Going Ghost Quotes

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Ghosts don't haunt us. That's not how it works. They're present among us because we won't let go of them.
Sue Grafton (M is for Malice (Kinsey Millhone, #13))
Jesper knocked his head against the hull and cast his eyes heavenward. “Fine. But if Pekka Rollins kills us all, I’m going to get Wylan’s ghost to teach my ghost how to play the flute just so that I can annoy the hell out of your ghost.” Brekker’s lips quirked. “I’ll just hire Matthias’ ghost to kick your ghost’s ass.” “My ghost won’t associate with your ghost,” Matthias said primly, and then wondered if the sea air was rotting his brain.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Life gives us choices. You either grab on with both hands and just go for it, or you sit on the sidelines.
Christine Feehan (Night Game (GhostWalkers, #3))
Soon, the whole world would be searching for her--Linh Cinder. A deformed cyborg with a missing foot. A Lunar with a stolen identity. A mechanic with no one to run to, nowhere to go. But they will be looking for a ghost.
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
We are going to die, and that makes us the lucky ones. Most people are never going to die because they are never going to be born. The potential people who could have been here in my place but who will in fact never see the light of day outnumber the sand grains of Arabia. Certainly those unborn ghosts include greater poets than Keats, scientists greater than Newton. We know this because the set of possible people allowed by our DNA so massively exceeds the set of actual people. In the teeth of these stupefying odds it is you and I, in our ordinariness, that are here.We privileged few, who won the lottery of birth against all odds, how dare we whine at our inevitable return to that prior state from which the vast majority have never stirred?
Richard Dawkins (Unweaving the Rainbow: Science, Delusion and the Appetite for Wonder)
Jesper: “If Pekka Rollins kills us all, I’m going to get Wylan’s ghost to teach my ghost how to play the flute just so that I can annoy the hell out of your ghost.” Kaz: “I’ll just hire Matthias’ ghost to kick your ghost’s ass.” Matthias: “My ghost won’t associate with your ghost.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
So why don't you go home for vacations?' I asked her. I'm just scared of ghosts, Pudge. And home is full of them.
John Green (Looking for Alaska)
When the hearthfire turns to blue, what to do? what to do? run outside, run and hide when his eyes are black as crow? where to go? where to go? near and far. Here they are. see a man without a face? move like ghosts from place to place. whats their plan? whats their plan? Chandrian. Chandrian
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
I was literally seeing stars, and every ragged breath I took felt like I was trying to breathe through broken glass. On the upside, my crush on Archer was totally gone. Over. Once a boy has slammed his kneecap into your rib cage, I think any romantic feeling should naturally go the way of the ghost.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
I'm worried he's going to...do something crazy." "He lives in a hole in the ground, dresses funny and occasionally eats his assistants," Eve said. "Define crazy." Claire closed her eyes. "Okay. I think he wants to put my brain in a jar and wire it into the machine." Dead silence.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
She can go with us to the lab and keep Myrnin pinned down while we pull the plug, if he's not... you know, better." "Define BETTER with that guy." "Not all fangs and raaaaar.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
I should go," I said thickly. "Let me know when you want to start practice again. And thanks for...talking." I started to turn; then I heard him say abruptly, "No." I glanced back. "What?" He held my gaze, and something warm and wonderful and powerful shot between us. "No," he repeated. "I told her no." "I..." I shut my mouth before my jaw hit the floor. "But...why? That was a once-in-a-lifetime thing. You could have had a baby. And she...she was, you know, into you..." The ghost of a smile flickered on his face. "Yes, she was. Is. And that's why I had to say no. I couldn't return that...couldn't give her what she wanted. Not when..." He took a few steps toward me. "Not when my heart is somewhere else.
Richelle Mead (Frostbite (Vampire Academy, #2))
Are you going to take Sang to the football games, Dakota? It'd make a nice date." (...) "Holy shit," Gabriel said. "The first time Sang gets asked out and it's by Kota's mother.
C.L. Stone (Friends vs. Family (The Ghost Bird, #3))
Are you going to tell me what that was about?” Adam asked as we went back upstairs. “Sometime,” I told him. “When we're telling ghost stories around a campfire, and I want to scare you.
Patricia Briggs (Bone Crossed (Mercy Thompson, #4))
So we gave up. I'd finally had enough of chasing after a ghost who did not want to be discovered. We'd failed, maybe, but some mysteries aren't meant to be solved. I still did not know her as I wanted to, but I never could. She made it impossible for me. And the accident, the suicide, would never be anything else, and I was left to ask, Did I help you to a fate you didn't want, Alaska, or did I jsut assist in your willful self-destruction? Because they are different crimes, and I didn't know wheter to feel angry at myself for letting go. But we knew what could be found out, and in finding out, she had made us closer- the Colonel adn Takumi and me, anyway. And that was it. She didn't leave me enough to discover her, but she left me enough to rediscover the Great Perhaps.
John Green (Looking for Alaska)
Go back to your ghost, I hear Bryn telling me. But she has it wrong. Bryn is the one who's been living with the ghost-the specter of a man who never stopped loving someone else.
Gayle Forman (Where She Went (If I Stay, #2))
I can't wait until this show gets on the road," he said. "You and me are going to have so much fun, Rose. Picking out curtains, doing each other's hair, telling ghost stories..." The reference to "ghost stories" hit a little closer to home than I was comfortable with. Not that choosing curtains or brushing Christian's hair was much more appealing.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
Are ye the ghosts of fallen leaves, O flakes of snow, For which, through naked trees, the winds A-mourning go?
John B. Tabb
All is as if the world did cease to exist. The city's monuments go unseen, its past unheard, and its culture slowly fading in the dismal sea.
