Fringe September Quotes

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You don't even know what you don't know.
September
Antidemocratic and xenophobic movements have flourished in America since the Native American party of 1845 and the Know-Nothing Party of the 1850s. In the crisis-ridden 1930s, as in other democracies, derivative fascist movements were conspicuous in the United States: the Protestant evangelist Gerald B. Winrod’s openly pro-Hitler Defenders of the Christian Faith with their Black Legion; William Dudley Pelley’s Silver Shirts (the initials “SS” were intentional); the veteran-based Khaki Shirts (whose leader, one Art J. Smith, vanished after a heckler was killed at one of his rallies); and a host of others. Movements with an exotic foreign look won few followers, however. George Lincoln Rockwell, flamboyant head of the American Nazi Party from 1959 until his assassination by a disgruntled follower in 1967, seemed even more “un-American” after the great anti-Nazi war. Much more dangerous are movements that employ authentically American themes in ways that resemble fascism functionally. The Klan revived in the 1920s, took on virulent anti-Semitism, and spread to cities and the Middle West. In the 1930s, Father Charles E. Coughlin gathered a radio audience estimated at forty million around an anticommunist, anti–Wall Street, pro–soft money, and—after 1938—anti-Semitic message broadcast from his church in the outskirts of Detroit. For a moment in early 1936 it looked as if his Union Party and its presidential candidate, North Dakota congressman William Lemke, might overwhelm Roosevelt. Today a “politics of resentment” rooted in authentic American piety and nativism sometimes leads to violence against some of the very same “internal enemies” once targeted by the Nazis, such as homosexuals and defenders of abortion rights. Of course the United States would have to suffer catastrophic setbacks and polarization for these fringe groups to find powerful allies and enter the mainstream. I half expected to see emerge after 1968 a movement of national reunification, regeneration, and purification directed against hirsute antiwar protesters, black radicals, and “degenerate” artists. I thought that some of the Vietnam veterans might form analogs to the Freikorps of 1919 Germany or the Italian Arditi, and attack the youths whose demonstrations on the steps of the Pentagon had “stabbed them in the back.” Fortunately I was wrong (so far). Since September 11, 2001, however, civil liberties have been curtailed to popular acclaim in a patriotic war upon terrorists. The language and symbols of an authentic American fascism would, of course, have little to do with the original European models. They would have to be as familiar and reassuring to loyal Americans as the language and symbols of the original fascisms were familiar and reassuring to many Italians and Germans, as Orwell suggested. Hitler and Mussolini, after all, had not tried to seem exotic to their fellow citizens. No swastikas in an American fascism, but Stars and Stripes (or Stars and Bars) and Christian crosses. No fascist salute, but mass recitations of the pledge of allegiance. These symbols contain no whiff of fascism in themselves, of course, but an American fascism would transform them into obligatory litmus tests for detecting the internal enemy. Around such reassuring language and symbols and in the event of some redoubtable setback to national prestige, Americans might support an enterprise of forcible national regeneration, unification, and purification. Its targets would be the First Amendment, separation of Church and State (creches on the lawns, prayers in schools), efforts to place controls on gun ownership, desecrations of the flag, unassimilated minorities, artistic license, dissident and unusual behavior of all sorts that could be labeled antinational or decadent.
