Females Playing Games Quotes

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And what if you try to kill me? Or worse: to kiss me?
Simona Panova (Nightmarish Sacrifice (Cardew))
When people grow up in a home where extramarital sex is condoned, they’re much less likely to regard it as a deal-breaker. Jacqueline Bouvier’s father, ‘Black Jack,’ confided in her about his female conquests, even going so far as to play a game with Jackie when he visited her at boarding school. She would point to a classmate’s mother, and Jack would respond, ‘Yes’ or ‘Not yet’ — answering the silent question, had he slept with that one?
Anne Michaud (Why They Stay: Sex Scandals, Deals, and Hidden Agendas of Eight Political Wives)
Only a woman is capable of stalking someone, just so she could have the pleasure of ignoring him.
Aleksandra Ninković (Write like no one is reading)
I'm actually a hardcore otaku who likes maids more than having three meals a day. And I only read books related to maids. Also, I only visit maid cafes. Of course, I also collect maid figurines. I play games which feature female maids and it turns me on so much. Then I'll wear the maid uniforms and jump in joy. I'll take my leave now.
Hiro Fujiwara
The dog, who had sounded so ferocious in the winter distances, was a female German Shepherd. She was shivering. Her tail was between her legs. She had been borrowed that morning from a farmer. She had never been to war before. She had no idea what game was being played. Her name was Princess.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Mami wanted me to be a lady: sit up straight, cross my ankles, let men protect me. Papi wanted me to be a leader. To think quick & strike hard, to speak rarely, but when I did, to always be heard. Me? Playing chess taught me a queen is both: deadly & graceful, poised & ruthless. Quiet & cunning. A queen offers her hand to be kissed, & can form it into a fist while smiling the whole damn time. But what happens when those principles only apply in a game? & in the real world, I am not treated as a lady or a queen, as a defender or opponent but as a girl so many want to strike off the board.
Elizabeth Acevedo (Clap When You Land)
We teach brilliance bias to children from an early age. A recent US study found that when girls start primary school at the age of five, they are as likely as five-year-old boys to think women could be 'really really smart'. But by the time they turn six, something changes. They start doubting their gender. So much so, in fact, that they start limiting themselves: if a game is presented to them as intended for 'children who are really, really smart', five-year-old girls are as likely to want to play it as boys - but six-year-old girls are suddenly uninterested. Schools are teaching little girls that brilliance doesn't belong to them. No wonder that by the time they're filling out university evaluation forms, students are primed to see their female teachers as less qualified.
Caroline Criado Pérez (Invisible Women: Data Bias in a World Designed for Men)
I’m such a negative person, and always have been. Was I born that way? I don’t know. I am constantly disgusted by reality, horrified and afraid. I cling desperately to the few things that give me some solace, that make me feel good. I hate most of humanity. Though I might be very fond of particular individuals, humanity in general fills me with contempt and despair. I hate most of what passes for civilization. I hate the modern world. For one thing there are just too Goddamn many people. I hate the hordes, the crowds in their vast cities, with all their hateful vehicles, their noise and their constant meaningless comings and goings. I hate cars. I hate modern architecture. Every building built after 1955 should be torn down! I despise modern music. Words cannot express how much it gets on my nerves – the false, pretentious, smug assertiveness of it. I hate business, having to deal with money. Money is one of the most hateful inventions of the human race. I hate the commodity culture, in which everything is bought and sold. No stone is left unturned. I hate the mass media, and how passively people suck up to it. I hate having to get up in the morning and face another day of this insanity. I hate having to eat, shit, maintain the body – I hate my body. The thought of my internal functions, the organs, digestion, the brain, the nervous system, horrify me. Nature is horrible. It’s not cute and loveable. It’s kill or be killed. It’s very dangerous out there. The natural world is filled with scary, murderous creatures and forces. I hate the whole way that nature functions. Sex is especially hateful and horrifying, the male penetrating the female, his dick goes into her hole, she’s impregnated, another being grows inside her, and then she must go through a painful ordeal as the new being pushes out of her, only to repeat the whole process in time. Reproduction – what could be more existentially repulsive? How I hate the courting ritual. I was always repelled by my own sex drive, which in my youth never left me alone. I was constantly driven by frustrated desires to do bizarre and unacceptable things with and to women. My soul was in constant conflict about it. I never was able to resolve it. Old age is the only relief. I hate the way the human psyche works, the way we are traumatized and stupidly imprinted in early childhood and have to spend the rest of our lives trying to overcome these infantile mental fixations. And we never ever fully succeed in this endeavor. I hate organized religions. I hate governments. It’s all a lot of power games played out by ambition-driven people, and foisted on the weak, the poor, and on children. Most humans are bullies. Adults pick on children. Older children pick on younger children. Men bully women. The rich bully the poor. People love to dominate. I hate the way humans worship power – one of the most disgusting of all human traits. I hate the human tendency towards revenge and vindictiveness. I hate the way humans are constantly trying to trick and deceive one another, to swindle, to cheat, and take unfair advantage of the innocent, the naïve and the ignorant. I hate the vacuous, false, banal conversation that goes on among people. Sometimes I feel suffocated; I want to flee from it. For me, to be human is, for the most part, to hate what I am. When I suddenly realize that I am one of them, I want to scream in horror.
Robert Crumb
The game is a dominance game called I Must Impress This Woman. Failure makes the active player play harder. Wear a hunched back or a withered arm; you will then experience the invisibility of the passive player. I'm never impressed -- no woman ever is -- it's just a cue that you like me and I'm supposed to like that. If you really like me, maybe I can get you to stop. Stop; I want to talk to you! Stop; I want to see you! Stop; I'm dying and disappearing! SHE: Isn't it just a game? HE: Yes, of course. SHE: And if you play the game, it means you like me, doesn't it? HE: Of course. SHE: Then if it's just a game and you like me, you can stop playing. Please stop. HE: No. SHE: Then I won't play. HE: Bitch! You want to destroy me. I'll show you. (He plays harder) SHE: All right. I'm impressed. HE: You really are sweet and responsive after all. You've kept your femininity. You're not one of those hysterical feminist bitches who wants to be a man and have a penis. You're a woman. SHE: Yes. (She kills herself)
Joanna Russ (The Female Man)
Right-wing women have surveyed the world: they find it a dangerous place. They see that work subjects them to more danger from more men; it increases the risk of sexual exploitation. They see that creativity and originality in their kind are ridiculed; they see women thrown out of the circle of male civilization for having ideas, plans, visions, ambitions. They see that traditional marriage means selling to one man, not hundreds: the better deal. They see that the streets are cold, and that the women on them are tired, sick, and bruised. They see that the money they can earn will not make them independent of men and that they will still have to play the sex games of their kind: at home and at work too. They see no way to make their bodies authentically their own and to survive in the world of men. They know too that the Left has nothing better to offer: leftist men also want wives and whores; leftist men value whores too much and wives too little. Right-wing women are not wrong. They fear that the Left, in stressing impersonal sex and promiscuity as values, will make them more vulnerable to male sexual aggression, and that they will be despised for not liking it. They are not wrong. Right-wing women see that within the system in which they live they cannot make their bodies their own, but they can agree to privatized male ownership: keep it one-on-one, as it were. They know that they are valued for their sex— their sex organs and their reproductive capacity—and so they try to up their value: through cooperation, manipulation, conformity; through displays of affection or attempts at friendship; through submission and obedience; and especially through the use of euphemism—“femininity, ” “total woman, ” “good, ” “maternal instinct, ” “motherly love. ” Their desperation is quiet; they hide their bruises of body and heart; they dress carefully and have good manners; they suffer, they love God, they follow the rules. They see that intelligence displayed in a woman is a flaw, that intelligence realized in a woman is a crime. They see the world they live in and they are not wrong. They use sex and babies to stay valuable because they need a home, food, clothing. They use the traditional intelligence of the female—animal, not human: they do what they have to to survive.
