painting, pornography, music, drama, fashion, wine, women, cheese, anything Italiano was a premium commodity in London during Shakespeare’s day.
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Mark Lamonica (Renaissance Porn Star: The Saga of Pietro Aretino, The World's Greatest Hustler)
“
Good writing has an aliveness that keeps the reader reading from one paragraph to the next, and it's not a question of gimmicks to "personalize" the author. It's a question of using the English language in a way that will achieve the greatest clarity and strength.
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William Zinsser (On Writing Well: The Classic Guide to Writing Nonfiction)
“
One can try to evade the problem by adopting a ‘morality of intentions’. What’s important is what I intend, not what I actually do or the outcome of what I do. However, in a world in which everything is interconnected, the supreme moral imperative becomes the imperative to know. The greatest crimes in modern history resulted not just from hatred and greed, but even more so from ignorance and indifference. Charming English ladies financed the Atlantic slave trade by buying shares and bonds in the London stock exchange, without ever setting foot in either Africa or the Caribbean. They then sweetened their four o’clock tea with snow-white sugar cubes produced in hellish plantations – about which they knew nothing.
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Yuval Noah Harari (21 Lessons for the 21st Century)
“
A sad truth of human nature is that it is hard to care for people when they are abstractions, hard to care when it is not you or somebody close to you. Unless the world community can stop finding ways to dither in the face of this monstrous threat to humanity those words Never Again will persist in being one of the most abused phrases in the English language and one of the greatest lies of our time.
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Paul Rusesabagina (An Ordinary Man: An Autobiography)
“
There are no more surprises and shocks in life, so that I watch the flame without agitation. For me the greatest reality is this and nothing else... Nothing else will worry or interest me in life hereafter.
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R.K. Narayan (The English Teacher)
“
And in busy London there now grew up one of the greatest gifts that the English genius was to leave the world. For in the reign of Elizabeth I began the first and greatest flowering of the glorious English theatre.
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Edward Rutherfurd (London)
“
"I always read everything when I was a kid-and I do mean everything, from Nancy Drew to Dickens to my dad's John D. MacDonald-but then I went to regular school and the English teachers started telling me to read 'real' books, so I tried. And you know, I kinda went off reading for a while. I had already been reading literary novels and the classics mixed in with whatever else, but-" She waved a hand. "So I went back to reading whatever I wanted, whenever I wanted to-reading had been my greatest pleasure in all the world. I mean I never really watched all that much television, because we were moving around, never really had solid digs until I was thirteen, so reading was everything.
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Barbara O'Neal (The Secret of Everything)
“
History is about longing and belonging. It is about the need for permanence and the perception of continuity. It concerns the atavistic desire to find deep sources of identity. We live again in the twelfth or in the fifteenth century, finding echoes and resonances of our own time; we may recognise that some things, such as piety and passion, are never lost; we may also conclude that the great general drama of the human spirit is ever fresh and ever renewed. That is why some of the greatest writers have preferred to see English history as dramatic or epic poetry, which is just as capable of expressing the power and movement of history as any prose narrative; it is a form of singing around a fire.
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Peter Ackroyd (Foundation: The History of England from Its Earliest Beginnings to the Tudors (The History of England, #1))
“
Whenever her father was alone with a dog in a house he would lean over and smell the skin at the base of its paw. This, he would say, as if coming away from a brandy snifter, is the greatest smell in the world! A bouquet! Great rumours of travel!
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Michael Ondaatje (The English Patient)
“
Yeah.”
“It’s a deal then,” I say, angling my head to look up at him. “You’ll become the head of the number one tech start-up in all of China, and I’ll be a renowned, award-winning journalist or English professor. Together, we’ll—”
“Be the nation’s greatest power couple?” he offers.
“I was going to say conquer the world,” I admit. “But sure. I guess we can start small.
”
”
Ann Liang (If You Could See the Sun)
“
Victor-Marie Hugo (26 February 1802 — 22 May 1885) was a French poet, novelist, playwright, essayist, visual artist, statesman, human rights campaigner, and perhaps the most influential exponent of the Romantic movement in France. In France, Hugo's literary reputation rests on his poetic and dramatic output. Among many volumes of poetry, Les Contemplations and La Légende des siècles stand particularly high in critical esteem, and Hugo is sometimes identified as the greatest French poet. In the English-speaking world his best-known works are often the novels Les Misérables and Notre-Dame de Paris (sometimes translated into English as The Hunchback of Notre-Dame). Though extremely conservative in his youth, Hugo moved to the political left as the decades passed; he became a passionate supporter of republicanism, and his work touches upon most of the political and social issues and artistic trends of his time. Source: Wikipedia
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Victor Hugo (Les Misérables)
“
From Brahma Puran
ब्राह्मीं च वैष्णवीं भद्रां, षड्-भुजां च चतुर्मुखीम्।
त्रि-नेत्रां खड्ग-त्रिशूल-पद्म-चक्र-गदा-धराम्॥
पीताम्बर-धरां देवीं, नानाऽलंकार-भूषिताम्।
तेजः-पुञ्ज-धरीं श्रेष्ठां, ध्यायेद् बाल-कुमारिकाम्॥
Meditate on youthful Brahmi* and Vaishnavi* surely,
With six hands, four faces, three eyes gives safety,
With sword, trident, lotus, wheel, globe, mace be,
Greatest – yellow dressed, well decorated elegantly.
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Munindra Misra (Chants of Hindu Gods and Godesses in English Rhyme)
“
I've just come to my room, Livy darling, I guess this was the memorable night of my life. By George, I never was so stirred since I was born. I heard four speeches which I can never forget... one by that splendid old soul, Col. Bob Ingersoll, — oh, it was just the supremest combination of English words that was ever put together since the world began... How handsome he looked, as he stood on that table, in the midst of those 500 shouting men, and poured the molten silver from his lips! What an organ is human speech when it is played by a master! How pale those speeches are in print, but how radiant, how full of color, how blinding they were in the delivery! It was a great night, a memorable night.
I doubt if America has seen anything quite equal to it. I am well satisfied I shall not live to see its equal again... Bob Ingersoll’s music will sing through my memory always as the divinest that ever enchanted my ears. And I shall always see him, as he stood that night on a dinner-table, under the flash of lights and banners, in the midst of seven hundred frantic shouters, the most beautiful human creature that ever lived... You should have seen that vast house rise to its feet; you should have heard the hurricane that followed. That's the only test! People might shout, clap their hands, stamp, wave their napkins, but none but the master can make them get up on their feet.
