Full Funny Quotes

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It's not because I want to make out with her." Hold on." He grabbed a pencil and scrawled excitedly at the paper as if he'd just made a mathematical breakthrough and then looked back up at me. "I just did some calculations, and I've been able to determine that you're full of shit
John Green (Looking for Alaska)
I've got the Mark of Cain," said Simon. "That means nothing can kill me, right?" "You can kill yourself," Magnus said, somewhat unhelpfully. "As far as I know, inanimate objects can accidentally kill you. So if you were planning on teaching yourself the lambada on a greased platform over a pit full of knives, I wouldn't." "There goes my Saturday.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Life is a funny thing. We only get so many years to live it, so we have to do everything we can to make sure those years are as full as they can be. We shouldn't waste time on things that might happen someday, or maybe even never.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Haven't you ever heard of the saying, "If you want to shoot the general, first shoot the horse!"?' --Lin If you wanna shoot the general, then you should just SHOOT THE GENERAL!' --Ed
Hiromu Arakawa (Fullmetal Alchemist, Vol. 14 (Fullmetal Alchemist, #14))
You're insane!" she shouted. "Pretty cool, huh?" "No!"Tally yelled. "Why didn't you tell me it was broken?" Shay shrugged. "More fun that way?" "More fun?" Her heart beating fast,her vision strangely clear. She was full of anger and relief and...joy. "Well, kind of. But you suck!
Scott Westerfeld (Uglies (Uglies, #1))
It's funny: I always imagined when I was a kid that adults had some kind of inner toolbox full of shiny tools: the saw of discernment, the hammer of wisdom, the sandpaper of patience. But then when I grew up I found that life handed you these rusty bent old tools - friendships, prayer, conscience, honesty - and said 'do the best you can with these, they will have to do'. And mostly, against all odds, they do.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
You are going to love the sports here. Snow skiing and water-skiing and rock climbing and all kinds of extreme sports. I give you full permission to hurl yourself off stuff.
Cynthia Hand (Unearthly (Unearthly, #1))
We look into each other's eyes as we shake. His are still full of death and horror, but in them I see my face reflected, and inside my tiny eyes inside his, I think I see some hope.
Ned Vizzini (It's Kind of a Funny Story)
SHUT UP. Both of you. You're coming with me." To me he said, "Put some pants on." "Fuck you. This is my house. I make the rules. You take your clothes off. John, get the Twister mat.
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
Her lips full and inviting, she has an infectious laugh and glassy cackle in her eyes, and a 2000 volt sexual charisma that beckons me like a fluff girl on scuffed knees.
Brett Tate
We still have a lot to talk about," I said. "Talk?" He shook his head, his eyes full of desire. Kiss, he whispered to my thoughts.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
It's a good thing Jack was no longer in my hands, because I would've pulled a full-on Kylo Ren temper tantrum.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
He told me that if you yelled out "JAMBA!" at full volume, all the employees would yell back "JUICE!" He lied.
Morgan Matson (Amy & Roger's Epic Detour)
So it's true what they say about warlocks, then?" Alec gave him a very unpleasant look. "What's true?" "Alexander," said Magnus coldly, and Clary met Simon's eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. "You can't be rude to everyone who talks to me." Alec made a wide, sweeping gesture. "And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He's pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good-looks type." "Hey, now," said Jordan mildly. Magnus put his head in his hands. "Or there are plenty of pretty girls here, since apparently your taste goes both ways, Is there anything you aren't into?" "Mermaids," said Magnus into his fingers. "They always smell like seaweed." "It's not funny," Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Hmm… I’m having this strange sense of déjà vu, except you were telling me to stay out of your training business, and I told you how weird—” “That’s funny.” Aiden’s full lips twisted into a smirk. “I’m having the same feeling, except I said you should—” “Oh, for the love of baby daimons everywhere, I’m ready to start practice.” I pushed up from the chair.
Jennifer L. Armentrout (Pure (Covenant, #2))
     Illicit flight Alfa Bravo Charlie quickly reached a predetermined altitude and stopped dead. The passengers on board screamed the way people do on fairground rides. The shuttle hesitated momentarily and then shot forward accelerating rapidly to reach a blistering 145,222 miles per hour. They were in a Mach 22 situation. The cries from on-board could not be heard from the ground. Neither did anyone in the great metropolis of Llar witness the bright blue vapour trail the craft left behind in its wake. It was after all overcast and raining heavily.
A.R. Merrydew (Our Blue Orange)
I don’t understand you, Pigeon. I thought I knew women, but you’re so fucking confusing I don’t know which way is up.” “I don’t understand you, either. You’re supposed to be Eastern’s ladies’ man. I’m not getting the full freshmen experience they promised in the brochure,” I teased.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
All right I think we've been down here in the dark long enough. There's a whole other world upstairs. Take my hand, Constant Reader, and I'll be happy to lead you back into the sunshine. I'm happy to go there because I believe most people are essentially good. I know that I am. It's you I'm not entirely sure of.
Stephen King (Full Dark, No Stars)
Bastian looked at the book. 'I wonder,' he said to himself, 'what's in a book while it's closed. Oh, I know it's full of letters printed on paper, but all the same, something must be happening, because as soon as I open it, there's a whole story with people I don't know yet and all kinds of adventures, deeds and battles. And sometimes there are storms at sea, or it takes you to strange cities and countries. All those things are somehow shut in a book. Of course you have to read it to find out. But it's already there, that's the funny thing. I just wish I knew how it could be.' Suddenly an almost festive mood came over him. He settled himself down, picked up the book, opened it to the first page, and began to read...
Michael Ende (The Neverending Story)
It wasn't that Nanny Ogg sang badly. It was just that she could hit notes which, when amplified by a tin bath half full of water, ceased to be sound and became some sort of invasive presence.
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
   ‘I knew it, I knew it, I damn well knew it,’ he shouted. ‘The President was right you’re all infected with this wretched MeMe chromosome even at the dawn of your pathetic little planet’s evolution. You do realise of course there’s no hope for you. It’s all going to be a complete and utter waste of time. You and your little planet are all doomed.
A.R. Merrydew (Our Blue Orange)
They came out in a dim, damp basement - a generic sort of place, full of moulding boxes. 'You take me to the nicest places,' Claire said, and sneezed.
Rachel Caine (Carpe Corpus (The Morganville Vampires, #6))
You know the funny thing about regrets?" Jordan said, his eyes full of mischief. "You don't know you're going to have them until afterwards.
Lynette Noni (Vardaesia (The Medoran Chronicles, #5))
Shaga: How would you like to die, little man? Tyrion: In my bed, at the age of eighty with a belly full of wine and a woman's mouth around my cock.
George R.R. Martin
It was a full Spears album, apparently, and each song was as ridiculous as the one before. They were catchy, yes, but so was the plague.
Heidi Cullinan (Dance With Me (Dancing, #1))
You were just thinking dirty thoughts.” “Was not,” I quip. “Fallon, we’ve been dating for two hours now. I can read you like a book,and right now I do believe that book is full of erotica.
