Flare Jeans Quotes

Throughout the course of the day, Bobby Tom's irritation over his artificially oiled and dirt-smeared chest and his unzipped jeans had flared into righteous indignation. They were treating him like a sex object! It was damned demeaning, that's what it was, being reduced to a set of oil pecs and a tight ass. Shit. A dozen years in the NFL, and this was what it had all come down to. Pecs and ass.

I’ve been giving it a lot of thought since yesterday and I’ve come up with a few ideas.” “Like what?” “Like, for starters, we have got to do something about your wardrobe.” I glanced down at myself. I was wearing a pair of flare jeans and a gray t-shirt that said, “BOOK NERD”, where every straight vertical line of each letter was the spine of a book. I thought it was clever. “What’s wrong with my wardrobe?” “Honestly, nothing…if you weren’t trying to attract the attention of Matt Fisher. Which, by the way, is confusing to me. What about him makes you so hot and bothered? It can’t just be his good looks because I’m good-looking too and you hate me.

Could he not go to hospital?' asks Jean-Baptiste. The doctor flares his nostrils. 'Hospitals are very dangerous places. Particularly to one already weakened by illness.

Gray watched her,watched the rush of pink travel up from her chest to her neck and out her throat.It was beautiful.Stunning. He turned.To his right,another female,one who had been shadowing him all night,had her hands on him,trying to stroke him through his jeans. "What´s your name?"he shouted. She smiled."Marina." "You have a very pretty mouth,Marina." "So do you." His turn.He smiled too."Would you like to use it?" "Gotcha,baby,"she thought,then let her tongue flicker out to swipe at her lower lip.Grinning,she unzipped his fly and released his straining prick. Gray´s nostrils flared as she wrapped her soft hand around him,then lowered her head and took him into her mouth.

I remember how I felt the first time I walked into a Torrid or the time period where ModCloth finally started carrying sizes above XL. I gave up wearing only some version of dark jeans with blouses that swooshed over me for candy-colored, twee-patterned A-line and fit-and-flare dresses that did absolutely nothing to make me look smaller. I wasn’t small, and no number of drab patterns were going to change that. I might as well dress how I wanted, regardless. And there’s something about looking loud and in charge of your own look that can say a lot to the world, because unfortunately it’s still revolutionary to be fat and not hate yourself in public. When you wear something that won’t “disappear” you into a dark curtain, even if it isn’t covered in glitter or fringe, people get the message, subtle or otherwise, that you think you’re someone worth seeing.

She had just given Liger his food when a tap sounded on the connecting door. Priss’s heart leaped into her throat. With excitement. Not dread, or annoyance, or even indifference. Pure, sizzling stimulation. Suddenly she was wide-awake. Tamping down her automatic smile, Priss leaned on the door. “Yeah?” “Open up.” Still fighting that twitching grin, Priss tried to sound disgruntled as she asked, “Why?” Something hit the door—maybe his head—and Trace said, “I heard you up and moving around, Priss. I have coffee ready, but if you don’t want any—” Being a true caffeine junkie, she jerked open the door. “Oh, bless you, man.” She took the cup straight out of Trace’s hand, drank deeply and sighed as the warmth penetrated the thick fog of novel sentiment. “Ahhhh. Nirvana. Thank you.” Only after the caffeine ingestion did she notice that Trace wore unsnapped jeans and nothing else. Her eyes flared wide and her jaw felt loose. Holy moly. “That was my cup,” Trace told her, bemused. But Priss could only stare at him. Despite the delicious coffee she’d just poured in it, her mouth went dry. When she continued to stare at him, at his chest and abdomen, her gaze tracking a silky line of brown hair that disappeared into his jeans, Trace crossed his arms. Her gaze jumped to his face and she found him watching her with equal fascination. A little lost as to the reason for that look, Priss asked with some belligerence, “What?” With a cryptic smile, Trace shook his head. “Never mind. Help yourself, and I’ll get another.” Oh, crap, she’d snatched away his cup! “Sorry.” He lifted a hand in dismissal and went to the coffee machine sitting atop the dresser. His jeans rode low on his hips. The sun had darkened his skin, creating a sharp contrast to his fair hair. Another drink was in order, and another sigh of bliss. Hoping to regain her wits, Priss said, “God, nothing in the world tastes better than that first drink of coffee.” Trace looked over his shoulder, his attention zeroing in on her mouth, then her chest and finally down to her bare legs. “Oh, I don’t know about that.