{Twain's letter to his wife, Livy, about friend Robert Ingersoll's incredible speech at 'The Grand Banquet', considered to be one of the greatest oratory performances of all time}
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Mark Twain (Letters from the Earth: Uncensored Writings)
“
Count Lev Nikolayevich Tolstoy, commonly referred to in English as Leo Tolstoy, was a Russian novelist, writer, essayist, philosopher, Christian anarchist, pacifist, educational reformer, moral thinker, and an influential member of the Tolstoy family. As a fiction writer Tolstoy is widely regarded as one of the greatest of all novelists, particularly noted for his masterpieces War and Peace and Anna Karenina; in their scope, breadth and realistic depiction of Russian life, the two books stand at the peak of realistic fiction. As a moral philosopher he was notable for his ideas on nonviolent resistance through his work The Kingdom of God is Within You, which in turn influenced such twentieth-century figures as Mohandas K. Gandhi and Martin Luther King, Jr. Source: Wikipedia
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Leo Tolstoy (War and Peace)
“
I came to Canada as a teenager with no money, no contacts, and no knowledge of English.
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Dan Lok (Advertising Titans! Vol 1: Insiders Secrets From The Greatest Direct Marketing Entrepreneurs and Copywriting Legends (Advertising Titans!: Insiders Secrets ... Entrepreneurs and Copywriting Legends))
“
Shakespeare
It is fair, though hardly very important, that to say or imply that the man of this name is not our greatest writer marks a second-rate person at best.
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Kingsley Amis (The King's English: A Guide to Modern Usage)
“
There is nothing so dangerous in this world as liberty, except the lack of it.
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Various (How Great is Our God: Classic Writings from History's Greatest Christian Thinkers in Contemporary English)
“
Seeds are proof that the greatest growth takes place in the dark.
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Matshona Dhliwayo
“
If you are wise, you will never forget that your heart is yours alone. It can be the greatest gift, but never can it be commanded.
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Mary Wine (Improper Seduction (English Tudor, #1))
“
The tribe, led by one of its greatest chiefs, James Bigheart—who spoke seven languages, among them Sioux, French, English, and Latin, and who had taken to wearing a suit—
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David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
“
That is part of the greatest danger to our souls, a pride that can come when we set ourselves apart to be servants, but then asume that our servanthood makes us better.
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David Williams (When the English Fall)
“
This is one of many reasons why it is such a shame to deprive children of exposure to the greatest writers in the English language. In the great writers one can see how words are charged with meaning.
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Stratford Caldecott (Beauty in the Word: Rethinking the Foundations of Education)
“
Will we ever see his like again? It is doubtful. But at least for a brief moment in time we were lucky to have him as one of our own: an English lionheart who was the terror of the continent, who earned the love and respect of everyone who had the privilege to see him in action and above all was a thoroughly decent hero of whom we can be proud. Rest in peace 'Big Dunc'. Your feats will echo in eternity.
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James Leighton (Duncan Edwards: The Greatest)
“
I told them this was their language, this English, this most marvellous and expressive cloak of meaning and imagination. This great, exclamatory, illuminating song, it belonged to anyone who found it in their mouths. There was no wrong way to say it, or write it, the language couldn’t be compelled or herded, it couldn’t be tonsured or pruned, pollarded or plaited, it was as hard as oaths and as subtle as rhyme. It couldn’t be forced or bullied or policed by academics; it wasn’t owned by those with flat accents; nobody had the right to tell them how to use it or what to say. There are no rules and nobody speaks incorrectly, because there is no correctly: no high court of syntax. And while everyone can speak with the language, nobody speaks for the language. Not grammars, not dictionaries. They just run along behind, picking up discarded usages. This English doesn’t belong to examiners or teachers. All of you already own the greatest gift, the highest degree this country can bestow. It’s on the tip of your tongue.
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A.A. Gill (A.A. Gill is Further Away: Helping with Enquiries)
“
You're up early," I said.
"I always rise early. The morning is the best time for me to work."
I glanced at the books. "What are you going, Greek?"
Henry set the cup back into its saucer. "A translation of Paradise Lost."
"Into what language?"
"Latin," he said solemly.
"Hmm," I said. "Why?"
"I am interested to see what I will wind up with. Milton to my way of thinking is our greatest English poet, greater than Shakespeare, but I think in some ways it was unfortunate that he chose to write in English — of course, he wrote a not inconsiderable amount of poetry in Latin, but that was early, in his student days; what I'm referring to is the later work. In Paradise Lost he pushes English to its very limits but I think no language without noun cases could possible support the structural order he attempts to impose. He laid his cigarette back into the ashtray.
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Donna Tartt
“
The greatest crimes in modern history resulted not just from hatred and greed, but even more so from ignorance and indifference. Charming English ladies financed the Atlantic slave trade by buying
shares and bonds in the London stock exchange, without ever setting foot in either Africa or the Caribbean. They then sweetened their four o'clock tea with snow-white sugar cubes produced in hellish plantations - about which they knew nothing.
”
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Yuval Noah Harari (21 Lessons for the 21st Century)
“
I was like Robinson Crusoe on the island of Tobago. For hours at a stretch I would lie in the sun doing nothing, thinking of nothing. To keep the mind empty is a feat, a very healthful feat too. To be silent the whole day long, see no newspaper, hear no radio, listen to no gossip, be thoroughly and completely lazy, thoroughly and completely indifferent to the fate of the world is the finest medicine a man can give himself. The book-learning gradually dribbles away; problems melt and dissolve; ties are gently severed; thinking, when you deign to indulge in it, becomes very primitive; the body becomes a new and wonderful instrument; you look at plants or stones or fish with different eyes; you wonder what people are struggling to accomplish with their frenzied activities; you know there is a war on but you haven't the faintest idea what it's about or why people should enjoy killing one another; you look at a place like Albania—it was constantly staring me in the eyes—and you say to yourself, yesterday it was Greek, to-day it's Italian, to-morrow it may be German or Japanese, and you let it be anything it chooses to be. When you're right with yourself it doesn't matter which flag is flying over your head or who owns what or whether you speak English or Monongahela. The absence of newspapers, the absence of news about what men are doing in different parts of the world to make life more livable or unlivable is the greatest single boon. If we could just eliminate newspapers a great advance would be made, I am sure of it. Newspapers engender lies, hatred, greed, envy, suspicion, fear, malice. We don't need the truth as it is dished up to us in the daily papers. We need peace and solitude and idleness. If we could all go on strike and honestly disavow all interest in what our neighbor is doing we might get a new lease on life. We might learn to do without telephones and radios and newspapers, without machines of any kind, without factories, without mills, without mines, without explosives, without battleships, without politicians, without lawyers, without canned goods, without gadgets, without razor blades even or cellophane or cigarettes or money. This is a pipe dream, I know.
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Henry Miller (The Colossus of Maroussi)
“
The greatest poet in the English language found his poetry where poetry is found: in the lives of the people. He could have done this only through love — by knowing … that whatever was happening to anyone was happening to him,
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James Baldwin
“
No country has given the world more incomparable literature per head of population than Ireland, and for that reason alone we might be excused a small, selfish celebration that English was the language of her greatest writers.