Nathan Reese Maher
1. I’m lonely so I do lonely things 2. Loving you was like going to war; I never came back the same. 3. You hate women, just like your father and his father, so it runs in your blood. 4. I was wandering the derelict car park of your heart looking for a ride home. 5. You’re a ghost town I’m too patriotic to leave. 6. I stay because you’re the beginning of the dream I want to remember. 7. I didn’t call him back because he likes his girls voiceless. 8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth. 9. I couldn’t love you, you were a small war. 10. We covered the smell of loss with jokes. 11. I didn’t want to fail at love like our parents. 12. You made the nomad in me build a house and stay. 13. I’m not a dog. 14. We were trying to prove our blood wrong. 15. I was still lonely so I did even lonelier things. 16. Yes, I’m insecure, but so was my mother and her mother. 17. No, he loves me he just makes me cry a lot. 18. He knows all of my secrets and still wants to kiss me. 19. You were too cruel to love for a long time. 20. It just didn’t work out. 21. My dad walked out one afternoon and never came back. 22. I can’t sleep because I can still taste him in my mouth. 23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home. 24. The women in my family die waiting. 25. Because I didn’t want to die waiting for you. 26. I had to leave, I felt lonely when he held me. 27. You’re the song I rewind until I know all the words and I feel sick. 28. He sent me a text that said “I love you so bad.” 29. His heart wasn’t as beautiful as his smile 30. We emotionally manipulated one another until we thought it was love. 31. Forgive me, I was lonely so I chose you. 32. I’m a lover without a lover. 33. I’m lovely and lonely. 34. I belong deeply to myself .
Warsan Shire
The ghosts, they never go away. They call to you in unexpected moments, their hands lacing with yours and pulling you down paths that lead nowhere.
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
Bathroom, maybe? Which is where I need to go." "Ooh, me, too," Eve said. The boys rolled their eyes, like they'd planned it. "What? It's what girls do. Get over it.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Michael had to pound me a couple of times to convince me not to go stage a rescue." Shane shrugged. "He hits like a girl, for a vampire.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Over the years I'd lodged him in the permanent past, my pluperfect lover, put him on ice, stuffed him with memories and mothballs like a hunted ornament confabulating with the ghost of all my evenings. I'd dust him off from time to time and then put him back on the mantelpiece. He no longer belonged to earth or to life. All I was likely to discover at this point wasn't just how distant were the paths we'd taken, it was the measure of loss that was going to strike me--a loss I didn't mind thinking about in abstract terms but which would hurt when stared at in the face, the way nostalgia hurts long after we've stopped thinking of things we lost and may never have cared for.
André Aciman (Call Me by Your Name)
Reading is merely a surrogate for thinking for yourself; it means letting someone else direct your thoughts. Many books, moreover, serve merely to show how many ways there are of being wrong, and how far astray you yourself would go if you followed their guidance. You should read only when your own thoughts dry up, which will of course happen frequently enough even to the best heads; but to banish your own thoughts so as to take up a book is a sin against the holy ghost; it is like deserting untrammeled nature to look at a herbarium or engravings of landscapes.
Arthur Schopenhauer (Essays and Aphorisms)
If Socrates leaves his house today he will find the sage seated on his doorstep. If Judas go forth tonight it is to Judas his steps will tend.’ Every life is many days, day after day. We walk through ourselves, meeting robbers, ghosts, giants, old men, young men, wives, widows, brothers-in-law. But always meeting ourselves.
James Joyce (Ulysses)
All right, you deadly little ghostlings,” I muttered. “Mama says go back to bed! - Cat
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Ghosts don't haunt us. That's not how it works. They're present among us because we won't let go of them." "I don't believe in ghosts," I said, faintly. "Some people can't see the color red. That doesn't mean it isn't there," she replied.
Sue Grafton (M is for Malice (Kinsey Millhone, #13))
Why? You want to know why? Step into a tanning booth and fry yourself for two or three days. After your skin bubbles and peels off, roll in coarse salt, then pull on long underwear woven from spun glass and razor wire. Over that goes your regular clothes, as long as they are tight. Smoke gunpowder and go to school to jump through hoops, sit up and beg, and roll over on command. Listen to the whispers that curl into your head at night, calling you ugly and fat and stupid and bitch and whore and worst of all, "a disappointment." Puke and starve and cut and drink because you don't want to feel any of this. Puke and starve and drink and cut because you need the anesthetic and it works. For a while. But then the anesthetic turns into poison and by then it's too late because you are mainlining it now, straight into your soul. It is rotting you and you can't stop. Look in a mirror and find a ghost. Hear every heartbeat scream that everysinglething is wrong with you. "Why?" is the wrong question. Ask "Why not?
Laurie Halse Anderson (Wintergirls)
IF her life had taught her anything, it was that you never really knew what people had going on beneath the surface. People were shit. The only difference between them and animals was people felt the need to hide it.
Stacia Kane (Unholy Ghosts (Downside Ghosts, #1))
I figure you really wanted me you'd say. Like now, maybe, if you dig. I'll fuckin carry you down your place on a run, you tell me aye, get you on your back afore the next word comes out your mouth. But you oughta have yourself certain, causen I ain't lookin for charity, an I ain't lettin you go after. Once...once ain't enough for me, dig?
Stacia Kane (Unholy Magic (Downside Ghosts, #2))
I’m going to paint too. I’m going to paint pictures of ghosts and devils and horses out of hell.
Osamu Dazai (No Longer Human)
I'm worried he's going to ... do something crazy." "He lives in a hole in the ground, dresses funny, and occasionally eats his assistants," Eve said. "Define crazy.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
There are ghosts everywhere," Ser Jorah said softly. "We carry them with us wherever we go.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
And I'm not worried about it being haunted. I have my own ghosts. I carry them with me wherever I go.
Lucy Foley (The Guest List)
And if they don't believe us, I can give them the ghost eyes, you can go all big and threatening, Farmer can do his cracknob simpleton, and my lady can don her nobleness. We'll do all right.
Tamora Pierce (Mastiff (Beka Cooper, #3))
Claire - "Go ahead. And thanks. Oh, and be careful?" Eve - "Please. I am the queen of careful. Also, princess of punk fabulousness.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Ghosts do not haunt, they regress. Just as when you need to go to sleep you think of trees or lawns, you are taking instant symbolic refuge in a ready-made iconography of early safety and satisfaction. That exact place is where ghosts go.
Max Porter (Grief is the Thing with Feathers)
Myrnin, who hadn't said much, suddenly reached out and wrapped his arms around her. She stiffened, shocked, and for a panicked second wondered whether he'd suddenly decided to snack on her neck... but it was just a hug. His body felt cold against hers, and way too close, but then he let go and stepped back. "You've done very well. I'm extremely proud of you," he said. There was a touch of color high in his pale cheeks. "Do go home now. And shower. You reek like the dead." Which, coming from a vampire, was pretty rich.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Go away, little ghost. Go haunt someone else.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
There's a difference between wanting to stay and being too afraid to let go.
