β
The books that the world calls immoral are books that show the world its own shame.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
You will always be fond of me. I represent to you all the sins you never had the courage to commit.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Experience is merely the name men gave to their mistakes.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
It's not gray," Clary felt compelled to point out. "It's green."
"If there was such a thing as terminal literalism, you'd have died in childhood," said Jace.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
To define is to limit.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Nowadays people know the price of everything and the value of nothing.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
I don't want to be at the mercy of my emotions. I want to use them, to enjoy them, and to dominate them.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
If no one in the entire world cared about you, did you really exist at all?
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
Behind every exquisite thing that existed, there was something tragic.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
The only way to get rid of temptation is to yield to it.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
I am too fond of reading books to care to write them.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
There is only one thing in the world worse than being talked about, and that is not being talked about.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Children begin by loving their parents; as they grow older they judge them; sometimes they forgive them.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Let me give you a piece of advice. The handsome young fellow who's trying to rescue you from a hideous fate is never wrong. Not even if he says the sky is purple and made of hedgehogs.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
When one is in love, one always begins by deceiving one's self, and one always ends by deceiving others. That is what the world calls a romance.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Never marry at all, Dorian. Men marry because they are tired, women, because they are curious: both are disappointed.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
What of Art?
-It is a malady.
--Love?
-An Illusion.
--Religion?
-The fashionable substitute for Belief.
--You are a sceptic.
-Never! Scepticism is the beginning of Faith.
--What are you?
-To define is to limit.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Some things are more precious because they don't last long.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
So you're a Shadowhunter,' Nate said. 'De Quincey told me that you lot were monsters.'
'Was that before or after he tried to eat you?' Will inquired.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
My yesterdays walk with me. They keep step, they are gray faces that peer over my shoulder.
β
β
William Golding
β
Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Humanity takes itself too seriously. It is the world's original sin. If the cave-man had known how to laugh, History would have been different.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Men may be stronger, but it is women who endure.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
All this time I've hated myself for it. I thought I'd given it up for nothing. But if I hadn't fallen, I wouldn't have met you.
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one's mistakes.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Nothing can cure the soul but the senses, just as nothing can cure the senses but the soul.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
I said, I prefer the ocean when it's gray. Or not really gray. A pale, in-between color. It reminds me of waiting for something good to happen.
β
β
Lauren Oliver (Delirium (Delirium, #1))
β
Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
And to the devil with it if she is!" said the Consul. "One girl, who is not Nephilim, is not, cannot, be our priority."
"She is my priority!" Will shouted.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Clary,β Jocelyn said. βI want you to meet Tessa Gray.
β
β
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
β
It's too late," she said.
"Don't say that." His voice was half a whisper. "I love you, Tessa. I love you.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
The world is changed because you are made of ivory and gold. The curves of your lips rewrite history.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Jem is nothing but goodness. That he struck you last night only shows how capable you are of driving even saints to madness.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
For a few minutes we kiss, deep in the chasm, with the roar of water all around us. And we rise, hand in hand, I realize that if we had both chosen differently, we might have ended up doing the same thing, in a safer place, in gray clothes instead of black ones.
β
β
Veronica Roth (Divergent (Divergent, #1))
β
There are so many worse things than death. Not to be loved or not to be able to love: that is worse.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Annabeth's face, her blond hair and gray eyes, the way she laughed, threw her arms around him, and gave him a kiss whenever he did something stupid.
She must have kissed me a lot, Percy thought.
β
β
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
β
There is no such thing as a moral or an immoral book.
Books are well written, or badly written. That is all.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Trains are great dirty smoky things," said Will. "You won't like it."
Tessa was unmoved. "I won't know if I like it until I try it, will I?"
"I've never swum naked in the Thames before, but I know I wouldn't like it."
"But think how entertaining for sightseers," said Tessa, and she saw Jem duck his head to hide the quick flash of his grin.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
Laughter is not at all a bad beginning for a friendship, and it is by far the best ending for one.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Tessa touched his wrist lightly with her hand. "Be brave," she said. "It's not a duck, is it?