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Bill Bryson (The Mother Tongue: The Fascinating History of the English Language)
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Stricken down with consumption in 1819, Keats, after weeks in bed, wrote to Fanny Brawne: “Now I have had opportunities of passing nights anxious and awake, I have found thoughts obtrude upon me.‘If I should die,’ said I to myself,‘I have left no immortal work behind me—nothing to make my friends proud of my memory—but I have loved the principle of beauty in all things, and if I had had time I would have made myself remembered.’” “If I had had time”—this is the tragedy of all great men. Keats never wrote anything of importance after that; nevertheless, his friends are remembered because of him, and he has left behind him poems as immortal as English, and more perfect than Shakespeare.We
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Will Durant (The Greatest Minds and Ideas of All Time)
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The literary establishment in England was stunned, shocked, and scandalized by an event of millennial significance when a major bookstore chain innocently polled English-speaking readers, asking them to choose the greatest book of the twentieth century. By a wide margin The Lord of the Rings won. Three times the poll was broadened: to a worldwide readership, into cyberspace via Amazon.com, and even to "the greatest book of the millennium". The same champion won each time. The critics retched and kvetched, wailed and flailed, gasped and grasped for explanations. One said that they had failed and wasted their work of "ed-u-ca-tion". "Why bother teaching them to read if they're going to read that?
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Peter Kreeft (The Philosophy of Tolkien: The Worldview Behind The Lord of the Rings)
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Colonel George A. Taylor rallied survivors with the cry, “Two kinds of people are staying on this beach, the dead and those who are going to die. Now let’s get the hell out of here.”1 Forty-three thousand troops were ferried across the English
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Robert M. Edsel (The Monuments Men: Allied Heroes, Nazi Thieves, And The Greatest Treasure Hunt In History)
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He knew he was overfastidious. But how could one write history with Macaulay so close behind? Fiction or poetry, in the midst of the greatest galaxy of talent in the history of English literature? How could one be a creative scientist, with Lyell and Darwin still alive? Be a statesman, with Disraeli and Gladstone polarizing all the available space?
You will see that Charles set his sights high. Intelligent idlers always have, in order to justify their idleness to their intelligence.
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John Fowles
“
The teacher claimed it was so plain, I only had to use my brain. She said the past of throw was threw, The past of grow – of course – was grew, So flew must be the past of fly, And now, my boy, your turn to try. But when I trew, I had no clue, If mow was mew Like know and knew (Or is it knowed Like snow and snowed?) The teacher frowned at me and said The past of feed was – plainly – fed. Fed up, I knew then what I ned: I took a break, and out I snoke, She shook and quook (or quaked? or quoke?) With raging anger out she broke: Your ignorance you want to hide? Tell me the past form of collide! But how on earth should I decide If it’s collid (Like hide and hid), Or else – from all that I surmose, The past of rise was simply rose, And that of ride was surely rode, So of collide must be collode? Oh damn these English verbs, I thought The whole thing absolutely stought! Of English I have had enough, These verbs of yours are far too tough. Bolt upright in my chair I sat, And said to her ‘that’s that’ – I quat.
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Guy Deutscher (The Unfolding Of Language: The Evolution of Mankind`s greatest Invention)
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Good writing has an aliveness that keeps the reader reading from one paragraph to the next, and it’s not a question of gimmicks to “personalize” the author. It’s a question of using the English language in a way that will achieve the greatest clarity and strength.
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William Zinsser (On Writing Well: The Classic Guide to Writing Nonfiction)
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THE greatest of English dramatists except Shakespeare, the first literary dictator and poet-laureate, a writer of verse, prose, satire, and criticism who most potently of all the men of his time affected the subsequent course of English letters: such was Ben Jonson, and as such his strong personality assumes an interest to us almost unparalleled, at least in his age. Ben Jonson came of the stock that was centuries after to give to the world Thomas Carlyle; for Jonson's grandfather was of Annandale, over the Solway, whence he
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Ben Jonson (Every Man out of His Humour)
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In a world in which everything is interconnected, the supreme moral imperative becomes the imperative to know. The greatest crimes in modern history resulted not just from hatred and greed, but even more so from ignorance and indifference. Charming English ladies financed the Atlantic slave trade by buying shares and bonds in the London stock exchange, without ever setting foot in either Africa or the Caribbean. They then sweetened their four o'clock tea with snow-white sugar cubes produced in hellish plantations – about which they knew nothing.
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Yuval Noah Harari (21 Lessons for the 21st Century)
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The 1216 Magna Carta was distinctive in two further regards. It was not a mere peace treaty, extracted under duress from an embattled monarch, but a freely given assurance of rights. Crucially, the document was also issued with the full and unequivocal support of the papal legate, Guala.
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Thomas Asbridge (The Greatest Knight: The Remarkable Life of William Marshal, The Power Behind Five English Thrones)
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It was this document, validated by Guala and Marshal, which resurrected Magna Carta – the discarded pact of 1215. This development represented a critical step in English history, for without this reissue and those that followed in later years, the Great Charter would have been forgotten.
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Thomas Asbridge (The Greatest Knight: The Remarkable Life of William Marshal, The Power Behind Five English Thrones)
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The Pilgrims had come to America not to conquer a continent but to re-create their modest communities in Scrooby and in Leiden. When they arrived at Plymouth in December 1620 and found it emptied of people, it seemed as if God had given them exactly what they were looking for. But as they quickly discovered during that first terrifying fall and winter, New England was far from uninhabited. There were still plenty of Native people, and to ignore or anger them was to risk annihilation. The Pilgrims’ religious beliefs played a dominant role in the decades ahead, but it was their deepening relationship with the Indians that turned them into Americans. By forcing the English to improvise, the Indians prevented Plymouth Colony from ossifying into a monolithic cult of religious extremism. For their part, the Indians were profoundly influenced by the English and quickly created a new and dynamic culture full of Native and Western influences. For a nation that has come to recognize that one of its greatest strengths is its diversity, the first fifty years of Plymouth Colony stand as a model of what America might have been from the very beginning.
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Nathaniel Philbrick (Mayflower: A Story of Courage, Community, and War)
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It is often argued that the greatest tragedy of the Old Testament was not man’s exile from the Garden of Eden, but the fall of the Tower of Babel. For Adam and Eve, though cast from grace, could still speak and comprehend the language of angels. But when men in their hubris decided to build a path to heaven, God confounded their understanding. He divided and confused them and scattered them about the face of the earth. ‘What was lost at Babel was not merely human unity, but the original language – something primordial and innate, perfectly understandable and lacking nothing in form or content. Biblical scholars call it the Adamic language. Some think it is Hebrew. Some think it is a real but ancient language that has been lost to time. Some think it is a new, artificial language that we ought to invent. Some think French fulfils this role; some think English, once it’s finished robbing and morphing, might.
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R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
“
Nami Emo was also the greatest storybook reader in the world. Like my grandfather before her, she worked as a voice actress, doing voice-overs for documentaries and dubbing anime episodes, which Seong Young and I would watch over and over on VHS. At night, she'd read Korean Sailor Moon books to me and do all the voices. It didn't matter that she couldn't translate the chapters into English---her voice was elastic and could swing seamlessly from the cackle of an evil queen to the catchphrase of the resolute heroine, then quiver words of caution from a useless sidekick and resolve with a dashing prince's gallant coo.