Andrea Dworkin (Right-Wing Women)
She is playing a game that she doesn't want to play, but can't seem to quit. As a player she wishes to see how the game concludes, but she also wishes the other player would retreat. She wants to win after-all and she makes for a sore loser, but her combatant uses his moves to keep her off-guard and primed for his advance. Should she block him, outmaneuver him, or just play dead until his back is turned? Isn't the last the way of the female?
Donna Lynn Hope
Never having seen women play chess, they assumed this game wasn't for them and without even a female teacher as role model, they dropped out.
Gloria Steinem (Revolution from Within)
Do I want to bed her? Sure. So mount a campaign, maneuver her into bed without commitments. Don’t play the game of life according to female rules, all’s fair in war and war. What’s love anyway? It’s like Casey said, sex’s only a part of it.
James Clavell (Noble House (Asian Saga Book 5))
There are few things as tragic as when we tacitly agree to the notion that our unchangeable truth is somehow invalid. Less than. Broken. Wrong. That pretending is necessary for professional opportunity or personal acceptance. I’ve done it a million times in ways large and small, and I can tell you this: trying to hide in plain sight is frustrating, disorienting, isolating—an exhausting game of (only possible) short-term gains in exchange for very-certain long-term exclusion. When we agree to play, we not only hide and cast doubt upon our experiences. We’ve willingly participated in the invalidation of ourselves.
Jennifer O'Toole (Autism in Heels: The Untold Story of a Female Life on the Spectrum)
What kind of shit was I? I could certainly play some nasty, unreal games. What was my motive? Was I trying to get even for something? Could I keep on telling myself that it was merely a matter of research, a simple study of the female? I was simply letting things happen without thinking about them. I wasn't considering anything but my own selfish, cheap pleasure. I was like a spoiled high school kid. I was worse than any whore; a whore took your money and nothing more. I tinkered with lives and souls as if they were playthings. How could I call myself a man? How could I write poems? What did I consist of? I was a bush-league de Sade, without his intellect. A murderer was more straightforward and honest than I was. Or a rapist. I didn't want my soul played with, mocked, pissed on; I knew that much at any rate. I was truly no good. I could feel it as I walked up and down on the rug. No good. The worst part of it was that I passed myself off for exactly what I wasn't - a good man. I was able to enter people's lives because of their trust in me. I was doing my dirty work the easy way. I was writing The Love Tale of the Hyena.
Charles Bukowski (Women)
Telling Mom was one thing. Telling Dad is another. He’s in the living room smoking and watching what he claims is a very important Yankees game. It’s in the ninth inning and the teams are tied. I consider backing out, maybe waiting another week or so, but maybe he won’t actually care when I tell him. Maybe all that stuff he said when I was younger, about never acting like a girl or playing with any female action figures, will go away once he realizes I am the way I am without any choice. Maybe he’ll accept me. Mom follows me into the living room and sits down on Eric’s bed. “Mark, do you have a minute? Aaron has something he wants to talk about.” He exhales cigarette smoke. “I’m listening.” He never looks away from the game.
Adam Silvera (More Happy Than Not)
Camus, I don’t want to keep playing this game of hide and seek knowing I’m going to lose. If I go down, I go down in flames. Fighting.
Alexandra Ding (A City Without Birds)
She didn't play the game, she changed the game!
Stephanie Lahart
Do you never have the sense that our metaphors eat up our world? I mean of course everything connects and connects — all the time — and I suppose one studies — I study — literature because all these connections seem both endlessly exciting and then in some sense dangerously powerful — as though we held a clue to the true nature of things? I mean, all those gloves, a minute ago, we were playing a professional game of hooks and eyes — mediaeval gloves, giants' gloves, Blanche Glover, Balzac's gloves, the sea-anemone's ovaries — and it all reduced like boiling jam to — human sexuality. Just as Leonora Stern makes the whole earth read as the female body — and language — all language. And all vegetation is pubic hair.
A.S. Byatt (Possession)
Some scientist in Europe took a bunch of women and had them play online chess against male opponents in their same rating bracket. When the female players didn’t know the gender of their opponent, they won fifty percent of the games. When the female players were led to believe that their opponent was a woman, they won fifty percent of the games. When they were told that they were playing against men, their performance dropped. But in truth, their opponents were always the same.
Ali Hazelwood (Check & Mate)
Women are taught to sacrifice, to play nice, to live an altruistic life because a good girl is always rewarded in the end. This is not a virtue; it is propaganda. Submission gets you a ticket to future prosperity that will never manifest. By the time you realize the ticket to success and happiness you have been sold isn’t worth the paper it was printed on, it will be too late. Go on, spend a quarter of your life, even half of your life, in the service of others and you will realize you were hustled. You do not manifest your destiny by placing others first! A kingdom built on your back doesn’t become your kingdom, it becomes your folly. History does not remember the slaves of Egypt that built the pyramids, they remember the Pharaohs that wielded the power over those laborers. Yet here you are, content with being a worker bee, motivated by some sales pitch that inspires you to work harder for some master than you work for yourself, with this loose promise that one day you will share in his wealth. Altruism is your sin. Selfishness is your savior. Ruthless aggression and self-preservation are not evil. Why aren’t females taught these things? Instead of putting themselves first, women are told to be considerate and selfless. From birth, they have been beaten in the head with this notion of “Don’t be selfish!” Fuck that. Your mother may have told you to wait your turn like a good girl, but I’m saying cut in front of that other bitch. Club Success is about to hit capacity, and you don’t want to be the odd woman out. Where are the powerful women? Those who refuse to play by those rules and want more out of life than what a man allows her to have? I created a category for such women and labeled them Spartans. Much like the Greek warriors who fought against all odds, these women refuse to surrender and curtsy before the status quo. Being
G.L. Lambert (Men Don't Love Women Like You: The Brutal Truth About Dating, Relationships, and How to Go from Placeholder to Game Changer)
Paul, all I know is that this is the third time we've talked tonight, you're saying 'fuck' to me, I'm a guy, and your penis has been mentioned numerous times. Jesus, you're acting like you're some teenager. Work through this shit with a shrink, man. I don't care if you're gay.' Here again, I achieved silence. But not for long. The breathing became heavy and then, 'What the fuck kind of game are you playing?' 'It's no game, man. You want to close a sale? I want to see your penis. It's a fair exchange if you ask me.' He hung up again, and I reached for my perfectly spicy, scratch-your-throat-like-a-cat-claw-hot Blenheim ginger ale and took a long swallow. This particular credit card company has not called me again. And, to my delight, AT&T never called me again after I asked one of their friendly Southern females if by any chance she happened to be a male-to-female transsexual, and if so, what vaginal depth her surgeon had managed to attain for her. 'Four inches is pretty common,' I told her. 'But if you dilate religiously, you can probably achieve five.' I even got the phrase 'self-lubricating' out before she hung up on me.
