Pub Party Quotes

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It was Chase who had obtained the information from the girl’s boyfriend during a party in an Irish pub, simply by using his British friendliness and charm.
Stefania Mattana (Cutting Right to the Chase)
…Obviously, I have always wished I could remember what happened in that wood. The very few people who know about the whole Knocknaree thing invariably suggest, sooner or later, that I should try hypnotic regression, but for some reason I find the idea distasteful. I’m deeply suspicious of anything with a whiff of the New Age about it—not because of the practices themselves, which as far as I can tell from a safe distance may well have a lot to them, but because of the people who get involved who always seem to be the kind who corner you at parties to explain how they discovered that they are survivors and deserve to be happy. I worry that I might come out of hypnosis with that sugar-high glaze of self-satisfied enlightenment, like a seventeen-year-old who’s just discovered Kerouak, and start proselytizing strangers in pubs…
Tana French (In the Woods (Dublin Murder Squad, #1))
Doors opened at seven, the show started at eight. In pubs and clubs and house parties across the galaxy, the viewers at home were drunk by six.
Catherynne M. Valente (Space Opera (Space Opera, #1))
Suddenly I was in the middle of things. There were late nights staggering home from the pub, days of bumping into my friends in the street and going off for long afternoons of coffee and pool. Parties where I knew everyone. I was kissed up against walls, missed classes because I was in bed with a lanky, dreadlocked boy. We all had our noses pierced.
Kate Holden (In My Skin: A Memoir of Addiction)
At around the same time a man in a pub told me gender equality was impossible, as long as a man continued to be the active party in penetrative sex, the doer, the woman the done to. I’d tried telling him that surely a woman could just as actively cover a man, but he didn’t look convinced. Even then, it had all felt pointless, word games that changed nothing.
Megan Hunter (The Harpy)
Since there are always two parties in a relationship, the need for space may vary, as each would come with their own set of beliefs about how to spend time together and how much togetherness is too much and how much exclusive time one can claim from their partner. The conflicts arise when one partner feels neglected or left out due to the other’s need for space. If a partner expresses their need for space, it might feel like rejection or abandonment to the other. The clingy partner becomes clingier and the partner who is trying to get some space resents it, tries harder to break away, or if that isn’t possible, lies about that late office meeting when they have actually been at the pub, having a drink with their friends.
Preeti Shenoy (Why We Love the Way We Do)
All last fall in Workshop, they’d side-eye each other if he praised my stories. Because surely they’d seen me leave class with him, walked past us chatting together in the hall, observed us exchanging books and vinyl. Caught us sitting together in cafés or in the basement of the Irish pub, having a drink, another drink, one more for the road, why not? They’d noticed him walk over and talk to me at department functions, sit beside me at readings. Then, in the winter semester, they might have observed how quite suddenly all of this stopped—that he no longer sat next to me at readings or talked to me at parties or met me off campus. And then, of course, in spring, on the night of the end-of-year party, they definitely observed me drunk in the passenger seat of his Subaru.
Mona Awad (Bunny)
You know you’ve moved on when you find other people beautiful. when you don’t avert your eyes but keep them steady or when you stay the night, the last one at the party, and you don’t feel sorry. or empty. or guilty because whatever, where are you going anyway? ⠀⠀⠀⠀⠀⠀⠀⠀⠀ i used to sit here, in this same pub in this same city 7 years ago, writing another book, like i am now again and i wrote myself out of heartbreak with that book like i am now i guess. in some ways maybe i’ve written myself into heartbreak this time but i’m coming out of it. at least i find other people beautiful again. they make me smile. maybe more than i have before and i have a good feeling about things. You know you’ve moved on when you find other people beautiful.
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
Obviously, I have always wished I could remember what happened in that wood. The very few people who know about the whole Knocknaree thing invariably suggest, sooner or later, that I should try hypnotic regression, but for some reason I find the idea distasteful. I’m deeply suspicious of anything with a whiff of the New Age about it—not because of the practices themselves, which as far as I can tell from a safe distance may well have a lot to them, but because of the people who get involved, who always seem to be the kind who corner you at parties to explain how they discovered that they are survivors and deserve to be happy. I worry that I might come out of hypnosis with that sugar-high glaze of self-satisfied enlightenment, like a seventeen-year-old who’s just discovered Kerouac, and start proselytizing strangers in pubs.
