Raised On Survival Not Love Quotes

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All women on earth-- and men, too for that matter-- hope for the kind of love that transforms us, raises us up out of the everyday, & gives us the courage to survive our little deaths: the heartache of unfulfilled dreams, of career and personal disappointments, of broken love affairs.
Lisa See (Peony in Love)
Sir?” Kitay asked. The magistrate turned to look at him. “What?” With a grunt, Kitay raised the crate over his head and flung it to the ground. It landed on the dirt with a hard thud, not the tremendous crash Rin had rather been hoping for. The wooden lid of the crate popped off. Out rolled several very nice porcelain teapots, glazed with a lovely flower pattern. Despite their tumble, they looked unbroken. Then Kitay took to them with a slab of wood. When he was done smashing them, he pushed his wiry curls out of his face and whirled on the sweating magistrate, who cringed in his seat as if afraid Kitay might start smashing at him, too. “We are at war,” Kitay said. “And you are being evacuated because for gods know what reason, you’ve been deemed important to this country’s survival. So do your job. Reassure your people. Help us maintain order. Do not pack your fucking teapots.
R.F. Kuang (The Poppy War (The Poppy War, #1))
I'm not... I'm not without a heart,' he heard Sophia say, her chin raised, eyes straight ahead. 'I'm not. I just don't have the luxury of being soft. I am trying to survive.
Alexandra Bracken (Wayfarer (Passenger, #2))
She raised her eyes to his. They had both come from misery, she thought, and survived it. They had been drawn together through violence and tragedy, and had overcome it. They walked different paths and had found a mutual route. Some things last, she thought. Some ordinary things. Like love.
J.D. Robb (Rapture in Death (In Death, #4))
At issue here is the question: "To whom do I belong? God or to the world?" Many of my daily preoccupations suggest that I belong more to the world than to God. A little criticism makes me angry, and a little rejection makes me depressed. A little praise raises my spirits, and a little success excites me. It takes very little to raise me up or thrust me down. Often I am like a small boat on the ocean, completely at the mercy of its waves. All the time and energy I spend in keeping some kind of balance and preventing myself from being tipped over and drowning shows that my life is mostly a struggle for survival: not a holy struggle, but an anxious struggle resulting from the mistaken idea that it is the world that defines me. As long as I keep running about asking: "Do you love me? Do you really love me?" I give all power to the voices of the world and put myself in bondage because the world is filled with "ifs." The world says: "Yes, I love you if you are good-looking, intelligent, and wealthy. I love you if you have a good education, a good job, and good connections. I love you if you produce much, sell much, and buy much." There are endless "ifs" hidden in the world's love. These "ifs" enslave me, since it is impossible to respond adequately to all of them. The world's love is and always will be conditional. As long as I keep looking for my true self in the world of conditional love, I will remain "hooked" to the world-trying, failing,and trying again. It is a world that fosters addictions because what it offers cannot satisfy the deepest craving of my heart.
Henri J.M. Nouwen
Every time you encounter something that forces you to “handle it,” your self-esteem is raised considerably. You learn to trust that you will survive, no matter what happens. And in this way your fears are diminished immeasurably.
Susan Jeffers (Feel the Fear and Do It Anyway®: Dynamic techniques for turning Fear, Indecision and Anger into Power, Action and Love)
Life is a hurricane, and we board up to save what we can and bow low to the earth to crouch in that small space above the dirt where the wind will not reach. We honor anniversaries of deaths by cleaning graves and sitting next to them before fires, sharing food with those who will not eat again. We raise children and tell them other things about who they can be and what they are worth: to us, everything. We love each other fiercely, while we live and after we die. We survive; we are savages.
Jesmyn Ward (Men We Reaped)
People raised on love see things differently than those raised on survival.
Joy Marino
Kestrel's eyes slipped shut. She faded in and out of sleep. When Arin spoke again, she wasn't sure whether he expected her to to hear him. 'I remember sitting with my mother in a carriage.' There was a long pause. Then Arin's voice came again in that slow, fluid way that showed the singer in him. 'In my memory, I am small and sleepy, and she is doing something strange. Every time the carriage turns into the sun, she raises her hand as if reaching for something. The light lines her fingers with fire. Then the carriage passes through shadows, and her hand falls. Again sunlight beams through the window, and again her hand lifts. It becomes and eclipse.' Kestrel listened, and it was as if the story itself was an eclipse, drawing its darkness over her. 'Just before I fell asleep,' he said, 'I realized that she was shading my eyes from the sun.' She heard Arin shift, felt him look at her. 'Kestrel.' She imagined how he would sit, lean forward. How he would look in the glow of the carriage lantern. 'Survival isn't wrong. You can sell your honor in small ways, so long as you guard yourself. You can pour a glass of wine like it's meant to be poured, and watch a man drink, and plot your revenge.' Perhaps his head tilted slightly at this. 'You probably plot even in your sleep.' There was a silence as long as a smile. 'Plot away, Kestrel. Survive. If I hadn't lived, no one would remember my mother, not like I do.' Kestrel could no longer deny sleep. It pulled her under. 'And I would never have met you.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Raising Black children — female and male — in the mouth of a racist, sexist, suicidal dragon is perilous and chancy. If they cannot love and resist at the same time, they will probably not survive.
Audre Lorde (Sister Outsider: Essays and Speeches)
I’M LOSING FAITH IN MY FAVORITE COUNTRY Throughout my life, the United States has been my favorite country, save and except for Canada, where I was born, raised, educated, and still live for six months each year. As a child growing up in Waterloo, Ontario, Canada, I aggressively bought and saved baseball cards of American and National League players, spent hours watching snowy images of American baseball and football games on black and white television and longed for the day when I could travel to that great country. Every Saturday afternoon, me and the boys would pay twelve cents to go the show and watch U.S. made movies, and particularly, the Superman serial. Then I got my chance. My father, who worked for B.F. Goodrich, took my brother and me to watch the Cleveland Indians play baseball in the Mistake on the Lake in Cleveland. At last I had made it to the big time. I thought it was an amazing stadium and it was certainly not a mistake. Amazingly, the Americans thought we were Americans. I loved the United States, and everything about the country: its people, its movies, its comic books, its sports, and a great deal more. The country was alive and growing. No, exploding. It was the golden age of life, liberty, and the pursuit of happiness. The American dream was alive and well, but demanded hard work, honesty, and frugality. Everyone understood that. Even the politicians. Then everything changed. Partly because of its proximity to the United States and a shared heritage, Canadians also aspired to what was commonly referred to as the American dream. I fall neatly into that category. For as long as I can remember I wanted a better life, but because I was born with a cardboard spoon in my mouth, and wasn’t a member of the golden gene club, I knew I would have to make it the old fashioned way: work hard and save. After university graduation I spent the first half of my career working for the two largest oil companies in the world: Exxon and Royal Dutch Shell. The second half was spent with one of the smallest oil companies in the world: my own. Then I sold my company and retired into obscurity. In my case obscurity was spending summers in our cottage on Lake Rosseau in Muskoka, Ontario, and winters in our home in Port St. Lucie, Florida. My wife, Ann, and I, (and our three sons when they can find the time), have been enjoying that “obscurity” for a long time. During that long time we have been fortunate to meet and befriend a large number of Americans, many from Tom Brokaw’s “Greatest Generation.” One was a military policeman in Tokyo in 1945. After a very successful business carer in the U.S. he’s retired and living the dream. Another American friend, also a member of the “Greatest Generation”, survived The Battle of the Bulge and lived to drink Hitler’s booze at Berchtesgaden in 1945. He too is happily retired and living the dream. Both of these individuals got to where they are by working hard, saving, and living within their means. Both also remember when their Federal Government did the same thing. One of my younger American friends recently sent me a You Tube video, featuring an impassioned speech by Marco Rubio, Republican senator from Florida. In the speech, Rubio blasts the spending habits of his Federal Government and deeply laments his country’s future. He is outraged that the U.S. Government spends three hundred billion dollars, each and every month. He is even more outraged that one hundred and twenty billion of that three hundred billion dollars is borrowed. In other words, Rubio states that for every dollar the U.S. Government spends, forty cents is borrowed. I don’t blame him for being upset. If I had run my business using that arithmetic, I would be in the soup kitchens. If individual American families had applied that arithmetic to their finances, none of them would be in a position to pay a thin dime of taxes.
Stephen Douglass
Vincent gestures toward Gaspard, who steps forward to face us. "We say good-bye to our longtime leader, Jean-Baptiste Alexandre Balthazar Grimod de la Reynière," Gaspard says in a wavering voice. "He died sacrificing his life for another on the battlefield in Borodino, September 7, 1812. Jean-Baptiste was dedicated to the preservation of his kindred, willing to do anything to ensure their survival." Gaspard's face twists with emotion when he says this, but he forces his shoulders back and raises his chin. He pulls something from his belt, and I recognize Jean-Baptiste's beloved sword-cane topped with its carved wooden falcon's head. Facing the fire, Gaspard says, "My dear Jean-Baptiste. My love. I will mourn your loss until we are reunited in the next life." And he throws the cane onto the fire.
Amy Plum (If I Should Die (Revenants, #3))
As the theologian Alan Jones has said: One of our problems is that very few of us have developed any distinctive personal life. Everything about us seems secondhand, even our emotions. In many cases we have to rely on secondhand information in order to function. I accept the word of a physician, a scientist, a farmer, on trust. I do not like to do this. I have to because they possess vital knowledge of living of which I am ignorant. Secondhand information concerning the state of my kidneys, the effects of cholesterol, and the raising of chickens, I can live with. But when it comes to questions of meaning, purpose, and death, secondhand information will not do. I cannot survive on a secondhand faith in a secondhand God. There has to be a personal word, a unique confrontation, if I am to come alive.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
Time and again the thought comes to my mind of the dark condition Love imparts to me; then the pity of it strikes me, and I ask: “Could ever anyone have felt the same?” For Love’s attack is so precipitous that life itself all but abandons me: nothing survives except one lonely spirit, allowed to live because it speaks of you. With hope of help to come I gather courage, and deathly languid, drained of all defenses, I come to you expecting to be healed; and if I raise my eyes to look at you, within my heart a tremor starts to spread, driving out life, stopping my pulses’ beat.
Dante Alighieri (Dante's Vita Nuova, New Edition: A Translation and an Essay)
He thinks men like me weak. He thinks me dumb, feeble, subhuman. I was not raised in palaces. I did not ride horses through meadows and eat meals of hummingbird tongues. I was forged in the bowels of this hard world. Sharpened by hate. Strengthened by love. He is wrong. None of them will survive.
Pierce Brown (Red Rising (Red Rising Saga, #1))
The Ashanti, he reminded me, are guided by, and survive through, the forces of kinship and ancestral linkage. "We take care of each other on earth," he said. "If a family member asks for help, I give it. When a family member needs money for school fees or hospital bills, I send it. And my whole extended family loves you as if you are their child. We take care of each other's children. We raise each other's children. My cousins are my brothers and sisters. My aunts are also my mothers. Your aunts are your mothers, especially Auntie Harriet because she is my eldest sister. You will never be alone in this world." "And do you really believe our ancestors are watching over us?" I asked. He smiled. "I believe in the power of remembrance," he said. "And I believe love does not die with the body.
Nadia Owusu (Aftershocks)
The Pygmies and the Bushmen, these oldest of all peoples, remind us that our capacities for mutuality, cooperation, and empathy are every bit as real and every bit as much a part of our humanity as our capacities for greed, competition, and exclusiveness. Raising their children with unlimited respect and treating each person as having infinite worth, they have survived longer than any other culture known to science.
