Elaine Brown Quotes

I have all the guns and all the money. I can withstand challenge from without and from within. Am I right, comrade?

Mor opened her mouth, laughter dancing on her face, but Elain asked, “Could you have done it? Decided to take a male form?” The question cut through the laughter, an arrow fired between us. Amren studied my sister, Elain’s cheeks red from our unfiltered talk at the table. “Yes,” she said simply. “Before, in my other form, I was neither. I simply was.” “Then why did you pick this body?” Elain asked, the faelight of the chandelier catching in the ripples of her golden-brown braid. “I was more drawn to the female form,” Amren answered simply. “I thought it was more symmetrical. It pleased me.” Mor frowned down at her own form, ogling her considerable assets. “True.” Cassian snickered.

To become a leader you must have a positive mental attitude, which you can achieve with positive self-talk and looking at what is right with people instead of what is wrong with them.

Oddly, I had never thought of myself as a feminist. I had been denounced by certain radical feminist collectives as a ‘lackey’ for men. That charge was based on my having written and sung two albums of songs that my female accusers claimed elevated and praised men. Resenting that label, I had joined the majority of black women in America in denouncing feminism… . The feminists were right. The value of my life had been obliterated as much by being female as by being black and poor. Racism and sexism in America were equal partners in my oppression.

The world doesn't prepare girls - especially little brown girls- to see the bigness of their dreams. It doesn't train us to embrace the expansiveness of our own possibilities.

He cupped her face and held her still, as he looked into her brown eyes; she was all flash and no bang. She talked big, but when it came down to it, she was a simple girl.

Azriel arrived first, no shadows to be seen, my sister a pale, golden mass in his arms. He, too, wore his Illyrian armour, Elain's golden-brown hair snagging in some of the black scales across his chest and shoulders. He set her down gently on the foyer carpet, having carried her in through the front door. Elain peered up at his patient, solemn face. Azriel smiled faintly. 'Would you like me to show you the garden?' She seemed so small before him, so fragile compared to the scales of his fighting leathers, the breadth of his shoulders. The wings peeking over them. But Elain did not balk from him, did not shy away as she nodded- just once. Azriel, graceful as any courtier, offered her an arm. I couldn't tell if she was looking at his blue Siphons or at his scarred skin beneath as she breathed, 'Beautiful.' Colour bloomed high on Azriel's golden-brown cheeks, but he inclined his head in thanks and led my sister toward the back doors into the garden, sunlight bathing them.

He shook his head and thought about it for a second. “Maybe I'm not straight? Can I still be straight when I'm sitting here looking into your eyes?” he asked. Maybe it was the alcohol talking or maybe he wasn't as straight as he thought he was. “Yes. Absolutely.” Cormag nodded and watched him closely. “Even when I think they're so pretty? They are, you know. So many different shades of brown…and a little green. Just a touch; not a lot. So pretty.” He sighed happily, watching those dark eyes staring back at him in surprise. He lay his head on his arms, smiling at the way Cormag flushed in embarrassment and turned his full attention onto his bottle of beer. “Wow, you are super drunk.

Jack Hogenbaum, a.k.a. "Leo D. Nardo, Your Titanic Lover," was the star of Ladies' Nights at the club. He'd been packing them in since the movie. He looked like Leonardo DiCaprio. Well, sort of. At least his brown hair hung down over his forehead on the left side, he had soulful eyes, and when he danced, he could do stuff with a life preserver you never dreamed.

I have lived an eloquent sufficiency, any more would have been a superfluous redundancy." My grandfather, Howard Creelman, Sr. always said this to my grandmother, Elaine. It is beautiful. I found this little brown tattered piece of paper tucked away in mmy grandmother's wallet after she passed away. It contained the original quote and simply said, "Howard always said this.

The black water nipping at her thrashing heels was freezing. Not the bite of winter chill, or even the burn of solid ice, but something colder. Deeper. The cold of the gaps between stars, teh cold of a world before light. The cold of hell- true hell, she realised as she bucked against the strong hands trying to shove her into the Cauldron. True hell, because that was Elain lying on the stone floor with the red-haired, one-eyed Fae male hovering over her. Because those were pointed ears poking through her sister's sodden gold-brown hair, and an immortal glow radiating from Elain's fair skin. True hell- worse than the inky depths mere inches from her toes.