Augusten Burroughs (Magical Thinking: True Stories)
Nash’s equilibrium, when it exists, is that point where neither player can do any better, or have no regrets, given what the opponent has done. Neither can have regrets because of how the other person played the game. It may not be the best option for either player, but it’s the best under the circumstances. There isn’t always an equilibrium in a game, or a Nash equilibrium in a game theory matrix. However, if it exists, in many cases the Nash equilibrium is a far better outcome for both players than the von Neumann saddle point. In the Kelley apartment cleaning game-theory matrices above, the Nash equilibrium is for them both to clean. Consider his payoffs. He does much better if he cleans no matter what she decides to do (because 5.7 is much greater than -2.2). Now consider her payoffs. She also does better if she cleans no matter what he does (because 8.5 is much greater than -6.6). So they have a stable Nash equilibrium at the joint strategy = (Male Cleans, Female Cleans). Then neither of them can have regrets about that choice because with that choice neither of them can do any better, regardless of what the partner does. With the Nash equilibrium their strategy is to maximize one’s own gains even if it means maximizing the partner’s gains (as well as one’s own).
John M. Gottman (The Science of Trust: Emotional Attunement for Couples)
Nick and I, we sometimes laugh, laugh out loud, at the horrible things women make their husbands do to prove their love. The pointless tasks, the myriad sacrifices, the endless small surrenders. We call these men the dancing monkeys. Nick will come home, sweaty and salty and beer-loose from a day at the ballpark,and I’ll curl up in his lap, ask him about the game, ask him if his friend Jack had a good time, and he’ll say, ‘Oh, he came down with a case of the dancing monkeys – poor Jennifer was having a “real stressful week” and really needed him at home.’ Or his buddy at work, who can’t go out for drinks because his girlfriend really needs him to stop by some bistro where she is having dinner with a friend from out of town. So they can finally meet. And so she can show how obedient her monkey is: He comes when I call, and look how well groomed! Wear this, don’t wear that. Do this chore now and do this chore when you get a chance and by that I mean now. And definitely, definitely, give up the things you love for me, so I will have proof that you love me best. It’s the female pissing contest – as we swan around our book clubs and our cocktail hours, there are few things women love more than being able to detail the sacrifices our men make for us. A call-and-response, the response being: ‘Ohhh, that’s so sweet.’ I am happy not to be in that club. I don’t partake, I don’t get off on emotional coercion, on forcing Nick to play some happy-hubby role – the shrugging, cheerful, dutiful taking out the trash, honey! role. Every wife’s dream man, the counterpoint to every man’s fantasy of the sweet, hot, laid-back woman who loves sex and a stiff drink. I like to think I am confident and secure and mature enough to know Nick loves me without him constantly proving it. I don’t need pathetic dancing-monkey scenarios to repeat to my friends, I am content with letting him be himself. I don’t know why women find that so hard.
Gillian Flynn (Gone Girl)
When I stopped viewing girls as potential girlfriends and started treating them as sisters in Christ, I discovered the richness of true friendship. When I stopped worrying about who I was going to marry and began to trust God’s timing, I uncovered the incredible potential of serving God as a single. . . . I believe the time has come for Christians, male and female, to own up to the mess we’ve left behind in our selfish pursuit of short-term romance. Dating may seem an innocent game, but as I see it, we are sinning against each other. What excuse will we have when God asks us to account for our actions and attitudes in relationships? If God sees a sparrow fall (Matthew 10:29), do you think He could possibly overlook the broken hearts and scarred emotions we cause in relationships based on selfishness? Everyone around us may be playing the dating game. But at the end of our lives, we won’t answer to everyone. We’ll answer to God. . . . Long before Seventeen magazine ever gave teenagers tips on dating, people did things very differently. At the turn of the twentieth century, a guy and girl became romantically involved only if they planned to marry. If a young man spent time at a girl’s home, family and friends assumed that he intended to propose to her. But shifting attitudes in culture and the arrival of the automobile brought radical changes. The new “rules” allowed people to indulge in all the thrills of romantic love without having any intention of marriage. Author Beth Bailey documents these changes in a book whose title, From Front Porch to Backseat, says everything about the difference in society’s attitude when dating became the norm. Love and romance became things people could enjoy solely for their recreational value. Though much has changed since the 1920s, the tendency of dating relationships to move toward intimacy without commitment remains very much the same. . . . Many of the attitudes and practices of today’s dating relationships conflict with the lifestyle of smart love God wants us to live.
Joshua Harris
The creative side of the female operates imperceptibly: its province is the potential man. When its play is unrestricted the level of the race is raised. One can always gauge the level of a period by the status of its womankind. Something more than freedom and opportunity are here involved because Woman's true nature never expressed itself in demands. Like water, woman always finds her own level. And like water also, she mirrors faithfully all that passes in the soul of man. What is called truly feminine therefore is only the deceptive masquerade which the uncreative male blindly accepts as the real show. It is the flattering substitute which the thwarted female offers in self-defense. It is the homosexual game which Narcissus exacts. It is most flagrantly revealed when the partners are extremely masculine and feminine. It can be mimicked most successfully in the shadow play of the avowed homosexuals. It reaches its blind culmination in the Don Juan. Here the pursuit of the unattainable reaches the burlesk proportions of a Chaplinesque pursuit. The end is always the same: Narcissus drowning in his own image.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
Feelings of a Pimp They think I was a player because I was devoted to the game They thought I worked hard on my offense to break down these women’s defenses just to score They think it’s the body count that made me manipulate them into my arms to get between their legs They think I’m satisfied with a different woman in my bed every night When during the day, even my bed can feel the loneliness They think I love the easy women They think it’s for the cool points that my heart grew cold They think they have me figured out Another dog chasing after every female dog in the streets They think I’m happy with all the texting buddies, but no wife But they don’t know They don’t know how tired I am of this, how tired I am of myself How tired I am of living like this How tired I am of these games, but that’s the only way I can score with a chick They don’t know how after sleeping with these ladies, I wish I had more chemistry with at least one of them to cuddle, to give goodnight kisses and wake up beside They don’t know how loneliness consumes me With a phone filled with women’s numbers, I still feel unwanted and unworthy They don’t know these easy women make it easy for me to feel confident about myself; although it’s the wrong type of confidence I feel validated by them, I feel accomplished, I feel loved although I’m having sex with them, not making love They don’t know how tired I am of chasing fool’s gold Chasing fast women who would sleep with me in a heartbeat Leaving me with the empty feeling I felt before I started the chase The player in me is played out. I just want love, but that’s the only thing I can’t seem to find So, I keep pimping in hope of finding love Her insecurities were beautiful They opened the door for me as an opportunist She was the perfect candidate Oh so sweet, but oh so hurt How smart would I be if I didn’t capitalize? Some fellas get women drunk and have their way with them I was doing nothing wrong but pretending to be prince charming, just to get the same results I became what they needed emotionally I was the shoulder to cry on, the ear to listen to, the one person who understood I was a smooth criminal manipulating the innocent Did not feel an ounce of guilt because I was weak myself I was insecure I couldn’t help preying on vulnerable women In their weakness I found strength I was a coward, a “wannabe” player I was playing the wrong games, winning the wrong prizes The truth is, no strong man takes advantage of a woman’s vulnerability. It is a trait of the weak. Diary of a Weak Man
Pierre Alex Jeanty (Unspoken Feelings of a Gentleman)
Although a 2015 Pew Research Center report53 found that equal numbers of American men and women play video games, only 3.3%54 of the games spotlighted at press conferences during 2016’s E3 (the world’s largest annual gaming expo) starred female protagonists. This is actually lower than the figure for 2015 which, according to Feminist Frequency, was 9%.55 If female playable characters do make it into a game they are still often framed as just another feature.