The bottom of the sea was aflame with a vast bloody glow that spread beneath the schooner; the light slid under the keel and illuminated the sails and rigging from below. It was as though we were on a boat in the Drury Lane Theatre, lighted by an invisible row of flares. ‘Phosphorescence?’ I ventured. ‘Look,’ whispered Jellewyn. The water had become as transparent as glass. At an enormous depth, we saw great dark masses with unreal shapes: there were manors with immense towers, gigantic domes, horribly straight streets lined with frenzied houses. We appeared to be flying over a furiously busy city at an incredible height. ‘There seems to be movement,’ I said. ‘Yes.’ We could see a swarming crowd of amorphous beings engaged in some sort of feverish and infernal activity. ‘Get back!’ Jellewyn shouted, pulling me violently by the belt. One of those beings was rising toward us with astounding speed. In less than a second its immense bulk had hidden the undersea city from us; it was as though a flood of ink had instantaneously spread around us. The keel received a tremendous blow. In the crimson light, we saw three enormous tentacles, three times as high as the mainmast, hideously writhing in the air. A formidable face composed of black shadows and two eyes of liquid amber rose above the port side of the ship and gave us a terrifying look.

The sharpie uniform is perhaps the most unlikely fashion statement you will ever see, a Frankenstein’s monster of baby-doll plucked eyebrows, skinhead-meets-mullet hair, 1970s fat ties and just a hint of bovver boy. Clothes worn too tight and too small. Kerry had prepared a shopping list: • bluebird earrings • three-inch Mary Jane corkie platform shoes • treads (shoes made using recycled tyres for the sole with suede thonging for the upper) • Lee canvas jeans • beachcombers • short white bobby socks • ribbed tights • a short, flared, preferably panelled skirt • satin baggies • a striped Golden Breed t-shirt or a KrestKnit polo shirt • a tight coral necklace from the surf shop • a Conti brand striped cardigan • blue metallic eye shadow from a small pot or a crayon

One has but to consider the phenomenon of fashion, which has never been satisfactorily explained. Fashion is the despair of sociology and aesthetics: a prodigious contagion of forms in which chain reactions struggle for supremacy over the logic of distinctions. The pleasure of fashion is undeniably cultural in origin, but does it not stem even more clearly from a flaring, unmediated consensus generated by the interplay of signs? Moreover, fashions fade away like epidemics once they have ravaged the imagination, once the virus has run its course. The price to be paid in terms of waste is always exorbitant, yet everyone consents. The marvellous in our societies resides in this ultra-rapid circulation of signs at a surface level (as opposed to the ultra-slow circulation of meanings). We love being contaminated by this process, and not having to think about it. This is a viral onslaught as noxious as the plague, yet no moral sociology, no philosophical reason, will ever extirpate it. Fashion is an irreducible phenomenon because it partakes of a crazy, viral, mediationless form of communication which operates so fast for the sole reason that it never passes via the mediation of meaning. Anything that bypasses mediation is a source of pleasure. In seduction there is a movement from the one to the other which does not pass via the same. (In cloning, it is the opposite: the movement is from the same to the same without passage via the other; and cloning holds great fascination for us.) In metamorphosis, the shift is from one form to another without passing via meaning. In poetry, from one sign to another without passing via the reference. The collapsing of distances, of intervening spaces, always produces a kind of intoxication. What does speed itself mean to us if not the fact of going from one place to another without traversing time, from one moment to another without passing via duration and movement? Speed is marvellous: time alone is wearisome.