Colleen Hoover (November 9)
Lily. Life is a funny thing. We only get so many years to live it, so we have to do everything we can to make sure those years are as full as they can be. We shouldn’t waste time on things that might happen someday, or maybe even never.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
I’m supposed to figure out if the glass is half full or half empty,” I told her. Without a moment’s hesitation, in a split second, my grandmother shrugged and said: “It depends on if you’re drinking or pouring.
Bill Cosby
How easy it is for so many of us today to be undoubtedly full of information yet fully deprived of accurate information.
Criss Jami (Healology)
Glass half full, or glass half empty, what am I? The answer? I'm not the bloody glass, I'm the fucking tap! Meaning, whatever my glass decides to be on a certain day, empty or full, I control how I feel and the flow of the milkshake inside it
Jimmy Tudeski (Comedian Gone Wrong)
Are there any other missing persons living under your roof? Elvis? Jimmy Hoffa? Amelia Earhart? I'd just like full disclosure now, before we go any further.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
you're so full of shit, you ought to be a cow manure
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
Pull something out and show me.” I said thoughtlessly. Isaac started snickering, Ethan joined in. Asher was holding back a laugh, his cheeks turning pink. I thought about what I said and started laughing. There are just some things you can’t say in a room full of guys.
B.L. Brunnemer (Trying to Live With the Dead (The Veil Diaries #1))
No, no, no! I am not giving birth backstage at a rock concert. I need to be in a hospital, pumped full of every drug that they can legally give me! I was so shocked, my only repsonse was, 'Well, he was conceived backstage at a concert, so it's sort of fitting for him to be born at one.
S.C. Stephens (Reckless (Thoughtless, #3))
We’re at the crematorium having lunch,”—which struck Torn as a darkly funny thing to say—“but I’m glad you called.
L.M. Weeks (Bottled Lightning)
Day in, day out, you peel the layers back for me. Smart mouth, funny, sweet, wild in bed. Chattin' with bikers like they were insurance brokers. Holdin' my girl's hand, givin' her strength when her Mom's bein' a bitch. Keepin' your chin up when your people show in the middle of a full blown drama. But so fuckin' vulnerable, you're scared shitless of livin' life." "You don't know me, Tack." His head came up and his eyes pierced mine. "I know you, Tyra." "You don't." "Life's a roller coaster. Best damn ride in the park. You don't close your eyes, hold on and wait for it to be over, babe. You keep your eyes open, lift your hands straight up in the air and enjoy the ride for as long as it lasts.
Kristen Ashley (Motorcycle Man (Dream Man, #4))
I'd always thought that my awkwardness was a thin veil disguising the real me. The me that was funny and could write songs that touched people. The me that would one day find some beautiful, intelligent boy who'd recognize me as his soul mate. The me who was secretly pretty and stylish if only someone would lift the veil and see. But I was beginning to suspect that underneath the awkwardness there was just more awkwardness and not much else. And that would explain why I stood in a room full of people and felt like the loneliest girl in the world.
Sarra Manning (Guitar Girl)
We were surrounded by thirty-foot-tall giants who were about to kill us. Then the sky opened up, and the gods descended." "Grandad," the kids said, "you are full of schist." "I'm not kidding!" he protested.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Humans are so Funny. So much moralising about words while at the same time thinking it perfectly "moral" to pepper-bomb cities full of people to protect them from violence.
David Icke (Remember Who You Are: Remember Where You Are and Where You Come from)
I read the title from the cover. ' 'The joy of... crap.' ' I read the rest of the full title of the thick, nondescript volume to myself and felt myself redden. Noah turned over on to his side and said with mock seriousness, 'I have never read 'The Joy Of Crap'. Sounds disgusting.' I blushed deeper. 'I have, however, read 'The Joy Of Sex.' ' He continued, a smile transforming his face. 'Not in a while, but I think it's one of those classics you can come back to again... and again.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
Damn it! I knew she was a monster! John! Amy! Listen! Guard your buttholes.
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
The wardrobe? It was so full of gowns that he didn't think he could cram himself inside. Besides, it would be awkward if the maid came in to lay out a gown for dinner and grabbed Oliver instead of the blue silk with lace sleeves.
Jessica Day George (Princess of the Silver Woods (The Princesses of Westfalin Trilogy, #3))
On the other hand the Nac Mac Feegle were always looking for a fight, in a cheerful sort of way, and when they had no one to fight they fought one another, and if one was all by himself he’d kick his own nose just to keep in practice.
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
Spider venom comes in many forms. It can often take a long while to discover the full effects of the bite. Naturalists have pondered this for years: there are spiders whose bite can cause the place bitten to rot and to die, sometimes more than a year after it was bitten. As to why spiders do this, the answer is simple. It's because spiders think this is funny, and they don't want you ever to forget them.
Neil Gaiman (Anansi Boys)
Well, what do you want me to say?' The Doctor was so angry he was almost hovering. 'Well done on marrying the only male nurse not to have a full set of Barbara Streisand records? Why did you pick him, anyway? Were there no flight attendants in your village?' 'Only Jeff,' [Amy replied]. 'Ah.'... 'I picked Rory, always Rory, because he is just like you,' I [Amy] yelled at him. 'He is sweet and understanding and funny and he always tries to do the right thing. Plus you both run the same way.' 'We do not.' 'Do so.
James Goss (Doctor Who: Dead of Winter)
I, too, overflow; my desires have invented new desires, my body knows unheard-of songs. Time and again I, too, have felt so full of luminous torrents that I could burst-burst with forms much more beautiful than those which are put up in frames and sold for a fortune. And I, too, said nothing, showed nothing; I didn't open my mouth, I didn't repaint my half of the world. I was ashamed. I was afraid, and I swallowed my shame and my fear. I said to myself: You are mad! What's the meaning of these waves, these floods, these outbursts? Where is the ebullient infinite woman who...hasn't been ashamed of her strength? Who, surprised and horrified by the fantastic tumult of her drives (for she was made to believe that a well-adjusted normal woman has a ...divine composure), hasn't accused herself of being a monster? Who, feeling a funny desire stirring inside her (to sing, to write, to dare to speak, in short, to bring out something new), hasn't thought that she was sick? Well, her shameful sickness is that she resists death, that she makes trouble.
