Tonight Is One Of Those Nights Quotes

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Isn't it only through laughter that we become one with the gods and thus can endure life and can overcome all the horror and waste and suffering here on earth? Like tonight, watching all those brave men meet their fate here, on this shore, on this gentle night, through a karma ordained a thousand lifetimes ago, or perhaps even one. Isn’t it only through laughter we can stay human?
James Clavell (Shōgun (Asian Saga, #1))
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
Bob Dylan (Chronicles, Volume One)
Tonight’s going to be one of those things that seem to last forever.
Cath Crowley (Graffiti Moon)
Karsa reached down, gathered the skeletal figure into his arms, and then settled back. ‘I stepped over corpses on the way here,’ the Toblakai said. ‘People no one cared about, dying alone. In my barbaric village this would never happen, but here in this city, this civilized jewel, it happens all the time. (...) What is your name?’ ‘Munug.’ ‘Munug. This night – before I must rise and walk into the temple – I am a village. And you are here, in my arms. You will not die uncared for.’ ‘You – you would do this for me? A stranger?’ ‘In my village no one is a stranger – and this is what civilization has turned its back on. One day, Munug, I will make a world of villages, and the age of cities will be over. And slavery will be dead, and there shall be no chains – tell your god. Tonight, I am his knight.’ Munug’s shivering was fading. The old man smiled. ‘He knows.’ It wasn’t too much, to take a frail figure into one’s arms for those last moments of life. Better than a cot, or even a bed in a room filled with loved ones. Better, too, than an empty street in the cold rain. To die in someone’s arms – could there be anything more forgiving? Every savage barbarian in the world knew the truth of this.
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
Mania was a mental state every bit as dangerous as depression. At first, however, it felt like a rush of euphoria. You were completely captivating, completely charming; everybody loved you. You took ridiculous physical risks, jumping out of a third-floor dorm room into a snowbank, for instance. It made you spend your year's fellowship money in five days. It was like having a wild party in your head, a party at which you were the drunken host who refused to let anyone leave, who grabbed people by the collar and said, "Come on. One more!" When those people inevitably did vanish, you went out and found others, anyone and anything to keep the party going. You couldn't stop talking. Everything you said was brilliant. You just had the best idea. Let's drive down to New York! Tonight! Let's climb on top of List and watch the sunrise! Leonard got people to do these things. He led them on incredible escapades. But at some point things began to turn. His mind felt as if it was fizzing over. Words became other words inside his head, like patterns in a kaleidoscope. He kept making puns. No one understood what he was talking about. He became angry, irritable. Now, when he looked at people, who'd been laughing at his jokes an hour earlier, he saw that they were worried, concerned for him. And so he ran off into the night, or day, or night, and found other people to be with, so that the mad party might continue...
Jeffrey Eugenides (The Marriage Plot)
Raphael stripped off the robe and showered quickly. Normally he wouldn't have bothered since he intended to bathe in his enemy's blood before the night was over. But he was covered in Cyn's Blood and she was his. Her BLOOD was his, and no one else's. So he let the soap and water sluice over his body, and he swore privately that the blood of those who harmed his Cyn would run like water tonight.
D.B. Reynolds (Sophia (Vampires in America, #4))
My head ached. I was thinking of the pain, and wondering how it was possible for physical agony to be so intense. I had never imagined that such a torture could be endured. Yet here was I, both conscious and able to think clearly. And not only to think, but to observe the process and make calculations about it. The steel circle round my skull was closing in with faint cracking noises. How much farther could it shrink? I counted the cracking sounds. Since I took the triple dose of pain-killer, there had been two more. …I took out my watch and laid it on the table. “Give me morphia,” I said in a calm, hostile, icy tone. “You mustn’t take morphia! You know perfectly well. The very idea! And what are you doing with that watch?” “You will give me morphia within three minutes.” They looked me uneasily up and down. No one moved. Three minutes went by. Then ten more. I slipped the watch calmly into my pocket and rose unsteadily to my feet. “Then take me to the Fiakker Bar. They say it’s a good show, and to-night I want to enjoy myself.” The others jumped up with a feeling of relief. I never confessed the secret to anyone, either then or afterwards. I had made up my mind at the end of those three minutes — for the first and last time in my life — that if my headache had not stopped within the next ten I should throw myself under the nearest tram. It never came out whether I should have kept to my resolve, for the pain left with the suddenness of lighting.
Frigyes Karinthy (A Journey Round My Skull)
Hi there, cutie." Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi." "You want to go inside for a drink? It's on me." Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet. The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford. And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him. In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship. Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams. And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone. So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it... The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life. If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children. Everything would change. All the lives that would have been saved would be lost. And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried. Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night." She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours." Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her... And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion. His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny. His fate... "Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
Oh Mickey, it was wonderful, it was fun - the whole kitten and kaboozle. It was like living. And to be denied that whole part would be a great loss. You gave it to me. You gave me a double life. I couldn't have endured with just one." I'm proud of you and your double life." All I regret", she said, crying again, crying with him, the two of them in tears..."is that we couldn't sleep together too many nights. To commingle with you. Commingle?" Why not." I wish tonight you could spend the night." I do, too. But I'll be here tomorrow night." I meant it up at the Grotto. I didn't want to fuck any more men even without the cancer. I wouldn't do that even if I was alive." You are alive. It is here and now. It's tonight. You're alive." I wouldn't do it. You're the one I always loved fucking. But I don't regret that I have fucked many. It would have been a great loss to have had otherwise. Some of them, they were sort of wasted times. You must have that, too. Haven't you? With women you didn't enjoy?" Yes." Yes, I had experiences where the men would just want to fuck you whether they cared about you or not. That was always harder for me. I give my heart, I give my self, in my fucking." You do indeed." And then, after just a little drifting, she fell asleep and so he went home - "I'm leaving now" - and within two hours she threw a clot and was dead. So those were her last words, in English anyway. I give my heart, I give my self, in my fucking. Hard to top that. To commingle with you, Drenka, to commingle with you now.
Philip Roth (Sabbath's Theater)
Surely for as long as there have been nights as bad as this one---something to raise the possibility of another night that could actually, with love and cockcrows, light the path home, banish the Adversary, destroy the boundaries between our lands our bodies, our stories, all false, about who we are: for the one night, leaving only the clear way home and the memory of the infant you saw, almost too frail, there's too much shit in these streets, camels andother beasts stir heavily outside, each hoof a chance to wipe him out, make him only another Messiah, and sure somebody's around already taking bets on that one, while here in this town the Jewish collaborators are selling useful gossip to Imperial Intelligence, and the local hookers are keeping the foreskinned invaders happy, charging whatever the traffic will bear, just like the innkeepers who're naturally delighted with this registration thing, and up in the capital they're wondering should they, maybe, give everybody a number; yeah, something to help SPQR record-keeping...and Herod, or Hitler, fellas...what kind of a world is it...for a baby to come in tippin' those toledos at 7 pounds 8 ounces thinkin' he's gonna redeem it, why, he ought have his head examined... "But on the way home tonight, you wish you'd picked him up, held him a bit. Just held him, very close to your heart, his cheek by the hollow of your shoulder, full of sleep. As it it were you who could, somehow, save him. For the moment not caring who you're supposed to be registered as. For the moment, anyway, no longer who the Caesars say you are.
Thomas Pynchon (Gravity's Rainbow)
What could he say that might make sense to them? Could he say love was, above all, common cause, shared experience? That was the vital cement, wasn't it? Could he say how he felt about their all being here tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billion-mile-an-hour rid. We have common cause against the night. You start with little common causes. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul. But... how to say it?
Ray Bradbury (Something Wicked This Way Comes)
Suddenly everything became clear. Tella understood why Legend showed up in her dreams but kept his distance, refusing to touch her until tonight, right before making an offer to change her. Last night she’d thought Legend had real feelings for her – that he could love her. But it was the opposite. Legend wasn’t changing – he was hoping to change her. And she didn’t believe it was so that she wouldn’t die. Legend wanted to make her immortal so that he wouldn’t die. He didn’t love her. He was afraid of falling in love with her, because love was his one weakness. If Legend loved her, he’d lose his immortality and become human. But he wouldn’t have to worry about it if she was immortal, because immortals couldn’t love each other. Immortals felt obsession, fixation, lust, possession. And Legend was clearly experiencing those things.
Stephanie Garber (Finale (Caraval, #3))
The Janus Guard will also be out that night,” he said, one hand reaching out to squeeze her shoulder. “Just as we have been and will be for every night of the Nine.” “Good.” “Speaking of which—Kelley…” Sonny seemed suddenly exhausted. He turned his face to the west, and she could see the fatigue etched into the lines and planes of his face. “It’s getting late. You need to leave the park. Please. Don’t argue with me this time. Just go. The sun will set soon, and I have to go to work.” He squared his shoulders as though he expected her to put up a fight. She did—a little—but only out of actual concern for him. “Shouldn’t you be taking it easy? I mean, you try to hide it with the whole tough-guy-swagger thing and all, but I saw the bandages. You’re really hurt. Aren’t you?” “It’s not so bad.” “Wow. You are a terrible liar.” He frowned fiercely at her. “You also look like you haven’t slept in a week.” She took a tentative step toward him and put a hand on his chest, looking up into his silver-gray eyes. He put his hand over the top of hers, and she could feel the rhythm of his heart beating under her palm, through his shirt and the bandages. “I’m fine.” “Are you sure?” With his other hand, Sonny reached up and brushed a stray auburn curl out of her eyes. “I’m sure.” He smiled down at her, and she felt her insides melt a little. His whole face changed when he smiled. It was like the sun coming out. “But,” he continued, “I’ll be even better if you are safe at home and I don’t have to worry about you for tonight.” “I can take care of myself, Sonny Flannery,” she bristled, halfheartedly. “Please?” He turned up the wattage on his smile. “I…okay.” She felt her own lips turn up in a shy, answering smile. “I’ll be good. This once.” “That’s my girl.” Kelley was silent. Those three words of Sonny’s had managed to render her utterly speechless.
Lesley Livingston (Wondrous Strange (Wondrous Strange, #1))
Now it's serious. At last it's becoming serious. So I've grown older. Was I the only one who wasn't serious? Is it our times that are not serious? I was never lonely neither when I was alone, nor with others. But I would have liked to be alone at last. Loneliness means I'm finally whole. Now I can say it as tonight, I'm at last alone. I must put an end to coincidence. The new moon of decision. I don't know if there's destiny but there's a decision. Decide! We are now the times. Not only the whole town - the whole world is taking part in our decision. We two are now more than us two. We incarnate something. We're representing the people now. And the whole place is full of those who are dreaming the same dream. We are deciding everyone's game. I am ready. Now it's your turn. You hold the game in your hand. Now or never. You need me. You will need me. There's no greater story than ours, that of man and woman. It will be a story of giants... invisible... transposable... a story of new ancestors. Look. My eyes. They are the picture of necessity, of the future of everyone in the place. Last night I dreamt of a stranger... of my man. Only with him could I be alone, open up to him, wholly open, wholly for him. Welcome him wholly into me. Surround him with the labyrinth of shared happiness. I know... it's you.
Wim Wenders
This is one of those moments when I wish I could be young forever. Not just stop time for a second, but for an eternity. The old paradox that youth is wasted on the young is not true for us. Neither I nor my friends take our youth for granted. In fact, all of the young people I know are all too aware that someday soon time and gravity won’t be on their side anymore. And there’s nothing we can do about it. So the young do the only thing they can do. They live and they love and they dance and they sing, they dream and they scheme, they ponder and they plan. Like there’s no tomorrow. For tomorrow brings us one day closer to the inevitable and one day further from the impossible. And being young is all about achieving the impossible. Or at least believing you can. The old mistake our denial for ignorance, our immaturity for irresponsibility. We understand the rules of life, we just don’t want to play by them. Not yet. Not today. Not tonight. Because tonight is a good night to be young and alive.
A.J. Compton (The Counting-Downers)
She once told me of a night that fumed with escapes and was filled with bedsides reeking of ecstasy; she told me the stars cast not judgments, but blessings, knowing full well the disastrous outcomes of the deeds they cradled with the strings of their young hearts. She’d inhaled the night itself, those around her doing the same, and so all become one. No disharmony. No discordance. Nothing to shatter the cause; nothing to unearth the beauty. So as we together ascended that front porch, allowing the glow behind the blown-out windows and the odious steams plunder us from through the cracks...time forgot to distill us, and our steps became as silver as glass. I could no longer deny the boiling words of my blood: tonight would be the beginning of a very long road indeed.
Dave Matthes (Sleepeth Not, the Bastard)
I guess I don't know my daughter very well. Because the Jude I knew would cut out that boy's heart for what he did to you tonight.' At the shame of having the revel thrown in my face, I snap. 'You let me be humiliated in Faerie from the time I was a child. You've let Folk hurt me and laugh at me and mutilate me.' I hold up the hand with the missing fingertip, where one of his own guards bit it clean off. Another scar is at its centre, from where Dain forced me to stick a dagger through my hand. 'I've been glamoured and carried in to a revel, weeping and alone. As far as I can tell, the only difference between tonight and all the other nights when I endured indignities without complaint is that those benefited you, and when I endure this, it benefits me.' Madoc looks shaken. 'I didn't know.' 'You didn't want to know,' I return.
Holly Black (The Wicked King (The Folk of the Air, #2))
Tonight, we light the symbolic flashlight of under-the-covers reading to celebrate those page-turners we can never put down, even on a school night. I am assured that our Olympic torch will never reach a temperature of Fahrenheit four fifty-one, something the Lorax, the lion, the witch, and the wardrobe were all quite happy to hear.
Chris Grabenstein (Mr. Lemoncello's Library Olympics (Mr. Lemoncello's Library, #2))
Say it." His teasing tone took on a rougher undercurrent. "Say the words. Say you're mine." Alarms clanged in her heart. She knew he needed to feel strong and powerful right now, but truly. There was possessive, and then there was...medieval. "It's so belittling, Bram. I wish you wouldn't say that." "You just wish you didn't like it so much." He added a second finger to the first. "Mine. Mine. Mine." He thrust his fingers deeper with each repetition. Her intimate muscles clenched around them, and she gasped with pleasant shock. "See?" he gloated. Drat it. For a man, he was right entirely too often. It did feel so good. But ever since her illness and those horrid treatments, she'd set a great deal of comfort in the idea that her body was hers. No one else's. "Say it," he whispered, nuzzling her ear. His thumb circled her pearl. "Susanna fair. I want to hear you say you're mine." She framed his face in her hands and looked him in the eye. "I'll say this. I claim sole possession of my body, my heart, and my soul. And tonight, I choose to share them all with you." His fingers slid from her body, leaving her feeling hollow inside. "God. That's..." "Disappointing? Intimidating? Too much, too soon?" He shook his head, moving in for a kiss. "I was going to say, it's even better." His tongue traced her bottom lip. "So much better." -Bram & Susanna
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
This is because the outcomes of life are not governed by passion; they are governed by principle. You may not think what you did this morning was important, but it was. You may not think that the little things add up, but they do. Consider the age-old brainteaser: Would you rather have $1 million in hand today or a penny that doubles in value every day for the next month? The $1 million right now sounds great, but after a 31-day month, that one penny would be worth over $10 million. Making big, sweeping changes is not difficult because we are flawed, incompetent beings. It’s difficult because we are not meant to live outside of our comfort zones. If you want to change your life, you need to make tiny, nearly undetectable decisions every hour of every day until those choices are habituated. Then you’ll just continue to do them. If you want to spend less time on your phone, deny yourself the chance to check it one time today. If you want to eat healthier, drink half a cup of water today. If you want to sleep more, go to bed 10 minutes earlier tonight than you did last night. If you want to exercise more, do it now for just 10 minutes. If you want to read, read one page. If you want to meditate, do so for 30 seconds. Then keep doing those things. Do them every single day. You’ll get used to not checking your phone. You’ll want more water, and you’ll drink more water. You’ll run for 10 minutes, and you won’t feel like you have to stop, so you won’t. You’ll read one page, grow interested, and read another. At our most instinctive, physiological level, “change” translates to something dangerous and potentially life-threatening. No wonder why we build our own cages and stay in them, even though there’s no lock on the door. Trying to shock yourself into a new life isn’t going to work, and that’s why it hasn’t yet.
Brianna Wiest (The Mountain Is You: Transforming Self-Sabotage Into Self-Mastery)
Isn’t it only through laughter that we become one with the gods and thus can endure life and can overcome all the horror and waste and suffering here on earth? Like tonight, watching all those brave men meet their fate here, on this shore, on this gentle night, through a karma ordained a thousand lifetimes ago, or perhaps even one. Isn’t it only through laughter we can stay human?
James Clavell (Shōgun (Asian Saga, #1))
It seemed as if nothing were to break that tie — as if the years were merely to compact and cement it; and as if those years were to be all the years of their natural lives. Eighteen-forty-two turned into eighteen-forty-three; eighteen-forty-three into eighteen- forty-four; eighteen-forty-four into eighteen-forty-five. Flush was no longer a puppy; he was a dog of four or five; he was a dog in the full prime of life — and still Miss Barrett lay on her sofa in Wimpole Street and still Flush lay on the sofa at her feet. Miss Barrett’s life was the life of “a bird in its cage.” She sometimes kept the house for weeks at a time, and when she left it, it was only for an hour or two, to drive to a shop in a carriage, or to be wheeled to Regent’s Park in a bath-chair. The Barretts never left London. Mr. Barrett, the seven brothers, the two sisters, the butler, Wilson and the maids, Catiline, Folly, Miss Barrett and Flush all went on living at 50 Wimpole Street, eating in the dining-room, sleeping in the bedrooms, smoking in the study, cooking in the kitchen, carrying hot-water cans and emptying the slops from January to December. The chair-covers became slightly soiled; the carpets slightly worn; coal dust, mud, soot, fog, vapours of cigar smoke and wine and meat accumulated in crevices, in cracks, in fabrics, on the tops of picture-frames, in the scrolls of carvings. And the ivy that hung over Miss Barrett’s bedroom window flourished; its green curtain became thicker and thicker, and in summer the nasturtiums and the scarlet runners rioted together in the window-box. But one night early in January 1845 the postman knocked. Letters fell into the box as usual. Wilson went downstairs to fetch the letters as usual. Everything was as usual — every night the postman knocked, every night Wilson fetched the letters, every night there was a letter for Miss Barrett. But tonight the letter was not the same letter; it was a different letter. Flush saw that, even before the envelope was broken. He knew it from the way that Miss Barrett took it; turned it; looked at the vigorous, jagged writing of her name.