After a torrent of rapid knocking, Lucy swept past her in the hallway, threw her purse on the table, and landed her ass on the couch before turning expectantly toward Riley and patting the couch next to her. Her dark eyes examined every nuance of Riley’s appearance. “Okay, dish,” she demanded. “Every last detail.” Riley rolled her eyes and shook her head as she scooted across the floor in her sock feet. She didn’t feel great, but at least she wasn’t in full torture mode. She thought Lucy might have waited until afternoon instead of showing up at ten-thirty a.m. but what the hell. Her old sweatshirt hugged against her stomach as she pulled her arms together. “Well,” she feigned ignorance, “what do you want to talk about?” Lucy slammed her hand on the couch. “Oh, don’t you even. Right now.” She threw herself back against the couch, her face fixed in a not-to-be-toyed-with expression. Riley noted with mild interest how her breasts jiggled inside her white t-shirt. Maybe she was turning into some kind of sex fiend. “Okay, yes, he sets me on fire. I can’t help it. Blame my gender lineage.” “I could see he set you fire. Your eyes could hardly look at anything else.” She picked at a tear in her faded jeans then flared back at Riley with an expression of awe. “Of course, my eyes had a few spasms of their own in his direction. Shit, the man is a god. I can’t remember seeing a body that well put together. At least,” she arched her back, “not a male body.” Riley threw back her head and laughed. Lucy was good tonic, at the very least. “Oh my god, can you stand it?!” “No—but tell me you didn’t give in, before I pass out.” “No, we didn’t have sex. But he did kiss me and my panties nearly fell straight to my ankles,” she chuckled. “He stopped himself, thank god, or I would have had him right there on the floor.” “You were drunk.” “Oh, yeah, ridiculous drunk. He ordered steaks delivered while he drove me home, and then sliced the steak for me and practically put it in my mouth.” She couldn’t sit still, the memory forcing her up from the couch to pace. She’d spent the entire morning and half the night trying to forget everything about him, and of course the other half had been consumed with remembering everything about him. “Shit. Fire.” Lucy’s glance followed her. “I want some. Can we have him?

I rolled my eyes at him and pulled the sweatshirt over my head, adjusting the deep sweetheart neckline of my dress. I'd secretly and specifically purchased the gorgeous cherry-red vintage cocktail dress for this party. I had found a pair of black cat-eye glasses at a retro clothing store near Pike Place Market to go with the dress, and the combination made me feel confident and sophisticated. "Don't look for a minute," I instructed, shimmying out of my jeans and smoothing the hemline down. The dress nipped in at the waist and flared out in a high hemline that showed off my legs. "Okay, I'm good." Rory gave me a sideways glance and did a double take. "Wow." He pulled up to a stop sign and turned, taking me in head to toe. "You look...wow." He shook his head, seemingly at a loss for words. I felt a flush of triumph. I'd never seen him look at me like that, admiration mixed with astonishment. He seemed genuinely stunned. I slicked on some red lipstick and examined my reflection in the tiny square of Rory's passenger mirror, aware of his eyes on me. I looked glamorous, surprisingly sexy. Like a movie starlet from the 1950s, a bombshell ingenue. I sat back, feeling almost giddy with triumph. I'd worn the dress for only one person. And he had finally noticed me.

Peter and I are at Starbucks, sitting side by side, studying for our chemistry exam. Idly, he puts his arm around my chair and starts twisting my hair around his pencil and letting it unfurl like a slice of ribbon. I ignore him. He pulls my chair closer to his and plants a warm kiss on my neck, which makes me giggle. I scoot away from him. “I can’t concentrate when you do that.” “You said you like when I play with your hair.” “I do, but I’m trying to study.” I look around and then whisper, “Besides, we’re in public.” “There’s hardly anybody in here!” “There’s the barista, and that guy over there by the door.” I try to discreetly point with my pencil. Things have been quiet at school; the last thing we need is another meme flare-up. “Lara Jean, nobody’s going to film us if that’s what you’re worried about. We’re not doing anything.” “I told you from the start I’m not into PDAs,” I remind him. Peter smirks. “Really? Let’s not forget who kissed who in the hallway. You literally jumped on top of me, Covey.” I blush. “There was a purpose for that and you know it.” “There’s a purpose now,” he pouts. “The purpose is I’m bored and I feel like kissing you. Is that a crime?” “You’re such a baby,” I say, pinching his nose hard. “If you stay quiet and study for forty-five more minutes, I’ll let you kiss me in the privacy of your car.” Peter’s face lights up. “Deal.