Caroline Criado Pérez (Invisible Women: Exposing Data Bias in a World Designed for Men)
I won’t play the game—I don’t bake cupcakes and make cooing noises over pictures of everyone’s kids. If a man doesn’t bake cupcakes and make cooing noises, you know what they call him? Senior Partner. Ben hasn’t made cupcakes once. But men expect you to be more thoughtful than they are—softer, more accommodating. And when you are paid less than your peers, or assaulted on a date, or lose a promotion, they’ll tell you it was your fault—you were too soft, too accommodating.
Elizabeth O'Roark (The Devil You Know (The Devils, #3))
I called the Keep, introduced myself to the disembodied female voice on the phone, and asked for the Beast Lord. In less than fifteen seconds Curran came on the line. “I’m going into hiding with Jim.” The silence on the other side of the phone had a distinctly sinister undertone. Perhaps he thought that his kissing superpowers had derailed me. Fat chance. I would keep him from having to kill Derek. That was a burden he didn’t need. “I thought about this morning,” I said, doing my best to sound calm and reasonable. “I’ve instructed the super to change the locks. If I ever catch you in my apartment again, I will file a formal complaint. I’ve taken your food, under duress, but I did take it. You rescued me once or twice, and you’ve seen me near naked. I realize that you’re judging this situation by shapeshifter standards, and you expect me to fall on my back with my legs spread.” “Not necessarily.” His voice matched mine in calmness. “You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.” I didn’t grind my teeth—he would’ve heard it. I had to be calm and reasonable. “My point is this: no.” “No?” “There will be no falling, no sex, no you and me.” “I wanted to kiss you when you were in your house. In Savannah.” Why the hell was my heart pounding? “And?” “You looked afraid. That wasn’t the reaction I was hoping for.” Be calm and reasonable. “You flatter yourself. You’re not that scary.” “After I kissed you this morning, you were afraid again. Right after you looked like you were about to melt.” Melt? “You’re scared there might be something there, between you and me.” Wow. I struggled to swallow that little tidbit. “Every time I think you’ve reached the limits of arrogance, you show me new heights. Truly, your egotism is like the Universe—ever expanding.” “You thought about dragging me into your bed this morning.” “I thought about stabbing you and running away screaming. You broke into my house without permission and slobbered all over me. You’re a damn lunatic! And don’t give me that line about smelling my desire; I know it’s bullshit.” “I didn’t need to smell you. I could tell by the dreamy look in your eyes and the way your tongue licked the inside of my mouth.” “Enjoy the memory,” I ground out. “That’s the last time it will ever happen.” “Go play your games with Jim. I’ll find you both when I need you.” Arrogant asshole. “I tell you what, if you find us before those three days run out, I’ll cook you a damn dinner and serve it to you naked.” “Is that a promise?” “Yes. Go fuck yourself.” I slammed the phone down. Well, then. That was perfectly reasonable. On the other side of the counter an older, heavyset man stared at me like I had sprouted horns. Glenda handed me the money I’d given her. “That was some conversation. It was worth ten bucks.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
It can be shown experimentally that eidetic perception evokes affection, and that candidness mobilizes positive feelings, so that there is even such a thing as "one-sided intimacy" - a phenomenon well known, although not by that name, to professional seducers, who are able to capture their partners without becoming involved themselves. This they do by encouraging the other person to look at them directly and to talk freely, while the male or female seducer makes only a well-guarded pretense of reciprocating.
Eric Berne (Games People Play)
He wanted nothing more than to close his eyes and relish the coolness, but all he could afford to do was cough some smoke out of his lungs and turn back to the task at hand. Which apparently included scolding a certain hardheaded woman for not heeding his instructions. Meredith glared at him from where she stood pumping water into the trough, not a hint of apology in her demeanor. Travis stormed past her and worked the knot on Jochebed’s lead line. “I thought I told you to go up to the house.” The pump arm creaked as she gave it a series of vigorous yanks, then fell silent as water gushed into the trough. “As I recall,” she said, rubbing her palms into her skirt, “you never forbade me from working the pump. You simply expressed your doubts as to my ability to do so.” Travis’s grip on the cow’s rope tightened. “Don’t play word games with me, Meredith. You knew what I meant.” “Did I?” She reached for a stew pot and dipped it into the trough. “Seems to me that a man who claims protecting his brothers and his land always comes first wouldn’t be so quick to refuse able-bodied help just because that body happens to be female.” She set the full pot on the ground and crossed her arms over her chest. Travis’s eyes followed the movement, noting the curves it accentuated. Yep. Definitely female. He wouldn’t be arguing that point.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
Travis raised his head from sighting down the rifle as shock radiated through him. Those eyes. Such a vivid blue. It was as if he’d seen them before. But that was impossible. Females didn’t exactly pay them calls on a regular basis. Clearing his throat, he readjusted his rifle. “We don’t cotton to trespassers around here, lady. You best skedaddle back the way you came.” “I will. But not until I say my piece.” She pivoted to face him fully, her lashes lowering for just a moment before she aimed her gaze directly at him again. Even knowing what was coming didn’t stop the jolt from ricocheting through his chest when those piercing eyes latched onto him. “I came to warn you, Travis.” Travis? She knew who he was? Most folks meeting the Archers all at once had no way of knowing him from Crockett or Jim. Yet she said his name with the confidence of recognition. He squinted at her. “Look, lady. I don’t know what kind of game you’re playing, but I want no part of it.” “This is no game. Please, Travis. Just listen.” “You know this gal, Trav?” Out of the corner of his eye, he saw his youngest brother start to lower his rifle. “Hush up, Neill, and hold your line.” The kid obeyed without question, firming up his grip. “The man who wants to buy your land is sending men out here tonight to persuade you to change your mind. They plan to set fire to the place while you sleep and force you to accept the next offer in order to recoup your losses.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
Scientists nowadays point out that morality in fact has deep evolutionary roots pre-dating the appearance of humankind by millions of years. All social mammals, such as wolves, dolphins and monkeys, have ethical codes, adapted by evolution to promote group cooperation. For example, when wolf cubs play with one another, they have 'fair game' rules. If a cub bites too hard, or continues to bite an opponent that has rolled on his back and surrendered, the other cubs will stop playing with him. In chimpanzee bands dominant members are expected to respect the property rights of weaker members. If a junior female chimpanzee finds a banana, even the alpha male will usually avoid stealing it for himself. If he breaks this rule, he is likely to lose status. (page 118)
Yuval Noah Harari (21 Lessons for the 21st Century)
It's a dangerous game Cherrycoke's playing here. Often he thinks the sheer volume of information pouring in through his fingers will saturate, burn him out...she seems determined to overwhelm him with her history and its pain, and the edge of it, always fresh from the stone, cutting at his hopes, at all their hopes. He does respect her: he knows that very little of this is female theatricals, really. She has turned her face, more than once, to the Outer Radiance and simply seen nothing there. And so each time has taken a little more of the Zero into herself. It comes down to courage, at worst an amount of self-deluding that's vanishingly small: he has to admire it, even if he can't accept her glassy wastes, her appeals to a day not of wrath but of final indifference...
