Golden Gloves Quotes

We've searched our database for all the quotes and captions related to Golden Gloves. Here they are! All 30 of them:

Idris had been green and gold and russet in the autumn, when Clary had first been there. It had a stark grandeur in the winter: the mountains rose in the distance, capped white with snow, and the trees along the side of the road that led back to Alicante from the lake were stripped bare, their leafless branches making lace-like patterns against the bright sky. Sometimes Jace would slow the horse to point out the manor houses of the richer Shadowhunter families, hidden from the road when the trees were full but revealed now. She felt his shoulders tense as they passed one that nearly melded with the forest around it: it had clearly been burned and rebuilt. Some of the stones still bore the black marks of smoke and fire. “The Blackthorn manor,” he said. “Which means that around this bend in the road is …” He paused as Wayfarer summited a small hill, and reined him in so they could look down to where the road split in two. One direction led back toward Alicante — Clary could see the demon towers in the distance — while the other curled down toward a large building of mellow golden stone, surrounded by a low wall. “ … the Herondale manor,” Jace finished. The wind picked up; icy, it ruffled Jace’s hair. Clary had her hood up, but he was bare-headed and bare-handed, having said he hated wearing gloves when horseback riding. He liked to feel the reins in his hands. “Did you want to go and look at it?” she asked. His breath came out in a white cloud. “I’m not sure.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
You are a sociopath, Adrius. You don’t only do what you need to do. You wear whatever face you need, whatever emotion you desire like a glove.
Pierce Brown (Golden Son (Red Rising Saga, #2))
And now that they have us here, under their control, they've dropped whatever act they had on earth. We're seeing them as they really are.' He dipped his glove into the water and watched as the water turned golden. The air suddenly smelled of citrus. 'Look! It's orange juice!' 'Josh, focus!' 'You sound just like Mom or Isis or whatever her name is.
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
We made it, baby. We’re riding in the back of the black limousine. They have lined the road to shout our names. They have faith in your golden hair & pressed grey suit. They have a good citizen in me. I love my country. I pretend nothing is wrong. I pretend not to see the man & his blond daughter diving for cover, that you’re not saying my name & it’s not coming out like a slaughterhouse. I’m not Jackie O yet & there isn’t a hole in your head, a brief rainbow through a mist of rust. I love my country but who am I kidding? I’m holding your still-hot thoughts in, darling, my sweet, sweet Jack. I’m reaching across the trunk for a shard of your memory, the one where we kiss & the nation glitters. Your slumped back. Your hand letting go. You’re all over the seat now, deepening my fuchsia dress. But I’m a good citizen, surrounded by Jesus & ambulances. I love this country. The twisted faces. My country. The blue sky. Black limousine. My one white glove glistening pink—with all our American dreams.
Ocean Vuong (Night Sky with Exit Wounds)
True love, selfless and deep as the oceans in their most fathomless depths." Orlando let the glove run along the thread, which glistened like a ray of sunlight. "But I fear this one is not meant for me. This kind of thread is not spun in mere days." He let his hand drop, and the gold disappeared as though it really had been nothing but a ray of sunlight. "The Golden Yarn… or the inseverable bond, as it is also called. As inseverable as the threads of fate. And there is only one who can spin them and who can cut them.
Cornelia Funke (Das goldene Garn (Reckless, #3))
Rix stroked the Glove. "There was a garden and a tree grew there with golden apples and if you ate one of them, you knew everything. And then Sapphique climbed over the fense and killed the many-headed monster and picked the apple, because he wanted to know, you see. He wanted to know how to Escape." "Right." She had wriggled back. She was close to his pocked face. "And a snake came out of the grass and it said, 'Oh go on, eat the apple. I dare you.' And he stopped then with it to his mouth because he knew the snake was Incarceron." Keiro groaned. "Let me..." "Put the Glove away, Rix. Or give it to me." His fingers caressed its dark scales. "And because if he ate it he would know how small he was. How much of a nothing he was. He would see himself as a speck in the vastness of the Prison." "So he didn't eat it, right?