Hear that? Living skulls! What are we doing here? What war at Troy? Does anyone care? Gods of love and hate! Aren't they the same god? All of us, all our lives, searching for the one perfect enemy- you, me, Helen, Paris, Menelaos, all those crazy Greeks! all those hapless Trojans! my dear beloved Jack! Jack and I fought all the time. I remember almost nothing but the fights - every fight a war to end all wars, you know how it goes, a righteous war, a final war, the worst fight you've ever had, you can't do this again, this time you'll get things straight one way or the other or it's over, he'll see what you mean, see you're right, fights aren't about anything except being right, are they? once and for all. You feel old. Wrong. Clumsy. You sit in two chairs on the porch. Or the kitchen. Or the front hall. Hell arrives. It's as if the war was already there, waiting, the two of you poured into it like wet concrete. The chairs you sit in are the wrong chairs, they're the chairs you never sit in because they're so uncomfortable, you keep thinking you should move but you don't, your neck hurts, you hate your neck, evening closes in. Birds move about the yard. Hell yawns. War pours out of both of you, steaming and stinking. You rush backward from it and become children, every still sentence slamming you back into the child you still are, every sentence not what you meant to say at all but the meaning keeps flaring and contracting, as sparks drop on gasoline, Fuckshit this! Fuckshit that! no reason to live. You're getting vertigo. He's being despicable. Your mother was like this. Stop whimpering. No use asking, What is this about? Don't leave the room. I have to leave the room. Breathless, blaming, I'm not blaming! How is this not blaming! Hours pass or do they. You say the same things or are they different things? Hell smells stale. Fights aren't about anything, fights are about themselves. You're stiff. You hate these chairs. Nothing is resolved. It is too dark to see. You both go to bed and doze slightly, touching slightly. In the night a nightmare. Some giant bird, or insect, some flapping thing, trying to settle on the back of your neck, you can't see what it is or get it off. Pure fear. Scream unearthly. He jerks you awake. Oh sweetie, he says. He is using his inside voice, his most inside voice. The distance between that voice and the fight voice measures your whole world. How can a voice change so. You are saved. He has saved you. He sees you saved. An easement occurs, as night dew on leaves. And yet (you think suddenly) you yourself do not possess sort of inside voice - no wonder he's lonely. You this cannot offer this refuge, cannot save him, not ever, and, although physiological in origin, or genetic, or who knows, you understand the lack is felt by him as a turning away. No one can heal this. You both decide without words to just - skip it. You grip one another. In the night, in the silence, the grip slowly loosens and silence washes you out somewhere onto a shore of sleep. Morning arrives. Troy is still there. You hear from below the clatter of everyone putting on their armour. You go to the window.