Hélène Cixous
Beati bellicosi. Blessed are the warriors.” “Good organization,” said Magnus. “I knew the man who founded it, back in the 1800s. Woolsey Scott. Respectable old werewolf family.” Alec made an ugly sound in the back of his throat. “Did you sleep with him, too?” Magnus’s cat eyes widened. “Alexander!” “Well, I don’t know anything about your past, do I?” Alec demanded. “You won’t tell me anything; you just say it doesn’t matter.” Magnus’s face was expressionless, but there was a dark tinge of anger to his voice. “Does this mean every time I mention anyone I’ve ever met, you’re going to ask me if I had an affair with them?” Alec’s expression was stubborn, but Simon couldn’t help having a flash of sympathy; the hurt behind his blue eyes was clear. “Maybe.” “I met Napoleon once,” said Magnus. “We didn’t have an affair, though. He was shockingly prudish for a Frenchman.” “You met Napoleon?” Jordan, who appeared to be missing most of the conversation, looked impressed. “So it’s true what they said about warlocks, then?” Alec gave him a very unpleasant look. “What’s true?” “Alexander,” said Magnus coldly, and Clary met Simon’s eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. “You can’t be rude to everyone who talks to me.” Alec made a wide, sweeping gesture. “And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He’s pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good looks type.” “Hey, now,” said Jordan mildly. Magnus put his head in his hands. “Or there are plenty of pretty girls here, since apparently your taste goes both ways. Is there anything you aren’t into?” “Mermaids,” said Magnus into his fingers. “They always smell like seaweed.” “It’s not funny,” Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Jane. You’ve got to see this!” His voice was full of the honey-baked accent of old Virginia money. As Blue staggered up the hill, telescope on her shoulder, she mentally tested the danger level: Am I in love with him yet? Gansey galloped down the hill to snatch he telescope from her. “This isn’t that heavy,” he told her, and strode back the way he’d come. She did not think she was in love with him. She hadn’t been in love before, but she was still pretty sure she’d be able to tell. Earlier in the year, she had had a vision of kissing him, and she could still picture that quite easily. But the sensible part of Blue, which was usually the only part of her, thought that had more to do with Richard Campbell Gansey III having a nice mouth than with any blossoming romance. Anyway, if fate thought it would tell her who to fall for, fate had another thing coming. Gansey added, “I would’ve thought you had more muscles. Don’t feminists have big muscles?” Decidedly not in love with him. “Smiling when you say that doesn’t make it funny,” Blue said.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Mooooon!” said the Ogre. “Tranquility …” Then he pointed at the full moon. “Neil Armstrong walked in a sea of tranquility.” Then he added, “It’s made of cheese. But you have to take off the plastic before you put it on a burger.” Mikey sighed. “What’s his story?” the wraith asked. “He’s chocolate,” Mikey said.
Neal Shusterman (Everfound (Skinjacker, #3))
Fang swerved closer to me, big and supremely graceful, like a black panther with wings. Oh, God. I'm so stupid. Forget I just said that. "He needs a Band-Aid," I said. A look passed between me and Fang, full of suppressed humor, relief, understanding,love — Forget I said that too. I don't know what's wrong with me.
James Patterson (Max (Maximum Ride, #5))
Why is she afraid?" he asked. "She's not Anjin-san. Just a little nervous. Please excuse her. She's never seen a foreigner close to before." "Tell her when the moon's full, barbarians sprout horns and fire comes out of our mouths like dragons.
James Clavell (Shōgun (Asian Saga, #1))
World is so full of idiots that you can't even imagine to escape. The only solution is isolation. But it still spares one!
Raheel Farooq
Funny how everything can change in an instant. From death to life. From empty to full. From darkness to light.
Megan Miranda (Fracture (Fracture, #1))
Tried to escape, to block out the fact that I was being eaten alive by arachnids. For some reason the only thing I could replace it with was the image of being eaten by tiny clowns.
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
Love, he realized, was like the daggers he made in his forge: When you first got one it was shiny and new and the blade glinted bright in the light. Holding it against your palm, you were full of optimism for what it would be like in the field, and you couldn't wait to try it out. Except those first couple of nights out were usually awkward as you got used to it and it got used to you. Over time, the steel lost its brand-new gleam, and the hilt became stained, and maybe you nicked the shit out of the thing a couple of times. What you got in return, however, saved your life: Once the pair of you were well acquainted, it became such a part of you that it was an extension of your own arm. It protected you and gave you a means to protect your brothers; it provided you with the confidnece and the power to face whatever came out of the night; and wherever you went, it stayed with you, right over your heart, always there when you needed it. You had to keep the blade up, however. And rewrap the hilt from time to time. And double-check the weight. Funny...all of that was well, duh when it came to weapons. Why hadn't it dawned on him that matings were the same? (From the thoughts of Vishous)
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
Returning his pen to its holder, he told us, 'I will have him gutted with that scythe. I will hang him by his own intestines.' At this piece of dramatic exposition, I could not hep but roll my eyes. A length of intestines would not carry the weight of a child, much less a full grown man.
Patrick deWitt (The Sisters Brothers)
I ran out of the darkened bar into the glaring daylight. it was so bright it took a full minute for my eyes to adjust before i could make out where I'd left my car. Light is funny that way. Too much of it can blind you
Carolee Dean (Take Me There)
Being bigheaded can be as irritating and as dangerous as being small-minded.
Mokokoma Mokhonoana
I wanted Ole Miss to feel special, but mostly I felt that the Ole Miss crowd looked at me like I was just white trash from a town full of trailers.… All was not lost. I saw the movie All The President’s Men, mostly because Robert Redford was the star. The fast-paced world of the Washington Post…captivated me. Sitting in a dark theater that afternoon, I fell in love with the idea of becoming a reporter. That was the movie that clinched my plan to major in journalism and political science…. I'd started Ole Miss as a Lady Rebel but left more rebellious than ladylike.
Karen Hinton (Penis Politics: A Memoir of Women, Men and Power)
Yes, an actual full-sized camel. If you find that confusing, just think how the criosphinx must have felt. Where did the camel come from, you ask? I may have mentioned Walt’s collection of amulets. Two of them summoned disgusting camels. I’d met them before, so I was less than excited when a ton of dromedary flesh flew across my line of sight, plowed into the sphinx, and collapsed on top of it. The sphinx growled in outrage as it tried to free itself. The camel grunted and farted. “Hindenburg,” I said. Only one camel could possibly fart that badly. “Walt, why in the world—?” “Sorry!” he yelled. “Wrong amulet!” The technique worked, at any rate. The camel wasn’t much of a fighter, but it was quite heavy and clumsy. The criosphinx snarled and clawed at the floor, trying unsuccessfully to push the camel off; but Hindenburg just splayed his legs, made alarmed honking sounds, and let loose gas. I moved to Walt’s side and tried to get my bearings.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
The sight of a tree at night full of glowing Clabbert lifestyles, while decorative, attracted too many Muggles wishing to ask why their neighbours still had their Christmas lights up in June.
J.K. Rowling (Fantastic Beasts and Where to Find Them)
High school parties exhausted me because I always felt like I was the only thinking person in a room mostly full of morons obliterating precious IQ points with every gulp of whatever booze they managed to steal out of their parents' liquor cabinets. College parties are exhausting in a diametrically opposite way. They are full of smart, funny people who are all used to being the smartest, funniest person in the room, so they spend the whole party talking over one another, overlapping and overtaking the conversation to prove that they are the smartest, funniest person in the room, if not the entire planet.