Thomas Pynchon (Gravity's Rainbow)
Trying to attract another underserved audience group—females— brought Super Princess Peach, a game where Peach finally avoids being princess-napped. Bowser kidnaps Mario and Luigi instead, and it's up to her for once to save them. The second-wave feminism lasts as long as it takes Peach to acquire a magical talking parasol. Peach's powers manifest through her emotional states. When she is calm she can heal herself, when she is happy she can fly, when glum she can water plants with her tears, and when angry she literally catches on fire. Using emotions as part of basic game play is a daring concept, and feel free to sub in "insulting" or "outrageous" or "awesome" for "daring." The concept might have been taken more seriously if not for touches like the pink umbrella, and Peach having unlimited lives—core gamers hate being unable to die.
Jeff Ryan (Super Mario: How Nintendo Conquered America)
Sadie had reached a part in Metal Gear Solid where the player character was spying on a female non-player character exercising in her underwear. The NPC's name was Meryl Silverburgh, which also struck Sadie as ridiculous. "Come on," Sadie said. "Meryl fricking Silverburgh in her underwear." "Maybe Kojima's into Jewesses." Sadie wondered if most gamers would be turned on by this. She often had to put herself into a male point of view to even understand the game at all. As Dov was fond of saying to her, "You aren't just a gamer when you play anymore. You're a builder of worlds, and if you're a builder of worlds, your feelings are not as important as what your gamers are feeling. You must imagine them at all times. There is no artist more empathetic than the game designer." Sadie the gamer found this scene sexist and strange. At the same time, Sadie the world builder accepted that the game was made by one of the most creative minds in gaming.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
How do you get into making video games anyway? Sadie hated answering this question, especially after a person told her he hadn't heard of Ichigo. "Well, I learned to program computers in middle school, I got an 800 on my math SAT, won a Westinghouse and a Leipzig, and then I went to MIT, which, by the way, is highly competitive, even for a lowly female like myself, and studied computer science. At MIT, I learned four or five more programming languages and studied psychology with an emphasis on ludic techniques and persuasive designs, and English, including narrative structures, the classics, and the history of interactive storytelling. Got myself a great mentor. Regrettably made him my boyfriend. Suffice it to say, I was young. And then I dropped out of school for a time to make a game because my best frenemy wanted me to. That game became the game you never heard of. But yeah, it sold around two and a half million copies, just in the U.S., so...." Instead, she said, "I like to play games a lot, so I thought I'd see if I could make them.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
I don’t play games to get women naked.” My heart thumps harder in my chest. I take a breath. “What do you do to get them naked?” He stares at me so long; I forget to draw breath. Everything grows fuzzy as the room blurs until I can’t see anything but his face. With an animalistic growl, he pulls me into his arms and kisses me so hard the floor shifts underneath me. I moan softly as his hands travel up my back until he’s gripping the back of my head. Bliss surges through my body as I slide my hands over his muscled arms, and feel his skin rise at my touch. He shifts his weight and pulls back, looking flustered as he stares at me. “I shouldn’t have done that. Sorry,” he says. But I’m not. I’m not sorry at all. When he moves, I grip his shoulders so he can’t move. “If you hadn’t done it, I would have,” I whisper. My stomach flutters as I wrap my arms around his neck and pull him towards me. “Do it again.” There may be hell to pay if we get caught, but if he keeps kissing me like I’m his, I really don’t give a damn. Just for the weekend, I can be someone else. Someone without a care. Someone who lives in the moment and forgets about all the work waiting for me. Inside this cabin, in this beautiful place, with a man who sets my skin aflame, I can be as raw and as honest as I want.
Lexi Hart (One Wild Weekend with Tyler (One Wild Weekend with, #7))
What the-“ he began, already heading toward the house, with Elizabeth walking quickly behind him. Ian opened the front door just as Jake came hurrying in from the back of the cottage. “I got some milk-“ Jake began, then he stopped abruptly as the stench hit him. His gaze snapped from Ian and Elizabeth, who were just rushing inside, to Lucinda, who was sitting exactly where she had been, serenely indifferent to the smell of burning bacon and incinerated eggs as she fanned herself with a black silk fan. “I took the liberty of removing the utensil from the stove,” she informed them. “However, I was not in time to save its contents, which I sincerely doubt were worth saving in any case.” “Couldn’t you have moved ‘em before they burned?” Jake burst out. “I cannot cook, sir.” “Can you smell?” Ian demanded. “Ian, there’s nothing for it-I’ll have to ride to the village and hire a pair o’ wenches to come up here and get this place in order for us or we’ll starve.” “My thoughts exactly!” Lucinda seconded promptly, already standing up. “I shall accompany you.” “Whaat?” Elizabeth burst out. “What? Why?” Jake echoed, looking balky. “Because selecting good female servants is best done by a woman. How far must we go?” If Elizabeth weren’t so appalled, she’d have laughed at Jake Wiley’s expression. “We can be back late this afternoon, assumin’ there’s anyone in the village to do the work. But I-“ “Then we’d best be about it.” Lucinda paused and turned to Ian, passing a look of calculating consideration over hum; then she glanced at Elizabeth. Giving her a look that clearly said “Trust me and do not argue,” she said, “Elizabeth, if you would be so good as to excuse us, I’d like a word alone with Mr. Thornton.” With no choice but to do as bidden, Elizabeth went out the front door and stared in utter confusion at the trees, wondering what bizarre scheme Lucinda might have hatched to solve their problems. In the cottage Ian watched through narrowed eyes as the gray-haired harpy fixed him with her basilisk stare. “Mr. Thornton,” she said finally, “I have decided you are a gentleman.” She made that pronouncement as if she were a queen bestowing knighthood on a lowly, possibly undeserving serf. Fascinated and irritated at the same time, Ian leaned his hip against the table, waiting to discover what game she was playing by leaving Elizabeth alone here, unchaperoned. “Don’t keep me in suspense,” he said coolly. “What have I done to earn your good opinion?” “Absolutely nothing,” she said without hesitation. “I’m basing my decision on my own excellent intuitive powers and on the fact that you were born a gentleman.
Judith McNaught (Almost Heaven (Sequels, #3))
Where we did find a statistical difference was in character gender. Female characters had a much higher healing ratio compared with male characters. This disparity was a direct consequence of how players behave when they gender-bend. When men gender-bend and play female characters, they spend more time healing. And when women gender-bend and play male characters, they spend less time healing. In other words, when players in World of Warcraft genderbend, they enact the expected gender roles of their characters. As players conform to gender stereotypes, what was false becomes true. Thus, when players interact in the game, they experience a world in which women prefer to heal.
Nick Yee (The Proteus Paradox: How Online Games and Virtual Worlds Change Us - and How They Don't)
participants exposed to scantily clad female avatars were more likely to believe that women who get raped deserve it because of their perceived promiscuity. In virtual worlds, false stereotypes are being made true via play.
Nick Yee (The Proteus Paradox: How Online Games and Virtual Worlds Change Us - and How They Don't)
As sociologist T. L. Taylor has argued, these attempts to create games specifically for women are “reifying imagined difference[s]” between male and female gamers. Because the assumption is that gameplay motivations are the primary barrier for potential female gamers, the women who currently play video games are perceived as “the oddballs, the nonmainstream, the exceptions”—they are aberrant women who can’t tell us anything about real women.
Nick Yee (The Proteus Paradox: How Online Games and Virtual Worlds Change Us - and How They Don't)
New Girl was now starring Zed La'Frank a female Spinosaurus. Mad Men became almost unwatchable due to the fact that Don Draper was now played by an flamboyant Velociraptor. Game of Thrones was made up of an entire cast of Triceratops, all whom had never even acted before. It seemed like the dinosaurs were getting a kick out of taking over our greatest entertainment and replacing it with their talentless artists. It was infuriating.