Virginia Woolf (Flush)
He did not see how he could be considered the breathtaking one with the prince in the room. He was everything Cassius was not. He set Cassius’s soul afire. And yet those words filled him in ways he did not know he needed filling. “You are…breathtaking, Cassius.” “Cas,” the prince whispered again. “Merrick,” Cassius tested the name on his tongue once more. “I would like to taste the brandy upon your lips. We can have tonight, can we not? Just tonight?” It was all they would ever be allowed to share. The prince would be forced to continue to court Lady Penelope or another woman, and Cassius would watch from afar and dream. “If I cannot have more, then I will gladly take one night with you.” Merrick clutched Cas’s hand, twined their fingers together, and led him to the side of his bed. “May I undress you tonight?” Shivers wracked Cassius’s body. To hear the prince make a request such as that to him… “Yes, my prince.
Riley Hart (Ever After)
One afternoon, Sam, the onion man, and his donkey, Mary Lou, were returning to his boat, which was anchored just a little off shore. It was late in November and the peach trees had lost most of their leaves. “Sam!” someone called. He turned around to see three men running after him, waving their hats. He waited. “Afternoon, Walter. Bo, Jesse,” he greeted them, as they walked up, catching their breath. “Glad we caught you,” said Bo. “We’re going rattlesnake hunting in the morning.” “We want to get some of your lizard juice,” said Walter. “I ain’t a-scared of no rattlesnake,” said Jesse. “But I don’t want to come across one of those red-eyed monsters. I seen one once, and that was enough. I knew about the red eyes, of course. I hadn’t heard about the big black teeth.” “It’s the white tongues that get me,” said Bo. Sam gave each man two bottles of pure onion juice. He told them to drink one bottle before going to bed that night, then a half bottle in the morning, and then a half bottle around lunchtime. “You sure this stuff works?” asked Walter. “I tell you what,” said Sam. “If it doesn’t, you can come back next week and I’ll give you your money back.” Walter looked around unsure, as Bo and Jesse laughed. Then Sam laughed, too. Even Mary Lou let out a rare hee-haw. “Just remember,” Sam told the men before they left. “It’s very important you drink a bottle tonight. You got to get it into your bloodstream. The lizards don’t like onion blood.
Louis Sachar (Holes)
She came towards me with a juicy gash between her legs that smelled like my best friend's sister" Just when I thought I'd escaped them all She comes reeling herself in pulling at my strings her hand quick to find my zipper She moaned the way a drunk old lady does And I wasn't even inside her yet "You don't have anywhere else to be," she managed to say... "My wounds have been reopened tonight already," I muttered I caught wind of the gully ...the part of her she once kept sacred as a Christian I smelled the information I lifted my hand into the air and hailed a cab He rolled down his window and saw her "Find another cab," he said, and sped off into the night I took her home because she said she was lonely really she was drunk off something some memory or some choice she walked funny... -one of her heels had broken On the couch I left her, Before I could go, she grabbed my cock I slapped her across the face and she pulled harder Her eyes stayed closed Her lips dripped Her grip clenched I wasn't getting out of this one unscathed "If I take my pants off, will you let me go?" I asked "If you take your pants off, I'll be suckin' that cock till you pass out from all the screamin'..." I slapped her again, because she needed it She laughed Saying her cousin beat her harder Saying her father knew how to really... ...make things happen I asked her what her father's number was Let's get his motherfucking self up here to take you away, that's what I said She said he died, or killed himself "What's the difference really," she said, chewing on her hair She let go of my cock on her own accord And she opened her eyes for a moment She closed them again And I could tell she was sleeping Her eyes opened once more Her face red where I'd hit her She tasted the blood on her lip "Do you think if we remind ourselves enough, we can make up for all the pain we've caused others?" I said to her, "We can't. All we can do is keep ourselves from all those who don't deserve it.
Dave Matthes (Strange Rainfall on the Rooftops of People Watchers: Poems and Stories)
The mood is on me to-night only becuase I have listened to several hours of intelligent conversation and I am not a very brilliant person. Sometimes here on Pequod Island and back again on Beacon Street, I have the most curious delusion that our world may be a little narrow. I cannot avoid the impression that something has gone out of it (what, I do not know), and that our little world moves in an orbit of its own, a gain one of those confounded circles, or possibly an ellipse. Do you suppose that it moves without any relation to anything else? That it is broken off from some greater planet like the moon? We talk of life, we talk of art, but do we actually know anything about either? Have any of us really lived? Sometimes I am not entirely sure; sometimes I am afraid that we are all amazing people, placed in an ancestral mould. There is no spring, there is no force. Of course you know better than this, you who plunge every day in the operating room of the Massachusetts General, into life itself. Come up here and tell me I am wrong.
John P. Marquand (The Late George Apley)
With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.” Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.” She kissed him back, holding him fiercely to her while shattered sobs racked her slender body and tears poured from her eyes. Tormented by her anguish, Ian dragged his mouth from hers, kissing her wet cheeks, running his hands over her shaking back and shoulders, trying to comfort her. “Please darling, don’t cry anymore,” he pleaded hoarsely. “Please don’t.” She held him tighter, weeping, her cheek pressed to his chest, her tears soaking his heavy woolen shirt and tearing at his heart. “Don’t,” Ian whispered, his voice raw with his own unshed tears. “You’re tearing me apart.” An instant after he said those words, he realized that she’d stop crying to keep from hurting him, and he felt her shudder, trying valiantly to get control. He cupped the back of her head, crumpling the silk of her hair, holding her face pressed to his chest, imagining the nights he’d made her weep like this, despising himself with a virulence that was almost past bearing. He’d driven her here, to hide from the vengeance of his divorce petition, and still she had been waiting for him. In all the endless weeks since she’d confronted him in his study and warned him she wouldn’t let him put her out of his life, Ian had never imagined that she would be hurting like this. She was twenty years old and she had loved him. In return, he had tried to divorce her, publicly scorned her, privately humiliated her, and then he had driven her here to weep in solitude and wait for him. Self-loathing and shame poured through him like hot acid, almost doubling him over. Humbly, he whispered, “Will you come upstairs with me?” She nodded, her cheek rubbing his chest, and he swung her into his arms, cradling her tenderly against him, brushing his lips against her forehead. He carried her upstairs, intending to take her to bed and give her so much pleasure that-at least for tonight-she’d be able to forget the misery he’d caused her.
Judith McNaught (Almost Heaven (Sequels, #3))
What could he say that might make sense to them? Could he say love was, above all, common cause, shared experience? That was the vital cement, wasn’t it? Could he say how he felt about their all being here tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billion-mile-an-hour ride. We have common cause against the night. You start with little common causes. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train, bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hit by pies? We taste custard, we taste life. Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
Why here? Why should the rainbow edges of what is almost on him be rippling most intense here in this amply coded room? say why should walking in here be almost the same as entering the Forbidden itself—here are the same long rooms, rooms of old paralysis and evil distillery, of condensations and residues you are afraid to smell from forgotten corruptions, rooms full of upright gray-feathered statues with wings spread, indistinct faces in dust—rooms full of dust that will cloud the shapes of inhabitants around the corners or deeper inside, that will settle on their black formal lapels, that will soften to sugar the white faces, white shirt fronts, gems and gowns, white hands that move too quickly to be seen…what game do They deal? What passes are these, so blurred, so old and perfect? “Fuck you,” whispers Slothrop. It’s the only spell he knows, and a pretty good all-purpose one at that. His whisper is baffled by the thousands of tiny rococo surfaces. Maybe he’ll sneak in tonight—no not at night—but sometime, with a bucket and brush, paint FUCK YOU in a balloon coming out of the mouth of one of those little pink shepherdresses there…
Thomas Pynchon (Gravity’s Rainbow)
The tattoos around his eyes burned as he scanned the surrounding area. No one but him probably noticed, but the plumes of darkness branching in every direction were writhing and groaning, desperate to avoid the light of the moon and street lamps. Come to me, he beseeched them. They didn’t hesitate. As if they’d merely been waiting for the invitation, they danced toward him, flattening against his car, shielding it—and thereby him—from prying eyes. “Freaks me out every damn time you do that,” Rowan said as he crawled into the front passenger seat. For the first time, Sean’s friend had accompanied him to “keep you from doing something you’ll regret.” Not that Gabby had known. Rowan had lain in the backseat the entire drive. “I can’t see a damn thing.” “I can.” Sean’s gaze could cut through shadows as easily as a knife through butter. Gabby was in the process of settling behind the wheel of her car. Though more than two weeks had passed since their kiss, they hadn’t touched again. Not even a brush of fingers. He was becoming desperate for more. That kiss . . . it was the hottest of his life. He’d forgotten where he was, what—and who—was around him. He’d never, never, risked discovery like that. But that night, having Gabby so close, those lush lips of hers parted and ready, those brown eyes watching him as if he were something delicious, he’d been unable to stop himself. He’d beckoned the shadows around them, meshed their lips together, touched her in places a man should only touch a woman in private, and tasted her. Oh, had he tasted her. Sugar and lemon. Which meant she’d been sipping lemonade during her breaks. Lemonade had never been sexy to him before. Now he was addicted to the stuff. Drank it every chance he got. Hell, he sported a hard-on if he even spotted the yellow fruit. At night he thought about pouring lemon juice over her lean body, sprinkling that liquid with sugar, and then feasting. She’d come, he’d come, and then they could do it all over again. Seriously. Lemonade was like his own personal brand of cocaine now—which he’d once been addicted to, had spent years in rehab combating, and had sworn never to let himself become so obsessed with a substance again. Good luck with that. “I’m getting nowhere with her,” Rowan said. “You, she watches. You, she kissed.” “Yeah, I’ve been meaning to talk to you about that.” Gabby’s car passed his and he accelerated, staying close enough to her that anyone trying to merge into her lane wouldn’t clip his car because they couldn’t see him. Not that anyone was out and about at this time of night. “She’s mine. I don’t want you touching her.” “Finally. The truth. Which is a good thing, because I already called Bill and told him you were gonna be the one to seduce her.” “Thanks.” This was one of the reasons he and Rowan were such good friends. “But I thought you were here tonight to keep me from her.” “First, you’re welcome. Second, I lied.
Gena Showalter (The Bodyguard (Includes: T-FLAC, #14.5))
So it wasn’t a total surprise that Jay would turn a few heads while they were out tonight. She just hadn’t anticipated the power of the two of them together. Two good-looking guys more than doubled the attention they drew. Even among people they knew at the Java Hut that night, Violet and Chelsea became instantly invisible. Girls not only noticed the pair of boys but also giggled behind cupped hands and waved at the two of them. Jay was either unaware or chose to ignore them altogether. Mike, on the other hand, was not. And did not. Not only did he notice the interest he attracted, he seemed to enjoy it. Violet recognized it immediately for what it was: Mike was as much an attention whore as Chelsea. Violet was fine with that. Chelsea, not so much. Violet let Jay draw her through the crowds that bottlenecked near the entrance. She liked knowing that he belonged to her while all those envious eyes looked on. “I guess Chelsea’s not the only one who’s into Mike,” Violet whispered while Jay dragged her over to stand in line at the counter. Jay glanced back to where Chelsea stood on the outskirts of three girls from school who were animatedly chatting with Mike. “Yeah. She’s not doing too good, is she?” Jay agreed. “I thought she’d have him eating out of her hand by now.” Violet wrinkled her nose, worrying over her friend. “You mean like you have me doing?” Violet smiled up at him and then bumped him with her shoulder. “Yes. Exactly like that.” Chelsea caught the two of them spying on her, and Violet flashed an apologetic smile. Chelsea rolled her eyes in response. She sulked as she made her way over to join them. “Get me some fries.” The lack of a question in her statement was somewhat reassuring. She was still Chelsea. Disheartened but bossy.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
He studied the boulders, then pushed against one until it began to move. When she gasped, he stopped. “Seems I could free you, after all.” She gave him a tentative touch on his chest. “What would it take to get you to finish moving those?” “What are you offering?” he asked, his voice rougher. “Money? Would you take money to push these free?” “I’ve plenty of my own. More than enough for both of us.” She scowled at that. “What do you want, then?” “I want”—he ran his hand over his face—“to . . . touch you. Not here, but tonight . . .” “Not going to happen.” She crossed her arms over her chest, and his gaze landed on her damp cleavage. As he had that night on the coast, he looked like he was considering throwing her over his shoulder and tracing her back to his bed. “I do so wish my breasts would stop staring at your eyes.” His head jerked up, and he had to clear his throat to rasp, “Kiss me. Kiss me, and I’ll free you.” “The last time that happened you bit me, and you could do it again.” Kissing Sebastian always seemed to lead to more. Last time, it had led to his taking her blood. And possibly her memories. “I never bit you. I grazed your skin. Accidently.” “Then tell me you haven’t contemplated doing it again.” “I” –he exhaled heavily—“cannot. The pleasure was too intense to ignore.
Kresley Cole (No Rest for the Wicked (Immortals After Dark, #2))
After nine nights must come ten and every desperate meeting only leaves you desperate for another. There is never enough to eat, never enough garden for your love. So you refuse and then you discover that your house is haunted by the ghost of a leopard. When passion comes late in life it is hard to bear. One more night. How tempting. How innocent. I could stay tonight surely? What difference could it make, one more night? No. If I smell her skin, find the mute curves of her nakedness, she will reach in her hand and withdraw my heart like a bird’s egg. I have not had time to cover my heart in barnacles to elude her. If I give in to this passion, my real life, the most solid, the best known, will disappear and I will feed on shadows again like those sad spirits whom Orpheus fled. I wished her goodnight, touching her hand only and thankful for the dark that hid her eyes.
Jeanette Winterson (The Passion)
Under Stars The sleep of this night deepens because I have walked coatless from the house carrying the white envelope. All night it will say one name in its little tin house by the roadside. I have raised the metal flag so its shadow under the roadlamp leaves an imprint on the rain-heavy bushes. Now I will walk back thinking of the few lights still on in the town a mile away. In the yellowed light of a kitchen the millworker has finished his coffee, his wife has laid out the white slices of bread on the counter. Now while the bed they have left is still warm, I will think of you, you who are so far away you have caused me to look up at the stars. Tonight they have not moved from childhood, those games played after dark. Again I walk into the wet grass toward the starry voices. Again, I am the found one, intimate, returned by all I touch on the way.
Tess Gallagher (Midnight Lantern: New and Selected Poems)
There is no slave in a market: there is no horse in a fair: so shown and offered and examined and paraded, Mother, as I have been, for ten shameful years,’ cried Edith, with a burning brow, and the same bitter emphasis on the one word. ‘Is it not so? Have I been made the bye-word of all kinds of men? Have fools, have profligates, have boys, have dotards, dangled after me, and one by one rejected me, and fallen off, because you were too plain with all your cunning: yes, and too true, with all those false pretences: until we have almost come to be notorious? The licence of look and touch,’ she said, with flashing eyes, ‘have I submitted to it, in half the places of resort upon the map of England? Have I been hawked and vended here and there, until the last grain of self-respect is dead within me, and I loathe myself? Has been my late childhood? I had none before. Do not tell me that I had, tonight of all nights in my life!
Charles Dickens (Dombey and Son)
You know she'll probably be at the party tonight? Which is why I'm absolutely not going if we don't get some coke.' 'Egon, why is it that every single time you're obliged to be in the same room with one of your ex-girlfriends you have to make it into a huge emergency? It's incredibly boring.' 'Come on. You know how it is. You catch sight of an old flame and get this breathless animal prickle like a fox in a room with a hound. And then all night you have to seem carefree and successful and elated, which is a pretence that for some reason you feel no choice but to maintain even though you know they're better qualified than anyone else in the world to detect immediately that you're really the same hapless cunt as ever.' 'That's adolescent. The fact that you are so neurotic about your past lovers makes it both fortunate and predictable that you have so few of them. It's one of those elegant self-regulating systems that one so often finds in nature.
