Cotton Futures Quotes

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She could hear, some way off, her brothers calling to each other in the woods behind the house. She hoped desperately that their game wouldn't bring them any closer, that they wouldn't scare the birds away. Somehow she knew that you didn't get many moments like this in your life: moments when you knew, without any doubt, that you were alive, when you felt the air in your lungs and the wet grass beneath your feet and the cotton on your skin; moments when you were completely in the present, when neither the past nor the future mattered. She tried to slow her breathing, hoping somehow to make this moment last forever.
Neil Gaiman (Stardust)
Study the past if you would define the future. --CONFUCIUS
Steve Berry (The Emperor's Tomb (Cotton Malone, #6))
It may seem to you that your life is over now. Your future without the person you love is no future at all. Death is a head-on collision with your plans. But everything in life--the gold fillings of your teeth, the cotton of your sheets, the air you breathe, all the food you will ever eat--everything there is was born from a collision. Inside every single thing that lives is a debt to a distant star that died. Nothing new is ever created without one thing colliding into another. And something new is created when the person you love dies. Because they are not the only ones who die: you die, too. The person you were when you were with them is gone just as surely as they are. This is what you should know about losing somebody you love. They do not travel alone. You go with them.
Augusten Burroughs (This Is How: Proven Aid in Overcoming Shyness, Molestation, Fatness, Spinsterhood, Grief, Disease, Lushery, Decrepitude & More. For Young and Old Alike.)
This is very simple in the world of chicks: some are hoochies, some are not, and some should never try to be. It's no different from the idea of sports. Now, I can go on my little rowing machine for four times a week, twenty-two minutes a time, and I can feel as if I flirt with the sporting world. Similar to the idea that a woman can put on something cuter for her man, for those moments, and flirt with garments that a hoochie woman might be pushing. But never for one moment should you get confused. My little rowing machine and I cannot consider ourselves athletes. Wearing the same garment does not a hoochie woman make. So if you are a true hoochie woman, may garments below the navel always be in your future. If you are not, then please don't throw away your cotton zippy jacket.
Tori Amos (Piece by Piece)
It was a grey September day, with the blue and copper butterflies flitting in the after-grass, the partridges calling like crickets, the blackberries colouring, and the hazel nuts still nursing their tasteless little kernels in the cradles of cotton wool.
T.H. White (The Once and Future King)
Somehow she knew that you didn't get many moments like this in your life: moments when you knew, without any doubt, that you were alive, when you felt the air in your lungs and the wet grass beneath your feet and the cotton on your skin; moments when you were completely in the present, when neither the past nor the future mattered. She tried to slow her breathing, hoping somehow to make this moment last forever.
Neil Gaiman (Stardust: Lluvia de Estrellas)
It was difficult to anticipate—in these monsters with enormous, fantastic beaks which they opened wide immediately after birth, hissing greedily to show the backs of their throats, in these lizards with frail, naked bodies of hunchbacks—the future peacocks, pheasants, grouse or condors. Placed in cotton wool, in baskets, this dragon brood lifted blind, walleyed heads on thin necks, croaking voicelessly from their dumb throats.
Bruno Schulz (The Street of Crocodiles)
Their revered minister John Cotton had instructed them that they could attack the natives “without provocation”—a procedure normally unlawful—because they had not only a natural right to their territory, but “a special Commission from God” to take their land.19 Already there were signs of the exceptionalist thinking that would in the future often characterize American politics.
Karen Armstrong (Fields of Blood: Religion and the History of Violence)
there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die. The sight of Beanie’s mother howling at her son’s coffin would haunt them all in the next few days. Next week, or next month some time, some other mother would take her place, howling her grief. And another after that. They saw the future, too, she could tell. It would continue forever. It was all so very grim. But then, she thought, every once in a while there’s a glimmer of hope. Just a blip on the horizon, a whack on the nose of the giant that set him back on his heels or to the canvas,
James McBride (Deacon King Kong)
Some wings are organza stitched onto school backpacks; some are quilted cotton stuffed with dried flowers and clipped to jacket shoulders. Some few have been carefully glued together from dozens of butterflies’ discarded wings—but only those butterflies that died naturally, of course. Thus adorned, children who can run through the streets do so, leaping off curbs and making whooshing sounds as they pretend to fly. Those who cannot run instead ride special drones, belted and barred and double-checked for safety, which gently bounce them into the air. It’s only a few feet, though it feels like the height of the sky.