V.E. Schwab (City of Ghosts (Cassidy Blake, #1))
There is no holy life. There is no war between good and evil. There is no sin and no redemption. None of these things matter to the real you. But they all matter hugely to the false you, the one who believes in the separate self. You have tried to take your separate self, with all its loneliness and anxiety and pride, to the door of enlightenment. But it will never go through, because it is a ghost.
Deepak Chopra (Buddha: A Story of Enlightenment)
Hades allowed himself the faintest smile, but there was nothing cruel in his eyes. ‘I can entertain the possibility that you acted for multiple reasons. My point is this: you and I rose to the aid of Olympus because you convinced me to let go of my anger. I would encourage you to do likewise. My children are so rarely happy. I … I would like to see you be an exception.’ Nico stared at his father. He didn’t know what to do with that statement. He could accept many unreal things – hordes of ghosts, magical labyrinths, travel through shadows, chapels made of bones. But tender words from the Lord of the Underworld? No. That made no sense.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
The wastes of snow on the hill were ghostly in the moonlight. The stars were piercingly bright.
Maud Hart Lovelace (Betsy and Tacy Go Downtown (Betsy-Tacy, #4))
When good Americans die, they go to Paris,' the ghost said, after taking a drag on a small cigarette. But you’re not dead. I suppose the question must be, are you good?
Karen Chance (Embrace the Night (Cassandra Palmer, #3))
Friday morning, Kylie, Miranda, and Della, each carting suitcases, walked the trail to meet up with their parents. They walked slowly, like condemned prisoners moving to their executions. “I’m going to be peeing on a drug test stick every hour,” Della muttered. Miranda sighed. “I’m going to screw up at my competition and my mom is going to give me up for adoption.” “I’m going to a ghost hunt,” Kylie added. Both girls looked at her. “Don’t ask.
C.C. Hunter (Awake at Dawn (Shadow Falls, #2))
Isn't it true that you start your life a sweet child believing in everything under your father's roof? Then comes the day of the Laodiceans, when you know you are wretched and miserable and poor and blind and naked, and with the visage of a gruesome grieving ghost you go shuddering through nightmare life.
Jack Kerouac
Ew.' 'Yeah,' Claire said. 'I need a shower.' 'I don't think a shower's going to cut it. Maybe fire hoses, and those brushes they use on elephants.' Eve stepped back and offered Shane a hand up as he finally got untangled. 'Speaking of elephants, you sounded like a herd of something coming down the stairs,' he said. 'What the hell are your shoes made of? Hooves?
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
The trouble is the kind of guy I want to go out with doesn't even exist... Like a rugged, chain-smoking, intellectual, adventurer guy who's really serious, but also really funny and mean...
Daniel Clowes (Ghost World)
Psychoanalysis is often about turning our ghosts into ancestors, even for patients who have not lost loved ones to death. We are often haunted by important relationships from the past that influence us unconsciously in the present. As we work them through, they go from haunting us to becoming simply part of our history.
Norman Doidge (The Brain that Changes Itself: Stories of Personal Triumph from the Frontiers of Brain Science)
Well, if it isn’t the future Mrs. Green.” He rocked his eyebrows up and turned back, winking at the woman in the bed. “Excuse me, won’t you? I have to ask my future wife where she might like to go on our first date.
C.L. Stone (Drop of Doubt (The Ghost Bird, #5))
I peered up at him. He was leaning against the table, arms crossed, the ghost of a smile playing over his lips. 'Mal, I put a hole in the ceiling.' 'A very dramatic hole.' I let out a huff somewhere between a laugh and a sob. 'What are we going to do when it rains?' 'What we always do,' he said. 'Keep dry.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
But I have sometimes thought that a woman's nature is like a great house full of rooms: there is the hall, through which everyone passes in going in and out; the drawing-room, where one receives formal visits; the sitting-room, where the members of the family come and go as they list; but beyond that, far beyond, are other rooms, the handles of whose doors perhaps are never turned; no one knows the way to them, no one knows whither they lead; and in the innermost room, the holy of holies, the soul sits alone and waits for a footstep that never comes.
Edith Wharton (The Ghost Stories of Edith Wharton)
Oh, uh-uh," Shaundelle said. "I'm not gonna be no place where no ghost is gonna be knockin' nobody upside the head. I'm outta here. I'm not going to take any chances that some ghost is gonna mess up this pretty face.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
He may be out of my life physically, but he’ll always be a part of me. I can’t let him go even if I tried. Alex took a piece of my heart, but that doesn’t mean my life has to be on hold. I can’t keep running after ghosts.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
At dawn, Aedion had burst in, demanding why they weren’t ready to leave—to go home. Lysandra had shifted into a ghost leopard and chased him out. Then she returned, lingering in her massive feline form, and again sprawled beside Aelin. They managed to get another thirty minutes of sleep before Aedion came back and chucked a bucket of water on them. He was lucky to escape alive.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
What's he saying?" Buggy asked, her voice shaky. "That there's something up in the attic that we should be careful of because it could be dangerous. "Oh, uh-uh, I'm not going up there," Buggy said, You can send Shaundelle up there, but I'm keeping my little white ass down here.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
And for just a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiancies shining in bright Mind Essence, innumerable lotuslands falling open in the magic mothswarm of heaven. I could hear an indescribable seething roar which wasn't in my ear but everywhere and had nothing to do with sounds. I realized that I had died and been reborn numberless times but just didn't remember especially because the transitions from life to death and back to life are so ghostly easy, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. I realized it was only because of the stability of the intrinsic Mind that these ripples of birth and death took place, like the action of the wind on a sheet of pure, serene, mirror-like water. I felt sweet, swinging bliss, like a big shot of heroin in the mainline vein; like a gulp of wine late in the afternoon and it makes you shudder; my feet tingled. I thought I was going to die the very next moment. But I didn't die...
Jack Kerouac (On the Road (The Viking Critical Library))
His lips slid over her ear. "My mind shares yours. If you're determined to go through with this, then know whatever this takes you, you won't be alone, Tansy. I'm strong. I'll find your mind and I'll bring you back." "Last time I broke into a million pieces." "I'll find each one.