Ned Beauman (The Teleportation Accident)
Come on,” I hooked my arm through Aphrodite’s and started to pull her to the Street Cats tent. “You haven’t been good enough to watch.” Before Aphrodite could argue, we were at the Street Cats booth, facing a beaming Sister Mary Angela. “Oh, good, Zoey and Aphrodite. I need the both of you.” The nun made a gracious gesture to the young family standing beside one of the kitten cages. “This is the Cronley family. They have decided to adopt both of the calico kittens. It’s so lovely that the two of them have found their forever homes together—they are unusually close, even for littermates.” “That’s great,” I said. “I’ll start on their paperwork.” “I’ll help you. Two cats—two sets of paperwork,” Aphrodite said. “We came with a note from our veterinarian,” the mom said. “I just knew we’d find our kitten tonight.” “Even though we didn’t expect to find two of them,” her husband added. He squeezed his wife’s shoulder and smiled down at her with obvious affection. “Well, we didn’t expect the twins, either,” his wife said, glancing over at the two girls who were still looking in the kitten cage and giggling at the fluffy calicos that would be joining their family. “That surprise turned out great, which is why I think the two kittens will be perfect as well,” said the dad. Like seeing Lenobia and Travis together—this family made my heart feel good. I had started to move to the makeshift desk with Aphrodite when one of the little girls asked, “Hey mommy, what are those black things?” Something in the child’s voice had me pausing, changing direction, and heading to the kitten cage. When I got there I instantly knew why. Within the cage the two calico kittens were hissing and batting at several large, black spiders. “Oh, yuck!” the mom said. “Looks like your school might have a spider problem.” “I know a good exterminator if you need a recommendation,” the dad said. “We’re gonna need a shit ton more than a good exterminator,” Aphrodite whispered as we stared into the kitten cage. “Yeah, uh, well, we don’t usually have bug issues here,” I babbled as disgust shivered up my back. “Eesh, Daddy! There are lots more of them.” The little blond girl was pointing at the back of the cage. It was so completely covered with spiders that it seemed to be alive with their seething movements. “Oh, my goodness!” Sister Mary Angela looked pale as she stared at the spiders that appeared to be multiplying. “Those things weren’t there moments ago.” “Sister, why don’t you take this nice family into the tent and get their paperwork started,” I said quickly, meeting the nun’s sharp gaze with my own steady one. “And send Damien out here to me. I can use his help to take care of this silly spider problem.” “Yes, yes, of course.” The nun didn’t hesitate. “Get Shaunee, Shaylin, and Stevie Rae,” I told Aphrodite, keeping my voice low. “You’re going to cast a circle in front of all of these
P.C. Cast (Revealed (House of Night #11))
That grip tightened again but this time he started rubbing his first two fingers against her neck in a soft little rhythm. The action was almost erotic. Or maybe that was just the effect he was having on her. She could feel his gentle stroking all the way to the pulsing point between her legs. Maybe she had mental issues that this man was turning her on. He leaned closer, skimming his mouth against her jawline and she froze. Just completely, utterly froze. “Are you meeting Tasev?” he whispered. She’d told herself to be prepared for this question, to keep her reaction under wraps, but he came to his own conclusion if his savage curse was anything to go by. Damn it, Wesley was going to be pissed at her, but Levi had been right. She had operational latitude right now and she needed to keep Levi close. They needed to know what he knew and what he was planning. Trying to shut him out now, when he was at the party specifically to meet the German, would be stupid. Levi had stayed off their radar for two years because he was good. Of course Wesley hadn’t exactly sent out a worldwide manhunt for him either. About a year ago he’d decided to more or less let him go. Now . . . “I met with the German earlier tonight. He squeezed me in before some of his other meetings.” Levi snorted, his gaze dipping to her lips once more, that hungry look in place again. It was so raw and in her face it was hard to ignore that kind of desire and what it was doing to her. “I can understand why.” Even though Levi didn’t ask she decided to use the latitude she had and bring him in on this. They had similar goals. She needed to bring Tasev down and rescue a very important scientist—if he was even the man who’d sent out an emergency message to Meghan/Wesley—but that didn’t mean she couldn’t let Levi have Tasev once she’d gotten what she needed. “I’m meeting with Tasev tomorrow night.” At her words every muscle in Levi’s lean, fit body stilled. Before he could respond, she continued, “I’ll make you a deal. You can come with me to the meeting—if we can work out an agreeable plan—but you don’t kill him until I get what I want. I have less than a week. Can you live with that time line?” She was allowed to bring one person with her to the meeting so it would be Levi—if he could be a professional and if Wesley went for it. And of course, if Tasev did. They had a lot to discuss before she was on board one hundred percent, but bringing along a seasoned agent—former agent—like Levi could be beneficial. Levi watched her carefully again, his gaze roaming over her face, as if he was trying to see into her mind. “You’re not lying. Why are you doing this?” “Because if I try to shut you out you’ll cause me more problems than I want to deal with. And I don’t want to kill you.” Those dark eyes narrowed a fraction with just a hint of amusement—as if he knew she couldn’t take him on physically. “And?
Katie Reus (Shattered Duty (Deadly Ops, #3))
After Ben leaves, I head back upstairs to my room, only to find Dad in the kitchen. He has his back toward me, sneaking a bag of Bugles from one of the baskets above the cabinets. “Caught you,” I say, switching on the light, making him jump. “Shouldn’t you be in bed?” he asks, keeping his voice low. “Shouldn’t you?” I give him a pointed look. “Probably, but your mom actually feel asleep tonight—probably the first night all week. Meanwhile, I’m too hungry to nod off.” “So, where does that leave us?” I ask, eyeing his bag of Bugles. “Can you be trusted?” “That depends. Are you willing to share?” I smile. “Good hiding spot, by the way. Nobody ever uses those baskets.” “That’s what you think.” He gazes down the hall to make sure the coast is clear and then snags a bag of Hershey’s Kisses from one of the other four overhead baskets. We park ourselves at the kitchen island and rip both bags open. Five full minutes of lusty devouring pass before either of us speaks.
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
It isn't true about the lambs. They are not meek. They are curious and wild, full of the passion of spring. They are lovable, and they are not silent when hungry. Tonight the last of the triplet lambs is piercing the quiet with its need. Its siblings are stronger and will not let it eat. I am its keeper, the farmer, its mother. I will go down to it in the dark, in the cold barn, and hold it in my arms. But it will not lie still--it is not meek. I will stand in the open doorway under the weight of watching trees and moon, and care for it as one of my own. But it will not love me--it is not meek. Drink, little one. Take what I can give you. Tonight the whole world prowls the perimeters of your life. Your anger keeps you alive-- it's your only chance. So I know what I must do after I have fed you. I will shape my mouth to the shape of the sharpest words-- even those bred in silence. I will impale with words every ear pressed upon open air. I will not be meek. You remind me of the necessity of having more hope than fear and of sounding out terrible names. I am to cry out loud like a hungry lamb, cry loud enough to waken wolves in the night. No one can be allowed to sleep.
Alice B. Fogel
Marion: Now it's serious. At last it's becoming serious. So I've grown older. Was I the only one who wasn't serious? Is it our times that are not serious? I was never lonely neither when I was alone, nor with others. But I would have liked to be alone at last. Loneliness means I'm finally whole. Now I can say it as tonight, I'm at last alone. I must put an end to coincidence. The new moon of decision. I don't know if there's destiny but there's a decision. Decide! We are now the times. Not only the whole town - the whole world is taking part in our decision. We two are now more than us two. We incarnate something. We're representing the people now. And the whole place is full of those who are dreaming the same dream. We are deciding everyone's game. I am ready. Now it's your turn. You hold the game in your hand. Now or never. You need me. You will need me. There's no greater story than ours, that of man and woman. It will be a story of giants... invisible... transposable... a story of new ancestors. Look. My eyes. They are the picture of necessity, of the future of everyone in the place. Last night I dreamt of a stranger... of my man. Only with him could I be alone, open up to him, wholly open, wholly for him. Welcome him wholly into me. Surround him with the labyrinth of shared happiness. I know... it's you.
wings of desire (1987)
I'll tell you this,though, Frankie makes me happy. So does Sadie. I don't want to canoodle with either of them, but I love them to death." "Must you use those words in my presence?" "Sorry.But.Truth:You are dead as the spat." Edward sighed. "You're right.You're absolutely right. So I suppose you'd best go to sleep, darling Ella. It's late. And,as was famously said, 'tomorrow-'" "-is another day? Thank you, Scarlett O'Hara." "Actually-" -he scowled at me- "I was going to say, 'Tomorrow comes. Tomorrow brings, tomorrow brings love, in the shape of things.'" "Shakespeare?" I asked. "Queen," he shot back. "Not nearly as good as 'Bohemian Rhapsody' or 'Fat Bottomed Girls,' but certainly poetic." "Good night, Edward." "Good night, lovely girl." I turned off the light and climbed into bed. "Oh.By the way." "Yes?" "I think I figured out why you called Diana all those nicknames. 'Spring,' 'Cab,' 'Post'..." "Yes?" "They're all things you wait for. I think Diana was making you wait, and it was making you crazy. Am I right?" "Oh,Ella. You know I can't tell you that. I will,however, leave you with one more lovely old chestnut-" "'All good things are worth waiting for?'" "I really wish you would let me finish a thought tonight. I was going to say, 'Ain't nothing like the real thing, baby.'" "Marvin Gaye," I said. "The one and only.
Melissa Jensen (The Fine Art of Truth or Dare)
I pull into the driveway outside of my father's house and shut off the engine. I sit behind the wheel for a moment, studying the house. He'd called me last night and demanded that I come over for dinner tonight. Didn't request. He demanded. What struck me though, was that he sounded a lot more stressed out and harried than he did when he interrupted my brunch with Gabby to demand my presence at a “family”dinner. Yeah, that had been a fun night filled with my father and Ian badgering me about my job. For whatever reason, they'd felt compelled to make a concerted effort to belittle what I do –more so than they usually do anyway -- try to undermine my confidence in my ability to teach, and all but demand that I quit and come to work for my father's company. That had been annoying, and although they were more insistent than normal, it's pretty par for the course with those two. They always think they know what's best for me and have no qualms about telling me how to live my life. When he'd called me last night though, and told me to come to dinner tonight, there was something in my father's voice that had rattled me. It took me a while to put a finger on what it was I heard in his voice, but when I figured it out, it really shook me. I heard fear. Outright fear. My father isn't a man who fears much or is easily intimidated. In fact, he's usually the one doing the intimidating. But, something has him really spooked and even though we don't always see eye-to-eye or get along, hearing that fear in his voice scared me. In all my years, I've never known him to sound so downright terrified. With a sigh and a deep sense of foreboding, I climb out of my car and head to the door, trying to steel myself more with each step. Call me psychic, but I have a feeling that this is going to be a long, miserable night. “Good evening, Miss Holly,”Gloria says as she opens the door before I even have a chance to knock. “Nice to see you again.”“It's nice to see you too, Gloria,”I say and smile with genuine affection. Gloria has been with our family for as far back as I can remember. Honestly, after my mother passed away from ovarian cancer, Gloria took a large role in raising me. My father had plunged himself into his work –and had taken Ian under his wing to help groom him to take over the empire one day –leaving me to more or less fend for myself. It was like I was a secondary consideration to them. Because I'm a girl and not part of the testosterone-rich world of construction, neither my father nor Ian took much interest in me or my life. Unless they needed something from me, of course. The only time they really paid any attention to me was when they needed me to pose for family pictures for company literature.
R.R. Banks (Accidentally Married (Anderson Brothers, #1))
Look, Mel. Look at that sky. You can’t find that anywhere else on earth. All those stars, that moon—the clear black sky. That belongs to us.” She looked up at the most gorgeous sky imaginable, with more stars than she thought existed. He stepped behind her and with his hands on both of her upper arms, he gently squeezed. “You just can’t see this in the city. In any city.” “It is beautiful,” she said softly. “I admit, this is beautiful country.” “It’s majestic. One of these days, before you pack it in and run for your life, I’d like to show you some things. The redwoods, the rivers, the coast. It’s almost time for whale watching.” She leaned back against him and couldn’t deny it felt pretty good to be shored up by Jack. “I’m sorry about what happened tonight.” He leaned down and inhaled the scent of her hair. “I was really impressed with how well you handled it—but I’m sorry he… I hate that he touched you like that. I thought I had an eye on him.” “Too quick for me. Too quick for you,” she said. He turned her around and looked into her eyes. He thought he saw an invitation there in her upturned face and he lowered his. She put a hand on his chest. “I have to go in now,” she said, a little breathless. He straightened. “We both know I couldn’t throw you,” she said, smiling weakly. “You’ll never have to,” he said. But he still held her arms, so reluctant to let go. “Good night, Jack. And thanks for everything. Despite Nick—I had a good time.” “Glad to hear it,” he said. And he let go. She
Robyn Carr (Virgin River (Virgin River, #1))
You said she works at an ice-cream shop around here, right?” He made a big show of wiping the sweat off his brow. “Come to think of it, a nice double cone would really hit the spot in this heat.” Zach’s expression was one of pure teenage mortification. “Yeah, because that’s exactly what will help my inability to talk to her—my older brother watching and critiquing all my moves.” “I thought we’d already established that you don’t have any moves.” “Now that’s funny. Picking on someone half your age. Hey, here’s an idea: I’ll introduce you to Paige as soon as I meet this so-called smart, witty, and hot woman you’re supposedly seeing. Sounds a lot like one of those made-up girlfriends who live in Niagara Falls.” “She’s real. I’m seeing her tonight, in fact.” They hadn’t decided their specific plans yet, but Brooke had texted him last night, asking if he was free. “Wow. You actually, like, beamed when you said that.” “Get out of here,” Cade scoffed. “I did not.” “What’s her name?” Cade opened his mouth to answer, then paused. Zach grinned. “Worried you can’t say it without beaming again?” Ridiculous. “Her name is Brooke.” He deliberately maintained a straight face Zach made a big show of studying him, presumably looking for any sign of this alleged “beaming.” He stepped closer and then, with a comically scrutinizing face, slowly looked at one side of Cade’s face, and then the other. Cade never cracked once. Finally, Zach gave up. “Dude, I’m impressed. You need to show me that trick.
Julie James (Love Irresistibly (FBI/US Attorney, #4))
Cendrillon specialized in seafood, so we had four fish stations: one for poaching, one for roasting, one for sautéing, and one for sauce. I was the chef de partie for the latter two, which also included making our restaurant's signature soups. O'Shea planned his menu seasonally- depending on what was available at the market. It was fall, my favorite time of the year, bursting with all the savory ingredients I craved like a culinary hedonist, the ingredients that turned my light on. All those varieties of beautiful squashes and root vegetables- the explosion of colors, the ochre yellows, lush greens, vivid reds, and a kaleidoscope of oranges- were just a few of the ingredients that fueled my cooking fantasies. In the summer, on those hot cooking days and nights in New York with rivulets of thick sweat coating my forehead, I'd fantasize about what we'd create in the fall, closing my eyes and cooking in my head. Soon, the waitstaff would arrive to taste tonight's specials, which would be followed by our family meal. I eyed the board on the wall and licked my lips. The amuse-bouche consisted of a pan-seared foie gras served with caramelized pears; the entrée, a boar carpaccio with eggplant caviar, apples, and ginger; the two plats principaux, a cognac-flambéed seared sea scallop and shrimp plate served with deep-fried goat cheese and garnished with licorice-perfumed fennel leaves, which fell under my responsibility, and the chief's version of a beef Wellington served with a celeriac mash, baby carrots, and thin French green beans.
Samantha Verant (The Secret French Recipes of Sophie Valroux (Sophie Valroux, #1))
Maria managed to avoid Oliver for most of St. Valentine’s Day. It wasn’t difficult-apparently he spent half of it sleeping off his wild night. Not that she cared one bit. She’d learned her lesson with him. Truly she had. Not even the beautiful bouquet of irises he’d sent up to her room midafternoon changed that. Now that she was dressing for tonight’s ball, she was rather proud of herself for having only thought of him half a dozen times. Per hour, her conscience added. “There, that’s the last one,” Betty said as she tucked another ostrich feather into Maria’s elaborate coiffure. According to Celia, the new fashion this year involved a multitude of feathers drooping from one’s head in languid repose. Maria hoped hers didn’t decide to find their repose on the floor. Betty seemed to have used a magical incantation to keep them in place, and Maria wasn’t at all sure they would stay put. “You look lovely, miss,” Betty added. “If I do,” Maria said, “it’s only because of your efforts, Betty.” Betty ducked her head to hide her blush. “Thank you, miss.” It was amazing how different the servant had been ever since Maria had taken Oliver’s advice to heart, letting the girl fuss over her and tidy her room and do myriad things that Maria would have been perfectly happy to do for herself. But he’d proved to be right-Betty practically glowed with pride. Maria wished she’d known sooner how to treat them all, but honestly, how could she have guessed that these mad English would enjoy being in service? It boggled her democratic American mind. Casting an admiring glance down Maria’s gown of ivory satin, Betty said, “I daresay his lordship will swallow his tongue when he sees you tonight.” “If he does, I hope he chokes on it,” Maria muttered. With a sly glance, Betty fluffed out the bouffant drapery of white tulle that crossed Maria’s bust and was fastened in the center with an ornament of gold mosaic. “John says the master didn’t touch a one of those tarts at the brothel last night. He says that his lordship refused every female that the owner of the place brought before him.” “I somehow doubt that.” Paying her no heed, Betty continued her campaign to salvage her master’s dubious honor. “Then Lord Stoneville went to the opera house and left without a single dancer on his arm. John says he never done that before.” Maria rolled her eyes, though a part of her desperately wanted to believe it was true-a tiny, silly part of her that she would have to slap senseless. Betty polished the ornament with the edge of her sleeve. “John says he drank himself into a stupor, then came home without so much as kissing a single lady. John says-“ “John is inventing stories to excuse his master’s actions.” “Oh no, miss! John would never lie. And I can promise you that the master has never come home so early before, and certainly not without…that is, at the house in Acton he was wont to bring a tart or two home to…well, you know.” “Help him choke on his tongue?” Maria snapped as she picked up her fan. Betty laughed. “Now that would be a sight, wouldn’t it? Two ladies trying to shove his tongue down his throat.” “I’d pay them well to do it.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
There was a ruined church along the way, an old Methodist meetinghouse, which reared its shambles at the far end of a frost-heaved and hummocked lawn, and when you walked past the view of its glaring, senseless windows your footsteps became very loud in your ears and whatever you had been whistling died on your lips and you thought about how it must be inside the overturned pews, the rotting hymnals, the crumbling altar where only mice now kept the sabbath, and you wondered what might be in there besides mice what madmen, what monsters. Maybe they were peering out at you with yellow reptilian eyes. And maybe one night watching would not be enough; maybe some night that splintered, crazily hung door would be thrown open, and what you saw standing there would drive you to lunacy at one look. And you couldn’t explain that to your mother and father, who were creatures of the light. No more than you could explain to them how, at the age of three, the spare blanket at the foot of the crib turned into a collection of snakes that lay staring at you with flat and lidless eyes. No child ever conquers those fears, he thought. If a fear cannot be articulated, it can’t be conquered. And the fears locked in small brains are much too large to pass through the orifice of the mouth. Sooner or later you found someone to walk past all the deserted meetinghouses you had to pass between grinning babyhood and grunting senility. Until tonight. Until tonight when you found out that none of the old fears had been staked only tucked away in their tiny, child-sized coffins with a wild rose on top.