N.K. Jemisin (How Long 'til Black Future Month?)
Truth to tell, it was a bit difficult for him at first to get used to such limitations, but later it somehow became a habit and went better; he even accustomed himself to going entirely without food in the evenings; but instead he was nourished spiritually, bearing in his thoughts the eternal idea of the future overcoat. From then on it was as if his very existence became somehow fuller, as if he were married, as if some other person were there with him, as if he were not alone but some pleasant life's companion had agreed to walk down the path of life with him––and this companion was none other than that same overcoat with its cotton-wool quilting, with its sturdy lining that knew no wear.
Nikolai Gogol (The Collected Tales of Nikolai Gogol)
If nothing else, Alice, you will have sight of one of the grandest buildings in the city, one of the grandest ever built, in fact. That florid thing cost three hundred eighty thousand dollars to erect! It is as ornate as a cathedral. But, oh so mixed up. A bit of everything thrown in---Second Empire, Renaissance, Italian, with Corinthian columns, no less. Gold ceiling medallions, frescoes, murals, sculptures--- even a fountain, where the futures are sold. Well, not in the fountain.” Constance laughed uncertainly. “And an ornate steam elevator… Well, just don’t bid on the cotton futures.
Diane C. McPhail (The Seamstress of New Orleans)
On Wall Street, there were futures and commodities traders wagering on what cotton she had yet to pick might go for next October. There were businessmen in Chicago needing oxford shirts, socialites in New York and Philadelphia wanting lace curtains and organdy evening gowns. Closer to home, closer than one dared to contemplate, there were Klansmen needing their white cotton robes and hoods.
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
You’re always talking about my future. Your big dreams for me. College. How do you think I’m going to get there, Mom? By picking cotton in the fall and starving in the winter? By living on the dole?” Loreda moved forward. “Think about the women who fought for the vote. They had to be scared, too, but they marched for change, even if it meant going to jail. And now we can vote. Sometimes the end is worth any sacrifice.
Kristin Hannah (The Four Winds)
The skinny Doya-sensei, in his cotton clothing, appeared on stage. He had braved the elements, walking as straight as a needle. Exposed to the dry wind, he looked like an old withered gourd. The sound of hands clapping filled the air. The clapping of hands is not necessarily the same as applause. Takayanagi alone sat silently and adjusted his collar. "Man is a link between the past and the future." Doya-sensei began abruptly. The audience was taken by surprise. No one started his lecture this way. "Those who carry over the past into the future are called conservative; those who save the future from the past are called progressive." The audience was more puzzled than before. Among the audience of three hundred were those who came to jeer Doya-sensei. Like sumo wrestlers in a ring, they watched for a chance to take advantage of their opponent. They were poised like a snake ready to strike. In Doya-sensei's vision there was nothing but the Way. "If you say you have no past in yourself, you may as well say you have no parents. If you say you have no future in yourself, you may as well say you have no capacity to beget children. One's standpoint should be clear from this. Either to live for your parents, to live for your children, or to live for yourself: your mission in life can be only one of these three alternatives.
Natsume Sōseki
I feared, at times, that I had lost my imagination, because I felt boxed in my role as victim. But when I was trapped, I learned I could still move internally. When I felt depressed, I wrote and imagined my future down to the coffee bean. The children's books I will illustrate, the chickens I will have in my yard, the soft cotton linens, the sauce-dipped wooden spoons on the counter. The need for it to come true according to plan was not important. The act of imagining was.