Tana French (In the Woods (Dublin Murder Squad, #1))
In the pub in Clerkenwell, it tickled Englishmen to ask, “Do you know the difference between Australia and yoghurt?” Or rather: Orstraylia and yogurt. They were hilarious, spluttering into their warm beer. There was another kind of man, whose methods were more refined. At parties, he would stand between Laura and the door asking, Which is your favorite Tarkovsky? Have you read Discipline and Punish? Whom do you rate more highly, Borges or Kundera? At confessional moments, angry names broke from him: Bellow, Roth. His brow might as well have been stamped “Frightened Early & Often.” Laura dressed him in a clean shirt rolled up at the elbows and placed him behind a desk in a room with no shadows. The luckless, passing one by one before him, wept hot, useless tears over their cancelled lives: they had mispronounced Coetzee or chosen Warhol over Duchamp.
Michelle de Kretser (Questions of Travel)
The No-name Rule In purely social situations, the difficulties are even more acute. There is no universal prescription of handshakes on initial introduction – indeed, they may be regarded as too ‘businesslike’ – and the normal business practice of giving one’s name at this point is also regarded as inappropriate. You do not go up to someone at a party (or in any other social setting where conversation with strangers is permitted, such as a pub bar-counter) and say ‘Hello, I’m John Smith,’ or even ‘Hello, I’m John.’ In fact, the only correct way to introduce yourself in such settings is not to introduce yourself at all, but to find some other way of initiating a conversation – such as a remark about the weather. The ‘brash American’ approach: ‘Hi, I’m Bill, how are you?’, particularly if accompanied by an outstretched hand and beaming smile, makes the English wince and cringe. The American tourists and visitors I spoke to during my research had been both baffled and hurt by this reaction. ‘I just don’t get it,’ said one woman. ‘You say your name and they sort of wrinkle their noses, like you’ve told them something a bit too personal and embarrassing.’ ‘That’s right,’ her husband added. ‘And then they give you this tight little smile and say, “Hello” – kind of pointedly not giving their name, to let you know you’ve made this big social booboo. What the hell is so private about a person’s name, for God’s sake?’ I ended up explaining, as kindly as I could, that the English do not want to know your name, or tell you theirs, until a much greater degree of intimacy has been established – like maybe when you marry their daughter. Rather than giving your name, I suggested, you should strike up a conversation by making a vaguely interrogative comment about the weather (or the party or pub or wherever you happen to be). This must not be done too loudly, and the tone should be light
Kate Fox (Watching the English)
Meanwhile, Trucker and I, through all of this, had been renting that cottage together, on a country estate six miles outside of Bristol. We were paying a tiny rent, as the place was so rundown, with no heating or modern conveniences. But I loved it. The cottage overlooked a huge green valley on one side and had beautiful woodland on the other. We had friends around most nights, held live music parties, and burned wood from the dilapidated shed as heating for the solid-fuel stove. Our newly found army pay was spent on a bar tab in the local pub. We were probably the tenants from hell, as we let the garden fall into disrepair, and burned our way steadily through the wood of the various rotting sheds in the garden. But heh, the landlord was a miserable old sod with a terrible reputation, anyway! When the grass got too long we tried trimming it--but broke both our string trimmers. Instead we torched the garden. This worked a little too well, and we narrowly avoided burning down the whole cottage as the fire spread wildly. What was great about the place was that we could get in and out of Bristol on our 100 cc motorbikes, riding almost all the way on little footpaths through the woods--without ever having to go on any roads. I remember one night, after a fun evening out in town, Trucker and I were riding our motorbikes back home. My exhaust started to malfunction--glowing red, then white hot--before letting out one massive backfire and grinding to a halt. We found some old fence wire in the dark and Trucker towed me all the way home, both of us crying with laughter. From then on my bike would only start by rolling it down the farm track that ran down the steep valley next to our house. If the motorbike hadn’t jump-started by the bottom I would have to push the damn thing two hundred yards up the hill and try again. It was ridiculous, but kept me fit--and Trucker amused. Fun days.
Bear Grylls (Mud, Sweat and Tears)
I then take the opportunity to ask him about the lemon rule and he laughs, tells me its quite simple: “You know how Nietzsche was all about creating your own morality and use your misfortune to learn from them? You know the tale of being hunted by the sleep paralysis demon and the eternal recurrence? To which he answered: Amor Fati, love your fate no matter what?” I nod. “Well I took the old saying, when life gives you lemons make lemonade and took it as an interpretation of his Amor Fati concept. That’s why we will all have a lemon with us tonight on the pub crawl. And if you lose it, in other words you hate your fate and are a nihilist, you have to drink.
