Gardens Of The Moon Best Quotes

Every decision you make can change the world. The best life is the one the gods don't notice. You want to live free, boy, live quietly." "I want to be a soldier. A hero." "You'll grow out of it.

I seen but little of this world, Except my corner of it; The city never drew me, For I knew I could not love it. What I loved best was watching The garden getting ripe And a pouch of sweet tobacco And my old cob pipe. What I loved best was a harvest moon Before a frosty morn And lamplight in the barn lot And them long, straight rows of corn. I was plain and country; That's where it starts and ends, But nobody loved her family more, Or treasured more her friends. I loved the changing seasons, And looking for life's reasons, And honey in the comb, and home.

Heed the lesson there, son.” “What lesson?” “Every decision you make can change the world. The best life is the one the gods don’t notice. You want to live free, boy, live quietly.” “I want to be a soldier. A hero.” “You’ll grow out of it.

His ignorance was as remarkable as his knowledge. Of contemporary literature, philosophy and politics he appeared to know next to nothing. Upon my quoting Thomas Carlyle, he inquired in the naivest way who he might be and what he had done. My surprise reached a climax, however, when I found incidentally that he was ignorant of the Copernican Theory and of the composition of the Solar System. That any civilized human being in this nineteenth century should not be aware that the earth travelled round the sun appeared to be to me such an extraordinary fact that I could hardly realize it. “You appear to be astonished,” he said, smiling at my expression of surprise. “Now that I do know it I shall do my best to forget it.” “To forget it!” “You see,” he explained, “I consider that a man’s brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things so that he has a difficulty in laying his hands upon it. Now the skilful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.” “But the Solar System!” I protested. “What the deuce is it to me?” he interrupted impatiently; “you say that we go round the sun. If we went round the moon it would not make a pennyworth of difference to me or to my work.” I was on the point of asking him what that work might be, but something in his manner showed me that the question would be an unwelcome one. I pondered over our short conversation, however, and endeavoured to draw my deductions from it. He said that he would acquire no knowledge which did not bear upon his object. Therefore all the knowledge which he possessed was such as would be useful to him. I enumerated in my own mind all the various points upon which he had shown me that he was exceptionally well-informed. I even took a pencil and jotted them down. I could not help smiling at the document when I had completed it. It ran in this way— SHERLOCK HOLMES—his limits. 1. Knowledge of Literature.—Nil. 2. Philosophy.—Nil. 3. Astronomy.—Nil. 4. Politics.—Feeble. 5. Botany.—Variable. Well up in belladonna, opium, and poisons generally. Knows nothing of practical gardening. 6. Geology.—Practical, but limited. Tells at a glance different soils from each other. After walks has shown me splashes upon his trousers, and told me by their colour and consistence in what part of London he had received them. 7. Chemistry.—Profound. 8. Anatomy.—Accurate, but unsystematic. 9. Sensational Literature.—Immense. He appears to know every detail of every horror perpetrated in the century. 10. Plays the violin well. 11. Is an expert singlestick player, boxer, and swordsman. 12. Has a good practical knowledge of British law.

That August, the day of the lunar eclipse—their daughters three and a half and two—Cam piled everyone in the truck to get the best view from the top of Hopewell Hill. “Maybe they won’t remember,” he said. “I just like to show them things.” This was what you did. You took your children out in the darkness to watch the moon disappear. You dissected coyote scat with them. You led your two-year-old down to the garden to press a handful of radish seeds into the soil and handed her the spatula to lick when you made chocolate pudding and turned the pages of Richard Scarry’s What Do People Do All Day?, pointing out the animal characters and naming their jobs. You gathered autumn leaves, pressed them with an iron in between two sheets of wax paper, and taped them on the window, where you’d set an avocado seed in a glass of water to watch it sprout; and carried your three-year-old outside in your arms at night—her and her sister—to let them catch snowflakes. Who knew what they’d remember, and what they’d make of it, but the hope was there that if nothing else, what they would hold on to from these times was the knowledge of being deeply loved.

You who have walked with me these seven steps, become my best companion, my dearest friend. We shall share the same gardens, the same sunlight, we shall cross the same threshold, we shall share the same hearth. We shall welcome the same days and the same shy nights. I shall be the sun, you shall be its light; I shall be the light, you shall be its brilliance. I shall be the moon, you shall be its silver. I shall be the earth, you shall be its patience. I shall be the waters, you shall be its sanctity. I shall be the sky, you shall be its stretch of stars, I shall be the wind, you shall be its centre, I shall be all the seasons, you shall be their promise. For you, I shall be the lampflame, you shall be my stillness.