John Robbins (Healthy at 100: The Scientifically Proven Secrets of the Worlds Healthiest & Longest-Lived Peoples)
1. Myth: Without God, life has no meaning. There are 1.2 billion Chinese who have no predominant religion, and 1 billion people in India who are predominantly Hindu. And 65% of Japan's 127 million people claim to be non-believers. It is laughable to suggest that none of these billions of people are leading meaningful lives. 2. Myth: Prayer works. Studies have now shown that inter-cessionary prayer has no effect whatsoever of the health or well-being of the subject. 3. Myth: Atheists are immoral. There are hundreds of millions of non-believers on the planet living normal, decent, moral lives. They love their children, care about others, obey laws, and try to keep from doing harm to others just like everyone else. In fact, in predominantly non-believing countries such as in northern Europe, measures of societal health such as life expectancy at birth, adult literacy, per capita income, education, homicide, suicide, gender equality, and political coercion are better than they are in believing societies. 4. Myth: Belief in God is compatible with science. In the past, every supernatural or paranormal explanation of phenomena that humans believed turned out to be mistaken; science has always found a physical explanation that revealed that the supernatural view was a myth. Modern organisms evolved from lower life forms, they weren't created 6,000 years ago in the finished state. Fever is not caused by demon possession. Bad weather is not the wrath of angry gods. Miracle claims have turned out to be mistakes, frauds, or deceptions. We have every reason to conclude that science will continue to undermine the superstitious worldview of religion. 5. Myth: We have immortal souls that survive death. We have mountains of evidence that makes it clear that our consciousness, our beliefs, our desires, our thoughts all depend upon the proper functioning of our brains our nervous systems to exist. So when the brain dies, all of these things that we identify with the soul also cease to exist. Despite the fact that billions of people have lived and died on this planet, we do not have a single credible case of someone's soul, or consciousness, or personality continuing to exist despite the demise of their bodies. 6. Myth: If there is no God, everything is permitted. Consider the billions of people in China, India, and Japan above. If this claim was true, none of them would be decent moral people. So Ghandi, the Buddha, and Confucius, to name only a few were not moral people on this view. 7. Myth: Believing in God is not a cause of evil. The examples of cases where it was someone's belief in God that was the justification for their evils on humankind are too numerous to mention. 8. Myth: God explains the origins of the universe. All of the questions that allegedly plague non-God attempts to explain our origins still apply to the faux explanation of God. The suggestion that God created everything does not make it any clearer to us where it all came from, how he created it, why he created it, where it is all going. In fact, it raises even more difficult mysteries: how did God, operating outside the confines of space, time, and natural law 'create' or 'build' a universe that has physical laws? We have no precedent and maybe no hope of answering or understanding such a possibility. What does it mean to say that some disembodied, spiritual being who knows everything and has all power, 'loves' us, or has thoughts, or goals, or plans? 9. Myth: There's no harm in believing in God. Religious views inform voting, how they raise their children, what they think is moral and immoral, what laws and legislation they pass, who they are friends and enemies with, what companies they invest in, where they donate to charities, who they approve and disapprove of, who they are willing to kill or tolerate, what crimes they are willing to commit, and which wars they are willing to fight.
Matthew S. McCormick
But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
When Gabriel was about Ivo's age," the duchess remarked almost dreamily, staring out at the plum-colored sky, "he found a pair of orphaned fox cubs in the woods, at a country manor we'd leased in Hampshire. Has he told you about that?" Pandora shook her head, her eyes wide. A reminiscent smile curved the duchess's full lips. "It was a pair of females, with big ears, and eyes like shiny black buttons. They made chirping sounds, like small birds. Their mother had been killed in a poacher's trap, so Gabriel wrapped the poor th-things in his coat and brought them home. They were too young to survive on their own. Naturally, he begged to be allowed to keep them. His father agreed to let him raise them under the gamekeeper's supervision, until they were old enough to return the f-forest. Gabriel spent weeks spoon-feeding them with a mixture of meat paste and milk. Later on, he taught them to stalk and catch prey in an outside pen." "How?" Pandora asked, fascinated. The older woman glanced at her with an unexpectedly mischievous grin. "He dragged dead mice through their pen on a string." "That's horrid," Pandora exclaimed, laughing. "It was," the duchess agreed with a chuckle. "Gabriel pretended not to mind, of course, but it was qu-quite disgusting. Still, the cubs had to learn." The duchess paused before continuing more thoughtfully. "I think for Gabriel, the most difficult part of raising them was having to keep his distance, no matter how he loved them. No p-petting or cuddling, or even giving them names. They couldn't lose their fear of humans, or they wouldn't survive. As the gamekeeper told him, he might as well murder them if he made them tame. It tortured Gabriel, he wanted to hold them so badly." "Poor boy." "Yes. But when Gabriel finally let them go, they scampered away and were able to live freely and hunt for themselves. It was a good lesson for him to learn." "What was the lesson?" Pandora asked soberly. "Not to love something he knew he would lose?" The duchess shook her head, her gaze warm and encouraging. "No, Pandora. He learned how to love them without changing them. To let them be what they were meant to be.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Recently, evolutionary psychologist have turned their sights on love and divorce. It didn´t take long to notice that when people fall in love, there´s period of up to three years during which the zeal and infatuation ride at a peak. The internal signals in the body and breain are literally a love drug. And then it beginds to decline. From this perspective, we are preprogramed to lose interest in a sexual partner after the time required to raise a child has passed – which is, on average, about 4 years. In psychologist Helen Fisher´s view, the internally generated love drug love drug is simply an efficient mechanism to get men and women to stick together long enough to increase the survival likehood of their young.
David Eagleman (Incognito: The Secret Lives of the Brain)
Many a time the thought returns to me: What sad conditions Love on me bestows! And moved by Pity I say frequently: 'Can there be anyone who my state knows?' For Love takes hold of me so suddenly My vital spirits I am near to lose. One only of them all survives in me, Staying to speak of you, as Love allows. To aid me then my forces I renew And pallid, all my courage drained long since, I come to you to remedy my plight; But if I raise my eyes to look at you So vast a tremor in my heart begins My beating pulses put my soul to flight.
Dante Alighieri (La Vita Nuova (Vita Nova - The New Life))
During my first few months of Facebooking, I discovered that my page had fostered a collective nostalgia for specific cultural icons. These started, unsurprisingly, within the realm of science fiction and fantasy. They commonly included a pointy-eared Vulcan from a certain groundbreaking 1960s television show. Just as often, though, I found myself sharing images of a diminutive, ancient, green and disarmingly wise Jedi Master who speaks in flip-side down English. Or, if feeling more sinister, I’d post pictures of his black-cloaked, dark-sided, heavy-breathing nemesis. As an aside, I initially received from Star Trek fans considerable “push-back,” or at least many raised Spock brows, when I began sharing images of Yoda and Darth Vader. To the purists, this bordered on sacrilege.. But as I like to remind fans, I was the only actor to work within both franchises, having also voiced the part of Lok Durd from the animated show Star Wars: The Clone Wars. It was the virality of these early posts, shared by thousands of fans without any prodding from me, that got me thinking. Why do we love Spock, Yoda and Darth Vader so much? And what is it about characters like these that causes fans to click “like” and “share” so readily? One thing was clear: Cultural icons help people define who they are today because they shaped who they were as children. We all “like” Yoda because we all loved The Empire Strikes Back, probably watched it many times, and can recite our favorite lines. Indeed, we all can quote Yoda, and we all have tried out our best impression of him. When someone posts a meme of Yoda, many immediately share it, not just because they think it is funny (though it usually is — it’s hard to go wrong with the Master), but because it says something about the sharer. It’s shorthand for saying, “This little guy made a huge impact on me, not sure what it is, but for certain a huge impact. Did it make one on you, too? I’m clicking ‘share’ to affirm something you may not know about me. I ‘like’ Yoda.” And isn’t that what sharing on Facebook is all about? It’s not simply that the sharer wants you to snortle or “LOL” as it were. That’s part of it, but not the core. At its core is a statement about one’s belief system, one that includes the wisdom of Yoda. Other eminently shareable icons included beloved Tolkien characters, particularly Gandalf (as played by the inimitable Sir Ian McKellan). Gandalf, like Yoda, is somehow always above reproach and unfailingly epic. Like Yoda, Gandalf has his darker counterpart. Gollum is a fan favorite because he is a fallen figure who could reform with the right guidance. It doesn’t hurt that his every meme is invariably read in his distinctive, blood-curdling rasp. Then there’s also Batman, who seems to have survived both Adam West and Christian Bale, but whose questionable relationship to the Boy Wonder left plenty of room for hilarious homoerotic undertones. But seriously, there is something about the brooding, misunderstood and “chaotic-good” nature of this superhero that touches all of our hearts.
George Takei
How well do you know the people who raised you? Look around your dining room table. Look around at your loved ones, especially the elders. The grandparents and the aunts and uncles who used to give you shiny new quarters and unvarnished advice. How much do you really know about their lives. Perhaps you've heard that they served in a war, or lived for a time in a log cabin, or arrived in this country speaking little or no English. Maybe they survived the Holocaust or the Dust Bowl. How were they shaped by the Depression or the Cold War, or the stutter-step march towards integration in their own community? What were they like before they married or took on mortgages and assumed all the worries that attend the feeding, clothing, and education of their children? If you don't already know the answers, the people who raised you will most likely remain a mystery, unless you take the bold step and say: Tell me more about yourself.
Michele Norris
Massage (A Very Special Type of Attention) Lavish your toddler with loving touch! Touch is a rich “food” for growth. Your toddler could easily live without milk, but he’d be scarred for life without loving touch. (I agree with the noted psychologist Virginia Satir, who said we all need four hugs a day for survival, eight to stay calm, and twelve to grow stronger.)
Harvey Karp (The Happiest Toddler on the Block: How to Eliminate Tantrums and Raise a Patient, Respectful and Cooperative One- to Four-Year-Old)
Imagine this: A world where the quality of your life is not determined by how much money you have. You do not have to sell your labour to survive. Labour is not tied to capitalism, profit or wage. Borders do not exist; we are free to move without consequence. The nuclear family does not exist; children are raised collectively; reproduction takes on new meanings. In this world, the way we carry out dull domestic labour is transformed and nobody is forced to rely on their partner economically to survive. The principles of transformative justice are used to rectify harm. Critical and comprehensive sex education exists for all from an early age. We are liberated from the gender binary’s strangling grip and the demands it places on our bodies. Sex work does not exist because work does not exist. Education and transport are free, from cradle to grave. We are forced to reckon with and rectify histories of imperialism, colonial exploitation, and warfare collectively. We have freedom to, not just freedom from. Specialist mental health services and community care are integral to our societies. There is no “state” as we know it; nobody dies in “suspicious circumstances” at its hands; no person has to navigate sexism, racism, ableism or homophobia to survive. Detention centres do not exist. Prisons do not exist, nor do the police. The military and their weapons are disbanded across nations. Resources are reorganised to adequately address climate catastrophe. No person is without a home or loving community. We love one another, without possession or exploitation or extraction. We all have enough to eat well due to redistribution of wealth and resource. We all have the means and the environment to make art, if we so wish. All cultural gatekeepers are destroyed. Now imagine this vision not as utopian, but as something well within our reach.
Lola Olufemi (Feminism, Interrupted: Disrupting Power)
Writing is not always a priority. . . .I only write those things that are necessary for me to write. I love to write, and when I’m not writing, I often feel as if I’m betraying my art, my gift, my calling, but that sensation is probably hubris or neurosis as much as anything else. The problem, and one of the joys of writing poetry, is that none of us can really count on entering the canon. The chances are that none of our work will survive long after we’re gone. That’s just the way it is. To feel otherwise is foolish. we write in competition with the dead for the attention of the unborn. We are writing poems that are trying to take the attention of people away from Sappho, Shakespeare, Whitman, and Baudelaire. Good luck to you! There’s a built-in failure to writing poetry that I find comforting. If you know you’re doomed to failure, then you can work freely. People who think their work is going to last, or that it matters, well . . . I always try to disabuse my students of their desire to write for fame. I ask them, “Who here has read Shakespeare?” Everyone raises his or her hand. We agree that his work is immortal, then I remind them: “he’s still dead. He’s as dead as he’d have been if you hadn’t read him; and you’ll be dead too someday, no matter how well you write.” To sacrifice your life for your art is an appalling notion. On the other hand, I have been called to be a poet, ad it’s an unimaginably rich gift. Like every artist, I know that in order to be a moral, effective human being, I have to give myself wholly to my art. The trick is finding a balance. If you can’t recognize that your art is no more, and no less, important than what you make for dinner, then you should find something else to do.
Tony Leuzzi (Passwords Primeval: 20 American Poets in their Own Words (American Readers Series))
Don't do this. Don't raise her from the dead. But I have to, Ty said. His voice sounded stretched, like a wire pulled taught. I can't live without Livy. Yes, you can, Kit whispered. You can. You think this will make your family stronger, but it will destroy them if you bring her back. You think you can't survive without Livvy, but you can. We will go through it together. Kit's face was cold; he realized he was crying. I love you Ty. I love you.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
No amount of black girl magic, no repeated proclamations of our worth can fully treat the wound – although acknowledging its persistence is a beginning. The ultimate remedy, as I see it is supernatural. I look daily toward heaven for restoration, for spiritual healing. My true identity isn’t rooted in our history, grievous and glorious as it is. It is grounded in my designation as a Child of God, the Daughter of the Great Physician. In His care I find my cure. My hope for you is the same one I carry for myself. I pray that amid the heartache of our ancestry you can grant yourself the grace so seldom extended to us. I pray that you can pass that compassion on to your children and to their children so that it slathers comfort on our sore spots. I pray that, as a people, we can give ourselves a soft place to land. I pray even as we rightly express our fury as being regarded as sub-human, that we don’t dwell in that space. That we don’t allow anger to poison our spirits. That we embrace love as our One True Antidote. I hope, too, that you recognize your specialness, the distinctiveness the Creator has imbued us with. I see you as clearly as history has, and in unison with it, I nod. I know that swivel in your hips, that fervor in your testimony, that ebullience in your stride, that flair in your song. The fact that others are constantly trying to diminish you, ever attempting to dismiss your talents even as they mimic you, is proof of your uniqueness! No one bothers to undermine you unless they recognize your brilliance. More than anything, I pray that you can carve out a purpose for yourself, a calling beyond your own survival, a sweet offering to the world. You gain a life by giving yours away. Not everyone is meant to raise a picket sign, and yet each of us can choose a path of impact. Rearing your children with affection and warmth is a form of activism. Honoring your word impeccably is a way to raise your voice. Performing your job with excellence, with your chin high and your standards higher is as powerful as any protest march. Sowing into the lives of young people is a worthy crusade. That is what it means to leave this world of ours more lit up than we found it. It’s also what it means to lead a magnificent life, even if an unlikely one.
