Gingerbread Man Quotes

My demon ate them. (Nick) What happened to the jocks? (Acheron) Riiiight. And I suppose the Big Bad Wolf will be coming in right behind you to finish up? Or is it the Gingerbread Man I need to fear? (Nick)

Well. That's helpful. We'll put an APB out on the Gingerbread Man. I'm not hopeful it'll do us much good, though. Word on the street is you can't catch him.

From the time I met him, he left me little clues of a man, a trail of bread crumbs to a gingerbread cottage. Inside the cottage were peeling pictures of Elizabeth Taylor and Marilyn Monroe that keep sliding to the floor because the walls were too sweet to hold the Blu-Tack. I tried to pick the posters off the floor and got so distracted, I ended up in an oven. So I climbed out of the oven and out of the house and I was saving myself, but it hurt so bad. I found the boy I loved, but he didn't want to hug me because I was blistered and spotted with bread crumbs. I looked up close because, up close, I could always see myself reflected in the surface of his shiny, iconic beauty. But suddenly he had pores, grey hairs, and chapped lips. And I couldn't see a damn thing.

I think while I was passed out, I dreamed about my mom's gingerbread cookies. Maybe the guy who knocked on the glass was eatin' one." "Mm," said Peace-not-War. "Well. That's helpful. We'll put an APB out on the Gingerbread Man. I'm not hopeful it'll do us much good, though. Word on the street is you can't catch him.

Come, come, come!  Fast as you can!  I’m fuckin’ you hard, I’m the gingerbread man!” he cried in his high, jovial tone.

I was thinking that you might make a gingerbread man, and I could name him Charles and eat him.

Here’s an interesting fact: how you eat a gingerbread man says a lot about your personality. Head-first eaters are ambitious, independent, and magnetic. Feet-first are the more artistic, creative types, and those who start with the hands are kind and nurturing. Same rules apply to chocolate Easter bunnies.

Is he your very first gingerbread man?' She nodded. 'You eat him.' 'Eat his head?' 'I always start with the feet,' Edie suggested. 'But if I eat him, he'll be dead.' 'No, he'll be in your tummy,' Layla said. 'There's a difference.' 'I think I'd better eat his head first,' Susannah said ... 'That way he won't know what's happening to him.' 'That's a very kind thought,' Layla approved.

I will not subscribe to the argument that ornament increases the pleasure of the life of a cultivated person, or the argument which covers itself with the words: “But if the ornament is beautiful! ...” To me, and to all the cultivated people, ornament does not increase the pleasures of life. If I want to eat a piece of gingerbread I will choose one that is completely plain and not a piece which represents a baby in arms of a horserider, a piece which is covered over and over with decoration. The man of the fifteenth century would not understand me. But modern people will. The supporter of ornament believes that the urge for simplicity is equivalent to self-denial. No, dear professor from the College of Applied Arts, I am not denying myself! To me, it tastes better this way.

They weren’t going to catch me. I was the motherfucking Gingerbread Man.

Sillman looked at his interrogator with hopeless eyes. 'I think while I was passed out, I dreamed about my mom's gingerbread cookies. Maybe the guy who knocked on the glass was eatin' one.' 'Mm,' said Peace-not-War. 'Well. That's helpful. We'll put an APB out on the Gingerbread Man. I'm not hopeful it'll do us much good, though. Word on the street is you can't catch him.

Keeping a professional distance had never been what Vince O'Mally did best. Hell, it was the one thing he wished he could do

I was the same girl who didn’t eat gingerbread man cookies for years after watching Shrek because I felt like I was eating Gingy’s family members or, worse, Gingy himself, but something about Alex provoked my dark side.

came to anything, very remarkable; and there they are for you." So saying, he gave Joanna the gingerbread man, who was still quite whole—and to Knud the broken maiden; but the children had been so much impressed by the story, that they had not the heart to eat the

She could not get enough of the sights and the sounds the rest of us take for granted. The Gingerbread Man on Broadway particularly intrigued her as he ran by, coat-tails streaming in the wind, pockets bulging with gingerbread, his only food. No one knows who he is or where he lives because he never speaks, just runs, eats gingerbread, sips water at the public pumps.

When Hansel and Gretel stood in the forest and saw the house in the clearing before them , the little hairs at the nape of their necks must have shivered. Their knees must have felt so weak that blinding hunger alone could have propelled them forward. No one was there warn or hold them; their parents, chastened and grieving, were far away. So they ran as fast they could to the house where a woman older than death lived, and they ignore the shivering nape hair and the softness in their knees. A grown man can also be energized by hunger, and any weakness in his knees or irregularity in his heartbeat will disappear if he thinks his hunger is about to be assuaged. Especially if the object of his craving is not gingerbread or chewy gumdrops, but gold.