Stephen King ('Salem's Lot)
Agitated, he hooked a finger under his neck cloth and pulled it loose. “Care for her,” he muttered. “How could that be possible? I’ve scarcely gone near the woman in weeks.” “I don’t know how it’s possible, but it seems to be true. In fact, I think you’re half in love with her. More than half, perhaps.” Rising from his chair, Gray straightened to his full height. “Now wait. I’m half out of my mind with lust, I’ll grant you that. More than half, perhaps. But I’m certainly not in love with that girl. Don’t forget who you’re talking to, Joss. I keep my conscience in my bank account, remember? I don’t even know what love looks like.” Joss paused over his desk. “I know what love looks like. Using up all those Portuguese on one meal, killing a valuable goat, bringing out porcelain from the cargo hold…Crack one plate, and you’d lose half the set’s price. Serving meat onto a lady’s plate.” He shrugged. “Love looks something like that.” Gray ran his hands through his hair, shaking off the lunatic notion before it could take root in his brain. “I’m telling you, I’m not in love. I’m just too damned bored. I’ve nothing to do on this voyage but plan dinner parties. And it’s about to get worse. No chance of cracking a plate tonight.” He jerked his chin at the lamp dangling from a hook, which on any normal night would have been swaying in time with the waves. “If you hadn’t noticed, we’re becalmed.” “I’d noticed.” Joss grimaced and motioned for the flask. Gray tossed it to him. “Good thing we’ve given the men a fine meal and grog tonight. Becalming’s never good for the crew’s morale.” “Not good for the investor’s morale, either.” Gray rubbed his temples. “Let’s hope it doesn’t last.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Why did you come here tonight?” she asked. “Other than the fact that you’ve finally come to your senses and realize you love me.” Chuckling, Grey reached up and untied the ribbons that held her mask. The pretty silk fell away to reveal the beautiful face beneath. “I missed you,” he replied honestly. “And you were right-about everything. I’m tired of drifting through life. I want to live again-with you.” A lone tear trickled down her cheek. “I think that might be the most romantic thing you’ve ever said to me.” He grinned. “I have more.” She pressed her fingers to his lips. “I’m tired of talking.” She kissed him, teasing his lips with the ripe curves of hers, sliding her tongue inside to rub against his in a sensual rhythm that had him fisting his hands in her skirts. By the time they reached Mayfair, Grey’s hair was mussed, Rose’s skirts crushed, and he was harder than an oratory competition for mutes. “I can’t believe you came,” she told him as the entered the house, arms wrapped around each other. “I’m so proud of you.” “I wouldn’t have done it without you.” She shook her head. “You did it for yourself not for me.” Perhaps that was true, and perhaps it wasn’t. He had no interest in discussing it tonight. “It’s just the beginning,” he promised. “I’m going to go wherever you want to go from now on. Within reason.” She laughed. “Of course. We can’t have you attending a musicale just to please me, can we?” She gazed up at him. “You know, I think I’m going to want to spend plenty of evenings at home as well. That time I spent out of society had some very soothing moments.” “Of course,” he agreed, thinking about all the things they could do to one another at home. Alone. “There has to be moderation.” Upstairs in their bedroom, he undressed her, unbuttoning each tiny button one by one until she sighed in exasperation. “In a hurry?” he teased. His wife got her revenge, when clad only in her chemise and stockings, she turned those nimble fingers of hers to his cravat, working the knot so slowly he thought he might go mad. She worsened the torment by slowly rubbing her hips against his thigh. His cock was so rigid he could hang clothes on it, and the need to bury himself inside her consumed him. Still, a skilled lover knows when to have patience-and a man in love knows that his woman’s pleasure comes far, far before his own. So, as ready as he was, Grey was in no hurry to let this night end, not when it might prove to be the best of his new-found life. Wearing only his trousers, he took Rose’s hand and led her to their bed. He climbed onto the mattress and pulled her down beside him, lying so that they were face-to-face. Warm fingers came up to gently touch the scar that ran down his face. Odd, but he hadn’t thought of it at all that evening. In fact, he’d almost forgot about it. “I heard you that night,” he admitted. “When you told me you loved me.” Her head tilted. “I thought you were asleep.” “No.” He held her gaze as he raised his own hand to brush the softness of her cheek. “I should have said it then, but I love you too, Rose. So much.” Her smile was smug. “I know.” She kissed him again. “Make love to me.” His entire body pulsed. “I intend to, but there’s one thing I have to do first.” Rose frowned. “What’s that?” Grey pulled the brand-new copy of Voluptuous from beneath the pillow where he’d hidden it before going to the ball. “There’s a story in here that I want to read to you.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
John, come back to me for this one evening. It will be late for Mrs. Hale. But that is not it. To-morrow, you will—— Come back to-night, John!” She had seldom pleaded with her son at all—she was too proud for that; but she had never pleaded in vain. “I will return straight here after I have done my business. You will be sure to enquire after them?—after her?” Mrs. Thornton was by no means a talkative companion to Fanny, nor yet a good listener while her son was absent. But on his return, her eyes and ears were keen to see and to listen to all the details which he could give, as to the steps he had taken to secure himself, and those whom he chose to employ, from any repetition of the day’s outrages. He clearly saw his object. Punishment and suffering, were the natural consequences to those who had taken part in the riot. All that was necessary, in order that property should be protected, and that the will of the proprietor might cut to his end, clean and sharp as a sword. “Mother! You know what I have got to say to Miss Hale, to-morrow?{149}” The question came upon her suddenly, during a pause in which she, at least, had forgotten Margaret. She looked up at him. “Yes! I do. You can hardly do otherwise.” “Do otherwise! I don’t understand you.” “I mean that, after allowing her feelings so to overcome her, I consider you bound in honour—” “Bound in honour,” said he scornfully. “I’m afraid honour has nothing to do with it. ‘Her feelings overcome her!’ What feelings do you mean?” “Nay, John, there is no need to be angry. Did she not rush down and cling to you to save you from danger?” “She did!” said he. “But, mother,” continued he, stopping short in his walk right in front of her. “I dare not hope. I never was faint-hearted before; but I cannot believe such a creature cares for me.
Elizabeth Gaskell (North and South)
Am I right in thinking you’re deliberately keeping me here?” Mikhail shrugged his broad shoulders. “Yes and no. I do not want to force you against your will, but as to my wanting you to stay, I believe us to be lifemates, bound more irrevocably than by your marriage ceremony. I would be extremely uncomfortable without you here, both in body and mind. I do not know how I would react to your contact with another man, and quite frankly, I fear it.” “We really are from two different worlds, aren’t we?” she asked sadly. He brought her hand to the warmth of his mouth. “There is such a thing as compromise, little one. We can move between the two worlds or create our own.” Her blue eyes slid over him, a faint smile touching her mouth. “That sounds so good, Mikhail, so twentieth-first century, but somehow I think it’s more likely I would be the one compromising.” With his strange Old World courtesy, Mikhail held up a branch for her to pass beneath. The path was a large oval leading back to his home. “Perhaps you are right”--male amusement again--“but then, it has always been my nature to control and protect. I have no doubt you are more than a match for me.” “Then why are we back at your house instead of at the inn?” she asked, one hand on her hip and a smile dancing in her blue eyes. “What would you do there so late at night, anyway?” His voice was pure velvet, more enticing than ever. “Stay with me tonight. You can read while I work, and I will teach you how to build better shields to protect yourself from the unwanted emotions of those around you.” “What can you do for my hearing? Your little medicinal concoctions have increased my hearing to the point of absurdity.” She arched an eyebrow at him. “Do you have any idea what else is going to happen to me?” His teeth grazed the back of her neck, his fingers brushed across her breast possessively. “I have all kinds of ideas, little one.
Christine Feehan (Dark Prince (Dark, #1))
Okay.” The leader stood on the bed of his truck and clapped his hands over his head. “Listen up, everyone.” No one was really listening, though they had dressed right. Everyone was all in black. A few guys wore ski masks, and others had black marks on their cheeks like football players. Personally, I didn’t understand the need for the black camouflage. Caden had explained that the cops had already been looped in on the operation. A few of the lawns getting flocked tonight actually belonged to cops, and anyway the whole blending-with-the-night effect didn’t work when you were carrying a bright neon-pink flamingo. Still, I couldn’t deny the little spark of excitement building in my stomach. We were all standing in some guy’s driveway, and as I looked around, I seemed to be the only girl. These guys meant business. I was in the middle of a real life Call of Duty operation. The leader began speaking, his voice booming. “This is going to happen with precision and professionalism. No lingering, loitering, acting like stupid shits, and definitely no joking around. We’re not ladies. This isn’t going to be run like a bunch of pansy-shopping, pink-nail-polish pussies. You got that?!” I frowned, tucking my nails inside my jacket. “Every vehicle’s been filled with birds. The driver should have a text with all the locations, and the number of birds for each target. Pull up, find the group of birds labeled for that house, and work together. Take one bird a trip, two if you can manage, and ram those suckers down in the grass. Hurry back to the truck and keep going until all the birds for that location are in the ground. Shotgun Sally is in charge of hanging the sign on the bird closest to the street. Once the sign is hung, get back in the truck, and move to the next target. NO TALKING! This mission is all radio silent. Communicate with signals, and if you don’t know the appropriate signals, just SHUT THE HELL UP! Okay? Now, go flock some fuckers!
Tijan (Anti-Stepbrother)
Then when I’d thought nothing else could possibly startle or surprise me, the Lord Master had taken one look at Barrons—and walked away. That worried me. A lot. If the Lord Master walked away from Barrons, how much danger was I in on a daily basis? I’d been feeling invincible up until those last few moments in the cave. Until one man in the room with me had stripped away my will with mere words, and the other man in the room with me had apparently intimidated that one into leaving. Bad and badder. I glanced across the front seat at badder. I opened my mouth. He looked at me. I closed it. I don’t know how he continued driving, because we stared at each other for a long time. The night whizzed by, the air inside the speeding car pregnant with all the things we weren’t saying. We didn’t even have one of our wordless conversations this time; neither of us was willing to betray a single thought or feeling. We looked at each other like two too-intimate strangers who’ve woken after the lovemaking and don’t know quite what to say to each other, so they say nothing at all and go their separate ways, promising, of course, that they’ll call, but each time they look at the phone over the next few days, the discomfort and mild embarrassment of having taken off their clothing in front of someone they didn’t really even know rises up, and the phone call never gets made. Barrons and I had taken our skins off around each other tonight. Shared too many secrets, and none of them the important ones. I was about to look away when he reached across the seat ,touched my jaw with his long, strong, beautiful fingers, and caressed my face. Being touched by Jericho Barrons with kindness makes you feel like you must be the most special person in the world. It’s like walking up to the biggest, most savage lion in the jungle, lying down, placing your head in its mouth and, rather than taking your life, it licks you and purrs. I turned away. He returned his attention to the road. We completed the drive in the same strained silence it had begun.
Karen Marie Moning (Bloodfever (Fever, #2))
When she turned back to me, her eyes were full of tears. Then she unbuckled herself, slid across the seat, and climbed into my lap. My heart jumped at the unexpected affection. I pulled her in and tucked her head under my chin, breathing in the smell of her hair. The feel of her small, warm body in my arms was like home. There was no other word for it. She was home. It was hard to see how much he affected her. This was the second time I’d seen her crying and both times had been over him. The jealousy was almost more than I could handle. This woman was mine. She was mine, not his. Why couldn’t he have stayed away from her? Let her just get over him? But then I realized the truth. She wasn’t mine—she never was. I’m hers. And it’s not the same thing. I’d been fine being patient, because I was just waiting for her to come out of it. I hadn’t been braced for him to come back into her life. And now, faced with the reality that I might lose her altogether, I realized what I’d known for weeks. I’m in love with her. And now this guy that I couldn’t even begin to compete with might take her from me. I felt helpless. Panicked. A fight response triggered inside and it had nowhere to go, because I couldn’t do shit about this. All I could do was be me, and that wasn’t good enough. A sex thing. It will only ever be a sex thing. She raised her head and planted a soft kiss under my chin, and it almost broke my fucking heart. She was never like this with me. And as much as I loved it, it was all fueled by her feelings for someone else. He hurt her and I was here, so I got to be the one to comfort her. But it was something. At least I could do something for her beyond just scratching an itch. She was with me, holding me. Letting me hold her. I needed to enjoy the moment because I didn’t know how many more of them I’d get. I squeezed my eyes shut and forced down the lump in my throat, tried to focus on her breath on my neck, her cheek pressed to my collarbone—the vulnerability she was giving me that I only ever saw when she was sleeping curled up next to me on those nights when she let me in. I vowed to make tonight fun so she’d forget. And so I’d have something to remember when she left.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
Are you sure you’re all right?” Oscar asked. “I’m sure.” The sound of their voices disturbed the night, and her dishonesty disturbed her. How could she be all right? She’d been abducted at knifepoint. She’d heard the chanting again and seen the eerie black skeletal face on the bathwater’s surface. What were those things, if not part of the Umandu curse? “Are you sure he didn’t touch you?” Oscar asked, the softness of his question poles apart from the anger and irritation he’d shown all day. It was obvious he didn’t want to go chasing after Umandu, but she couldn’t imagine the prospect of bringing her father back to life would make him so sour. Camille sat up, holding the thin blanket around her neck. An odd thought struck her: They were on land, alone in a room, and they hadn’t yet struggled with an awkward stretch of silence. Camille liked the change and hoped it stuck. Oscar lay on the floor, beneath the double windows. He had one arm over his chest, the other behind his head. He saw her and pushed himself up, his own covers loose around his waist. He still wore his clothes, and she grinned, knowing it was for her benefit only. He’d be sweating rivers tonight in the heavy heat. Oscar wrapped his arm around one knee. “You have no idea what went through my mind tonight when I found that bathtub empty,” he whispered. “I can’t let anything happen to you, Camille.” She sat up a little straighter, hoping he wouldn’t pledge his protection just to honor his dead captain. “I didn’t mean to make you worry, Oscar. But my safety isn’t your burden.” Though she couldn’t see him clearly in the shadowed room, Camille felt his eyes on her. “You’re not a burden, Camille. Not to me.” She searched his dark outline. A patch of moonlight fell on a swath of bare skin on the curve of his neck. It glistened with sweat, and she felt her own skin fire with the charged silence growing between them. She didn’t know how to respond; he wouldn’t look away. “He didn’t touch me,” she whispered instead, answering his original question. She lay back and turned onto her side, disappointed she hadn’t found something more to say. Something to make the moment last a hair longer. Oscar’s covers rustled as he settled back as well. “That was smart of him,” he replied, and said no more.
Angie Frazier (Everlasting (Everlasting, #1))
Sophie put us to rights,” Westhaven said, “and my guess is we’ve never thanked her. We’ve gone off and gotten married, started our families, and neglected to thank someone who contributed so generously to our happiness. We’re thanking Sophie now by not calling you out. If she wants you, Charpentier, then we’ll truss you up with a Christmas ribbon and leave you staked out under the nearest kissing bough.” “And if she doesn’t want me?” “She wanted you for something,” Lord Val said dryly. “I’d hazard it isn’t just because you’re a dab hand at a dirty nappy, either.” Vim didn’t want to lie to these men, but neither was he about to admit he suspected Sophie Windham, for reasons he could not fathom, had gifted him with her virginity then sent him on his way. “She lent you that great hulking beast of hers,” St. Just pointed out. “She’s very protective of those she cares for, and yet she let you go larking off with her darling precious—never to be seen again? I would not be so sure.” Vim had wondered about the same thing, except if a woman as practical as Sophie were determined to be shut of a man, she might just lend the sorry bastard a horse, mightn’t she? “I proposed to my wife, what was it, six times?” Westhaven said. “At least seven,” Lord Val supplied. St. Just sent Westhaven a wry smile. “I lost count after the second hangover, but Westhaven is the determined sort. He proposed a lot. It was pathetic.” “Quite.” Westhaven’s ears might have turned just a bit red. “I had to say some magic words, cry on Papa’s shoulder, come bearing gifts, and I don’t know what all before Anna took pity on me, but I do know this: Sophie has been out for almost ten years, and she has never, not once, given a man a second look. You come along with that dratted baby, and she looks at you like a woman smitten.” “He’s a wonderful baby.” “He’s a baby,” Westhaven said, loading three words with worlds of meaning. “Sophie is attached to the infant, but it’s you she’s smitten with.” All three of Sophie’s brothers speared him with a look, a look that expected him to do something. “If you gentleman will excuse me, I’m going to offer to take the baby tonight for Sophie. She’s been the one to get up and down with him all night for better than a week, and that is wearing on a woman.” He
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
THE PARTY And at last the police are at the front door, summoned by a neighbor because of the noise, two large cops asking Peter, who had signed the rental agreement, to end the party. Our peace can’t be disturbed, one of the officers states. But when we receive a complaint we act on it. The police on the front stoop wear as their shoulder patch an artist’s palette, since the town likes to think of itself as an art colony, and indeed, Pacific Coast Highway two blocks inland, which serves as the main north-south street, is lined with commercial galleries featuring paintings of the surf by moonlight —like this night, but without anybody on the sand and with a bigger moon. And now Dennis, as at every party once the police arrive at the door, moves through the dancers, the drinkers, the talkers, to confront the uniforms and guns, to object, he says, to their attempt to stop people harmlessly enjoying themselves, and to argue it isn’t even 1 a.m. Then Stuart, as usual, pushes his way to the discussion happening at the door and in his drunken manner tries to justify to the cops Dennis’ attitude, believing he can explain things better to authority, which of course annoys Dennis, and soon those two are disputing with each other, tonight exasperating Peter, whose sole aim is to get the officers to leave before they are provoked enough to demand to enter to check ID or something, and maybe smell the pot and somebody ends up arrested with word getting back to the landlord and having the lease or whatever Peter had signed cancelled, and all staying here evicted. The Stones, or Janis, are on the stereo now, as the police stand firm like time, like death—You have to shut it down—as the dancing inside continues, the dancers forgetting for a moment a low mark on a quiz, or their draft status, or a paper due Monday, or how to end the war in Asia, or some of their poems rejected by a magazine, or the situation in Watts or of Chavez’s farmworkers, or that they wish they had asked Erin rather than Joan to dance. That dancing, that music, the party, even after the cops leave with their warning Don’t make us come back continues, the dancing has lasted for years, decades, across a new century, through the fear of nuclear obliteration, the great fires, fierce rain, Main Beach and Forest Avenue flooded, war after war, love after love, that dancing goes on, the dancing, the party, the night, the dancing
Tom Wayman
When a little of his strength returned he moved onto his side, taking her with him, still a part of her. Her hair spilled over his naked chest like a rumpled satin waterfall, and he lifted a shaking hand to smooth it off her face, feeling humbled and blessed by her sweetness and unselfish ardor. Several minutes later Elizabeth stirred in his arms, and he tipped her chin up so that he could gaze into her eyes. “Have I ever told you that you are magnificent? She started to shake her head, then suddenly remembered that he had told her she was magnificent once before, and the recollection brought poignant tears to her eyes. “You did say that to me,” she amended, brushing her fingers over his smooth shoulder because she couldn’t seem to stop touching him. “You told me that when we were together-“ “In the woodcutter’s cottage,” he finished for her, recalling the occasion as well. In reply she had chided him for acting as if he also thought Charise Dumont was magnificent, Ian remembered, regretting all the time they had lost since then…the days and nights she could have been in his arms as she was now. “Do you know how I spent the rest of the afternoon after you left the cottage?” he asked softly. When she shook her head, he said with a wry smile, “I spent it pleasurably contemplating tonight. At the time, of course, I didn’t realize tonight was years away.” He paused to draw the sheet up over her back so she wouldn’t be chilled, then he continued in the same quiet voice, “I wanted you so badly that day that I actually ached while I watched you fasten that shirt you were wearing. Although,” he added dryly, “that particular condition, brought on by that particular cause, has become my normal state for the last four weeks, so I’m quite used to it now. I wonder if I’ll miss it,” he teased. “What do you mean?” Elizabeth asked, realizing that he was perfectly serious despite his light tone. “The agony of unfulfilled desire,” he explained, brushing a kiss on her forehead, “brought on by wanting you.” “Wanting me?” she burst out, rearing up so abruptly that she nearly overturned him as she leaned up on an elbow, absently clutching the sheet to her breasts. “Is this-what we’ve just done, I mean-“ “The Scots think of it as making love,” he interrupted gently. “Unlike most English,” he added with flat scorn, “who prefer to regard it as ‘performing one’s marital duty.’” “Yes,” Elizabeth said absently, her mind on his earlier remark about wanting her until it caused him physical pain, “but is this what you meant all those times you’ve said you wanted me?” His sensual lips quirked in a half smile. “Yes.” A rosy blush stained her smooth cheeks, and despite her effort to sound severe, her eyes were lit with laughter. “And the day we bargained about the betrothal, and you told me I had something you wanted very badly, what you wanted to do with me…was this?” “Among other things,” he agreed, tenderly brushing his knuckles over her flushed cheek. “If I had known all this,” she said with a rueful smile, “I’m certain I would have asked for additional concessions.” That startled him-the thought that she would have tried to drive a harder bargain if she’d realized exactly how much and what sort of power she really held. “What kind of additional concessions?” he asked, his face carefully expressionless. She put her cheek against his shoulder, her arms curving around him. “A shorter betrothal,” she whispered. “A shorter courtship, and a shorter ceremony.