Hunter Fox (A Billionaire Dinosaur Forced Me Gay- Part Two: Dinosaur Erotica)
Women as a class have never subjugated another group; we have never marched off to wars of conquest in the name of the fatherland…those are the games men play. We see it differently. We want to be neither oppressor nor oppressed.
Ariel Levy (Female Chauvinist Pigs: Women and the Rise of Raunch Culture)
Joe nudged Sean’s arm. “I swear, I could tell time by how often Emma looks at you just by counting off the seconds.” Sean resisted the urge to turn and look. “She’s nervous, that’s all.” “That’s not nerves.” “I think I know her better than you do.” Joe laughed. “You’ve known her a week.” “Ten days.” “Hate to burst your bubble, but I’ve known her longer than ten days. Not well, but I’ve run into her at Mike and Lisa’s. Not that it matters. That look on a woman’s face is pretty universal.” “There’s no look.” “Oh, there’s a look,” Kevin said. “There might be a look,” Leo added. “Mike and I can’t see,” Evan added. “We’re facing the wrong way. We could turn around, but she might wonder why we’re all staring at her.” Even though he figured his cousins were pulling his leg, Sean angled his body a little so he could see her in his peripheral vision. Okay, so she was looking at him. A lot. But Joe and Kevin were still full of crap because there was no look.The glances were too quick to read anything into, never mind the kind of message they were implying she was sending. He watched her watching him for a while, and then Aunt Mary told them to get the meat ready so they could fire the grill. Since his cousins made for more than enough chefs stirring the soup and he needed a break from the visual game of tag he and Emma were playing he grabbed a beer and made his way to the big toolshed. It was the unofficial Kowalski man cave, where females feared to tread. Even Aunt Mary would just stand outside and bellow rather than cross the threshold.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
Are we through here? I wish to go" "Go where?" "Anywhere. Away. Back to America, if need be. It's obvious that Charles's faith and trust in his family's desire to care for his baby daughter were unfounded. Neither she nor I are wanted here." "Don't be absurd." She reached for Charlotte's blanket. "I am being practical." "Practicality is not a quality I associate with most females of my acquaintance." "With all due respect to the females of your acquaintance, Your Grace, I was born and raised in the wilderness of Maine. Those who were not practical, resourceful, and hardy did not survive." "Maine? How is it, then, that you ended up in Boston?" "My father died when I was sixteen, mauled by a black bear defending her cub. He had a cousin in Boston, who'd always fancied my mother from afar. After Papa died, he came for Mama and me, married her, and took us both back to Boston. Mama died in '74. You know about my stepfather."  She picked up her cloak, preparing to leave this house and never look back. "Now, if you'll excuse me, Your Grace, I think I've answered enough of your questions and had best be gone. Good night to you." He never moved as she breezed past his desk, Charlotte in her arms. "Don't you wish to know how Lord Gareth fares?" he asked mildly, in an abrupt change of subject. "Begging your pardon, Your Grace, but you gave me no chance to ask." "I should think he'd like to thank you for saving his life." She paused halfway across the room, silently cursing him between her teeth. What tarnal game was he playing now? Without turning, she ground out, "He saved my life, not the other way around." "Not according to Lord Brookhampton.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
God is not a robot. He isn’t a comptroller of an accounting company trying to make things add up or work out. He is a being full of deep emotion, longing, and memories of what it used to be like. The incarnation therefore isn’t about an equation but about remembering what home used to be like and making a plan to get back there. Consider this reboot of the Genesis creation account. It may help you see God’s emotion a little better. First off, nothing … but God. No light, no time, no substance, no matter. Second off, God says the word and WHAP! Stuff everywhere! The cosmos in chaos: no shape, no form, no function—just darkness … total. And floating above it all, God’s Holy Spirit, ready to play. Day one: Then God’s voice booms out, “Lights!” and, from nowhere, light floods the skies and “night” is swept off the scene. God gives it the big thumbs up, calls it “day”. Day two: God says, “I want a dome—call it ‘sky’—right there between the waters above and below.” And it happens. Day three: God says, “Too much water! We need something to walk on, a huge lump of it—call it ‘land’. Let the ‘sea’ lick its edges.” God smiles, says, “Now we’ve got us some definition. But it’s too plain! It needs colour! Vegetation! Loads of it. A million shades. Now!” And the earth goes wild with trees, bushes, plants, flowers and fungi. “Now give it a growth permit.” Seeds appear in every one. “Yesss!” says God. Day four: “We need a schedule: let’s have a ‘sun’ for the day, a ‘moon’ for the night; I want ‘seasons’, ‘years’; and give us ‘stars’, masses of stars—think of a number, add a trillion, then times it by the number of trees and we’re getting there: we’re talking huge! Day five: “OK, animals: amoeba, crustaceans, insects, fish, amphibians, reptiles, birds, mammals … I want the whole caboodle teeming with a million varieties of each—and let’s have some fun with the shapes, sizes, colours, textures!” God tells them all, “You’ve got a growth permit—use it!” He sits back and smiles, says, “Result!” Day six: Then God says, “Let’s make people—like us, but human, with flesh and blood, skin and bone. Give them the job of caretakers of the vegetation, game wardens of all the animals.” So God makes people, like him, but human. He makes male and female.… He smiles at them and gives them their job description: “Make babies! Be parents, grandparents, great-grandparents—fill the earth with your families and run the planet well. You’ve got all the plants to eat from, so have all the animals—plenty for all. Enjoy.” God looks at everything he’s made, and says, “Fantastic. I love it!” Day seven: Job done—the cosmos and the earth complete. God takes a bit of well-earned R&R and just enjoys. He makes an announcement: “Let’s keep this day of the week special, a day off—battery-recharge day: Rest Day.”2 I’m not normally a paraphrase guy, but we always read the creation story like a textbook. I love this rendition because it captures the enthusiastic emotion that God felt about everything He created, especially humans. He loved it all. He loved us. Most of all, He loved the way things were.
Hugh Halter (Flesh: Bringing the Incarnation Down to Earth)
At the time, many female colleagues congratulated me for withstanding Barney’s withering attitude and outing what we’d now describe as a flagrant celebrity love cheat. Today, though, the ‘great’ New Order runaround fiasco of 1986 seems howlingly naive, a joyless and ill-judged one-note harrumph both on stars who refused to Play The Game and a desire to prove Barney Sumner a bounder – hardly for cheating on his wife (who I did not know existed) but for failing to turn up to a Smash Hits interview with an arsenal of hilarious jokes. We were always scuppered, anyway, with the realities of rock ’n’ roll: to protect the youngest viewers, the majority of references to wimmin, booze ’n’ drugs were merely skipped around in a riotous twinkle of euphemism, slang and innuendo, all ‘rock ’n’ roll mouthwash’, ‘foxtrels’ and ‘mazin’ rumpo … speryoooo!’ In
Sylvia Patterson (I'm Not with the Band: A Writer's Life Lost in Music)
The opposition between women who are people and women who are something less does not only rest in the vague contrast between the women of the comedies and the women of the tragedies. There are more explicit examples of women who may earn love, like Helena who pursued her husband through military brothels to marriage and honour in All’s Well, and women who must lose it through inertia and gormlessness, like Cressida. In The Taming of the Shrew Shakespeare contrasted two types in order to present a theory of marriage which is demonstrated by the explicit valuation of both kinds of wooing in the last scene. Kate is a woman striving for her own existence in a world where she is a stale, a decoy to be bid for against her sister’s higher market value, so she opts out by becoming unmanageable, a scold. Bianca has found the women’s way of guile and feigned gentleness to pay better dividends: she woos for herself under false colours, manipulating her father and her suitors in a perilous game which could end in her ruin. Kate courts ruin in a different way, but she has the uncommon good fortune to find Petruchio who is man enough to know what he wants and how to get it. He wants her spirit and her energy because he wants a wife worth keeping. He tames her like he might a hawk or a high-mettled horse, and she rewards him with strong sexual love and fierce loyalty. Lucentio finds himself saddled with a cold, disloyal woman, who has no objection to humiliating him in public. The submission of a woman like Kate is genuine and exciting because she has something to lay down, her virgin pride and individuality: Bianca is the soul of duplicity, married without earnestness or good-will. Kate’s speech at the close of the play is the greatest defence of Christian monogamy ever written. It rests upon the role of a husband as protector and friend, and it is valid because Kate has a man who is capable of being both, for Petruchio is both gentle and strong (it is a vile distortion of the play to have him strike her ever). The message is probably twofold: only Kates make good wives, and then only to Petruchios; for the rest, their cake is dough.