Chanel Miller (Know My Name)
God, she was gorgeous. Pure and cleanly beautiful. From the rounded crests of her cheeks to the delicate sweep of her jaw, she had the kind of face sculptors memorialized in marble and the rest of us gazed upon for centuries to come. Of course she was beautiful. She was an actress. Meant to be idolized on the screen. Emma Maron, a.k.a Princess Anya, future queen and conqueror on Dark Castle. The guys and I used to watch the show while traveling between games. Anya was a favorite. Particularly since... I'd seen her breasts. It hit me like a puck to the helmet, and my ears began to ring. I'd seen those perfect creamy handfuls with sweet pink tips that pointed upward, defying gravity and begging to be sucked. I had watched her on hands on knees, perky tits bouncing as Arasmus slammed into her from behind. I actually blushed. Me. The guy who'd had dozens of women throw themselves at him every night since high school. I'd had sex so many times and in so many ways it had become a blur. Nothing shamed me or made me uncomfortable. Yet I started to get hot under the collar, my cheeks burning. After nearly a year of being disinterested in all things sexual, my dick decided to make its presence known and start rising. Now, of all times. Now, when I was stuck in a damn truck less than three feet from a woman, I finally got a hard-on. Lovely. I felt like a damn lecher. "At least it's a beautiful drive," she said, breaking through heated thoughts of creamy breasts with cotton candy nipples.
Kristen Callihan (Make It Sweet)
Americans are a strange breed. We love to preach, and we hate being preached at. In one hemisphere of our brains the sermons of Cotton Mather run on an infinite loop; in the other we hear the echo of Mark Twain’s laughter. When the Twain side is napping the Mather side undergoes a Great Awakening. Surges of fevered fanaticism come over us, all sense of proportion is lost, and everything seems of an unbearable moral urgency. Repent, America, repent now! The country is undergoing such an Awakening at this very moment concerning race and gender, which is why the rhetoric being generated sounds evangelical rather than political. That one now hears the word woke everywhere is a giveaway that spiritual conversion, not political agreement, is the demand. Relentless speech surveillance, the protection of virgin ears, the inflation of venial sins into mortal ones, the banning of preachers of unclean ideas—all these campus identity follies have their precedents in American revivalist religion. Mr. Twain might have found it amusing but every opinion poll shows that the vast majority of Americans do not.
Mark Lilla (The Once and Future Liberal: After Identity Politics)
In some ways, the only thing we have in common is the color of our skin. Our ancestors came from all over the African continent. It's quite large... They had different ways of subsistence, different customs, spoke a hundred different languages. And that great mixture was brought to America in the holds of slave ships. To the north, the south. Their sons and daughters picked tobacco, cultivated cotton, worked on the largest estates and smallest farms. We are craftsmen and midwives and preachers and peddlers. Black hands built the White House, the seat of our nation's government. The word we. We are not one people, but many different people. How can one person speak for this great, beautiful race - which is not one race but many, with a million desires and hopes and wishes for ourselves and our children? For we are Africans in America. Something new in the history of the world, without models for what we will become. Color must suffice. It has brought us to this night, this discussion, and it will take us into the future. All I truly know is that we rise and fall as one, one colored family living next door to one white family. We may not know the way through the forest, but we can pick each other up when we fall, and we will arrive together.
Colson Whitehead (The Underground Railroad)
Git behind me, grief. It's my future I'm working for now. But grief don't go away just like that. Grief nips at your heels, and if you think you've outrun it, you'll find grief waiting for you on the cargo deck when you hide there after dark. Grief ripples in the silver water and grief slips between the moonlit trees on the riverbank and grief rings in the fiddle music coming from the dance saloon above. And when the stars shine bright, and you're trying to sleep between the cotton bales, grief's there, too. Look up at the sky, and you'll feel like grief is infinite, stretching out forever, past the speckles of light into the unknown.
Mary Pope Osborne (Adaline Falling Star (Scholastic Signature))
First, the “fingers” would face tiny attractive forces that would make them stick to other molecules. Atoms stick to each other, in part, because of tiny electrical forces, like the van der Waals force, that exist between their electrons. Think of trying to repair a watch when your tweezers are covered with honey. Assembling anything as delicate as watch components would be impossible. Now imagine assembling something even more complicated than a watch, like a molecule, that constantly sticks to your fingers. Second, these fingers might be too “fat” to manipulate atoms. Think of trying to repair that watch wearing thick cotton gloves. Since the “fingers” are made of individual atoms, as are the objects being manipulated, the fingers may simply be too thick to perform the delicate operations needed. Smalley concluded, “Much like you can’t make a boy and a girl fall in love with each other simply by pushing them together, you cannot make precise chemistry occur as desired between two molecular objects with simple mechanical motion …. Chemistry, like love, is more subtle than that.