Robert O. Paxton (The Anatomy of Fascism)
L. Wilson, editor of the Chicago Evening Journal; and General Henry Eugene Davies, who wrote a pamphlet, Ten Days on the Plains, describing the hunt. Among the others rounding out the group were Leonard W. and Lawrence R. Jerome; General Anson Stager of the Western Union Telegraph Company; Colonel M. V. Sheridan, the general's brother; General Charles Fitzhugh; and Colonel Daniel H. Rucker, acting quartermaster general and soon to be Phil Sheridan's father-in-law. Leonard W. Jerome, a financier, later became the grandfather of Winston Churchill when his second daughter, jenny, married Lord Randolph Churchill. The party arrived at Fort McPherson on September 22, 1871. The New York Herald's first dispatch reported: "General Sheridan and party arrived at the North Platte River this morning, and were conducted to Fort McPherson by General Emery [sic], commanding. General Sheridan reviewed the troops, consisting of four companies of the Fifth Cavalry. The party start[s] across the country tomorrow, guided by the renowned Buffalo Bill and under the escort of Major Brown, Company F, Fifth Cavalry. The party expect[s] to reach Fort Hays in ten days." After Sheridan's review of the troops, the general introduced Buffalo Bill to the guests and assigned them to their quarters in large, comfortable tents just outside the post, a site christened Camp Rucker. The remainder of the day was spent entertaining the visitors at "dinner and supper parties, and music and dancing; at a late hour they retired to rest in their tents." The officers of the post and their ladies spared no expense in their effort to entertain their guests, to demonstrate, perhaps, that the West was not all that wild. The finest linens, glassware, and china the post afforded were brought out to grace the tables, and the ballroom glittered that night with gold braid, silks, velvets, and jewels. Buffalo Bill dressed for the hunt as he had never done before. Despite having retired late, "at five o'clock next morning . . . I rose fresh and eager for the trip, and as it was a nobby and high-toned outfit which I was to accompany, I determined to put on a little style myself. So I dressed in a new suit of buckskin, trimmed along the seams with fringes of the same material; and I put on a crimson shirt handsomely ornamented on the bosom, while on my head I wore a broad sombrero. Then mounting a snowy white horse-a gallant stepper, I rode down from the fort to the camp, rifle in hand. I felt first-rate that morning, and looked well." In all probability, Louisa Cody was responsible for the ornamentation on his shirt, for she was an expert with a needle. General Davies agreed with Will's estimation of his appearance that morning. "The most striking feature of the whole was ... our friend Buffalo Bill.... He realized to perfection the bold hunter and gallant sportsman of the plains." Here again Cody appeared as the
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
when she turned to Orlando to speak to him, I saw she had what Pa Salt would have termed a Roman nose, which sat prominently in her striking face. She was certainly not classically beautiful and, from the look of her jeans and old sweater, did not care to make herself more so. Yet, there was something very attractive about her and I realized I wanted her to like me—an unusual feeling. “Are you coping back there?” she asked me. “Not far now.” “Yes, thank you.” I leaned my head against the windowpane as the thick hedges, their height exaggerated by the low car, flew by me, the country lanes becoming narrower. It felt so good to be out of London, with only the odd red-brick chimney stack peeping out from behind the wall of green. We turned right, through a pair of old gates that led to a drive so potholed that Marguerite’s and Orlando’s heads bumped against the roof. “I really must ask Mouse to bring the tractor and fill in these holes with gravel before the winter comes,” she commented to Orlando. “Here we are, Star,” she added as she pulled the car to a halt in front of a large, graceful house, its walls formed from mellow red brick, with ivy and wisteria fringing the uneven windows in greenery. Tall, thin chimney stacks, which emphasized the Tudor architecture, reached up into the crisp September sky. As I squeezed myself out of the back of the Fiat, I imagined the house’s interior to be rambling as opposed to impressive—it was certainly no stately home; rather, it looked as if it had gently aged and sunk slowly into the countryside surrounding it. It spoke of a bygone era, one that I loved reading about in books, and I experienced a twinge of longing. I followed Marguerite and Orlando toward the magnificent oak front door, and saw a young boy wobbling toward us on a shiny red bike. He let out a strange muffled shout, tried to wave, and promptly fell off the bike. “Rory!” Marguerite ran to him, but he had already picked himself up. He spoke again, and I wondered if he was foreign, as I couldn’t make out what he was saying. She dusted him down, then the boy picked up the bike and the two of them walked back to us. “Look who’s here,” Marguerite said, turning directly to the boy to speak to him. “It’s Orlando and his friend Star. Try saying ‘Star.’ ” She particularly enunciated the “st” in my name. “Ss-t-aahh,” the boy said as he approached me, a smile on his face, before holding up his hand and opening his fingers out like a shining star. I saw that Rory was the owner of a pair of inquisitive green eyes, framed by dark lashes. His wavy copper-colored hair glowed in the sun, and his rosy cheeks dimpled with happiness. I recognized that he was the kind of child that one would never want to say no to. “He prefers to go by the name ‘Superman,’ don’t you, Rory?” Orlando chuckled, holding up his hand in a fist like Superman taking off into the air. Rory nodded, then shook my hand with all the dignity of a superhero, and turned to Orlando for a hug. After giving him a tight squeeze and a tickle, Orlando set him down, then squatted in front of him and used his hands to sign, also speaking the words clearly. “Happy birthday! I have your present in Marguerite’s car. Would you like to come and get it with me?” “Yes please,” Rory spoke and signed, and I knew then that he was deaf. I rifled through my rusty mental catalog of what I had learned
Lucinda Riley (The Shadow Sister (The Seven Sisters #3))