Germaine Greer (The Female Eunuch)
Self-sacrifice is the leit-motif of most of the marital games played by women, from the crudest (‘I’ve given you the best years of my life’) to the most sophisticated (‘I only went to bed with him so’s he’d promote you’). For so much sacrificed self the expected reward is security, and seeing that a reward is expected it cannot properly speaking be called self-sacrifice at all. It is in fact a kind of commerce, and onein which the female must always be the creditor. Of course, it is also practised by men who explain their failure to do exciting jobs or risk insecurity because of their obligations to wife and/or children, but it is not invariable, whereas it is hard to think of a male/female relationship in which the element of female self-sacrifice was absent. So long as women must live vicariously, through men, they must labour at making themselves indispensable and this is the full-time job that is generally wrongly called altruism. Properly speaking, altruism is an absurdity. Women are self-sacrificing in direct proportion to their incapacity to offer anything but this sacrifice. They sacrifice what they never had: a self.
Germaine Greer (The Female Eunuch)
She is whom I name myself—but a name that feels too intimate in the mouths of strangers. You cannot tell, but always, always, my mind is in overdrive, analyzing intentions, playing a game of chess. “What’s your name?” I don’t know. I’m not really sure whom you’re expecting.
Jennifer O'Toole (Autism in Heels: The Untold Story of a Female Life on the Spectrum)
There are few things as tragic as when we tacitly agree to the notion that our unchangeable truth is somehow invalid. Less than. Broken. Wrong. That pretending is necessary for professional opportunity or personal acceptance. I’ve done it a million times in ways large and small, and I can tell you this: trying to hide in plain sight is frustrating, disorienting, isolating—an exhausting game of (only possible) short-term gains in exchange for very-certain long-term exclusion. When we agree to play, we not only hide and cast doubt upon our experiences. We’ve willingly participated in the invalidation of ourselves. And when you have invalidated yourself, there is no limit to what you will allow others to do.
Jennifer O'Toole (Autism in Heels: The Untold Story of a Female Life on the Spectrum)
When he was braced alcoholically for his classes, there was never a passable female student that he had not considered hungrily and, properly loaded, approached. Even complaisant girls, however, either froze or fled at their professor's greedy but classical advances. An unexpected goose or pinch on the bottom as they were mounting the stairs ahead of him, a sudden nip at the earlobe as they bent over the book he offered, a wild clutch at thigh, or a Marxian (Harpo) dive at bottom, a trousered male leg thrust between theirs as they passed his seat to make them fall in his lap, where he tickled their ribs - all these abrupt overtures sent them flying in terror. Brought to his senses by their screams, Kellsey retreated hastily. Some of the more experienced girls, after adjusting their skirts, blouses, coiffures, and maidenly nerves, realized that this was only a hungry man's form of courtship. They reminded themselves that old, famous, and rich men played very funny games, and they prepared themselves for the next move. But Kellsey, repulsed, became at once the haughty, sardonic, woman-hating pedant, leaving the poor dears a confused impression that they were the ones who had behaved badly, and sometimes, baffled by his subsequent hostility and bad grades, they even apologized.
Dawn Powell (The Golden Spur)
Let us turn now to a study of a small Newfoundland fishing village. Fishing is, in England at any rate – more hazardous even than mining. Cat Harbour, a community in Newfoundland, is very complex. Its social relationships occur in terms of a densely elaborate series of interrelated conceptual universes one important consequence of which is that virtually all permanent members of the community are kin, ‘cunny kin’, or economic associates of all other of the 285 permanent members. The primary activity of the community is cod fishing. Salmon, lobster, and squid provide additional sources of revenue. Woodcutting is necessary in off-seasons. Domestic gardening, and stints in lumber camps when money is needed, are the two other profitable activities. The community's religion is reactionary. Women assume the main roles in the operation though not the government of the churches in the town. A complicated system of ‘jinking’ – curses, magic, and witchcraft – governs and modulates social relationships. Successful cod fishing in the area depends upon highly developed skills of navigation, knowledge of fish movements, and familiarity with local nautical conditions. Lore is passed down by word of mouth, and literacy among older fishermen is not universal by any means. ‘Stranger’ males cannot easily assume dominant positions in the fishing systems and may only hire on for salary or percentage. Because women in the community are not paid for their labour, there has been a pattern of female migration out of the area. Significantly, two thirds of the wives in the community are from outside the area. This has a predictable effect on the community's concept of ‘the feminine’. An elaborate anti-female symbolism is woven into the fabric of male communal life, e.g. strong boats are male and older leaky ones are female. Women ‘are regarded as polluting “on the water” and the more traditional men would not consider going out if a woman had set foot in the boat that day – they are “jinker” (i.e., a jinx), even unwittingly'. (It is not only relatively unsophisticated workers such as those fishermen who insist on sexual purity. The very skilled technicians drilling for natural gas in the North Sea affirm the same taboo: women are not permitted on their drilling platform rigs.) It would be, however, a rare Cat Harbour woman who would consider such an act, for they are aware of their structural position in the outport society and the cognition surrounding their sex….Cat Harbour is a male-dominated society….Only men can normally inherit property, or smoke or drink, and the increasingly frequent breach of this by women is the source of much gossip (and not a negligible amount of conflict and resentment). Men are seated first at meals and eat together – women and children eating afterwards. Men are given the choicest and largest portions, and sit at the same table with a ‘stranger’ or guest. Women work extremely demanding and long hours, ‘especially during the fishing season, for not only do they have to fix up to 5 to 6 meals each day for the fishermen, but do all their household chores, mind the children and help “put away fish”. They seldom have time to visit extensively, usually only a few minutes to and from the shop or Post Office….Men on the other hand, spend each evening arguing, gossiping, and “telling cuffers”, in the shop, and have numerous “blows” (i.e., breaks) during the day.’ Pre-adolescents are separated on sexual lines. Boys play exclusively male games and identify strongly with fathers or older brothers. Girls perform light women's work, though Faris indicates '. . . often openly aspire to be male and do male things. By this time they can clearly see the privileged position of the Cat Harbour male….’. Girls are advised not to marry a fisherman, and are encouraged to leave the community if they wish to avoid a hard life. Boys are told it is better to leave Cat Harbour than become fishermen....
