“
We must have a pie. Stress cannot exist in the presence of a pie.
”
”
David Mamet (Boston Marriage)
“
It wasn’t until a few minutes later, when she was sitting on her bed staring at the Boston skyline and chewing on her lunch, that Olive realized that the protein bar Adam had given her was covered in chocolate.
”
”
Ali Hazelwood (The Love Hypothesis)
“
I saw the Fall of Troy! World War Five! I was pushing boxes at the Boston Tea Party! Now I'm gonna die in a dungeon.... [disgustedly] in Cardiff!
”
”
Russell T. Davies
“
Each of us is a book waiting to be written, and that book, if written, results in a person explained.
”
”
Thomas M. Cirignano (The Constant Outsider: Memoirs of a South Boston Mechanic)
“
My favorite band at the moment is the Dresden Dolls, they're from Boston. It's a guy and a girl. She plays piano and he plays the drums and she also sings. You can find them on the web they're incredible.
”
”
Gerard Way
“
Who is Hunter Becker?"
"Becker the Gory? Lighthouse Keepers? Boston?"
"I would've preferred Becker the Easiley Surrendering or Becker the Quite Reasonable, but beyond that his name tells me nothing.
”
”
Ilona Andrews (Magic Slays (Kate Daniels, #5))
“
It's been the toughest week of my life, not touching you. Not talking to you. Waiting to see what you were going to do." He kissed her again, a warm, damp touch of lips, exquisitely controlled. "But it doesn't matter whether you stay or go. I'll still need you. So if you want to go off to Boston, Ill wait. Right here, whenever you need me.
”
”
Rachel Caine (Bite Club (The Morganville Vampires, #10))
“
Um, lots of people grab my ass. I'm actually starting to get this thing now where people grab my package. That actually happened once in Boston, it usually doesn't happen. We went over to England and it happened at almost every show. I don't really enjoy any kind of invasion of privacy like that I guess. Just the moment you're on stage it doesn't phase you or bother you too much though. Grabbin my package is obviously a total invasion of privacy I'm not into that at all. Grabbing my butt I guess if it were a guy I'd enjoy it. I mean, I guess it all depends on how he grabbed my butt too.
”
”
Gerard Way
“
And many of the townsfolk of Boston seem more concerned with the profit of their business than the great cause that is swirling around them.
”
”
Esther Forbes (Johnny Tremain)
“
The CIA currently has in custody two FBI agents and a Boston police detective who is demanding they pay for the damage to his boat."
"He's okay?"
Burns nodded. "Emptied a double-barreled shotgun at a couple of Company lackeys, and then they arrested him. He spent all night claiming he thought they were the Men in Black coming to scan his brain"
Ty bit his lip so he wouldn't laugh.
-- about Nick
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
In Boston they ask, how much does he know? In New York, how much is he worth? In Philadelphia, who were his parents?
”
”
Mark Twain
“
Do y’all have enough stun guns for them? (Madaug)
Does a bear defecate rurally? What kind of question is that for someone who owns the biggest gun store in town? Of course I got plenty. I got enough Tasers to light up New York City AND Boston just for giggles. (Bubba)
”
”
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
“
My name is Cammie!” I didn’t think about all the people I could have woken, all the alarms that might have gone off. I just snapped, “How did you know about Boston? Why are you working with Mr. Solomon now? Are you my friend or are you my enemy, Zach? Or, wait, let me guess, you can’t tell me.
”
”
Ally Carter
“
When a shy person smiles, it’s like the sun coming out.
”
”
Anita Diamant (The Boston Girl)
“
Now I am just an elderly lady who is full of spleen,
who humps around greater Boston in a God-awful hat,
who never lived and yet outlived her time,
hating men and dogs and Democrats.
”
”
Anne Sexton
“
Our inventions are wont to be pretty toys, which distract our attention from serious things. They are but improved means to an unimproved end, an end which it was already but too easy to arrive at; as railroads lead to Boston or New York. We are in great haste to construct a magnetic telegraph from Maine to Texas; but Maine and Texas, it may be, have nothing important to communicate.
”
”
Henry David Thoreau (Walden or, Life in the Woods)
“
opinions are like assholes. Everybody’s got one, and they usually stink.
”
”
L.J. Shen (Sparrow)
“
Safe drive back to Boston, Connelly. I've been told before that the roads get really wet when it's raining.
”
”
Elle Kennedy (The Risk (Briar U, #2))
“
He'd woken up after flying from Boston to Montana to find his da cooking breakfast for them: sausage and pancakes shaped like deer. It wasn't just any deer, either - they looked like Bambi from the disney cartoon. Charles didn't want to know how his father had managed that
”
”
Patricia Briggs (Fair Game (Alpha & Omega, #3))
“
He gave me lies, and for him, I closed my eyes.
”
”
L.J. Shen (Sparrow)
“
There is a huge trust. I see it all the time when people come up to me and say, 'I don't want you to let me down again.'
- Boston, Mass., Oct. 3, 2000
”
”
George W. Bush
“
Rosie,
I'm returning to Boston tomorrow but before I go I wanted to write this letter to you. All the thoughts and feelings that have been bubbling up inside me are finally overflowing from this pen and I'm leaving this letter for you so that you don't feel that I'm putting you under any great pressure. I understand that you will need to take your time trying to decide on what I am about to say.
I no what's going on, Rosie. You're my best friend and I can see the sadness in your eyes. I no that Greg isn't away working for the weekend. You never could lie to me; you were always terrible at it. Your eyes betray you time and time again. Don't pretend that everything is perfect because I see it isn't. I see that Greg is a selfish man who has absolutely no idea just how lucky he is and it makes me sick.
He is the luckiest man in the world to have you, Rosie, but he doesn't deserve you and you deserve far better. You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you're doing, where you are, who you're with and if you're OK. You need someone who can help you reach your dreams and who can protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who can make you happy, really happy, dancing-on-air happy. Someone who should have taken the chance to be with you years ago instead of becoming scared and being too afraid to try.
I am not scared any more, Rosie. I am not afraid to try. I no what the feeling was at your wedding - it was jealousy. My heart broke when I saw the woman I love turning away from me to walk down the aisle with another man, a man she planned to spend the rest of her life with. It was like a prison sentence for me - years stretching ahead without me being able to tell you how I feel or hold you how I wanted to.
Twice we've stood beside each other at the altar, Rosie. Twice. And twice we got it wrong. I needed you to be there for my wedding day but I was too stupid to see that I needed you to be the reason for my wedding day.