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Michelle Zauner (Crying in H Mart)
“
No institution of learning of Ingersoll's day had courage enough to confer upon him an honorary degree; not only for his own intellectual accomplishments, but also for his influence upon the minds of the learned men and women of his time and generation.
Robert G. Ingersoll never received a prize for literature. The same prejudice and bigotry which prevented his getting an honorary college degree, militated against his being recognized as 'the greatest writer of the English language on the face of the earth,' as Henry Ward Beecher characterized him. Aye, in all the history of literature, Robert G. Ingersoll has never been excelled -- except by only one man, and that man was -- William Shakespeare. And yet there are times when Ingersoll even surpassed the immortal Bard. Yes, there are times when Ingersoll excelled even Shakespeare, in expressing human emotions, and in the use of language to express a thought, or to paint a picture. I say this fully conscious of my own admiration for that 'intellectual ocean, whose waves touched all the shores of thought.'
Ingersoll was perfection himself. Every word was properly used. Every sentence was perfectly formed. Every noun, every verb and every object was in its proper place. Every punctuation mark, every comma, every semicolon, and every period was expertly placed to separate and balance each sentence.
To read Ingersoll, it seems that every idea came properly clothed from his brain. Something rare indeed in the history of man's use of language in the expression of his thoughts. Every thought came from his brain with all the beauty and perfection of the full blown rose, with the velvety petals delicately touching each other.
Thoughts of diamonds and pearls, rubies and sapphires rolled off his tongue as if from an inexhaustible mine of precious stones.
Just as the cut of the diamond reveals the splendor of its brilliance, so the words and construction of the sentences gave a charm and beauty and eloquence to Ingersoll's thoughts.
Ingersoll had everything: The song of the skylark; the tenderness of the dove; the hiss of the snake; the bite of the tiger; the strength of the lion; and perhaps more significant was the fact that he used each of these qualities and attributes, in their proper place, and at their proper time. He knew when to embrace with the tenderness of affection, and to resist and denounce wickedness and tyranny with that power of denunciation which he, and he alone, knew how to express.
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Joseph Lewis (Ingersoll the Magnificent)
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You can spend all day trying to think of some universal truth to set down on paper and some poets try that. Shakespeare knew that it’s much easier to string together some words beginning with the same letter. It doesn’t matter what it’s about. It can be the exact depth in the sea to which a chap’s corpse has been sunk; hardly a matter of universal interest, but if you say, ‘Full fathom five your father lies’, you will be considered the greatest poet that ever lived. Express precisely the same thought in any other way – e.g. ‘your father’s corpse is 9.144 metres below sea level’ – and you’re just a coastguard with some bad news.
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Mark Forsyth (The Elements of Eloquence: How to Turn the Perfect English Phrase)
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At a point where the destruction widened out, leaving a vast field of broken lintels and cornerstones, some GIs had posted a sign with a quote from Hitler: “Gebt mir fünf Jahre und Ihr werdet Deutschland nicht wiedererkennen.” Below was the English translation: “Give me five years & you will not recognize Germany again.
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Robert M. Edsel (The Monuments Men: Allied Heroes, Nazi Thieves, And The Greatest Treasure Hunt In History)
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I tried to argue with him, but it was difficult to argue with a man when I did not know his language. The advantage certainly rested with him, for although he began to speak in English, of a very crude and broken kind, he always got excited and broke into his native tongue — and every time he did so, he looked at his watch.
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E.F. Benson (The Greatest Ghost and Horror Stories Ever Written: volume 6 (30 short stories))
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He maintained that there was some kind of magic about English schooling and that the education it provided had caused the inhabitants of a small island to become a great nation and a great Empire and to produce the world’s greatest literature. ‘No child of mine’, he kept saying, ‘is going to school anywhere else but in England.
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Roald Dahl (Boy: Tales of Childhood (Roald Dahl's Autobiography, #1))
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In high school, we barely brushed against Ogden Nash, Lewis Carroll, Edward Lear, or any of the other so-unserious writers who delight everyone they touch. This was, after all, a very expensive and important school. Instead, I was force-fed a few of Shakespeare's Greatest Hits, although the English needed translation, the broad comedy and wrenching drama were lost, and none of the magnificently dirty jokes were ever explained. (Incidentally, Romeo and Juliet, fully appreciated, might be banned in some U.S. states.) This was the Concordance again, and little more. So we'd read all the lines aloud, resign ourselves to a ponderous struggle, and soon give up the plot completely.
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Bob Harris (Prisoner of Trebekistan: A Decade in Jeopardy!)
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For they have a way of teaching languages in Germany that is not our way, and the consequence is that when the German youth or maiden leaves the gymnasium or high school at fifteen, “it” (as in Germany one conveniently may say) can understand and speak the tongue it has been learning. In England we have a method that for obtaining the least possible result at the greatest possible expenditure of time and money is perhaps unequalled. An English boy who has been through a good middle-class school in England can talk to a Frenchman, slowly and with difficulty, about female gardeners and aunts; conversation which, to a man possessed perhaps of neither, is liable to pall. Possibly,
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Jerome K. Jerome (Complete Works of Jerome K. Jerome)
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Published mathematical papers often have irritating assertions of the type: “It now follows that…,” or: “It is now obvious that…,” when it doesn't follow, and isn't obvious at all, unless you put in the six hours the author did to supply the missing steps and checking them. There is a story about the English mathematician G.H. Hardy, whom we shall meet later. In the middle of delivering a lecture, Hardy arrived at a point in his argument where he said, “It is now obvious that….” Here he stopped, fell silent, and stood motionless with furrowed brow for a few seconds. Then he walked out of the lecture hall. Twenty minutes later he returned, smiling, and began, “Yes, it is obvious that….” If he
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John Derbyshire (Prime Obsession: Bernhard Riemann and the Greatest Unsolved Problem in Mathematics)
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Look at this shirt!” exclaimed Schrift, with sudden irrelevant fury. “Specially made for me by Thresher & Glenny in London—it cost more than you probably spent on coal last winter. If I told ’em once, I told ’em a hundred times—I want the monogram in Old English, not roman type! What do they think I am—a letterhead? No wonder the British Empire’s falling apart.
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S.J. Perelman (The World of SJ Perelman: The Marx Brother's Greatest Scriptwriter)
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If the Marxist teaching were to be accepted as the foundation of the life of the universe, it would lead to the disappearance of all order that is conceivable to the human mind. And thus the adoption of such a law would provoke chaos in the structure of the greatest organism that we know, with the result that the inhabitants of this earthly planet would finally disappear.
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Adolf Hitler (Mein Kampf by Adolf Hitler: Unabridged Original Version English Translation)
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Perfect' - the most misattributed word in English language
A 'perfect' thing can never be improved - at least by what the meaning implies. Why should anyone want to be perfect?