But the clown did not disappear along that curve that seemed to define the edge of that old existence. Instead, it leaped with a scary, nimble grace onto a lamppost that stood in the extreme left foreground of the picture. It shinnied up like a monkey on a stick—and suddenly its face was pressed against the tough plastic sheet Will Hanlon had put over each of the pages in his book. Beverly screamed again and this time Eddie joined her, although his scream was faint and blue-breathless. The plastic bulged out—later they would all agree they saw it. Bill saw the bulb of the clown’s red nose flatten, the way your nose will flatten when you press it against a windowpane. “Kill you all!” The clown was laughing and screaming. “Try to stop me and I’ll kill you all! Drive you crazy and then kill you all! You can’t stop me! I’m the Gingerbread Man! I’m the Teenage Werewolf!” And for a moment It was the Teenage

The pressure to explain is always on, and a lot of your creative energy, it seems to me, is therefore going in the wrong direction. You find yourself constantly questioning your prose and your purpose when what you should probably be doing is writing as fast as the Ginger-bread Man runs, getting that first draft down on paper while the shape of the fossil is still bright and clear in your mind. Too many writing classes make Wait a minute, explain what you meant by that a kind of bylaw.

My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one.

Turning, she unlocked the next door and went through it to the larger part of the

Do you know... the Muffin Man?

He looks like a gingerbread man. Ginger

What I’m trying to say, Ruben, is that meeting this horrible man and his horrible wife, it made me realize something. It made me realize I don’t believe in anything anymore and not just that, but I don’t care. I have no beliefs and I’m OK with it; I’m more than OK, I’m glad . . . I’m glad I’m getting older without convictions . . .” “What’s Judy always saying, and her friends? ‘It’s copacetic’?” “It’s copacetic.” She retook my arm and we walked on, a pair of sweethearts in the snow. Our block was totally socked in. Hedgerows of snow. The pearly humps of cars. We shuffled up the steps to our door, where the snow was soft and powdery and, even at the topmost step, under the overhang, calf-high. I think of it as a blessing: may you never lock your door . . . may you never have to lock your door . . . I opened the door and—resisting the impulse to sweep her up like a bride—held it open for Edith. She stepped inside. She crunched onto the mat and bent down to untie her laces but stopped and turned and clung to me. I looked over her shoulder, through the lens fog, and saw our new television cabinet tipped over face-first, its screen shattered, and the youngest Netanyahu boy curled fetal atop a mound of gingerbread house scraps and glass.

There he is!" "Grab him!" "Nope!" I said, dodging an outstretched hand. Their fingers snagged on the hem of my shirt but that was as close as they were able to get because I took off running. They weren't going to catch me. I was the motherfucking Gingerbread Man.

there constantly appear in life people of such good behavior and good sense, such sages and lovers of mankind, as precisely make it their goal to spend their entire lives in the best-behaved and most sensible way possible, to become, so to speak, a light for their neighbors, essentially in order to prove to them that one can indeed live in the world as a person of good behavior and good sense. And what then? It is known that sooner or later, towards the end of their lives, many of these lovers have betrayed themselves, producing some anecdote, sometimes even of the most indecent sort. Now I ask you: what can be expected of man as a being endowed with such strange qualities? Shower him with all earthly blessings, drown him in happiness completely, over his head, so that only bubbles pop up on the surface of happiness, as on water; give him such economic satisfaction that he no longer has anything left to do at all except sleep, eat gingerbread, and worry about the noncessation of world history – and it is here, just here, that he, this man, out of sheer ingratitude, out of sheer lampoonery, will do something nasty.

So they profiled the Gingerbread Man with a curved spine.” “It’s just a hunch,” I said.