Megan McCafferty (Charmed Thirds (Jessica Darling, #3))
Argued with your back-fence neighbor,” Adam said, his voice very gentle. “And watched him when he wasn't looking,” I agreed. “Because every once in a while, especially after a full moon hunt, he'd forget that I could see in the dark, and he'd run around naked in the backyard.” He laughed silently. “I never forgot you could see in the dark,” he admitted.
Patricia Briggs (River Marked (Mercy Thompson, #6))
Dear Josh, Thank you for giving me the most amazing memories. My life growing up was so full because you were in it. Having your love and loving you was always just right. It made sense. You were my home. When I was with you I knew everything would be okay. You dried my tears for me when I was sad. You held my hand when we buried my mother. You made me laugh when the world seemed like it was falling apart. You were every special memory a girl could have. That first kiss will forever be embedded in my brain. It was as funny as it was sweet. Our life together molded me into the woman I’ve become. I understand what it feels like to be loved and cherished because I had that with you. I never doubted my worth because you taught me I was worthy. When you said that one day I would heal I didn’t believe that was possible. Life couldn’t go one without my best friend. There was no room for another guy in my heart. It turns out you were right. You always were. I found him. He is incredible. He is nothing at all like I would have planned. He doesn’t fit into a perfect package. He managed to wiggle into my heart and take over before I knew what was happening. I found that happiness you told me would come along. I’m going to go live that life. I’m sure it will be a wilder ride than I ever imagined and I can’t wait to live it. He’s my home now. I’ll always love you. I’ll never forget you. But this is my goodbye. I wasn’t ready before to let you go. Now, I can move on. Your memory will live on in my heart always. Love, Your Eva Blue
Abbi Glines (While It Lasts (Sea Breeze, #3))
When I set out from the boy's attic window, my head was so full of competing plans and complex stratagems that I didn't look where I was going and flew straight into a chimney. Something symbolic in that. It's what fake freedom does for you.
Jonathan Stroud (The Amulet of Samarkand (Bartimaeus, #1))
Lorelai smirked at Leo, who raised a brow and then glared up at the sky. "The two of you are conspiring against me again, aren't you?" "She just wants to share her lunch with you." Leo blanched. "Last time she shared, I got a face full of rabbit guts from above. Tell your bird to keep her victims to herself.
C.J. Redwine (The Shadow Queen (Ravenspire, #1))
Last winter, when so many Living joined the Dead and our prey became scarce, I watched some of my friends become full-dead. The transition was undramatic. They just slowed down, then stopped, and after a while I realised they were corpses. It disquieted me at first, but it’s against etiquette to notice when one of us dies. I distracted myself with some groaning.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
I'm really feeling more like a Harry Potter to your Ron Weasley and Hermione Granger." "Harry Potter? Someone is awful full of themselves." "And this way Charlie can be always-loyal and cooler than cool Neville Longbottom, and Liam gets to be Sirius." Jase shook his head. "Sirius dies." "Lupin?" "Also dies." "A Weasley twin?" "Liam isn't that funny, and Fred dies." I searched over the entire cast of Harry Potter. "All the cool people die.
Tammy Blackwell (Fate Succumbs (Timber Wolves Trilogy, #3))
Funny hoe everything can change in an instant. From death to life. From empty to full. From darkness to light. Or maybe I just wasn't looking. I hadn't known that light could be a feeling and sound could be a color and a kiss could be both a question and an answer. And that heaven could be the ocean or a person or this moment or something else entirely.
Megan Miranda (Fracture (Fracture, #1))
If I could take away his pain… If there was a way to transfer it from his soul onto mine. I would take it. Without hesitation I would take it all. Maybe that’s how you know you love someone. When you actually feel each tear they cry as if they were your own. When you feel each cut, each bruise, each hit as if you’re the one suffering. I bled for him.& in turn, he bled for her.Funny, how life comes full circle
Rachel Van Dyken (Toxic (Ruin, #2))
You see, the future is a kind of stew, a soup, a vichyssoise of the present and the past. That's how you get the future: You mix up everything you did today with everything you did yesterday and all the days before and everything everyone you ever met did and anyone they ever met, too. And salt and lizard and pearl and umbrellas and typewriters and a lot of other things I'm not at liberty to tell you, because I took vows, and a witch's vows have teeth. Magic is funny like that. It's not a linear thinker. The point is if you mash it all up together and you have a big enough pot and you're very good at witchcraft, you can wind up with a cauldron full of tomorrow.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
It’s funny because my life is full of this: you think you’re escaping, until you run into yourself. Twenty-three years later it turns out that the longest way round is the shortest way home, and I’ve been running in circles since the get-go. What a riot, huh?
Changdictator (Anterograde Tomorrow)
The world is full of unrequited love,' I said finally. 'You and Patrick having problems?' Dad said, reaching around to get the butter out of the fridge. 'No, I was just wondering what you would say if I was a lesbian.' 'Come again?' said Lester. 'I'm having a hard time following this conversation.
Phyllis Reynolds Naylor (Alice on the Outside (Alice, #11))
Hey, guys, I'm going to change,” Tony announced. “You all need to get out of here for a little bit.” “So fucking change. You change in the locker room all the time-what's the bug deal?” Slade asked. Tony groaned and his eyes narrowed at Slade. “Oh. Gotcha!” Slade turned and announced, “Everybody ...
Sidney Halston (Full Contact (Worth the Fight, #2))
Think of what it must have been like in the Scholomance for all those years it was closed,” said Dru, her eyes gleaming with horror-movie delight. “All the way up in the mountains, totally abandoned and dark, full of spiders and ghosts and shadows . . .” "If you want to think about somewhere scary, think about the Bone City,” said Livvy. The City of Bones was where the Silent Brothers lived: It was an underground place of networked tunnels built out of the ashes of dead Shadowhunters. “I’d like to go to the Scholomance,” interrupted Ty. “I wouldn’t,” said Livvy. “Centurions aren’t allowed to have parabatai.” “I’d like to go anyway,” said Ty. “You could come too if you wanted.” “I don’t want to go to the Scholomance,” said Livvy. “It’s in the middle of the Carpathian Mountains. It’s freezing there, and there are bears.” Ty’s face lit up as it often did at the mention of animals. “There are bears?” “Enough chatter,” said Diana.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
The funny thing about almost-dying is that afterward everyone expects you to jump on the happy train and take time to chase butterflies through grassy fields or see rainbows in puddles of oil on the highway. It’s a miracle, they’ll say with an expectant look, as if you’ve been given a big old gift and you better not disappoint Grandma by pulling a face when you unwrap the box and find a lumpy, misshapen sweater. That’s what life is, pretty much: full of holes and tangles and ways to get stuck. Uncomfortable and itchy. A present you never asked for, never wanted, never chose. A present you’re supposed to be excited to wear, day after day, even when you’d rather stay in bed and do nothing. The truth is this: it doesn’t take any skill to almost-die, or to almost-live, either.