Unfortunately, this happens to be my greatest flaw. Turning a relative idea into an absolute one. Seeking perfection in others - or should I say 'subconsciously seeking perfection in myself' and projecting a benchmark based in fantasy on others.
Makes one come across as judgmental, intolerant, arrogant or impatient - in short, a platinum-class jerk. But you, my friend, are too kind to tell me. Or you'd rather bear for the moment and cuss me roundly when I'm gone. That's unfair to us both.
If I have ever done this to you, I am sincerely sorry.
Accept my profound apologies
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Eniitan Akinola
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Who Is the Greatest? MATTHEW 18 t At that time the disciples came to Jesus, saying, “Who is the greatest in the kingdom of heaven?” 2And calling to him a child, he put him in the midst of them 3and said, “Truly, I say to you, unless you u turn and v become like children, you w will never enter the kingdom of heaven. 4 x Whoever humbles himself like this child is the w greatest in the kingdom of heaven.
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Anonymous (Holy Bible: English Standard Version (ESV))
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The measuring rod, the unit of information, is something called a bit (for binary digit). It is an answer - either yes or no- to an unambiguous question...
The information content of the human brain expressed in bits is probably comparable to the total number of connections among the neurons- about a hundred trillion, 10^14 bits. If written out in English, say, that information would fill some twenty million volumes, as many as in the world's largest libraries. The equivalent of twenty million books is inside the heads of every one of us...
When our genes could not store all the information necessary for survival, we slowly invented them. But then the time came, perhaps ten thousand years ago, when we needed to stockpile enormous quantities of information outside our bodies. We are the only species on the planet, so far as we know, to have invented a communal memory stored neither in our genes nor in our brains. The warehouse of that memory is called the library...
The great libraries of the world contain millions of volumes, the equivalent of about 10^14 bits of information in words, and perhaps 10^15 bits in pictures. This is ten thousand times more than in our brains. If I finish a book a week, I will only read a few thousand books in my lifetime, about a tenth of a percent of the contents of the greatest libraries of our time. The trick is to know which books to read...
Books permit us to voyage through time, to tap the wisdom of our ancestors. The library connects us with the insights and knowledge, painfully extracted from Nature, of the greatest minds that ever were, with the best teachers, drawn from the entire planet and from all of our history, to instruct us without tiring, and to inspire us to make our own contribution to the collective knowledge of the human species. Public libraries depend on voluntary contributions. I think the health of our civilization, the depth of our awareness about the underpinnings of our culture and our concern for the future can all be tested by how well we support our libraries. p224-233
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Carl Sagan (Cosmos)
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He soon perceived, however, that the battles which Sir Miles and the
rest had waged against armed knights to win a kingdom, were not half so
arduous as this which he now undertook to win immortality against the
English language. Anyone moderately familiar with the rigours of composition
will not need to be told the story in detail; how he wrote and it seemed
good; read and it seemed vile; corrected and tore up; cut out; put in; was
in ecstasy; in despair; had his good nights and bad mornings; snatched at
ideas and lost them; saw his book plain before him and it vanished; acted
his people's parts as he ate; mouthed them as he walked; now cried; now
laughed; vacillated between this style and that; now preferred the heroic
and pompous; next the plain and simple; now the vales of Tempe; then the
fields of Kent or Cornwall; and could not decide whether he was the divinest
genius or the greatest fool in the world.
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Virginia Woolf
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As soon as Gaveston and Edward met they became great friends. Gaveston was witty, rude and enormously entertaining, with a Gascon accent and moreover a healthy disregard for all things old-fashioned, English and traditional. He delighted the prince, and more importantly gave him confidence, and in his company the prince grew to discover his own character. Suffice to say that Gaveston was Edward’s best friend, the love of his life, and, in many respects, his hero.
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Ian Mortimer (The Greatest Traitor: The Life of Sir Roger Mortimer, 1st Earl of March Ruler of England 1327-1330)
“
The commentaries on the Commedia also began stacking up at my bedside and on the bookshelf next to my chair in the den. There was Charles Williams’s The Face of Beatrice, Harriet Rubin’s Dante in Love, Yale scholar Giuseppe Mazzotta’s Reading Dante, and later the galleys for English Dantist Prue Shaw’s Reading Dante: From Here to Eternity. Most important of all, I began listening to the Great Courses audio lectures by Bill Cook and Ron Herzman, which made the poem come alive like nothing else.
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Rod Dreher (How Dante Can Save Your Life: The Life-Changing Wisdom of History's Greatest Poem)
“
In the eighteenth century, with the growth of publishing and with the intellectual climate of the Enlightenment, there was a great demand for new historical writing. The greatest product of this was The Decline and Fall of the Roman Empire, a massive six-volume work published between 1776 and 1788, precisely between the American Revolution and the French Revolution. The context is important, as the author Edward Gibbon was examining not only the greatness of Rome, but the forces which brought about its decay.
......
Gibbon's interpretation of history was controversial, especially in its examination of the growth of Christianity, but his accurate scholarship and engaging prose style have made The Decline and Fall the most enduring work of history in English.
In the eighteenth century, history is seen as a branch of belles-lettres, and it subsumes within it scriptural authority on the one hand, and fictional narrative on the other. History is, in effect, the new secular authority of the Enlightenment, and comes to be a very wide-ranging category of writing.
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Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
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Churchmen are too hard on us, shaving us too closely. If, simply because I’ve taken 500 knights and kept their arms, horses and all their equipment, the kingdom of heaven is closed in my face, then there is no way for me to enter in, for I am unable to return these things. I believe I can do no more as regards God but surrender myself up to him as a penitent for all the sins I have committed and all the wrongs I have done. They might well wish to push me, but they can push me no further; either their argument is false on this score or no man can find salvation.
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Thomas Asbridge (The Greatest Knight: The Remarkable Life of William Marshal, The Power Behind Five English Thrones)
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On his worst days, Ellwood hated England...They were a small-minded people, the English, and their greatest art form, writing, was small-minded also, it was provincial; it did not translate like music and painting, it was only for the English-speakers. That [his friends] should all have to die so that England could continue in its smug small-mindedness seemed worse than a tragedy, for it was not beautiful. No, it was only stupid, and Ellwood hated the muddy fields and the dreary sheep and the clumsy, prehistoric rock formations that they had all been asked to die for.
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Alice Winn (In Memoriam)
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Her father had taught her about hands. About a dog’s paws. Whenever her father was alone with a dog in a house he would lean over and smell the skin at the base of its paw. This, he would say, as if coming away from a brandy snifter, is the greatest smell in the world! A bouquet! Great rumours of travel! She would pretend disgust, but the dog’s paw was a wonder: the smell of it never suggested dirt. It’s a cathedral! her father had said, so-and-so’s garden, that field of grasses, a walk through cyclamen – a concentration of hints of all the paths the animal had taken during the day.