Christine Feehan (Murder Game (GhostWalkers, #7))
The dhampir dorm appeared before me, about half its windows lit. It was near curfew; people were going to bed. I burst in through the doors, feeling like my heart was going to explode from the exertion. The first person I saw was Stan, and I nearly knocked him over. He caught my wrists to steady me. "Rose, wh—" "Strigoi," I gasped out. "There are Strigoi on campus." He stared at me, and for the first time I'd ever seen, his mouth seriously dropped open. Then, he recovered himself, and I could immediately see what he was thinking. More ghost stories. "Rose, I don't know what you're—" "I'm not crazy!" I screamed. Everyone in the dorm's lobby was staring at us. "They're out there! They're out there, and Dimitri is fighting them alone. You have to help him." What had Dimitri told me? What was that word? "Buria. He said to tell you buria." And like that, Stan was gone.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
Dear Child, Sometimes on your travel through hell, you meet people that think they are in heaven because of their cleverness and ability to get away with things. Travel past them because they don't understand who they have become and never will. These type of people feel justified in revenge and will never learn mercy or forgiveness because they live by comparison. They are the people that don't care about anyone, other than who is making them feel confident. They don’t understand that their deity is not rejoicing with them because of their actions, rather he is trying to free them from their insecurities, by softening their heart. They rather put out your light than find their own. They don't have the ability to see beyond the false sense of happiness they get from destroying others. You know what happiness is and it isn’t this. Don’t see their success as their deliverance. It is a mask of vindication which has no audience, other than their own kind. They have joined countless others that call themselves “survivors”. They believe that they are entitled to win because life didn’t go as planned for them. You are not like them. You were not meant to stay in hell and follow their belief system. You were bound for greatness. You were born to help them by leading. Rise up and be the light home. You were given the gift to see the truth. They will have an army of people that are like them and you are going to feel alone. However, your family in heaven stands beside you now. They are your strength and as countless as the stars. It is time to let go! Love, Your Guardian Angel
Shannon L. Alder
I’m only doing this,” he said, “because I really love hiding in haunted Eldren buildings on dark and creepy nights.” “You’re a liar,” said Jean, slowly. “I’m only doing this because I’ve always wanted to see Bug get eaten by an Eldren ghost.” “Liar,” said Calo. “I’m only doing this because I fucking love hauling half a ton of bloody coins up out of a vault and packing them away on a cart.” “Liar!” Galdo chuckled. “I’m only doing this because while you’re all busy elsewhere, I’m going to go pawn all the furniture in the burrow at No-Hope Harza’s.” “You’re all liars,” said Locke as their eyes turned expectantly to him. “We’re only doing this because nobody else in Camorr is good enough to pull this off, and nobody else is dumb enough to get stuck doing it in the first place.” “Bastard!” They shouted in unison, forgetting their surroundings for a bare moment.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
Relax, Mr. Diggums. Have another nettle beer, or some spring water." The commander took two bottles from the cooler and offered one to Mulch. Mulch studied the label. "Derrier? No thanks. You know how they put the bubbles in this stuff?" Vinyaya's mouth twitched with the ghost of a smile. "I thought it was naturally carbonated." "Yeah, that's what I thought until I got a prison job at the Derrier plant. They employ every dwarf in the Deeps. They made us sign confidentiality contracts." Vinyaya was hooked. "So go on, tell me. How do they get the bubbles in?" Mulch tapped his nose. "Can't say. Breach of contract. All I can say is it involves a huge vat of water and several dwarfs using our ...eh" Mulch pointed to his rear end-"... natural talents." Vinyaya gingerly replaced her bottle.
Eoin Colfer (The Lost Colony (Artemis Fowl, #5))
As adults, we hvae many inhibitions against crying. We feel it is an expression of weakness, or femininity or of childishness. The person who is afraid to cry is afraid of pleasure. This is because the person who is afraid to cry holds himself together rigidly so that he won't cry; that is, the rigid person is as afraid of pleasure as he is afraid to cry. In a situation of pleasure he will become anxious. As his tensions relax he will begin to tremble and shake, and he will attempt to control this trembling so as not to break down in tears. His anxiety is nothing more than the conflict between his desire to let go and his fear of letting go. This conflict will arise whenever the pleasure is strong enough to threaten his rigidity. Since rigidity develops as a means to block out painful sensations, the release of rigidity or the restoration of the natural motility of the body will bring these painful sensations to the fore. Somewhere in his unconscious the neurotic individual is aware that pleasure can evoke the repressed ghosts of the past. It could be that such a situation is responsible for the adage "No pleasure without pain.
Alexander Lowen (The Voice of the Body)
Oh, come on, just this once," Eve said. "Protects your neck. As in your arteries and veins? That's kind of crucial, right?" "Thanks for the thought, but it doesn't go with my shoes." "You're seriously going to worry about what people think right now?" "No, I'm worrying about people taking pictures and putting them on Facebook. That crap never dies. Kind of like you, Mikey." Michael, straight-faced, said, "He's got a point, because I would definitely take pictures. So would you." Eve had to grin. "Yeah, I would. Okay, then. But you'd look glam. I could fix you up with silver eye shadow to match.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
The problem about cutting out the best of your heart and giving it to people, is that 1. It hurts to do that; and 2. You never know if they are going to throw it away or not. But then you should still do it. Because any other way is cowardice. At the end of the day, it's about being brave and we are only haunted by the ghosts that we trap within ourselves; we are not haunted by the ghosts that we let out. We are haunted by the ghosts that we cover and hide. So you let those ghosts out in that best piece of your heart that you give to someone. And if the other person throws it away? Or doesn't want it to begin with? Someone else will come along one day, cut out from his/her heart that exact same jagged shape that you cut out of your own heart, and make their piece of heart fit into the rest of yours. Wait for that person. And you can fill their missing piece with your soul.