Lauren Oliver (Vanishing Girls)
America," he begged. I turned to Maxon. "They're fine. The rebels were slow, and everyone here knows what to do in an emergency." I nodded. We stood there quietly for a minute, and I could tell he was about to move on. "Maxon," I whispered. He turned back, a little surprised to be addressed so casually. "About last night. Let me explain. When they came to prep us, to get us ready to come here, there was a man who told me that I was never to turn you down. No matter what you asked for. Not ever." He was dumbfounded. "What?" "He made it sound like you might ask for certain things. And you said yourself that you hadn't been around many women. After eighteen years...and then you sent the cameras away. I just got scared when you got that close to me." Maxon shook his head, trying to process all this. Humiliation, rage, and disbelief all played across his typically even-tempered face. "Was everyone told this?" he asked, sounding appalled at the idea. "I don't know. I can't imagine many girls would need such a warning. They're probably waiting to pounce on you," I noted, nodding my head toward the rest of the room. He gave a dark chuckle. "But you're not, so you had absolutely no qualms about kneeing me in the groin, right?" "I hit your thigh!" "Oh, please. A man doesn't need that long to recover from a knee to the thigh," he replied, his voice full of skepticism. A laugh escaped me. Thankfully, Maxon join in. Just then another mass hit the windows, and we stopped in unison. For a moment I had forgotten where I was. "So how are you handling a roomful of crying women?" I asked. There was a comical bewilderment in his expression. "Nothing in the world is more confusing!" he whispered urgently. "I haven't the faintest clue how to stop it." This was the man who was going to lead our country: the guy rendered useless by tears. It was too funny.
Kiera Cass (The Selection (The Selection, #1))
How funny you are today New York like Ginger Rogers in Swingtime and St. Bridget’s steeple leaning a little to the left here I have just jumped out of a bed full of V-days (I got tired of D-days) and blue you there still accepts me foolish and free all I want is a room up there and you in it and even the traffic halt so thick is a way for people to rub up against each other and when their surgical appliances lock they stay together for the rest of the day (what a day) I go by to check a slide and I say that painting’s not so blue where’s Lana Turner she’s out eating and Garbo’s backstage at the Met everyone’s taking their coat off so they can show a rib-cage to the rib-watchers and the park’s full of dancers with their tights and shoes in little bags who are often mistaken for worker-outers at the West Side Y why not the Pittsburgh Pirates shout because they won and in a sense we’re all winning we’re alive the apartment was vacated by a gay couple who moved to the country for fun they moved a day too soon even the stabbings are helping the population explosion though in the wrong country and all those liars have left the UN the Seagram Building’s no longer rivalled in interest not that we need liquor (we just like it) and the little box is out on the sidewalk next to the delicatessen so the old man can sit on it and drink beer and get knocked off it by his wife later in the day while the sun is still shining oh god it’s wonderful to get out of bed and drink too much coffee and smoke too many cigarettes and love you so much
Frank O'Hara
It was that time of life: Talents were rising to the surface, weaknesses were beginning to show through, we were finding out what kinds of people we would be. Some would turn out beautiful, some funny, some shy. Some would be smart, others smarter. THe chubby ones would likely always be chubby. THe beloved, I sensed, would be beloved for life. And I worried that loneliness might work that way, too. Maybe loneliness was imprinted in my genes, lying dormant for years but now coming into full bloom.
Karen Thompson Walker (The Age of Miracles)
Halfway home, the sky goes from dark gray to almost black and a loud thunder snap accompanies the first few raindrops that fall. Heavy, warm, big drops, they drench me in seconds, like an overturned bucket from the sky dumping just on my head. I reach my hands up and out, as if that can stop my getting wetter, and open my mouth, trying to swallow the downpour, till it finally hits me how funny it is, my trying to stop the rain. This is so funny to me, I laugh and laugh, as loud and free as I want. Instead of hurrying to higher ground, I jump lower, down off the curb, splashing through the puddles, playing and laughing all the way home. In all my life till now, rain has meant staying inside and not being able to go out to play. But now for the first time I realize that rain doesn't have to be bad. And what's more, I understand, sadness doesn't have to be bad, either. Come to think of it, I figure you need sadness, just as you need the rain. Thoughts and ideas pour through my awareness. It feels to me that happiness is almost scary, like how I imagine being drunk might feel - real silly and not caring what anybody else says. Plus, that happy feeling always leaves so fast, and you know it's going to go before it even does. Sadness lasts longer, making it more familiar, and more comfortable. But maybe, I wonder, there's a way to find some happiness in the sadness. After all, it's like the rain, something you can't avoid. And so, it seems to me, if you're caught in it, you might as well try to make the best of it. Getting caught in the warm, wet deluge that particular day in that terrible summer full of wars and fires that made no sense was a wonderful thing to have happen. It taught me to understand rain, not to dread it. There were going to be days, I knew, when it would pour without warning, days when I'd find myself without an umbrella. But my understanding would act as my all-purpose slicker and rubber boots. It was preparing me for stormy weather, arming me with the knowledge that no matter how hard it seemed, it couldn't rain forever. At some point, I knew, it would come to an end.
Antwone Quenton Fisher (Finding Fish)
It can hardly be a coincidence that no language on Earth has ever produced the expression "as pretty as an airport". Airports are ugly. Some are very ugly. Some attain a degree of ugliness that can only be the result of a special effort. This ugliness arises because airports are full of people who are tired, cross, and have just discovered that their luggage has landed in Murmansk (...) and the architects have on the whole tried to reflect this in their designs. They have sought to highlight the tiredness and crossness motif with brutal shapes and nerve jangling colours, to make effortless the business of separating the traveller from his or her luggage or loved ones, to confuse the traveller with arrows that appear to point at the windows, distant tie racks, or the current position of the Ursa Minor in the night sky, and wherever possible to expose the plumbing on the grounds that it is functional, and conceal the location of the departure gates, presumably on the grounds that they are not".
Douglas Adams (The Long Dark Tea-Time of the Soul (Dirk Gently, #2))
I asked my schoolmate Mary to write a letter to me. She was funny and full of life. She liked to run around her empty house without any clothes on, even once she was too old for that. Nothing embarrassed her. I admired that so much, because everything embarrassed me, and that hurt me. She loved to jump on her bed. She jumped on her bed for so many years that one afternoon, while I watched her jump, the seams burst. Feathers filled the small room. Our laughter kept the feathers in the air. I thought about birds. Could they fly if there wasn’t someone, somewhere, laughing?
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Jonquil went by with a full plate of food, and Petunia reached out and tried to snag a small cream puff from it. Jonquil lifted it over Petunia's head before she could, and clucked her tongue. "These are for Lily," she said. "Oh really?" Petunia gave her a look. "And possibly some are for that Analousian duke Jacques invited," Jonquil said with a sparkle in her eye. "But none are for you." Then she flipped one to Oliver. "You can have one, my lord earl," she said, and twirled away. "These are excellent," Oliver said, eating half of it in one bite. He fed Petunia the other half so she wouldn't get cream on her knitting. Oliver was just leaning in to steal a kiss - "I hope this means you're planning on marrying her, boy," barked King Gregor. Oliver leaped to his feet. "Sire! Yes! I mean ... I ... sire!" "I didn't pardon you and restore your earldom so that you could loll around my gardens flirting with my daughters," King Gregor said. Then he bent down and gave Petunia a kiss on the cheek. "I like him," he whispered loudly in her ear. "Me too," she whispered back, blushing.