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Michael Ondaatje (The English Patient)
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was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his sexuality, religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest examples in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime, and in 1623 two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's. Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the nineteenth century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare with a reverence that George Bernard Shaw called "bardolatry". In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are consistently performed and reinterpreted in diverse cultural and political contexts throughout the world. Source: Wikipedia
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William Shakespeare (Romeo and Juliet)
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For every Egyptian of my generation, this will be the greatest political event of their lives, the drama they return to and repeat to their children and to their children's children to explain the world they are born into. I missed it entirely. Watched the revolution on television from the comfort of my home on the Upper West Side, a French bulldog on my lap. How convenient, then, when all is said and done, to arrive in the reckless aftermath, claiming, Me too, I am one of you. I'm too late returning and he knows it. As long as we are outside, on the streets in this city that he owns, he leverages his knowledge against me.
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Noor Naga (If an Egyptian Cannot Speak English)
“
The career of Puritanism has been curious. It held brief power in England in the seventeenth century, but so disgusted the mass of ordinary citizens that they have never again allowed it to control the Government. The Puritans, persecuted in England, colonised New England, and subsequently the Middle West. The American Civil War was a continuation of the English Civil War, the Southern States having been mainly colonised by opponents of the Puritans. But unlike the English Civil War, it led to a permanent victory of the Puritan Party. The result is that the greatest Power in the world is controlled by men who inherit the outlook of Cromwell’s Ironsides.
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Bertrand Russell (Sceptical Essays (Routledge Classics))
“
Everybody knows that England is the world of betting men, who are of a higher class than mere gamblers; to bet is in the English temperament. Not only the members of the Reform, but the general public, made heavy wagers for or against Phileas Fogg, who was set down in the betting books as if he were a race-horse. Bonds were issued, and made their appearance on ‘Change; “Phileas Fogg bonds” were offered at par or at a premium, and a great business was done in them. But five days after the article in the bulletin of the Geographical Society appeared, the demand began to subside: “Phileas Fogg” declined. They were offered by packages, at first of five, then of ten, until at last nobody would take less than twenty, fifty, a hundred!
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Jules Verne (Jules Verne: The Extraordinary Voyages Collection (The Greatest Writers of All Time Book 42))
“
Dryden was a highly prolific literary figure, a professional writer who was at the centre of all the greatest debates of his time: the end of the Commonwealth, the return of the monarch, the political and religious upheavals of the 1680s, and the specifically literary questions of neoclassicism opposed to more modern trends. He was Poet Laureate from 1668, but lost this position in 1688 on the overthrow of James II. Dryden had become Catholic in 1685, and his allegorical poem The Hind and the Panther (1687) discusses the complex issues of religion and politics in an attempt to reconcile bitterly opposed factions. This contains a well-known line which anticipates Wordsworth more than a century later: 'By education most have been misled … / And thus the child imposes on the man'. The poem shows an awareness of change as one grows older, and the impossibility of holding one view for a lifetime:
My thoughtless youth was winged with vain desires,
My manhood, long misled by wandering fires,
Followed false lights…
After 1688, Dryden returned to the theatre, which had given him many of his early successes in tragedy, tragi-comedy, and comedy, as well as with adaptations of Shakespeare.
......
Dryden was an innovator, leading the move from heroic couplets to blank verse in drama, and at the centre of the intellectual debates of the Augustan age. He experimented with verse forms throughout his writing life until Fables Ancient and Modern (1700), which brings together critical, translated, and original works, in a fitting conclusion to a varied career.
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Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
“
In short it is possible, with a kind of selective squinting, to endow the alternative claimants with the necessary time, talent, and motive for anonymity to write the plays of William Shakespeare. But what no one has ever produced is the tiniest particle of evidence to suggest that they actually did so. These people must have been incredibly gifted—to create, in their spare time, the greatest literature ever produced in English, in a voice patently not their own, in a manner so cunning that they fooled virtually everyone during their own lifetimes and for four hundred years afterward. The Earl of Oxford, better still, additionally anticipated his own death and left a stock of work sufficient to keep the supply of new plays flowing at the same rate until Shakespeare himself was ready to die a decade or so later. Now that is genius! If it was a conspiracy, it was a truly extraordinary one.
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Bill Bryson (Shakespeare: The World as Stage)
“
I HAS RITTEN A BOOK AND IT IS SO EXCITING NOBODY CAN PUT IT DOWN. AS SOON AS YOU HAS RED THE FIRST LINE YOU IS SO HOOKED ON IT YOU CANNOT STOP UNTIL THE LAST PAGE. IN ALL THE CITIES PEEPLE IS WALKING IN THE STREETS BUMPING INTO EACH OTHER BECAUSE THEIR FACES IS BURIED IN MY BOOK AND DENTISTS IS READING IT AND TRYING TO FILL TEETHS AT THE SAME TIME BUT NOBODY MINDS BECAUSE THEY IS ALL READING IT TOO IN THE DENTIST’S CHAIR. DRIVERS IS READING IT WHILE DRIVING AND CARS IS CRASHING ALL OVER THE COUNTRY. BRAIN SURGEONS IS READING IT WHILE THEY IS OPERATING ON BRAINS AND AIRLINE PILOTS IS READING IT AND GOING TO TIMBUCTOO INSTEAD OF LONDON. FOOTBALL PLAYERS IS READING IT ON THE FIELD BECAUSE THEY CAN’T PUT IT DOWN AND SO IS OLIMPICK RUNNERS WHILE THEY IS RUNNING. EVERYBODY HAS TO SEE WHAT IS GOING TO HAPPEN NEXT IN MY BOOK AND WHEN I WAKE UP I IS STILL TINGLING WITH EXCITEMENT AT BEING THE GREATEST RITER THE WORLD HAS EVER KNOWN UNTIL MY MUMMY COMES IN AND SAYS I WAS LOOKING AT YOUR ENGLISH EXERCISE BOOK LAST NITE AND REALLY YOUR SPELLING IS ATROSHUS SO IS YOUR PUNTULASHON.
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Roald Dahl (The BFG)
“
King Henry was carried back to Chinon on a litter and confined to bed, but he could find no peace. The Old King now became fixated by the desire to make a last account of his supporters. The keeper of the royal seal, Roger Malchael, was sent to Tours to demand the list of turncoats promised by Philip. When Roger returned he was hurriedly ushered into a private audience with Henry, but could hardly bring himself to reveal the bleak truth, saying: ‘My lord, so Jesus Christ help me, the first name written down on this list here is that of your son, count John.’ When King Henry heard that the person he most expected to do right, and who he most loved, was in the act of betraying him, he said nothing more except this: ‘You have said enough.’ This final act of treachery crushed the Old King’s spirits. He soon collapsed into a ‘burning hot’ feverish stupor, and ‘his blood so boiled within him that his complexion became clouded, dark, blue and livid’. Unmanned by agonising pain, he ‘lost his mental faculties, hearing and seeing nothing’, and though he spoke ‘nobody could understand a word of what he said’. On the night of 6 July 1189, with only a handful of servants in attendance, Henry’s will finally gave out. In the words of the History: ‘Death simply burst his heart with her own hands’, and a ‘stream of clotted blood burst forth from his nose and mouth’.