This Is Not an Elegy At sixteen, I was illegal and brilliant, my fingernails chewed to half-moons. I took off my clothes in a late March field. I had secret car wrecks, secret hysteria. I opened my mouth to swallow stars. In backseats I learned the alchemy of guilt, lust, and distance. I was unformed and total. I swore like a sailor. But slowly the cops stopped coming around. The heat lifted its palms. The radio lost some teeth. Now I see the landscape behind me as through a Claude glass— tinted deeper, framed just so, bits of gilt edging the best parts. I see my unlined face, a thousand film stars behind the eyes. I was every murderess, every whip- thin alcoholic, every heroine with the silver tongue. Always young Paul Newman’s best girl. Always a lightning sky behind each kiss. Some days I watch myself in the third person, speak to her in the second. I say: I will meet you in sleep. I will know you by your stillness and your shaking. By your second-hand gown. By your bruises left by mouths since forgotten. This is not an elegy because I cannot bear for it to be. It is only a tree branch against the window. It is only a cherry tomato slowly reddening in the garden. I will put it in my mouth. It will be sweet, and you will swallow.

The best life is the one the gods don’t notice. You want to live free, boy, live quietly.

Every decision you make can change the world. The best life is the one the gods don't notice. You want to live free, boy, live quietly.

When he finished he had a magnificent house, perched on the edge of a precipice at whose feet the ocean thundered, but it was a house that knew no happiness, for shortly after Whip had moved in with his third wife, the Hawaiian-Chinese beauty Ching-ching, who was pregnant at the time, she had caught him fooling around with the brothel girls that flourished in the town of Kapaa. Without even a scene of recrimination, Ching-ching had simply ordered a carriage and driven back to the capital town of Lihune, where she boarded an H & H steamer for Honolulu. She divorced Whip but kept both his daughter Iliki and his yet-unborn son John. Now there were two Mrs. Whipple Hoxworths in Honolulu and they caused some embarrassment to the more staid community. There was his first wife, Iliki Janders Hoxworth, who moved in only the best missionary circles, and there was Ching-ching Hoxworth who lived within the Chinese community. The two never met, but Howxworth & Hale saw to it that each received a monthly allowance. The sums were generous, but not so much so as those sent periodically Wild Whip's second wife, the fiery Spanish girl named Aloma Duarte Hoxworth, whose name frequently appeared in New York and London newspapers... p623 When the polo players had departed, when the field kitchens were taken down, and when the patient little Japanese gardeners were tending each cut in the polo turf as if it were a personal wound, Wild Whip would retire to his sprawling mansion overlooking the sea and get drunk. He was never offensive and never beat anyone while intoxicated. At such times he stayed away from the brothels in Kapaa and away from the broad lanai from which he could see the ocean. In a small, darkened room he drank, and as he did so he often recalled his grandfather's words: "Girls are like stars, and you could reach up and pinch each one on the points. And then in the east the moon rises, enormous and perfect. And that's something else, entirely different." It was now apparent to Whip, in his forty-fifth year, that for him the moon did not intend to rise. Somehow he had missed encountering the woman whom he could love as his grandfather had loved the Hawaiian princess Noelani. He had known hundreds of women, but he had found none that a man could permanently want or respect. Those who were desirable were mean in spirit and those who were loyal were sure to be tedious. It was probably best, he thought at such times, to do as he did: know a couple of the better girls at Kapaa, wait for some friend's wife who was bored with her husband, or trust that a casual trip through the more settled camps might turn up some workman's wife who wanted a little excitement. It wasn't a bad life and was certainly less expensive in the long run than trying to marry and divorce a succession of giddy women; but often when he had reached this conclusion, through the bamboo shades of the darkened room in which he huddled a light would penetrate, and it would be the great moon risen from the waters to the east and now passing majestically high above the Pacific. It was an all-seeing beacon, brillant enough to make the grassy lawns on Hanakai a sheet of silver, probing enough to find any mansion tucked away beneath the casuarina trees. When this moon sought out Wild Whip he would first draw in his feet, trying like a child to evade it, but when it persisted he often rose, threw open the lanai screens, and went forth to meet it. p625