Catherine Fisher (Sapphique (Incarceron, #2))
He was looking at Mr. Nancy, an old black man with a pencil moustache, in his check sports jacket and his lemon yellow gloves, riding a carousel lion as it rose and lowered, high in the air; and, at the same time, in the same place, he saw a jeweled spider as high as a horse, its eyes an emerald nebula, strutting, staring down at him; and simultaneously he was looking at an extraordinarily tall man with teak colored skin and three sets of arms, wearing a flowing ostrich-feather headdress, his face painted with red stripes, riding an irritated golden lion, two of his six hands holding on tightly to the beast’s mane; and he was also seeing a young black boy, dressed in rags, his left foot all swollen and crawling with black flies; and last of all, and behind all these things, Shadow was looking at a tiny brown spider, hiding under a withered ochre leaf. Shadow saw all these things, and he knew they were the same thing.
Neil Gaiman (American Gods (American Gods, #1))
You can’t make a falcon love you, but you can convince its little bird brain that sitting on your glove means a full croup.” “Unless it’s a Harris Hawk.
S.M. Stirling (The Golden Princess (Emberverse Book 11))
On Monday I received a letter from Golden Days, a Philadelphia juvenile, accepting a short story I had sent there and enclosing a cheque for five dollars. It was the first money my pen had ever earned; I did not squander it in riotous living, neither did I invest it in necessary boots and gloves. I went up town and bought five volumes of poetry with it -- Tennyson, Byron, Milton, Longfellow, Whittier. I wanted something I could keep for ever in memory of having "arrived.
L.M. Montgomery (The Alpine Path: The Story of My Career)
The Fairer Hand,” she intoned, and setting her blade flat across her knee, she knelt. “This is my vow: in life, in death, I am yours.” “You will be my field-general.” Baru reached down to draw her up, and Tain Hu took her hand to rise, glove in glove, her grip fierce, her eyes golden. “Choose your captains and lieutenants.
Seth Dickinson (The Traitor (The Masquerade, #1))
To Harry James Potter,’” he read, and Harry’s insides contracted with a sudden excitement, “‘I leave the Snitch he caught in his first Quidditch match at Hogwarts, as a reminder of the rewards of perseverance and skill.’” As Scrimgeour pulled out the tiny, walnut-sized golden ball, its silver wings fluttered rather feebly, and Harry could not help feeling a definite sense of anticlimax. “Why did Dumbledore leave you this Snitch?” asked Scrimgeour. “No idea,” said Harry. “For the reasons you just read out, I supposed . . . to remind me what you can get if you . . . persevere and whatever it was.” “You think this a mere symbolic keepsake, then?” “I suppose so,” said Harry. “What else could it be?” “I’m asking the questions,” said Scrimgeour, shifting his chair a little closer to the sofa. Dusk was really falling outside now; the marquee beyond the windows towered ghostly white over the hedge. “I notice that your birthday cake is in the shape of a Snitch,” Scrimgeour said to Harry. “Why is that?” Hermione laughed derisively. “Oh, it can’t be a reference to the fact Harry’s a great Seeker, that’s way too obvious,” she said. “There must be a secret message from Dumbledore hidden in the icing!” “I don’t think there’s anything hidden in the icing,” said Scrimgeour, “but a Snitch would be a very good hiding place for a small object. You know why, I’m sure?” Harry shrugged. Hermione, however, answered: Harry thought that answering questions correctly was such a deeply ingrained habit she could not suppress the urge. “Because Snitches have flesh memories,” she said. “What?” said Harry and Ron together; both considered Hermione’s Quidditch knowledge negligible. “Correct,” said Scrimgeour. “A Snitch is not touched by bare skin before it is released, not even by the maker, who wears gloves. It carries an enchantment by which it can identify the first human to lay hands upon it, in case of a disputed capture. This Snitch”—he held up the tiny golden ball—“will remember your touch, Potter. It occurs to me that Dumbledore, who had prodigious magical skill, whatever his other faults, might have enchanted this Snitch so that it will open only for you.” Harry’s heart was beating rather fast. He was sure that Scrimgeour was right. How could he avoid taking the Snitch with his bare hand in front of the Minister? “You don’t say anything,” said Scrimgeour. “Perhaps you already know what the Snitch contains?” “No,” said Harry, still wondering how he could appear to touch the Snitch without really doing so. If only he knew Legilimency, really knew it, and could read Hermione’s mind; he could practically hear her brain whirring beside him. “Take it,” said Scrimgeour quietly. Harry met the Minister’s yellow eyes and knew he had no option but to obey. He held out his hand, and Scrimgeour leaned forward again and placed the Snitch, slowly and deliberately, into Harry’s palm. Nothing happened. As Harry’s fingers closed around the Snitch, its tired wings fluttered and were still. Scrimgeour, Ron, and Hermione continued to gaze avidly at the now partially concealed ball, as if still hoping it might transform in some way. “That was dramatic,” said Harry coolly. Both Ron and Hermione laughed. “That’s all, then, is it?” asked Hermione, making to prise herself off the sofa. “Not quite,” said Scrimgeour, who looked bad-tempered now. “Dumbledore left you a second bequest, Potter.” “What is it?” asked Harry, excitement rekindling. Scrimgeour did not bother to read from the will this time. “The sword of Godric Gryffindor,” he said. Hermione and Ron both stiffened. Harry looked around for a sign of the ruby-encrusted hilt, but Scrimgeour did not pull the sword from the leather pouch, which in any case looked much too small to contain it.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