Michio Kaku (Physics of the Future: How Science Will Shape Human Destiny and Our Daily Lives by the Year 2100)
Barnaby Fanning was the lone offspring of a marriage between two of New Orleans’ finest families. Growing up in a Garden District mansion so iconic it was a stop on all the tours, the future heir to sugar and cotton fortunes both, his adolescence spent at debutante balls during the season and trips abroad during the summer: it was the stuff of true Southern gentlemen. But Bucky always refused the first table at a restaurant. He carried a pocket calculator so he could tip a strict twelve percent. When his father nudged him out of the nest after graduating Vanderbilt (straight Cs), Bucky fluttered only as far as the carriage house because no other address would suit. He sported head-to-toe Prada bought on quarterly pilgrimages to Neiman Marcus in Dallas, paid for by Granny Charbonneau. At the slightest perceived insult, Bucky would fly into rages, becoming so red-faced and spitty in the process that even those on the receiving end of his invective grew concerned for his health. During the holidays, Bucky would stand over the trash and drop in Christmas cards unopened while keeping mental score of who’d sent them. He never accepted a dinner invitation without first asking who else would be there. Bucky Fanning had never been known to write a thank-you note.
Maria Semple (Today Will Be Different)
As Marlboro Man slid open the huge barn doors and flipped on the enormous lights mounted to the beams, my heart began beating quickly. I couldn’t wait to smell its puppy breath. “Happy wedding,” he said sweetly, leaning against the wall of the barn and motioning toward the center with his eyes. My eyes adjusted to the light…and slowly focused on what was before me. It wasn’t a pug. It wasn’t a diamond or a horse or a shiny gold bangle…or even a blender. It wasn’t a love seat. It wasn’t a lamp. Sitting before me, surrounded by scattered bunches of hay, was a bright green John Deere riding lawn mower--a very large, very green, very mechanical, and very diesel-fueled John Deere riding lawn mower. Literally and figuratively, crickets chirped in the background of the night. And for the hundredth time since our engagement, the reality of the future for which I’d signed up flashed in front of me. I felt a twinge of panic as I saw the tennis bracelet I thought I didn’t want go poof, disappearing completely into the ether. Would this be how presents on the ranch would always be? Does the world of agriculture have a different chart of wedding anniversary presents? Would the first anniversary be paper…or motor oil? Would the second be cotton or Weed Eater string? I would add this to the growing list of things I still needed to figure out.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Had it not been for the mud and rain last October, we should have been in Moscow in no time. We have now learnt that the moment the rain comes, we must stop everything. When the war ends, the German people need not bother its head about what it is going to do during the next fifty years ! We shall become the most self-supporting State, in every respect, including cotton, in the world. The only thing we shall not have will be a coffee plantation—but we'll find a coffeegrowing colony somewhere or other! Timber we shall have in abundance, iron in limitless quantity, the greatest manganeseore mines in the world, oil—we shall swim in it! And to handle it all, the whole strength of the entire German man power! By God ! how right the peasant is to put his trust solely in the earth ! What's the use of talking about scenic beauty, when the earth is oozing with wealth ! In the future, it will be a pleasure to work ! Stalin is half beast, half giant. To the social side of life he is utterly indifferent. The people can rot, for all he cares. If we had given him another ten years, Europe would have been swept away, as it was at the time of the Huns. Without the German Wehrmacht, it would have been all up with Europe even now. The doors of the Continent would have been flung open for him by the idiocy of the masses. The worst of our winters is now behind us. In a hundred years' time there will be millions of German peasants living here.