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
I have grown to love secrecy. It seems to be the one thing that can make modern life mysterious or marvelous to us. The commonest thing is delightful if only one hides it.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
When her body first hit the net, all I registered was a gray blur. I pulled her across it and her hand was small, but warm, and then she stood before me, short and thin and plain and in all ways unremarkable- except that she had jumped first. The stiff had jumped first.
Even I didn't jump first.
Her eyes were so stern, so insistent.
Beautiful.
β
β
Veronica Roth (Allegiant (Divergent, #3))
β
Do not seek revenge and call it justice.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Whenever a man does a thoroughly stupid thing, it is always from the noblest motives.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
The basis of optimism is sheer terror.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
I am tired of myself tonight. I should like to be somebody else.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
You haven't broken his heart yet, have you?"
"No," Tessa said. Just torn my own in two. "I haven't broken his heart at all.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
You must have a cigarette. A cigarette is the perfect type of a perfect pleasure. It is exquisite, and it leaves one unsatisfied. What more can one want?
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Far better it is to dare mighty things, to win glorious triumphs, even though checkered by failure, than to take rank with those poor spirits who neither enjoy much nor suffer much, because they live in the gray twilight that knows neither victory nor defeat.
β
β
Theodore Roosevelt (Strenuous Life)
β
Of course you can have a true Shadowhunter name," Will said. "You can have mine."
Tessa stared at him, all black and white against the black-and-white snow and stone. "Your name?"
Will took a step toward her, till they stood face-to-face. Then he reached to take her hand and slid off her glove, which he put into his pocket. He held her bare hand in his, his fingers curved around hers. His hand was warm and callused, and his touch made her shiver. His eyes were steady and blue; they were everything that Will was: true and tender, sharp and witty, loving and kind. "Marry me," he said. "Marry me, Tess. Marry me and be called Tessa Herondale. Or be Tessa Gray, or be whatever you wish to call yourself, but marry me and stay with me and never leave me, for I cannot bear another day of my life to go by that does not have you in it.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
There is a luxury in self-reproach. When we blame ourselves, we feel that no one else has a right to blame us. It is the confession, not the priest, that gives us absolution.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
From his inside jacket pocket he produces a ring and gazes up at me, his eyes bright gray and raw, full of emotion. "Anastasia Steele, I love you. I want to love, cherish and protect you for the rest of my life. Be mine. Always. Share my life with me. Marry me".
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
A man can be happy with any woman as long as he does not love her.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
I knew nothing but shadows and I thought them to be real.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Black for hunting through the night
For death and mourning the color's white
Gold for a bride in her wedding gown
And red to call the enchantment down
White silk when our bodies burn
Blue banners when the lost return
Flame for the birth of a Nephilim
And to wash away our sins.
Gray for the knowledge best untold
Bone for those who don't grow old
Saffron lights the victory march
Green to mend our broken hearts
Silver for the demon towers
And bronze to summon wicked powers
-Shadowhunter children's rhyme
β
β
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
β
We live and breathe words. It was books that kept me from taking my own life after I thought I could never love anyone, never be loved again. It was books that made me feel that perhaps I was not completely alone. They could be honest with me, and I with them.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
If you do not help me," Tessa said to Jem, "I swear, I will change into you, and I will lift him myself. And then everyone here will see what you look like in a dress." She fixed him with a look. "Do you understand?
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
You have these lines you wonβt cross. But then you cross them. And suddenly you possess the very dangerous information that you can break the rule and the world wonβt instantly come to an end. Youβve taken a big, black, bold line and youβve made it a little bit gray. And now every time you cross it again, it just gets grayer and grayer until one day you look around and you think, There was a line here once, I think.
β
β
Taylor Jenkins Reid (Daisy Jones & The Six)
β
All art is quite useless.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Men marry because they are tired; women, because they are curious: both are disappointed.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Have you ever wondered what a human life is worth? That morning, my brother's was worth a pocket watch.
β
β
Ruta Sepetys (Between Shades of Gray)
β
I love acting. It is so much more real than life.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
You like every one; that is to say, you are indifferent to every one.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
One can always be kind to people about whom one cares nothing.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Sometimes there is such beauty in awkwardness.
