Foal Quotes

We've searched our database for all the quotes and captions related to Foal. Here they are! All 100 of them:

Let me tell you about love, that silly word you believe is about whether you like somebody or whether somebody likes you or whether you can put up with somebody in order to get something or someplace you want or you believe it has to do with how your body responds to another body like robins or bison or maybe you believe love is how forces or nature or luck is benign to you in particular not maiming or killing you but if so doing it for your own good. Love is none of that. There is nothing in nature like it. Not in robins or bison or in the banging tails of your hunting dogs and not in blossoms or suckling foal. Love is divine only and difficult always. If you think it is easy you are a fool. If you think it is natural you are blind. It is a learned application without reason or motive except that it is God. You do not deserve love regardless of the suffering you have endured. You do not deserve love because somebody did you wrong. You do not deserve love just because you want it. You can only earn - by practice and careful contemplations - the right to express it and you have to learn how to accept it. Which is to say you have to earn God. You have to practice God. You have to think God-carefully. And if you are a good and diligent student you may secure the right to show love. Love is not a gift. It is a diploma. A diploma conferring certain privileges: the privilege of expressing love and the privilege of receiving it. How do you know you have graduated? You don't. What you do know is that you are human and therefore educable, and therefore capable of learning how to learn, and therefore interesting to God, who is interested only in Himself which is to say He is interested only in love. Do you understand me? God is not interested in you. He is interested in love and the bliss it brings to those who understand and share the interest. Couples that enter the sacrament of marriage and are not prepared to go the distance or are not willing to get right with the real love of God cannot thrive. They may cleave together like robins or gulls or anything else that mates for life. But if they eschew this mighty course, at the moment when all are judged for the disposition of their eternal lives, their cleaving won't mean a thing. God bless the pure and holy. Amen.
Toni Morrison (Paradise (Beloved Trilogy, #3))
Clover was a stout motherly mare approaching middle life, who had never quite got her figure back after her fourth foal.
George Orwell (Animal Farm)
I miss that time. The cities back then, just after the forests died, were full of wonders, and you'd stumble on them--these princes of the air on common rooftops--the rivers that burst through the city streets so they ran like canals--the rabbits in parking garages--the deer foaling, nestled in Dumpsters like a Nativity.
M.T. Anderson (Feed)
It was a sense of privilege and mute wonder, as though he’d witnessed one of those small, everyday miracles of spring. Like a licked-clean foal taking its first steps on wobbly legs. Or a new butterfly pushing scrunched, damp wings from a chrysalis.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
My exit from the window is a little like a foal being born. It's a graceless and gangly drop, directly onto my mother's gerbera bed. I emerge quickly and pretend it didn't hurt.
Craig Silvey (Jasper Jones)
As with Dutchy and Carmine on the train, this little cluster of women has become a kind of family to me. Like an abandoned foal that nestles against cows in the barnyard, maybe I just need to feel the warmth of belonging. And if I'm not going to find that with the Byrnes, I will find it, however partial and illusory, with the women in the sewing room.
Christina Baker Kline (Orphan Train)
The smile came out like a newborn foal – its legs buckled immediately.
Chris Cleave (Gold)
He was tender with her. He wiped her eyelids with his handkerchief, not noticing how soiled it was. It was stained with ink, crumpled, stuck together. Her lids were large and tender and the handkerchief was stiff, not nearly soft enough. He moistened a corner in his mouth. He was painfully aware of the private softness of her skin, of how the eyes trembled beneath their coverings. He dried the tears with an affection, a particularity, that had never been exercised before. It was a demonstration of 'nature.' He was a birth-wet foal rising to his feet.
Peter Carey (Oscar and Lucinda)
Not babies perhaps. But I know about young things. Foals, puppies, calves, piglets. Even hunting cats. I know if you want them to trust you, you touch them when they are small. Gently, but firmly, so they believe in your strength, too. You don't shout at them, or make sudden moves that look threatening. You give them good feed and clean water, and keep them clean and give them shelter from the weather. You don't take out your temper on them, or confuse punishment with discipline.
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
BRONZE UPON GOLD               DESTROY THE TYRANT  EAST MEETS WEST                   AID THE WINGED  LEGIONS ARE REDEEMED      UNDER GOLDEN HILLS  LIGHT THE DEPTHS                 GREAT STALLION’S FOAL  ONE AGAINST MANY               HARKEN THE TRUMPETS  NEVER SPIRIT DEFEATED       TURN RED TIDES  ANCIENT WORDS SPOKEN     ENTER STRANGER’S HOME  SHAKING OLD FOUNDATIONS  REGAIN LOST GLORY 
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
She has had any number of foals. I yield to her judgement.
Katherine Arden (The Bear and the Nightingale (The Winternight Trilogy, #1))
Mares had the capability to slow birthing so that the foal would have the dark hours to find its feet and be ready to run from a predator by dawn.
Geraldine Brooks (Horse)
I watched bulls bred to cows, watched mares foal, I saw life come from the egg and the multiplicative wonders of mudholes and ponds, the jell and slime of life shimmering in gravid expectation. Everywhere I looked, life sprang from something not life, insects unfolded from sacs on the surface of still waters and were instantly on prowl for their dinner, everything that came into being knew at once what to do and did it, unastonished that it was what it was, unimpressed by where it was, the great earth heaving up bloodied newborns from every pore, every cell, bearing the variousness of itself from every conceivable substance which it contained in itself, sprouting life that flew or waved in the wind or blew from the mountains or stuck to the damp black underside of rocks, or swam or suckled or bellowed or silently separated in two.
E.L. Doctorow (Lives of the Poets: A Novella and Six Stories)
What I love is one foot in front of another. South-south-west and down the contours. I go slipping between Black Ridge and White Horse Hill into a bowl of the moor where echoes can't get out listen a lark spinning around one note splitting and mending it and I find you in the reeds, a trickle coming out of a bark, a foal of a river
Alice Oswald (Dart)
But my mother is a fish. Vernon seen it. He was there. "Jewel's mother is a horse," Darl said. "Then mine can be a fish, can't it, Darl? I said. Jewel is my brother. "Then mine will have to be a horse, too," I said. "Why? Darl said. "If pa is your pa, why does your ma have to be a horse just because Jewel's is?" "Why does it? I said. "Why does it, Darl?" Darl is my brother. "Then what is your ma, Darl?" I said. "I haven't got ere one," Darl said. "Because If I had one, it is was. And if it is was, it can't be is. Can't it?" "No," I said. "Then I am not," Darl said. "Am I?" "No," I said. I am. Darl is my brother. "But you are, Darl," I said. "I know it," Darl said. "That's why I am not is. Are is too many for one woman to foal.
William Faulkner (As I Lay Dying)
But now, as he paced up and down the ward, he remembered how the old folk used to die back home on the Kama—Russians, Tartars, Votyaks or whatever they were. They didn’t puff themselves up or fight against it or brag that they weren’t going to die—they took death calmly. They didn’t stall squaring things away, they prepared themselves quietly and in good time, deciding who should have the mare, who the foal, who the coat and who the boots.
Aleksandr Solzhenitsyn (Cancer Ward: A Novel)
The position could not have been made clearer, whatever had been said, not only to those directly involved but to Sasha, Nyusha and Bacchus; their painful embarrassment communicated itself even to the mare, the foal, the golden rays of the setting sun and the gnats buzzing and swarming around Helen's face and neck.
Boris Pasternak (Doctor Zhivago)
There was a child went forth every day, And the first object he look'd upon, that object he became, And that object became part of him for the day or a certain part of the day, Or for many years or stretching cycles of years. The early lilacs became part of this child, And grass and white and red morning glories, and white and red clover, And the song of the phoebe-bird, And the Third-month lambs and the sow's pink-faint litter, and the mare's foal and the cow's calf, And the noisy brood of the barnyard or by the mire of the pond-side, And the fish suspending themselves so curiously below there, and the beautiful curious liquid, And the water-plants with their graceful flat heads, all became part of him.
Walt Whitman (Leaves of Grass)
the slaughter of foals is a terrible crime. . . . We do not touch the innocent.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
I am not a THAT. I am a pegasus, direct descendant of Poseidon and foaled by the Gorgon Medusa during the moment in which Perseus decapitated her--which, by the way, was rude. YOU, on the other hand, are descended from dirt." "Monkeys, actually. And YOU were designed by a toy company.