Judith McNaught (Almost Heaven (Sequels, #3))
Those nights felt like this now: a creative energy, a limitless enthusiasm, a faith that talent and will and work would ultimately prevail, and a fatalistic wryness about the whole spectacle too-- *of course* we are all creative and interesting, *of course* everyone will know our names, but tomorrow and the next day and the next we must go to our low-paying jobs where we sit on stools or take orders for food or clean up messes that no one else wants to clean; at least tonight we can say we are artists.
Tara Conklin (The House Girl)
Stop judging by mere appearances, but instead judge correctly.” —John 7:24 (NIV) Driving home from work, I glanced into my rearview mirror to see a beautiful pink sky. It looked like another great sunset. I turned onto my street and noticed three young teenage boys hanging out two doors down from where I live. Too bad they won’t notice this great sunset, I thought. I pulled into my driveway and walked inside. My husband, Johnny, called out from the backyard, “Beautiful sunset tonight! Come on out!” The sky had turned a bright crimson red with streaks of leftover pink etched through it. I glanced to where the boys were still talking. “Those boys have no clue that there is a magnificent sunset happening right before their eyes! Too bad,” I said, shaking my head. At that moment, I heard one of them call out, “Hey, guys, check it out! The sky’s all red! It looks awesome!” “Wow!” the others exclaimed in unison. “Cool!” “Oh my,” I said, dismayed, “I sure jumped to a mighty quick conclusion.” Later that evening, I read an inspirational quote that comes daily to my in-box: “When you’re forming your opinions, do it carefully—go slow; hasty judgments oft are followed by regretting—that I know. —Anon.” After work the next day, I saw the boys again. I pulled the car over and rolled down the window. “Hey, guys,” I called out, “great sunset last night, huh?” “Yes, ma’am!” they all replied. One of the boys held up his cell phone. “I got a really good picture of it on my phone. Want to see?” “Sure,” I said with a big smile. “I’d love to.” Forgive me, Lord, for I truly want to see the best in everyone—right from the start. —Melody Bonnette Swang Digging Deeper: Prv 12:18, 31:26
Guideposts (Daily Guideposts 2014)
I’ll call a cab and go to my car. I’ll sleep there for the night and figure out what to do in the light of day.” He’d started shaking his head about halfway through her proclamation and hadn’t stopped. “Do you honestly think I’m going to let you sleep in a car abandoned in some ditch on the side of the highway?” She scowled, hackles rising. “There’s no letting me. I’m perfectly capable of taking care of myself.” I think. No, screw that. I know. “Hey,” he said, voice soft. He wrapped his fingers around her wrist and, when she tried to yank away, held tight. “I know you can. You’ve already proven yourself.” Her frown deepening, she cast a suspicious glance in his direction. She was stuck in the middle of nowhere with no resources. Any idiot could see that. “I’ve proven nothing other than I can land myself in a huge mess.” One brow rose. “Oh? How long did you walk tonight? By yourself, in the dark?” “I didn’t have a choice, and I don’t have a choice now.” “There are always choices, Maddie. Don’t forget, you made a hell of a big one today.” “That doesn’t count,” she said, voice rising. Temper, temper, Maddie. She shook the voice away. “I know my options, and I’m going back to my car.” He studied her. Summing her up like the lawyer he used to be. “I don’t want to ask, but I’m going to anyway. Why don’t you want to call your family?” “Because I don’t want to.” The words shot out of her mouth, surprising her with their force. “What about friends?” Penelope and Sophie would walk through fire for her, but they weren’t an option, at least not tonight. “They’re probably at my mom’s house, consoling my family.” He scrubbed a hand over his stubbled jaw. “Won’t they be worried?” “I’m sure they are,” she said. Her voice had taken on an edge that she hoped would pass for determined, but she feared that it bordered on petulance. “But I’m not calling them. I wrote a note and stole my own car from the parking lot, so it’s not like they’ll think I’ve been kidnapped.” “What did you do, hotwire the thing?” Amusement was plain in the deep tone of his voice. “If you must know, I have three extremely overprotective older brothers, a worrywart mother, and a . . .” She paused, trying out the words in her mind and deciding she wanted to own them. “. . . suffocating ex-fiancé. They insisted I have one of those industrial-strength, military-grade, combination-lock hideaway keys. My uncle brought my car to the church because his was in the shop. So really, it’s their fault this happened.” That was the moment she’d known she was going to run. Surrounded by the smell of gardenias that made her want to gag, she’d pushed her bridesmaids out the door, begging for a few minutes of peace and quiet. She’d gone over to the window, desperate for the smell of fresh air, and there sat her little Honda. The cherry red of the car had glowed in the sun like a gift from heaven. A sudden, almost reverent calm descended on her. It had felt like peace: a feeling so foreign to her that it had taken a moment to recognize it. Mitch laughed, pulling her away from those last minutes in the church and back to the temptation sitting next to her. “Princess, you really are something,” he said, still chuckling.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Realizing I ought to be circulating as well, I turned--and found myself confronted by the Marquis of Shevraeth. “My dear Countess,” he said with a grand bow. “Please bolster my declining prestige by joining me in this dance.” Declining prestige? I thought, then out loud I said, “It’s a tartelande. From back then.” “Which I studied up on all last week,” he said, offering his arm. I took it and flushed right up to my pearl-lined headdress. Though we had spoken often, of late, at various parties, this was the first time we had danced together since Savona’s ball, my second night at Athanarel. As we joined the circle I sneaked a glance at Elenet. She was dancing with one of the ambassadors. A snap of drums and a lilting tweet caused everyone to take position, hands high, right foot pointed. The musicians reeled out a merry tune to which we dipped and turned and stepped in patterns round one another and those behind and beside us. In between measures I stole looks at my partner, bracing for some annihilating comment about my red face, but he seemed preoccupied as we paced our way through the dance. The Renselaeuses, completely separate from Remalna five hundred years before, had dressed differently, just as they had spoken a different language. In keeping, Shevraeth wore a long tunic that was more like a robe, colored a sky blue, with black and white embroidery down the front and along the wide sleeves. It was flattering to his tall, slender form. His hair was tied back with a diamond-and-nightstar clasp, and a bluefire gem glittered in his ear. We turned and touched hands, and I realized he had broken his reverie and was looking at me somewhat quizzically. I had been caught staring. I said with as careless a smile as I could muster, “I’ll wager you’re the most comfortable of the men here tonight.” “Those tight waistcoats do look uncomfortable, but I rather like the baldrics,” he said, surveying my brother, whom the movement of the dance had placed just across from us. At that moment Bran made a wrong turn in the dance, paused to laugh at himself, then hopped back into position and went on. Perhaps emboldened by his heedless example, or inspired by the unusual yet pleasing music, more of the people on the periphery who had obviously not had the time, or the money, or the notion of learning the dances that went along with the personas and the clothes, were moving out to join. At first tentative, with nervously gripped fans and tense shoulders here and there betraying how little accustomed to making public mistakes they were, the courtiers slowly relaxed. After six or seven dances, when faces were flushed and fans plied in earnest, the first of my mime groups came out to enact an old folktale. The guests willingly became an audience, dropping onto waiting cushions. And so the evening went. There was an atmosphere of expectation, of pleasure, of relaxed rules as the past joined the present, rendering both slightly unreal. I did not dance again but once, and that with Savona, who insisted that I join Shevraeth and Elenet in a set. Despite his joking remarks from time to time, the Marquis seemed more absent than merry, and Elenet moved, as always, with impervious serenity and reserve. Afterward the four of us went our ways, for Shevraeth did not dance again with Elenet. I know, because I watched.
Sherwood Smith (Court Duel (Crown & Court, #2))
Realizing I ought to be circulating as well, I turned--and found myself confronted by the Marquis of Shevraeth. “My dear Countess,” he said with a grand bow. “Please bolster my declining prestige by joining me in this dance.” Declining prestige? I thought, then out loud I said, “It’s a tartelande. From back then.” “Which I studied up on all last week,” he said, offering his arm. I took it and flushed right up to my pearl-lined headdress. Though we had spoken often, of late, at various parties, this was the first time we had danced together since Savona’s ball, my second night at Athanarel. As we joined the circle I sneaked a glance at Elenet. She was dancing with one of the ambassadors. A snap of drums and a lilting tweet caused everyone to take position, hands high, right foot pointed. The musicians reeled out a merry tune to which we dipped and turned and stepped in patterns round one another and those behind and beside us. In between measures I stole looks at my partner, bracing for some annihilating comment about my red face, but he seemed preoccupied as we paced our way through the dance. The Renselaeuses, completely separate from Remalna five hundred years before, had dressed differently, just as they had spoken a different language. In keeping, Shevraeth wore a long tunic that was more like a robe, colored a sky blue, with black and white embroidery down the front and along the wide sleeves. It was flattering to his tall, slender form. His hair was tied back with a diamond-and-nightstar clasp, and a bluefire gem glittered in his ear. We turned and touched hands, and I realized he had broken his reverie and was looking at me somewhat quizzically. I had been caught staring. I said with as careless a smile as I could muster, “I’ll wager you’re the most comfortable of the men here tonight.” “Those tight waistcoats do look uncomfortable, but I rather like the baldrics,” he said, surveying my brother, whom the movement of the dance had placed just across from us.
Sherwood Smith (Court Duel (Crown & Court, #2))
He faced Doug. His eyes were wet. "I am not one of your tricks, Douglas." "Of course, you're not." "That's what I feel like tonight, seeing you in there with all those bodies. One of a thousand nights. One of a thousand fucks. And fuck you for making me feel this way. And fuck you again for making me say fuck in this beautiful place.
Eric Arvin (Another Enchanted April)
I felt like I had no more stories, no more speeches, and no more “rah-rah” in me. I decided to level with the team and see what happened. I called an all engineering meeting and gave the following speech: “I have some bad news. We are getting our asses kicked by BladeLogic and it’s a product problem. If this continues, I am going to have to sell the company for cheap. There is no way for us to survive if we don’t have the winning product. So, I am going to need every one of you to do something. I need you to go home tonight and have a serious conversation with your wife, husband, significant other, or whoever cares most about you and tell them, ‘Ben needs me for the next six months.’ I need you to come in early and stay late. I will buy you dinner, and I will stay here with you. Make no mistake, we have one bullet left in the gun and we must hit the target.” At the time, I felt horrible asking the team to make yet another big sacrifice. Amazingly, I found out while writing this book that I probably should have felt good about it. Here’s what Ted Crossman, one of my best engineers, said about that time and the launch of the aptly named Darwin Project many years later: Of all the times I think of at Loudcloud and Opsware, the Darwin Project was the most fun and the most hard. I worked seven days a week 8 a.m.–10 p.m. for six months straight. It was full on. Once a week I had a date night with my wife where I gave her my undivided attention from 6 p.m. until midnight. And the next day, even if it was Saturday, I’d be back in the office at 8 a.m. and stay through dinner. I would come home between 10–11 p.m. Every night. And it wasn’t just me. It was everybody in the office. The technical things asked of us were great. We had to brainstorm how to do things and translate those things into an actual product. It was hard, but fun. I don’t remember losing anyone during that time. It was like, “Hey, we gotta get this done, or we will not be here, we’ll have to get another job.” It was a tight-knit group of people. A lot of the really junior people really stepped up. It was a great growing experience for them to be thrown into the middle of the ocean and told, “Okay, swim.” Six months later we suddenly started winning proofs of concepts we hadn’t before. Ben did a great job, he’d give us feedback, and pat people on the back when we were done.
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers)
For the next two hours, he would toy with her, giving her a chance to repent. Whether she did or not made no difference. He fingered the knife in his pocket. The blade was sharp and tonight she would feel it. Her time would run out an hour before sunrise. As with the others, he would weigh down her body with a cement block. Barely alive, she would struggle against death as they all had. The water would fill her lungs. The last thing she would see on this earth would be his eyes, the eyes of her murderer. How long would it take before her family, her friends reported her missing? A day, possibly two? Surely no longer. Then the search would begin. He would watch the news reports, recording them all on his DVR. In a week or two, some tourist or jogger would spot a floater in the Potomac. All evidence washed away, she would be just another woman executed by the D.C. Killer. He would add her disc to his collection. He whiled away the time thinking about his first kill. She had lounged in her bath, thinking she was alone. When he entered the bathroom, she smiled. The expression on his face made her smile falter. He came at her, grasping her by the shoulders. He pushed her down, holding her struggling body under. Her eyes wide with terror, she tried to plead with her murderer, to ask her husband “Why?” He sank her body in the Potomac, the first victim of the D.C. Killer. The door opened. Shannon Miller stood in the breach, surveying the parking lot. Nervous, she started to go back inside, then changed her mind. She peered toward him, her eyes straining to penetrate the mist and gloom. He was a shadow, invisible to her. Seeing no threat, she stepped out, locked the door and hurried across the deserted lot to her car, a red Toyota with more rust than red. The tap-tap of her high heels pulsated on the cracked asphalt. The beat of her shoes matched the throb of his heart. He could hear her heavy, fearful breathing. He smiled. The moon scurried behind the clouds as if hiding its face in horror. He was an avenger, a messenger of God. His mission was to rid the nation's capital of immoral women. Fearing him, prostitutes now walked the streets in pairs. Even in their terror, they still pursued their wicked trade. At times he saw them huddled in groups of three or four. They reminded him of children in a thunderstorm. Like a spirit, he crept in her direction. The only light was cast by the Miller Lite sign and a distant street lamp. The light in the parking lot had burned out weeks ago, throwing it into darkness. He stalked her as a lion does its prey. He moved slowly, silently, low to the ground, keeping the car between them. His dark running suit blended with the night. He was the Dark Angel, the Angel of Death. In another life, he had passed over Egypt, killing the firstborn of those condemned by God. Her eyes darted in every direction, still she didn't see him. He was invisible. Her hands shook as she tried to get the key in the door. The 11 o'clock news reported that another one had been found. If he stuck with his pattern, the D.C. Killer would strike again tonight. By morning a woman would be dead. She prayed it wouldn’t be her. She fumbled, dropping the key ring. She stooped to pick it up, her head turning in every direction, her ears alert to every sound. Now, without seeing him, she sensed him. She lowered her eyes, trying again, successfully this time. She turned the key. There was a click. She sighed, unaware that she had been holding her breath. The dome light flashed as she opened the door. He was on her in an instant. Their bodies slammed against the door. The light blinked out. He held her in an iron grip with one hand over her mouth and the blade poking into her
Darrell Case
Can you at least admit, for one second, you were just as hot for me last night as I was for you?” I eyed him for a beat, wondering what his angle was, because with Solo there was always an angle. “Why? It’s not going to get you anywhere. Certainly not past this door.” Solo’s lips, those sinful lips, curved, making my dick throb a little harder. Christ, he was easy on the eyes. He made it difficult to look away. “Now that’s where you’re wrong. It’s totally going to get me off. But guess what?” Fuck, I was so not equipped to handle someone like Solo in my day-to-day life. Outside of work, hell yes. He’d no doubt be the hottest fuck of my life. But here at work, he was a temptation that would land me in a world of trouble. “Tonight when I shout out your name, you’re gonna be able to hear, Grant.” With a wink designed to make my cock ache, Solo sauntered over to his door, unlocked it, and glanced back over to where my stupid self remained in front of the door. “Feel free to call out Mateo if you like, ’cause when it comes to…coming, I really don’t like to be Solo.