I should never have let your lips leave mine all those years ago in Boston. I should never have pulled away. I should never have panicked. I should never have wasted all those years without you. Give me a chance to make them up to you. I love you, Rosie, and I want to be with you and Katie and Josh. Always.
Please think about it. Don't waste your time on Greg. This is our opportunity. Let's stop being afraid and take the chance. I promise I'll make you happy.
All my love,
Alex
”
”
Cecelia Ahern (Love, Rosie)
“
All of my lower-middle-class Boston issues rose to the surface. I don’t like it when bratty, privileged old white guys speak to me like I am their mouthy niece. I got that amazing feeling you get when you know you are going to lose it in the best, most self-righteous way. I just leaned back and yelled, “FUUUUUUUUUUUUCK YOU.” Then I chased him as he tried to get away from me.
”
”
Amy Poehler (Yes Please)
“
He gave me lies, and I ate them from the palm of his hand.
He gave me lies, and for him, I closed my eyes
”
”
L.J. Shen (Sparrow)
“
The thing about butterflies, Mr. Crow, is that they need to be admired from afar.
”
”
A. Zavarelli (Crow (Boston Underworld, #1))
“
No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding.
”
”
W.G. Sebald (The Rings of Saturn)
“
I can’t even think about what life “could
have been” like in Boston, without crying. It’s like deja-vu, I don’t think me
and Boston were ever meant to be.
”
”
Cecelia Ahern (Love, Rosie)
“
This is the moment I realize that our traumas never really go away. They live inside of us, in the deepest darkest pits of our own tiny hells. Cocked and loaded, waiting for someone to come along and pull the trigger.
”
”
A. Zavarelli (Crow (Boston Underworld, #1))
“
I don't think we have a future. I know we do. I want to marry you and have kids and be a stay-at-home writer dad while you take Boston journalism by storm. I want to wake up beside you every day for the rest of my life.
”
”
Shannon Stacey (Exclusively Yours (Kowalski Family, #1))
“
It was one of those perfect fall days when the air is cool enough to wake you up but the sun is also kissing your face.
”
”
Anita Diamant (The Boston Girl)
“
Pray that God is the most important thing in your life, so much so that hurting him wold hurt you. When that happens, and your choices line up with his, it produces an amazing ripple effect of blessings--in your life, that of your family, and for the man you eventually marry.
”
”
Julie Lessman (A Passion Denied (The Daughters of Boston, #3))
“
Ever since childhood, when I lived within earshot of the Boston and Maine, I have seldom heard a train go by and not wished I was on it.
”
”
Paul Theroux
“
That gooey stuff inside a Boston crème donut. That’s what you smell like. Now I’ll get a hard-on every time I eat one.
”
”
Cara McKenna (Willing Victim (Flynn and Laurel, #1))
“
Let me tell you something, kid," said Mrs. H of Boston and Beacon Hill. "Magic is just a word for what's left to the powerless once everyone else has eaten their fill.
”
”
Catherynne M. Valente (Six-Gun Snow White)
“
The battle, Sir, is not to the strong alone; it is to the vigilant, the active, the brave. Besides, Sir, we have no election. If we were base enough to desire it, it is now too late to retire from the contest. There is no retreat but in submission and slavery! Our chains are forged! Their clanking may be heard on the plains of Boston! The war is inevitable; and let it come! I repeat, Sir, let it come!
”
”
Patrick Henry
“
What metro Boston AAs are trite but correct about is that both destiny's kisses and its dope-slaps illustrate an individual person's basic personal powerlessness over the really meaningful events in their life: i.e almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of Psst that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.
”
”
David Foster Wallace (Infinite Jest)
“
I've always been a quitter. I quit the Boy Scouts, the glee club, the marching band. Gave up my paper route, turned my back on the church, stuffed the basketball team. I dropped out of college, sidestepped the army with a 4-F on the grounds of mental instability, went back to school, made a go of it, entered a Ph.D. program in nineteenth-century British literature, sat in the front row, took notes assiduously, bought a pair of horn-rims, and quit on the eve of my comprehensive exams. I got married, separated, divorced. Quit smoking, quit jogging, quit eating red meat. I quit jobs: digging graves, pumping gas, selling insurance, showing pornographic films in an art theater in Boston. When I was nineteen I made frantic love to a pinch-faced, sack-bosomed girl I'd known from high school. She got pregnant. I quit town.
”
”
T. Coraghessan Boyle
“
Real love was cancer. All it took was one blink, and it would spread inside you like wildfire and consume you. But that was okay, because I had a feeling that unlike cancer, real love didn’t die. Ever.
”
”
L.J. Shen (Sparrow)
“
Twice we stood beside each other at the altar, Rosie. Twice. And twice
we got it wrong. I needed you to be there for my wedding day but I was too
stupid to see that I needed you to be the reason for my wedding day. But we
got it all wrong.
I should never have let your lips leave mine all those years ago in Boston.
I should never have pulled away. I should never have panicked. I should never
have wasted all those years without you. Give me a chance to make them up
to you. I love you, Rosie, and I want to be with you and Katie and Josh.
Always.
Please think about it. Don’t waste your time on Greg, this is our opportunity.
Let’s stop being afraid and take the chance. I promise I’ll make you
happy.
”
”
Cecelia Ahern (Love, Rosie)
“
While the melodrama of hucking crates of tea into Boston Harbor continues to inspire civic-minded hotheads to this day, it’s worth remembering the hordes of stoic colonial women who simply swore off tea and steeped basil leaves in boiling water to make the same point. What’s more valiant: littering from a wharf or years of doing chores and looking after children from dawn to dark without caffeine?
”
”
Sarah Vowell (Lafayette in the Somewhat United States)
“
Before I built a wall I'd ask to know
What I was walling in or walling out,
And to whom I was like to give offense.
”
”
Robert Frost (North of Boston)
“
Fear is a prison, and in prison you played by different rules to survive.
”
”
L.J. Shen (Sparrow)
“
But what are villains, my dear wife, if not misunderstood heroes?
”
”
L.J. Shen (The Villain (Boston Belles, #2))
“
Nobody has ever looked at me the way he’s looking at me at this moment. Like I’m his possession. Like if anyone else were to touch me, he’d break both their legs and an arm for good measure.
”
”
A. Zavarelli (Crow (Boston Underworld, #1))
“
It was just so in the American Revolution, in 1776, the first delicacy the men threw overboard in Boston harbor was the tea, woman's favorite beverage. The tobacco and whiskey, though heavily taxed, they clung to with the tenacity of the devil-fish.