Sarah Beth Durst (The Girl Who Could Not Dream)
The voivode with the hard-to-remember name, who must have heard something about the affairs and problems of Fourhorn, politely asked whether the mares were foaling well. Gerald answered yes, much better than the stallions. He wasn't sure if the joke had been well taken, but the voivode didn't ask any more questions.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
strawberry roan, a black and brown skewbald and a motley assortment of buckskins and bays. At the rear of the herd was a grey mare and a chestnut skewbald with a white face, both of them with foals running at their feet.
Stacy Gregg (Destiny and the Wild Horses (Pony Club Secrets Book 3))
By the sixteenth Cecilia, James and I had given birth to our relationship, and it wandered around the house like a sticky curious foal.
Caroline O'Donoghue (The Rachel Incident)
There was the pale white membrane of the foal sac and a foreleg appearing. Issie watched
Stacy Gregg (Stardust and the Daredevil Ponies (Pony Club Secrets Book 4))
Growing children are like foals. If they’re not given room to run, they’ll lash out in every direction.
Oliver Pötzsch (The Beggar King (The Hangman's Daughter, #3))
Power of a stallion, and the innocence of a foal...
Holly Bodger (5 to 1)
Art is born like a foal that can walk straight away,’ wrote John Berger, ‘the talent to make art accompanies the need for that art; they arrive together.
Robert Macfarlane (Underland: A Deep Time Journey)
Ride forth upon me as Thou didst ride into Jerusalem mounted upon the humble little beast, a colt, the foal of an ass, and let me hear the children cry to Thee, "Hosanna in the highest.
A.W. Tozer (The Pursuit of God)
Walking away on the springy legs of a foal, he thought, How remarkable a thing a lie is. He wondered if it wasn’t man’s finest achievement, and after some consideration, decided that it was.
Patrick deWitt (Undermajordomo Minor)
Those afternoons in the library, breathing the stale sun-warmed dust of a thousand stories (accented by the collective mildew of a hundred years of rising damp), had been enchanted. Two decades ago now, and yet here, on the No. 168 bus towards Hampstead Heath, Peter was beset with an almost bodily sense of being back there. His lips twitched with the memory of being nine years old and lanky as a foal. His mood lifted as he remembered how large, how filled with possibilities, and yet, at once, how safe and navigable the world had seemed when he was shut within those four walls .
Kate Morton (The Lake House)
As he watched her, Colin was visited by the strangest feeling, unfurling warm and buttery inside him. It was a sense of privilege and mute wonder, as though he'd witnessed one of those small, everyday miracles of spring. Like a licked-clean foal taking its first steps on wobbly legs. Or a new butterfly pushing scrunched, damp wings from a chrysalis. Before his eyes, she'd transformed into a new creature. Still a bit awkward and uncertain, but undaunted. And well on her way to being beautiful. Colin scratched his neck. He wished there were someone nearby he could turn to and say, 'Would you look at that?
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
There are stacks of notebooks that speak of years of aborted efforts, deflated euphoria, a relentless pacing of the boards. We must write, engaging in a myriad of struggles, as if breaking in a willful foal. We must write, but not without consistent effort and a measure of sacrifice: to channel the future, to revisit childhood, and to rein in the follies and horrors of the imagination for a pulsating race of readers.
Patti Smith (Devotion)
It is man's intelligence that makes him so often behave more stupidly than the beasts. ... Man is impelled to invent theories to account for what happens in the world. Unfortunately, he is not quite intelligent enough, in most cases, to find correct explanations. So that when he acts on his theories, he behaves very often like a lunatic. Thus, no animal is clever enough, when there is a drought, to imagine that the rain is being withheld by evil spirits, or as punishment for its transgressions. Therefore you never see animals going through the absurd and often horrible fooleries of magic and religion. No horse, for example would kill one of its foals to make the wind change direction. Dogs do not ritually urinate in the hope of persuading heaven to do the same and send down rain. Asses do not bray a liturgy to cloudless skies. Nor do cats attempt, by abstinence from cat's meat, to wheedle the feline spirits into benevolence. Only man behaves with such gratuitous folly. It is the price he has to pay for being intelligent but not, as yet, intelligent enough.
Aldous Huxley
One of the mares had foaled in the desert and this frail form soon hung skewered on the paloverde pole over the raked coals while Delawares passed among themselves a gourd containing the curdled milk from its stomach
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
They were galloping...Bare level plain had taken the place of the scrub and they'd been cantering briskly, the foals prancing delightedly ahead, when suddenly the dog was a shoulder-shrugging streaking fleece, and as their mares almost imperceptibly fell into the long untrammelled undulating strides, Hugh felt the sense of change, the keen elemental pleasure one experienced too on board a ship which, leaving the choppy waters of the estuary, gives way to the pitch and swing of the open sea. A faint carillon of bells sounded in the distance, rising and falling, sinking back as if into the very substance of the day. Judas had forgotten; nay, Judas had been, somehow, redeemed.
Malcolm Lowry (Under the Volcano)
[Julius Caesar] rode a remarkable horse, too, with feet that were almost human; for its hoofs were cloven in such a way as to look like toes. This horse was foaled on his own place, and since the soothsayers had declared that it foretold the rule of the world for its master, he reared it with the greatest care, and was the first to mount it, for it would endure no other rider. Afterwards, too, he dedicated a statue of it before the temple of Venus Genetrix.
Suetonius (The Lives of the Twelve Caesars)
The Chorus Line: The Birth of Telemachus, An Idyll Nine months he sailed the wine-red seas of his mother's blood Out of the cave of dreaded Night, of sleep, Of troubling dreams he sailed In his frail dark boat, the boat of himself, Through the dangerous ocean of his vast mother he sailed From the distant cave where the threads of men's lives are spun, Then measured, and then cut short By the Three Fatal Sisters, intent on their gruesome handcrafts, And the lives of women also are twisted into the strand. And we, the twelve who were later to die by his hand At his father's relentless command, Sailed as well, in the dark frail boats of ourselves Through the turbulent seas of our swollen and sore-footed mothers Who were not royal queens, but a motley and piebald collection, Bought, traded, captured, kidnapped from serfs and strangers. After the nine-month voyage we came to shore, Beached at the same time as he was, struck by the hostile air, Infants when he was an infant, wailing just as he wailed, Helpless as he was helpless, but ten times more helpless as well, For his birth was longed-for and feasted, as our births were not. His mother presented a princeling. Our various mothers Spawned merely, lambed, farrowed, littered, Foaled, whelped and kittened, brooded, hatched out their clutch. We were animal young, to be disposed of at will, Sold, drowned in the well, traded, used, discarded when bloomless. He was fathered; we simply appeared, Like the crocus, the rose, the sparrows endangered in mud. Our lives were twisted in his life; we also were children When he was a child, We were his pets and his toythings, mock sisters, his tiny companions. We grew as he grew, laughed also, ran as he ran, Though sandier, hungrier, sun-speckled, most days meatless. He saw us as rightfully his, for whatever purpose He chose, to tend him and feed him, to wash him, amuse him, Rock him to sleep in the dangerous boats of ourselves. We did not know as we played with him there in the sand On the beach of our rocky goat-island, close by the harbour, That he was foredoomed to swell to our cold-eyed teenaged killer. If we had known that, would we have drowned him back then? Young children are ruthless and selfish: everyone wants to live. Twelve against one, he wouldn't have stood a chance. Would we? In only a minute, when nobody else was looking? Pushed his still-innocent child's head under the water With our own still-innocent childish nursemaid hands, And blamed it on waves. Would we have had it in us? Ask the Three Sisters, spinning their blood-red mazes, Tangling the lives of men and women together. Only they know how events might then have had altered. Only they know our hearts. From us you will get no answer.
Margaret Atwood (The Penelopiad)
All we know, Midnight. The best of all we know. For Chestry Valley and its master we loved. For Nana. For Sugarloaf and Brimstone Farm. For Pop and Mom and Tom. For the foals to come. For yesterday and for all tomorrows, we dance the best we know. For good-by.
Kate Seredy (The Chestry Oak)
She simply stared at me with such a loving expression on her face, I felt like I was her foal. Indah reached her head as far as she could around me, to press me to her. I melted. How could I live without this horse? I wrapped my arms around her neck and let my tears flow.