In order to conform to the current Empire style in fashion, the modiste had raised the waistline so that it fell just beneath Esme's small rounded breasts. Mrs. Benson had embellished further by adding a slender grosgrain ribbon there that matched the exact shade of tiny embroidered golden flowers scattered over the gown's ivory satin. Next she had shortened the sleeves so they were now small puffed caps edged against the arms with more narrow golden ribbon. As for the long length of material that had once run from shoulder to heel, she'd removed it and used the excess fabric to create a sweeping train that ended in a spectacular half circle that trailed after Esme as she walked. The entire hem was further enlivened by small appliquéd white lace rosettes, whose effect was nothing short of ethereal. On her feet, Esme wore a soft pair of ivory satin slippers with gold and diamond buckles that had been a last-minute gift from Mallory and Adam. On her hands were long white silk gloves that ended just above her elbows; her lustrous dark hair was pinned and styled in an elaborate upsweep with a few soft curls left to brush in dainty wisps against her forehead and cheeks. Carefully draped over head was a waist-length veil of the finest Brussels lace, which had been another present, this one from Claire, and in her hands she held creamy pink hothouse roses and crisp green holly leaves banded together inside a wide white satin ribbon.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
Christopher Phelan was talking with Prudence Mercer. The scheme of formal black and white was becoming to any man. On someone like Christopher, it was literally breathtaking. He wore the clothes with natural ease, his posture relaxed but straight, his shoulders broad. The crisp white of his starched cravat provided a striking contrast to his tawny skin, while the light of chandeliers glittered over his golden-bronze hair. Following her gaze, Amelia lifted her brows. “What an attractive man,” she said. Her attention returned to Beatrix. “You like him, don’t you?” Before Beatrix could help herself, she sent her sister a pained glance. Letting her gaze drop to the floor, she said, “There have been a dozen times in the past when I should have liked a particular gentleman. When it would have been convenient, and appropriate, and easy. But no, I had to wait for someone special. Someone who would make my heart feel as if it’s been trampled by elephants, thrown into the Amazon, and eaten by piranhas.” Amelia smiled at her compassionately. Her gloved hand slipped over Beatrix’s. “Darling Bea. Would it console you to hear that such feelings of infatuation are perfectly ordinary?” Beatrix turned her palm upward, returning the clasp of her sister’s hand. Since their mother had died when Bea was twelve, Amelia had been a source of endless love and patience. “Is it infatuation?” she heard herself asking softly. “Because it feels much worse than that. Like a fatal disease.” “I don’t know, dear. It’s difficult to tell the difference between love and infatuation. Time will reveal it, eventually.” Amelia paused. “He is attracted to you,” she said. “We all noticed the other night. Why don’t you encourage him, dear?” Beatrix felt her throat tighten. “I can’t.” “Why not?” “I can’t explain,” Beatrix said miserably, “except to say that I’ve deceived him.” Amelia glanced at her in surprise. “That doesn’t sound like you. You’re the least deceptive person I’ve ever known.” “I didn’t mean to do it. And he doesn’t know that it was me. But I think he suspects.” “Oh.” Amelia frowned as she absorbed the perplexing statement. “Well. This does seem to be a muddle. Perhaps you should confide in him. His reaction may surprise you. What is it that Mother used to say whenever we pushed her to the limits of her patience?...’Love forgives all things.’ Do you remember?” “Of course,” Beatrix said. She had written that exact phrase to Christopher in one of her letters. Her throat went very tight. “Amelia, I can’t discuss this now. Or I’ll start weeping and throw myself to the floor.” “Heavens, don’t do that. Someone might trip over you.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