Adolf Hitler (Hitler's Table Talk, 1941-1944)
For, Melanie, these things I have named are but the symbols of the thing for which I risk my life, symbols of the kind of life I love. for I am fighting for the old days, the old ways I love so much but which, I fear, are now gone forever, no matter how the die may fall. For, win or lose, we lose just the same. If we win this war and have the Cotton Kingdom of our dreams, we still have lost, for we will become a different people and the old quiet ways will go. The world will be at our doors clamoring for cotton and we can command our own price. Then, I fear, we will become like the Yankees, at whose money-making activities, acquisitiveness, and commercialism we now sneer. And if we lose, Melanie, if we lose! I am not afraid of danger or capture or wounds or even death, if death must come, but I do fear that once this war is over, we will never get back to the old times. And I belong in those old times. I do not belong in this mad present of killing and I fear I will not fit into any future, try though I may. Nor will you, my dear, for you and I are of the same blood. I do not know what the future will bring, but it cannot be as beautiful or as satisfying as the past. I lie and look at the boys sleeping near me and I wonder if the twins or Alex or cade think these same thoughts. I wonder if they know they are fighting for a Cause that was lost the minute the first shot was fired, for our Cause is really our own way of living and that is gone already. But I do not think they think these things and they are lucky. I had not thought of this for us when I asked you to marry me. I had thought of life going on at Twelve Oaks as it had always done, peacefully, easily, unchanging. we are alike, Melanie, loving the same quiet things, and I saw before us a long stretch of uneventful years in which to read, hear music and dream. But not this! Never this! That this could happen to us all, this wrecking of old ways, this bloody slaughter and hate! Melanie, nothing is worth it-States' Rights, nor slaves, nor cotton. Nothing is worth what is happening to us now and what may happen, for if the Yankees whip us the future will be one of incredible horror. And, my dear, they may yet whip us.
Margaret Mitchell (Gone with the Wind)
De León: “Letting God be God” is key here. When we speak of the Divine, we need to be aware constantly of “unsaying” God, of not confining the Ineffable One to our language and images. God ultimately is “no-thing.” We call this Eyn Sof (“no end”) in the Kabbalah. I believe you use nihil, Latin for “nothing,” Meister Eckhart. My future countryman and fellow mystic John of the Cross will use the Spanish word “nada.” We cannot even say that God is everything because the language implies a definition that is less than the totality and because there is always nothing to something and something can always be expanded. Learning how to experience God, rather than defining God, is what our kind of apophatic mysticism is all about. Eckhart: Yes, Rabbi, I agree totally. God is nothing. No thing. God is nothingness; and yet God is something. God is neither this thing nor that thing that we can express. God is a being beyond all being: God is a beingless being.[17] De León: The Kabbalah warns against “corporealizing” God, diminishing God with some human description, like the ancient white-bearded man seated on a golden throne high above cotton-like cumulus clouds, surrounded by choirs of adoring angels. Doing so limits God to the poverty of our imagination. This becomes a trap that destroys the faith through which we must engage with God.
James C. Harrington (Three Mystics Walk into a Tavern: A Once and Future Meeting of Rumi, Meister Eckhart, and Moses de León in Medieval Venice)
Somehow she knew that you didn’t get many moments like this in your life: moments when you knew, without any doubt, that you were alive, when you felt the air in your lungs and the wet grass beneath your feet and the cotton on your skin; moments when you were completely in the present, when neither the past nor the future mattered.
Neil Gaiman
How curious a land is this,- how full of untold story, of tragedy and laughter, and the rich legacy of human life; shadowed with a tragic past, and big with future promise! He stopped us to inquire after the black boy in Albany, whom it was said a policeman had shot and killed for loud talking on the sidewalk. And then he said slowly, 'Let a white man touch me, and he dies; I don't boast this,- I don't say it around loud or before the children- but i mean it. I've seen them whip m father and my old mother in them cotton-rows till the blood ran; by-' and we passed on. If it is true that there an appreciable number of Negro youth in the land capable by character and talent to receive that higher training, in the past have in the main proved themselves useful to their race and generation.
W.E.B. Du Bois
Samuel Sewall, Cotton’s former tutor and future close friend, was unknowingly picked for a husband by sixteen-year-old Hannah Hull when she watched him present his commencement address in Latin. Her father was not an alumnus, but he was rich — very rich. He brought his daughter to commencement in order to take stock of the prospects, and she set her sights on Sewall. Later she found a way to meet him, and only after they were married did Hannah explain to Samuel that she had picked him out rather than the other way around.
Rick Kennedy (The First American Evangelical: A Short Life of Cotton Mather)
A wise person once said that the past cannot be changed. Only the future is in our power.” “I prefer what Napoleon said. If we open a quarrel between past and present, we shall find that we have lost the future.