Kelly Batten (One Day You'll Find Me)
Tell me, why this strong young colt, foaled in some peaceful valley of Vermont, far removed from all beasts of prey— why is it that upon the sunniest day, if you but shake a fresh buffalo robe behind him, so that he cannot even see it, but only smells its wild animal muskiness—why will he start, snort, and with bursting eyes paw the ground in phrensies of affright? There is no remembrance in him of any gorings of wild creatures in his green northern home, so that the strange muskiness he smells cannot recall to him anything associated with the experience of former perils; for what knows he, this New England colt, of the black bisons of distant Oregon?
Herman Melville (Moby Dick: or, the White Whale)
من السهل أن تدّعي القوة وأن تتماسك أمام الجميع، ولكن في الليل وفي العتمة حين تكون وحدك، تصبح المسألة أصعب
ستايسي غريغ (The Princess and the Foal)
To look into the eye of a horse is to see a reflection of yourself that you might've forgotten. No grief was big enough not to be washed clean in your horse's eye.
Gillian Mears (Foal's Bread)
One of my earliest memories was of a maze of pale green walls. The corridors never ended, no matter which way I turned. I was running, my feet bare, my paper-thin gown flapping around skinny foal-like legs, and the demons kept on coming. I’d run the maze before, because I always knew which way to turn to find the little clear plastic box. I’d run, and run. Lungs aching, throat burning, my feet slapping against the smooth floor, and the sound of scrabbling claws chased me down. I made it to the box, every time (I’d learned later, there were others who hadn’t) and once inside, I’d yank the clear door closed. The demons didn’t see the box. They saw only me, the wraith-like little half-blood girl. They would launch themselves—claws extended, jaws wide, eyes ablaze—and slam into my box, sending shudders rattling through my bones. They’d snap and snarl, hook their teeth into the box and gnaw at its edges, desperate to get to the feast huddling a few millimeters away. Flooding, the Institute had called it. At first I was afraid, and I learned how to run. Then I was angry, and I learned how to fight with my fists and my element. Then, I got even. I lured those demons into a corner and ambushed them, killing every last one. After countless visits to the maze, after weeks, years, I’d started liking it, and killing became as natural as breathing. It was what I was good at. What I was made for. What I lived for. © Copyright Pippa DaCosta 2016.
Pippa DaCosta (Chaos Rises (Chaos Rises, #1))
Her. Her. Her. Future breezes implore me to stay. But I'm no future. I'm no past. Only ever contemporary of this path. I'll sacrifice everything for all her seasons give from losing. She, I sigh from The Mountain top. By her now. My only role. And for that freedom, spread my polar chill, reaching even the warmest times, a warning upon the back of every life that would by harming Hailey's play, ever wayward around this vegetative rush of orbit & twine, awaken among these cascading cliffs of bellicose ice me. And my Vengeance. At once. The Justice of my awful loss set free upon this crowded land. An old terror violent for the glee of ends. But to those who would tend her, harrowed by such Beauty & Fleeting Presence to do more, my cool cries will kiss their gentle foreheads and my tears will kiss their tender cheeks, and then if the Love of their Kindness, which only Kindness ever finds, spills my ear, for a while I might slip down and play amidst her canopies of gold. Solitude. Hailey's bare feet. And all her patience now assumes. Garland of Spring's Sacred Bloom. By you, ever sixteen, this World's preserved. By you, this World has everything left to lose. And I, your sentry of ice, shall allways protect what your Joy so dangerously resumes. I'll destroy no World so long it keeps turning with flurry & gush, petals & stems bending and lush, and allways our hushes returning anew. Everyone betrays the Dream but who cares for it? O Hailey no, I could never walk away from you. - Haloes! Haleskarth! Contraband! I can walk away from anything. Everyone loves the Dream but I kill it. Bald Eagles soar over me: —Reveille Rebel! I jump free this weel. On fire. Blaze a breeze. I'll devastate the World. \\ Samsara! Samarra! Grand! I can walk away from anything. Everyone loves the Dream but I kill it. Atlas Mountain Cedars gush over me: —Up Boogaloo! I leap free this spring. On fire. How my hair curls. I'll destroy the World. - Him. Him. Him. Future winds imploring me to stay. But I'm no tomorrow. I'm no yesterday. Only ever contemporary of this way. I will sacrifice everything for all his seasons miss of soaring. He, I sigh from The Mountain top. By him now. My only role. And for that freedom, spread my polar chill, reaching even the warmest climes, a warning upon the back of every life that would by harming Sam's play, ever wayward around this animal streak of orbit & wind, awaken among these cataracts of belligerent ice me. And my Justice. At once. The Vengeance of my awful loss set free upon this crowded land. An old terror violent for the delirium of ends. But to those who would protect him, frightened by such Beauty & Savage Presence to do more, my cool cries will kiss their tender foreheads and my tears will kiss their gentle cheeks, and then if the Kindness of their Love, which only Loving ever binds, spills my ear, for a while I might slip down and play among his foals so green. My barrenness. Sam's solitude. And all his patience now presumes. Luster of Spring's Sacred Brood. By you, ever sixteen, this World's reserved. By you, this World has everything left to lose. And I, your sentry of ice, shall allways protect what your Joy so terrifyingly elects. I'll destroy no World so long it keeps turning with scurry & blush, fledgling & charms beading with dews, and allways our rush returning renewed. Everyone betrays the Dream but who cares for it? O Sam no, I could never walk away from you.
Mark Z. Danielewski (Only Revolutions)
Prezenta lui e ca absenta. Absenta altora-i prezenta. Ma aflu la interferenta De forte-n clipa imanenta, Care, pulsand, ma propulseaza - Si asta-nseamna a trai. Nu pot sa trec de neagra-i raza In care e, parca n-ar fi. Vargata si intermitenta E respiratia-i - o tromba. Si inima-mi ce bate, lenta, Ii sufla-n foale cu o trompa. Iesind din carne-mi, trece-n gand, Din gand, in sange se-nfiltreaza. Si rau si bine. Lacrimand, Nu pot sa trec de neagra-i raza. Buchetu-acesta de vribratii Cui pot, in dar, a-l oferi? Intermitent in curbe spatii, O, cand nu e, daca ar fi!
Marin Sorescu (Apă vie, apă moartă)
When I heard the language of men uttered by my mare," continued Aravis, "I said to myself, the fear of death has disordered my reason and subjected me to delusions. And I became full of shame for none of my lineage ought to fear death more than the biting of a gnat. Therefore I addressed myself a second time to the stabbing, but Hwin came near to me and put her head in between me and the dagger and discoursed to me most excellent reasons and rebuked me as a mother rebukes her daughter. And now my wonder was so great that I forgot about killing myself and about Ahoshta and said, 'O my mare, how have you learned to speak like one of the daughters of men?' And Hwin told me what is known to all this company, that in Narnia there are beasts that talk, and how she herself was stolen from thence when she was a little foal. She told me also of the woods and waters of Narnia and the castles and the great ships, till I said, 'In the name of Tash and Azaroth and Zardeenah, Lady of the Night, I have a great wish to be in that country of Narnia,' 'O my mistress,' answered the mare, 'if you were in Narnia you would be happy, for in that land no maiden is forced to marry against her will.
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #5))
Each day of the week, Kalist indulges himself in a different, secret ritual. On Mondays, he wears cologne. On Tuesdays, he eats meat for lunch. On Wednesdays, he places a bet after work. On Thursdays, he smokes one cigarette (but claims he’s not a smoker). On Fridays, he treats himself to his favourite pastime: horse practice – he grew up with horses and likes to try and emulate their distinctive whinnies, snorts, neighs, snuffles, sighs, grunts, fluttering nostrils, the occasional aggressive outburst and the especially beautiful nicker of a mare to her foal. And, on Saturdays, lest we forget, Maxwell D. Kalist drinks wine from a chalice.