The translucent, golden punch tastes velvety, voluptuous and not off-puttingly milky. Under its influence, I stage a party for my heroines in my imagination, and in my flat. It's less like the glowering encounter I imagined between Cathy Earnshaw and Flora Poste, and more like the riotous bash in Breakfast at Tiffany's. Not everyone is going to like milk punch. So there are also dirty martinis, and bagels and baklava, and my mother's masafan, Iraqi marzipan. The Little Mermaid is in the bath, with her tail still on, singing because she never did give up her soaring voice. Anne Shirley and Jo March are having a furious argument about plot versus character, gesticulating with ink-stained hands. Scarlett is in the living room, her skirts taking up half the space, trying to show Lizzy how to bat her eyelashes. Lizzy is laughing her head off ut Scarlett has acquired a sense of humour, and doesn't mind a bit. Melanie is talking book with Esther Greenwood, who has brought her baby and also the proofs of her first poetry collection. Franny and Zooey have rolled back the rug and are doing a soft shoe shuffle in rhinestone hats. Lucy Honeychurch is hammering out some Beethoven (in this scenario I have a piano. A ground piano. Well, why not?) Marjorie Morningstar is gossiping about directors with Pauline and Posy Fossil. They've come straight from the shows they're in, till in stage make-up and full of stories. Petrova, in a leather aviator jacket, goggles pushed back, a chic scarf knotted around her neck, is telling the thrilling story of her latest flight and how she fixed an engine fault in mid-air. Mira, in her paint-stained jeans and poncho, is listening, fascinated, asking a thousand questions. Mildred has been persuaded to drink a tiny glass of sherry, then another tiny glass, then another and now she and Lolly are doing a wild, strange dance in the hallway, stamping their feet, their hair flying wild and electric. Lolly's cakes, in the shape of patriarchs she hates, are going down a treat. The Dolls from the Valley are telling Flora some truly scandalous and unrepeatable stories, and she is firmly advising them to get rid of their men and find worthier paramours. Celie is modelling trousers of her own design and taking orders from the Lace women; Judy is giving her a ten-point plan on how to expand her business to an international market. She is quite drunk but nevertheless the plan seems quite coherent, even if it is punctuated by her bellowing 'More leopard print, more leopard print!' Cathy looks tumultuous and on the edge of violent weeping and just as I think she's going to storm out or trash my flat, Jane arrives, late, with an unexpected guest. Cathy turns in anticipation: is it Heathcliff? Once I would have joined her but now I'm glad it isn't him. It's a better surprise. It's Emily's hawk. Hero or Nero. Jane's found him at last, and has him on her arm, perched on her glove; small for a bird of prey, he is dashing and patrician looking, brown and white, observing the room with dark, flinty eyes. When Cathy sees him, she looks at Jane and smiles. And in the kitchen is a heroine I probably should have had when I was four and sitting on my parents' carpet, wishing it would fly. In the kitchen is Scheherazade.
Samantha Ellis
Quinn pauses his sit-ups on his punching bag. “What…like her…?” He gestures to his crotch. I roll my eyes and unravel my black hand-wraps. Donnelly tosses his towel over his shoulder. “Her clit? It’s not a big bad word.” Oscar butts in, “Everyone lay off Quinn—alright, my little bro is young, impressionable, and still has his innocence and virtue; whereas the rest of us have lost our ever-loving minds.” Quinn chucks his green boxing glove at his older brother, ten years apart in age. “Bro, I can say clit every day easily. Clit, clit, clit, clit—” “We get it,” I say, dropping my hand-wraps on the mats. Quinn scratches his unshaven jaw, sweat built on his golden-brown skin, and a tiny scar sits beneath his eye. Likewise, his nose is a little crooked from a short stint and bad blow in a pro-boxing circuit. Oscar has similar lasting marks. Security jokes that no matter how many punches Oscar and Quinn have taken as pro-boxers in the past, they’ll always be handsome motherfuckers. “I purposefully censored myself,” Quinn clarifies. “I wasn’t about to mention a teenage girl’s…you know.” “Clit,” Donnelly says. “Jelly bean,” Oscar adds. “Magic button.” Donnelly smirks. Quinn shakes his head like we’re all the fucked-up ones. My brows spike. “You’re the one who assumed ‘clitoris piercing’ at the word ‘unmentionable’.” I tilt my head at him. “And weren’t you like a teenager like one year ago?” Oscar and Donnelly laugh loudly, and Quinn gives me a faint death-glare. He needs to work on his “intimidation” a bit—he’s very green: brand new to security detail, and at twenty, he’s the youngest bodyguard in the whole team. If he screws up, that
Krista Ritchie (Damaged Like Us (Like Us, #1))
jumped close, close enough to see blade marks scoring the surface. All those people, the brightly colored hats, gloves, and scarves. A couple, holding hands, laughing as they stumbled over the ice together. A girl with golden-blond hair, wearing a red skin suit and vest, was spinning, spinning, spinning until she blurred. Another couple with a little boy between them, their hands joined with his as he grinned in wonder.