Az, this one's for you.' The shadowsinger's brows lifted, but his scarred hand extended to take the present. Elain turned from where she'd been spreaking to Nesta. 'Oh, that's from me.' Azriel's face didn't so much as shift at the words. Not even a smile as he opened the present and revealed- 'I had Madja make it for me,' Elain explained. Azriel's brows narrowed at the mention of the family's preferred healer. 'It's a powder to mix in with any drink.' Silence. Elain bit her lip and then smiled sheepishly. 'It's for the headaches everyone always gives you. Since you rub your temples so often.' Silence again. Then Azriel tipped his head back and laughed. I'd never heard such a sound, deep and joyous. Cassian and Rhys joined him, the former grabbing the bottle from Azriel's hand and examining it. 'Brilliant, 'Cassian said. Elain smiled again, ducking her head. Azriel mastered himself enough to say, 'Thank you.' I'd never seen his hazel eyes so bright, the hues of green amid the brown and grey like veins of emerald. 'This will be invaluable.' 'Prick, ' Cassian said, but laughed again.

Her eyes were the brown of a fawn's coat. And he could have sworn something sparked in them as she met his gaze. 'Who are you?' He knew without demanding clarification that she was aware of what he was to her. 'I am Lucien. Seventh son of the High Lord of the Autumn Court.' And a whole lot of nothing. ... For a long moment, Elain's face did not shift, but those eyes seemed to focus a bit more. 'Lucien,' she said at last, and he clenched his teacup to keep from shuddering at the sound of his name on her mouth. 'From my sister's stories. Her friend.' 'Yes.' But Elain blinked slowly. 'You were in Hybern.' 'Yes.' It was all he could say. 'You betrayed us.' He wished she'd shoved him out the window behind her. 'It- it was a mistake.' Her eyes were frank and cold. 'I was to be married in a few days.' He fought against the bristling rage, the irrational urge to find the male who'd claimed her and shred him apart. The words were a rasp as he instead said, 'I know. I'm sorry.' She did not love him, want him, need him. Another male's bride. A mortal man's wife. Or she would have been. She looked away- toward the windows. 'I can hear your heart,' she said quietly. He wasn't sure how to respond, so he said nothing, and drained his tea, even as it burned his mouth. 'When I sleep,' she murmured, 'I can hear your heart beating through the stone.' She angled her head, as if the city view held some answer. 'Can you hear mine?' He wasn't sure if she truly meant to address him, but he said, 'No, lady. I cannot.' Her too-thin shoulders seemed to curve inward. 'No one ever does. No one ever looked- not really.' A bramble of words. Her voice strained to a whisper. 'He did. He saw me. He will not now.

He cannot will his entry into and exit from the activity on a daily basis. There is not, as there is for most workers, a brief interval of exemption at the end of the day when he is permitted to enact a wholly different set of gestures; the timing of his eventual exit will by determined not by his own will but by the end of the war, whether that comes in days, months, or years, and there is of course a very high probability that even when the war ends he will never exit from it. Although in all forms of work the worker mixes himself with and eventually becomes inseparable from the materials of his labor (an inseparability that has only its most immediate sign the residues which coat his body, the coal beneath the skin of his arm, the spray of grain in his hair, the ink on his fingers), the boy in war is, to an extent, found in almost no other form of work, inextricably bound up with the men and materials of his labor: he will learn to perceive himself as he will be perceived by others, as indistinguishable from the men of his unit, regiment, division, and above all national group (all of whom will share the same name: he is German) as he is also inextricably bound up with the qualities and conditions – berry laden or snow laden - of the ground over which he walks or runs or crawls and with which he craves and courts identification, as in the camouflage postures he adopts, now running bent over parallel with the ground it is his work to mime, now arching forward conforming the curve of his back to the curve of a companion boulder, now standing as upright and still and narrow as the slender tree behind which he hides; he is the elms and the mud, he is the one hundred and sixth, he is a small piece of German terrain broken off and floating dangerously through the woods of France. He is a fragment of American earth wedged into an open hillside in Korea and reworked by its unbearable sun and rain. He is dark blue like the sea. He is light grey like the air through which he flies. He is sodden in the green shadows of earth. He is a light brown vessel of red Australian blood that will soon be opened and emptied across the rocks and ridges of Gallipoli from which he can never again become distinguishable.

For a black woman in America, to know that power is to experience being raised from the dead. —ELAINE BROWN, A Taste of Power

He set her down gently on the foyer carpet, having carried her in through the front door. Elain peered up at his patient, solemn face. Azriel smiled faintly. “Would you like me to show you the garden?” She seemed so small before him, so fragile compared to the scales of his fighting leathers, the breadth of his shoulders. The wings peeking over them. But Elain did not balk from him, did not shy away as she nodded—just once. Azriel, graceful as any courtier, offered her an arm. I couldn’t tell if she was looking at his blue Siphon or at his scarred skin beneath as she breathed, “Beautiful.” Color bloomed high on Azriel’s golden-brown cheeks, but he inclined his head in thanks and led my sister toward the back doors into the garden, sunlight bathing them.