”
”
Elizabeth Cady Stanton (The Woman's Bible: A Classic Feminist Perspective)
“
I have often noticed that nationalism is at its strongest at the periphery. Hitler was Austrian, Bonaparte Corsican. In postwar Greece and Turkey the two most prominent ultra-right nationalists had both been born in Cyprus. The most extreme Irish Republicans are in Belfast and Derry (and Boston and New York). Sun Yat Sen, father of Chinese nationalism, was from Hong Kong. The Serbian extremists Milošević and Karadžić were from Montenegro and their most incendiary Croat counterparts in the Ustashe tended to hail from the frontier lands of Western Herzegovina.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
I wasn't going to toss off words like love and forever until I was sure. Until he was sure. Forever can be a very long time for a n=Bean sidhes, ans so far his track record looked more like the fifty-yard dash than the Boston marathon.
”
”
Rachel Vincent (My Soul to Keep (Soul Screamers, #3))
“
Everything already in place: the retired hit man currently sleeping with Maura; his supernatural-obsessed ex-boss currently sleeping in Boston; the creepy entity buried in rocks beneath the ley line; the unfamiliar creatures crawling out of a cave mouth behind an abandoned farmhouse; the ley line's growing power; the magical sentient forest on the ley line; one boy's bargain with the magical forest; one boy's ability to dream things to life; one dead boy who refused to be laid to rest; one girl who supernaturally amplified 90 percent of the aforementioned list.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
destiny will find a way to get you two back together. Real love doesn’t disappear. It can turn into hate, and hate can turn into love, but those feelings won’t ever turn into indifference.
”
”
L.J. Shen (Sparrow)
“
You should always be kind to people, Ava. You never know what sorrows they’re carrying around.
”
”
Anita Diamant (The Boston Girl)
“
I love it here in Boston and I love studying medicine. But
it’s not home. Dublin is home. Being back with you felt like home. I miss my
best friend.
I’ve met some great guys here, but I didn’t grow up with any of them
playing cops and robbers in my back garden. I don’t feel like they are real
friends. I haven’t kicked them in the shins, stayed up all night on Santa
watch with them, hung from trees pretending to be monkeys, played hotel,
or laughed my heart out as their stomachs were pumped. It’s kind of hard to
beat that.
”
”
Cecelia Ahern (Love, Rosie)
“
For you, I’ll stop the rain from falling and the thunder from cracking and the wind from fucking blowing. And
”
”
L.J. Shen (Sparrow)
“
Damaged souls have their own beauty. A dark, terrifying beauty. The same type of beauty I recognize in Ronan.
”
”
A. Zavarelli (Reaper (Boston Underworld, #2))
“
Every immigrant family, it seems, has someone who does not belong in the new country they have come to. It feels like permanent exile to that one brother or wife who cannot stand a silent fate in Boston or London or Melbourne. I’ve met many who remain haunted by the persistent ghost of an earlier place.
”
”
Michael Ondaatje (The Cat's Table)
“
Dear future wife…” He smirked in a way that made me want to beg for mercy. “If you think you’re going to give me trouble, think again. I invented trouble. I stir it, I mix it, I fucking fix it. Don’t try my patience, because you’ll discover I have absolutely none.
”
”
L.J. Shen (Sparrow)
“
What's thought cannot be unthought.
”
”
Lucy M. Boston
“
How did I get to be the woman I am today?” It started in that library, in the reading club. That’s where I started to be my own person.
”
”
Anita Diamant (The Boston Girl)
“
Flight 2039 to Boston is now boarding at gate 14A," a voice announced over the PA system.
Nellie sighed. "I love Irish accents." She paused. "And Australian accents. And English accents." A dreamy look came over her face. "Theo had an awesome accent."
Dan snorted. "Yeah, there was just that one tiny problem. He turned out to be a two-timing, backstabbing thief.
”
”
Rick Riordan (The Black Book of Buried Secrets)
“
You know, Ava, it’s good to be smart, but kindness is more important.
”
”
Anita Diamant (The Boston Girl)
“
Aim for something Rosie, I know you don’t want to hear it, but it will
help. Aim for what you want and the year will all make sense. Go to Boston
if that will make you happy. Study hotel management like you’ve always
wanted.
You’re only young Rosie, and I know that you absolutely hate to hear
that but it’s true. What seems tragic now won’t even be an issue in a few
love, rosie 29
years time. You’re only 17. You and Alex have the rest of your lives to catch
up together . . . After all, soul mates always end up together. Silly Bethany
won’t even be remembered in a few years time. Ex-girlfriends are easily forgotten.
Best friends stay with you forever.
”
”
Cecelia Ahern (Love, Rosie)
“
Is it possible to feel your heart breaking, even when you’re falling in love?” I
”
”
L.J. Shen (Sparrow)
“
I never realized how empty my life had really become until I had him in it. He did that to me. He said I wrecked him, but he completely destroyed me. Everything was fine when I was alone. When I didn’t have to feel or think or care about someone else. Sure I was sad and broken, but I was okay. Now, I’m anything but.
”
”
A. Zavarelli (Crow (Boston Underworld, #1))
“
If an act of evil is to stain my soul, it will be for one of my own.
”
”
A. Zavarelli (Crow (Boston Underworld, #1))
“
He took a step closer, his breath falling on my face. “You can do whatever the fuck you want. You have a long leash.
”
”
L.J. Shen (Sparrow)
“
Come here." He gestures towards the door.
Would you get a load of this character?
Come here, he says, like I'll just do it.
I do.
”
”
A. Zavarelli (Crow (Boston Underworld, #1))
“
You can’t change a leopard’s spots. Broken people can only fix themselves.
”
”
A. Zavarelli (Crow (Boston Underworld, #1))
“
It took me until I was almost forty before I knew what I wanted to be when I grew up.
”
”
Anita Diamant (The Boston Girl)
“
young children, who for whatever reason are deprived of the continuous care and attention of a mother or a substitute-mother, are not only temporarily disturbed by such deprivation, but may in some cases suffer long-term effects which persist
Bowlby, J., Ainsworth, M., Boston, M., and Rosenbluth, D. (1956). The effects of mother-child separation: A follow-up study. British Journal of Medical Psychology, 29, 211-249.
”
”
John Bowlby
“
Buying her shit only pissed her off, and trust me, I’d had my people filling her wardrobe with designer shoes and dresses. She gave them all away to the homeless shelter down the street like they weren’t worth a dime. In fact, there’s a crazy homeless woman in downtown Boston walking around in a Stella McCartney suit and a pair of Jimmy Choo’s, yelling at traffic lights that she was the real Messiah. Yeah.