I realized something tonight when you were in the arena doing your thing.” She took another deep breath of the roses’ scent. “What was it?” “I love you, Elle.” Her eyes flared wide to search his and her heart stopped. “Do you love me?” “Yes, I love you, Chase.” Simple, sure, an indisputable fact she couldn’t’ve held on her tongue if she’d wanted to. But was she ready to love somebody who loved her back? Was she? “You had me since Spin Master,” he said, with that grin she loved. “But I didn’t know it ‘til tonight.” “Oh, well, then, I get it,” she said, smiling back. “You only loved me ‘cause I saved your life.” “I want you to save it again.” He stood up to pull something out of the front pocket of his starched jeans. He reached for her hand. “I’m asking you to marry me, Elle. Will you?” Tears blurred her vision. They caught in her throat. Oh, God, how could she ever be a wife again? But how could she ever leave Chase? She tried to buy herself a little time to think. “You said you don’t trust women.” “Only you. I trust you. I trusted you with my life the first time I ever saw you.” That made her grin. And then she felt very solemn. He was looking right into her soul, holding her hand in his big calloused one. She clung to it. “You’re in a league of your own, Elle. Not just was a bull-fighter, but in every way.” She didn’t know what to say. She didn’t know what to think. She knew she loved him, but this was scary. “You’re not the marrying kind, Chase. You’ve told me that a dozen times.” “I changed my mind.” “I’ve been married, Chase. It didn’t last. I left him.” He lifted one big shoulder. “What will last is that I love you,” he said. “That’ll never change. I’ll follow you all over the country if I have to, just to get a glimpse of you. Just to hear you laugh. You can work as many rodeos as you want. You can do anything you want and even if I’m not there, wherever I am, I’ll be loving you. Until I die.” “You’re looking at me as if it’s a done deal,” she said, smiling. His grin broadened. “It is. I can convince you. I know I’m good.” She laughed. “You might as well save us some time. You know I got no quit in me.” “Yes, I do know that.” “So what do you say?” “The main problem is that you’re not the man who’ll do everything I say. I told you that’s what I have to have before I’ll marry again.” “How d’you know I’m not him? I’ve been pretty pliable here lately, wouldn’t you say?” “You are so full of it, Chase Lomax.” “You’re the one who told me I have to get a life after rodeo. Well, that’s exactly what I’m tryin’ to do, right here.

There are plenty of boys clustered around the wall, laughing, shoving each other playfully, yelling, competing for the attention of the girls. But somehow I know that the one who’s staring at me is the boy leaning against the post holding up the canopy, his shoulders square to it, his head ducked over the cigarette he’s holding, a tiny red point flaring in the shadow as he pulls on the filter. I shake my head and say firmly to myself, Smoking’s disgusting. I’m still looking, though. He’s tall and slim, I can tell that much. And his hair, dropping over his forehead, is jet-black, as if he were a hero in a manga book, drawn with pen and ink, two or three thick glossy strands separating into perfect dark curves. I snap my head back from the lurker in the shadows to the actual boy still holding my hand, only to see that Leonardo is looking over my shoulder in the same direction. “Luca!” he exclaims, dropping my hand to wave at someone. “Finalmente!” I am determined not to turn. Just in case it’s the same boy. I don’t want to look too interested, or too eager. Besides, he might be really ugly. Or spotty. Or have some silly chinstrap shaved onto his face-- “Eccolo!” Leonardo’s saying happily, and it would be silly of me, by now, not to turn to face the person who’s strolled over and is leaning against the side of the table. I look up at him, and my heart stops for a moment. “Luca!” Andrea says, echoing Leonardo. “Finalmente!” “This is Luca, our friend,” Leonardo says happily as I think: Luca. Finally. “Ciao,” Luca says, nodding at us, his long legs stretched out, crossed at the ankles. He’s wearing a dark blue shirt tucked into black jeans, and silver rings on a couple of his long fingers, the cigarette held loosely between them. His inky hair tumbles over his forehead, and I see, with a shock like a knife to the chest, that his eyes, heavily fringed with thick black lashes, are the midnight blue of sapphires or deep seawater. I can’t speak.

You…” His head shook slowly, gaze never leaving my breasts. “Have so much trouble following rules.” “Yeah,” I huffed. “And you love it.” Hungry eyes flashed up, a predatory glint shading the colors of his stare. “Do you know why I love it?” “Because you get to punish me when I’m bad?” Approval flared across his face, and well-worked hands trailed down my waist to the band of my jeans. If possible, his voice was hotter than his stare. “That’s correct, Ms, Sanders.

My jaw tics at the tight jeans Lena’s wearing and that stupid fucking crop top that leaves very little to the imagination. This one doesn’t have a smiley face on it, but it’s still more revealing than I’d like it to be the moment she removes her black leather jacket. I have no idea why that actually bothers me. I usually don’t even notice what a woman’s wearing. So why has she gotten under my skin? Is it because she called me old? My nostrils flare.