β
β
Ruta Sepetys (Between Shades of Gray)
β
He walked out in the gray light and stood and he saw for a brief moment the absolute truth of the world. The cold relentless circling of the intestate earth. Darkness implacable. The blind dogs of the sun in their running. The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
β
β
Cormac McCarthy (The Road)
β
She is very clever, too clever for a woman. She lacks the indefinable charm of weakness.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
We women, as some one says, love with our ears, just as you men love with your eyes, if you ever love at all.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
I am not the one of us who has no heart.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
Most people are lucky to have even one great love in their life. You have found two.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Suddenly this defeat.
This rain.
The blues gone gray
And the browns gone gray
And yellow
A terrible amber.
In the cold streets
Your warm body.
In whatever room
Your warm body.
Among all the people
Your absence
The people who are always
Not you.
I have been easy with trees
Too long.
Too familiar with mountains.
Joy has been a habit.
Now
Suddenly
This rain.
β
β
Jack Gilbert
β
It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible....
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
She is all the great heroines of the world in one. She is more than an individual. I love her, and I must make her love me. I want to make Romeo jealous. I want the dead lovers of the world to hear our laughter, and grow sad. I want a breath of our passion to stir dust into consciousness, to wake their ashes into pain.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
The reason we all like to think so well of others is that we are all afraid for ourselves. The basis of optimism is sheer terror.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
I know exactly how that is. To love somebody who doesnβt deserve it. Because they are all you have. Because any attention is better than no attention. For exactly the same reason, it is sometimes satisfying to cut yourself and bleed. On those gray days where eight in the morning looks no different from noon and nothing has happened and nothing is going to happen and you are washing a glass in the sink and it breaks-accidentally-and punctures your skin. And then there is this shocking red, the brightest thing in the day, so vibrant it buzzes, this blood of yours. That is okay sometimes because at least you know youβre alive.
β
β
Augusten Burroughs (Running with Scissors)
β
She leaned forward and caught at his hand, pressing it between her own. The touch was like white fire through his veins. He could not feel her skin only the cloth of her gloves, and yet it did not matter. You kindled me, heap of ashes that I am, into fire. He had wondered once why love was always phrased in terms of burning. The conflagration in his own veins, now, gave the answer.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Jem told me what Ragnor Fell said about my father,β Will said. βThat for my father, there was only ever one woman he loved, and it was her for him, or nothing. You are that for me. I love you, and I will only ever love you until I die β
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Tessa craned her head back to look at Will. βYou know that feeling,β she said, βwhen you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside.β His blue eyes were dark with understanding β of course Will would understand β and she hurried on. βI feel now as if the same is happening, only not to characters on a page but to my own beloved friends and companions. I do not want to sit by while tragedy comes for us. I would turn it aside, only I struggle to discover how that might be done.β
βYou fear for Jem,β Will said.
βYes,β she said. βAnd I fear for you, too.β
βNo,β Will said, hoarsely. βDonβt waste that on me, Tess.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Tess, Tess, Tessa.
Was there ever a more beautiful sound than your name? To speak it aloud makes my heart ring like a bell. Strange to imagine that, isnβt it β a heart ringing β but when you touch me that is what it is like: as if my heart is ringing in my chest and the sound shivers down my veins and splinters my bones with joy.
Why have I written these words in this book? Because of you. You taught me to love this book where I had scorned it. When I read it for the second time, with an open mind and heart, I felt the most complete despair and envy of Sydney Carton. Yes, Sydney, for even if he had no hope that the woman he loved would love him, at least he could tell her of his love. At least he could do something to prove his passion, even if that thing was to die.
I would have chosen death for a chance to tell you the truth, Tessa, if I could have been assured that death would be my own. And that is why I envied Sydney, for he was free.
And now at last I am free, and I can finally tell you, without fear of danger to you, all that I feel in my heart.
You are not the last dream of my soul.
You are the first dream, the only dream I ever was unable to stop myself from dreaming. You are the first dream of my soul, and from that dream I hope will come all other dreams, a lifetimeβs worth.