Cicely Tyson (Just as I Am)
When I look at him, I don’t see the cowardly young man who sold me out to Jeanine Matthews, and I don’t hear the excuses he gave afterward. When I look at him, I see the boy who held my hand in the hospital when our mother broke her wrist and told me it would be all right. I see the brother who told me to make my own choices, the night before the Choosing Ceremony. I think of all the remarkable things he is--smart and enthusiastic and observant, quiet and earnest and kind. He is a part of me, always will be, and I am a part of him, too. I don’t belong to Abnegation, or Dauntless, or even the Divergent. I don’t belong to the Bureau or the experiment or the fringe. I belong to the people I love, and they belong to me--they, and the love and loyalty I give them, form my identity far more than any word or group ever could. I love my brother. I love him, and he is quaking with terror at the thought of death. I love him and all I can think, all I can hear in my mind, are the words I said to him a few days ago: I would never deliver you to your own execution. “Caleb,” I say. “Give me the backpack.” “What?” he says. I slip my hand under the back of my shirt and grab my gun. I point it at him. “Give me the backpack.” “Tris, no.” He shakes his head. “No, I won’t let you do that.” “Put down your weapon!” the guard screams at the end of the hallway. “Put down your weapon or we will fire!” “I might survive the death serum,” I say. “I’m good at fighting off serums. There’s a chance I’ll survive. There’s no chance you would survive. Give me the backpack or I’ll shoot you in the leg and take it from you.” Then I raise my voice so the guards can hear me. “He’s my hostage! Come any closer and I’ll kill him!” In that moment he reminds me of our father. His eyes are tired and sad. There’s a shadow of a beard on his chin. His hands shake as he pulls the backpack to the front of his body and offers it to me. I take it and swing it over my shoulder. I keep my gun pointed at him and shift so he’s blocking my view of the soldiers at the end of the hallway. “Caleb,” I say, “I love you.” His eyes gleam with tears as he says, “I love you, too, Beatrice.” “Get down on the floor!” I yell, for the benefit of the guards. Caleb sinks to his knees. “If I don’t survive,” I say, “tell Tobias I didn’t want to leave him.
Veronica Roth (Allegiant (Divergent, #3))
In Parenting from the Inside Out (Siegel and Hartzell 2004), Daniel Siegel writes about the need for parents to make sense of their own early life experiences and to create healthy and coherent personal narratives so they can provide effective modeling and attuned communication and raise children who will thrive. Parents who learn how to connect the dots of their own journey through life have a heightened chance of offering loving and skillful discipline to their children.
Wendy T. Behary (Disarming the Narcissist: Surviving and Thriving with the Self-Absorbed)
All right, now that the weirdness between us has caused actual physical damage, I think it’s time we talked it out, don’t you?” He gave a half smile and then turned back to the path. “We don’t need to be weird,” he said. “These past few days, since the thing with Elodie, I’ve been thinking.” He took a deep breath, and I knew that this was one of those rare occasions when Cal was about to say a lot of words at once. “I like you, Sophie. A lot. For a while, I thought it might be more than that. But you love Cross.” He said it matter-of-factly, but I still caught the way his ears reddened. “I know I’ve said some pretty awful stuff about him, but…I was wrong. He’s a good guy. So, I guess what I’m saying is that as the guy who’s betrothed to you, I wish we could be more than friends.” He stopped, turning around to face me. “But as your friend, I want you to be happy. And if Cross is who you want, then I’m not gonna stand in the way of that.” “I’m the worst fiancé ever, aren’t I?” Cal lifted one shoulder. “Nah. This one warlock I knew, his betrothed set him on fire.” Laughing so I wouldn’t cry, I tentatively lifted my arms to hug him. He folded me against his chest, and there was no awkwardness between us, and I knew the warmth in the pit of my stomach was love. Just a different kind. Sniffling, I pulled back and rubbed at my nose. “Okay, now that the hard part’s over, let’s go tackle the Underworld.” “Got room for two more?” Startled, I turned to see Jenna and Archer standing on the path, Jenna’s hand clutching Archer’s sleeve as she tried to stay on her feet. “What?” was all I could say. Archer took a few careful steps forward. “Hey, this has been a group effort so far. No reason to stop now.” “You guys can’t go into the Underworld with me,” I told them. “You heard Dad, I’m the only one with-“ “With powers strong enough. Yeah, we got that,” Jenna said. “But how are you supposed to carry a whole bunch of demonglass out of that place? It’ll burn you. And hey, maybe your powers will be strong enough to get all of us in, too.” She gestured to herself and the boys. “Plus it’s not like we don’t have powers of our own.” I knew I should tell them to go back. But having the three of them there made me feel a whole lot better and whole lot less terrified. So in the end, I gave an exaggerated sign and said, “Okay, fine. But just so you know, following me into hell means you’re all definitely the sidekicks.” “Darn, I was hoping to be the rakishly charming love interest,” Archer said, taking my hand. “Cal, any role you want?” I asked him, and he looked ruefully at the craggy rock looming over us. As he did, there was the grinding sound of stone against stone. We all stared at the opening that appeared. “I’m just hoping to be the Not Dead Guy,” Cal muttered. We faced the entrance. “Between the four of us, we fought ghouls, survived attacks by demons and L’Occhio di Dio, and practically raised the dead,” I said. “We can do this.” “See, inspiring speeches like that are why you get to be the leader,” Archer said, and he squeezed my hand. And then, moving almost as one, we stepped into the rock.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Thinking of her father, she realized how greatly she had leant on that man of deep kindness, how sure she had felt of his constant protection, how much she had taken that protection for granted. And so together with her constant grieving, with the ache for his presence that never left her, came the knowledge of what real loneliness felt like. She would marvel, remembering how often in his lifetime she had thought herself lonely, when by stretching out a finger she could touch him, when by speaking she could hear his voice, when by raising her eyes she could see him before her. And now also she knew the desolation of small things, the power to give infinite pain that lies hidden in the little inanimate objects that persist, in a book, in a well-worn garment, in a half-finished letter, in a favourite armchair. She thought: 'They go on—they mean nothing at all, and yet they go on,' and the handling of them was anguish, and yet she must always touch them. 'How queer, this old arm-chair has out-lived him, an old chair—' And feeling the creases in its leather, the dent in its back where her father's head had lain, she would hate the inanimate thing for surviving, or perhaps she would love it and find herself weeping.
Radclyffe Hall (The Well of Loneliness)
He is tangled in Isabelle's arms, he is curtained by Isabelle's hair, he is touching Isabelle's body, he is lost in Isabelle, in her smell and her taste and the silk of her skin. He is onstage, the music pounding, the floor shaking, the audience cheering, his heart beating beating beating in time with the drumbeat. He is laughing with Clary, dancing with Clary, eating with Clary, running through the streets of Brooklyn with Clary, they are children together, they are one half of a whole, they hold hands and squeeze tight and pledge never to let go. He is going cold, stiff, the life draining out of him, he is below, in the dark, clawing his way to the light, fingernails scraping dirt, mouth filled with dirt, eyes clogged with dirt, he is straining, reaching, dragging himself up toward the sky, and when he reaches it, he opens his mouth wide but does not breathe, for he no longer needs to breathe, only to feed. And he is so very hungry. He is sinking his teeth into the neck of an angel's child, he is drinking the light. He is bearing a Mark, and it burns. He is raising his face to meet the gaze of an angel, he is flayed by the fury of angel fire, and yet still, impudent and bloodless, he lives. He is in a cage. He is in hell. He is bent over the broken body of a beautiful girl, he is praying to whatever god that will listen, please let her live, anything to let her live. He is giving away that which is most precious to him, and he is doing so willingly, so that his friends will survive. He is, again, with Isabelle, always with Isabelle, the holy flame of their love encompassing them both, and there is pain, and there is exquisite joy, and his veins burn with angel fire and he is the Simon he once was and the Simon he now will be, he endures and he is reborn, he is blood and flesh and a spark of the divine. He is Nephilim.
Cassandra Clare (Angels Twice Descending (Tales from the Shadowhunter Academy, #10))
if they label you soft, feather weight and white-livered, if the locker room tosses back its sweaty head, and laughs at how quiet your hands stay, if they come to trample the dandelions roaring in your throat, you tell them that you were forged inside of a woman who had to survive fifteen different species of disaster to bring you here, and you didn’t come to piss on trees. you ain’t nobody’s thick-necked pitbull boy, don’t need to prove yourself worthy of this inheritance of street-corner logic, this blood legend, this index of catcalls, “three hundred ways to turn a woman into a three course meal”, this legacy of shame, and man, and pillage, and man, and rape, and man. you boy. you won’t be some girl’s slit wrists dazzling the bathtub, won’t be some girl’s, “i didn’t ask for it but he gave it to me anyway”, the torn skirt panting behind the bedroom door, some father’s excuse to polish his gun. if they say, “take what you want”, you tell them you already have everything you need; you come from scabbed knuckles and women who never stopped swinging, you come men who drank away their life savings, and men who raised daughters alone. you come from love you gotta put your back into, elbow-grease loving like slow-dancing on dirty linoleum, you come from that house of worship. boy, i dare you to hold something like that. love whatever feels most like your grandmother’s cooking. love whatever music looks best on your feet. whatever woman beckons your blood to the boiling point, you treat her like she is the god of your pulse, you treat her like you would want your father to treat me: i dare you to be that much man one day. that you would give up your seat on the train to the invisible women, juggling babies and groceries. that you would hold doors, and say thank-you, and understand that women know they are beautiful without you having to yell it at them from across the street. the day i hear you call a woman a “bitch” is the day i dig my own grave. see how you feel writing that eulogy. and if you are ever left with your love’s skin trembling under your nails, if there is ever a powder-blue heart left for dead on your doorstep, and too many places in this city that remind you of her tears, be gentle when you drape the remains of your lives in burial cloth. don’t think yourself mighty enough to turn her into a poem, or a song, or some other sweetness to soften the blow, boy, i dare you to break like that. you look too much like your mother not t
Eboni Hogan
For years mental health professionals taught people that they could be psychologically healthy without social support, that “unless you love yourself, no one else will love you.” Women were told that they didn’t need men, and vice versa. People without any relationships were believed to be as healthy as those who had many. These ideas contradict the fundamental biology of human species: we are social mammals and could never have survived without deeply interconnected and interdependent human contact. The truth is you cannot love yourself unless you have been loved and are loved. The capacity to love cannot be built in isolation.
Bruce D. Perry (The Boy Who Was Raised as a Dog: And Other Stories from a Child Psychiatrist's Notebook)
When I arrived in the stables, he startled me from behind the door. Without a word, he grabbed me up in his arms and carried me into the loft. There he had lit a dozen candles, and strewn rose petals and blankets over a bed of sweet-smelling hay.” “A dozen lit candles in a stable full of dry hay? You’re lucky you survived the experience, sweetheart. You could have been tinder.” Sophia raised her eyebrows and stiffened her posture. “Our love was an inferno. I thought I would go up in flames, so glorious was our pleasure that night.” He covered his eyes with a hand and laughed, loud and long. “What a vivid romantic imagination you have.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
One of our problems is that very few of us have developed any distinctive personal life. Everything about us seems secondhand, even our emotions. In many cases we have to rely on secondhand information in order to function. I accept the word of a physician, a scientist, a farmer, on trust. I do not like to do this. I have to because they possess vital knowledge of living of which I am ignorant. Secondhand information concerning the state of my kidneys, the effects of cholesterol, and the raising of chickens, I can live with. But when it comes to questions of meaning, purpose, and death, secondhand information will not do. I cannot survive on a secondhand faith in a secondhand God. There has to be a personal word, a unique confrontation, if I am to come alive.