Jessica Day George (Princess of the Silver Woods (The Princesses of Westfalin Trilogy, #3))
On the fourth day, we came upon a cavern with a perfectly still pool that gave the illusion of a night sky, its depths sparkling with tiny luminescent fish. Mal and I were slightly ahead of the others. He dipped his hand in, then yelped and drew back. “They bite.” “Serves you right,” I said. “‘Oh, look, a dark lake full of something shiny. Let me put my hand in it.’” “I can’t help being delicious,” he said, that familiar cocky grin flashing across his face like light over water. Then he seemed to catch himself. He shouldered his pack, and I knew he was about to move away from me. I wasn’t sure where the words came from: “You didn’t fail me, Mal.” He wiped his damp hand on his thigh. “We both know better.” “We’re going to be traveling together for who knows how long. Eventually, you’re going to have to talk to me.” “I’m talking to you right now.” “See? Is this so terrible?” “It wouldn’t be,” he said, gazing at me steadily, “if all I wanted to do was talk.” My cheeks heated. You don’t want this, I told myself. But I felt my edges curl like a piece of paper held too close to fire. “Mal—” “I need to keep you safe, Alina, to stay focused on what matters. I can’t do that if . . .” He let out a long breath. “You were meant for more than me, and I’ll die fighting to give it to you. But please don’t ask me to pretend it’s easy.” He plunged ahead into the next cave. I looked down into the glittering pond, the whorls of light in the water still settling after Mal’s brief touch. I could hear the others making their noisy way through the cavern. “Oncat scratches me all the time,” said Harshaw as he ambled up beside me. “Oh?” I asked hollowly. “Funny thing is, she likes to stay close.” “Are you being profound, Harshaw?” “Actually, I was wondering, if I ate enough of those fish, would I start to glow?” I shook my head. Of course one of the last living Inferni would have to be insane. I fell into step with the others and headed into the next tunnel. “Come on, Harshaw,” I called over my shoulder. Then the first explosion hit.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
I know, baby. I feel the same way about you. Those words never convey what goes through my mind and heart every time I look up and see you sitting in my house. Funny thing is, I always thought my house was full and that there was nothing missing in my life. I had a job I loved. Family who loved me. Good friends to keep me sane. Everything a human could want. And then I met an infuriating, impossible man who added the one thing I didn’t know wasn’t there.” – Tory “Dirty socks on the floor?” – Acheron
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
But now? Now? Children in the twentieth and this early twenty-first century hated the Alice books, couldn't read them, and why should they? Their world had strayed into madness long ago. Look at the planet. Rain is acid, poisonous. Sun causes cancer. Sex=death. Children murder other children. Parents lie, leaders lie, the churches have less moral credibility than Benetton ads. And the faces of missing children staring out from milk cartons-imagine all those poor Lost Boys, and Lost Girls, not in Neverland but lost here, lost now. No wonder Wonderland isn't funny anymore: We live there full-time. We need a break from it.
Gregory Maguire (Lost)
Stevie: "If you think he's a lecher and all men are disgusting, why do you want me to date?" Zena: "Because, Stevie. Now and then, when the moon is full and bluish, when the galaxy is all calm and peaceful and serenity rules and even the falling stars are falling gracefully, and the wind creates a beautiful song, that's when you find one outstanding man. Kind. Loyal. Funny and smart, great in bed but not kinky. A lover in his head and in his body. A man who doesn't think as a dick-obsessed monkey with a brain the size of a testicle, but one who is thoughtful and can hold his emotions in one hand and hug you close with the other. A man who is a hunky, manly man but who can talk to you like your best girlfriend, because that's what he wants to be for you. Your best friend." (Page 44)
Cathy Lamb (Such a Pretty Face)
Look, I wanted to mention something to you," I said. Play it off as casual. Play it off as no big deal. Be cool. Her lips curled up in an amused smile. "Okay?" "You know what a horrible prankster Will can be." She nodded and I continued: "I may have just done something to get back at him and I swear," I said, resting a hand on her shoulder, "I swear, Hanna, you'll think it's hilarious... eventually." "Eventually?" "Absolutely. Eventually." She considered me through narrowed eyes. "This is just a prank, right? No shaved heads or scars?" I pulled back to study her. "That was a very specific question. Scars?" I shook my head, clearing it. "And no, no, no, no. Just a silly little prank." I gave Hanna my best smile, the one Chloe said made panties drop. But apparently it only made Hanna more suspicious. Her eyes narrowed further. "What would I need to do?" "Nothing," I said. "You'll probably see some weird stuff but just... go along with it." "So, basically be oblivious." "Exactly," I said. "And this will be funny?" "Hilarious." She thought about it for a full ten seconds before reaching out to shake my hand. "You're on.
Christina Lauren (Beautiful Beginning (Beautiful Bastard, #3.5))
I love you Tory. I know I say it a lot, but..." "I know baby. I feel the same way about you. Those words never convey what goes through my mind and heart every time I look up and see you sitting in my house. Funny thign is, I always thought my house was full and that there was nothing missing in my life. I had a job I loved. Family who loved me. Good friends to keep me sane. Everything a human could want. And t hen I met an infuriating, impossible man who added the one thing I didn't know wasn't there." "Dirty socks on the floor?" She laughed. "No, the other part of my heart. The last face I see before I go to sleep and the first one I see when I get up. I'm so glad it was you." Those words both thrilled and scared him. Mostly because he knew firsthand that if love went untended it turned into profound hatred. --Tory and Acheron
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
Time and again I, too, have felt so full of luminous torrents that I could burst - burst with forms much more beautiful than those which are put up in frames and sold for a stinking fortune. And I, too, said nothing, showed nothing; I didn't open my mouth, I didn't repaint my half of the world. I was ashamed. I was afraid, and I swallowed my shame and my fear. I said to myself: You are mad! What's the meaning of these waves, these floods, these outbursts? Where is the ebullient, infinite woman who, immersed as she was in her naiveté, kept in the dark about herself, led into self-disdain by the great arm of parental-conjugal phallocentrism, hasn't been ashamed of her strength? Who, surprised and horrified by the fantastic tumult of her drives (for she was made to believe that a well-adjusted normal woman has a ... divine composure), hasn't accused herself of being a monster? Who, feeling a funny desire stirring inside her (to sing, to write, to dare to speak, in short, to bring out something new), hasn't thought she was sick? Well, her shameful sickness is that she resists death, that she makes trouble.