Carla H. Krueger (From the Horse’s Mouth)
A few months back, Meredith and I took our sons to an evening of modern dance. It was an outdoor performance, in a horse paddock on a ranch in central Texas, and the dance involved nine young women and a very large horse. There was a great deal of spinning in the dirt. There was swift running, much kicking, many horse-like movements of the head and shoulders. It was strange and very beautiful. At one point, midway through the performance, Meredith leaned over to Timmy and asked if he understood what the dancing was all about. Timmy said no. Meredith said, “Well, right now, for instance, that dancer over there, she’s like a baby horse—a foal—trying to stand up for the first time. Can you see that?” Timmy nodded. He looked puzzled. “Well, yes,” he said, “but what about all the other shenanigans?
Tim O'Brien (Dad's Maybe Book)
Midwestern farmers bred the horses the city required—haphazardly at first, but with increasing expertise at selective improvement as the century advanced. By far the most popular workhorse in the United States was the Percheron, a breed that originated in the Perche region of France, about fifty miles southwest of Paris. Although it was long claimed that the Percheron breed was shaped in the Middle Ages when native Perche mares were bred with Arabian stallions brought back from the Crusades, no evidence other than oral tradition supports the claim. Some archeological evidence identifies the type as having Neolithic antecedents.8 All modern Percheron bloodlines trace to a warhorse named Jean Le Blanc, foaled in Le Perche in 1823 when Perche breeders were breeding a heavier horse for the American trade.
Richard Rhodes (Energy: A Human History)
She had made no objection when he told her the baby was his, that she was his. He prayed to God she had no objections. He was in too deep to turn back now. Head over heels in love. Irrevocably so. She had brought joy into his life beyond his wildest dreams, a sweet, wondrous joy that made every breath he took seem worthwhile. Seeing the world through her eyes had given him a new appreciation of it. Newborn foals. Mice in the attic. Waltzing to silent melodies. Drinking tea that didn’t exist. She was both child and woman, wrapped up in one, a delightful blend, and he loved both. To lose her now ... Just the thought made Alex ache, so he pushed it from his mind. She belonged to him in the eyes of God and man. The child she carried was his. Nothing was ever going to change that. He wouldn’t allow it to, because to lose her, now that he had found her, would be to die inside.
Catherine Anderson (Annie's Song)
They looked at my stomach and between my legs. They never said nothing to me. Only one looked at me. Looked at my face, I mean. I looked right back at him. He dropped his eyes and turned red. He knowed, I reckon, that maybe I weren't no horse foaling. But them others. They didn't know. They went on. I seed them talking to them white women: 'How you feel? Gonna have twins?' Just shucking them, of course, but nice talk. Nice friendly talk. I got edgy, and when them pains got harder, I was glad. Glad to have something else to think about. I moaned something awful. The pains wasn't as bad as I let on, but I had to let them people know having a baby was more than a bowel movement. I hurt just like them white women. Just 'cause I wasn't hooping and hollering before didn't mean I wasn't feeling pain. What'd they think? That just 'cause I knowed how to have a baby with no fuss that my behind wasn't pulling and aching like theirs? Besides, that doctor don't know what he talking about. He must never seed no mare foal. Who say they don't have no pain? Just 'cause she don't cry? 'Cause she can't say it, they think it ain't there? If they looks in her eyes and see them eyeballs lolling back, see the sorrowful look, they'd know.
Toni Morrison (The Bluest Eye)
The Duration Here they are are on the beach where the boy played for fifteen summers, before he grew too old for French cricket, shrimping and rock pools. Here is the place where he built his dam year after year. See, the stream still comes down just as it did, and spreads itself on the sand into a dozen channels. How he enlisted them: those splendid spades, those sunbonneted girls furiously shoring up the ramparts. Here they are on the beach, just as they were those fifteen summers. She has a rough towel ready for him. The boy was always last out of the water. She would rub him down hard, chafe him like a foal up on its legs for an hour and trembling, all angles. She would dry carefully between his toes. Here they are on the beach, the two of them sitting on the same square of mackintosh, the same tartan rug. Quality lasts. There are children in the water, and mothers patrolling the sea's edge, calling them back from the danger zone beyond the breakers. How her heart would stab when he went too far out. Once she flustered into the water, shouting until he swam back. He was ashamed of her then. Wouldn't speak, wouldn't look at her even. Her skirt was sopped. She had to wring out the hem. She wonders if Father remembers. Later, when they've had their sandwiches she might speak of it. There are hours yet. Thousands, by her reckoning.
Helen Dunmore
When they were children at Loeanneth they'd spent the summer in and out of the water, their skin turning brown beneath the sun, their hair bleaching almost white. Despite her weak chest, Clemmie had been the most outdoorsy of them all, with her long, skinny foal's legs and windblown nature. She should have been born later. She should have been born now. There were so many opportunities these days for girls like Clemmie. Alice saw them everywhere, spirited, independent, forthright, and focused. Mighty girls unbounded by society's expectations. They made her glad, those girls, with their nose rings and their short hair and their impatience with the world. Sometimes Alice felt she could almost glimpse her sister's spirit moving in them. Clemmie had refused to speak to anyone in the months after Theo disappeared. Once the police had done their interviews, she'd shut her mouth, tight as a clam, and behaved as if her ears had switched off too. She'd always been eccentric, but it seemed to Alice, looking back, that during the late summer of 1933 she became downright wild. She hardly returned home, prowling around the airfields, slicing at the reeds by the stream with a sharpened stick, creeping inside the house only to sleep, and not even that most nights. Camping out in the woods or by the stream. God only knew what she ate. Birds' eggs, probably. Clemmie had always had a gift for raiding nests.
Kate Morton
So what will you do?” Joseph, Lord Kesmore, asked his brothers-by-marriage. Westhaven glanced around and noted Their Graces were absent, and the ladies were gathered near the hearth on the opposite side of the large, comfortable family parlor. “Do? I wasn’t aware we were required to do anything besides eat and drink in quantities sufficient to tide us over until summer of next year,” Westhaven said. The Marquess of Deene patted his flat tummy. “Hear, hear. And make toasts. One must make holiday toasts.” St. Just shifted where he lounged against the mantel. “Make babies, you mean. My sister looks like she’s expecting a foal, not a Windham grandchild, Deene.” Gentle ribbing ensued, which Westhaven knew was meant to alleviate the worry in Deene’s eyes. “The first baby is the worst,” Westhaven said. “His Grace confirms this. Thereafter, one has a sense of what to expect, and one’s lady is less anxious over the whole business.” “One’s lady?” Lord Valentine scoffed. “You fool nobody, Westhaven, but Kesmore raises an excellent point. Every time I peek into the studio in search of my baroness, all I see is that Harrison and Jenny are painting or arguing.” “Arguing is good,” Kesmore informed a glass that did not contain tea. “Louisa and I argue a great deal.” Respectful silence ensued before the Earl of Hazelton spoke up. “Maggie and I argue quite a bit as well. I daresay the consequences of one of our rousing donnybrooks will show up in midsummer.” Toasting followed, during which Lord Valentine admitted congratulations were also in order regarding his baroness, and St. Just allowed he suspected his countess was similarly blessed, but waiting until after Christmas to make her announcement. When
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
Every time the cataclysmic concept has come to life, the 'beast' has been stoned, burned at the stake, beaten to a pulp, and buried with a vengeance; but the corpse simply won't stay dead. Each time, it raises the lid of its coffin and says in sepulchral tones: 'You will die before I.' The latest of the challengers is Prof. Frank C. Hibben, who in his book, 'The Lost Americans,' said: 'This was no ordinary extinction of a vague geological period which fizzled to an uncertain end. This death was catastrophic and all inclusive. [...] What caused the death of forty million animals. [...] The 'corpus delicti' in this mystery may be found almost anywhere. [...] Their bones lie bleaching in the sands of Florida and in the gravels of New Jersey. They weather out of the dry terraces of Texas and protrude from the sticky ooze of the tar pits off Wilshire Boulevard in Los Angeles. [...] The bodies of the victims are everywhere. [...] We find literally thousands together [...] young and old, foal with dam, calf with cow. [...] The muck pits of Alaska are filled with evidence of universal death [...] a picture of quick extinction. [...] Any argument as to the cause [...] must apply to North America, Siberia, and Europe as well.' '[...] Mamooth and bison were torn and twisted as though by a cosmic hand in a godly rage.' '[...] In many places the Alaskan muck blanket is packed with animal bones and debris in trainload lots [...] mammoth, mastodon [...] bison, horses, wolves, bears, and lions. [...] A faunal population [...] in the middle of some cataclysmic catastrophe [...] was suddenly frozen [...] in a grim charade.' Fantastic winds; volcanic burning; inundation and burial in muck; preservation by deep-freeze. 'Any good solution to a consuming mystery must answer all of the facts,' challenges Hibben.