She answered him by reaching back, between his thighs, and gently encircling his scrotum with thumb and forefinger. She rocked there for a minute in the dark, erect above him, her other hand on his neck. The leather of her jeans creaked softly with the movement. Case shifted, feeling himself harden against the temperfoam. His head throbbed, but the brittleness in his neck seemed to retreat. He raised himself on one elbow, rolled, sank back against the foam, pulling her down, licking her breasts, small hard nipples sliding wet across his cheek. He found the zip on the leather jeans and tugged it down. “It’s okay,” she said, “I can see.” Sound of the jeans peeling down. She struggled beside him until she could kick them away. She threw a leg across him and he touched her face. Unexpected hardness of the implanted lenses. “Don’t,” she said, “fingerprints.” Now she straddled him again, took his hand, and closed it over her, his thumb along the cleft of her buttocks, his fingers spread across the labia. As she began to lower herself, the images came pulsing back, the faces, fragments of neon arriving and receding. She slid down around him and his back arched convulsively. She rode him that way, impaling herself, slipping down on him again and again, until they both had come, his orgasm flaring blue in a timeless space, a vastness like the matrix, where the faces were shredded and blown away down hurricane corridors, and her inner thighs were strong and wet against his hips. O

Right across the species, everything must be stored away and put under seal - including the famous genome - doubtless for the use of a later race, who will exploit it as fossil material. We shall ourselves, by the combined pressure of the mass of computer data and the continental drift, be transformed into a metamorphic deposit (the Unconscious already seems like a psychical residue of the Carboniferous). Right now, one has the impression the human race is merely turning in on itself and its origins, desperately gathering together its distress flares and dematerializing to transform itself into a message. But a message to whom? Everyone is looking for a safe area, some form of permanent plot that can eclipse existence as a primary abode and protect us from death. The unfortunate thing is there aren't even any plots held in perpetuity in the cemeteries any more.

Wow," she whispered. The clothes definitely looked like something she would wear. Scoop-neck tops and slinky skirts, hipster flare jeans and a leopard camisole. Even the shoes were perfect. Mary Janes with thick, chunky soles, bungee sneakers, and boots. She slipped off her leather jacket, tore off the tag on a fuzzy hooded sweater, and pulled it over her head. She liked the way the sleeves came down to the tips of her fingers. Automatically she poked her thumbs through the weave and smiled.

These are the 57 PIECES FOR THE INITIAL BASIC WARDROBE IN TRANS-SEASONAL FABRIC (best if KNITTED with stretch) See the List below in linear order with Cycles. The 27 for Cycle 2 are starred [*] with details listed for each. Later you can add 2 more seasons to this INITIAL WARDROBE FOR YOUR WORK & FULL LIFESTYLE. 6 - (3 SETS) UNDER SHAPERS of stretch to hold the body tight. (Cycle 1) *2 - JACKET LONG AND LEAN, 2 for each season, plus Holiday and Resort. (Cycle 1 & 2) *2 - TROUSERS (easy fit) flattering on your shape either:fitted, flared or straight. 2 for each season plus Holiday and Resort (Cycles 1 & 2) *1 - PENCIL SKIRT or a fitted, flared, or stitched-down-pleats, flattering Silhouette. (Cycle 1 & 2) *1 - JEAN, dark navy denim or black knit, both with stretch. (Cycle 1 & 2) 7 - TANKS, for the bottom necessary layer (Cycle 1) *3 - TOPS/BLOUSES/SHIRTS (Cycle 1 & 2) *1 - DAY-DRESS (Cycle 1 & 2) 1 – L.B.D. (Cycle 1, then as needed) 1 - EVENING BLACK JERSEY GOWN (Cycle 1, then as needed) 2 - RAINCOAT WITH ZIP OUT LINING AND AN UMBRELLA THAT IS FOLDABLE (Cycle 1 = 2) then, a WINTER COAT (Cycle 2 = 1, other Cycles select a jacket/sweater coat/art piece coat)

Something warm flares in my chest until it becomes almost painful to look at her. And that’s it. Her standing there in snow-soaked jeans pushing all her anger and hurt to the side to help me. Her with her hands on her hips and her smudged mascara from rubbing her eyes in the car.