”
”
L.J. Shen (Sparrow)
“
Sometimes friends grow apart. You tell each other everything and you’re sure this is a person you’ll know the rest of your life but then she stops writing or calling, or you realize she’s really not so nice, or she turns into a right-winger.
”
”
Anita Diamant (The Boston Girl)
“
Let us settle ourselves, and work and wedge our feet downwards through the mud and slush of opinion and tradition, and pride and prejudice, appearance and delusion, through the alluvium which covers the globe, through poetry and philosophy and religion, through church and state, through Paris and London, through New York and Boston and Concord, till we come to a hard bottom that rocks in place which we can call reality and say, "This is and no mistake.
”
”
Henry David Thoreau
“
All you have to do is revise your point of view. Instead of trying to achieve perfection, simply relax and enjoy human imperfectability. With that perspective you achieve the ultimate godhead. You see man as infinite possibility always in the process of becoming. You see finally that man, in emulating the creative process, is nothing less than God.
”
”
Robert H. Rimmer (That Girl from Boston)
“
Nate and me... we aren't built for truces, for good times, for light jokes and giggles. We're meant for the shadows. For the dirty, ugly, secret parts of our souls, the parts we can't hide because we know each other too well.
”
”
Julie Johnson (Cross the Line (Boston Love, #2))
“
I thought I told you I don’t play by the rules,” I argue. “Ye’re mistaken,” he says. “Ye just walked into my world unbidden. So you will play by the rules, butterfly. You’ll be playing by all my rules.
”
”
A. Zavarelli (Crow (Boston Underworld, #1))
“
Kate Gompert’s always thought of this anhedonic state as a kind of radical abstracting of everything, a hollowing out of stuff that used to have affective content. Terms the undepressed toss around and take for granted as full and fleshy—happiness, joie de vivre, preference, love—are stripped to their skeletons and reduced to abstract ideas. They have, as it were, denotation but not connotation. The anhedonic can still speak about happiness and meaning et al., but she has become incapable of feeling anything in them, of understanding anything about them, of hoping anything about them, or of believing them to exist as anything more than concepts. Everything becomes an outline of the thing. Objects become schemata. The world becomes a map of the world. An anhedonic can navigate, but has no location. I.e. the anhedonic becomes, in the lingo of Boston AA, Unable To Identify.
”
”
David Foster Wallace (Infinite Jest)
“
Listen to me. The two most important decisions in our lives are not ours to make. Our creation and our death. We don’t choose to be born, and we don’t choose when or how we die. But everything in-between? That’s our jurisdiction. We can fill in the blanks as we please.
”
”
L.J. Shen (The Villain (Boston Belles, #2))
“
I want a place. It has to do with the kind of person I want to be. And how I fit in to everything. I want people to listen when I open my mouth. And know I'm worth listening to."
She stared at me. "That's all?"
To me it was not all, it was everything.
”
”
Ann Rinaldi (The Fifth of March: A Story of the Boston Massacre)
“
The thing is, you can't really rely on love. Which is why I intend to offer you something far more consistent. Commitment, friendship and loyalty. I promise to give you my protection, no matter the price. I will never turn our back on us. We will fall in and out of love many times, but I promise to always find my way back to you. To put us back together even when the temptation to break things off is too much. And when loves feels far away..."
He presses his forehead to mine, his lips moving over mine.
"I will bring it right back to our doorstep.
”
”
L.J. Shen (The Villain (Boston Belles, #2))
“
Africa.
That bird came from Africa.
But you mustn't cry for that bird, Paulie, because after a while it forgot about how the veldt smelled at noonday, and the sounds of the wildebeests at the waterhole, and the high acidic smell of the ieka-ieka trees in the great clearing north of the Big road. After awhile it forgot the cerise color of the sun dying behind Kilimanjaro. After awhile it only knew the muddy, smogged-out sunsets of Boston, that was all it remembered and all it wanted to remember. After awhile it didn't want to go back anymore, and if someone took it back and set it free it would only crouch in one place, afraid and hurting and homesick in two unknown and terribly ineluctable directions until something came along and killed it.
'Oh Africa, oh, shit,' he said in a trembling voice.
”
”
Stephen King (Misery)
“
The old folk from Indiana and Iowa and Illinois, from Boston and Kansas City and Des Moines, they sold their homes and their stores, and they came here by train and by automobile to the land of sunshine, to die in the sun, with just enough money to live until the sun killed them, tore themselves out by the roots in their last days, deserted the smug prosperity of Kansas City and Chicago and Peoria to find a place in the sun. And when they got here they found that other and greater thieves had already taken possession, that even the sun belonged to the others; Smith and Jones and Parker, druggist, banker, baker, dust of Chicago and Cincinnati and Cleveland on their shoes, doomed to die in the sun, a few dollars in the bank, enough to subscribe to the Los Angeles Times, enough to keep alive the illusion that this was paradise, that their little papier-mâché homes were castles.
”
”
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
“
I caught a glimpse of my face in the mirror as we glided p. I looked as eroded as the groaning lift. What had happened to the fresh-faced belle from Boston, Mass.? The woman who stared back at me was at the dreaded age between forty-five and fifty, that no-man's land of sag, oncoming wrinkle, and stealthy approach of menopause.
"I hate this elevator, too," I said grimly.
Zoe grinned and pinched my cheek.
"Mom, even Gwyneth Paltrow would look like hell in that mirror."
I had to smile. That was such a Zoe-like remark.
”
”
Tatiana de Rosnay (Sarah's Key)
“
There are those wonderful moments of clarity in life when one is reminded how irreparably flawed we humans are. Once, when I was nineteen, on the subway in Boston I lost my balance slightly and bumped into an elderly woman. I quickly apologized and she replied, "Well, hold on to something, stupid." There it is. That's it. That's it in a nutshell. I don't want to sound negative, but I think every fetus should be shown a film of that incident, maybe projected up on the uterine wall, and then asked if it wants to come out. I am a strong believer in a woman's right to choose, but I also think that in the last trimester, the kid should be given every opportunity to back out.
”
”
Paula Poundstone
“
My phone buzzes, and I shut off YouTube so I can access my messages.
Logan: Just found the perfect xmas present for you in Boston.
A photo promptly appears, summoning a loud groan from my throat. The asshole sent me a pic of a novelty My Little Pony dildo. Damn thing is bright pink, with rainbow sparkles on the handle.
Logan: And it’s rechargeable! U don’t have to buy batteries. THAT’S handy!