Chan Thomas (The Adam & Eve Story: The History of Cataclysms)
She slipped into the shadows and waited, like a she-wolf, for her quarry. Bay caught her breath when Owen Blackthorne stepped into the cool night air. He was close enough to touch. His shaggy black hair looked rumpled, as though he’d shoved both hands through it in agitation. When he started to move off the porch, Bay reached out and grasped his sleeve. A second later she was slammed back against the wall, a powerful male hand at her throat choking her. She could feel the heat of him, the solid maleness of him. And panicked. She clawed at Owen’s flesh with her nails and drove her knee upward toward his genitals. Her thrust her upraised knee aside, and the full weight of his over-six-foot frame shoved hard against her from shoulders to thighs. Bay froze, staring up at him in mute horror. Her body trembled in shock. She tried to speak, but there was no air to be had beneath the crushing pressure of his grip on her throat. “What the hell . . .?” He released her throat and grabbed her arms to yank her into the narrow stream of light from the kitchen doorway. She gasped a breath of air, coughed, then gasped another, pressing a shaky hand to her injured throat. She wrenched to free herself, but he let her go without a struggle and took a wary step back. She rubbed her arms where he’d held her, wishing she’d approached him more directly. “What are you doing out here, Mizz Creed?” His voice was clipped but controlled. The violence she’d felt in his touch was still there in his eyes, which glittered with hostility. “It’s Dr. Creed,” she rasped, glaring back at him. He lifted a black brow. “Well, Dr. Creed.” She opened her mouth to say I need your help. But the words wouldn’t come. There was nothing wrong with her voice. She just hated the thought of asking a Blackthorne for anything. “I haven’t got all night,” he said. “There’s an emergency at the barn—” “Ruby’s foal has already been delivered safely,” she said. “I made up that story because I wanted to speak privately with you.
Joan Johnston (The Texan (Bitter Creek, #2))
God would be there with it, in every moment, sure as the North Star.
Dandi Daley Mackall (Friendly Foal (Winnie the Horse Gentler, #7))
He has said his foal with his own family was to avoid the pain inflicted on him by his father, to be, as he put it, an ancestor in their lives and not a ghost. He wanted to walk by their side and guide and protect, not grasp their ankles and pull them back down.
Wright Thompson (Pappyland: A Story of Family, Fine Bourbon, and the Things That Last)
My Thracian foal, why do you glare with disdain and then shun me absolutely as if I knew nothing of this art? I tell you I could bridle you with tight straps, seize the reins and gallop you around the posts of the pleasant course. But you prefer to graze on the calm meadow, or frisk and gambol gayly—having no manly rider to break you in.
Anakreón
The thought of foals being taken away from their mothers, ripped without warning from everything familiar and loved, then starved, clubbed, or sold for meat, tore her heart to shreds. Tears filled her eyes as she imagined Blue and the nurse mare, scared and confused and frantic, wondering why someone had taken their babies. She could almost feel the horrible, heavy pain in their chests, the terror and helplessness in their minds. It didn't matter that they were animals. Mares still possessed the maternal instinct. She had seen it with her own eyes when Bonnie Blue looked back at her newborn filly. It was love at first sight. Her mother had never looked at her that way, but Julia had studied enough interactions between mothers and daughters to recognize unconditional love when she saw it.
Ellen Marie Wiseman (The Life She Was Given)
Lambs and foals scramble to their feet at birth, but it generally takes a human child up to twelve months to acquire the ability to take three steps, with wobbly legs. It takes a human child two years to acquire a vocabulary of fifteen words. In that time, a female cat has given birth to at least one litter. Much later, a human learns words like footstalk and later terms like cause, freedom and regret, but there is no guarantee he will ever reflect on their meaning.
Auður Ava Ólafsdóttir (Animal Life)
I have a foal to deliver, but if this is how my son is walking around speaking, said boot is about to be halfway up his ass.
Morgan Elizabeth (Big Nick Energy (Seasons of Revenge, #1.5))
Man is the lone animal that devours without delivering. He doesn't give milk, he doesn't lay eggs, he is too powerless to even consider pulling the furrow, he can't run quick enough to get bunnies. Yet he is lord of all the animals. He sets them to work, he gives back to them the bare minimum that will prevent them from starving, and the rest he keeps for himself. Our labour tills the soil, our dung fertilises it, and yet there is not one of us that owns more than his bare skin. You cows that I see before me, how many thousands of gallons of milk have you given during this last year? And what has happened to that milk which should have been breeding up sturdy calves? Every drop of it has gone down the throats of our enemies. And you hens, how many eggs have you laid in this last year, and how many of those eggs ever hatched into chickens? The rest have all gone to market to bring in money for Jones and his men. And you, Clover, where are those four foals you bore, who should have been the support and pleasure of your old age? Each was sold at a year old−you will never see one of them again. In return for your four confinements and all your labour in the fields, what have you ever had except your bare rations and a stall?
George Orwell (Animal Farm)
Ever since your foal found out that you were travelling towards it, it has been running to meet you.
Paulo Coelho (Manuscript Found in Accra)
Burrich got up, staggered a half step on his bad leg, and regained his balance. He took up the measure of grain. He sprinkled it over the boiling water, then stirred it to wet it evenly. Then he put a tight lid on the pot and pulled it slightly back from the fire’s reach. All this while balancing the babe in the crook of one arm. I could tell he had been thinking when he answered, “Not babies, perhaps. But I know about young things. Foals, puppies, calves, piglets. Even hunting cats. I know if you want them to trust you, you touch them often when they are small. Gently, but firmly, so they believe in your strength, too.
Robin Hobb (Assassin's Quest (The Farseer Trilogy, #3))
Zechariah. They’re rather simple, mundane even, yet they both point to Yeshua, and only to Him. The first one is chapter nine, verse nine: ‘Rejoice greatly, Daughter Zion! Shout, Daughter Jerusalem! See, your king comes to you, righteous and victorious, lowly and riding on a donkey, on a colt, the foal of a donkey.
Patrick Higgins (Yahweh's Remnant (Chaos in the Blink of an Eye, #9))
To make Jesus’ action precisely fit his concept of the prophecy, Matthew has Jesus mount not one but two animals simultaneously, “the donkey and her foal,” for his triumphant ride into Jerusalem (21: 1–11).
Stephen L. Harris (The New Testament: A Student's Introduction)
I know I'm supposed to be sorry about that. I was… I was sorry. For maybe five minutes. But now I'm glad I did it because you deserve better than some piece of shit who picks you up in a goddamn hardware store. What does he really know about you? It's taken me years to see all the little things that make you so fucking special, Jackson. Sure, maybe he saw a smile, but if he hasn’t seen you when you smile at your kid, then he hasn't seen anything. And maybe he was lucky enough to feel your touch, but he doesn’t know the way you are with a new calf or foal and their mamas. He hasn't seen how you give your attention to whoever you're with one hundred percent. He can’t know that you make them feel like they're the most important person in the world.
Sloane Kennedy (Tempting Fate (Love in Eden))
You’re trembling like a foal. Has no one touched you in a while? Don’t be embarrassed. Being practiced at love is exactly what ruins it.
Esther Yi (Y/N)
Night had scarce fallen when she foaled—a big, beautiful he-colt. It stood up on wobbling legs, weak and wet and dazed, and the mother washed it. The feel of her tongue comforted it and it pressed closer and found her teats and sucked; it was happy again then, as it had been inside the warm dark nest of her body. So they comforted each other after the squeezing, rending pangs of birth; and so the foal, like all young, discovered this huge world and himself, and her who was the first sharer of its great and terrible loneliness.
Evangeline Walton (The Mabinogion Tetralogy: The Prince of Annwn, The Children of Llyr, The Song of Rhiannon, The Island of the Mighty)
Domesticated horses are significantly more likely to miscarry than wild mares—as many as one in three. Researchers tried for years to figure out why. Was it the type of feed? Stress? The stallion’s mounting style? The answer was strikingly simple. To avoid these spontaneous abortions, you have to let the mare have sex with a familiar male. Like the gelada, a wild stallion who takes over a herd may kill any foals he has reason to suspect aren’t his. Still, monogamy isn’t the rule. After running blood tests on wild herds, scientists determined that roughly a third of foals aren’t sired by the dominant stallion. That stallion does get first dibs on reproduction, but mares also have “sneaky sex” with outsider males. Then they immediately seek out the stallion to try to have “cover-up” sex with him. If they don’t get the chance to have cover-up sex? That’s when they’ll usually abort.