J.D. Robb (Apprentice in Death (In Death, #43))
But not here,” she added. “Let’s take a walk around the block.” Myron nodded and they rose. Before they reached the door, his cell phone rang. Myron snatched it up with a speed that would have made Wyatt Earp step back. He put the phone to his ear and cleared his throat. “MB SportsReps,” he said, silky-smooth, professional-like. “This is Myron Bolitar speaking.” “Nice phone voice,” Esperanza said. “You sound like Billy Dee ordering two Colt 45s.” Esperanza Diaz was his longtime assistant and now sports-agent partner at MB SportsReps (M for Myron, the B for Bolitar—for those keeping score). “I was hoping you were Lamar,” he said. “He hasn’t called yet?” “Nope.” He could almost see Esperanza frown. “We’re in deep doo-doo here,” she said. “We’re not in deep doo-doo. We’re just sucking a little wind, that’s all.” “Sucking a little wind,” Esperanza repeated. “Like Pavarotti running the Boston Marathon.” “Good one,” Myron said. “Thanks.” Lamar Richardson was a power-hitting Golden Glove shortstop who’d just become a free agent—“free agent” being a phrase agents whisper in the same way a mufti might whisper “Praise Allah.” Lamar was shopping for new representation and had whittled his final list down to three agencies: two supersized conglomerates with enough office space to house a Price Club and the aforementioned pimple-on-the-buttocks but oh-so-personal MB SportsReps. Go, pimple-butt! Myron watched his mother standing by the door. He switched ears and said, “Anything else?” “You’ll never guess who called,” Esperanza said. “Elle and Claudia demanding another ménage à trois?” “Oooo, close.” She
Harlan Coben (Darkest Fear (Myron Bolitar, #7))
She knelt and began gathering up the dirty cups, plates, and silverware she’d dropped with the tray. The movements of her hands were quick and jerky, but she went still when she saw a pair of scuffed black boots come to a stop directly in front of her, and her temper swelled anew. These rascals had been harassing her with their exuberant mischief all morning, and she was through turning the other cheek. She rose slowly to her feet and sighed as she felt the pins in her once-tidy hair give way, sending the silver-gold tresses tumbling down over her shoulders. Crows of amusement rose all around her as she set her hands on her hips and raised her chin. The eyes that gazed down at her were just the color of maple sugar and shadowed by the brim of a dusty blue field hat banded in gold braid. A gloved hand reached up to remove the hat, revealing a thatch of golden-brown hair. “On behalf of the United States Army, ma’am,” a deep voice said with barely contained amusement, “I’d like to apologize for these men.” Lily reminded herself that the soldiers from nearby Fort Deveraux kept the hotel dining room in business, and that without them she wouldn’t have a job. Nevertheless, she was near the end of her patience. “They would seem to be boys,” she answered pointedly, “rather than men.” The barb brought a chorus of howls, whistles, and cries of mock despair. The man looking down at Lily—a major, judging by his insignia—grinned rather insolently, showing teeth as white as the keys on a new piano. “They’ve been on patrol for two weeks, ma’am,” he explained with elaborate cordiality, apparently choosing to ignore her comment on their collective bad manners. Something about the curve of his lips made Lily feel as though the room had done a half spin. She reached out to steady herself by gripping the back of a chair. “I fail to see how that gives them the right to behave like circus gorillas.” The major’s grin intensified, half blinding Lily. “Of course, you’re right,” he said. Every word that came out of his mouth was congenial. So why did she feel that he was making fun of her? Lily found herself looking at the button-down panel on the front of his shirt and wondering about the chest beneath it. Was it as broad and muscled as it appeared, covered in a downy mass of maple hair? With a toss of her head she shook off the unwelcome thought and knelt to finish gathering the crockery.