Me: Hardy-har-har. You = comedian.
Then I message Grace: Tell your BF to stop being mean to me.
She texts back a smiley face. Traitor.
”
”
Elle Kennedy (The Score (Off-Campus, #3))
“
Nobody wanted to hear about all the Preterite, the many God passes over when he chooses a few for salvation. William argued holiness for these "second Sheep," without whom there'd be no elect. You can bet the Elect in Boston were pissed off about that. And it got worse. William felt that what Jesus was for the elect, Judas Iscariot was for the Preterite. Everything in the Creation has its equal and opposite counterpart. How can Jesus be an exception? could we feel for him anything but horror in the face of the unnatural, the extracreational? Well, if he is the son of man, and if what we feel is not horror but love, then we have to love Judas too. Right? How William avoided being burned for heresy, nobody knows.
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
I would love to say that I wrote (Good Will Hunting). Here is the truth. In my obit it will say that I wrote it. People don't want to think those two cute guys wrote it. What happened was, they had the script. It was their script. They gave it to Rob [Reiner] to read, and there was a great deal of stuff in the script dealing with the F.B.I. trying to use Matt Damon for spy work because he was so brilliant in math. Rob said, "Get rid of it." They then sent them in to see me for a day - I met with them in New York - and all I said to them was, "Rob's right. Get rid of the F.B.I. stuff. Go with the family, go with Boston, go with all that wonderful stuff." And they did. I think people refuse to admit it because their careers have been so far from writing, and I think it's too bad. I'll tell you who wrote a marvelous script once, Sylvester Stallone. Rocky's a marvelous script. God, read it, it's wonderful. It's just got marvelous stuff. And then he stopped suddenly because it's easier being a movie star and making all that money than going in your pit and writing a script. But I did not write [Good Will Hunting], alas. I would not have written the "It's not your fault" scene. I'm going to assume that 148 percent of the people in this room have seen a therapist. I certainly have, for a long time. Hollywood always has this idea that it's this shrink with only one patient. I mean, that scene with Robin Williams gushing and Matt Damon and they're hugging, "It's not your fault, it's not your fault." I thought, Oh God, Freud is so agonized over this scene. But Hollywood tends to do that with therapists.
(from 2003 WGA seminar)
”
”
William Goldman
“
If an invention couldn’t be used to collect money from the population, or even worse, if it nullified existing money-making businesses, it was bought and put on a basement shelf to rust. Jeremy could recall how long it took the electric car to make it to the public. He recalled reading how U.S. car and oil companies purchased transit systems in American cities between the 30s and 60s so they could scrap them and put diesel buses in their places. New York, Chicago, Boston, and Philadelphia were lucky their transit systems didn’t get purchased and abandoned before being completed. The horrible traffic in Los Angeles in particular prompted him to think about how the planned subway system in L.A. was purchased and halted so that money could keep filling up the coffers of certain powerful individuals. Not to mention how L.A.’s efficient streetcars were bought and yanked out of circulation in the 60s.
”
”
Jasun Ether (The Beasts of Success)
“
Breakfast! My favorite meal- and you can be so creative. I think of bowls of sparkling berries and fresh cream, baskets of Popovers and freshly squeezed orange juice, thick country bacon, hot maple syrup, panckes and French toast - even the nutty flavor of Irish oatmeal with brown sugar and cream. Breaksfast is the place I splurge with calories, then I spend the rest of the day getting them off! I love to use my prettiest table settings - crocheted placemats with lace-edged napkins and old hammered silver. And whether you are inside in front of a fire, candles burning brightly on a wintery day - or outside on a patio enjoying the morning sun - whether you are having a group of friends and family, a quiet little brunch for two, or an even quieter little brunch just for yourself, breakfast can set the mood and pace of the whole day.
And Sunday is my day. Sometimes I think we get caught up in the hectic happenings of the weeks and months and we forget to take time out to relax. So one Sunday morning I decided to do things differently - now it's gotten to be a sort of ritual! This is what I do: at around 8:30 am I pull myself from my warm cocoon, fluff up the pillows and blankets and put some classical music on the stereo. Then I'm off to the kitchen, where I very calmly (so as not to wake myself up too much!) prepare my breakfast, seomthing extra nice - last week I had fresh pineapple slices wrapped in bacon and broiled, a warm croissant, hot chocolate with marshmallows and orange juice. I put it all on a tray with a cloth napkin, my book-of-the-moment and the "Travel" section of the Boston Globe and take it back to bed with me. There I spend the next two hours reading, eating and dreaming while the snowflakes swirl through the treetops outside my bedroom window. The inspiring music of Back or Vivaldi adds an exquisite elegance to the otherwise unruly scene, and I am in heaven. I found time to get in touch with myself and my life and i think this just might be a necessity! Please try it for yourself, and someone you love.
”
”
Susan Branch (Days from the Heart of the Home)
“
The way I see it, everyone’s been telling the story wrong. I mean, take Cinderella, for example. She never asked for a Prince, let alone waited around for one. Hell, all she ever wanted was a night off from work and a fancy dress to twirl in for a few hours. It’s never made sense to me that I’m supposed to sit around pining for some mythical Prince Charming to get off his ass and rescue me. If that’s the grand game plan, I could end up waiting forever. Because, I mean, if he’s anything like the rest of the male population, the prince is probably stuck in traffic somewhere, or got lost along the way and is too damn stubborn to ask for directions.
”
”
Julie Johnson (Not You It's Me (Boston Love, #1))
“
(She) says that she's finding it especially hard to take when these earnest ravaged folks at the lectern say they're `Here But For the Grace of God,' except that's not the strange thing she says, because when Gately nods hard and starts to interject about `It was the same for--' and wants to launch into a fairly standard Boston AA agnostic-soothing riff about the `God' in the slogan being just shorthand for a totally subjective and up-to-you `Higher Power' and AA being merely spiritual instead of dogmatically religious, a sort of benign anarchy of subjective spirit, Joelle cuts off his interjection and says that but that her trouble with it is that `But For the Grace of God' is a subjunctive, a counterfactual, she says, and can make sense only when introducing a conditional clause, like e.g. `But For the Grace of God I would have died on Molly Notkin's bathroom floor,' so that an indicative transposition like `I'm here But For the Grace of God' is, she says, literally senseless, and regardless of whether she hears it or not it's meaningless, and that the foamy enthusiasm with which these folks can say what in fact means nothing at all makes her want to put her head in a Radarange at the thought that Substances have brought her to the sort of pass where this is the sort of language she has to have Blind Faith in.