Cat Bohannon (Eve: How the Female Body Drove 200 Million Years of Human Evolution)
The yearly cycle of Sakha subsistence related to the natural environment is apparent in their calendar. The new year begins in May, or the month of fish spawning (Yam). June is Bes, or pine, July is Ot, or grass, August is Atyrd'akh, or rake, and September is Balagan, a style of Sakha house. Grass and rakes are, of course, references to grass cutting subsistence practices, while balagan are the traditional wooden houses that the Sakha use during the winter, as opposed to uraha, which are cone-shaped white birch houses used in summer. The names for October, November, December, January, and February are Altynn'y, Setinn'l, Akhsynn'y, Tokhsunn'u, and Olunn'u. These mean, respectively, the sixth, seventh, eighth, ninth, and tenth months counting from the new year in May. The spring months of March and April are called Kulun Tutar and Muus Ustar, or the months of foals and flowing ice, respectively. These are references to the rush of foal births and the thawing of the Lena River. In actuality, foals are not born until April and drift ice does not appear until May. Although these last two months show a slight delay between events and names, the calendar indicates how the Sakha engage in pastoralism, grass cutting, and fishing activities throughout the year. It is also interesting that the winter months between October and February are given simple numeric names.
Hiroki Takakura (Arctic Pastoralist Sakha: Ethnography of Evolution and Microadaptation in Siberia (Modernity and Identity in Asia Series))
Tonight," said Potapov, and his wrinkled nose quivered above his thin lips, "we intend to adopt a new resolution, not only for Ispas, but for all the villages in the region. From this moment on, until further notice, every breeder of horses, like you, Comrade Lazar, will endeavor— No, he won't try, he will succeed! - Yes, he will succeed 100 percent The pregnancy and birth of all female mares!" The fifty people in the hall fell silent, and Potapov asked, "Is that clear? Something unclear in my words?" "Something unclear in my words?" Isabel came back after him. "Yes, Comrade Potapov," said Roman. "There are some unclear things." Isabelle and Sissy pinched him, and Isabelle continued to whisper in Potapov's unpleasant tenor voice, "One hundred percent pregnancy and birth of all female mares!" Sissy almost laughed out loud. Roman broke away from his wife and sister and walked to the aisle between the pews, from which He could speak without interruption from them. "You said you were an animal enclosure expert from Moscow?" Roman asked. "Please teach us how to achieve such extraordinary results." Ostap rose - Ostap, who never spoke at these assemblies! Even Yana was shocked. "Forgive me," said Ostap, seeming not to believe his own impudence, "but that's what they call female mares in Moscow, 'mares women'? Because here in Ukraine they simply say 'mares'." "Never mind," said Potapov. "And the mares, by the way, don't give birth," added Ostap with eyes burning with hatred and in a low voice with contempt. "They give birth." "Well, let's talk." Potapov pointed to the members of the Lazar family who were sitting with Mirik and Petka. "Comrade Zhuk told me about you, the Lazar family," Potapov said. Petka immediately got up and moved to another place. Mirik also moved his chair a little further - only a few centimeters, but still! He was staying away so he wouldn't be lumped in with those troublesome lazars, Isabelle thought. Unbelievable. Problematic like his wife, himself and his flesh. "We believe," said Potapov, "that you are using your horses by means of sabotage against the Soviet state." "And how do we do that?" asked Roman, who stood beside his brother. By having your mares give birth only once a year!" I don't create a horse, Comrade Potapov, I only quarter him." The mare's gestation period is eleven months," Roman said. "If you need to improve! Why do your horses, which you are apparently so famous for, only give birth to one foal per horse?" Potapov asked. "Why is their pregnancy so long? Almost a year? It's unthinkable! Can't you speed up the birth earlier and quarter them again? Or see if there's a way to make a mare carry two foals in one place? That would be very productive!" The members of the Lazar family looked forward and not at each other, lest they openly express contempt and be arrested for the crime of rowing under the Soviet Union. It is impossible to respect something that is despised, the Christian Jesus was right in that, Isabel thought, and wished that Roman would bite his tongue. Vitaly and Stan, Oleg Tretyak, the evicted Kubal, and most recently Andreyush - all these poor people were witnesses and victims of Stalin's total dedication to the reign of terror. Soon even the pretense that the rule of law exists will be abandoned. Yana got to her feet with an effort and held the chair rest. "I have to go," she said. "As you can see, I'm a pregnant female about to give birth. But maybe the experts from Moscow should spend some time around the stable during the calving season before they start giving recommendations." Yana nodded to Roman and Ostap and left the hall with a wobbly gait. Isabelle thought that Yana was slowing down for Potapov's sake. Just a few hours ago she jumped on the back of a horse and then got off above him without help and without effort. Potapov paid no attention to Yana's words or to her departure. "We need to solve th''e horse problem!" said the man.
Paulina Simons
Rejoice greatly, O daughter of Zion! Shout aloud, O daughter of Jerusalem! Behold, your king is coming to you; righteous and having salvation is he, humble and mounted on a donkey, on a colt, the foal of a donkey. I will cut off the chariot from Ephraim and the war horse from Jerusalem; and the battle bow shall be cut off, and he shall speak peace to the nations; his rule shall be from sea to sea, and from the River to the ends of the earth. As for you also, because of the blood of my covenant with you, I will set your prisoners free from the waterless pit. Return to your stronghold, O prisoners of hope; today I declare that I will restore to you double. (Zech. 9:9–12)
Scotty Smith (Everyday Prayers: 365 Days to a Gospel-Centered Faith)
Imagine Melitene, land of plenty, under snow and ice and high blue skies; imagine it in spring, with the meltwater running off the mountains and the herds going up to the high pastures to graze and their milk scented with mint and citrus; imagine it in high summer, limpid in the day’s heat, with the hawks circling high above and the mares full fat with foal, swatting flies with their tails. Imagine that a man enters this idyll who does not know that he has come to paradise, who brings with him such ill luck as to make the statue of Fortune fall on her face at his passing and set the crows circling in murderous groups, eleven at a time, number of ill augur. Imagine such a man causing the minted milk to sour, and the men to sour with it, even before he gives the word to prosecute an unwinnable war, against the orders of his betters; or at least against Corbulo’s explicit command. Such a man was our new general and while you will have heard of the statue that fell on its face and the other ill omens – they became common enough currency in Rome soon after – you may not know that he disobeyed orders when he began his war.
M.C. Scott (Rome: The Eagle of the Twelfth (Rome, #3))
He bared thick teeth. ‘I am Zacchariah. My price will be right. You show me now?’ In that moment, ten generations of horse-traders counted for more than half a lifetime in the legions. I was my father made young again, itching to make a sale. Abandoning the Eagle – I was a horse-trader, what did I care for a gold bird on a stick, however venerated by the Hebrews? – I gathered Pantera and Horgias about me, and trekked back to the inn of the Cedar Tree. Along the way, we collected Zacchariah’s well-muscled younger relatives, three other, unrelated, horse merchants who gazed at him with undisguised venom, a woman who claimed she could more accurately assess the sex of the foal our pregnant mare carried, a bone-setter who set to arguing with Horgias but gave up when his poor Greek met Horgias’ worse Greek – and Nicodemus and his seven zealots who stood about as we conducted our business, obviously waiting for a chance to inflict violence upon us.