Browsing among the stalls, the sisters feasted on hand-sized pork pies, leek pasties, apples and pears, and to the girls’ delight, “gingerbread husbands.” The gingerbread had been pressed into wooden man-shaped molds, baked and gilded. The baker at the stall assured them that every unmarried maiden must eat a gingerbread husband for luck, if she wanted to catch the real thing someday. A laughing mock argument sprang up between Amelia and the baker as she flatly refused one for herself, saying she had no wish to marry. “But of course you do!” the baker declared with a sly grin. “It’s what every woman hopes for.” Amelia smiled and passed the gingerbread men to her sisters. “How much for three, sir?” “A farthing each.” He attempted to hand her a fourth. “And this for no charge. It would be a sad waste for a lovely blue-eyed lady to go without a husband.” “Oh, I couldn’t,” Amelia protested. “Thank you, but I don’t—” A new voice came from behind her. “She’ll take it.” Discomfiture and pleasure seethed low in her body, and Amelia saw a dark masculine hand reaching out, dropping a silver piece into the baker’s upturned palm. Hearing her sisters’ giggling exclamations, Amelia turned and looked up into a pair of bright hazel eyes. “You need the luck,” Cam Rohan said, pushing the gingerbread husband into her reluctant hands. “Have some.” She obeyed, deliberately biting off the head, and he laughed.

Prologue

After finding Corpp’s devoid of Juniors later that evening, it didn’t take Lex and Driggs long to guess that their crew had decided to hole up in the Crypt’s common room for the night. Together they headed down Dead End and made their way through a darkened, narrow tunnel, eventually emerging into a small green courtyard surrounded by a block of rooms. As they approached the largest one, a heated argument between Sofi and Ayjay wafted through the window. “I’ve got ten hotels on the Conservatory. Seriously, you owe me, like, eighty gatrillion dollars.” “Not until I get my triple-letter score for passing Go.” “No way! You couldn’t remove the Charley Horse, remember?” “So? I still found the Lead Pipe in Park Place!” “Which you had to mortgage after Queen Frostine totally sank your battleship!” Lex attempted to follow this conversation as she walked through the door, but she failed somewhere around the time Elysia almost toppled over on the Twister mat. “Jump in,” Elysia said from the floor, wobbling way too close to the jellyfish tank. “There are a couple of tokens left in the box.” Driggs sat down on one of the many battered couches and dug through the box, removing a wrench, a top hat, a rook, a green gingerbread man, and a decapitated Rock’Em Sock’Em Robot. Lex looked at the game board on the table, a mangled conglomeration of Monopoly, Clue, Candy Land, Scrabble, and chess. “What the crap?” she asked the room. “Don’t touch the Candlestick or you’ll automatically lose,” Elysia warned from the mat, flicking the spinner with her free hand

For Christ’s sake, the man would leave his house in the middle of the night to bring me iced gingerbread cookies and chocolate milk to satisfy my late-night pregnancy cravings. Call me day or night. I want to know everything.

Sometimes I wanted to strangle him. I really did. And I wasn't a violent person. I was the same girl who didn't eat gingerbread man cookies for years after watching Shrek because I felt like I was eating Gingy's family members or, worse, Gingy himself, but something about Alex provoked my dark side" (Ava Chen, p.9)

Family lore has it that they entertained each other very well, the pragmatist and the man who was almost too gullible to live. One had more patience, and the other had more resolve, and they were about even when it came to daring, so their love established possibilities and impossibilities without keeping score.

They weren't going to catch me. I was the motherfucking Gingerbread Man.

They weren’t going to catch me. I was the motherfucking Gingerbread Man.

Cops coming and going, keyboards clicking, phones ringing. She looked haggard. Hard. She hadn't always, Vince figured. The worry lines bracketing her eyes, her mouth, the dry skin, the chapped lips, the sense that she really didn't give a damn what she looked like—those things had been strangers to her that first day. The day her kids hadn't come home from school. Now those lines, that hardness, had made themselves at home. It looked as if they planned to stay awhile. This shouldn't have

ARE MY CHILDREN still alive?" Sara Prague asked the question in a quiet, steady voice that he heard very clearly despite the noise around her. Cops coming and going, keyboards clicking, phones ringing. She looked haggard. Hard. She hadn't always, Vince figured. The worry lines bracketing her eyes, her mouth, the dry skin, the chapped lips, the sense that she really didn't give a damn what she looked like—those things had been strangers to her that first day. The day her kids hadn't come home from school. Now those lines, that hardness, had made themselves at home. It looked as if they planned to stay awhile. This shouldn't have happened to Sara Prague, a PTA mom whose world revolved around her kids. It shouldn't have happened to her husband. Mike, full-time plumber and part-time Little League coach. It shouldn't happen to anyone. Ever. Vince walked around his desk and eased Sara Prague into a cracked vinyl chair, ignoring the chaos around them. He poured her some stale coffee from the pot on the nearby stand, just as he had every day for the past three weeks. She came in here like clockwork—something the Center for Missing and Exploited Children had probably told her to do. He thought she would keep doing it, too. For years, if necessary. It wouldn't be necessary, though. She took the foam cup and sipped automatically. It was all part of their daily