C. JoyBell C.
When you go out hunting wicked spirits, it's the simple things that matter most. The silvered point of your rapier flashing in the dark; the iron filings scattered on the floor; the sealed canisters of best Greek Fire, ready as a last resort... But tea bags, brown and fresh and plenty of them, and made (for preference) by Pitkin Brothers of Bond Street, are perhaps the simplest and best of all. OK, they may not save your life like a sword-tip or an iron circle can, and they haven't the protective power of a sudden wall of fire. But they do provide something just as vital. They help keep you sane.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
We can stick anything into the fog and make it look like a ghost but tonight let us not become tragedies. We are not funeral homes with propane tanks in our windows, lookin’ like cemeteries. Cemeteries are just the Earth’s way of not letting go. Let go. Tonight let’s turn our silly wrists so far backwards the razor blades in our pencil tips can’t get a good angle on all that beauty inside. Step into this with your airplane parts. Move forward and repeat after me with your heart: “I no longer need you to fuck me as hard as I hated myself.” Make love to me like you know I am better than the worst thing I ever did. Go slow. I’m new to this. But I have seen nearly every city from a rooftop without jumping. I have realized that the moon did not have to be full for us to love it, that we are not tragedies stranded here beneath it, that if my heart really broke every time I fell from love I’d be able to offer you confetti by now. But hearts don’t break, y’all, they bruise and get better. We were never tragedies. We were emergencies. You call 9 – 1 – 1. Tell them I’m having a fantastic time.
Buddy Wakefield
Did you finish yours, Kota?" "Working on it now, Actually." "How's it going?" He sat up, turning in his chair and holding up his notebook. "I don't know. What rhymes with formaldehyde?" My eyes widened. Gabriel laughed, rubbing his fingers against his forehead. "Dude, what kind of poem are you writing?" Kota blinked at us. "It's about a doctor." "Does the doctor fall in love?" Gabriel asked. "No." "Does someone die?" "Not in the story, technically." "What does he do?" "He performs an autopsy.
C.L. Stone (First Days (The Ghost Bird, #2))
You’re not doing well and finally I don’t have to pretend to be so interested in your on going tragedy, but I’ll rob the bank that gave you the impression that money is more fruitful than words, and I’ll cut holes in the ozone if it means you have one less day of rain. I’ll walk you to the hospital, I’ll wait in a white room that reeks of hand sanitizer and latex for the results from the MRI scan that tries to locate the malady that keeps your mind guessing, and I want to write you a poem every day until my hand breaks and assure you that you’ll find your place, it’s just the world has a funny way of hiding spots fertile enough for bodies like yours to grow roots. and I miss you like a dart hits the iris of a bullseye, or a train ticket screams 4:30 at 4:47, I wanted to tell you that it’s my birthday on Thursday and I would have wanted you to give me the gift of your guts on the floor, one last time, to see if you still had it in you. I hope our ghosts aren’t eating you alive. If I’m to speak for myself, I’ll tell you that the universe is twice as big as we think it is and you’re the only one that made that idea less devastating.
Lucas Regazzi
Being cut off from our own natural self-compassion is one of the greatest impairments we can suffer. Along with our ability to feel our own pain go our best hopes for healing, dignity and love. What seems nonadapative and self-harming in the present was, at some point in our lives, an adaptation to help us endure what we then had to go through. If people are addicted to self-soothing behaviours, it's only because in their formative years they did not receive the soothing they needed. Such understanding helps delete toxic self-judgment on the past and supports responsibility for the now. Hence the need for compassionate self-inquiry.
Gabor Maté (In the Realm of Hungry Ghosts: Close Encounters with Addiction)
And without you is how I disappear, And live my life alone forever now. And without you is how I disappear, And live my life alone forever now. Who walks among the famous living dead, Drowns all the boys and girls inside your bed. And if you could talk to me, Tell me if it's so, That all the good girls go to heaven. Well, heaven knows That without you is how I disappear, And live my life alone forever now. And without you is how I disappear, And live my life alone forever now. Can you hear me cry out to you? Words I thought I'd choke on figure out. I'm really not so with you anymore. I'm just a ghost, So I can't hurt you anymore, And now, you wanna see how far down I can sink? Let me go, fuck! So, you can, well now so, you can I'm so far away from you. Well now so, you can. And without you is how I disappear, And without you is how I disappear, Whoa whoa... (And without you is how I disappear) Whoa whoa... (And without you... is how, is how, is how...) Forever, forever now!
Gerard Way
Because who knows? Who knows anything? Who knows who's pulling the strings? Or what is? Or how? Who knows if destiny is just how you tell yourself the story of your life? Another son might not have heard his mother's last words as a prophecy but as drug-induced gibberish, forgotten soon after. Another girl might not have told herself a love story about a drawing her brother made. Who knows if Grandma really thought the first daffodils of spring were lucky or if she just wanted to go on walks with me through the woods? Who knows if she even believed in her bible at all or if she just preferred a world where hope and creativity and faith trump reason? Who knows if there are ghosts (sorry, Grandma) or just the living, breathing memories of your loved ones inside you, speaking to you, trying to get your attention by any means necessary? Who knows where the hell Ralph is? (Sorry, Oscar.) No one knows. So we grapple with the mysteries, each in our own way.
Jandy Nelson (I'll Give You the Sun)
Why do I have to do this?" Gator demanded. Cuz you're such a pretty boy. Our photographer isn't going to fall for one of us as the tied up model," Nico pointed out. Dumbest plan you've ever come up with," Gator rumbled. "Offering myself all trussed up like a Christmas turkey to a serial killer who likes to torture people isn't too smart.
Christine Feehan (Murder Game (GhostWalkers, #7))
He pulled away abruptly - self-preservation required it - and pressed his brow to hers, breathing deep. "You remember one thing. You decide you want to get married, it's going to be me." Briony watched him stalk outside, slamming the kitchen door behind him. Both eyebrows raised, she turned to Ken. Close your mouth, honey. That's just Jack trying to be romantic and failing miserably. Don't let him get away with that shit either. If he's going to ask you, make him do it all they way. You know - down on one knee, looking stupid." Briony nearly choked. "That's just mean, Ken." He leaned close to her. "If you do it, Briony, tell me first so I can videotape it. I could blackmail him for the rest of his life.
Christine Feehan (Conspiracy Game (GhostWalkers, #4))
How do you plan to scare people tonight?" asked a hollow-voiced spector. "I'll wait until they sit down to supper, then scream whenever someone sticks his knife in his meat." I'll haunt the bedchambers," said another. "A bloody ax at midnight always gets a good reaction." A ghost with a purplish tinge to his aura spoke next. "I can top both of you. I'm going to dress like a guard and haunt the privy. I'll hide in the hole and when anyone sits down I'll wail, 'Who goes there? State your business!