M.C. Scott (Rome: The Eagle of the Twelfth (Rome, #3))
There’s something else, too, Miss Emmie.” Stevens had gone bashful now, and Emmie was intrigued. “Here.” Stevens beckoned her to follow him out the back of the stables, to where a separate entrance led to a roomy foaling stall. “He said you needed summat other’n t’mule, and you’re to limber her up, as Miss Winnie will be getting a pony soon.” A sturdy dapple-gray mare stood regarding Emmie from over a pile of hay. She turned a soft eye on Emmie and came over to the half door to greet her visitors. “Oh, Stevens.” Emmie’s eyes teared up again. “She is so pretty… so pretty.” “He left ye a message.” Stevens disappeared back into the barn and came out with a sealed envelope. “I can tack her up if ye like.” Emmie tore open the envelope with shaking fingers. How dare he be so thoughtful and generous and kind? Oh, how dare he… She couldn’t keep the horse, of course; it would not be in the least proper, but dear Lord, the animal was lovely… My dear Miss Farnum, Her name is Petunia, and she is yours. I have taken myself to points distant, so by the time I return, you will have fallen in love with her, and I will be spared your arguments and remonstrations. She is as trustworthy and reliable a lady as I have met outside your kitchen, and at five years of age, has plenty of service yet to give. Bothwell has been alerted you will be joining him on his rides, should it please you to do so. And if you are still determined not to keep the horse, dear lady, then consider her my attempt at consolation to you for inflicting Scout on the household in my absence. St. Just He’d drawn a sketch in the corner of Scout, huge paws splayed, tongue hanging, his expression bewildered, and broken crockery scattered in every direction. The little cartoon made Emmie smile through her tears even as Winnie tugged Scout out behind the stables to track Emmie down. “Are you crying, Miss Emmie?” Winnie picked up Emmie’s hand. “You mustn’t be sad, as we have Scout now to protect us and keep us company.” “It isn’t Scout, Winnie.” Emmie waved a hand toward the stall where Petunia was still hanging her head over the door, placidly watching the passing scene. “Oh.” Winnie’s eyes went round. “There’s a new horse, Scout.” She picked up her puppy and brought him over to the horse. The mare sniffed at the dog delicately, then at the child, then picked up another mouthful of hay. “Her name’s Petunia,” Emmie said, finding her handkerchief. “The earl brought her from York so I can ride out with the vicar.” “She’s very pretty,” Winnie said, stroking the velvety gray nose. “And not too big.” The mare was fairly good size, at least sixteen and a half hands, and much too big for Winnie. “Maybe once I get used to her, I can take you up with me, Winnie. Would you like that?” “Would I?” Winnie squealed, setting the dog down. “Did you hear that, Scout? Miss Emmie says we can go for a ride. Oh… We must write to the earl and thank him, Miss Emmie, and I must tell Rose I have a puppy, too. I can knight Scout, can’t I?” “Of course you may,” Emmie said, reaching for Winnie’s hand. “Though you must know knights would never deign to be seen in the castle kitchens, except perhaps in the dead of winter, when it’s too cold to go charging about the kingdom.” “Did knights sleep in beds?” “Scout can stay with Stevens above the carriage house when you have repaired to your princess tower for your beauty sleep.” “I’ll ask Scout.” It
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Does your countess cry a lot?” Nick asked St. Just as they moved in to dinner. “Poor Leah cries at the sight of a kitten, a puppy, or a foal. Of course, this necessitates that I comfort her, which I am all too willing to do.” “One would think she’d cry at the sight of you,” Val said. “Oh, she does.” Nick’s teeth gleamed, and his blue eyes sparkled. “With rapture.” “Nicholas,” Abby chided, but Nick only grinned more broadly. “Pass
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
His horse, who had picked up the rather unfortunate name of Fat Ninny from Miles’s grandfather in the first few weeks of his life as a foal, came to greet Miles at his call, nickering, and Miles faithfully rewarded him with peppermints from his pocket. He petted the big roan’s wide, velvety nose. The beast, rising . . . twenty-three years old now?—had more gray among his red hairs, and wheezed from his canter across the pasture. So dare he ride, with this seizure-thing? Probably not the sort of days-long camping trips up into the hills he most enjoyed. If he trained Martin to be his spotter, he could perhaps risk a few turns around the pastures. He wasn’t likely to break any of his synthetic bones, falling off, and he trusted Ninny not to step on him. Swimming,
Lois McMaster Bujold (Memory (Vorkosigan Saga, #10))
Eve doesn’t cry much.” Except sometimes, deep in the night, when they’d made a particularly tender kind of love, and then she clung and wanted to be held securely until she dropped off to sleep in Deene’s embrace. And he wanted to hold her. Kesmore glanced over sharply. “Your wife had best not be crying on your worthless account, Deene. My lady would take it amiss, and you do not want such a thing on your conscience, presuming you survived the thrashing I would be bound to mete out.” “Marriage has made you quite ferocious, Kesmore.” Kesmore paused outside a roomy foaling stall. “On behalf of a woman I care about, I will always be capable of ferocity. See that you recall this should you ever be inclined toward the wrong sort of weak moment.
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
And there is one among them that might have been foaled in the morning of the world. The horses of the Nine cannot vie with him; tireless, swift as the flowing wind. Shadowfax they called him.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
ignore the feeling of gloom that clung to her like a limpet. She'd been looking forward to the summer holidays for weeks, especially after her mum had agreed she could help out at the stables every weekend. Instead she was being sent to her godmother's farm miles away.
Amanda Wills (Juno's Foal)
She ran her hands into Smith's wet hair, and he-- But why always Smith? Was it necessarily true, that because she seemed to HIM to be the ripe, round, straightforward antidote to the complications of his hopes, the scene looked as simple through her eyes? Was she not taking the greater risk here? Did she not have to set aside cautions, sorrows, hopes, fears, loyalties, to permit herself the role of the plump and ready siren in the steam-room? Have we not heard enough already of Mr. Smith's desire, and seen Mrs. Tomlinson quite sufficiently as he did? Should we not, at least, pay a little attention to Terpie's view of him, lounging like a freckly satyr on the wooden benches, grinning at her with a young man's lazy sense of entitlement now the surprise of her gift had faded; grown almost all the way into his strength but still long-limbed, with the knots of bone at his knees and his elbows giving him the lingering gawkiness of a foal; with the film of sweat on his chest, and his curls thickened to dark emphatic coils with water drops at the end; with the last unremoved traces of the paint around his eyes rimming his gaze in black depravity; with his wide mouth laughing, and his cock lolling? No, not lolling any more. Stirring, as she filled her hands with him, to her pleasure and his. The reader may imagine the occasional mismatches of desire or of endurance caused by their different ages. By the differences, at times in what followed, between twenty-four-year-old impetuousness and forty-six-year-old guile; between twenty-four-year-old muscles and forty-six-year-old backache. The reader may imagine, as she knelt on the bench en levrette--a technical term Terpie had learnt from a French gentleman, meaning with your bum in the air--that the pleasure of a boyish lover's deep wet rooting inside her did not entirely cancel the pinching of the skin of her knees between the wooden slats. And yet the two of them made for themselves, successfully, that little encompassing sphere of sensation which seems while it lasts to be, if not a home in the great world to be relied upon, at least a little world in itself, outside which not much matters, for a while. And yet, they arrived together, if not at rapture, then at those melting convulsions which come as close to it as you may, where gratitude and mutual greed are all you have to furnish the place of trust.
Francis Spufford (Golden Hill)
What will you do with Anna?” “I’ve proposed and proposed and proposed.” The earl sighed, surprising himself and apparently his brother with his candor. “She’ll have none of that, though the last time, she put me off rather than turn me down flat.” “Things are a little unsettled,” Dev pointed out dryly. “And marriage would settle them,” the earl shot back. “Married to me, there wouldn’t be any more nonsense from her brother, not for her or Morgan. Her grandmother would be safe, and Stull would be nothing but a bad, greasy memory.” “He is enough to give any female the shudders, though maybe Anna has the right of it.” “What can you possibly mean?” The earl stood up and paced to the French doors. “You and she are in unusual circumstances,” Dev began. “You are protective of her and probably not thinking very clearly about her. She is not a duke’s daughter, as you might be expected to marry, not even a marquis’s sister. She’s beneath you socially and likely undowered and not even as young as a proper mate to you should be.” “Young?” the earl expostulated. “You mean I can get her to drop only five foals instead of ten?” “You have a duty to the succession,” Dev said, his words having more impact for being quietly spoken. “Anna understands this.” “Rot the fucking succession,” Westhaven retorted. “I have His Grace’s permission to marry for love, indeed, his exhortation to marry only for love.” “Are you saying you love her?” Dev asked, his voice still quiet. “Of course I love her,” the earl all but roared. “Why else would I be taking such pains for her safety? Why else would I be offering her marriage more times than I can count? Why else would I have gone to His Grace for help? Why else would I be arguing with you at an hour when most people are either asleep or enjoying other bedtime activities?” Dev rose and offered his brother a look of sympathy. “If you love her, then your course is very easy to establish.” “Oh it is, is it?” The earl glared at his brother. “If you love her,” Dev said, “you give her what she wants of you, no matter how difficult or irrational it may seem to you. You do not behave as His Grace has, thinking that love entitles him to know better than his grown children what will make them happy or what will be in their best interests.” Westhaven sat down abruptly, the wind gone from his sails between one heartbeat and the next. “You are implying I could bully her.” “You know you could, Gayle. She is grateful to you, lonely, not a little enamored of you, and without support.” “You are a mean man, Devlin St. Just.” The earl sighed. “Cruel, in fact.” “I would not see you make a match you or Anna regret. And you deserve the truth.” “That’s what Anna has said. You give me much to think about, and none of it very cheering.” “Well, think of it this way.” Dev smiled as he turned for the door. “If you marry her now, you can regret it at great leisure. If you don’t marry her now, then you can regret that as long as you can stand it then marry her later.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
A great horseman or horsewoman has the curiosity of a foal, the patience of a mare and the drive of a stallion.