M. Scott Peck (The Road Less Travelled: A New Psychology of Love, Traditional Values and Spiritual Growth (Classic Edition))
To my children three. Life is like a movie, it starts and it ends.If you are reading this probably i'm gone. but my presence is always with you. All wanted to say how much I loved you. and I wanted to share my life journey with all of you. When I Conceived each of you, I can feel the butterflies in my tummy and I already fail in love with you. When each of you were born, tears dropped of my eye, I know it that was a happy tears. When you said dada, I was excited and happy to hear you saying it over and over. I see you growing like a flower and flying like a bird in front of my eye, in front of the pales a colorful garden who always stay blooming. Slowly you gew wing and all you flew away from the nest. All i'm left with good memories an album full of beautiful of pictures.from you baby showers, 1st word, 1st birthdays,1st trip to Disney or Universal Studios, each of you got to meet your favored TV characters. Your smiley faces was telling me I was doing ok as a parent, although I been told I'm the worst mom. But I know you did not mean that, you meant to say I love you mom. and I love you to my children, It was a nice journey. If I have to go back on time to change the way I raised you, I won't change a thing, beside some of your friends, but you were old enough and free to make your own choices. You have to make your mistakes and i'm pretty sure you learned from them. But at the end I never worry about you, because I'm pretty sure I give 200% as a parent. I know I taught, I armed and I shield you with everything including knowledge you need to survive in world. Remember don't matter how old are you, you always will be my babies. and I always be your Angel ! "Toko - Lock " te ka nana sho. Love Mom & Grandma!
Zybejta (Beta) Metani' Marashi
I had better come clean now and say that I do not believe that art (all art) and beauty are ever separate, nor do I believe that either art or beauty are optional in a sane society." "That puts me on the side of what Harold Bloom calls 'the ecstasy of the privileged moment. Art, all art, as insight, as transformation, as joy. Unlike Harold Bloom, I really believe that human beings can be taught to love what they do not love already and that the privileged moment exists for all of us, if we let it. Letting art is the paradox of active surrender. I have to work for art if I want art to work on me." (...) We know that the universe is infinite, expanding and strangely complete, that it lacks nothing we need, but in spite of that knowledge, the tragic paradigm of human life is lack, loss, finality, a primitive doomsaying that has not been repealed by technology or medical science. The arts stand in the way of this doomsaying. Art objects. The nouns become an active force not a collector's item. Art objects. "The cave wall paintings at Lascaux, the Sistine Chapel ceiling, the huge truth of a Picasso, the quieter truth of Vanessa Bell, are part of the art that objects to the lie against life, against the spirit, that is pointless and mean. The message colored through time is not lack, but abundance. Not silence but many voices. Art, all art, is the communication cord that cannot be snapped by indifference or disaster. Against the daily death it does not die." "Naked I came into the world, but brush strokes cover me, language raises me, music rhythms me. Art is my rod and my staff, my resting place and shield, and not mine only, for art leaves nobody out. Even those from whom art has been stolen away by tyranny, by poverty, begin to make it again. If the arts did not exist, at every moment, someone would begin to create them, in song, out of dust and mud, and although the artifacts might be destroyed, the energy that creates them is not destroyed. If, in the comfortable West, we have chosen to treat such energies with scepticism and contempt, then so much the worse for us. "Art is not a little bit of evolution that late-twentieth-century city dwellers can safely do without. Strictly, art does not belong to our evolutionary pattern at all. It has no biological necessity. Time taken up with it was time lost to hunting, gathering, mating, exploring, building, surviving, thriving. Odd then, that when routine physical threats to ourselves and our kind are no longer a reality, we say we have no time for art. "If we say that art, all art is no longer relevant to our lives, then we might at least risk the question 'What has happened to our lives?
Jeanette Winterson (Art Objects: Essays on Ecstasy and Effrontery)
The page begins with the person’s picture. A photo if we can find it. If not, a sketch or painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The color of Finnick’s eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late primrose preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son. We learn to keep busy again. Peeta bakes. I hunt. Haymitch drinks until the liquor runs out, and then raises geese until the next train arrives. Fortunately, the geese can take pretty good care of themselves. We’re not alone. A few hundred others return because, whatever has happened, this is our home. With the mines closed, they plow the ashes into the earth and plant food. Machines from the Capitol break ground for a new factory where we will make medicines. Although no one seeds it, the Meadow turns green again. Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, “You love me. Real or not real?” I tell him, “Real.
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
Serious” film strikes me as absurd. It’s bowdlerized life. Filmic drama asks me to care about loves, losses, supposed triumphs—things that together amount to the chiseled dash connecting my birth to my death on my tombstone. To me, the modern horror film has more to do with first-world existence as it is lived today. In the modern horror film, we no longer come together to defeat an existential threat, gaining knowledge of and confidence in ourselves along the way. Altruism is not rewarded. Even the most self-sacrificing character will be killed off, often for laughs. One protagonist, if any, makes it out alive by becoming more brutal than the monster. He trades debasement for survival, which is short-lived—because of course the monster comes back, for the lucrative sequels. In horror, characters are stripped of everything they think they know and believe they are. Education and privilege mean nothing. Security is a delusion; today is the last day of the rest of your life. You, what makes you you, your blemishes and singular characteristics, will disappear in an instant. Stalking everything you do is death, and all that matters is how furiously you go out.
Kent Russell (I Am Sorry to Think I Have Raised a Timid Son)
That hidden economy, which still exists today, is one of love. There is self-interest, certainly, in all of these women's endeavors; for their trouble, they get shelter and food. But you don't do any of that - the mind-numbing care of small children, the endless repetition of cooking and laundry, the indignity of having a mind as fine as any man's and no opportunity to exercise it - without love. Either love for the owners of the dirty underwear and the sticky little hands, or love for people whose survival depends on the pittance you make for doing it. Almost three hundred years after Dam Smith was born, women still dominate the "caring professions" - teaching, nursing, social work - and are scarce in positions of financial or political power. Married women who work full-time still do substantially more cleaning, food preparation, and child-engagement tasks than their male partners. And when professional women's work becomes too time consuming, the care of children and the household isn't shared more equally with male partners, but outsourced to other women, frequently poor women of color. It is men who are raised to participate in a strict economy of self-interest. Most women could never afford that.
Kate Harding (Nasty Women: Feminism, Resistance, and Revolution in Trump's America)
What remained was sorrow, the immense sorrow, the sorrow of having survived. The sorrow of war. But for Hoa and countless other loved comrades, nameless ordinary soldiers, those who sacrificed for others and for their Vietnam, raising the name of Vietnam high and proud, creating a spiritual beauty in the horrors of conflict, the war would have been another brutal, sadistic exercise. Kien himself would have been dead long ago if it had not been for the sacrifice of others; he might even have killed himself to escape the psychological burden of killing others. He had not done that, choosing instead to live the life of an antlike soldier, carrying the burden of every underling. After 1975, all that had quieted. The wind of war had stopped. The branches of conflict had stopped rustling. As we had won, Kien thought, then that meant justice had won; that had been some consolation. Or had it? Think carefully; look at your own existence. Look carefully now at the peace we have, painful, bitter, and sad. And look at who won the war. To win, martyrs had sacrificed their lives in order that others might survive. Not a new phenomenon, true. But for those still living to know that the kindest, most worthy people have all fallen away, or even been tortured, humiliated before being killed, or buried and wiped away by the machinery of war, then this beautiful landscape of calm and peace is an appalling paradox. Justice may have won, but cruelty, death, and inhuman violence have also won. Just look and think: it is the truth. Losses can be made good, damage can be repaired, and wounds will heal in time. But the psychological scars of the war will remain forever.
Bảo Ninh (The Sorrow of War)
A woman paralyzed by her own selfishness and triviality, a woman who knew she should love her life more than she did but couldn’t seem to love her life beyond a few odd inconsequential incidents. It is, in fact, time to start dating again. But Dan has no idea what that means for a gay man well into his thirties who has neither money nor abs. - if you’re delivering a song, there are instances when the veil of the ordinary falls away and you are, fleetingly, a supernatural being, with music rampaging through you and soaring out into a crowd. You connect, you’re giving it, you’re the living sweat-slicked manifestation of music itself, the crowd feels it as piercingly as you do. Always, almost always, you “spot a girl. She doesn’t need to be pretty. She’s the love of somebody’s life (you hope she is), and for those few seconds she’s the love of yours, you’re singing to her and she’s singing back to you, by raising her arms over her head and swinging her hips, adoring you or, rather, adoring some being who is you and the song combined, able to touch her everywhere. It’s the briefest of love affairs. - Isabel is embarrassed about her sadness. She’s embarrassed about being embarrassed about her sadness, she who has love and money. She tries looking discreetly into her bag for a Kleenex, without anything that could be called frantic rummaging. She ponders the prospect that decadent unhappiness might, in its way, be worse than genuine, legitimate despair. Which is, as she knows, a decadent question to pose at all. - members of a biological aristocracy - Dan is taken by a tremor of scorn twisted up with painful affection, as if they were two names for the same emotion - but that’s my narcissism speaking ive been working on the idea that there are other people in the world - Beyond lust there’s a purity, you know? Does it ever get to be too late? If neither of you abuses the dog (should they finally get a dog?) or leaves the children in the car on a hot day. Does it ever become irreparable? If so, when? How do you, how does any“one, know when they cross over from working through this to it’s too late? Is there (she suspects there must be) an interlude during which you’re so bored or disappointed or ambushed by regret that it is, truly, too late? Or, more to the point, do we arrive at it’s too late over and over again, only to return to working through this before it’s too late arrives, yet again? Do you think we ever really survive our childhoods? Most mothers think their children are amazing and singular people. Most mothers are wrong about that. You’re beautiful in your own skin. You brought with you into the world some kind of human amazingness, and you can depend on it, always. Please try not to ever let anybody talk you out of that. She says, “You’re not in love with me.” “Trust me. I’ve had a lot of experience at not being in love with people. I’ve been not in love with pretty much everybody, all my life.” She wonders how many women think more kindly and, all right, more lustfully toward their husbands after they’ve left them. Maybe someone’s done a study. “If you’re determined to be insulted.
Michael Cunningham (Day)
only the dead keep secrets." "it is not easy. Taking a life, even when we knew it was required." "most people want only to be cared for. If I had no softness, I'd get nowhere at all." "a flaw of humanity. The compulsion to be unique, which is at war with the desire to belong to a single identifiable sameness." "someone always gains, just like someone always loses." "most women are less in love with the partners they choose than they are simply desperate for their approval, starving for their devotion. They want most often to be touched as no one else can touch them, and most of them inaccurately assume this requires romance. But the moment we realize we can feel fulfilled without carrying the burdens of belonging to another, that we can experience rapture without being someone's other half, and therefore beholden to their weaknesses, to their faults and failures and their many insufferable fractures, then we're free, aren't we? " " enough, for once, to feel, and nothing else. " " there was no stopping what one person could believe. " " I noticed that if I did certain things, said things in certain way, or held her eye contact while I did them, I could make her... Soften toward me. " " I think I've already decided what I'm going to do, and I just hope it's the right thing. But it isn't, or maybe it is. But I suppose it doesn't matter, because I've already started, and looking back won't help. " " luck is a matter of probabilities. " "you want to believe that your hesitation makes you good, make you feel better? It doesn't. Every single one of us is missing something. We are all too powerful, too extraordinary, and don't you see it's because we're riddled with vacancies? We are empty and trying to fill, lighting ourselves on fire just to prove that we are normal, that we are ordinary. That we, like anything, can burn. " " ask yourself where power comes from, if you can't see the source, don't trust it. " " an assassin acting on his own internal compass. Whether he lived or died as a result of his own choice? Unimportant. He didn't raise an army didn't fight for good, didn't interfere much with the queen's other evils. It was whether or not he could live with his own decision because life was the only thing that truly matters. " " the truest truth : mortal lifetimes were short, inconsequential. Convictions were death sentences. Money couldn't buy happiness, but nothing could buy happiness, so at least money could buy everything else. In term of finding satisfaction, all a person was capable of controlling was himself. " " humans were mostly sensible animals. They knew the dangers of erratic behavior. It was a chronic condition, survival. My intention is as same as others. Stand taller, think smarter, be better. " " she couldn't remember what version of her had put herself into that relationship, into that life, or somehow into this shape, which still looked and felt as it always had but wasn't anymore. " " conservative of energy meant that there must be dozens of people in the world who didn't exist because of she did. " " what replace feelings when there were none to be had? " " the absence of something was never as effective as the present of something. " "To be suspended in nothing, he said, was to lack all motivation, all desire. It was not numbness which was pleasurable in fits, but functional paralysis. Neither to want to live nor to die, but to never exist. Impossible to fight." "apology accepted. Forgiveness, however, declined." "there cannot be success without failure. No luck without unluck." "no life without death?" "Everything collapse, you will, too. You will, soon.