E.D. Baker (Once Upon a Curse (The Tales of the Frog Princess, #3))
Be strong! … You talk of ghosts and devils. We are the living devils. The sign of life is strength and growth. The sign of death is weakness. Whatever is weak, avoid! It is death. If it is strength, go down into hell and get hold of it! There is salvation only for the brave. "None but the brave deserves the fair." None but the bravest deserves salvation.
Swami Vivekananda
Thaniel listened for a while longer, because the silence was so deep and clear that he could hear ghosts of the thirty-six of thirty-seven possible worlds in which Grace had not won at the roulette, and not stepped backward into him. He wished then that he could go back and that the ball had landed on another number. He would be none the wiser and he would be staying at Filigree Street, probably for years, still happy, and he wouldn't have stolen those years from a lonely man who was too decent to mention that they were missing.
Natasha Pulley (The Watchmaker of Filigree Street (The Watchmaker of Filigree Street, #1))
I'm so glad you're okay." "So, how do we celebrate my okayness? It's my day off. Let's go crazy. Glow-in-the-dark bowling?" "No" "I'll let you use the kiddie ball." "Shut up. I do NOT need the kiddie ball." "The way you bowl, I think you might." He grabbed her in an exaggerated formal dance pose and whirled her around, backpack and all, which didn't make her any more graceful. "Ballroom dancing?" "Are you INSANE?" "Hey, girls who tango are hot." "You think I'm not hot because I don't tango?" He dropped the act. Shane was a smart boy. "I think you are too hot for ballroom or bowling. So you tell me. What do you want to do? And don't say study.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
You're seriously going to worry about what people think right now?" "No, I'm worrying about people taking pictures and putting them on Facebook. That crap never dies. Kind of like you, Mikey." Michael, straight-faced, said, "He's got a point, because I would definitely take pictures. So would you." Eve had to grin. "Yeah, I would. Okay, then. But you'd look glam. I could fix you up with silver eye shadow to match.
Rachel Caine
I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.  I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer. We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?” He, of course, replied, “No.” “Well, we’re going to a better place.” When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds. Malison moved beside me. “It’s a graveyard.” “Are you afraid of ghosts?” I asked. “My father’s a ghost,” he whispered. I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would.  He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.  Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path. “Aren’t you going to show me?” Malison prompted, as if to echo my prayer.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
You just like to piss me off,” Jack said. “Well, there’s that. On the other hand, we’ll find out really fast just how much of a bastard you’re going to be to live with—with your woman around. You get out of line, and I’ll have to take you out behind the barn.” “We don’t have a barn.” “I told you we needed a barn, damn it,” Ken said. “You had to have a shop. It doesn’t sound the same saying I’m taking you out behind the shop.
Christine Feehan (Conspiracy Game (GhostWalkers, #4))
The gospel is preached in the ears of all men; it only comes with power to some. The power that is in the gospel does not lie in the eloquence of the preacher otherwise men would be converters of souls. Nor does it lie in the preacher’s learning; otherwise it could consists of the wisdom of men. We might preach till our tongues rotted, till we should exhaust our lungs and die, but never a soul would be converted unless there were mysterious power going with it – the Holy Ghost changing the will of man. O Sirs! We might as well preach to stone walls as preach to humanity unless the Holy Ghost be with the word, to give it power to convert the soul.
Charles Haddon Spurgeon
Percy glanced over. He saw the fallen giant and seemed to understand what was happening. He yelled something that was lost in the wind, probably: Go! Then he slammed Riptide into the ice at his feet. The entire glacier shuddered. Ghosts fell to their knees. Behind Percy, a wave surged up from the bay-a wall of gray water even taller than the glacier. Water shot from the chasms and crevices in the ice. As the wave hit, the back half of the camp crumbled. The entire edge of the glacier peeled away, cascading into the void-carrying buildings, ghosts, and Percy Jackson over the edge.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time
Bob Dylan
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
Bob Dylan (Chronicles, Volume One)
Rose," Alberta said, leaning toward me. "I'm going to be blunt with you. I'm not going to give you lectures or demand any explanations. Honestly, since you aren't my student anymore, I don't have the right to ask or tell you anything." "You can lecture," I told her. "I've always respected you and want to hear what you have to say." The ghost of a smile flashed on her face. "All right, here it is. You screwed up." "Wow. You weren't kidding about bluntness." "The reasons don't matter. You shouldn't have left. You shouldn't have dropped out. Your education and training are too valuable—no matter how much you think you know—and you are too talented to risk throwing away your future." I almost laughed. "To tell you the truth? I'm not sure what my future is anymore." "Which is why you need to graduate." "But I dropped out." She snorted. "Then drop back in!" "I—what? How?" "With paperwork. Just like everything else in the world.
Richelle Mead (Blood Promise (Vampire Academy, #4))
People are going to come into your life, and God is going to use them to help you. To them you’re insignificant and don’t matter. They are not going to understand you, or even see the point of why God had you hang in there with them for so long. Remember this: Sometimes meeting someone has nothing to do with what you can provide for him or her and everything to do with what God needs you to recognize in that person. If you didn’t understand the message, God will keep sending the same person or situation into your life.
Shannon L. Alder
So we gave up. I'd finally had enough of chasing after a ghost who did not want to be discovered. We'd failed, maybe, but some mysteries aren't meant to be solved. I still did not know her as I wanted to, but I never could. She made it impossible for me. And the accicide, the student, would never be anything else, and I was left to ask, Did I help you toward a fate you didn't want, Alaska, or did I assist your willful self-destruction? Because they are different crimes, and I didn't know whether to feel angry at her for making me part of her suicide or just to feel angry at myself for letting her go.