With hope at least,
Will Herondale
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
Save yourselves!β Percy warned. βIt is too late for us!β
Then he gasped and pointed to the spot where Frank was hiding. βOh, no! Frank is turning into a crazy dolphin!β
Nothing happened.
βI said,β Percy repeated, βFrank is turning into a crazy dolphin!β
Frank stumbled out of nowhere, making a big show of grabbing his throat. βOh, no,β he said, like he was reading from a teleprompter. βI am turning into a crazy dolphin.β
He began to change, his nose elongating into a snout, his skin becoming sleek and gray. He fell to the deck as a dolphin, his tail thumping against the boards.
The pirate crew disbanded in terror.
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
Always! That is a dreadful word. It makes me shudder when I hear it. Women are so fond of using it. They spoil every romance by trying to make it last forever. It is a meaningless word, too. The only difference between a caprice and a life-long passion is that the caprice lasts a little longer.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
I am tired of people saying that poor character is the only reason people do wrong things. Actually, circumstances cause people to act a certain way. It's from those circumstances that a person's attitude is affected followed by weakening of character. Not the reverse. If we had no faults of our own, we should not take so much pleasure in noticing those in others and judging their lives as either black or white, good or bad. We all live our lives in shades of gray.
β
β
Shannon L. Alder
β
You speak of sacrifice, but it is not my sacrifice I offer. It is yours I ask of you," he went on. "I can offer you my life, but it is a short life; I can offer you my heart, though I have no idea how many more beats it shall sustain. But I love you enough to hope that you wil not care that I am being selfish in trying to make the rest of my life - whatever length - happy, by spending it with you. I want to be married to you, Tessa. I want it more than I have ever wanted anything else in my life." He looked up at her through the veil of silvery hair that fell over his eyes. "That is," he said shyly, "if you love me, too.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
They say you cannot love two people equally at once,β she said. βAnd perhaps for others that is so. But you and Willβyou are not like two ordinary people, two people who might have been jealous of each other, or who would have imagined my love for one of them diminished by my love of the other. You merged your souls when you were both children. I could not have loved Will so much if I had not loved you as well. And I could not love you as I do if I had not loved Will as I did.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
No. No!β he says.
βI . . .β He looks wildly around the room. For inspiration? For divine intervention? I donβt know.
βYou canβt go. Ana, I love you!β
βI love you, too, Christian, itβs justββ
βNo . . . no!β he says in desperation and puts both hands on his head. βChristian . . .β
βNo,β he breathes, his eyes wide with panic, and suddenly he drops to his knees in front of me, head bowed, long-fingered hands spread out on his thighs. He takes a deep breath and doesnβt move. What?
βChristian, what are you doing?β
He continues to stare down, not looking at me.
βChristian! What are you doing?β
My voice is high-pitched. He doesnβt move.
βChristian, look at me!β I command in panic. His head sweeps up without hesitation, and he regards me passively with his cool gray gazeβheβs almost serene . . . expectant.
Holy Fuck . . . Christian. The submissive.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
I thought perhaps that when you told me you did not love me that my own feelings would fall away and atrophy, but they have not. They have grown every day. I love you now more desperately, this moment, than I have ever loved you before, and in an hour I will love you more than that
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
You know that feeling,β she said, βwhen you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Anne, I don't want to live. . . . Now listen, life is lovely, but I Can't Live It. I can't even explain. I know how silly it sounds . . . but if you knew how it Felt. To be alive, yes, alive, but not be able to live it. Ay that's the rub. I am like a stone that lives . . . locked outside of all that's real. . . . Anne, do you know of such things, can you hear???? I wish, or think I wish, that I were dying of something for then I could be brave, but to be not dying, and yet . . . and yet to [be] behind a wall, watching everyone fit in where I can't, to talk behind a gray foggy wall, to live but to not reach or to reach wrong . . . to do it all wrong . . . believe me, (can you?) . . . what's wrong. I want to belong. I'm like a jew who ends up in the wrong country. I'm not a part. I'm not a member. I'm frozen.