Olivie Blake (The Atlas Six (The Atlas #1))
(p.112-114) This past, the Negro's past, of rope, fire torture, castration, infanticide, rape; death and humiliation; fear by day and night, fear as deep as the marrow of the bone; doubt that he was worthy of life, since everyone around him denied it; sorrow for this women, for his kinfolk, for his children, who needed his protection, and whom he could not protect; rage, hatred, and murder, hatred for white men so deep that it often turned against him and his own, and made all love, all trust, all joy impossible - this past, this endless struggle to achieve and reveal and confirm a human identity, human authority, yet contains, for all its horror, something very beautiful. I do not mean to be sentimental about suffering - enough is certainly as good as a feast - but people who cannot suffer can never grow up, can never discover who they are. That man who is forced each day to snatch manhood, his identity, out of the fire of human cruelty that rages to destroy it knows, if he survives his effort, and even if he does not survive it, something about himself and human life that no school on earth - and indeed, no church - can teach. He achieves his own authority, and that is unshakable. This is because, in order to save his life, he is forced to look beneath appearances, to take nothing for granted, to hear the meaning behind the words. If one is continually surviving the worst that life can bring, one eventually ceases to be controlled by a fear of what life can bring; whatever it brings must be borne. And at this level of experience one's bitterness begins to be palatable, and hatred becomes too heavy a sack to carry. The apprehension of life here so briefly and inadequately sketched has been the experience of generations of Negroes, and it helps to explain how they have endured and how they have been able to produce children of kindergarten age who can walk through mobs to get to school. It demands great force and great cunning continually to assault the mighty and indifferent fortress of white supremacy, as Negroes in this country have done so long. It demands great spiritual resilience not to hate the hater whose foot is on your neck, and even greater miracle of perception and charity not to teach your child to hate. The Negro boys and girls who are facing mobs today come out of a long line of improbable aristocrats - the only genuine aristocrats this country has produced. I say "this country" because their frame of reference was totally American. They were hewing out of the mountain of white supremacy the stone of their individuality. I have great respect for that unsung army of black men and women who trudged down back lanes and entered back doors, saying "Yes, sir" and "No, Ma'am" in order to acquire a new roof for the schoolhouse, new books, a new chemistry lab, more beds for the dormitories, more dormitories. They did not like saying "Yes, sir" and "No Ma'am", but the country was in no hurry to educate Negroes, these black men and women knew that the job had to be done, and they put their pride in their pockets in order to do it. It is very hard to believe that they were in anyway inferior to the white men and women who opened those back doors. It is very hard to believe that those men and women, raising their children, eating their greens, crying their curses, weeping their tears, singing their songs, making their love, as the sun rose, as the sun set, were in any way inferior to the white men and women who crept over to share these splendors after the sun went down. ... I am proud of these people not because of their color but because of their intelligence and their spiritual force and their beauty. The country should be proud of them, too, but, alas, not many people in this country even know of their existence.
James Baldwin
I read this book in one sitting. A WOMAN RESURRECTED is the true, harrowing story of the author's abusive childhood -- from "slave of the house" -- often not permitted to attend school so she could help raise her siblings, to sexual, verbal, and physical abuse. Ms. Cervantes' journey is riveting, as she escapes her family home to marry the first young man who shows her attention. Quickly shunned by her immediate family and her husband, Cece pours all her love and attention into her young daughters, but they, too, will be ripped from her life. Abandoned and broke, the author takes a job with a man who, unbeknownst to her, is involved in Santeria. For years he holds her hostage and subjects her to torture. That the author survived to tell the story proves that through the darkest valleys, there remains One faithful who will always give us hope if we call on His name.
Cece Cervantes
I read this book in one sitting. A WOMAN RESURRECTED is the true, harrowing story of the author's abusive childhood -- from "slave of the house" -- often not permitted to attend school so she could help raise her siblings, to sexual, verbal, and physical abuse. Ms. Cervantes' journey is riveting, as she escapes her family home to marry the first young man who shows her attention. Quickly shunned by her immediate family and her husband, Cece pours all her love and attention into her young daughters, but they, too, will be ripped from her life. Abandoned and broke, the author takes a job with a man who, unbeknownst to her, is involved in Santeria. For years he holds her hostage and subjects her to torture. That the author survived to tell the story proves that through the darkest valleys, there remains One faithful who will always give us hope if we call on His name. Nancy Toback-Writer/Editor
Cece Cervantes
No accomplishment has taken place without trial, and no growth could have occurred without unwavering love. This is the story of how it took a community to raise a child . . . and how that child used her future to give hope back.
Regina Calcaterra (Etched in Sand: A True Story of Five Siblings Who Survived an Unspeakable Childhood on Long Island)
Cloud Nine Childhood part of my life Wasn't very pretty, see (Boom, boom-boom, boom) I was born and raised In the slums of the city (Boom, boom-boom, boom) It was a one-room shack That slept ten other children beside me (Boom, boom-boom, boom) We hardly had enough food Or room to sleep (Boom, boom-boom, boom) It was hard times I needed somethin' to ease my troubled mind Ooh listen My father didn't know the meaning of work (Boom, boom-boom, boom) He disrespected mama And treated us like dirt (Boom, boom-boom, boom) I left home seeking a job That I never did find (Boom, boom-boom, boom) Depressed and down-hearted And I took to cloud nine (Boom, boom-boom, boom) I'm doing fine Up here on cloud nine Listen, one more time I'm doing fine Up here on cloud nine Folks down there tell me They say "Give yourself a chance, son Don't let life pass you by" (Woo, woo, woo-oo) But the world, around you's a rat race Where only the strongest survive It's a dog-eat-dog world And that ain't no lie (Ain't no lie) Listen, it ain't even safe no more To walk the streets at night I'm doing fine On cloud nine Let me tell you 'bout cloud nine Cloud nine You can be what you want to be Cloud Nine You ain't got no responsibility Cloud nine And every man, every man is free Cloud nine And you're a million miles from reality Reality I wanna' stay up Higher Up, up, up and away Cloud nine I wanna' say I love the life I live And I'm gonna live the life I love Or be on cloud nine I, I, I, I, I, I'm ridin' high On cloud nine You're as free as a bird in flight Cloud nine There's no difference between day and night Cloud nine It's a world of love and harmony Cloud nine You're a million miles from reality Reality I wanna' stay up Higher Up, up, up and away Cloud nine You can be what you want to be Cloud nine You ain't got no responsibility Cloud nine Every man in his mind is free Cloud nine You're a million miles from reality Cloud nine You can be what you want to be
The Temptations
The Bible tells us, “the young woman was lovely and beautiful….” Not just lovely, not just beautiful, but lovely AND beautiful — that’s Esther. In the King James translation, she is described as “fair and beautiful”. The word “fair” comes from the word “to’ar”. This word, when literally translated, means lovely on the outside. Esther’s outward appearance was very pleasing.2 The word “beautiful” comes from the word “tobe”. This word, literally translated, goes far beyond external beauty. It means “good in the widest sense, used as a noun…. also as an adverb: beautiful, cheerful, at ease, fair, in favor, glad, good….. gracious, joyful, kindly…. loving, merry, most pleasant, precious, prosperity, ready, sweet, well.”3 These words give us a much more accurate view of Esther: she is more than beautiful! Please take note that Esther’s circumstance did not dictate her attitude. Esther’s life does not sound easy by any means. First, she is living in a city that has not been entirely friendly to Jewish people, even though the captivity is over. On top of that, she has lost her parents and any other family other than Mordecai. In spite of these hardships, she is described as lovely and beautiful — inside and out! Esther has not allowed herself to become bitter over circumstances that were out of her control. This is a wonderful example for us to follow: as we are faithful to God, He is faithful to us. Rather than allowing situations to make us disagreeable, we need to keep our focus on the Lord. Allow Him to move through everything that comes to you, both good and bad. In the end, you are a child of the true King! Though great times and hard times, God is working out a perfect plan for you! These inner strengths and qualities in Esther are about to become necessary for her very survival. If the hardships of life in Persia could not make Esther bitter, another test of her character is about to come: Ahasuerus’ servants are out collecting young women as potential candidates to be queen. At first, such an opportunity may seem exciting, but consider that these young women are being given no choice in the matter. Possibly afraid, definitely alone, each were taken from their homes and families by force. So it was, when the king’s command and decree were heard, and when many young women were gathered at Shushan the citadel, under the custody of Hegai, that Esther also was taken to the king’s palace, into the care of Hegai the custodian of the women. Esther 2:8 NJKV After the virgins in the kingdom are gathered, they are taken to Hegai “the custodian of the women”. Hegai is going to “weed out” any women whom he thinks will not be suitable for the king. He will look them over and if they are pretty enough to keep around, he orders their beauty preparations. What will Hegai think when he meets Esther? Now the young woman pleased him, and she obtained his favor; so he readily gave beauty preparations to her, besides her allowance. Then seven choice maidservants were provided for her from the king’s palace, and he moved her and her maidservants to the best place in the house of the women. Esther 2:9 Esther impressed Hegai from the first, and he immediately agreed to begin her beauty preparations as well as her diet (“her allowance”). Esther is going on to “round two” in this “pageant”! Initially this may sound glamorous, but this is truly a “fish out of water” situation for Esther. Remember the description of the palace in chapter 1? Esther has never seen anything like the excess in Ahasuerus’ palace and, considering her background, is probably very uncomfortable. She has been raised to have a simple faith in God, and this palace may feel to her like one huge tribute to a man: Ahasuerus (and knowing him, it probably is!). Add this to her already isolated and lonely feeling that must have
Jennifer Spivey (Esther: Reflections From An Unexpected Life)
We have fought wars with Wubei for thirty years and we've fought with honour. Even now, their spies search us for weakness of purpose, seeking any excuse to put the emperor’s sealed peace aside. It is they, I am convinced, that cause consternation in the camp, in the city, and amongst the refugees. It cannot be allowed. It will be rooted out and dealt with harshly. We will keep the treaty, we will have peace, and Yaart, your Yaart, will survive.” He calculated his point to be made and raised both arms slightly, palms up, a pleading gesture, “Division cannot weaken us, it cannot be allowed. We are all complicit in the events of Wen and Shen. All of us have rooted for one side or the other. We have all stood on the side-lines, willing there to be a fight. Even as their fists flew, ours were with them, feeling the impact and the joy of anger released. But we were weak. Now, we must have renewed strength and purpose. We are not each other’s enemy. We are our families, our loved ones, our children born and unborn, salvation.
G.R. Matthews (The Stone Road (The Forbidden List, #1))
The disposable girl should develop a drink problem or take drugs. She should become the victim of someone else, somewhere else. At best she becomes a campaigner against whatever she was a victim of. Nothing can happen to her that doesn't refer back to the attack. She has been branded. But that's not true because the world is full of us. One in five. We are as perennial as love. We go about our business, raising kids, running countries, starting wars and solving crimes. We don't tell our stories because, if we've survived, that can only mean that what happened wasn't so very bad after all. It never means that we are fucking amazing. I am fucking amazing. When I was nineteen I ran so fast I left a branding behind. And I have stories to tell that are more than titillating details or pleas for your pity. This is just one of them.
Denise Mina (Conviction (Anna and Fin, #1))
I am a boy mom, but I am raising two very different boys. So what does #lifewithboys mean in my house? Mud. Blood. ER visits and black eyes. “He threw a rock at me!” but also, “Let’s play a math game on the computer!” Holes in the knees of brand-new pants. Dirty cleats and stinky jock-straps. Marathon games of Monopoly, chess, and Sudoku. Reading Harry Potter five times. Yelling “No throwing baseballs in the house!” Science camp by day and soccer practice by night. Messy hair and dirty fingernails. Overdue library books. Tears. Fears. And love. We may have holes in the walls and holes in our pants, but I wouldn’t trade this life. It’s exhaustingly beautiful and never boring. Someday, my youngest child may have a boy just like him, and when he throws a baseball through the living room window, I’ll tell my son that it’s okay. He’s just a little boy.
Tiffany O'Connor (The Unofficial Guide to Surviving Life With Boys: Hilarious & Heartwarming Stories About Raising Boys From The Boymom Squad (Boy Mom Squad Book 1))
But that's not true because the world is full of us. One in five. We are as perennial as love. We go about our business, raising kids, running countries, starting wars and solving crimes. We don't tell our stories because, if we've survived, that can only mean that what happened wasn't so very bad after all. It never means that we are fucking amazing. I am fucking amazing. When I was nineteen I ran so fast I left a branding behind. And I have stories to tell that are more than titillating details or pleas for your pity. This is just one of them.