Ryan Gelpke (Nietzsche’s Birthday Party: A Short Story Collection)
You know you’ve moved on when you find other people beautiful. When you don’t avert your eyes but keep them steady or when you stay the night, the last one at the party, and you don’t feel sorry. or empty. or guilty because whatever, where are you going anyway? i used to sit here, in this same pub in this same city 7 years ago, writing another book, like i am now again and i wrote myself out of heartbreak with that book like i am now i guess. in some ways maybe i’ve written myself into heartbreak this time but i’m coming out of it. at least i find other people beautiful again. they make me smile. maybe more than i have before and i have a good feeling about things. You know you’ve moved on when you find other people beautiful.
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
That day he actually sat us down and lectured us about how important Mum was to him. 'Your wife will be like a mirror to you,' he said, 'expect she'll show you your true self. A man can be he life of the party at the pub with his mates and a monster at home to his wife. Who is his real self? Not the mask he wears in public but the soul he shows only to her.
Tiffany Reisz (The Pearl (The Godwicks, #3))
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In the El Raval district in Barcelona, this phenomenon plays out every evening. El Raval is a prostitution-dense, bohemian quarter that is both home to many immigrants and a destination for certain types of tourists. Some people who live there like to think that they live in the midst of a crowd, a carnivalesque melting pot, but the boundary is razor-sharp. On the narrow street Carrer d'en Robador, African women with tired eyes and fanny packs stand selling themselves while a sour-faced pimp hiding in a doorway supervises everything. This goes on all day and all night, with only a short break between seven and ten in the morning. In the pubs, 'alternative' people party. They love prostitution and filth, despise authorities and censorship, speak adoringly of the quarter's charming character and pretend that some of it has rubbed off on them. The existence of prostitution is important to them. But people never exchange places: the African women never go into the pubs, and the pub patrons never go out and prostitute themselves. They pass each other every day, but the crowd is only an illusion - there is no common, shared experience. Everyone has an established role and no one speaks to anyone else.
Kajsa Ekis Ekman (Being and Being Bought: Prostitution, Surrogacy and the Split Self)
The 15-layer was already spoken for, of course, in its capacity as the sympathy group. The 5-layer seemed to function as the support clique – the small group of people willing to provide unstinting emotional, physical and financial help and advice. I often refer to this layer as the shoulders-to-cry-on friends. The 15-layer is probably where you draw most of your everyday social companions from – the people you invite round for a quiet dinner or an evening out at the pub or theatre. I am inclined to think of the 50-layer as your party friends: the people you would invite round for a weekend BBQ or a celebratory birthday or anniversary party. The 150-layer is what you might call the wedding/bar mitzvah/funeral group – the people that would turn up to your once-in-a-lifetime events. It also probably contains most of the children of your closer friends. Otherwise, our women’s network data suggest that this layer is mainly populated by members of your extended family – people whose friendship does not need much regular reinforcement because it is held in place by the ties of kinship.
Robin I.M. Dunbar (Friends: Understanding the Power of our Most Important Relationships)
The Sabbath is a party, and what is a good party without a drinking song? Almost all the early John Wesley hymns were sung to what at the time was wild pub music.
Dan B. Allender (Sabbath (The Ancient Practices Series))
She pops her head into a bare-looking kitchen and has a little wander round it. Here, she reads, Emily would sometimes make bread with her right hand while holding a book of German verse in her left. Well, OK, Yuki thinks, now you're talking. Because she applauds any woman who is unashamed of her intelligence. Also, what a great little trick. Over dinner last night the Elders were discussing Branwell, the dissolute Bronte brother, and someone mentioned a little party-piece he was said to have performed at the local pub in which he'd write a line of Latin with his right hand while writing the same thing in Greek with his left. So now Yuki's wondering if the Bronte kids weren't, in fact, exceptionally gifted linguists - or whether having your hands do different things simultaneously wasn't just about as wild an evening as you were likely to have back then. She heads up the stairs, where it's a little cooler - and more dismal, if that's possible - and stands on the landing, consulting her leaflet, where she learns that there were, in fact, another two Bronte girls, who died when they were still children. Two invisible, extra Brontes no one's ever heard of, since neither lived long enough to lift a pen. The first bedroom she enters, it seems, is where the mother passed away, knowing that all her children would have to go on, motherless. With just their crazy father to look after them. And this really is just about too much for poor Yukiko. She's tempted to throw herself onto the old bed and have a good long cry about it, and might have done so if she didn't suspect that the bed, bedroom floor and the entire Bronte house would likely to collapse around her, which would only mean her being dragged off to the local jailhouse, to be beaten about the body with copies of 'Wuthering Heights'.