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Thomas Asbridge (The Greatest Knight: The Remarkable Life of William Marshal, The Power Behind Five English Thrones)
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Like Italian or Portuguese or Catalan, Spanish is a wordy language, bountiful and flamboyant, with a formidable emotional range. But for these same reasons, it is conceptually inexact. The work of our greatest prose writers, beginning with Cervantes, is like a splendid display of fireworks in which every idea marches past, preceded and surrounded by a sumptuous court of servants, suitors, and pages, whose function is purely decorative. In our prose, color, temperature, and music are as important as ideas and, in some cases-Lezama Lima or Valle Inclan, for example-more so. There is nothing objectionable about these typically Spanish rhetorical excesses. They express the profound nature of a people, a way of being in which the emotional and the concrete prevail over the intellectual and the abstract. This is why Valle Inclan, Alfonso Reyes, Alejo Carpentier, and Camilo Jose Cela, to cite four magnificent prose writers, are so verbose in their writing. This does not make their prose either less skillful or more superficial than that of Valery or T.S. Eliot. They are simply quite different, just as Latin Americans are different from the English and the French. To us, ideas are formulated and captured more effectively when fleshed out with emotion and sensation or in some way incorporated into concrete reality, into life-far more than they are in logical discourse. That perhaps is why we have such a rich literature and such a dearth of philosophers.
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Mario Vargas Llosa
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Over a bowl of noodles [the younger Cantonese man] waxed eloquent on the subject of mantras. 'Ordinary people, Ah Jon, use mantras as spells to win good fortune or ward off disease and other evils. Perhaps they are right to do so, for the mantras are often successful, but I do not ask you to believe that. What I beg you to believe is that they are of the greatest help in altering states of consciousness. They do this by making your mind stay still instead of chasing after thoughts.'
He went on to explain that, being devoid of meaning, they do not promote conceptual thought as prayers, invocations and so forth are apt to do; and that, as each mantra has a mysterious correspondence (he could not explain what kind of correspondence) with the various potentialities embedded deeply in our consciousness […] it could cause one to snap into a state otherwise hard to reach. I do not remember his actual words, but I do remember that he was the first to voice an idea which was later to be abundantly confirmed by my own experience. […] he went on to say that to use meaningful words in any kind of religious practice is useless, since words encourage dualistic thought which hinders the mind from entering upon a truly spiritual state. His last words […] were: 'People who pray with words are just beginners. Don't do it!' Several passengers who understood English glanced at him as though they thought him a bit mad and I myself was quite taken aback by his un-Chinese vehemence, but I know now that he was eminently sane.
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John Blofeld (Mantras: Sacred Words of Power)
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Only the History of William Marshal described this encounter in close terms, though the broad details of its account were confirmed in other contemporary sources. One thing seems certain. This was to be no fair fight. So intent had Richard been upon hunting down his father, that he had begun his chase wearing only a doublet and light helm. This added speed to his pursuit, but left him dreadfully exposed to attack. Worse still, the Lionheart was armed with only a sword. Marshal, by contrast, had a shield and lance. The biographer described how: [William] spurred straight on to meet the advancing [Duke] Richard. When the [duke] saw him coming he shouted at the top of his voice: ‘God’s legs, Marshal! Don’t kill me. That would be a wicked thing to do, since you find me here completely unarmed.’ In that instant, Marshal could have slain Richard, skewering his body with the same lethal force that dispatched Patrick of Salisbury in 1168. Had there been more than a split second to ponder the choice, William might perhaps have reacted differently. As it was, instinct took over. Marshal simply could not bring himself to kill an un-armoured opponent, let alone the heir-apparent to the Angevin realm, King Henry II’s eldest surviving son. Instead, he was said to have shouted in reply: ‘Indeed I won’t. Let the Devil kill you! I shall not be the one to do it’, and at the last moment, lowering his lance fractionally, he drove it into Richard’s mount. With that ‘the horse died instantly; it never took another step forward’ and, as it fell, the Lionheart was thrown to the ground and his pursuit of the king brought to an end.
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Thomas Asbridge (The Greatest Knight: The Remarkable Life of William Marshal, The Power Behind Five English Thrones)
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Today there is much talk about democratic ideals in the outside world. But not in Germany! For here in Germany we had more than enough time-fifteen years-to acquaint ourselves with these democratic ideals. And we ourselves had to pick up the legacy left behind by this democracy.
Now we are being credited with many a truly astounding war aim, especially by the English. After all, England is quite experienced in issuing proclamations of objectives in warfare as it has waged the greatest number of wars the world over.
Truly astounding are the war aims announced to us today. A new Europe will arise. This Europe will be characterized by justice. This justice will render armament obsolete. This will lead to disarmament at last. This disarmament in turn will bring about an economic blossoming. Change and trade will spring up-much trade-free trade. And with the sponsorship of this trade, culture shall once more blossom, and not only culture will benefit, but religion will also prosper.
In other words: we are heading towards a golden age! Well, we have heard of this golden age before. Many times precisely the same people attempted to illustrate its virtues to us who are now flooding us with descriptions of its benefits. The records are old ones, played once too often. We can only pity these gentlemen who cannot even come up with a new idea to trap a great people. For all this they had already promised us in 1918.
Then, too, England’s objectives in the war were the creation of this “new Europe,” the establishment of a “new justice,” of which the “right to selfdetermination of the peoples” was to form an integral part. Back then already they promised us justice to render obsolete-for all time-the bearing of any sort of weaponry.
Back then already they submitted to us a program for disarmament-one for global disarmament. To make this disarmament more evident, it was to be crowned by the establishment of an association of nations bearing no arms.
These were to settle their differences in the future-for even back then there was no doubt that differences would still arise-by talking them to death in discussion and debate, just as is the custom in democratic states. There would be no more shooting under any circumstances! In 1918, they declared a blessed and pious age to come! What came to pass in its stead we all lived to see: the old states were destroyed without even as much as asking their citizenry. Historic, ancient structures were severed, not only state bodies but grown economic structures as well, without anything better to take their place. In total disregard of the principle of the right to self-determination of the peoples, the European peoples were hacked to pieces, torn apart. Great states were dissolved.
Nations were robbed of their rights, first rendered utterly defenseless and then subjected to a division which left only victors and vanquished in this world.
And then there was no more talk of disarmament. To the contrary, armament went on. Nor did any efforts materialize to settle conflicts peacefully. The armed states waged wars just as before. Yet those who had been disarmed were no longer in a position to ward off the aggressions of those well armed.
Naturally, this did not herald economic prosperity but, to the contrary, produced a network of lunatic reparations payments which led to increasing destitution for not only the vanquished, but also the so-called victors themselves. The consequences of this economic destitution were felt most acutely by the German Volk.
International finance remained brutal and squeezed our Volk ruthlessly.