John Green (Looking for Alaska)
A pale, slightly luminescent form materialized in front of us. Mason. He looked the same as ever-or did he? The usual sadness was there, but I could see something else, something else I couldn't quite put my finger on. Panic? Frustration? I could have almost sworn it was fear, but honestly, what would a ghost have to be afraid of. "What's wrong?" asked Dimitri. "Do you see him?" I whispered. Dimitri followed my gaze. "See who?" "Mason." Mason's troubled expression grew darker. I might not have been able to adequately identify it, but I knew it wasn't anything good. The nauseous feeling within me intensified, but somehow, I knew it had nothing to do with him. "Rose...we should go back..." said Dimitri carefully. He still wasn't on board with me seeing ghosts. But I didn't move. Mason's face was saying something else to me-or trying to. There was something here, something important that I needed to know. But he couldn't communicate it. "What?" I asked. "What is it?" A look of frustration crossed his face. He pointed off behind me, the dropped his hand. "Tell me," I said, my frustration mirroring his. Dimitri was looking back and forth between me and Mason, though mason was probably only and empty space to him. I was too fixated on Mason to worry what Dimitri might think. There was something here. Something big. Mason opened his mouth, wanting to speak as in previous times but still unable to get the words out. Except, this time, after several agonizing seconds, he managed it. The words were nearly inaudible. "They're...coming....
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
You come to this place, mid-life. You don’t know how you got here, but suddenly you’re staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn’t. When the midwife says, ‘It’s a boy,’ where does the girl go? When you think you’re pregnant, and you’re not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines.
Hilary Mantel (Giving Up the Ghost)
I keep thinking it's going to come back when I least expect it. When I'm at my happiest. So I'm always afraid to be happy." Zane looks out at the horizon. "You know, there are so many things that can go wrong in this world, you could spend your whole life worrying about them and forget to appreciate every moment you have with someone. Then, you're like, 'God, why wasn't I thankful for what I had when I had it?'" He glances over at me. "You know what the secret to a happy life is?" I shake my head, silent tears falling down my cheeks. He squeezes my hand. "No regrets. Just live in the moment.
Nicole Christie (Falling for the Ghost of You)
You’re safe now,” Rider said. “I here. You’re safe, Mouse. And I know you might not believe it, but I’m going to keep you safe forever.” He swallowed and swiped at his lip. “That’s a promise.” Forever. He’s promised he’d be there for me forever. But I was of the mind that there were two types of forever. The good kind. The bad kind. I’d learned early on that the good kind of forever was,well, it was a lie. That kind of forever literally and figuratively ended in flames, because no matter how tightly you tried to hold on, that kind of forever slipped between the fingers. The bad kind of forever lingered like a shadow or ghost. No matter what. It stayed, always in the background.
Jennifer L. Armentrout (The Problem with Forever)
What was she thinking?” muttered Alexander, closing his eyes and imagining his Tania. “She was determined. It was like some kind of a personal crusade with her,” Ina said. “She gave the doctor a liter of blood for you—” “Where did she get it from?” “Herself, of course.” Ina smiled. “Lucky for you, Major, our Nurse Metanova is a universal donor.” Of course she is, thought Alexander, keeping his eyes tightly shut. Ina continued. “The doctor told her she couldn’t give any more, and she said a liter wasn’t enough, and he said, ‘Yes, but you don’t have more to give,’ and she said, ‘I’ll make more,’ and he said, ‘No,’ and she said, ‘Yes,’ and in four hours, she gave him another half-liter of blood.” Alexander lay on his stomach and listened intently while Ina wrapped fresh gauze on his wound. He was barely breathing. “The doctor told her, ‘Tania, you’re wasting your time. Look at his burn. It’s going to get infected.’ There wasn’t enough penicillin to give to you, especially since your blood count was so low.” Alexander heard Ina chuckle in disbelief. “So I’m making my rounds late that night, and who do I find next to your bed? Tatiana. She’s sitting with a syringe in her arm, hooked up to a catheter, and I watch her, and I swear to God, you won’t believe it when I tell you, Major, but I see that the catheter is attached to the entry drip in your IV.” Ina’s eyes bulged. “I watch her draining blood from the radial artery in her arm into your IV. I ran in and said, ‘Are you crazy? Are you out of your mind? You’re siphoning blood from yourself into him?’ She said to me in her calm, I-won’t-stand-for-any-argument voice, ‘Ina, if I don’t, he will die.’ I yelled at her. I said, ‘There are thirty soldiers in the critical wing who need sutures and bandages and their wounds cleaned. Why don’t you take care of them and let God take care of the dead?’ And she said, ‘He’s not dead. He is still alive, and while he is alive, he is mine.’ Can you believe it, Major? But that’s what she said. ‘Oh, for God’s sake,’ I said to her. ‘Fine, die yourself. I don’t care.’ But the next morning I went to complain to Dr. Sayers that she wasn’t following procedure, told him what she had done, and he ran to yell at her.” Ina lowered her voice to a sibilant, incredulous whisper. “We found her unconscious on the floor by your bed. She was in a dead faint, but you had taken a turn for the better. All your vital signs were up. And Tatiana got up from the floor, white as death itself, and said to the doctor coldly, ‘Maybe now you can give him the penicillin he needs?’ I could see the doctor was stunned. But he did. Gave you penicillin and more plasma and extra morphine. Then he operated on you, to get bits of the shell fragment out of you, and saved your kidney. And stitched you. And all that time she never left his side, or yours. He told her your bandages needed to be changed every three hours to help with drainage, to prevent infection. We had only two nurses in the terminal wing, me and her. I had to take care of all the other patients, while all she did was take care of you. For fifteen days and nights she unwrapped you and cleaned you and changed your dressings. Every three hours. She was a ghost by the end. But you made it. That’s when we moved you to critical care. I said to her, ‘Tania, this man ought to marry you for what you did for him,’ and she said, ‘You think so?’ ” Ina tutted again. Paused. “Are you all right, Major? Why are you crying?