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Hello, Miss Emmie.” Bothwell smiled back at her, and to the earl’s watchful eye, there was just a bit too much longing and wistfulness in that smile. When the vicar brushed a kiss on the lady’s cheek, St. Just would have rolled his eyes, except Winnie was watching him too closely. Winnie rolled her eyes though, and that restored his humor. “Hullo, Miss Winnie.” The earl swung her up onto his shoulders. “You are the lookout, so spy me some of these cheese breads.” “Over there.” Winnie pointed. “On the bench near the lemonade.” The earl ambled over and bent at the knees to retrieve one. “Hold my gloves.” He held both hands up for Winnie to whisk off his gloves. “On second thought, you need to eat, too. I can barely tell you’re up there. Toss the gloves to the bench.” She complied and accepted a small, golden brown roll. As she munched, crumbs fell to the earl’s hair. “These are good,” the earl pronounced, taking a bite of his own cheese bread. “Aren’t you going to have one, Miss Farnum?” “I believe I will,” Emmie replied, avoiding his eyes. “Vicar?” “But of course.” “Lock your elbows, Winnie.” St. Just hefted her up and over his head, then set her on the ground. “You have crumbs in your hair,” Winnie said around a mouthful of bread. “I am starting the latest rage in bird feeders. May I have some lemonade, Miss Farnum?” “You may, but bend down.” He complied, bending his head so she could swat at his hair. Except she didn’t swat; she winnowed her fingers through his hair and sifted slowly, repeating the maneuver several times. The earl was left staring at her décolletage and inhaling the fresh, flowery scent wafting from her cleavage. “Now you are disheveled but no longer attractive to wildlife.” “Pity,” he murmured as he accepted a glass.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
With a curt nod, Vane strode in. And stopped dead. Patience was in the hall, waiting- the sight literally stole his breath. As his gaze, helplessly, slid over her, over the soft green merino pelisse, severely cut and snugly fitted, its upstanding collar framing her face, over the tan gloves and half boots, over the pale green skirts peeking beneath the pelisse's hem, Vane felt something inside him tighten, click, and lock. Breathing was suddenly more difficult than if someone had buried a fist in his gut. Her hair, glinting in the light streaming in through the door, was coiffed differently, to more artfully draw attention to her wide golden eyes, to the creaminess of her forehead and cheeks, and the delicate yet determined line of her jaw. And the soft vulnerability of her lips.
Stephanie Laurens (A Rake's Vow (Cynster, #2))
There is yet another feature of normal old age, the most positive of all, which likewise has its macrocosmic equivalent, in virtue of which our times are unique. it is sometimes said of spiritual men and women at the end of their lives that hey have 'one foot already in Paradise'. This is not meant to deny that death is a sudden break, a rupture of continuity. It cannot but be so, for it has to transform mortal old age into immortal youth. None the less, hagiography teaches us that the last days of sanctified souls can be remarkably luminous and transparent. Nor is it unusual that the imminence of death should bring with it special graces, such as visions, in foretaste of what is to come. The mellowing of spirituality, which is the highest aspect of old age in itself, is thus crowned with an illumination which belongs more to youth than to age; and it is to this synthesis, or more precisely to its macrocosmic counter-part, that the title of our chapter refers; for analogously, in the macrocosm, the nearness of the new Golden Age cannot fail to make itself mysteriously felt befoe the end of the old cycle; and, as we shall see later, such an anticipation has been predicted in various parts of the glove. We have here, in this junction of ending with beginning, yet another reason, perhaps the most powerful of all, why 'the last shall be first'.