Adolf Hitler – speech in the Sportpalast Berlin, January 30, 1940
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Adolf Hitler
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People should consider, for example, the tireless unavoidable English utilitarians, how they wander around crudely and honourably in Bentham’s footsteps, moving this way and that (a Homeric metaphor says it more clearly), just as Bentham himself had already wandered in the footsteps of the honourable Helvetius (this Helvetius — no, he was no dangerous man!). No new idea, nothing of a more refined expression and bending of an old idea, not even a real history of an earlier thought: an impossible literature in its totality, unless we understand how to spice it up with some malice. For in these moralists as well (whom we really have to read with their ulterior motives in mind [mit Nebengedanken], if we have to read them—) that old English vice called cant and moral Tartufferie [hypocrisy], has inserted itself, this time hidden under a new form of scientific thinking.
Nor is there any lack of a secret resistance against the pangs of conscience, something a race of former Puritans will justifiably suffer from in all its scientific preoccupations with morality. (Isn’t a moralist the opposite of a Puritan, namely, a thinker who considers morality something questionable, worth raising questions about, in short, as a problem? Shouldn’t moralizing be — immoral?). In the end they all want English morality to be considered right, so that then mankind or “general needs” or “the happiness of the greatest number” —n o! England’s happiness — will be best served. They want to prove with all their might that striving for English happiness, I mean for comfort and fashion (and, as the highest priority, a seat in Parliament) is at the same time also the right path of virtue, in fact, that all virtue which has existed in the world so far has consisted of just such striving.
Not one of all those ponderous herd animals with uneasy consciences (who commit themselves to promoting the cause of egoism as an issue of general welfare—) wants to know or catch a whiff of the fact that the “general welfare” is no ideal, no goal, not even a concept one can somehow grasp, but is only an emetic — that what is right for one man cannot in any way therefore be right for another, that the demand for a single morality for everyone is a direct restriction on the higher men, in short, that there is a rank ordering between man and man, as a result, also between morality and morality. These utilitarian Englishmen are a modest and thoroughly mediocre kind of human being and, as mentioned, insofar as they are boring, we cannot think highly enough of their utility.
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Friedrich Nietzsche (Beyond Good and Evil [with Biographical Introduction])
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I glanced over and saw Wyatt glaring at me. Journey’s “Lovin’ Touchin’, Squeezin’” was playing on the radio.
“What?” I asked.
“You secretly hate me, don’t you.” He gestured toward the radio. “You can’t stand the thought of me taking a much needed nap and leaving you to drive without conversation. You’re torturing me with this sappy stuff.”
“It’s Journey. I love this song.”
Wyatt mumbled something under his breath, picked up the CD case, and started looking through it. He paused with a choked noise, his eyes growing huge.
“You’re joking, Sam. Justin Bieber? What are you, a twelve-year old girl?”
There’s gonna be one less lonely girl, I sang in my head. That was a great song. How could he not like that song? Still, I squirmed a bit in embarrassment.
“A twelve-year old girl gave me that CD,” I lied. “For my birthday.”
Wyatt snorted. “It’s a good thing you’re a terrible liar. Otherwise, I’d be horrified at the thought that a demon has been hanging out with a bunch of giggling pre-teens.”
He continued to thumb through the CDs. “Air Supply Greatest Hits? No, no, I’m wrong here. It’s an Air Supply cover band in Spanish.” He waved the offending CD in my face. “Sam, what on earth are you thinking? How did you even get this thing?”
“Some tenant left it behind,” I told him. “We evicted him, and there were all these CDs. Most were in Spanish, but I’ve got a Barry Manilow in there, too. That one’s in English.”
Wyatt looked at me a moment, and with the fastest movement I’ve ever seen, rolled down the window and tossed the case of CDs out onto the highway. It barely hit the road before a semi plowed over it.
I was pissed. “You asshole. I liked those CDs. I don’t come over to your house and trash your video games, or drive over your controllers. If you think that will make me listen to that
Dubstep crap for the next two hours, then you better fucking think again.”
“I’m sorry Sam, but it’s past time for a musical intervention here. You can’t keep listening to this stuff. It wasn’t even remotely good when it was popular, and it certainly hasn’t gained anything over time. You need to pull yourself together and try to expand your musical interests a bit. You’re on a downward spiral, and if you keep this up, you’ll find yourself friendless, living in a box in a back alley, stinking of your own excrement, and covered in track marks.”
I looked at him in surprise. I had no idea Air Supply led to lack of bowel control and hard core drug usage. I wondered if it was something subliminal, a kind of compulsion programmed into the lyrics. Was Russell Hitchcock a sorcerer? He didn’t look that menacing to me, but sorcerers were pretty sneaky. Even so, I was sure Justin Bieber was okay. As soon as we hit a rest stop, I was ordering a replacement from my iPhone.
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Debra Dunbar (Satan's Sword (Imp, #2))
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When the center of gravity of life is placed, not in life itself, but in "the beyond" in nothingness then one has taken away its center of gravity altogether. The vast lie of personal immortality destroys all reason, all natural instinct henceforth, everything in the instincts that is beneficial, that fosters life and that safeguards the future is a cause of suspicion. So to live that life no longer has any meaning: this is now the "meaning" of life. Why be public spirited? Why take any pride in descent and forefathers? Why labor together, trust one another, or concern one's self about the common welfare, and try to serve it? Merely so many "temptations," so many strayings from the "straight path." " One thing only is necessary". That every man, because he has an "immortal soul," is as good as every other man; that in an infinite universe of things the "salvation" of every individual may lay claim to eternal importance; that insignificant bigots and the three fourths insane may assume that the laws of nature are constantly suspended in their behalf it is impossible to lavish too much contempt upon such a magnification of every sort of selfishness to infinity, to insolence. And yet Christianity has to thank precisely this miserable flattery of personal vanity for its triumph it was thus that it lured all the botched, the dissatisfied, the fallen upon evil days, the whole refuse and off scouring of humanity to its side. The "salvation of the soul" in plain English: "the world revolves around me." The poisonous doctrine, " equal rights for all," has been propagated as a Christian principle: out of the secret nooks and crannies of bad instinct Christianity has waged a deadly war upon all feelings of reverence and distance between man and man, which is to say, upon the first prerequisite to every step upward, to every development of civilization out of the ressentiment of the masses it has forged its chief weapons against us , against everything noble, joyous and high spirited on earth, against our happiness on earth. To allow "immortality" to every Peter and Paul was the greatest, the most vicious outrage upon noble humanity ever perpetrated. And let us not underestimate the fatal influence that Christianity has had, even upon politics! Nowadays no one has courage any more for special rights, for the right of dominion, for feelings of honorable pride in himself and his equals for the pathos of distance. Our politics is sick with this lack of courage! The aristocratic attitude of mind has been undermined by the lie of the equality of souls; and if belief in the "privileges of the majority" makes and will continue to make revolutions it is Christianity, let us not doubt, and Christian valuations, which convert every revolution into a carnival of blood and crime! Christianity is a revolt of all creatures that creep on the ground against everything that is lofty: the gospel of the "lowly" lowers.
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Friedrich Nietzsche (The Anti-Christ)