Steve Berry (The Warsaw Protocol (Cotton Malone #15))
In the long term,” wrote the English economist John Maynard Keynes, “we are all dead.” The Scottish Enlightenment learned a different lesson from the changes brought by union with England. Its greatest thinkers, such as Adam Smith and David Hume, understood that change constantly involves trade-offs, and that short-term costs are often compensated by long-term benefits. “Over time,” “on balance,” “on the whole”—these are favorite sentiments, if not expressions, of the eighteenth-century enlightened Scot. More than any other, they capture the complex nature of modern society. And the proof came with the Act of Union. Here was a treaty, a legislative act inspired not by some great political vision or careful calculation of the needs of the future, or even by patriotism. Most if not all of those who signed it were thinking about urgent and immediate circumstances; they were in fact thinking largely about themselves, often in the most venal terms. Yet this act—which in the short term destroyed an independent kingdom, created huge political uncertainties both north and south, and sent Scotland’s economy into a tailspin—turned out, in the long term, to be the making of modern Scotland Nor did Scots have to wait that long. Already by the 1720s, as the smoke and tumult of the Fifteen was clearing, there were signs of momentous changes in the economy. Grain exports more than doubled, as Scottish agriculture recovered from the horrors of the Lean Years and learned to become more commercial in its outlook. Lowland farmers would be faced now not with starvation, but with falling prices due to grain surpluses. Glasgow merchants entered the Atlantic trade with English colonies in America, which had always been closed to them before. By 1725 they were taking more than 15 percent of the tobacco trade. Inside of two decades, they would be running it. A wide range of goods, not just tobacco but also molasses, sugar, cotton, and tea, flooded into Scotland. Finished goods, particularly linen textiles and cotton products, began to flood out, despite the excise tax. William Mackintosh of Borlum saw even in 1729 that Scotland’s landed gentry were living better than they ever had, “more handsomely now in dress, table, and house furniture.” Glasgow, the first hub of Scotland’s transatlantic trade, would soon be joined by Ayr, Greenock, Paisley, Aberdeen, and Edinburgh. By the 1730s the Scottish economy had turned the corner. By 1755 the value of Scottish exports had more than doubled. And it was due almost entirely to the effect of overseas trade, “the golden ball” as Andrew Fletcher had contemptuously called it, which the Union of 1707 had opened.
Arthur Herman (How the Scots Invented the Modern World: The True Story of How Western Europe's Poorest Nation Created Our World and Everything In It)
General Hawkins, administrator of the Northeast Louisiana Delta, objected to the preservation of land monopolies and believed that the failure to break up plantations into small farms would have a devastating impact on the future Southern society. Additionally, he viewed the lessees as men who cared nothing how much flesh they worked off the Negro provided it was converted into good cotton at seventy five cents per pound … Cotton closed their eyes to justice just as it did in the case of the former slave master.
Clyde Woods (Development Arrested: The Blues and Plantation Power in the Mississippi Delta)
Glad someone shot deserved to be shot finally, George Wallace. After you send your basket of balms And berries for the girls the bomb buried in Birmingham, After you add your palms to the psalms & palm covered Caskets of the girls the bomb buried in Birmingham, I’ll muster a pinch of prayer for you. You are the blind Protagonist of a story that begins, “In my previous life My work involved returning runaway slaves to slavery,” And ends with the image of a black nurse pushing Your old ass in a wheelchair. Can you guess what black Folk passing empty cotton fields feel, George Wallace? I damn you with the opposite of that feeling. I keep thinking I’m confessing for the first time, the reason I fear you, And you keep asking why I’m telling this old story again.