β
β
Anne Sexton (Anne Sexton: A Self-Portrait in Letters)
β
She smiled at him. βHow did you know just what Iβd want to see?β
βHow could I not?β he said. βWhen I think of you, and you are not there, I see you in my mindβs eye always with a book in your hand.β He looked away from her as he said it, but not before she caught the slight flush on his cheekbones. He was so pale, he could never hide even the least blush, she thought β and was surprised how affectionate the thought was.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
Wo wei ni xie de,β he said, as he raised the violin to his left shoulder, tucking it under his chin. He had told her many violinists used a shoulder rest, but he did not: there was a slight mark on the side of his throat, like a permanent bruise, where the violin rested.
βYou β made something for me?β Tessa asked.
βI wrote something for you,β he corrected, with a smile, and began to play.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
I suspect he's sweet on Sophie and doesn't like to see her work too hard.'
Tessa was glad to hear it. She'd felt awful about her reaction to Sophie's scar, and the thought that Sophie had a male admirer - and a handsome one like that- eased her conscience slightly. 'Perhaps he's in love with Agatha', she said.
'I hope not. I intend to marry Agatha myself. She may be a thousand years old, but she makes an incomparable jam tart. Beauty fades, but cooking is eternal.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
Say something in Mandarin,β said Tessa, with a smile.
Jem said something that sounded like a lot of breathy vowels and
consonants run together, his voice rising and falling melodically: βNi
hen piao liang.β
βWhat did you say?β Tessa was curious.
βI said your hair is coming undone β here,β he said, and reached out
and tucked an escaping curl back behind her ear. Tessa felt the blood
spill hot up into her face, and was glad for the dimness of the
carriage. βYou have to be careful with it,β he said, taking his hand
back, slowly, his fingers lingering against her cheek.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
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It is also then that I wish I believed in some sort of life after life, that in another universe, maybe on a small red planet where we have not legs but tails, where we paddle through the atmosphere like seals, where the air itself is sustenance, composed of trillions of molecules of protein and sugar and all one has to do is open one's mouth and inhale in order to remain alive and healthy, maybe you two are there together, floating through the climate. Or maybe he is closer still: maybe he is that gray cat that has begun to sit outside our neighbor's house, purring when I reach out my hand to it; maybe he is that new puppy I see tugging at the end of my other neighbor's leash; maybe he is that toddler I saw running through the square a few months ago, shrieking with joy, his parents huffing after him; maybe he is that flower that suddenly bloomed on the rhododendron bush I thought had died long ago; maybe he is that cloud, that wave, that rain, that mist. It isn't only that he died, or how he died; it is what he died believing. And so I try to be kind to everything I see, and in everything I see, I see him.
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Hanya Yanagihara (A Little Life)
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She smiled. Her skin looked whiter than he recalled, and dark spidery veins were beginning to show beneath its surface. Her hair was still the color of spun silver and her eyes were still green as a catβs. She was still beautiful. Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alecβs, heard violin music like the sound of silver water. He saw a girl with long brown hair and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.
And then there was Camille.
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Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
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The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating. The worse their rhymes are, the more picturesque they look. The mere fact of having published a book of second-rate sonnets makes a man quite irresistible. He lives the poetry that he cannot write. The others write the poetry that they dare not realize.
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Oscar Wilde (The Picture of Dorian Gray)
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In that case" Tessa said, feeling hot blood rise to her face,"I think I would prefer it if you called me by my Christian name, as you do with Miss Lovelace.
Will look at her, slow and hard, then smiled. His blue eyes lit when he smiled. "Then you must do the same for me," he said. "Tessa."
She had never thought about her name much before, but when he said it, it was as if she were hearing if for the first time-the hard T, the caress of the double S, the way it seemed to end on a breath. Her own breath was very short when he said, softly, "Will."
"Yes?" Amusement glittered his eyes.
With a sort of horror Tessa realized that she had simply said his name for the sake of saying it; she hadn't actually had a question.
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Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
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Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else's music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one's nature perfectly -- that is what each of us is here for. People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to oneself. Of course they are charitable. They feed the hungry, and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion -- these are the two things that govern us.
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Oscar Wilde (The Picture of Dorian Gray and Other Stories)