Brooke Blaine (Danger Zone (The Elite, #1))
2020 Quarantine Killings by Playon Patrick And they ask: how do black boys write about their city? How do we know street if we don't know un-cracked sidewalk? They ask: how do these black boys know anything about their city? How the buildings are sitting on corners where brothers' bodies are still learning how to rot. There are small crosses placed in the grass where families cannot afford to bury their loved ones Reminds my brothers and I that we are early graves before we are anything else. We call those corners playgrounds, We call those corners the killing fields. We call our bodies bullets even if we were never aimed in the right direction We called the remnants of our mother's family the Diaspora tree. We make a catalog of prayers out of broken hands We pray for our family tree to make its way back home to this soil. We use our hands to dig the graves we cannot afford. We are farmers - our broken black bodies - We have never know city, never known comfort, Never known safe street in any city. We use our feet to walk streets paved by sunlight, And asked our shadows if they meant to choose this skin. We make a catalyst of bodies our dinner menu And we eat with our eyes closed. We are fed lies so easily it tastes like medicine. Always conflicted between being black and being people. I wish God could have given us a choice. For years we have been told that there is something we need to scrub off this body As if this dirt could go away Working in the field make you realize how easily black can cook in the sun. How easily we turn on each other for a little slice of the pie. We don't know this city - how it was built with our grandmother's arthritic hands. how we wouldn't have gotten a house or a bed when it was first built When it was first settled - when it was first taken from the Indians When our God believed in the same beginning. We don't know home. We don't know how generations of our people could use these legs Could run miles on end into the night Our faces bedazzled with the remnants of the stars We will forever search for our forefathers' footsteps We don't know home - we know run We know this land has never been ours We know how to fold ourselves into nothing We know our sweat and tears tenderize this soil Somehow we make fertilizer for the soil We know how to make these hands be useful We are the farmers of every revolution No country was built without the piling up of dead bodies This country just happens to be where our dead were dragged and hung up. America: the land of the free and home of the brave We fought and died for that slogan right beside our white brothers Doesn't that make us worth something? Tonight a riot is the language of the unheard
Playon Patrick
Keeping hold of Larson as if he were a disobedient puppy, Kingston berated him quietly. “After the hours I just spent with you, providing excellent advice, this is the result? You decide to start shooting guests in my club? You, my boy, have been a dismal waste of an evening. Now you’re going to cool your heels in a jail cell, and I’ll decide in the morning what’s to be done with you.” He released Larson to the care of one of the hulking night porters, who ushered him away expediently. Turning to West, the duke surveyed him with a quicksilver glance, and shook his head. “You look as though you’d been pulled backward through a hedgerow. Have you no standards, coming to my club dressed like that? For the wrinkles in your coat alone, I ought to have you thrown into a cell next to Larson’s.” “I tried to have him spruced up,” Severin volunteered, “but he wouldn’t.” “A bit late for sprucing,” Kingston commented, still looking at West. “At this point I would recommend fumigation.” He turned to another night porter. “Escort Mr. Ravenel up to my private apartments, where it seems I’ll be giving counsel to yet another of my daughter’s tormented suitors. This must be a penance for my misspent youth.”` “I don’t want your counsel,” West snapped. “Then you should have gone to someone else’s club.” West sent an accusing glare at Severin, who shrugged slightly. Struggling up from his chair, West growled, “I’m leaving. And if anyone tries to stop me, I’ll knock them flat.” Kingston seemed rather less than impressed. “Ravenel, I’m sure when you’re sober, well-rested and well-nourished, you can give a good account of yourself. At the moment, however, you are none of those things. I have a dozen night porters working here tonight, all of whom have been trained in how to manage unruly patrons. Go upstairs, my lad. You could do worse than to spend a few minutes basking in the sunshine of my accumulated wisdom.” Stepping closer to the porter, the duke gave him a number of quiet instructions, one of them sounding suspiciously like, “Make sure he’s clean before he’s allowed on the furniture.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Can one of you do a piercing?” Friday calls. Friday is really pretty in a Katy Perry kind of way. She has tattoos on her shoulders and across her back and up her legs. I know about the ones on her legs because I put them there. She has skulls and cross bones and turtles and some really weird shit. And she dresses all retro, like a pinup girl from the sixties. “What kind of piercing?” I ask. Every gaze in the place turns to the woman, and she flushes. “One of those piercings!” Friday yells dramatically. “Pete can do it,” Paul says. Reagan’s mouth falls open. She walks over close to me. “You are not doing a private piercing,” she hisses. I do them all the time, but I don’t even want to do them anymore. She cups her hand around my ear. “The only private places you’re touching are mine.” My heart swells. I like this. I like it a lot. “Sorry,” I say. “The little lady has spoken.” I lift my face, and she bends down to kiss me. Paul looks at Logan, but Emily signs something to him really quickly and he grins. He shakes his head. “Can’t do it,” he says. “Why not?” Paul blows out a heavy breath. “Because I want to have sex tonight,” Logan says. “And tomorrow night. And the night after.” Sam’s not here. He’s probably baking a cake somewhere. And we all know where Matt is. Paul throws down the pencil on the table where he was drawing a tattoo. “You guys are worthless,” he complains. “And pussy whipped.” I’m happy to be pussy whipped. Logan walks over and high-fives me, and Emily grins at Reagan. “Thanks for taking one for the team,” I say to Paul. It won’t be hard on him. The girl is gorgeous. “The things I have to do so you guys can have sex.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Can one of you do a piercing?” Friday calls. Friday is really pretty in a Katy Perry kind of way. She has tattoos on her shoulders and across her back and up her legs. I know about the ones on her legs because I put them there. She has skulls and cross bones and turtles and some really weird shit. And she dresses all retro, like a pinup girl from the sixties. “What kind of piercing?” I ask. Every gaze in the place turns to the woman, and she flushes. “One of those piercings!” Friday yells dramatically. “Pete can do it,” Paul says. Reagan’s mouth falls open. She walks over close to me. “You are not doing a private piercing,” she hisses. I do them all the time, but I don’t even want to do them anymore. She cups her hand around my ear. “The only private places you’re touching are mine.” My heart swells. I like this. I like it a lot. “Sorry,” I say. “The little lady has spoken.” I lift my face, and she bends down to kiss me. Paul looks at Logan, but Emily signs something to him really quickly and he grins. He shakes his head. “Can’t do it,” he says. “Why not?” Paul blows out a heavy breath. “Because I want to have sex tonight,” Logan says. “And tomorrow night. And the night after.” Sam’s not here. He’s probably baking a cake somewhere. And we all know where Matt is. Paul throws down the pencil on the table where he was drawing a tattoo. “You guys are worthless,” he complains. “And pussy whipped.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
If I asked you to come here again,” he said, “and let me be with you, would you?” There was no hesitation. “Yes.” “Even if things couldn’t be…normal…between us? Sexually speaking.” “Yes.” He frowned. “This is going to come out wrong….” “Which is fine, because I’ve already put my foot in it with you back at the clinic. We’ll just be even.” Rehv had to smile, but the expression didn’t stick. “I have to know…why. Why would you come back.” Ehlena lay back down against the pillows and, in a slow sweep, moved her hand up over the satin sheet that covered her stomach. “I have only one answer to that, but I don’t think it’s going to be what you want to hear.” The cold numbness, which was returning as the remnants of those orgasms he’d had dissipated, sped up its reclamation of his body. Please let it not be pity, he thought. “Tell me.” She was quiet for a long while, her stare shifting out toward the blinking, glowing view of Caldwell’s two halves. “You ask me why I would come back?” she said softly. “And the only answer I have is…how could I not.” Her eyes flipped to his. “It doesn’t make sense to me on some level, but then, feelings don’t make sense, do they? And they don’t have to. Tonight…you gave me things I not only haven’t had for a long time, but I don’t think I’ve ever felt.” She shook her head. “I wrapped up a body yesterday…a body of someone my own age, a body of someone who likely as not had headed out of his house the evening he was killed with no clue that it was his last night. I don’t know where this”—she gestured back and forth between them—“thing with us is going. Maybe it’s just a night or two. Maybe it’s a month. Maybe it’s longer than can be measured by a decade. All I know is, life is too short not to come back here and be with you like this again. Life is just too short, and I like being with you too much for me to give a crap about anything other than having another moment like this.” Rehvenge’s chest swelled as he stared at her. “Ehlena?” “Yeah?” “Don’t take this the wrong way.” She drew in a deep breath and he saw her bare shoulders tighten. “Okay. I’ll try not to.” “You keep showing up here? Being who you are?” There was a pause. “I’m going to fall in love with you.” -Rehv & Ehlena
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Do you think they’ll ever be a place for us? I mean, do you think there’s a place for someone who lives under the radar, someone who has to pretend, someone who is a spy?” “Yes.” Daly said it with such confidence that I sat up in my bed, my cast dangling over the edge. “How do you know?” I asked. “There has to be. I don’t usually philosophize, but I do know one thing.” “What’s that?” “That even when we’re pretending, even when we’re hiding under wigs or accents or clothes that aren’t our style, we can’t hide our nature. Just like I knew from the moment I met you that you would choose this life. And just like I knew, when you told me about this mission, that you would agree to help the CIA find this girl. You would sacrifice yourself and your time with your brother to save someone. It’s just who you are.” “I’ve already messed things up, Daly. What if I’m not good enough? What if I can’t do it?” “That’s the thing, though. You’ll find a way.” I lay back again and buried the side of my face into my pillow. “I’m just not sure how.” “If you continue to think as you’ve always thought, you’ll continue to get what you’ve always got,” Daly said. I considered that. I wasn’t ready to give up. At least not yet. “That one is Itosu wisdom, in case you wondered.” I yawned into the phone. “It’s good advice.” “I’ll let you go. You should be resting. Don’t you have school in the morning?” He said the last part in a teasing tone. “Yeah, if I make it through another day at school. Maybe they’ll get rid of me—kick me out or something. You’d think I would have inherited some of my mom’s artistic genius.” “Can I give you one last bit of advice, Alex?” “Sure.” “Throw it all out the window.” “What?” I stared at my open window. A slight breeze blew the gauzelike drapes in and out as if they were a living creature. “Everything you’ve learned about art, the lines, the colors, the pictures in your head from other artists—just throw it all out. And throw out everything you’ve learned from books and simulations about being a good spy. Don’t try to be like someone else. Don’t force yourself to follow a set of rules that weren’t meant for you. Those work for 99.99% of the people.” “You’re telling me I’m the .01%?” I asked skeptically. “No, I’m telling you you’re not even on the scale.” Daly’s soft breathing traveled through the phone line. “With a mind like yours, you can’t be put in a box. Or even expected to stand outside it. You were never meant to hold still, Alex. You have to stack all the boxes up and climb and keep climbing until you find you. I’m just saying that Alexandra Stewart will find her own way.” The cool night air brushed the skin of my arm and I wished it was Daly’s hand instead. “You sure have a lot of wisdom tonight,” I told him. I expected him to laugh. Instead, the line went silent for a moment. “Because I’m not there. Because I wish I was.” His words were simple, but his message reached inside my heart and left a warmth—a warmth I needed. “Thank you, James.” “Take care, Alex.” I wanted to say more, to keep him at my ear just a little longer. Yet the words itching to break free couldn’t be said from over two thousand miles away. They needed to happen in person. I wasn’t going home until I found Amoriel. Which meant I had to complete this mission. Not just for Amoriel anymore. I had to do it for me. (page 143)
Robin M. King (Memory of Monet (Remembrandt, #3))
A smile flirts with his mouth and my stomach flutters. “I'll make you a chocolate cake tonight.” My mouth waters from those words. “Homemade cake?” “Mmm. With homemade chocolate frosting.” I swallow thickly. “Why you gotta play with my emotions?” “Why you gotta be so easily manipulated? Mention a cake and you're like putty in my hands.” “I can be,” I breathe. His eyes darken and he dips his head toward mine, his lips grazing the corner of my mouth as he whispers, “Not yet.” I think I'm going to fall to the ground when the horn blares and I jump straight up. “Fuck!” Graham winks at me and moves away. “You're getting some bad habits, Ken.” “Can you be one of them, Barbie?” Oh yeah. I am back. Take that, Graham Malone. He pauses by his door, looking at me over the hood of the truck. He shakes his head. “Nah. All I'm gonna be is good. You'll see.” I love competing Graham. He's fricking lickable. I also take back every negative thing I thought about him last night when he refused to fondle me (he should just know to do these things)...and this morning...and...any other time I found him less than appealing
Lindy Zart (Roomies)
The mixture of displeasure and relief is so overpowering my mind. I knew that I would pick to have that pleasure if he kept being so passionate and felt right. I look down the tunneling hallway my eyes feel like kaleidoscopes, yet I can figure there are kids with sparklers and the firecrackers the sounds are going off within all the colors I see. He has to hold me with my back against the walls or I am sure I would fall, I see Justen feeling the left of a rail of the stairs, walking over the entryway into their room feather down that hallway, up above me, me like they’re going to slip away any second, and share the rest of the night cuddling in bed. Is tonight the night I follow him to his room and crawl in with him, or isn’t tonight the night, maybe hold back until tomorrow? That kept running through my head. Tonight, or tomorrow? Tomorrow I’ll wake up and be the same, regardless if I am in his bed or not. This earth will look the same, and everything will feel and taste and smell the same. What am I rushing it for, he’s going to love me the same if not more is, I hold out? Maybe play that three-date rule. My throat gets taut, just thinking about what we could be doing right now, also I have to think about what Ray and Justen are doing, and my eyes start to tingle in ire, and all I can think at that moment is that it’s all Ray’s fault, that my sis has gone home broken-hearted. Yet I don’t want her spending the night here anyway, with him of all boys. It’s funny how you can go from love to hate in seconds. Half an hour later the party starts to wind down. Inside, everyone is just about passed out, at this point, I need to find a place to crash too. Then I thought, should I, or shouldn’t I? My sis is one of those shy ones around cute boys, and those are the ones you have to worry about because they are freaks between the sheets. I can see that somebody pulled the drooping icicle lights off the wall there getting crouched on by the others passing by. They are getting tangled up in my feet, as I move. There twanging and shorting out from the broken blabs, in sparks lighting up the grime corners, like cups and broken beer bottles. You have to be careful like I see a lot of girls with flip-flops on or barefoot running around not a good idea. I think that I’m feeling better now until I move away from the walls, but I’m starting to feel more like the girl I should be around all my friends. ‘There’s always tomorrow,’ Jenny walked up to me and said before going up to her bed when I told her about Ray, yet she seemed not suppressed and I ran the phrase over and over in my head like a chant: There’s always tomorrow. There’s always tomorrow. So that is what I went with thinking… I am going to be with him tomorrow night. I see myself in the ornate hall mirror in the makeup that I replayed, thinking- ‘God Marcel loves this face.’ Every time I put on makeup it reminds me of my mom, I used to watch me bowed over her vanity, getting ready for dates with my father-daughter dates-and it calms me down.
Marcel Ray Duriez (Young Taboo (Nevaeh))
2020 Quarantine Killings And they ask, 'How do black boys write about their city? How do we know street if we don't know uncracked sidewalk?' They ask, 'How do these Black boys know anything about their city? How the buildings are sitting on corners where brothers' bodies are still learning how to rot?' There are small crosses placed in the grass where families cannot afford to bury their loved ones, reminds my brothers and I that we are early graves before we are anything else. We call those corners playgrounds. We call those corners the killing fields. We call our bodies bullets, even if we were never aimed in the right direction. We call the remnants of our mothers' family the disaspora tree. We make a catalog of prayers out of broken hands. We pray for our family tree to make its way back home to this soil. We use our hands to dig the graves we cannot afford. We are farmers of broken Black bodies. We have never know city, never known comfort, never know safe street in any city. We use our feet to walk streets paved by sunlight and ask our shadows if they meant to choose this skin. We make a catalyst of bodies our dinner menu and we eat with our eyes closed. We are fed lies so easily it tastes like medicine. Always conflicted between being Black and being people. I wish God could've given us a choice. For years, we have been told that there is something we need to scrub off this body, as if this dirt could go away. Working in the field make you realize how easily Black can cook in the sun, how easily we turn on each other for a little slice of the pie. We don't know this city, how it was built with our grandmothers' arthritic hands. How we couldn't have gotten a house or a bed when it was first built, when it was first settled, when it was first taken from the Indians, when our gods believed in the same beginning. We don't know home. We know how generations of our people could use these legs, could run miles on into the night, our faces bedazzled with the remnants of the stars. We will forever search for our forefathers' footsteps. We don't know home. We know run. We know this land has never been ours. We know how to fold ourselves into nothing. We know our sweat and tears tenderized this soil. Somehow we make fertilizer for the soil. We know how to make these hands be useful. We are the farmers of every revolution. No country was built without the piling up of dead bodies. This country just happens to be where our dead were dragged and hung up. America, the land of the free and home of the brave. We fought and died for that slogan, right beside our white brothers. And doesn't that make us worth something? Tonight, a riot is the language of the unheard. Playon Patrick
Playon Patrick
I rang out a couple more customers as I thought about it, and...he slowly walked up to the counter and set down two spools of line. I should really figure out what the point of one being thicker than the other was. “Hi, Mr. Rhodes,” I greeted him with a smile. He’d taken his sunglasses off and slid them through one of the gaps between the buttons of his work shirt. His gray eyes were steady on me as he said in that same uninterested, stern tone from before, “Hi.” I took the first package of fishing line and scanned it. “How is your day going?” “Fine.” I scanned the next package and figured I might as well go in for the kill since no one was around. “You remember that time you said you owed me?” A day ago. He didn’t say anything, and I peeked up at him. Since his eyebrows couldn’t talk, they formed a shape that told me exactly how distrustful he was feeling right then. “You do, okay. Well,” and I lowered my voice, “I was going to ask if I could redeem that favor.” Those gray eyes stayed narrowed. This was going well. I glanced around to make sure no one was listening and quickly said, “When you aren’t busy… could you teach me about all this stuff? Even if it’s just a little bit?” That got him to blink in what I was pretty sure was surprise. And to give him credit, he too lowered his voice as he asked slowly and possibly in confusion, “What stuff?” I tipped my head to the side. “All this stuff in here. Fishing, camping, you know, general knowledge I might need to work here so I have an idea of what I’m doing.” There was another blink. I might as well go for it. “Only when you aren’t super busy. Please. If you can, but if you can’t, that’s okay.” I’d just cry myself to sleep at night. No biggie. Worst case, I could hit up the library on my days off. Hang out in the grocery store parking lot and google information. I could make it work. I would, regardless. Dark, thick, black eyelashes dipped over his nice eyes, and his voice came out low and even. “You’re serious?” He thought I was shitting him. “Dead.” His head turned to the side, giving me a good view of his short but really pretty eyelashes. “You want me to teach you to fish?” he asked like he couldn’t believe it, like I’d asked him to… I don’t know, show me his wiener. “You don’t have to teach me to fish, but I wouldn’t be opposed to it. I haven’t been in forever. But more about everything else. Like, what is the point of these two different kinds of line? What are all the lures good for? Or are they called flies? Do you really need those gadgets to start a fire?” I knew I was whispering as I said, “I have so many random questions, and not having internet makes it hard to look things up. Your total is $40.69, by the way.” My landlord blinked for about the hundredth time at that point, and I was pretty sure he was either confused or stunned as he pulled his wallet out and slipped his card through the reader, his gaze staying on me for the majority of the time in that long, watchful way that was completely different from the way the older men had been eyeballing me earlier. Not sexually or with interest, but more like I was a raccoon and he wasn’t sure if I had rabies or not. In a weird way, I preferred it by a lot. I smiled. “It’s okay if not,” I told him, handing over a small paper bag with his purchases inside. The tall man took it from me and let his eyes wander to a spot to my left. His Adam’s apple bobbed; then he took a step back and sighed. “Fine. Tonight, 7:30. I’ve got thirty minutes and not one longer.” What! “You’re my hero,” I whispered. He looked at me, then blinked. “I’ll be there, thank you,” I told him. He grunted, and before I could thank him again, he was out of there so fast I had no chance to check out his butt in those work pants of his.