Terrance Hayes (American Sonnets for My Past and Future Assassin)
IN THE NORTHWEST CORNER of Alabama, across the Tennessee River from R&B recording mecca Muscle Shoals, is Florence, a town of 39,000. Before NAFTA, Florence was the Cotton T-shirt Capital of the World. “They used cotton that was grown around here,” fashion designer Natalie Chanin told me, over heirloom BLTs and iced tea at The Factory Café, her farm-to-table restaurant located in Bldg. 14, one of twenty immense
Dana Thomas (Fashionopolis: The Price of Fast Fashion and the Future of Clothes)
To accommodate the rapid influx of Europeans, entire cities were built on the outskirts of Cairo, far away from the indigenous population. The foreigners quickly took charge of Egypt’s principal export of cotton. They built ports, railroads, and dams, all to implement colonial control over the country’s economy. With the construction of their crowning achievement, the Suez Canal, Egypt’s fate as Britain’s most valuable colony was sealed. To pay for these massive
Reza Aslan (No God But God: The Origins, Evolution and Future of Islam)
Once upon a time a daddy believed that a mysterious light was more than a mysterious light, that a meteor was more than a meteor. He believed in probabilities and prophecies, in wild turkeys and girls wearing headbands in the rain. He believed in the power and the glory of a quartet of cotton swabs, believed he'd glimpsed the future in a minivan bumper. Dear, you would never believe all the silly things this silly daddy believed. But he was not crazy because he believed what he'd seen. And what he'd seen, he believed, was you.
B.J. Hollars (This is Only a Test)
the Indian slave was inefficient. The Spaniards discovered that one Negro was worth four Indians.22 A prominent official in Hispaniola insisted in 1518 that “permission be given to bring Negroes, a race robust for labor, instead of natives, so weak that they can only be employed in tasks requiring little endurance, such as taking care of maize fields or farms.”23 The future staples of the New World, sugar and cotton, required strength which the Indian lacked, and demanded the robust “cotton nigger” as sugar’s need of strong mules produced
Eric Williams (Capitalism and Slavery)
Chapter One: The world is flat. I know it is, because for the last five hours the view has been exactly the same. Only the sun has done any traveling, working its long shadows through straight lines of harvested cotton. A few crows shop the furrowed rows for worms, weevils, and grasshoppers. One hops over to inspect the truck I'm lying under, cocks a beady black eye, probably attracted to the shiny metal police-issued handcuffs, my hand in one of the cuffs, dangling from wrist to arm, and finally down to me, Lalla Bains, aero-ag pilot, sometime busybody, meddling where I shouldn't—again. I'm dirt smeared and sweaty, thinking if I get out of this alive, if the killer doesn't return to finish me off, I'll foreswear all future sleuthing. My dad, Caleb my fiancé, my best friend Roxanne, and half of Stanislaus County will be pleased to bear witness to that promise.
R.P. Dahlke (A Dead Red Oleander (A Dead Red, #3))
This emphasis calls into question some of the most ingrained insights into the history of the modern world—for example, conceptualizing the nineteenth century, as is so often done, as an age of “bourgeois civilization,” in contrast with the twentieth century, which historian Eric Hobsbawm has termed the “age of catastrophe.”19 An assessment such as this can only be derived from a vision of the world that focuses its moral judgments on Europe. Looked at from the perspective of much of Asia, Africa, and the Americas, one can argue just the opposite—that the nineteenth century was an age of barbarity and catastrophe, as slavery and imperialism devastated first one pocket of the globe and then another. It is the twentieth century, by contrast, that saw the weakening of imperial powers and thus allowed more of the world’s people to determine their own futures and shake off the shackles of colonial domination. Without its Eurocentric distortions, decolonialization would be at the very center of the narrative we tell about the twentieth century
Sven Beckert (Empire of Cotton: A Global History)
When I come home, they’re coming with me, Stephen.” She waited for the response. And waited. Meridith’s fist knotted, clutching her cotton nightshirt. Why wasn’t he responding? She continued, “Their uncle hasn’t contacted them. He obviously won’t be interested in guardianship, and frankly, I don’t think he’s fit anyway. And there isn’t anyone else. They’d go to foster care, probably be separated, and I can’t let that happen.” “But—we’re getting married.” He sounded stunned. “They’re my siblings.” “They were strangers two months ago.” “Well, they’re not now. They’re blood relatives, Stephen, and I care about them.” He gave a deep sigh. “I understand you feel a certain obligation. You’re really caught in a bad spot. But where am I in this decision? It’s our future, not just yours, and this isn’t the kind of decision you make alone, Meridith. Not when you’re engaged.” “I should’ve said something sooner, I know. But you were knee deep in taxes, and I—” “We’re talking about raising three children.” “You’ll love them, I know you will. And the oldest is thirteen— four years, and she’ll be off to college.” “You’re missing the point. Don’t I get a say?” He was right, of course. But what if he decided he couldn’t do it? “I’m sorry, Stephen, I know you’re right. But what do you want me to do? They’re my siblings. I can’t abandon them. I thought you’d understand; you know about my childhood. How can I not offer them the stability of a good home?” “It’s very admirable of you, but—” “You’d be a wonderful father, Stephen.” “I’m not ready for that.” The words, so pointedly spoken, made her reel. He hadn’t gotten upset, wasn’t yelling. He was calm and cool like always, but he wasn’t budging. “What am I supposed to do then, Stephen?” Even after three deep breaths, after closing her eyes and counting backward from ten, she wasn’t ready for his response. “I guess you have a choice to make.