Denise Mina (Conviction (Anna and Fin, #1))
Power must be claimed. Wealth won. Rule, dominion, empire purchased with blood. You scarless children deserve nothing. You do not know pain. You do not know what your forefathers sacrificed to place you on these heights. But soon, you will. Soon, we will teach you why Gold rules mankind. And I promise, of those among you, only those fit for power will survive.” But I am no Gold. I am a Red. He thinks men like me weak. He thinks me dumb, feeble, subhuman. I was not raised in palaces. I did not ride horses through meadows and eat meals of hummingbird tongues. I was forged in the bowels of this hard world. Sharpened by hate. Strengthened by love. He is wrong. None of them will survive.
Pierce Brown (Red Rising (Red Rising Saga, #1))
My Dear Fellow Subjects, I have recently learned a Truth that I wish to share with you: A man can be powerful, wealthy, privileged, even arrogant, yet still bend himself down to the level of the lowliest child to act with kindness, compassion, and heroism. I have witnessed it. I have been wrong my friends. In the past, cynicism and old hurt threaded through my disparagements of great men. Some men of position and wealth do serve England for their own gain. But some do so because they wish to help others and to make the world a better place. Whether it is always apparent to observers, the fact that they serve from a place of both Honor and Love – love of their families, their lands, and England. The People of this great nation and its Rulers have much to teach other. Both sides should listen. In this same manner, a wife and her husband must coexist. In sharing and celebrating their partnership, they must trust each other; depend upon each other, support each other, and raise each other up – in equal measure. For where there is Love there must always be Respect. For Respect to flourish, however, Equality must first exist. I ask you: How can a man with a single slice of bread look upon a rich man’s feast day after day, yet not come to resent him for that bounty? And how can a feasting lord look upon a pauper’s crust and not feel contempt, even judge that pauper deficient in some manner? Is not a well-fed man a happier man and a better contributor to Society? Is not an equal sharing of resources a pathway toward equal respect? In much the same way, to withhold from wives the same rights and privileges in marriage as their husbands is to sow Anger, Resentment, Fear, and Weakness into the fertile soil of this most blessed union. Instead of allowing wives equal rights and privileged as their husbands is to empower women to love and serve with Strength, Vigor, and Honesty. Dear fellow subjects, I have witnessed the intimate bond between Love and Respect: I have seen it in my parents’ marriage and in the marriages of my dearest friends. Now I have also felt it in my heart. And I have learned that without the one, the other cannot survive. Entwined together, however, they can conquer the worst of life’s challenges. In learning this lesson, I have come to understand that I can no longer hide in anonymity. In doing so, I only contribute to mistrust between the People of this kingdom and its Rulers, who should instead be united, bonded, as spouses are bonded, in Love and Respect. In remaining anonymous, I am also a hypocrite. For how can I claim that women’s voices are worthy of being heard when I have hidden my own so effectively behind this crusade that even those who I love most dearly do not know me? Therefore, today I sign off sincerely, -- Emily Vale, “Lady Justice
Katharine Ashe (The Earl (Devil's Duke, #2; Falcon Club, #5))
Agnete had walked over to one of the taller works, the school of fish, and fingered a small piece of metal slightly darker than the others, its shape not quite symmetrical as the rest of the pieces swimming through the air in swirling, upward drifts. Upon closer scrutiny, Stephen saw she had changed the spacing of this one piece of metal in relation to the others, as well as the weight of it. When the wind blew, it did not move in the same pattern as the rest; instead, it twitched and wavered in a way that suggested it was swimming harder, against the tide, in an effort to catch up. "I'm that fish," she said. "I grew up in this house. It's the only place I've ever lived, and I love it here. But everyone in town knew that Therese, even though she raised me, wasn't my mother. Everyone knew that whoever my father was, he wasn't around. I survived adolescence by convincing myself I didn't care; I told myself being different didn't make me any less." She pulled her hair away from her face, and Stephen was struck by the resemblance to her father. He could feel Bayber's hand, an iron clamp squeezing his wrist. Her father, had he been around, would likely have scared away anyone brave enough to come within five feet of Agnete. "I made this piece because I've always had a feeling of being separated from everyone else, which I was fine with, but at the same time, a fear of being left behind. Does that make sense?" Her explanation resonated with him, though he'd have been hard-pressed to articulate it as clearly. He'd stared at the ground, scowling in concentration, unable to say more than "Yes, I understand what you mean. Maybe I'm that fish, as well." "Then there are two of us. We'll be our own school.
Tracy Guzeman (The Gravity of Birds)
And you’re cute when you get all flustered.” She narrowed her eyes at him and put one hand on her hip. “I have no idea how Louise allowed you to survive childhood.” “It’s because I’m younger and he was always bigger.” Louise came around the side of the truck. “We’re going to borrow your four-wheeler, if you don’t mind.” “Of course.” It wasn’t really hers. Not like she paid for it or anything. But Palmer always referred to it as hers, and so did Louise. And like just now, Louise asked before she hopped on it. “Hi, Tella,” Ames said when she saw Tella’s head poke around the pickup. Even though they were baling hay, Tella still wore the hockey jersey she loved. “Hi, Aunt Ames.” “Okay, Tella. Let’s run down to the house, so we can get back and work a little longer.” “Can I drive?” Louise looked back at Ames with raised brows. “Sure, if your mom says it’s okay.” Tella grinned. “It should be. She let me drive Uncle Palmer’s pickup out here.” “By yourself?” Tella nodded. “Wow. Make sure you wear your seatbelt just in case the wheels fall off.” “Hey.” Palmer put on a mock-hurt expression and wrapped an arm around Ames’s head like he was going to put her in a headlock. “That wasn’t nice. I don’t say mean things like that about your car.” The four-wheeler started, and the motor faded slowly into the distance. Palmer’s arm loosened and dropped to her shoulders. The weight of it there felt good and right. She straightened in his embrace. Maybe they’d never bale hay together again. She looked up into his clear, blue eyes. Eyes that held no guile. Just genuine honesty. And admiration. “You’re beautiful. With or without sunburned cheeks.” His arm tightened. What had simply been his arm around her shoulder became Palmer hugging her. Still maybe in line with friendship, but so close to more. She wanted more. But she wanted his friendship, too. Could she have both? Their kiss hadn’t made anything awkward. She tossed her head, moving closer until they were touching. “That
Jessie Gussman (Cowboys Don't Marry Their Best Friend (Sweet Water Ranch #1))
He raised his eyes and glanced at her faintly, with a calm voice: “Whether he deserves to die or not, it is still better for him to die at this moment. If he can live as an excellent king, it would be worthwhile; If he can live as Princess Zhu Yan’s beloved husband, it would be considered valuable. But now he is nothing; he can neither be the King of Huotu, nor your husband. Why should I waste my energy? Why should I bother to save him? If he survives, he would live a miserable life full of troubles.
沧月 (Zhuyan (With Prequel of Mirror) 朱颜(附镜子上卷镜前传))
My story with education is that I was mistaken. I used to say and believe for a long period that a single mother could take over the role of both the father and the mother when raising her children but the father. Today, I believe it does not matter which parent is taking over when raising the children. What matters is who is qualified for such a long-loving life commitment. Who can understand the needs of a young girl or an infant boy? Who is willing to continue to learn along the way about those needs of social, psychological, physiological, emotional, behavioral, survival, and materialistic thing? In other words, who is capable of understanding the children's language at each specific age group because they have their language which is different than ours and only those who speak it will succeed to raise them.
Isaac Nash (The Herok)
We've been surviving in order to reach this moment, this discovery, the Hilltop... This is our future. We can rebuild civilization now. We're one step closer to getting back to the way things were before. We can be at peace again. We can raise our children again. We can love our families again.
Robert Kirkman (The Walking Dead, Vol. 16: A Larger World)
All women on earth-and men too, for that matter-hope for the kind of love that transforms us, raises us up out of the everyday, and gives us the courage to survive our little deaths: the heartache of unfulfilled dreams, of career and personal disappointments, of broken love affairs.
Lisa See (Peony in Love)
You can disrupt a behavior you don’t want by removing the prompt. This isn’t always easy, but removing the prompt is your best first move to stop a behavior from happening. A few years ago I went to the South by Southwest conference in Austin, Texas. I walked into my hotel room and threw my bag on the bed. When I scanned the room, I saw something on the bureau. “Oh nooooo,” I said out loud to absolutely no one. There was an overflowing basket of goodies. Pringles. Blue chips. A giant lollipop. A granola bar. Peanuts. I try to eat healthy foods, but salty snacks are delicious. I knew the goody bin would be a problem for me at the end of every long day. It would serve as a prompt: Eat me! I knew that if the basket sat there I would eventually cave. The blue chips would be the first to go. Then I would eat those peanuts. So I asked myself what I had to do to stop this behavior from happening. Could I demotivate myself? No way, I love salty snacks. Can I make it harder to do? Maybe. I could ask the front desk to raise the price on the snacks or remove them from the room. But that might be slightly awkward. So what I did was remove the prompt. I put the beautiful basket of temptations on the lowest shelf in the TV cabinet and shut the door. I knew the basket was still in the room, but the treats were no longer screaming EAT ME at full volume. By the next morning, I had forgotten about those salty snacks. I’m happy to report that I survived three days in Austin without opening the cabinet again. Notice that my one-time action disrupted the behavior by removing the prompt. If that hadn’t worked, there were other dials I could have adjusted—but prompts are the low-hanging fruit of Behavior Design. Teaching the Behavior Model Now that you’ve seen how my Behavior Model applies to various types of behavior, I’ll show you more ways to use this model in the pages that follow.
B.J. Fogg (Tiny Habits: The Small Changes That Change Everything)
Sometimes, still, I think of grief that way—as a vast, icy mountain, seemingly impossible to survive, so frigid the cold permeates your very bones, the depths of your soul. Each step takes a monumental effort, making any real headway seem insurmountable. And yet, if you raise your eyes to the horizon, looking with your heart as well as your eyes, you can see a tiny wisp of smoke rising from a cozy cabin where you will finally, finally find warmth. Hope. And if you have another who will take your hand, drag you when necessary, and travel through that unforgiving landscape, you will emerge through the trees, changed, yes, but together. Stronger. And when you turn your head and look back at the stark, sweeping vista from which you somehow emerged, you will know, deep down to the very core of yourself, that nothing, nothing is impossible when love is greater, more vast, more solid and immovable than the mountain itself.
Mia Sheridan (Dane's Storm)
They could see the hills now; they were almost there—the long lift of the first pine ridge standing across half the horizon and beyond it a sense a feel of others, the mass of them seeming not so much to stand rush abruptly up out of the plateau as to hang suspended over it as his uncle had told him the Scottish highlands did except for this sharpness and color; that was two years ago, maybe three and his uncle had said, 'Which is why the people who chose by preference to live on them on little patches which wouldn't make eight bushels of corn or fifty pounds of lint cotton an acre even if they were not too steep for a mule to pull a plow across (but then they dont want to make the cotton anyway, only the corn and not too much of that because it really doesn't take a great deal of corn to run a still as big as one man and his sons want to fool with) are people named Gowrie and McCallum and Fraser and Ingrum that used to be Ingraham and Workitt that used to be Urquhart only the one that brought it to America and then Mississippi couldn’t spell it either, who love brawling and fear God and believe in Hell——' and it was as though his uncle had read his mind, holding the speedometer needle at fifty-five into the last mile of gravel (already the road was beginning to slant down toward the willow-and-cypress bottom of the Nine-Mile branch) speaking, that is volunteering to speak for the first time since they left town: 'Gowrie and Fraser and Workitt and Ingrum. And in the valleys along the rivers, the broad rich easy land where a man can raise something he can sell openly in daylight, the people named Littlejohn and Greenleaf and Armstead and Millingham and Bookwright——' and stopped, the car dropping on down the slope, increasing speed by its own weight; now he could see the bridge where Aleck Sander had waited for him in the dark and below which Highboy had smelled quicksand. 'We turn off just beyond it,' he said. 'I know,' his uncle said. '—And the ones named Sambo, they live in both, they elect both because they can stand either because they can stand anything.' The bridge was quite near now, the white railing of the entrance yawned rushing at them. 'Not all white people can endure slavery and apparently no man can stand freedom (Which incidentally—the premise that man really wants peace and freedom—is the trouble with our relations with Europe right now, whose people not only dont know what peace is but—except for Anglo Saxons—actively fear and distrust personal liberty; we are hoping without really any hope that our atom bomb will be enough to defend an idea as obsolete as Noah's Ark.); with one mutual instantaneous accord he forces his liberty into the hands of the first demagogue who rises into view: lacking that he himself destroys and obliterates it from his sight and ken and even remembrance with the frantic unanimity of a neighborhood stamping out a grass-fire. But the people named Sambo survived the one and who knows? they may even endure the other.