Mick Jackson (Yuki Chan in Brontë Country)
Her face lit up in welcome as she saw me, and taking prompt, if cowardly, action in the face of emergency I smiled, waved and ducked out through a side door. As I hurried around the side of the building into a handy patch of deep shadow (Briar being a persistent sort of girl), I tripped over someone’s legs stretched across the path. I lurched forward, and a big hand grasped me firmly by the jersey and heaved me back upright. ‘Thank you,’ I said breathlessly. ‘Helen?’ Briar called, and I shrank back into the shadows beside the owner of the legs. ‘Avoiding someone?’ he asked. ‘Shh!’ I hissed, and he was obediently quiet. There was a short silence, happily unbroken by approaching footsteps, and I sighed with relief. ‘Not very sociable, are you?’ ‘You can hardly talk,’ I pointed out. ‘True,’ he said. ‘Who are you hiding from?’ ‘Everyone,’ he said morosely. ‘Fair enough. I’ll leave you to it.’ ‘Better give it a minute,’ he advised. ‘She might still be lying in wait.’ That was a good point, and I leant back against the brick wall beside him. ‘You don’t have to talk to me,’ I said. ‘Thank you.’ There was another silence, but it felt friendly rather than uncomfortable. There’s nothing like lurking together in the shadows for giving you a sense of comradeship. I looked sideways at the stranger and discovered that he was about twice as big as any normal person. He was at least a foot taller than me, and built like a tank. But he had a nice voice, so with any luck he was a gentle giant rather than the sort who would tear you limb from limb as soon as look at you. ‘So,’ asked the giant, ‘why are you hiding from this girl?’ ‘She’s the most boring person on the surface of the planet,’ I said. ‘That’s a big call. There’s some serious competition for that spot.’ ‘I may be exaggerating. But she’d definitely make the top fifty. Why did you come to a party to skulk around a corner?’ ‘I was dragged,’ he said. ‘Kicking and screaming.’ He turned his head to look at me, smiling. ‘Ah,’ I said wisely. ‘That’d be how you got the black eye.’ Even in the near-darkness it was a beauty – tight and shiny and purple. There was also a row of butterfly tapes holding together a split through his right eyebrow, and it occurred to me suddenly that chatting in dark corners to large unsociable strangers with black eyes probably wasn’t all that clever. ‘Nah,’ he said. ‘I collided with a big hairy Tongan knee.’ ‘That was careless.’ ‘It was, wasn’t it?’ I pushed myself off the wall to stand straight. ‘I’ll leave you in peace. Nice to meet you.’ ‘You too,’ he said, and held out a hand. ‘I’m Mark.’ I took it and we shook solemnly. ‘Helen.’ ‘What do you do when you’re not hiding from the most boring girl on the planet?’ he asked. ‘I’m a vet,’ I said. ‘What about you?’ ‘I play rugby.’ ‘Oh!’ That was a nice, legitimate reason for running into a Tongan knee – I had assumed it was the type of injury sustained during a pub fight.
Danielle Hawkins (Chocolate Cake for Breakfast)
I think it’s because, in our complicated lives, we yearn only for the simple. An evening in front of the telly. A nice sit-down. A game of cards. At a drinks party, I can find myself talking to a fascinating and beautiful woman who’s just written a book about something interesting and clever. But what I yearn for is to be in the pub with my mates.
Jeremy Clarkson (What Could Possibly Go Wrong...)
i promise will meet again subodh kumar "Love does not grow on trees or it can not be brought from the market, but if you want to be "LOVED" you must first know how to give unconditional LOVE.." The heart wants what it wants. There's no logic to these things. You meet someone and you fall in love and that's that. Nobody can ever say that love happens only once! And this love can happen at any age, anytime. But that story has got nothing do with anything that the modern world celebrates today. Yes!!! Today the so called "Love" has transformed a lot! Eye written statements of those earlier days turned into letters and this current world has got chatting, meeting, dating, pubs, parties, etc. I have written this book to tell the people about real love. And this is one such story! Not exactly a story, it could be like a stolen life of a true love relation. If you want to know the answer to it all, read the book.
subodhkumar