”
”
David Foster Wallace (Infinite Jest)
“
Cookery means the knowledge of Medea and of Circe and of Helen and of the Queen of Sheba. It means the knowledge of all herbs and fruits and balms and spices, and all that is healing and sweet in the fields and groves and savory in meats. It means carefulness and inventiveness and willingness and readiness of appliances. It means the economy of your grandmothers and the science of the modern chemist; it means much testing and no wasting; it means English thoroughness and French art and Arabian hospitality; and, in fine, it means that you are to be perfectly and always ladies — loaf givers.
”
”
John Ruskin
“
I ripped the pages out of the book.
I reversed the order, so the last one was first, and the first was last.
When I flipped through them, it looked like the man was floating up through the sky.
And if I'd had more pictures, he would've flown through a window, back into the building, and the smoke would've poured into the hole that the plane was about to come out of.
Dad would've left his messages backward, until the machine was empty, and the plane would've flown backward away from him, all the way to Boston.
He would've taken the elevator to the street and pressed the button for the top floor.
He would've walked backward to the subway, and the subway would've gone backward through the tunnel, back to our stop.
Dad would've gone backward through the turnstile, then swiped his Metrocard backward, then walked home backward as he read the New York Times from right to left.
He would've spit coffee into his mug, unbrushed his teeth, and put hair on his face with a razor.
He would've gotten back into bed, the alarm would've rung backward, he would've dreamt backward.
Then he would've gotten up again at the end of the night before the worst day.
He would've walked backward to my room, whistling 'I Am the Walrus' backward.
He would've gotten into bed with me.
We would've looked at the stars on my ceiling, which would've pulled back their light from our eyes.
I'd have said 'Nothing' backward.
He'd have said 'Yeah, buddy?' backward.
I'd have said 'Dad?' backward, which would have sounded the same as 'Dad' forward.
He would have told me the story of the Sixth Borough, from the voice in the can at the end
to the beginning, from 'I love you' to 'Once upon a time.'
We would have been safe.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
When I arrived home from Boston, I realized there were no pictures on my mantel. I set down my suitcase and walked into the living room and looked across to the fireplace, and it felt empty. Empty of real stories. I went to my bedroom where the bed was made, and on my desk there were no pictures in frames and on the end tables there were no pictures. There was a framed picture of Yankee Stadium above the toilet in the bathroom, and there was some art I’d picked up in my travels, but there was little evidence of an actual character living an actual life. My home felt like a stage on which props had been set for a face story rather than a place where a person lived an actual human narrative.
It’s an odd feeling to be awakened from a life of fantasy. You stand there looking at a bare mantel and the house gets an eerie feel, as though it were haunted by a kind of nothingness, an absence of something that could have been, an absence of people who could have been living here, interacting with me, forcing me out of my daydreams. I stood for a while and heard the voices of children who didn’t exist and felt the tender touch of a wife who wanted me to listen to her. I felt, at once, the absent glory of a life that could have been.
”
”
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
“
When she says margarita she means daiquiri.
When she says quixotic she means mercurial.
And when she says, "I'll never speak to you again,"
she means, "Put your arms around me from behind
as I stand disconsolate at the window."
He's supposed to know that.
When a man loves a woman he is in New York and she is in Virginia
or he is in Boston, writing, and she is in New York, reading,
or she is wearing a sweater and sunglasses in Balboa Park and he
is raking leaves in Ithaca
or he is driving to East Hampton and she is standing disconsolate
at the window overlooking the bay
where a regatta of many-colored sails is going on
while he is stuck in traffic on the Long Island Expressway.
When a woman loves a man it is one ten in the morning
she is asleep he is watching the ball scores and eating pretzels
drinking lemonade
and two hours later he wakes up and staggers into bed
where she remains asleep and very warm.
When she says tomorrow she means in three or four weeks.
When she says, "We're talking about me now,"
he stops talking. Her best friend comes over and says,
"Did somebody die?"
When a woman loves a man, they have gone
to swim naked in the stream
on a glorious July day
with the sound of the waterfall like a chuckle
of water rushing over smooth rocks,
and there is nothing alien in the universe.
Ripe apples fall about them.
What else can they do but eat?
When he says, "Ours is a transitional era,"
"that's very original of you," she replies,
dry as the martini he is sipping.
They fight all the time
It's fun
What do I owe you?
Let's start with an apology
Ok, I'm sorry, you dickhead.
A sign is held up saying "Laughter."
It's a silent picture.
"I've been fucked without a kiss," she says,
"and you can quote me on that,"
which sounds great in an English accent.
One year they broke up seven times and threatened to do it
another nine times.
When a woman loves a man, she wants him to meet her at the
airport in a foreign country with a jeep.
When a man loves a woman he's there. He doesn't complain that
she's two hours late
and there's nothing in the refrigerator.
When a woman loves a man, she wants to stay awake.
She's like a child crying
at nightfall because she didn't want the day to end.
When a man loves a woman, he watches her sleep, thinking:
as midnight to the moon is sleep to the beloved.
A thousand fireflies wink at him.
The frogs sound like the string section
of the orchestra warming up.
The stars dangle down like earrings the shape of grapes.
”
”
David Lehman (When a Woman Loves a Man: Poems)
“
I watched the shadow of our plane hastening below us across hedges and fences, rows of poplars and canals … Nowhere, however, was a single human being to be seen. No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding. One sees the places where they live and the roads that link them, one sees the smoke rising from their houses and factories, one sees the vehicles in which they sit, but one sees not the people themselves. And yet they are present everywhere upon the face of the earth, extending their dominion by the hour, moving around the honeycombs of towering buildings and tied into networks of a complexity that goes far beyond the power of any one individual to imagine, from the thousands of hoists and winches that once worked the South African diamond mines to the floors of today's stock and commodity exchanges, through which the global tides of information flow without cease. If we view ourselves from a great height, it is frightening to realize how little we know about our species, our purpose and our end, I thought, as we crossed the coastline and flew out over the jelly-green sea.