William Faulkner (Intruder in the Dust)
My mother's dearest wish was for me to have the sort of education usually reserved for a son." "Why is that?" She shrugged. "She disliked having been so sheltered at her convent school. The nuns wanted to mold young ladies who were virtuous, not learned, and when France went mad, she resented having been molded into a beautiful, helpless damsel, unprepared to fend for herself in any particular. "She convinced my father that that must never be allowed to happen to me. That I must be molded with great independence, and raised to be able to care for myself. She wanted to make sure that if the world ever went to hell in a handbasket again in my day, as in hers, that I would be able to survive.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
Lamb, Laura. Survived by son Ralph Lamb (Abigail) and no one else. No other soul in the world had tethered itself to hers by choice, and that should tell you something. She won’t really be missed by her strange, scabby neighbor, or the inanimate objects she carted to the casino and worshipped like little gods. She might have been missed by her daughter-in-law, who was ready to love her like a mother, who could have loved a rolled-up pair of socks if she had to, who did love a fucking couch, for Christ sake. But Laura didn’t want that. Despite her faults, Laura Lamb managed to raise the most genuinely good person in the entire world, and for that Abby will always love her, even though the woman was honestly a horrible fucking bitch.
Ainslie Hogarth (Motherthing)
Motherhood, despite my good intentions, often leaves me feeling like I’m making a huge mess. Yet, I’m supposed to be the one restoring order. My shortcomings bulldoze my confidence, and I don’t always like the person I am at the end of the day. Sometimes I wonder how my husband still loves the mess I see in the mirror. My family deserves someone who patiently gives them her all, not someone who steals the good candy out of their Halloween buckets after they go to bed then shamelessly goes back for seconds.
Tiffany O'Connor (The Unofficial Guide to Surviving Life With Boys: Hilarious & Heartwarming Stories About Raising Boys From The Boymom Squad (Boy Mom Squad Book 1))
The Son of a vacuum Among the tall trees he sat lost, broken, alone again, among a number of illegal immigrants, he raised his head to him without fear, as nothing in this world is worth attention. -He said: I am not a hero; I am nothing but a child looking for Eid. The Turkmen of Iraq, are the descendants of Turkish immigrants to Mesopotamia through successive eras of history. Before and after the establishment of the Ottoman Empire, countries crossed from here, and empires that were born and disappeared, and still, preserve their Turkish identity. Although, after the collapse of the Ottoman Empire and the division of the Arab world, they now live in one of its countries. Kirkuk, one of the heavens of God on earth, is one of the northern governorates of Iraq in which they live. The Kurdish race is shared with them, a race out of many in Iraq. Two children of two different ethnicities, playing in a village square in Kirkuk province when the news came from Baghdad, of a new military coup. Without delay, Saddam Hussein took over the reins of power, and faster than that, Iraq was plunged into successive wars that began in 1980 with its neighbor Iran, a war that lasted eight years. Iraq barely rested for two years, and in the third, a new war in Kuwait, which did not end in the best condition as the leader had hoped, as he was expelled from it after the establishment of an international coalition to liberate it, led by the United States of America. Iraq entered a new phase of suffering, a siege that lasted more than ten years, and ended up with the removal of Saddam Hussein from his power followed by the US occupation of it in 2003. As the father goes, he returns from this road, there is no way back but from it. As the date approaches, the son stands on the back of that hill waiting for him to return. From far away he waved a longing, with a bag of dreams in his hands, a bag of candy in his pocket, and a poem of longing by a Turkmen poet who absorb Arabic, whose words danced on his lips, in his heart. -When will you come back, dad? -On the Eid, wait for me on the hill, you will see me coming from the road, waving, carrying your gifts. The father bid his son farewell to the Arab Shiite city of Basra, on the border with Iran, after the outbreak of the Iran-Iraq war, as the homeland is calling its men, or perhaps the leader is calling his subjects. In Iraq, as in many countries of the Arab world, the homeland is the leader, and the leader is the homeland. Months passed, the child eagerly anticipating the coming of the feast, but the father hurried to return without an appointment, loaded on the shoulders, the passion reached its extent in the martyr’s chest, with a sheet of paper in his pocket on which he wrote: Every morning takes me nostalgic for you, to the jasmine flower, oh, melody in the heart, oh balm I sip every while, To you, I extend a hand and a fire that ignites in the soul a buried love, night shakes me with tears in my eyes, my longing for you has shaped me into dreams, stretching footsteps to the left and to the right, gleam, calling out for me, you scream, waking me up to the glimpse of the light of life in your face, a thousand sparkles, in your eyes, a meaning of survival, a smile, and a glace, Eid comes to you as a companion, without, life yet has no trace, for roses, necklaces of love, so that you amaze. -Where is Ruslan? On the morning of the feast day, at the door of his house, the kids asked his mother, -with tears in her eyes: He went to meet his father. A moment of silence fell over the children, -Raman, with a little gut: Aunt, do you mean he went to the cemetery? -Mother: He went to meet him at those hills.
Ahmad I. AlKhalel (Zero Moment: Do not be afraid, this is only a passing novel and will end (Son of Chaos Book 1))
The rains cooled the heat of their bodies, finally penetrated the wild desire and hot hunger that had shielded them from its onslaught. Very gently Jacques lowered her feet to the ground, retaining possession of her waist to help her trembling legs hold her up. Shea raised a hand to push back her rain-slick hair. He caught her fingers and raised her palm to his mouth. “You are the most beautiful sight I have ever seen.” She smiled, shook her head at him. “You’re crazy, you know that? This is one of the most magnificent lightning storms I’ve ever seen, and I didn’t even notice until now.” He grinned at her suggestively, rubbed the bridge of his nose. “Says something.” “Exactly,” she agreed. “You’re crazy, and I must be, too.” His hands cupped her bottom, drew her close against his hard frame, his face buried in the hollow of her shoulder as he savored the moment. He would never forget how he felt, how she looked, so wild and beautiful in the storm, and her complete acceptance of him with his shattered mind and leashed demons. “This will never go away, Shea, what we feel for one another. It never goes away. It gets stronger with each century. You never have to worry about losing this intensity.” He felt her smile against his bare skin, the small kiss she pressed into his chest. “I might not survive. I’m not sure I can stand up on my own.” “I can help you with that.” There was a teasing, insinuating note in his voice, and she felt him press her closer, felt him thicken and harden against her stomach. “You really are crazy. I hate to be a wet blanket, but it’s raining all over us.” She was laughing as she protested, her body moving subtly against his, unable to believe they could possibly do more than cling to one another after such a wild encounter. He turned her so that she was against the tree, his large frame shielding her from the driving rain. Jacques’ palms cupped her face, and he bent his head to hers, his mouth tender, loving, as he kissed her slightly swollen mouth. “I will never get enough of you, not if we live centuries.
Christine Feehan (Dark Desire (Dark, #2))
information that Volkov runs the primary supply routes for small arms and other supplies between Russia and the rebels in Donetsk.” “Can’t we just call in an air strike?” Max muttered. He was squatting next to Kate, peering through the darkness with a pair of night-vision binoculars and listening on a separate earpiece. Silver moonlight illuminated Max’s face and Kate found herself admiring his profile. He was even more handsome than when they first met several months ago outside Minsk. Back then, he was recovering from a two-foot piece of rebar that had impaled his side. Despite the constant strain of trying to keep his family alive, she noticed he was thriving under the pressure. A simmering fire burned behind the deep blackness of his eyes. He was bred for this sort of thing. Kate almost felt sorry for the consortium members, knowing Max wouldn’t rest until they were all dead and buried. Max’s eyes flashed when he looked over at her, reminding her of the strength he possessed. When he held her gaze, she saw a powerful conviction, the confidence he had gained after surviving in the face of overwhelming danger, a resolve emanating from the depths of his soul, an aura she couldn’t help but be attracted to. The moment lingered even as his eyes moved back to the binoculars and he went back into the dark recesses of his mind. She fought back the attraction, willing it to a place somewhere out of reach. She was bad at love. She had a habit of falling fast and hard before paying the price as things fell apart. As she got older, she found she didn’t want to bother with it anymore. It was too much work, too much of a distraction from what drove her. Besides, she couldn’t imagine there was room in his heart while he fought for his family’s survival. She touched his bicep. “If you’re from Belarus, and your given name was Mikhail, how did you end up with the nickname Max?” He kept his eyes glued to the field glasses. “It’s short for Maxim, a common name in Belarus. My mother started calling me Max when I was young. She said—” “Your surrogate mother?” “Right. The mother who raised me. She told me that she lost an argument with my father. She wanted to name me after Maxim Gorky, a Soviet Marxist writer and comrade of Lenin’s. My father wouldn’t hear of it. I think it was her
Jack Arbor (The Attack (Max Austin #3))
This state, this place, is like no other. It is beauty and horror; savior and destroyer. Here, where survival is a choice that must be made over and over, in the wildest place in America, on the edge of civilization, where water in all its forms can kill you, you learn who you are. Not who you dream of being, not who you imagined you were, not who you were raised to be. All of that will be torn away in the months of icy darkness, when frost on the windows blurs your view and the world gets very small and you stumble into the truth of your existence. You learn what you will do to survive. That lesson, that revelation, as my mother once told me about love, is Alaska’s great and terrible gift. Those who come for beauty alone, or for some imaginary life, or those who seek safety, will fail. In the vast expanse of this unpredictable wilderness, you will either become your best self and flourish, or you will run away, screaming, from the dark and the cold and the hardship. There is no middle ground, no safe place; not here, in the Great Alone. For
Kristin Hannah (The Great Alone)
Then you do your part. Observe him. Raise your standards. Demand what you need. Honor your commitment and hold him accountable if he’s not honoring his.” She wipes her hands against her apron. “But you aim to thrive. You always aim for more than survival, even if you fall, you don’t reach for the minimum. Do you hear me?
Nia Arthurs (Earn Me (Love Repair #1))
Why didn’t you leave? It would be years before Amy would be able to answer this question, even to herself. It wasn’t like Mark hit her on their first date. He worked up to it. He didn’t hit her until they were living together, had a child together, until their lives were inextricably entangled. Why didn’t you leave? He didn’t hit her until he’d worn her self-confidence down to dust. Long before he ever raised a hand to her, Mark told her that she was annoying, that her voice was grating, that she wasn’t as good-looking up close as she was from a distance. That she was stupid and incompetent, that bills and paperwork were beyond her capabilities, that she wouldn’t be able to handle life without him. Why didn’t you leave? He told her these things over and over again, and by the time the violence really took off, she had come to believe it all. That she was an annoying person with an annoying voice. That she was bad in bed and a bad girlfriend. That she was pretty from a distance, yes, which was why men whistled at her in the street, but up close and with her clothes off, she was a bit of a disappointment. It began to seem like a miracle that anyone wanted her at all. “But I love you no matter what, baby,” Mark would say. “To me, you’re the most beautiful woman in the world. You’ll always have me. Always.” Why didn’t you leave? He convinced her of the improbability of anyone else ever wanting her. He convinced her she wouldn’t be able to survive on her own. He convinced her that there was nothing else for her but this.
Rachel Ryan (Someone You Trust)
When you're raising someone to survive a war that the other side invests millions convincing people it doesn't exist you raise your army to be tough. You teach them not to make a big fuss. You teach them not to feel. If you waste your time feeling you're not going to be ready and in the ring for the next blow. You're going to be crying and feeling sorry for yourself in the corner and you're not doing to see them coming, because that's the lesson you never see them coming
Leanne Betasamosake Simpson (Islands of Decolonial Love: Stories & Songs)
When you're raising someone to survive a war that the other side invests millions convincing people it doesn't exist you raise your army to be tough. You teach them not to make a big fuss. You teach them not to feel. If you waste your time feeling you're not going to be ready and in the ring for the next blow. You're going to be crying and feeling sorry for yourself in the corner and you're not going to see them coming, because that's the lesson you never see them coming.
Leanne Betasamosake Simpson (Islands of Decolonial Love: Stories & Songs)
A repeating refrain I wrote for Bones & Ash, the theatrical adaptation of this novel, is the spine upon which the story rests: “We take blood, not life, and leave something in exchange.” In order to answer any of the questions the book raises we must take blood—metaphorically speaking. That is, we must learn how to break through the surface, find the deep dangerous place where blood flows without hurting one other, and share all that we know and love in order to survive.
Jewelle L. Gómez (The Gilda Stories)
One student interviewed said, “Back in my sophomore year, I snuck my phone in as a biscuit sandwich in the morning. I covered it in [a] brown napkin and put it in between the biscuit buns. I would simply come to school and put my lovely cup of orange juice and tasty ‘Bisquick biscuit’ sandwich on top of the metal detector and walk right through.