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
You once told me you could stand many things.” My voice was raspy from all the emotions battering against those well-honed inner defenses. “So can I. I can stand whatever Apollyon dishes out, can take the bigotry from others over what I am, the freaky ghost juju from Marie, all the craziness my mother can throw at me, and even the pain of my uncle dying. But the one thing that I would never, ever recover from would be losing you. You made me promise before to go on if that happened, but Bones”—here my words broke and tears spilled down my cheeks—“I wouldn’t want to.” He’d been near the side of the bed when I started talking, but was in my arms before the first tear fell. Very softly, his lips brushed over those wet streaks, coming back pink from the drops still shimmering on them. “No matter what happens, you will never lose me,” he whispered. “I am forever yours, Kitten, in this life or the next.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
We are going to die, and that makes us the lucky ones. Most people are never going to die because they are never going to be born. The potential people who could have been here in my place but who will in fact never see the light of day outnumber the sand grains of Arabia. Certainly those unborn ghosts include greater poets than Keats, scientists greater than Newton. We know this because the set of possible people allowed by our DNA so massively exceeds the set of actual people. In the teeth of these stupefying odds it is you and I, in our ordinariness, that are here. After sleeping through a hundred million centuries we have finally opened our eyes on a sumptuous planet, sparkling with colour, bountiful with life. Within decades we must close our eyes again. Isn't it a noble, an enlightened way of spending our brief time in the sun, to work at understanding the universe and how we have come to wake up in it? This is how I answer when I am asked -- as I am surprisingly often -- why I bother to get up in the mornings. To put it the other way round, isn't it sad to go to your grave without ever wondering why you were born? Who, with such a thought, would not spring from bed, eager to resume discovering the world and rejoicing to be a part of it?
Richard Dawkins (Unweaving the Rainbow: Science, Delusion and the Appetite for Wonder)
When you ignore your belly, you become homeless. You spend your life trying to erase your own existence. Apologizing for yourself. Feeling like a ghost. Eating to take up space, eating to give yourself the feeling that you have weight here, you belong here, you are allowed to be yourself -- but never quite believing it because you don't sense yourself directly. . . . I started teaching a simple belly meditation in which I asked people to become aware of sensations in their belly (numbness and emptiness count as sensations). Every time their mind wandered . . . I asked them to begin counting their breaths so they could anchor their concentration. Starting with the number one and saying it on the out breath, they'd count to seven and begin again. If they were able to stay concentrated on the sensations in their belly centers, they didn't need to use counting as a concentration anchor. . . . you begin the process of bringing yourself back to your body, to your belly, to your breath because they -- not the mind medleys -- are here now. And it is only here, only now that you can make a decision to eat or not eat. To occupy your own body or to vacate your arms and your legs while still breathing and go through your days as a walking head. . . . Meditation is a tool to shake yourself awake. A way to discover what you love. A practice to return yourself to your body when the mind medleys threaten to usurp your sanity.
Geneen Roth (Women, Food and God: An Unexpected Path to Almost Everything)
I saw thee once - only once - years ago: I must not say how many - but not many. It was a July midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber, Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared stir, unless on tiptoe - Fell on the upturn'd faces of these roses That gave out, in return for the love-light, Their odorous souls in an ecstatic death - Fell on the upturn'd faces of these roses That smiled and died in the parterre, enchanted By thee, and by the poetry of thy presence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell upon the upturn'd faces of the roses, And on thine own, upturn'd - alas, in sorrow! Was it not Fate, that, on this July midnight - Was it not Fate, (whose name is also Sorrow,) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footsteps stirred: the hated world all slept, Save only thee and me. (Oh, Heaven! - oh, G**! How my heart beats in coupling those two words!) Save only thee and me. I paused - I looked - And in an instant all things disappeared. (Ah, bear in mind the garden was enchanted!) The pearly lustre of the moon went out: The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All - all expired save thee - save less than thou: Save only divine light in thine eyes - Save but the soul in thine uplifted eyes. I saw but them - they were the world to me. I saw but them - saw only them for hours - Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a wo! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition! yet how deep - How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into a western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go - they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me - they lead me through the years. They are my ministers - yet I their slave. Their office is to illumine and enkindle - My duty, to be saved by their bright fire, And purified in their electric fire, And sanctified in their elysian fire. They fill my soul with Beauty (which is Hope,) And are far up in Heaven - the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still - two sweetly scintillant Venuses, unextinguished by the sun!
Edgar Allan Poe (The Raven and Other Poems)
Shall I tell you a story? A new and terrible one? A ghost story?" The voice, a faint echo in the cave, belongs to Felicity. She turns around on the rock, faces us, wraps her arms across bent knees, hugging them close. "Are you ready? Shall I begin? Once upon a time there were four girls. One was pretty. One was clever. One charming, and one..." She glances at me. "One was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood. Big dreams. Oh, I left that part out. Sorry, that should have come before. They were all dreamers, these girls." Felicity...," I start, because it's her and not the story that's beginning to frighten me. You wanted a story, and I'm going to give you one." Lightning shoots across the cave walls, bathing half her face in light, the other in shadows. "One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? Pippa? Ann?" Felicity." Pippa sounds anxious. "Let's go back and have a nice cup of tea. It's too cold out here." Felicity's voice expands, fills the space around us, a bell tolling. "Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were--damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn't true. This is a ghost story, remember? A tragedy." The lightning's back, a big one, two, three of light that lets me see Felicity's face, slick with tears, nose running. "They were mislead. Betrayed by their own stupid hopes. Things couldn't be different for them, because they weren't special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. What can't be.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
To Helen I saw thee once-once only-years ago; I must not say how many-but not many. It was a july midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared to stir, unless on tiptoe- Fell on the upturn'd faces of these roses That gave out, in return for the love-light Thier odorous souls in an ecstatic death- Fell on the upturn'd faces of these roses That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell on the upturn'd faces of the roses And on thine own, upturn'd-alas, in sorrow! Was it not Fate that, on this july midnight- Was it not Fate (whose name is also sorrow) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footstep stirred; the hated world all slept, Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!) Save only thee and me. I paused- I looked- And in an instant all things disappeared. (Ah, bear in mind this garden was enchanted!) The pearly lustre of the moon went out; The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All- all expired save thee- save less than thou: Save only the divine light in thine eyes- Save but the soul in thine uplifted eyes. I saw but them- they were the world to me. I saw but them- saw only them for hours- Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a woe! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition!yet how deep- How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go- they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me- they lead me through the years. They are my ministers- yet I thier slave Thier office is to illumine and enkindle- My duty, to be saved by thier bright light, And purified in thier electric fire, And sanctified in thier Elysian fire. They fill my soul with Beauty (which is Hope), And are far up in heaven- the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still- two sweetly scintillant Venuses, unextinguished by the sun!
Edgar Allan Poe