The boy in war is, to an extent found in almost no other form of work, inextricably bound up with the men and materials of his labor. … He is a fragment of American earth wedged into an open hillside in Korea and reworked by its unbearable sun and rain. … He is a light brown vessel of red Australian blood that will soon be opened and emptied across the rocks and ridges of Gallipoli from which he can never again become distinguishable.

finished. I can smell it," Elaine said. "Chocolate. I helped," Tina said. "She talks clearly for her age. My boys were chatterboxes

We have to acknowledge that there are massive problems if we want to facilitate change.” – Elaine Brown

Although irises come in different colors (iris = rainbow), they contain only brown pigment. When they have a lot of pigment, the eyes appear brown or black. If the amount of pigment is small and restricted to the posterior surface of the iris, the unpigmented parts simply scatter the shorter wavelengths of light and the eyes appear blue, green, or gray. Most newborn babies’ eyes are slate gray or blue because their iris pigment is not yet developed.

When Elain burst into the dining room of the House, Cassian and Rhys were shaking off the frigid air that had been howling through Windhaven. Her brown eyes were bright with tears, but she kept her chin high.

Elain is pleasant to look at, her mother had once mused while Nesta sat beside her dressing table, a servant silently brushing her mother’s gold-brown hair, but she has no ambition. She does not dream beyond her garden and pretty clothes. She will be an asset on the marriage market for us one day, if that beauty holds, but it will be our own maneuverings, Nesta, not hers, that win us an advantageous match. Nesta had been twelve at the time. Elain barely eleven. She’d absorbed every word of her mother’s scheming, plans for futures that had never come to pass. We shall have to petition your father to go to the continent when the time is right, her mother had often said. There are no men here worthy of either of you. Feyre hadn’t even been considered at that point, a sullen, strange child whom her mother ignored. Human royalty rules there still—lords and dukes and princes—but their wealth is tapped out, many of their estates nearing ruin. Two beautiful ladies with a king’s fortune could go far. I might marry a prince? Nesta had asked. Her mother had only smiled.

Kiara,” Elaine Brown’s hair heir said, waving her magazine.

Nesta fought every step of the way. She did not make it easy for them. She clawed and kicked and bucked. And it was not enough. And we were not enough to save her. I watched as she was hoisted up. Elain remained shuddering on the ground. Lucien's coat draped around her. She did not look at the Cauldron. Cassian stirred again, his shredded wings twitching and spraying blood, his muscles quivering. At Nesta's shouts, her raging, his eyes fluttered open, glazed and unseeing, an answer to some call in his blood, a promise he'd made her. But pain knocked him under again. Nesta was shoved into the water up to her shoulders. She bucked even as the water sprayed. She clawed and screamed her rage, her defiance. 'Put her under,' the king hissed. The guards straining, shoved her slender shoulders. Her brown-gold head. And as they pushed her head down, she thrashed one last time, freeing her long, pale arm Teeth bared, Nesta pointed one finger at the King of Hybern. One finger, a curse and a damning. A promise. And as Nesta's head was forced under the water, as that hand was violently shoved down, the King of Hybern had the good sense to look somewhat unnerved.

Elain was staring over Nesta's shoulder. At Lucien- whose face she had finally taken in. Dark brown eyes met one eye of russet and one of metal. Nesta was still weeping, still raging, still inspecting Elain- Lucien's hands slackened at his sides. His voice broke as he whispered to Elain, 'You're my mate.' ... Nesta, however, whirled on him. 'She is no such thing,' she said, and shoved him again. Lucien didn't move an inch. His face was pale as death as he stared at Elain. My sister said nothing, the iron ring glinting dully on her finger.

woman of exile and love you. were never afraid of being radical or becoming a full time student of human rights you. sacred. you. not tired. you. destiny driven. you. kathleen cleaver you. evelyn lowery you. juanita abernathy you. elaine brown you. power seekers you. goddess you. sojourner you. you. mariam makeba you. fire starter. you. nina simone you. international you. sister. you. mama africa

There was an ache at the end of Elaine’s voice and I felt it land in me.

Elaine Brown’s book A Taste of Power. Elaine rose up from an impoverished childhood in North Philly to become the first and only female leader of the Black Panther Party, the ’60s political organization formed to challenge police brutality, fight systemic racism, and empower black communities.

His brown skin glowed with his blonde curls bouncing on his shoulders.

Beautiful, isn’t he?” her brother’s voice came out like a song, his words as sweet as his smile. He sat beside her, a crown of beaten gold and priceless jewels rested atop his long, blonde hair. It shined against his dark robes and sugary brown skin.