Hélène Cixous (The Laugh of the Medusa)
you're Shane, right?' He inched away from her and managed a quick nod as he twisted the rag he held in his fingers. 'Heidi sad you were willing to teach me how to ride.' Her expression shifted from entertained to confused, as if she was wondering why no one had mentioned he was a can or two shy of a six-pack. 'A horse,' he clarified, then wanted to kick himself. What else but a horse? Did he think she was here to learn to ride his mother's elephant? One corner of Annabelle's perfect, full mouth twitched. 'A horse would be good. You seem to have several.' He wanted to remind himself that he was usually fine around women. Smooth even. He was intelligent, funny and could, on occasion, be charming. Just not now, with his blood pumping and his brain doing nothing more than shouting "it's her, it's her" over and over again. Chemistry, he thought grimly. It could turn the smartest man into a drooling idiot. Here he was, proving the theory true.
Susan Mallery (Summer Nights (Fool's Gold, #8))
Did you ever get fed up?" I said. "I mean did you ever get scared that everything was going to go lousy unless you did something? I mean do you like school and all that stuff?" "It's a terrific bore." "I mean do you hate it? I know it's a terrific bore, but do you hate it, is what I mean." "Well, I don't exactly hate it. You always have to--" "Well, I hate it. Boy, do I hate it," I said. "But it isn't just that. It's everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always--" "Don't shout, please," old Sally said. Which was very funny, because I wasn't even shouting. "Take cars," I said. I said it in this very quiet voice. "Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake. A horse you can at least--" "I don't know what you're even talking about," old Sally said. "You jump from one--" "You know something?" I said. You're probably the only reason I'm in New York right now, or anywhere. If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddam place. You're the only reason I'm around, practically." "You're sweet," she said. But you could tell she wanted me to change the damn subject. "You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stuck together, the Catholics stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent--" "Now, listen," old Sally said. "Lots of boys get more out of school that that." "I agree! I agree they do, some of them! But that's all I get out of it. See? That's my point. That's exactly my goddamn point," I said. "I don't get hardly anything out of anything. I'm in bad shape. I'm in lousy shape." "You certainly are.
J.D. Salinger (The Catcher in the Rye)
New Rule: Stop pretending your drugs are morally superior to my drugs because you get yours at a store. This week, they released the autopsy report on Anna Nicole Smith, and the cause of death was what I always thought it was: mad cow. No, it turns out she had nine different prescription drugs in her—which, in the medical field, is known as the “full Limbaugh.” They opened her up, and a Walgreens jumped out. Antidepressants, anti-anxiety pills, sleeping pills, sedatives, Valium, methadone—this woman was killed by her doctor, who is a glorified bartender. I’m not going to say his name, but only because (a) I don’t want to get sued, and (b) my back is killing me. This month marks the thirty-fifth anniversary of a famous government report. I was sixteen in 1972, and I remember how excited we were when Nixon’s much ballyhooed National Commission on Drug Abuse came out and said pot should be legalized. It was a moment of great hope for common sense—and then, just like Bush did with the Iraq Study Group, Nixon took the report and threw it in the garbage, and from there the ’70s went right into disco and colored underpants. This week in American Scientist, a magazine George Bush wouldn’t read if he got food poisoning in Mexico and it was the only thing he could reach from the toilet, described a study done in England that measured the lethality of various drugs, and found tobacco and alcohol far worse than pot, LSD, or Ecstasy—which pretty much mirrors my own experiments in this same area. The Beatles took LSD and wrote Sgt. Pepper—Anna Nicole Smith took legal drugs and couldn’t remember the number for nine-one-one. I wish I had more time to go into the fact that the drug war has always been about keeping black men from voting by finding out what they’re addicted to and making it illegal—it’s a miracle our government hasn’t outlawed fat white women yet—but I leave with one request: Would someone please just make a bumper sticker that says, “I’m a stoner, and I vote.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
But that’s not what I’m trying to tell you,” Violet said, her eyes taking on a slightly determined expression. “What I’m trying to say is that when you were born, and they put you into my arms—it’s strange, because for some reason I was so convinced you would look just like your father. I thought for certain I would look down and see his face, and it would be some sort of sign from heaven.” Hyacinth’s breath caught as she watched her, and she wondered why her mother had never told her this story. And why she’d never asked. “But you didn’t,” Violet continued. “You looked rather like me. And then—oh my, I remember this as if it were yesterday—you looked into my eyes, and you blinked. Twice.” “Twice?” Hyacinth echoed, wondering why this was important. “Twice.” Violet looked at her, her lips curving into a funny little smile. “I only remember it because you looked so deliberate. It was the strangest thing. You gave me a look as if to say, ‘I know exactly what I’m doing.’ ” A little burst of air rushed past Hyacinth’s lips, and she realized it was a laugh. A small one, the kind that takes a body by surprise. “And then you let out a wail,” Violet said, shaking her head. “My heavens, I thought you were going to shake the paint right off the walls. And I smiled. It was the first time since your father died that I smiled.” Violet took a breath, then reached for her tea. Hyacinth watched as her mother composed herself, wanting desperately to ask her to continue, but somehow knowing the moment called for silence. For a full minute Hyacinth waited, and then finally her mother said, softly, “And from that moment on, you were so dear to me. I love all my children, but you…” She looked up, her eyes catching Hyacinth’s. “You saved me.” Something squeezed in Hyacinth’s chest. She couldn’t quite move, couldn’t quite breathe. She could only watch her mother’s face, listen to her words, and be so very, very grateful that she’d been lucky enough to be her child. “In some ways I was a little too protective of you,” Violet said, her lips forming the tiniest of smiles, “and at the same time too lenient. You were so exuberant, so completely sure of who you were and how you fit into the world around you. You were a force of nature, and I didn’t want to clip your wings.” “Thank you,” Hyacinth whispered, but the words were so soft, she wasn’t even sure she’d said them aloud.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
The full tigers watched him silently. All females. Thankfully. He would be less than happy if he had to take on some territorial male. Well, this little adventure was only going to last through today. As soon as night came, he would get his furry ass out of here. Even if he had to scare some poor security guard to death. Then he would be heading to California. He had some dog butt to kick. Sighing, Nik looked up to find a small child staring at him. A small child busy picking his nose. Could this get any worse? The females stirred restlessly near him and he caught the scent they had. Oh no. Please. Not that. They stood in front of him, completely unaware of his presence and arguing like two ten-year-olds. Nik didn't bother searching for a way out. There was no way out. Those two evil witches trapped him. Trapped him in hell. Throwing up his hands in anger, Alek turned away from Ban, facing the tiger display. Alek's gold eyes stared at Nik for a moment, a frown of confusion pulling his brows down. Then he smiled. And then he just became plain hysterical. Bastard! This wasn't and never would be funny! Ban stared at Alek for several confused moments before catching sight of Nik. As his brothers literally rolled on the ground laughing hysterically--and freaking out all the zoo visitors--Nik seethed
Shelly Laurenston (Here Kitty, Kitty! (Magnus Pack, #3))
Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.