”
”
W.G. Sebald (The Rings of Saturn)
“
....the Crocodiles say they can't even begin to say how many new guys they've seen Come In and then get sucked back Out There, Come In to AA for a while and Hang In and put together a little sober time and have things start to get better, head-wise and life-quality-wise, and after a while the new guys get cocky, they decide they've gotten `Well,' and they get really busy at the new job sobriety's allowed them to get, or maybe they buy season Celtics tickets, or they rediscover pussy and start chasing pussy (these withered gnarled toothless totally post-sexual old fuckers actually say pussy), but one way or another these poor cocky clueless new bastards start gradually drifting away from rabid Activity In The Group, and then away from their Group itself, and then little by little gradually drift away from any AA meetings at all, and then, without the protection of meetings or a Group, in time--oh there's always plenty of time, the Disease is fiendishly patient--how in time they forget what it was like, the ones that've cockily drifted, they forget who and what they are, they forget about the Disease, until like one day they're at like maybe a Celtics-Sixers game, and the good old Fleet/First Interstate Center's hot, and they think what could just one cold foamer hurt, after all this sober time, now that they've gotten `Well.' Just one cold one. What could it hurt. And after that one it's like they'd never stopped, if they've got the Disease. And how in a month or six months or a year they have to Come Back In, back to the Boston AA halls and their old Group, tottering, D.T.ing, with their faces hanging down around their knees all over again, or maybe it's five or ten years before they can get it up to get back In, beaten to shit again, or else their system isn't ready for the recurred abuse again after some sober time and they die Out There--the Crocodiles are always talking in hushed, 'Nam-like tones about Out There--or else, worse, maybe they kill somebody in a blackout and spend the rest of their lives in MCI-Walpole drinking raisin jack fermented in the seatless toilet and trying to recall what they did to get in there, Out There; or else, worst of all, these cocky new guys drift back Out There and have nothing sufficiently horrible to Finish them happen at all, just go back to drinking 24/7/365, to not-living, behind bars, undead, back in the Disease's cage all over again. The Crocodiles talk about how they can't count the number of guys that've Come In for a while and drifted away and gone back Out There and died, or not gotten to die.
”
”
David Foster Wallace (Infinite Jest)
“
My, you ought to seen old Henry the Eight when he was in bloom. He was a blossom. He used to marry a new wife every day, and chop off her head next morning. And he would do it just as indifferent as if he was ordering up eggs. 'Fetch up Nell Gwynn,' he says. They fetch her up. Next morning, 'Chop off her head!' And they chop it off. 'Fetch up Jane Shore,' he says; and up she comes, Next morning, 'Chop off her head'—and they chop it off. 'Ring up Fair Rosamun.' Fair Rosamun answers the bell. Next morning, 'Chop off her head.' And he made every one of them tell him a tale every night; and he kept that up till he had hogged a thousand and one tales that way, and then he put them all in a book, and called it Domesday Book—which was a good name and stated the case. You don't know kings, Jim, but I know them; and this old rip of ourn is one of the cleanest I've struck in history. Well, Henry he takes a notion he wants to get up some trouble with this country. How does he go at it—give notice?—give the country a show? No. All of a sudden he heaves all the tea in Boston Harbor overboard, and whacks out a declaration of independence, and dares them to come on. That was his style—he never give anybody a chance. He had suspicions of his father, the Duke of Wellington. Well, what did he do? Ask him to show up? No—drownded him in a butt of mamsey, like a cat. S'pose people left money laying around where he was—what did he do? He collared it. S'pose he contracted to do a thing, and you paid him, and didn't set down there and see that he done it—what did he do? He always done the other thing. S'pose he opened his mouth—what then? If he didn't shut it up powerful quick he'd lose a lie every time. That's the kind of a bug Henry was; and if we'd a had him along 'stead of our kings he'd a fooled that town a heap worse than ourn done. I don't say that ourn is lambs, because they ain't, when you come right down to the cold facts; but they ain't nothing to that old ram, anyway. All I say is, kings is kings, and you got to make allowances. Take them all around, they're a mighty ornery lot. It's the way they're raised.
”
”
Mark Twain (The Adventures of Huckleberry Finn)
“
New Rule: America must stop bragging it's the greatest country on earth, and start acting like it. I know this is uncomfortable for the "faith over facts" crowd, but the greatness of a country can, to a large degree, be measured. Here are some numbers. Infant mortality rate: America ranks forty-eighth in the world. Overall health: seventy-second. Freedom of the press: forty-fourth. Literacy: fifty-fifth. Do you realize there are twelve-year old kids in this country who can't spell the name of the teacher they're having sex with?
America has done many great things. Making the New World democratic. The Marshall Plan. Curing polio. Beating Hitler. The deep-fried Twinkie. But what have we done for us lately? We're not the freest country. That would be Holland, where you can smoke hash in church and Janet Jackson's nipple is on their flag.
And sadly, we're no longer a country that can get things done. Not big things. Like building a tunnel under Boston, or running a war with competence. We had six years to fix the voting machines; couldn't get that done. The FBI is just now getting e-mail.
Prop 87 out here in California is about lessening our dependence on oil by using alternative fuels, and Bill Clinton comes on at the end of the ad and says, "If Brazil can do it, America can, too!" Since when did America have to buck itself up by saying we could catch up to Brazil? We invented the airplane and the lightbulb, they invented the bikini wax, and now they're ahead?
In most of the industrialized world, nearly everyone has health care and hardly anyone doubts evolution--and yes, having to live amid so many superstitious dimwits is also something that affects quality of life. It's why America isn't gonna be the country that gets the inevitable patents in stem cell cures, because Jesus thinks it's too close to cloning.
Oh, and did I mention we owe China a trillion dollars? We owe everybody money. America is a debtor nation to Mexico. We're not a bridge to the twenty-first century, we're on a bus to Atlantic City with a roll of quarters. And this is why it bugs me that so many people talk like it's 1955 and we're still number one in everything.
We're not, and I take no glee in saying that, because I love my country, and I wish we were, but when you're number fifty-five in this category, and ninety-two in that one, you look a little silly waving the big foam "number one" finger. As long as we believe being "the greatest country in the world" is a birthright, we'll keep coasting on the achievements of earlier generations, and we'll keep losing the moral high ground.