Martin Lings (The Eleventh Hour: The spiritual crisis of the modern world in the light of tradition and prophecy)
The pain surged, and I tried to breathe through it as they told Shotet soldiers to when they had to get a wound stitched and there was no time for a numbing agent. I had seen recordings of it. “Usually it happens in extreme circumstances, as a protective measure. Do you have any idea what those circumstances might have been? They may give us an insight into why this particular gift developed.” “I told you,” my mother said. “I don’t know.” She was lying. I had told her what Ryzek did to me, but I knew better than to contradict her now. When my mother lied, it was always for a good reason. “Well, I’m sorry to tell you that Cyra is not simply growing into her gift,” Dr. Fadlan said. “This appears to be its full manifestation. And the implications of that are somewhat disturbing.” “What do you mean?” I didn’t think my mother could sit up any straighter, and then she did. “The current flows through every one of us,” Dr. Fadlan said gently. “And like liquid metal flowing into a mold, it takes a different shape in each of us, showing itself in a different way. As a person develops, those changes can alter the mold the current flows through, so the gift can also shift—but people don’t generally change on such a fundamental level.” Dr. Fadlan had an unmarked arm, and he did not speak the revelatory tongue. There were deep lines around his mouth and eyes, and they grew even deeper as he looked at me. His skin was the same shade as my mother’s, however, suggesting a common lineage. Many Shotet had mixed blood, so it wasn’t surprising—my own skin was a medium brown, almost golden in certain lights. “That your daughter’s gift causes her to invite pain into herself, and project pain into others, suggests something about what’s going on inside her,” Dr. Fadlan said. “It would take further study to know exactly what that is. But a cursory assessment says that on some level, she feels she deserves it. And she feels others deserve it as well.” “You’re saying this gift is my daughter’s fault?” The pulse in my mother’s throat moved faster. “That she wants to be this way?” Dr. Fadlan leaned forward and looked directly at me. “Cyra, the gift comes from you. If you change, the gift will, too.” My mother stood. “She is a child. This is not her fault, and it’s not what she wants for herself. I’m sorry that we wasted our time here. Cyra.” She held out her gloved hand, and wincing, I took it. I wasn’t used to seeing her so agitated. It made all the shadows under my skin move faster. “As you can see,” Dr. Fadlan said, “it gets worse when she’s emotional.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Because Snitches have flesh memories,” she said. “What?” said Harry and Ron together; both considered Hermione’s Quidditch knowledge negligible. “Correct,” said Scrimgeour. “A Snitch is not touched by bare skin before it is released, not even by the maker, who wears gloves. It carries an enchantment by which it can identify the first human to lay hands upon it, in case of a disputed capture. This Snitch” — he held up the tiny golden ball — “will remember your touch, Potter. It occurs to me that Dumbledore, who had prodigious magical skill, whatever his other faults, might have enchanted this Snitch so that it will open only for you.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Marissa does know; the gloves were purchased from one of those very stores. The man who came to her house when Matthew was away was wearing them—they were, he told Marissa, his favorite pair, because she’d bought them for him for Christmas.
Greer Hendricks (The Golden Couple)
A rubber glove?” He let out a booming laugh. “What are you going to do? Wash the dishes like a good girl?
James Ponti (Golden Gate (City Spies, #2))
Juan Esteban removed his gloves and raised the lid of the exquisite case to reveal a solid gold apple adorned with a reliquary silver crucifix embedded in the face. Juan Esteban held the heavy lemon sized orb in his bare hand and slowly wiped his thumb back and forth across the crucifix and asked, “How did you get it to be so flawless?” “It takes time. This was the fourth casting. The first three were good, but not good enough for a king,” Mateo replied. “This one is perfect.” The general had acquired a portion of a gold and silver shipment from the Santa Fe mint at Bogota to fulfill his personal mission to exalt favor with King Philip V of Spain. It was this ruler who had entrusted the general with command of the armada. As a devout catholic, Juan Esteban envisioned a holy gift to honor his king. With the expertise of this goldsmith, the golden orb was created in secrecy. An apple represented Adam and Eve’s ‘original sin’ and the crucifix symbolized Christ Jesus’ redemption of mankind. General Juan Esteban de Ubilla christened the casting as the Temptation of Paradise. “Yes, this one is perfect,” General de Ubilla replied. “You are a fine artisan. Now, before I leave, you must break the molds. There will never be another casting.” “But Your Excellency, I should retain the mold as you may one day require another,” Mateo pleaded. “There will be no others. This is the one. This is the only one,” he emphasized. “Yes, Your Excellency.” “And Mateo, if word reaches me that another orb exists?” “Yes, master?” “I will have your hands removed.
