Bifocal Book Quotes

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And there lay the essential differences between reading and rereading, acts that Henry and I were preforming simultaneously. The former had more velocity; the latter had more depth. The former shut out the world in order to focus on the story; the latter dragged in the world in order to assess the story. The former was more fun; the latter was more cynical. But what was remarkable about the latter was that it contained the former: even while, as with the upper half of a set of bifocals, I saw the book through the complicating lens of adulthood, I also saw it through the memory of the first time I’d read it, when it had seemed as swift and pure as the Winding Arrow, the river that divides Calormen from Archenland.
Anne Fadiman (Ex Libris: Confessions of a Common Reader)
as Emma, stood and gathered plates. "And thin as a rail, you are. Looks like I need to fatten you up." She cackled again. Dakota moved to help her clean the small kitchen, really just a small corner of the entire living space, but Emma waved her off. "No, you been sick. Just sit there and talk to us." "How sick was I?" "With that fever of yers, I's afraid you just might not make it." Hank hurried the words, then looked at her from the bottom of his bifocals, bearded chin in air. "Didn't your grandparents teach you not to roll around in muddy water when it's freezing outside?" Dakota shrunk a little lower. They knew
Cathy Bryant (Miller's Creek Forgiveness Collection)
But after every book I read, I always ask, where’s the sex, where’s the romance? I know, I know, not every book is about love, but Benjamin Franklin most definitely poked his dick around—that’s no secret—so it wouldn’t hurt to write in some good old-fashioned bifocal banging. Am I right?
Meghan Quinn (Two Wedding Crashers (Dating By Numbers, #2))
The Border: A Double Sonnet The border is a line that birds cannot see. The border is a beautiful piece of paper folded carelessly in half. The border is where flint first met steel, starting a century of fires. The border is a belt that is too tight, holding things up but making it hard to breathe. The border is a rusted hinge that does not bend. The border is the blood clot in the river’s vein. The border says Stop to the wind, but the wind speaks another language, and keeps going. The border is a brand, the “Double-X” of barbed wire scarred into the skin of so many. The border has always been a welcome stopping place but is now a Stop sign, always red. The border is a jump rope still there even after the game is finished. The border is a real crack in an imaginary dam. The border used to be an actual place but now it is the act of a thousand imaginations. The border, the word border, sounds like order, but in this place they do not rhyme. The border is a handshake that becomes a squeezing contest. The border smells like cars at noon and woodsmoke in the evening. The border is the place between the two pages in a book where the spine is bent too far. The border is two men in love with the same woman. The border is an equation in search of an equals sign. The border is the location of the factory where lightning and thunder are made. The border is “NoNo” the Clown, who can’t make anyone laugh. The border is a locked door that has been promoted. The border is a moat but without a castle on either side. The border has become Checkpoint Chale. The border is a place of plans constantly broken and repaired and broken. The border is mighty, but even the parting of the seas created a path, not a barrier. The border is a big, neat, clean, clear black line on a map that does not exist. The border is the line in new bifocals: below, small things get bigger; above, nothing changes. The border is a skunk with a white line down its back.
Alberto Alvaro Ríos (A Small Story about the Sky)