Precisely three days after Christopher and Audrey had left for London, Beatrix went to the Phelans’ house to ask after Albert. As she had expected, the dog had set the household into chaos, having barked and howled incessantly, ripped carpeting and upholstery to shreds, and bitten footman’s hand. “And in addition,” the housekeeper, Mrs. Clocker, told Beatrix, “he won’t eat. One can already see his ribs. And the master will be furious if we let anything happen to him. Oh, this is the most trying dog, the most detestable creature I’ve ever encountered.” A housemaid who was busy polishing the banister couldn’t seem to resist commenting, “He scares me witless. I can’t sleep at night, because he howls fit to wake the dead.” The housekeeper looked aggrieved. “So he does. However, the master said we mustn’t let anyone take Albert. And as much as I long to be rid of the vicious beast, I fear the master’s displeasure even more.” “I can help him,” Beatrix said softly. “I know I can.” “The master or the dog?” Mrs. Clocker asked, as if she couldn’t help herself. Her tone was wry and despairing. “I can start with the dog,” Beatrix said in a low undertone. They exchanged a glance. “I wish you could be given the chance,” Mrs. Clocker murmured. “This household doesn’t seem like a place where anyone could get better. It feels like a place where things wane and are extinguished.” This, more than anything, spurred Beatrix into a decision. “Mrs. Clocker, I would never ask you to disobey Captain Phelan’s instructions. However…if I were to overhear you telling one of the housemaids where Albert is being kept at the moment, that’s hardly your fault, is it? And if Albert manages to escape and run off…and if some unknown person were to take Albert in and care for him but did not tell you about it immediately, you could not be blamed, could you?” Mrs. Clocker beamed at her. “You are devious, Miss Hathaway.” Beatrix smiled. “Yes, I know.” The housekeeper turned to the housemaid. “Nellie,” she said clearly and distinctly. “I want to remind you that we’re keeping Albert in the little blue shed next to the kitchen garden.” “Yes, mum.” The housemaid didn’t even glance at Beatrix. “And I should remind you, mum, that his leash is on the half-moon table in the entrance hall.” “Very good, Nellie. Perhaps you should run and tell the other servants and the gardener not to notice if anyone goes out to visit the blue shed.” “Yes, mum.” As the housemaid hurried away, Mrs. Clocker gave Beatrix a grateful glance. “I’ve heard that you work miracles with animals, Miss Hathaway. And that’s indeed what it will take, to tame that flea-ridden fiend.” “I offer no miracles,” Beatrix said with a smile. “Merely persistence.” “God bless you, miss. He’s a savage creature. If dog is man’s best friend, I worry for Captain Phelan.” “So do I,” Beatrix said sincerely.

Every decision you make can change the world. The best life is the one the gods don't notice. You want to live free, boy, live quietly. I want to be a soldier. A hero. You'll grow out of it.

It is eerie and uncanny how Luca has the ability to read my mind. “Will you go back now to London, Violetta?” he asks, his black brows lifting, his expression concerned. “Italia has not been good to you. Maybe you think you should go home, where these bad things do not happen.” “Do you want me to go?” I ask, feeling very insecure. I couldn’t blame him, I realize with huge sadness. We’re in a real mess. Perhaps the best thing would be for me to go away and never come back. Luca’s lips tighten into a hard line. Slowly, he shakes his head. “It’s hard to know what’s best,” he says. “But I do not want you to go.” “I don’t want to go either,” I say in a whisper. He takes in a deep breath and lets it out again. We stand there silent, because we don’t know what more to say. I realize that shadows are stretching across the terrace. The air is milder, an evening breeze blowing softly. There’s a rustling sound from the cypress trees in the garden below, and we look over to see the first few bats emerging from the branches, circling slowly in the darkening sky. I think we’re both grateful to have something else to concentrate on. We walk across the terrace and lean on the stone balustrade, elbows almost but not quite touching. And we watch the black shapes rise and fall, the red streaks of sunset fading from the sky, and a clear white curve of moon rising slowly behind the dark silhouettes of the trees.

Wait just a moment, please.” He looked around as if making sure they weren’t observed, then led her rather forcefully to the side of the house where the moon and lamplight did not touch them. “Let go!” He did. “Miss Erstwhile, I believe it is in your best interest to tell me what you are doing out here.” “Walking.” She glared. She did not particularly enjoy being dragged by her arm. His eyes darted to the servants’ quarters. To Martin’s exact window. It made her swallow. “You are not doing something foolish, are you?” In fact, she was, but that didn’t mean she had to stop glaring. “I don’t know if you realize,” he said in his unbearably condescending tone, “but it is not proper for a lady to be out alone after dark and worse to cavort with servants…” “Cavort?” “When doing so might lead to trouble of the worst nature…” “Cavort?” “Look,” he said, slipping into slightly more colloquial tones, “just stay away from there.” “Aren’t you all righteous concern, Mr. Nobley? Five minutes ago, I’d planned on changing careers and becoming a dairymaid, but you’ve saved me from that fate. I’ll kindly release you back to the night and return to my well-bred ways.” “Don’t be a fool, Miss Erstwhile.” He returned the way he’d come, from the back of the house. “Insufferable,” she said under her breath. No, she wasn’t going to go to Martin’s, curse him, but she wasn’t going to run back to her room either, if just to spite Mr. Nobley. The man deserved to be spited. Or spitted. Or both. Though boring and cold and hateful, Mr. Nobley was the most Darcy-esque of them all, so she despised him with vigorous enthusiasm. Perhaps, she hoped, the exercise would count toward therapy and her ultimate Austenland recovery. “Grab my arm, will he?” she said, getting a speck of satisfaction by muttering like an old crazy woman. “Call me a fool…” She walked around the park in angry circles. Her fingers were cold, and her thoughts wandered to memories of spending so much time in the bath as a kid that her fingertips crinkled like raisin skin. Wrinkly skin reminded her of Great-Aunt Carolyn, with her extravagantly soft fingers and conspiratorial eyes. She bought me this gift, Jane thought. Use it well, you floppy-brained, hopeless idiot, and stop trying to fall in love with gardeners. With anyone.