Mariana Zapata
dressed, went down to the bar, ordered champagne, and caught a whiff of a familiar scent. He turned, looked at her, and seemed to be seeing her for the first time. Because on the previous occasion, however often she had lain naked in his arms, she had been an appendage of Erika. Tonight she stood alone, and he realized that she was actually the more lovely of the two women, with her soft yellow hair floating past her shoulders, her crisply handsome features, her slender, long-legged body so entrancingly crowned by the surprisingly large bust, so perfectly delineated by the décolletage of her pale-blue evening gown. ‘It is me,’ she said. ‘Oh, please forgive me. I had forgotten how beautiful you are.’ She raised her eyebrows. ‘You forgot what I looked like, in three weeks? But that was a very nice thing to say.’ ‘Drink?’ ‘If it’s from that bottle, yes, please.’ She sipped appreciatively. ‘I had not expected to see you again so soon.’ ‘But you remembered what I look like.’ ‘Oh, yes. I remember every part of you. Or do you not like direct women?’ ‘I like you,’ he said. ‘Shall we dine?’ They ordered. ‘And have you come all the way to Berlin just to see me?’ she asked. ‘I’m sorry, but the answer is no. I came to collect this.’ He touched his Cross. ‘Oh, good lord!’ she said. ‘And I never noticed. The fact is, almost every officer in town nowadays has one of those …’ She paused, her mouth making an O. ‘I have done it again. Would you like to beat me?’ ‘I find that a most attractive idea. But it can keep until after dinner.’ He tasted the wine, nodded. ‘Actually,’ she said, ‘I suspect the reason so many officers in Berlin sport Iron Crosses is that the men who do not have them are doing the actual fighting. Except that we are not doing any fighting right now, are we? There is no one left to fight.’ ‘There is still the English.’ ‘Ah, yes. The English. But they are hiding behind their water wall.’ ‘They come out from time to time.’ He suddenly felt an intense dislike for this gorgeous creature, who knew so little about anything beyond the narrow limits of her sexual morality. ‘But I did not invite you here to discuss the war. I would like you to spend the night.’ ‘Just like that?’ ‘Isn’t that what you do? Or do you only do it with your girlfriends, and any company they may happen to accumulate?’ She gazed at him for several seconds. ‘In normal circumstances, I would slap your face and throw this glass of wine into it. But I think that in the mood you are in, you might hit me back, and I do not wish there to be a scene. Why do you not tell me why you are in this mood? You should be on top of the world. You have just been decorated – was it by the Fuehrer himself?’ ‘Yes.’ ‘Well, then, you have been honoured above most men. I assume he shook your hand?’ ‘Yes. Have you ever met him?’ ‘Sadly, no.’ ‘Well, maybe the whole thing made me too introspective. I apologize for what I said just now.’ She shrugged, delightfully, and finished her meal. ‘I understand your mood. Erika has often spoken of you.’ He frowned. ‘Regarding what?’ ‘Regarding everything.’ ‘Shit! I beg your pardon. But she really is a … well …’ ‘What you just said.’ ‘It’s her I ought to beat.’ Heidi drank the last of her wine. ‘But I am the one who is here.’ By the time he had locked the bedroom door she had already stepped out of her gown. She wore only
Alan Savage (Death in the Sky (RAF Saga #2))
Bring me the stars She wanted me to bring her those stars, I looked at the sky and wondered how far they could be, They had witnessed moments of triumph, romance and many wars, And from where I was they appeared too distant to me, But then a feeling greeted me suddenly, “To know how far , far can be; you must go, Bring her the stars she loves so passionately, And how much she loves you, you shall know!” I could dare the dark even the unknown, But being unable to see her would be like witnessing the sky without stars, And in my thoughts in these distant skies I have often flown, Knowing that she is beside me, kissing me, touching me, unlike these far away stars, Yet her wish, her desire, is like this night sky to me, Where the stars indeed exist, But somehow this sky of mine where she is everything, she fails to see, Perhaps this is why from seeking these new and unknown stars I resist, But tonight she kissed me with her eyes and she spread over my soul, And said, “I want those stars and the sky too.” I wondered how I could steal the empire of Gods whole, But for her love, her smile, her warm and wet kisses, I can anything do, So I held her in my embrace and felt her everywhere, Then I let her drown into my eyes, And from there, when she returned she had retrieved the sky, the stars from somewhere, Then her smile and the passion in her eyes, Poured over me like the million kisses of love, And from this night onwards, whenever she loves me in the darkness of the night, I hold her warm body in my arms and kiss her with the feeling of love, And then she dives into my eyes of passion to retrieve her objects of delight, It has been so, since that night, that starry night, When I realised how far, far can be, And with the feeling of love one can even steal the starlight, At least this is how I feel Irma, whenever you confess you love me!
Javid Ahmad Tak (They Loved in 2075!)
Before he could push me any further, I pressed him back. “I have to get to class,” I protested. “I can’t afford to miss lessons before my Elemental Trials.” “No, we wouldn’t want you to fail The Reckoning, would we?” Caleb teased, moving his mouth across my jaw and working really damn hard to keep me here. “I mean it,” I said on a laugh, pushing him back more firmly. Caleb pouted at me, refusing to step back while he kept me caged in with his body. “Come to Terra House tonight then,” he asked, his navy eyes sparkling with promises. “I won’t be going anywhere tonight, there’s a curfew, remember?” “Those rules don’t apply to me. Besides, I’ll keep you safe if you’re with me. You’ll just have to stay the whole night.” I rolled my eyes at him. “I can keep myself safe, thanks. But now I’m going to be late-” “If I run you to class will you come tonight?” he asked, his mouth slipping to my neck and sending shivers right through my spine. “If you get me there on time, I’ll consider it,” I replied. Caleb glanced at his watch then cursed, sweeping me into his arms before speeding back out of the tiny room. I managed not to shriek like a nine year old on a roller coaster, but I did cling onto his blazer like my life depended on it as the world shot past us in a blur so intense I couldn’t concentrate on a single thing. Caleb skidded to a halt right outside the Fire Arena locker rooms and placed me back on my feet before leaning close to speak in my ear. “One minute to spare. I’ll expect you tonight, sweetheart.” He pressed his mouth to mine and my heart leapt a little at the fact that he’d done so in plain sight. I had no intention of being marked as his in front of the whole school and I pulled back quickly, looking around to make sure no one had seen us. Luckily, we were already so close to being late that everyone else had already headed inside so I was spared the drama. “Don’t go getting ahead of yourself,” I warned as I headed into the girls’ locker room. “I only said I’d consider it.” The door swung closed between us and I bit down on a smile as I headed in to get changed. I almost considered refusing to wear the flame resistant outfit required for the class, but I decided that today wasn’t the day for me to have that argument with Professor Pyro. I’d just have to accept the fact that I wouldn’t have the same level of control over my fire magic as I would without it. But I’d keep practicing without the outfit until I was confident enough to prove her wrong. In the meantime I had to get through this class and hope she would just be pleased that I’d finally managed to get in a training session with Darius. The thought of the Dragon Shifter set me on edge. But I’d known I’d have to face him some time. Hopefully there would be enough going on in class to ensure that that time wouldn’t have to be now. (tory)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
Let me kiss you Irma! There in the middle, in the space between the light and dark, Let me love you in the corners bright, Where your heart beat is the mark, To guide me through the mist of time with all my might, Because my love it is you that spreads like brightness in my world, Where your memories cast everlasting light, On the darkest and desolate corners of my world, And then fills me with the spirit to fight, All my demons and my fears, Your simple look offers me endless joy, As my existence the drapery of your brightness wears, And I begin to foil life’s every ploy, To oust me from my dominion, that is mine, But little does it know one can never steal the scent from the rose, And your memories that enrich me, become my goldmine, Granting me courage that before the brightest flash of life, I may put up my best pose, So come let me bear you in my arms, Let me kiss you like the night kisses everything beyond those shadows, And as my heart with these beautiful feelings warms, Let me offer smiles to the life’s marooned widows, Who have moaned enough and grieved a lot, Let me kiss you and then wage the war, Between the right and the evil in the reality’s merciless plot, It may happen that then stars that seem too far, Would tumble from the skies, To bury the evil in the star dust, But let us tread with caution for haste is only good when catching flies, For lovers always do what they must, It is the destiny of love and maybe the price of the kiss, That we all pay for with our heart beats, So let me hold you in my arms and feel my real bliss, Before my fate confronts the destiny and my courage both of them meets, In the open playground of life and chance, Where the truthful and the valiant always wins, Because it is a well coordinated dance, Where one always has to win though it is a competition between the twins, So kiss me and wish for my victory, Because through me you shall win too, As we are cast in the life’s endless trajectory, Where there shall always be one constant Irma, that, I love you, So, let the stars bear witness to valour of love, And as you kiss me, let the stars tumble from the skies, Then let no one seek the Heavens above, Because for our love, our passions and joys, here is where a lover dies, And this is where Christ died, This is where crusades were waged, This is where goodness was promoted and this is where Judas lied, And this is where lovers are caged, So let our battles of love be fought here, For a kiss, for a warm embrace, for a sweet memory’s sake, Then as I see you and your beauty everywhere, Let me love you forever for love’s and my own sake, Tonight when the sky shall be lit with many a twinkling star, I shall wait under the open sky and the moonlight, And as my eyes behold their darling most star, We shall then be the shadows in the darkness secretly kissing our heart beats in the cover of the night. To cast particles of darkness and cover the moonlight, And make it a part of our own shadows, Then we shall create a romantic night, As we freely fleet across the night’s endless love meadows.
Javid Ahmad Tak (They Loved in 2075!)
Ten Things I Need to Know" The brightest stars are the first to explode. Also hearts. It is important to pay attention to love’s high voltage signs. The mockingbird is really ashamed of its own feeble song lost beneath all those he has to imitate. It’s true, the Carolina Wren caught in the bedroom yesterday died because he stepped on a glue trap and tore his wings off. Maybe we have both fallen through the soul’s thin ice already. Even Ethiopia is splitting off from Africa to become its own continent. Last year it moved 10 feet. This will take a million years. There’s always this nostalgia for the days when Time was so unreal it touched us only like the pale shadow of a hawk. Parmenedes transported himself above the beaten path of the stars to find the real that was beyond time. The words you left are still smoldering like the cigarette left in my ashtray as if it were a dying star. The thin thread of its smoke is caught on the ceiling. When love is threatened, the heart crackles with anger like kindling. It’s lucky we are not like hippos who fling dung at each other with their ridiculously tiny tails. Okay, that’s more than ten things I know. Let’s try twenty five, no, let’s not push it, twenty. How many times have we hurt each other not knowing? Destiny wears her clothes inside out. Each desire is a memory of the future. The past is a fake cloud we’ve pasted to a paper sky. That is why our dreams are the most real thing we possess. My logic here is made of your smells, your thighs, your kiss, your words. I collect stars but have no place to put them. You take my breath away only to give back a purer one. The way you dance creates a new constellation. Off the Thai coast they have discovered a new undersea world with sharks that walk on their fins. In Indonesia, a kangaroo that lives in a tree. Why is the shadow I cast always yours? Okay, let’s say I list 33 things, a solid symbolic number. It’s good to have a plan so we don’t lose ourselves, but then who has taken the ladder out of the hole I’ve dug for myself? How can I revive the things I’ve killed inside you? The real is a sunset over a shanty by the river. The keys that lock the door also open it. When we shut out each other, nothing seems real except the empty caves of our hearts, yet how arrogant to think our problems finally matter when thousands of children are bayoneted in the Congo this year. How incredible to think of those soldiers never having loved. Nothing ever ends. Will this? Byron never knew where his epic, Don Juan, would end and died in the middle of it. The good thing about being dead is that you don’t have to go through all that dying again. You just toast it. See, the real is what the imagination decants. You can be anywhere with the turn of a few words. Some say the feeling of out-of-the-body travel is due to certain short circuits in parts of the brain. That doesn’t matter because I’m still drifting towards you. Inside you are cumulous clouds I could float on all night. The difference is always between what we say we love and what we love. Tonight, for instance, I could drink from the bowl of your belly. It doesn’t matter if our feelings shift like sands beneath the river, there’s still the river. Maybe the real is the way your palms fit against my face, or the way you hold my life inside you until it is nothing at all, the way this plant droops, this flower called Heart’s Bursting Flower, with its beads of red hanging from their delicate threads any breeze might break, any word might shatter, any hurt might crush. Superstition Reviews issue 2 fall 2008
Richard Jackson
Tonight was one of those nights where everyone pulls over to watch the sunset. I love our drive home from town through the pineapple fields. Every sunset is an opportunity to reset.
Richie Norton
Alina splits her time between here and her mom’s apartment. She wants to live here with us, but Roman worries about our lifestyle. She’s only thirteen, and with us working for the Safronov Bratva now, it’s safer if she stays with their mom most nights. Tonight isn’t one of those nights, though, and I can tell she’s ecstatic about sleeping over.
Sonja Grey (Paved in Rage (Melnikov Bratva Book 3))
Atticus: I've been working there four fucking weeks! I'm going to be eating ramen noodles for the rest of my life. Asher: Never tried them. Atticus: Dude, fucking disgusting. Trust me. Asher: Matilda's making roast au jus for dinner tonight with those homemade Yorkshire puddings you like. Atticus: I hate you. Loathe. Despise. Basically every synonym for hate there is. Asher: Call me? My phone rang a minute later, and I whined long and loud into the receiver in place of saying hello. I'd been accused of being overly dramatic in the past. There might be some truth behind it. Asher chuckled. "You're pathetic." "Why have you not run away with me? We've been separated. I can't stand it. It's like the individual cells in my body are trying to divide again and make another you. It hurts. I can't do it twice." I whimpered again for emphasis. "Ash, I'm screwed, and not in the bend me over the hood of the Jag and pound my ass type of way. The bad way. The painful way. The oh-crap-my-bank-account-is-in-the-negative way. I'm fast running out of ideas, and you're over there living the high life and eating roast au jus with my goddamn Yorkshire puddings." "I get the sense you're trying to tell me something, but whatever it is, it's getting lost in translation. You're rambling. What's going on? Speak-a the English. What's the problem?" "What isn't the problem? I'm poor and miserable. I was not ready for adulthood this soon. Tell Mom and Dad it was all lies. It was a phase. I'm over it. Ha, good joke, right?" "Riiight, and how do you propose I magically make the burned image of your mouth around Ryan Vector's cock disappear from Matilda's mind?" "Fuck. You know what? We don't need a housekeeper. Fire her ass! Tell Mom and Dad she's a big fat liar who lies and hates me. Tell them she's stealing from them. She's an illegal immigrant! No, tell them, she's a housekeeper by day and a hooker by night. I saw her walking the streets of Fifth Avenue after sundown in a mini skirt and fishnet stockings." I paused, envisioning our sixty-year-old housekeeper/used-to-be-nanny in that kind of attire. Asher and I both audibly ewwed at the exact same time. "Dude, that's fucking gross as shit, and you know it. I just threw up in my mouth. Why would you put that image in my head?" "I regret many of my life decisions. Add it to the list. Ash, I'm serious. Just make something up. Get rid of her. We don't need a housekeeper, and we're long past requiring a nanny. Especially one who walks into rooms without knocking. What was she thinking?" "The door wasn't closed." "Not the time, Ash!" "Okay, so let's pretend for five minutes Matilda dies in a horrible car crash." "We could make that happen.