Frances E. Jensen (The Teenage Brain: A Neuroscientist's Survival Guide to Raising Adolescents and Young Adults)
Ethan slumped on the bench in the change room, ignoring the ribald behavior around him after yet another foregone win. A hard slap on the rear of his head roused him and he whirled, his lip curled back as he growled menacingly. “Don’t you dare show me your teeth,” Javier warned with a dark look. He ran his hand through hair, already tousled and sweaty from the match. “What the fuck happened out there? I passed you the perfect shot, and instead of grabbing it and scoring, you crashed into the g**damn arena glass. What are you, a rookie? Been watching too many Bugs Bunny cartoons?” Heat burned Ethan’s cheeks in remembrance of his mishap before dejection— along with a large dose of disbelief— quickly set back in. “I missed. It happens and besides, it’s not like we needed the point to win.” “Of course we didn’t,” Javier replied with a scoffing snort. “But it’s the point of it. What the hell distracted you so much? And, why do you look like your best friend died, which, I might add, is an impossibility given I’m standing right beside you.” Javier grinned. “I think I found my mate,” Ethan muttered. A true beauty with light skin, a perfect oval face framed by long, brown hair and the most perfect set of rosebud lips. Javier’s face expressed shock, then glee. “Congrats, dude.” Javier slapped him hard on the back, and while the blow might have killed a human or a smaller species, it didn’t even budge Ethan. “I know you’ve been pining to settle down with someone of the fairer sex. You must be ecstatic.” “Not really.” Although he should have been. Finding one’s mate was a one in a zillion chance given how shifters were scattered across the globe. Most never even came close to finding the one fate deemed their perfect match. His friend’s jovial grin subsided. “What’s wrong? Was she, like, butt ugly? Humongous? Old? Surely she can’t be that bad?” “No, she appears perfect. Or did.” Ethan groaned as banged his head off the locker door. “I am so screwed.” A frown creased Javier’s face. “I don’t get it. I thought you wanted to find the one, you sick bastard. Settle down and pop out cubs.” Ethan looked up in time to see Javier’s mock shudder. “Me, I prefer to share my love among as many women as possible.” Javier mimed slapping an ass then humping it with a leering grin. Ethan didn’t smile at Javier’s attempt at humor even if it happened to be the truth. Javier certainly enjoyed variety where the other sex was concerned. Heck, on many an occasion he’d shared with Ethan. Tag team sessions where they both scored. Best friends who did just about everything together. Blowing out a long sigh, Ethan answered him. “I do want to find my mate, actually, I’m pretty sure I already have, but I don’t think I made a great impression. She’s the one they took out on the stretcher after the ball I missed hit her in the face.” Javier winced. “Ouch. Sucks to be you, my friend. Don’t worry, though. I’m sure she’ll forgive you in, like, fifty years.” Ethan groaned and dropped his head back into his hands. Now that I’ve found her, how do I discover who she is so I can beg her forgiveness? And even worse, how the hell do I act the part of suitor? Raised in the Alaskan wilds by a father who wasn’t all there after the death of Ethan’s mother, his education in social niceties was sadly lacking. He tended to speak with his fists more often than not. Lucky for him, when it came to women, he didn’t usually have to do a thing. Females tended to approach him for sex so they could brag afterward that they’d ridden the Kodiak and survived. Not that Ethan would ever hurt a female, even if his idea of flirty conversation usually consisted of “Suck me harder” and “Bend over.” If I add “darling” on the end, will she count it as sweet talk?
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
however, the situation is reversed: a child can only achieve true happiness when she has successfully secured the happiness of her parents. And this has always been my ma’s position as a parent. It was also her position when she was a child. Ma’s parents weren’t particularly responsible or loving. They compromised her repeatedly. They were neglectful and unsupportive. And worse still, they showed no remorse. By Western standards, it would have been well within Ma’s rights to turn her back on her parents. To forsake them and not forgive. To abandon them without regret. But while Ma survived her ordeal and became stronger for it, finding her squawking chicken voice because of it, she continued to observe the principles of Filial Piety. She never spoke ill of her parents outside the home. She continued to play the part of dutiful first daughter. She continued to look after her five brothers and sisters without complaint. She handed over a majority of her earnings to her parents without resentment. When she married my father, she kneeled humbly before the village, in the presence of her ancestors, to thank her parents for raising her. And she kept bailing them out of trouble, over and over and over again, often at her own expense.
Elaine Lui (Listen to the Squawking Chicken: When Mother Knows Best, What's a Daughter To Do? A Memoir (Sort Of))
Thus, while it may be fairly easy to like yourself when feelings of love or happiness or serenity are present, deeper psychological health is seen only when you can maintain a posture of self-love and self-respect in the times of emotional hurt that accompany life’s inevitable contingencies of loss, loneliness, confusion, uncontrollable unfairness, and accidental mistake. The human feeling experience, much like the weather, is often unpredictably changeable. No “positive” feeling can be induced to persist as a permanent experience, no matter what Cognitive-Behavioral Therapy tells us. As disappointing as this may be, as much as we might like to deny it, as much as it causes each of us ongoing life frustration, and as much as we were raised and continue to be reinforced for trying to control and pick our feelings, they are still by definition of the human condition, largely outside the province of our wills.
Pete Walker (Complex PTSD: From Surviving to Thriving)
A few years ago, I led an expedition to return to Mount Everest, the mountain I had climbed aged 23, a mountain where I had risked everything and survived - just. I had always held a secret dream to return and attempt to fly over the mountain in a small one-man paramotor - like a paraglider, only with a backpack engine strapped to your body. At the time, the highest altitude that one had been flown was around 17,000 feet (5,180 metres). But being an enthusiast (and an optimist!), I reckoned we shouldn’t just aim to break the record by a few feet, I thought we should go as high as it was possible to go, and in my mind that meant flying over the height of Mount Everest. This in turn meant we needed to build a machine capable of flying to over 29,000 feet (8,840 metres). Most of the people we spoke to about this thought a) we were crazy, and b) it was technically impossible. What those naysayers hadn’t factored in was the power of yes, and specifically the ability to build a team capable of such a mission. This meant harnessing the brilliance of my good friend Gilo Cardozo, a paramotor engineer, a born enthusiast, and a man who loves to break the rules - and to say yes. Gilo was - and is - an absolute genius aviation engineer who spends all his time in his factory, designing and testing crazy bits of machinery. When people told us that our oxygen would freeze up in minus 70°, or that at extreme altitudes we would need such a heavy engine to power the machine that it would be impossible to take off, or that even if we managed to do it, we would break our legs landing at such speed, Gilo’s response was: ‘Oh, it’ll be great. Leave it with me.’ No matter what the obstacle, no matter what the ‘problem’, Gilo always said, ‘We can do this.’ And after months in his workshop, he did eventually build the machine that took us above the height of Everest. He beat the naysayers, he built the impossible and by the Grace of God we pulled it off - oh, and in the process we raised over $2.5 million for children’s charities around the world. You see, dreams can come true if you stick to them and think big. So say yes - you never know where it will lead. And there are few limits to how high you just might soar.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
I love easy, judge no one, laugh often, and smile always. I listen, I love, I joke, I support, I comfort. I keep my tears in check, my emotions in check, and my heart is forever open. I am not jealous, I give you freedom, speak my mind. I do not lie, and will never seek to change you or hold you down. And I hold all the passion of Ireland in my heart. To boot, I took the time to learn what a man wants and needs…in and out of bed. I don’t cook. And I can not be had. If you’re lucky, I’ll love you. Don’t ever love me back. I’m only worth a dollar.”... “I didn’t choose loneliness. I simple chose to accept it! To stop fighting it. Once I did that, my war ended. What I chose was to no longer bring anyone down with me. I am a black widow. I am the worst kind. I am the widow who destroys lives, kills hearts, and shatters dreams and walks away, leaving the man a hollowed shell and a life that resembles mine. And I do this without wanting or meaning to. I do it without knowing I’ve done it at all! “But I, unlike them, am broken. I’m fucked up so much that I can live quite comfortably with my lot. While others—normal people, unbroken people—can’t. No one is scarred enough to live with me. Not Isaiah. Not even Raven. So, no, William. I am too broken to be loved.” ... “I found the tunnel’s end and the light that shines from the other side of sanity. Who others have done what I have done and have emerged unscarred, unscathed, and as kind as I? I am still smiling a warm and sincere smile. While others emerge cold and cruel and vile.” “I have simply come to terms with what I am and I know if I were to change this about me, I could not live as I do now, happy and content and alone. If I try to fix this mess I have become, I will not survive it. And will do more damage than good. No. There are no others like me. I am very much alone, as I will ever be.” ... “My needs are met,” I assured him and smiled. “I am smiling with my head held high. I am smiling with my face to the sky. And although I am dying inside, I am crying with my head raised high. I only wish to love greater than I have hurt. And I will spend the rest of my days laughing and smiling to compensate for all the crying I have done.
Angela B. Chrysler (Broken)
I love you. There is no limit to what I can give to you, no time I need. Even when this world is forgotten whisper of dust between the stars, I will love you.” “Aelin Galathynius had raised an army not just to challenge Morath, but to rattle the stars.” “You will find, Rolfe, that one does not deal with Celaena Sardothien. One survives her” “Nameless is my price.” “A court that wouldn't just change the world. It would start the world over.” “Aelin had promised herself, months and months ago, that she would not pretend to be anything but what she was. She had crawled through darkness and blood and despair-she had survived.” “Aelin was insane, Dorian realized. Brilliant and wicked, but insane.” “Rowan considered for a moment, and then said, 'I have known many kings in my life, Dorian Havilliard. And it was a rare man indeed who asked for help when he needed it, who would put aside pride.'” “The Queen of Flame and Shadow, the Heir of Fire, Aelin of the Wildfire, Fireheart…” “And Elide sobbed as Manon Blackbeak emerged, smiling faintly. As Manon Blackbeak saw her and Aelin, knee-to-knee in the grass, and mouthed one word. Hope.” “The sunlight gilded the balcony as Asterin whispered, so softly that only Manon could hear, 'Bring my body back to the cabin.' Something in Manon's chest broke—broke so violently that she wondered if it was possible for no one to have heard it.” “That cocky smile widened. 'Hello, bitch,' Ansel purred. 'Hello, traitor,' Aelin purred right back... "\'Meet Ansel of Briarcliff, assassin and Queen of the Western Wastes.'” “And Manon understood in that moment that there were forces greater than obedience, and discipline, and brutality. Understood that she had not been born soulless; she had not been born without a heart. For there were both, begging her not to swing that blade.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Ultimately, what determines how children survive trauma, physically, emotionally, or psychologically, is whether the people around them—particularly the adults they should be able to trust and rely upon—stand by them with love, support, and encouragement. Fire can warm or consume, water can quench or drown, wind can caress or cut. And so it is with human relationships: we can both create and destroy, nurture and terrorize, traumatize and heal each other.
Bruce D. Perry (The Boy Who Was Raised as a Dog: And Other Stories from a Child Psychiatrist's Notebook)
I will try.’” That’s what you said in the forest,” Charlie muttered. “That you would try to believe.” A scoff burst from Garion’s lips and he put the sword aside. “I’m surrounded by immortals about to assault a dragon’s nest. I certainly believe you now.” Charlie only shook his head. “I need you to believe in me, too,” he replied. “Help me to believe in myself. And help me stay alive.” Still glaring at the dead grass, Garion gritted his teeth. “That’s what I’m trying to do, my darling.” “I’m not going anywhere.” It came out too harsh, too loud. Impossible to ignore. Finally Garion raised his eyes. He looked torn between frustration and anger. The killer in him was there, small but enough to see. Amhara were trained to survive, to make it home to the citadel even in failure. Garion warred with his own instincts, Charlie knew. Not for the realm, but for me. “You can run, but I—” Charlie forced out, his voice faltering. He looked to the horizon again, and the black ruins. Then to the camp, the Elders, to Corayne lingering at their edges. She stood out like a sore thumb, a mortal girl in the middle of the end of the world. It was easy for Charlie to draw a little strength from her own. “If I run, I still die here,” he said, feeling his own heart twist. “Part of me. The part you love.” Garion put his hand to his neck. “You think that now but—” “I tasted the shame of it before.” Charlie forced off the Amhara with a swipe. His cheeks flamed. “When I ran from Gidastern. I know what it feels like to think the worst of your own self. To be consumed by regret. And I won’t do it again. I won’t leave her.” Charlie willed Garion to see the resolve he felt as much as feared. “Stop giving me the chance to give up,” he finally murmured, looking back to the horizon.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
In times of peace, it is the Ephraims who are the backbone of a people - because they have children and raise them with love, patience, and intelligence, day by day. They are the guarantors of a functioning society. But in times of chaos, it is the Emmanuels who save their people - because they refuse to submit to any rule and because they sow their oats in other countries, creating children they will never acknowledge... but who will survive them.
Anne Berest (The Postcard)
It wasn’t until I met you that I found life worth living. I been through so many storms. I never had love growing up. We both know I was raised off survival, Em. Many years ago, you showed me what love feels like and I been hooked on you ever since.
Talena Tillman (Mine: A Satin Hills Novelette)