Joyce Cary (The Horse's Mouth)
It seems like I've only shut my eyes for a few minutes, but when I open them, I flinch at the sight of Haymitch sitting a couple of feet from my bed. Waiting. Possibly for several hours if the clck is right. I think about hollering for a witness, but I'm going to have to face him sooner or later. Haymitch leans forward and dangles something on a thin white wire in front of my nose. It's hard to focus on, but I'm pretty sur what it is. He drops it in to the sheets. "That is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I'll have you fitted with this." He holds up some sort of metal headgear that I instantly name the head shackle. "It's alternative audio unit that locks around your skull and under your chin until it's opened with a key. And I'll have the only key. If for some reason you're clever enough to disable it" ---- Haymitch dumps the head shackle on the bed and whips out a tiny silver chip--- "I'll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day." Haymitch in my head full-time. Horrifying. "I'll keep the earpiece in," I mutter "Excuse me?" He says "I'll keep the earpiece in!" I say loud enough to wake half the hospital. "You sure? Because I'm equally happy with any of the three options," he tells me "I'm sure," I say. I scrunch up the earpiece protectivley in my fist and fling the head shakle back in his face with my free hand, but he catches it easily. Probably was expecting me to throw it. "Anything else?" Haymitch rises to go. "While I was waiting. . . I ate your lunch." My eyes take in the empty stew bowl and tray on my bed table. "I'm going to report you," I mumble into my pillow. "You do that sweetheart." He goes out, safe in the knowledge that I'm not the reporting kind.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Do you have someone in mind, Galen?" Toraf asks, popping a shrimp into his mouth. "Is it someone I know?" "Shut up, Toraf," Galen growls. He closes his eyes, massages his temples. This could have gone a lot better in so many ways. "Oh," Toraf says. "It must be someone I know, then." "Toraf, I swear by Triton's trident-" "These are the best shrimp you've ever made, Rachel," Toraf continues. "I can't wait to cook shrimp on our island. I'll get the seasoning for us, Rayna." "She's not going to any island with you, Toraf!" Emma yells. "Oh, but she is, Emma. Rayna wants to be my mate. Don't you, princess?" he smiles. Rayna shakes her head. "It's no use, Emma. I really don't have a choice." She resigns herself to the seat next to Emma, who peers down at her, incredulous. "You do have a choice. You can come live with me at my house. I'll make sure he can't get near you." Toraf's expression indicates he didn't consider that possibility before goading Emma. Galen laughs. "It's not so funny anymore is it, tadpole?" he says, nudging him. Toraf shakes his head. "She's not staying with you, Emma." "We'll see about that, tadpole," she returns. "Galen, do something," Toraf says, not taking his eyes off Emma. Galen grins. "Such as?" "I don't know, arrest her or something," Toraf says, crossing his arms. Emma locks eyes with Galen, stealing his breath. "Yeah, Galen. Come arrest me if you're feeling up to it. But I'm telling you right now, the second you lay a hand on me, I'm busting this glass over your head and using it to split your lip like Toraf's." She picks up her heavy drinking glass and splashes the last drops of orange juice onto the table. Everyone gasps except Galen-who laughs so hard he almost upturns his chair. Emma's nostrils flare. "You don't think I'll do it? There's only one way to find out, isn't there, Highness?" The whole airy house echoes Galen's deep-throated howls. Wiping the tears from his eyes, he elbows Toraf, who's looking at him like he drank too much saltwater. "Do you know those foolish humans at her school voted her the sweetest out of all of them?" Toraf's expression softens as he looks up at Emma, chuckling. Galen's guffaws prove contagious-Toraf is soon pounding the table to catch his breath. Even Rachel snickers from behind her oven mitt. The bluster leaves Emma's expression. Galen can tell she's in danger of smiling. She places the glass on the table as if it's still full and she doesn't want to spill it. "Well, that was a couple of years ago." This time Galen's chair does turn back, and he sprawls onto the floor. When Rayna starts giggling, Emma gives in, too. "I guess...I guess I do have sort of a temper," she says, smiling sheepishly. She walks around the table to stand over Galen. Peering down, she offers her hand. He grins up at her. "Show me your other hand." She laughs and shows him it's empty. "No weapons." "Pretty resourceful," he says, accepting her hand. "I'll never look at a drinking glass the same way." He does most of the work of pulling himself up but can't resist the opportunity to touch her. She shrugs. "Survival instinct, maybe?" He nods. "Or you're trying to cut my lips off so you won't have to kiss me." He's pleased when she looks away, pink restaining her cheeks. "Rayna tries that all the time," Toraf chimes in. "Sometimes when her aim is good, it works, but most of the time kissing her is my reward for the pain.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Style is not how you write. It is how you do not write like anyone else. * * * How do you know if you're a writer? Write something everyday for two weeks, then stop, if you can. If you can't, you're a writer. And no one, no matter how hard they may try, will ever be able to stop you from following your writing dreams. * * * You can find your writer's voice by simply listening to that little Muse inside that says in a low, soft whisper, "Listen to this... * * * Enter the writing process with a childlike sense of wonder and discovery. Let it surprise you. * * * Poems for children help them celebrate the joy and wonder of their world. Humorous poems tickle the funny bone of their imaginations. * * * There are many fine poets writing for children today. The greatest reward for each of us is in knowing that our efforts might stir the minds and hearts of young readers with a vision and wonder of the world and themselves that may be new to them or reveal something already familiar in new and enlightening ways. * * * The path to inspiration starts Beyond the trails we’ve known; Each writer’s block is not a rock, But just a stepping stone. * * * When you write for children, don't write for children. Write from the child in you. * * * Poems look at the world from the inside out. * * * The act of writing brings with it a sense of discovery, of discovering on the page something you didn't know you knew until you wrote it. * * * The answer to the artist Comes quicker than a blink Though initial inspiration Is not what you might think. The Muse is full of magic, Though her vision’s sometimes dim; The artist does not choose the work, It is the work that chooses him. * * * Poem-Making 101. Poetry shows. Prose tells. Choose precise, concrete words. Remove prose from your poems. Use images that evoke the senses. Avoid the abstract, the verbose, the overstated. Trust the poem to take you where it wants to go. Follow it closely, recording its path with imagery. * * * What's a Poem? A whisper, a shout, thoughts turned inside out. A laugh, a sigh, an echo passing by. A rhythm, a rhyme, a moment caught in time. A moon, a star, a glimpse of who you are. * * * A poem is a little path That leads you through the trees. It takes you to the cliffs and shores, To anywhere you please. Follow it and trust your way With mind and heart as one, And when the journey’s over, You’ll find you’ve just begun. * * * A poem is a spider web Spun with words of wonder, Woven lace held in place By whispers made of thunder. * * * A poem is a busy bee Buzzing in your head. His hive is full of hidden thoughts Waiting to be said. His honey comes from your ideas That he makes into rhyme. He flies around looking for What goes on in your mind. When it is time to let him out To make some poetry, He gathers up your secret thoughts And then he sets them free.
Charles Ghigna
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
Dodie Smith (I Capture the Castle)