Jim Kelly (The Temptation of Paradise (Rick Edwards Files, #2))
His skin was darker than I'd remembered- golden now, rather than pale. Pale, from being locked Under the Mountain for fifty years. I scanned him, searching for any sign of the massive, membranous wings- the ones he'd admitted he'd loved flying with. But there was none. Just the male, smirking at me. And that too-familiar expression- 'How dare you-' Rhys snorted. 'I certainly missed that look on your face.' He stalked closer, his movements feline, those violet eyes turning subdued- lethal. 'You're welcome, you know.' 'For what?' Rhys paused less than a foot away, sliding his hands into his pockets. The night didn't seem to ripple from him here- and he appeared, despite his perfection, almost normal. 'For saving you when asked.' I stiffened. 'I didn't ask for anything.' His stare dipped to my hand. Rhys gave no warning as he gripped my arm, snarling softly, and tore off the glove. His touch was like a brand, and I flinched, yielding a step, but he held firm until he'd gotten both gloves off. 'I heard you begging someone, anyone, to rescue you, to get you out. I heard you say no.' 'I didn't say anything.' He turned my bare hand over, his hold tightening as he examined the eye he'd tattooed. He tapped the pupil. Once. Twice. 'I heard it loud and clear.' I wrenched my hand away. 'Take me back. Now. I didn't want to be stolen away.' He shrugged. 'What better time to take you here? Maybe Tamlin didn't notice you were about to reject him in front of his entire court- maybe you can now simply blame it on me.' 'You're a bastard. You made it clear enough that I had... reservations.' 'Such gratitude as always.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Try these," she suggested. She held out a pair of simple long gauntlets that were almost as fine as gloves, chain underneath and plate on top. Aurora Rose carefully took off the ones she wore and slipped the others on. They fit perfectly. "This is a bit more your style," the blue one said, approaching her with a breastplate that was almost as big as she was. It was curved femininely to fit Aurora Rose's body, but not ridiculously so. A staid design of roses and thorns was inlaid along the sides. It was sturdy, and 'heavy.' The princess had to readjust the way she stood to support it while everyone helped buckle it on the back. "And for the top..." the red one said, looking around. "Let 'her' choose," the green one suggested gently. Aurora Rose walked down the aisle slowly, getting used to the weight of the armor. She passed each of the women and then Phillip- dashing in his shining cuirass and silver-white greaves, like a soldier from ancient Rome. Her eyes swept over everything, everywhere, pausing nowhere. Golden helms, intricate onyx headpieces, spiked and dangerous-looking crowns, plated metal turbans. Finally, she saw what she wanted. She strode forward and lifted a helmet- one she 'knew' would fit- off the top shelf. A point came down the middle of the forehead to protect her nose- and was also vaguely reminiscent of Maleficent's headpiece. But instead of horns, silver wings swept back over the ears. With slow, sure movements she put it on. It 'did' fit. Perfectly. She turned around to show the others. Phillip sucked in his breath. "You look 'magnificent,' Rose. Like- like an ancient goddess of war." "Like victory," the green one said softly.
Liz Braswell (Once Upon a Dream)
it were to rain gold coins, Gimpy would be out wearing boxing gloves.
George O. Smith (The 36th Golden Age of Science Fiction MEGAPACK®: George O. Smith)
Without volition, I touched the mark he had left upon me so long ago; the silver fingerprints on my wrist, long faded to a pale gray. He smiled again, and lifted one gloved hand, the finger extended toward me, as if he would renew that touch. “All down the years,” he said, his voice going golden as his skin. “You have been with me, as close as the tips of my fingers, even when we were years and seas apart. Your being was like the hum of a plucked string at the edge of my hearing, or a scent carried on a breeze. Did not you feel it so?” I took a breath, fearing my words would hurt him. “No,” I said quietly. “I wish it had been so. Too often I felt myself completely alone save for Nighteyes. Too often I’ve sat at the cliff’s edge, reaching out to touch anyone, anywhere, yet never sensing that anyone reached back to me.” He shook his head at that. “Had I possessed the Skill in truth, you would have known I was there. At your very fingertips, but mute.” I felt an odd easing of my heart at his words, for no reason I could name.
Robin Hobb (Fool's Errand (Tawny Man, #1))