Because we may not be the biggest, or the healthiest, or the best educated, but we always did have one thing no other place did: We knew soccer was bullshit. And also we had the Bill of Rights. A great nation doesn't torture people or make them disappear without a trial. Bush keeps saying the terrorist "hate us for our freedom,"" and he's working damn hard to see that pretty soon that won't be a problem.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
If, by the virtue of charity or the funded Ennet House, you will acquire many exotic new facts. You will find out that once MA’s Department of Social Services has taken a mother’s children away for any period of time, they can always take them away again, D.S.S ., like at will, empowered by nothing more than a certain signature-stamped form. I.e. once deemed Unfit— no matter why or when, or what’s transpired in the meantime— there’s nothing a mother can do.(...)That a little-mentioned paradox of Substance addiction is: that once you are sufficiently enslaved by a Substance to need to quit the Substance in order to save your life, the enslaving Substance has become so deeply important to you that you will all but lose your mind when it is taken away from you. Or that sometime after your Substance of choice has just been taken away from you in order to save your life, as you hunker down for required A.M. and P.M. prayers , you will find yourself beginning to pray to be allowed literally to lose your mind, to be able to wrap your mind in an old newspaper or something and leave it in an alley to shift for itself, without you.(...)That certain persons simply will not like you no matter what you do. Then that most nonaddicted adult civilians have already absorbed and accepted this fact, often rather early on.(...)That evil people never believe they are evil, but rather that everyone else is evil. That it is possible to learn valuable things from a stupid person. That it takes effort to pay attention to any one stimulus for more than a few seconds.(...)That it is statistically easier for low-IQ people to kick an addiction than it is for high-IQ people.(...)That you will become way less concerned with what other people think of you when you realize how seldom they do.(...)That most Substance -addicted people are also addicted to thinking, meaning they have a compulsive and unhealthy relationship with their own thinking. That the cute Boston AA term for addictive -type thinking is: Analysis-Paralysis. That 99% of compulsive thinkers’ thinking is about themselves; that 99% of this self-directed thinking consists of imagining and then getting
ready for things that are going to happen to them; and then, weirdly, that if they stop to think about it, that 100% of the things they spend 99% of their time and energy imagining and trying to prepare for all the contingencies and consequences of are never good.(...)That other people can often see things about you that you yourself cannot see, even if those people are stupid.(...)That certain sincerely devout and spiritually advanced people believe that the God of their understanding helps them find parking places and gives them advice on Mass. Lottery numbers.
”
”
David Foster Wallace (Infinite Jest)
“
Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse.'
The nurse looked and clucked in horror. Francie stood there with the hot flamepoints of shame burning her face. The doctor was a Harvard man, interning at the neighborhood hospital. Once a week, he was obliged to put in a few hours at one of the free clinics. He was going into a smart practice in Boston when his internship was over. Adopting the phraseology of the neighborhood, he referred to his Brooklyn internship as going through Purgatory, when he wrote to his socially prominent fiancee in Boston.
The nurse was as Williamsburg girl... The child of poor Polish immigrants, she had been ambitious, worked days in a sweatshop and gone to school at night. Somehow she had gotten her training... She didn't want anyone to know she had come from the slums.
After the doctor's outburst, Francie stood hanging her head. She was a dirty girl. That's what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn't breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies?
She looked at the nurse... She thought the nurse might say something like:
Maybe this little girl's mother works and didn't have time to wash her good this morning,' or, 'You know how it is, Doctor, children will play in the dirt.' But what the nurse actuallly said was, 'I know, Isn't it terrible? I sympathize with you, Doctor. There is no excuse for these people living in filth.'
A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb. The nurse had chosen the forgetting way. Yet, as she stood there, she knew that years later she would be haunted by the sorrow in the face of that starveling child and that she would wish bitterly that she had said a comforting word then and done something towards the saving of her immortal soul. She had the knowledge that she was small but she lacked the courage to be otherwise.
When the needle jabbed, Francie never felt it. The waves of hurt started by the doctor's words were racking her body and drove out all other feeling. While the nurse was expertly tying a strip of gauze around her arm and the doctor was putting his instrument in the sterilizer and taking out a fresh needle, Francie spoke up.
My brother is next. His arm is just as dirty as mine so don't be suprised. And you don't have to tell him. You told me.' They stared at this bit of humanity who had become so strangely articulate. Francie's voice went ragged with a sob. 'You don't have to tell him. Besides it won't do no godd. He's a boy and he don't care if he is dirty.'... As the door closed, she heard the doctor's suprised voice.
I had no idea she'd understand what I was saying.' She heard the nurse say, 'Oh, well,' on a sighing note.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
The first school shooting that attracted the attention of a horrified nation occurred on March 24, 1998, in Jonesboro, Arkansas. Two boys opened fire on a schoolyard full of girls, killing four and one female teacher. In the wake of what came to be called the Jonesboro massacre, violence experts in media and academia sought to explain what others called “inexplicable.” For example, in a front-page Boston Globe story three days after the tragedy, David Kennedy from Harvard University was quoted as saying that these were “peculiar, horrible acts that can’t easily be explained.” Perhaps not. But there is a framework of explanation that goes much further than most of those routinely offered. It does not involve some incomprehensible, mysterious force. It is so straightforward that some might (incorrectly) dismiss it as unworthy of mention. Even after a string of school shootings by (mostly white) boys over the past decade, few Americans seem willing to face the fact that interpersonal violence—whether the victims are female or male—is a deeply gendered phenomenon. Obviously both sexes are victimized. But one sex is the perpetrator in the overwhelming majority of cases. So while the mainstream media provided us with tortured explanations for the Jonesboro tragedy that ranged from supernatural “evil” to the presence of guns in the southern tradition, arguably the most important story was overlooked. The Jonesboro massacre was in fact a gender crime. The shooters were boys, the victims girls. With the exception of a handful of op-ed pieces and a smattering of quotes from feminist academics in mainstream publications, most of the coverage of Jonesboro omitted in-depth discussion of one of the crucial facts of the tragedy. The older of the two boys reportedly acknowledged that the killings were an act of revenge he had dreamed up after having been rejected by a girl. This is the prototypical reason why adult men murder their wives. If a woman is going to be murdered by her male partner, the time she is most vulnerable is after she leaves him. Why wasn’t all of this widely discussed on television and in print in the days and weeks after the horrific shooting? The gender crime aspect of the Jonesboro tragedy was discussed in feminist publications and on the Internet, but was largely absent from mainstream media conversation. If it had been part of the discussion, average Americans might have been forced to acknowledge what people in the battered women’s movement have known for years—that our high rates of domestic and sexual violence are caused not by something in the water (or the gene pool), but by some of the contradictory and dysfunctional ways our culture defines “manhood.” For decades, battered women’s advocates and people who work with men who batter have warned us about the alarming number of boys who continue to use controlling and abusive behaviors in their relations with girls and women. Jonesboro was not so much a radical deviation from the norm—although the shooters were very young—as it was melodramatic evidence of the depth of the problem. It was not something about being kids in today’s society that caused a couple of young teenagers to put on camouflage outfits, go into the woods with loaded .22 rifles, pull a fire alarm, and then open fire on a crowd of helpless girls (and a few boys) who came running out into the playground. This was an act of premeditated mass murder. Kids didn’t do it. Boys did.
”
”
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))