Every decision you make can change the world. The best life is the one the gods don’t notice. You want to live free, boy, live quietly.

Let me love you! Let us tend to our life like a flower, Tender, beautiful, without any conflict, Let us fill our senses with this flower, And put an end to every emotional conflict, Let our feelings be like the sunflower, Always thinking of and staring at the Sun, Let us radiate with the beauty of the sunflower, And allow our love to be our everlasting Sun, Let my every feeling rush towards you, Like the waves rushing to the shore, Then let me sink into you, And no more shall I ever seek any other shore, Let me be the song of the Summer joys, The song of happy brooks, the tender fluttering of flowers, Let me lend you all these Summer joys, And in you create my gardens of love and beautiful flowers, Let me share all my secrets with you, Like the wind that shares hers with trees, flowers and everything, Let me feel every part of you, And like the wind, cover you, your shadows and everything, Let me be the Moon that shines every night, Mild, faint, subtle, light; yet bright enough, To let me see you everywhere even in the darkness of the night, And in the day under the Sun too, because seeing you forever is not enough, Let me be that every reason that makes you happy, Then glide gently across the territory of your mind and heart, Let me be this feeling that always makes you feel happy, And then my love Irma, l shall let my feelings be a part of your heart.

father died, to help her adjust to her new reality. He was making the best of his current life—working at the nursery, teaching Community Ed gardening classes, and playing around with

The appearance of the full moon comes with a cast that includes ghosts and werewolves, vampires and fairies, lunatics and late-night revellers, but also this extraordinary light. An incandescence that picks out the white petals of certain garden flowers-- nicotiana, the spikes of actaea and echinops, allium snow globes and the dancing white fairies that are aquilegia. The best of these is probably the appropriately named sea holly, Miss Willmott's Ghost, with its ruff of grey spikes that appear to glow silver in moonlight. The name was given not for this delightful feature, but for the late gardener's habit of secretly distributing its seeds wherever she went.

See the man under the stars, He drinks all day, he drinks all night He is trying to forget the love he has lost His heart is in servitude slavery and bondage To the greatest love, he has known And he knows it will not come back again Another sip of that bitter drink to sharpen his memories, another sip to forget himself To be left alone in a world where hope is absent, and his pain present each day, lost in the wilderness of life, lost in emotional gales of memories, shipwrecked upon the sand dunes of some uncharted territories, No rescue in sight, no one there to share his deepest thoughts his regrets and the joys his might He lived his life recklessly, and he has many regrets, but never the woman he fell in love with, her name is printed on his heart carved in his soul and swims in his mind The love garden is left unattended, there is no guard at the gates of love to protect and cherish, the flowers are blooming wild, and she is not there to take in the scent to walk among the roses so he can look at her one more time like she was in a dream and he was part of that reality That seems so far away in between the rivers of tears, love letters and poems, and the laughter that is carried forth from the other side, and her beautiful eyes smiling, lighting up his heart as the lonely moon starts its ascend on that same lonely journey he compares himself to the emptiness as he looks around him, she is not there He prays for the fool, he prays for the brave, he prays for the wise, he knows reality is all lies only pain is real, he takes another sip and salutes the passing ships in the night, he has no fight left in him, he has seen the light His soul runs free with the wild horses, and his heart flies with the eagles In the morning he knows he will waltz with her again through the morning mist, where he stops holding her face in his hands and kisses her lips, then looks into her eyes knowing this is his home Nothing more to say everything is perfect everything is beautiful, everything lived and everything died, no need for tears he knows she had the best years of his life, she had the best of everything he had to give, the fields are yellow and empty now, the summer is over, days come to pass, the weeks months and years following He takes another sip raises the bottle up towards the stars, as he sits there alone his shadow attached to him, under the stars under the moonlight The empty spaces bring sweet songs to take him back to his love, to that place where he felt alive, to that place where they both danced the waltz of life, but that has passed he wants to stay there as long as he can, but he reality calls him back to what’s left of life, under this sky, he smiles and says it’s just life, this too shall pass Kenan Hudaverdi 27/01/2025