Nicky James (End Scene)
Then, in the corridors outside, in the noisy confusion of leave-taking, a boy had thrown an arm about Keating’s shoulders and whispered: “Run on home and get out of the soup-and-fish, Pete, and it’s Boston for us tonight, just our own gang; I’ll pick you up in an hour.” Ted Shlinker had urged: “Of course you’re coming, Pete. No fun without you. And, by the way, congratulations and all that sort of thing. No hard feelings. May the best man win.” Keating had thrown his arm about Shlinker’s shoulders; Keating’s eyes had glowed with an insistent kind of warmth, as if Shlinker were his most precious friend; Keating’s eyes glowed like that on everybody. He had said: “Thanks, Ted, old man. I really do feel awful about that A.G.A. medal—I think you were the one for it, but you never can tell what possesses those old fogies.” And now Keating was on his way home through the soft darkness, wondering how to get away from his mother for the night.
Ayn Rand (The Fountainhead)
faces brush. The smell of him. Herbal with a generous dose of pheromones. God. ‘How are you doing?’ he asks softly, and I nod. ‘Okay. Good. Yes.’ He grins, and those dark eyes crinkle. ‘Good for you. Would you like a sharpener?’ ‘Absolutely. One hundred percent. White wine, please.’ ‘Coming up.’ He seems amused by my nerves, but he puts a hand lightly on the small of my back and guides me between the stools to the bar. I’m vaguely aware of Maddy and Gen introducing themselves—I have a feeling those two will hit it off and Maddy will probably be a fully paid-up member by the end of the night—but, honestly, I’m far more aware of the heat of Rafe’s palm through the thin silk of my dress. I wish it was just me and him tonight. I wish that so badly. I shouldn’t have signed up for this. I should have just got hammered and shown up at the door to his flat and begged him to have sex with me. What the hell am I doing here? And then his mouth is against my ear again, and, miracle of miracles, his hand is still on my lower back. ‘You look beautiful tonight, by the way. Even more beautiful than usual, I mean.’ I risk a glance at him. His face is so close to mine. ‘Really?
Elodie Hart (Unfurl (Alchemy, #1))
Could he say how he felt about their all being here tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billon-mile-an-hour ride. We have common cause against the night. You start with little common causes. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train, bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hit by pies? We taste custard, we taste life. Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.
Ray Bradbury, Something Wicked This Way Comes
Alis coughed from the shadows of the house, and I remembered to start walking, to look toward the dais- At Tamlin. The breath knocked from me, and it was an effort to keep going down the stairs, to keep going my knees from buckling. He was resplendent in a tunic of green and gold, a crown of burnished laurel leaves gleaming on his head. He'd loosened the grip on his glamour, letting that immortal light and beauty shine through- for me. My vision narrowed on him, on my High Lord, his wide eyes glistening as I stepped onto the soft grass, white rose petals scattered down it- And Red ones. Like drops of blood amongst the white, red petals had been sprayed across the path ahead. I forced my gaze up, to Tamlin, his shoulders back, head high. So unaware of the true extent of how broken and dark I was inside. How unfit I was to be clothed in white when my hands were so filthy. Everyone else was thinking it. They had to be. Every step was too fast, propelling me toward the dais and Tamlin. And toward Ianthe, clothed in dark blue robes tonight, beaming beneath the hood and silver crown. As if I were good- as if I hadn't murdered two of their kind. I was a murderer and a liar. A cluster of red petals loomed ahead- just like the Fae youth's blood had pooled at my feet. Ten steps from the dais, at the edge of that splatter of red, I slowed. Then stopped. Everyone was watching, exactly as they had when I'd nearly died, spectators to my torment. Tamlin extended a broad hand, brows narrowing slightly. My heart beat so fast, too fast. I was going to vomit. Right over those rose petals, right over the grass and ribbons trailing into the ailse from the chairs flanking it. And between my skin and bones, something thrummed and pounded, rising and pushing, lashing through my blood- So many eyes, too many eyes, pressed on me, witness to every crime I'd committed, every humiliation- I don't know why I'd even bothered to wear gloves, why I'd let Ianthe convince me. The fading sun was too hot, the garden too hedged in. As inescapable as the vow I was about to make, binding me to him forever, shackling him to my broken and weary soul. The thing inside me was roiling now, my body shaking with the building force of it as it hunted for a way out- Forever- I would never get better, never get free of myself, of the dungeon where I'd spent three months- 'Feyre,' Tamlin said, his hand steady, as he continued to reach for mine. The sun sank past the lip of the western garden wall; shadows pooled, chilling the air. If I turned away, they'd start talking, but I couldn't make the last few steps, couldn't, couldn't, couldn't- I was going to fall apart, right there, right then- and they'd see precisely how ruined I was. Help me, help me, help me, I begged someone, anyone. Begged Lucien, standing in the front row, his metal eye fixed on me. Begged Ianthe, face serene and patient and lovely within that hood. Save me- please, save me. Get me out. End this. Tamlin took a step toward me- concern shading those eyes. I retreated a step. No. Tamlin's mouth tightened. The crowd murmured. Silk streamers laden with globes of gold faelight twinkled into life above and around us. Ianthe said smoothly. 'Come, Bride and be joined with your true love. Come, Bride, and let good triumph at last.' Good. I was not good. I was nothing, and my soul, my eternal soul was damned- I tried to get my traitorous lungs to draw air so I could voice a word. No- no. But I didn't have to say it. Thunder crackled behind me, as if two boulders have been hurled against each other. People screamed, falling back, a few vanishing outright as darkness erupted. I whirled, and through the night drifting away like smoke on a wind, I found Rhysand straightening the lapels of his black jacket. 'Hello, Feyre darkling,' he purred.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
At eighteen, Lady Joanna ben Luke had a talent for being invisible. The night of the Coronation Ball, she applied herself to the task and blended into the yellow and gold wallpaper like a chameleon. Invisibility, unfortunately, did nothing to ease her physical discomfort. She surmised the seventh ring of Hell was not much hotter than the Palace ballroom tonight. Her brown eyes widened with dread as she felt a slow rivulet of sweat run down the inside of her arm. A covert glance confirmed it, wet armpits. Great, just great. Even if they dried, which was unlikely in this heat, silk stained. She resigned herself to keeping her arms plastered to her sides for the rest of the night, which did nothing to improve her mood or ease the pain from the corset stays. Those medieval torture devices were supposed to make her appear trim. Instead, they dug painfully into her soft belly and forced her ample bosom so high she was afraid one of the straining gold buttons was going to launch and put someone’s eye out. She couldn’t even take a deep breath, trussed up and sweating like a pale chicken ten minutes into the roasting cycle.
Staci Morrison (M2-Rise of the Giants (Millennium))
Just as we were passing the school, Blake slid his hand down my arm and intertwined our fingers. “Rachel, why did you finally agree to go out with me?” When I looked up, I was surprised at his somber expression. I would have expected something a little more taunting. “Do you want me to answer that honestly?” “I’d appreciate it. I’ve asked you out for . . . shit. I don’t know, nine months now? No matter what I said, your answer was always no. Until last night.” “Well . . .” I looked down at the sidewalk passing beneath our feet. “You can tell me, it’s fine. You never were one to hide your feelings. And your hate for me lately has been a little more than apparent. I’m already expecting the worst.” “I don’t hate you. I just don’t exactly like you . . . anymore.” I squinted up at him and nudged his side with the arm he still had a firm grip on. He gave a little grunt with a forced smile. “Um, Candice is always bugging me for turning you down. She said she would stop if I agreed to one date with you.” I know, I know, I could have made something up that wasn’t so harsh. But I didn’t. If I hadn’t looked back down, I probably would have missed the pause in his step. “Figures.” We walked for a few more minutes before he paused and turned to me. “I’m not going to make you go out with me.” “You aren’t. I said I’d go.” He raised an eyebrow, making it disappear under his shaggy hair. “You also told me earlier today that we weren’t going anymore. I’m just letting you know I’ll stop. All of it. Asking you all the time, what I did today. And I’ll talk to Candice.” “Blake—” “No, Rach, I should have stopped a long time ago. I’m sorry you felt pressured into it last night. I want you to want to go on a date with me. I don’t want you to go just so she’ll drop it or because you want me to quit asking. Which I will.” I couldn’t tell if he looked more embarrassed or hurt. Is it ridiculous that I want to comfort him? “I want to go.” “No, you don’t.” Okay, still somewhat true. “I didn’t . . . before.” Ugh, who am I kidding. He knows I’m lying anyway. “Look, I don’t know what you want me to say. You can’t exactly blame me for not wanting to go out with you.” He looked as if I’d slapped him. I hurried on before I could chicken out on the rest. “I mean, come on, Blake, you were rumored to be screwing all these students, coworkers, and faculty. And not once did you try to shut down those rumors. Add to that, the Blake I grew up with is completely gone; now you’re usually kind of a douche. Why would I want to go out with someone like that?” “Rumors are going to spread no matter what I do. The more I try to stop them, the guiltier I look. Trust me. As for you thinking I’m a douche . . .” His voice trailed off and he ran a hand through his hair. “Try seeing it from my side. The only girl I’ve wanted for years now and can’t get out of my head no matter what I do repeatedly blows me off like I’m nothing.” Did he say years? Letting go of my hand, he turned away from me and ran a hand agitatedly through his hair. “Come on, I’ll walk you back to your dorm.” “What about drinks?” “I’m not going to make you do this, Rachel.” “Blake, why can’t you just be like this all the time? If how you were growing up, last night, and the last hour was how you always were . . . I probably wouldn’t have ever turned you down.” He huffed a sad laugh. “Yeah, well . . . obviously I’ve already fucked that up.” I watched him begin walking in the direction of the dorms and squeezed my eyes shut as I called after him, “You know, you kinda traumatized me tonight. I feel like you owe me a beer.” Peeking through my eyelashes, I saw him stop but not turn around. “And maybe dinner on Friday night?” When Blake turned to face me, his smile was wide and breathtaking.
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
It’s midnight. I figure it will get light about six or seven, right? We can’t just run the Blazer all night.” He paused as if he didn’t quite know what to say next. He ran his hand down his face, and I suddenly felt like laughing from sheer helplessness. I bit my lip hard, the inappropriate giggle perched at the back of my throat just waiting to jump out. I really was crazy. "I have a sleeping bag and two pillows, plus those three old blankets. It’s going to get cold when we turn off the Blazer.” Finn stopped again, as if he were uncomfortable, and the giggle escaped through my clenched lips. “Are you laughing?” “No.” “You are. Here I am feeling like a dirty old man because I’m about to suggest that we make a bed and cuddle up to keep warm, and you are laughing.” “You were going to suggest we . . . cuddle?” My shock immediately cured the giggling problem. Finn ran both hands over his face, scrubbing at it like he wanted to erase what he’d just said. “Okay,” I said in a tiny voice. He looked at me in surprise, and I couldn’t help it. I smiled. A big, wide, you-are-my-sunshine smile. “You do realize we’re in trouble here, right?” Finn shook his head like he doubted my sense, but a smile teetered around the corners of his mouth. “This isn’t a slumber party with your girlfriends and trips to the fridge for snacks.” “Hey, Clyde?” “Yeah, Bonnie?” “You will have officially slept with Bonnie Rae Shelby after tonight. You aren’t going to ask me to sign an autograph, are you? Maybe sign your hiney in permanent marker so you can take a picture and sell it to US Weekly?” “Got a little ego, there, huh?” I dove over the seat into the back, laughing. “Dibs on the pillow with a pillow case!
Amy Harmon (Infinity + One)
I am very pleased to meet you, Mister True,” said the man as he reached out to shake True’s hand. He was careful to look the angel in the eye, as he hooked his cane handle into his trousers pocket so as to free up his left hand, which he also used to shake True’s hand. “Thank you for coming over to me, sir. As you can see, I am far from agile these days.” His speech was slow, but quite deliberate and poised. “My name is Ernest Mansfield, and I came out here to tell you that I realized tonight, during your speech, that I have been a fool all of my life. I thank you for the many rebukes in your speech. You pegged me well for the fool that I am. I got caught up early in the idea that my party is better than the other, and I never stopped to realize—like you said tonight—that the party I chose is itself corrupt enough to ruin this nation on its own.” True continued to listen patiently as the man spoke, still holding True’s hand in both of his own. “I am ninety-eight years old, and I have been a sucker for this partisan trap all my life.” Those last three words got to the old man as he spoke them. He began to sob, dropping his head forward. Benjamin True put his left hand on the man’s shoulder and remained quiet, trusting that the man needed no help to express himself. “I don’t know how long I have left on this planet, but obviously, my days are short,” Ernest Mansfield continued, gaining more control over his emotions. On my way over here, I laughed at myself that it should take me ninety-eight years to learn such a simple lesson. But at least I’ve learned it now, and I can correct myself from here forward.” The angel smiled at him and said, “Yes, you can!” “Well,” continued the man, “I won’t keep you any longer, as I’m sure you have many more people to see. I came out here to pay my respects to a man who dared to tell me the truth, and I’ve done it. And so I bid you good night, sir.” “I am very glad to have met you, and I thank you for coming to find me. May your time from now on be more fruitful than you would imagine! Good night to you, as well, Ernest Mansfield.
Jack Pelham (The Extraordinary Visit of Benjamin True: The State of the Union as no one else would tell it)
So that’s it for tonight then? I can go?” An expression of sadness passed over his face, there and gone so quickly I wondered if I had imagined it. “I had hoped you might want to stay the remainder of the night here with me. The bed is quite comfortable.” “So you’re inviting me to a vampire slumber party? I don’t think so,” I said flatly. “Sorry, Corbin, but I don’t want to be here if you get horny again.” “I would do nothing but hold you, Addison. I would never ask you to pay the Crimson Debt for me.” I frowned. “You said that earlier when you were talking about finding a willing donor for Taylor. What does that mean, exactly—the Crimson Debt?” He sighed. “It’s a euphemism for feeding and sex at the same time. There is a reason for it, you know—it heals all wounds. Those of the body and of the heart.” I snorted. “All but the ones the human in question incurs, you mean.” Corbin nodded. “Paying the Crimson Debt—giving blood while making love—is a lethal combination, as we know, when a human is involved. But it is possible between two vampires or a vampire and another paranormal creature, such as a were or other shapeshifter.” “But you guys hate each other—vamps and weres, I mean,” I protested. Corbin shrugged. “Interspecies flings are generally frowned on, true. I’m just saying what’s possible.” He got off the bed and came to stand in front of me. “Just as it is possible for you to spend the night in my arms and not fear for your life.” I wanted to look away but again his eyes held me. “Corbin,” I whispered. “I…” But I didn’t know how to go on. “Stay with me, Addison,” he murmured, stroking my cheek gently. “Sleep in my arms. I’m sorry if I frightened you. I swear it won’t happen again.” “No, it won’t,” I said firmly, forcing myself to ignore the fire his tender touch started inside me. “Because I’m not going to put myself in that position again. And that means I have to leave, now.
Evangeline Anderson (Crimson Debt (Born to Darkness, #1))
The Bright Lights of Sarajevo After the hours that Sarajevans pass queuing with empty canisters of gas to get the refills they wheel home in prams, or queuing for the precious meagre grams of bread they’re rationed to each day, and often dodging snipers on the way, or struggling up sometimes eleven flights of stairs with water, then you’d think the nights of Sarajevo would be totally devoid of people walking streets Serb shells destroyed, but tonight in Sarajevo that’s just not the case The young go walking at stroller’s pace, black shapes impossible to mark as Muslim, Serb or Croat in such dark, in unlit streets you can’t distinguish who calls bread hjleb or hleb or calls it kruh. All take the evening air with stroller’s stride no torches guide them, but they don’t collide except as one of the flirtatious ploys when a girl’s dark shape is fancied by a boy’s. Then the tender radar of the tone of voice shows by its signals she approves his choice. Then match or lighter to a cigarette to check in her eyes if he’s made progress yet. And I see a pair who’ve certainly progressed beyond the tone of voice and match-flare test and he’s about, I think, to take her hand and lead her away from where they stand on two shell scars, where, in ‘92 Serb mortars massacred the breadshop queue and blood-dunked crusts of shredded bread lay on this pavement with the broken dead. And at their feet in holes made by the mortar that caused the massacre, now full of water from the rain that’s poured down half the day, though now even the smallest clouds have cleared away leaving the Sarajevo star-filled evening sky ideally bright and clear for bomber’s eye in those two rain-full shell-holes the boy sees fragments of the splintered Pleiades, sprinkled on those death-deep, death-dark wells splashed on the pavement by Serb mortar shells. The dark boy-shape leads dark girl-shape away to share one coffee in a candlelit café until the curfew, and he holds her hand behind AID flour-sacks refilled with sand
Tonny Harrison
The Bright Lights of Sarajevo After the hours that Sarajevans pass queuing with empty canisters of gas to get the refills they wheel home in prams or queuing for the precious meagre grams of bread they’re rationed to each day, and often dodging snipers on the way, or struggling up sometimes eleven flights of stairs with water, then you’d think the nights of Sarajevo would be totally devoid of people walking streets Serb shells destroyed, but tonight in Sarajevo that’s just not the case – The young go walking at stroller’s pace black shapes impossible to mark as Muslim, Serb or Croat in such dark in unlit streets you can’t distinguish who calls bread hjleb or hleb or calls it kruh. All take the evening air with stroller’s stride no torches guide them, but they don’t collide except as one of the flirtatious ploys when a girl’s dark shape is fancied by a boy’s. Then the tender radar of the tone of voice shows by its signals she approves his choice. Then match or lighter to a cigarette to check in her eyes if he’s made progress yet. And I see a pair who’ve certainly progressed beyond the tone of voice and match-flare test and he’s about, I think, to take her hand and lead her away from where they stand on two shell scars, where, in 1992 Serb mortars massacred the breadshop queue and blood-dunked crusts of shredded bread lay on this pavement with the broken dead. And at their feet in holes made by the mortar that caused the massacre, now full of water from the rain that’s poured down half the day, though now even the smallest clouds have cleared away leaving the Sarajevo star-filled evening sky ideally bright and clear for bomber’s eye in those two rain-full shell-holes the boy sees fragments of the splintered Pleiades, sprinkled on those death-deep, death-dark wells splashed on the pavement by Serb mortar shells. The dark boy-shape leads dark girl-shape away to share one coffee in a candlelit café until the curfew, and he holds her hand behind AID flour-sacks refilled with sand.
Tonny Harrison