Joanne Verikios (Winning Horsemanship: A judge's secrets and tips for your success)
You don’t have to stay in town,” Liv said. “You could sleep in Gran’s and Granddad’s room until they get back.” “No, I couldn’t do that.” Shane shook his head violently. “Wouldn’t be respectful.” “There’s a bunkhouse near the barn,” Sophie pointed through the window. “You could move in there.” “That’s an excellent idea.” Jess beamed. “At least for this week while you’re not in school.” “I don’t like to put my troubles on you.” Shane shook his head again. “Never know what Pa’s likely to do.” “We’ll share our troubles,” Jess said gently. “The girls’ grandfather called, and he thinks we should bring the horses up to the ranch. I agree, especially after the girls told me about the foal being attacked by a coyote yesterday.” “I hear you,” Shane said. “I guess I’d better round ’em up and bring ’em in.” Jess nodded. “Take Cactus Jack or Cisco for now. When you bring in the herd, choose another horse to ride till Navajo is better.” “You can take Cactus Jack,” Liv volunteered. “Then Sophie can go with you.” Sometimes Sophie felt as if Liv really did understand her, after all. Liv loved riding Cactus Jack in the desert, and she was giving her a chance to be alone with Shane.
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))
See how the skulls we build Fill all the towers we build Crash down fury red Cracks in our hearts and heads See how the skulls we build Fill all the towers we till Crash down fury red Crash down fury red See how the skulls we build Fill all the towers we build Crash down fury red Cracks in our hearts and heads Your smile sticks a kiss That could stop it Your smile sticks a kiss That could stop it Your smile sticks a kiss Your smile sticks a kiss Your smile sticks a kiss That could stop it Your smile sticks a kiss Your smile sticks a kiss All could be well See how the skulls we build Fill all the towers we build Crash down fury red There's cracks in our hearts and heads A place where we can hide Oh electric shocks, no Oh electric shocks, no Oh electric shocks, no Oh electric shocks, no Oh electric shocks, no Oh electric shocks, no Oh electric shocks, no Oh electric shocks, no See how the skulls we build Fill all the towers we build Crash down fury red There's cracks in our hearts and heads Your smile sticks a kiss That could stop it Your smile sticks a kiss That could stop it Your smile sticks a kiss Your smile sticks a kiss Your smile sticks a kiss That could stop it Your smile sticks a kiss Your smile sticks a kiss All could be well Oh electric shocks, no Oh electric shocks, no Oh electric shocks, no Oh electric shocks, no
Foals
Red Socks Pugie In Context She said, these terminals once again Wasps' nests, these terminals once again These heart swells, these contexts in your head Oh hell no, these vessels Our heart swells up, these vessels Our heart swells up, which make us explode Oh hell no, these vessels Our heart swells up, which welcome These heart swells up, which make us explode Oh, what the hell, we should've said No, oh hell, we should've said No, heart swells, which make us explode She said these wasp's nests in your head These wasp's nests, these contexts in your head Once again... We could set it on fire for them We could set it on fire for them We could set it on fire for them We could set it on fire for them Oh hell no, these vessels Our heart swells up, which welcome These heart swells up, which make us explode Oh, what the hell, we set it on fire Oh hell, we set it on fire Heart swells, which make us explode Oh hell no, these vessels Our heart swells up, these vessels Our heart swells up, which make us explode Oh, what the hell We set it on fire We set it on fire We set it on fire
Foals
spring’s foals were prancing in well-mowed fields as I drove past horse farms on Tates Creek
Abigail Keam (Death by a Honeybee (Josiah Reynolds Mysteries, #1))
1 Too-Ra-Loo-Ra-Loo-Ral May you have no frost on your spuds, No worms on your cabbage. May your goat give plenty of milk. If you inherit a donkey, may she be in foal. Irish saying There’s no denying the fact that my grandpa Aengus shaped the way I look at life. The man had a saying for everything. If I fell and scraped my knee, he mended it with an Irish proverb: “For every storm, a rainbow, for every tear, a smile.” If I woke up with a head cold, he had an Irish
Janice Thompson (Picture Perfect (Weddings by Design #1))
What we want and what we get are usually two different things,” said the duke. “When you reach my age, you look back and realize that, perhaps, they were the same all the time. And what has happened, whether it be a boy cutting his finger on a knife, the birth of a foal, the blossoming of a flower on the plain of Scarpe, will all one day be seen as blindingly important, woven together with countless other threads into something that can’t be seen now, from where we stand, but can be seen from some other vantage point.
Christopher Bunn (The Wicked Day (The Tormay Trilogy, #3))
A lamb foaled in March makes the best pork when his horns have attained the length of an
Anonymous
her gaze to the copper-colored foal who sniffed his way up her arm. “Hmm… His coloring and thick body remind
Misty M. Beller (The Lady and the Mountain Man (Mountain Dreams, #1))
Sam’s smile was all innocent, his cornflower-blue eyes guileless as those of a newborn foal. “Nice night?” She scowled, narrowing her gaze. “You don’t fool me.” “I don’t know what you’re referring to.” His lips quirked as though he was trying not to laugh. She waved a hand over him. “Your choirboy act.” Now he chuckled outright. “Honey, I’m about as much a choirboy as you are a good girl.” Heat flooded her cheeks, and she distracted herself by taking a sip of coffee. When she was more composed, she said, “You and your sister are cut from the same cloth.” “I’m the more subtle of the two.” “More devious,” she muttered under her breath. “That’s another word.” Sam grinned. “And shameless.” “I’ve never seen the point in shame,” Sam said, and pointed to her. “You’ve got mud in your hair.” She
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Walking away on the springy legs of a foal he thought, How remarkable a thing a lie is. He wondered if it wasn't man's finest achievement, and after some consideration, he decided it was.
Patrick deWitt (Undermajordomo Minor)
She can't help it. It wasn't a decision. No one explained her pregnancy to her, but when she sees the foal, she knows: You are mine, and I am yours.
Emily Henry (The Love That Split the World)
and
Susanna Bailey (Snow Foal)
Oooh,’ gushed Coco. ‘Love your jacket. So cute. And such a nice cut.’ I looked again. It was just a jacket, even though it was red and black. Could a jacket have a nice cut? What did that even mean? For me, a jacket was a back, two sleeves and two flaps at the front. Oh, and a collar. Bam. Done. Easy. I had no idea how Coco could say one jacket was cuter than another. And ‘cuter’? Puppies are cute. Foals are cute. Baby bunnies are cute. Jackets are not cute. ‘Thanks,’ I heard Baylor say. ‘I love your shorts. Adorable.’ I coughed and rubbed my eyes again. Honestly.
Cecily Anne Paterson (Charlie Franks is A-OK (Coco and Charlie Franks, #2))
she is due to launch on STS-86 to the Mir as Mike Foale’s replacement,
Scott Parazynski (The Sky Below)
If you told me that a baby unicorn would die if I don’t spread for this, I’d ask you where you want the foal buried! Just NO.
Amanda Milo (To Desire a Dragon (Venys Needs Men))