Denise Hunter (Driftwood Lane (Nantucket, #4))
But they were both over twenty-one, and had come out in the summer before the War, and been finished in Paris and been to real dances and could talk about race-meetings, and evidently knew thousands of people. Although they were wearing blue cotton uniform dresses exactly like her own, they seemed a better shape, and their hair looked as if they visited the hairdresser every day. They looked quite different altogether. . . . Pippa had felt utter despair of ever attaining to their standard of sophistication when she had first caught sight of her future companions, seated side by side, in the becoming firelight, in the formal white and green staff-room at Woodside,
Carola Oman (Somewhere in England)
If we open a quarrel between past and present, we shall find that we have lost the future.
Steve Berry (The Warsaw Protocol (Cotton Malone #15))
if he had been born a free man, would be no better employed than he is here; but, in that case, where is the advantage? Certainly not in the economy of the arrangement. And if he were self-dependent, if, especially, he had to provide for the present and future of those he loved, and was able to do so, would he not necessarily live a happier, stronger, better, and more respectable man?
Frederick Law Olmsted (The Cotton Kingdom: A Traveller's Observations On Cotton And Slavery In The American Slave States, 1853-1861)
It was the genius of Orseolo to fully understand that Venice's growth, perhaps its very survival, lay far beyond the waters of the lagoon. He had already obtained favorable trading agreements with Constantinople, and, to the disgust of militant Christendom, he dispatched ambassadors to the four corners of the Mediterranean to strike similar agreements with the Islamic world. The future for Venice lay in Alexandria, Syria, Constantinople, and the Barbary Coast of North Africa, where wealthier, more advanced societies promised spices, silk, cotton, and glass — luxurious commodities that the city was ideally placed to sell on into northern Italy and central Europe. The problem for Venetian sailors was that the voyage down the Adriatic was terribly unsafe. The city's home waters, the Gulf of Venice, lay within its power, but the central Adriatic was risky to navigate, as it was patrolled by Croat pirates. Since the eighth century these Slav settlers from the upper Balkans had established themselves on its eastern, Dalmatian shores. This was a terrain made for maritime robbery. From island lairs and coastal creeks, the shallow-draft Croat ships could dart out and snatch merchant traffic passing down the strait. Venice had been conducting a running fight with these pirates for 150 years. The contest had yielded little but defeat and humiliation. One doge had been killed leading a punitive expedition; thereafter the Venetians had opted to pay craven tribute for free passage to the open seas. The Croats were now seeking to extend their influence to the old Roman towns farther up the coast. Orseolo brought to this problem a clear strategic vision that would form the cornerstone of Venetian policy for all the centuries that the Republic lived. The Adriatic must provide free passage for Venetian ships, otherwise they would be forever bottled up. The doge ordered that there would be no more tribute and prepared a substantial fleet to command obedience.
Roger Crowley (City of Fortune: How Venice Won and Lost a Naval Empire)
Gospel music. Gospel music is a very good example of what I’ve been saying. It comes from the Negro spirituals African-American slaves used to sing while working in the cotton fields.” He swiftly changed the tune to a slower pace, starting the notes of “Swing Low, Sweet Chariot.” “In their songs, African-American slaves expressed their suffering and hope for a future deliverance.” He changed the tune again and wore a sullen expression starting Nina Simone’s version of “My Man’s Gone Now.”  “Blues,” he said. “Whether about heartache or general good ole spleen, blues always expresses sorrow or suffering.
Anna Adams (A French Girl in New York (The French Girl, #1))