Lionel Tiger (Men in Groups)
…American men actually engage most in hunting and fishing. The desire of men in wealthy societies to re-create the food-gathering conditions of very primitive people appears to be an appropriate comment on the power of the hunting drives discussed earlier. Not only is hunting expensive in many places – think of the European on safari in Africa – but it is also time-consuming, potentially dangerous, and frequently involves considerable personal discomfort. Men do it because it is ‘fun’. So they say, and so one must conclude from their persistent rendition of the old pattern. What is relevant from our point of view is that hunting, and frequently fishing, are group activities. A man will choose his co-hunters very carefully. Not only does the relative intimacy of the hunt demand some congeniality, but there is also danger in hunting with inept or irresponsible persons. It is a serious matter, and even class barriers which normally operate quite rigidly may be happily breached for the period of the hunt. Some research on hunters in British Columbia suggests the near-piety which accompanies the hunt; hunting is a singular and important activity. One particular group of males takes along bottles of costly Crown Royal whisky for the hunt; they drink only superior whisky on this poignant re-creation of an ancient manly skill. But when their wives join them for New Year's celebrations, they drink an ordinary whisky: the purely formal and social occasion does not, it seems, merit the symbolic tribute of outstanding whisky. Gambling is another behaviour which, like hunting and sport, provides an opportunity in countless cultures for the weaving of and participation in the web of male affiliation. Not the gambling of the London casino, where glamorous women serve drinks, or the complex hope, greed, fate-tempting ritual, and action of the shiny American palaces in Nevada, and not the hidden gambling run by racketeers. Rather, the card games in homes or small clubs, where men gather to play for manageable stakes on a friendly basis; perhaps – like Jiggs and his Maggie – to avoid their women, perhaps to seek some money, perhaps to buy the pleasant passage of time. But also to be with their friends and talk, and define, by the game, the confines of their intimate male society. Obviously females play too, both on their own and in mixed company. But there are differences which warrant investigation, in the same way that the drinking of men in groups appears to differ from heterosexual or all-female drinking; the separation of all-male bars and mixed ones is still maintained in many places despite the powerful cultural pressures against such flagrant sexual apartheid. Even in the Bowery, where disaffiliated outcast males live in ways only now becoming understood, it has been noted that, ‘There are strong indications that the heavy drinkers are more integrated and more sociable than the light. The analytical problem lies in determining whether socialization causes drinking or drinking results in sociability when there is no disapproval.’ In the gentleman's club in London, the informally segregated working man's pub in Yorkshire, the all-male taverns of Montreal, the palm-wine huts of west Africa, perhaps can be observed the enactment of a way of establishing maleness and maintaining bonds which is given an excuse and possibly facilitated by alcohol. Certainly, for what they are worth in revealing the nature of popular conception of the social role of drinking, advertisements stress the manly appeal of alcohol – particularly whisky – though it is also clear that there are ongoing changes in the socio-sexual implications of drinking. But perhaps it is hasty to regard the process of change as a process of female emancipation which will culminate in similarity of behaviour, status, and ideals of males and females. The changes are still too recent to warrant this. Also, they have been achieved under sufficiently self-conscious pressure...
Lionel Tiger (Men in Groups)
No, I wasn’t. But I saw the video of what happened between Tripp and that girl.” Tripp’s friend does a double-take. “That’s right. Video. What I saw and heard was clear, and it was completely unacceptable. Not just for anyone who wants to be on my team, but anybody. Any male. Any human being. You’re on my team, I expect you to get your ass in gear when you see something like that and stop it. Not sit back and watch it or laugh about it or go online and spew a bunch of shit about the girl. Be a man. Do the right thing. Stuff like this makes us all look bad and makes women fear us all. You want a female to like you, so that maybe she’ll be your girlfriend? It won’t happen if she’s afraid of you.” Coach says he considered canceling our entire basketball season, which brings gasps from the team, but he’s decided to give us one more chance. We’ll forfeit our first three home games. If he finds out about anybody doing anything else like this, he’s off the team. No more chances. No one who treats girls this way will play for him.
Teresa Hill (Everything to Me, Book 5 (Everything to Me #5))
thepsychchic chips clips i How often are we actually in control, I wondered? And how does the perception of being in control in situations where luck is queen actually play out in our decision making? How do people respond when placed in uncertain situations, with incomplete information? 13 Personal accountability, without the possibility of deflecting onto someone else, is key. 41 There’s never a default to anything. It’s always a matter of deliberation. 56 Erik: You have to have a clear thought process for every single hand. What do I know? What have I seen? How will that help me make an informed judgment about this hand? 74 … find the fold … 86 Erik: There’s nothing like getting in there and making a bunch of mistakes. 88 Erik: Pick your spots. 91 Erik: Have you ever heard the expression ‘snap fold’? A snap fold, you do it immediately. You’re thrilled to let it go. So. snap fold. This lets you shove with basically the same enthusiasm. It tells you which hands to go with when you have different amounts of big blinds. 98 There’s a false sense of security in passivity. You think that you can’t get into too much trouble—but really, every passive decision leads to a slow but steady loss of chips. And chances are, if I’m choosing those lines at the table, there are deeper issues at play. Who knows how many proverbial chips a default passivity has cost me throughout my life. How many times have I walked away from situations because of someone else's show of strength, when I really shouldn't have. How many times I've passively stayed in a situation, eventually letting it get the better of me, instead of actively taking control and turning things around. Hanging back only seems like an easy solution. In truth, it can be the seed of far bigger problems. 100-101 Gambler's fallacy -- the faulty idea that probability has a memory. 107 Frank Lantz, NYU Game Center, former poker player: Part of what I get out of a game is being confronted with reality in a way that is not accommodating to my incorrect preconceptions. 109 Only play within your bankroll. 126 Re: Ladies Event: Yes, I completely understand the intention, but somehow, segregating women into a separate player pool, as if admitting that they can’t compete in an open player pool, feels equal parts degrading and demoralizing. … if I’m known as anything in this game, I want to be known as a good poker player, not a good female player. No modifiers need apply. 127 Erik: Bad beats are a really bad mental habit. You don’t want to ever dwell on them. It doesn’t help you become a better player. It’s like dumping your garbage on someone else’s lawn. It just stinks.” 132-33 No bad beats. Forget they ever happened. 136 As W H Auden told an interviewer, Webster Schott, in a 1970 conversation: "Language is the mother, not the handmaiden of thought; words will tell you things you never thought or felt before.” The language we use becomes our mental habits—and our mental habits determine how we learn, how we grow, what we become. It’s not just a question of semantics: telling bad beats stories matters. Our thinking about luck has real consequences in terms of our emotional well-being, our decisions and the way we implicitly view the world and our role in it. 133
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
ChiroCynergy - Dr. Matthew Bradshaw | Active Release Technique (A.R.T.) in Leland, NC What exactly is Active Release Technique (A.R.T.)? ART is a patented, state-of-the-art, soft tissue management system developed by Dr. Michael Leahy (an Air Force engineer/chiropractor) that treats problems occurring with: - Muscles - Tendons - Ligaments - Fascia - Nerves Injuries to these tissues can occur in 3 different ways: Acute trauma injury – a sprained ankle playing racquetball is a great example of this type of injury. Compression injury – an example of a compression injury would be back stiffness and pain and/or numbness down the leg (sciatica) caused by sitting behind a computer frequently and for long periods of time. Sitting causes reduced oxygen flow to the tissues, which in turn causes the numbness and/or pain. Overuse injuries – frequently seen in people whose jobs involve typing all day. The repetitive motion can produce wrist and hand pain (i.e. carpal tall syndrome) due to the accumulation of small tears in the tissues. Each of these changes causes your body to produce tough, dense scar tissue in the affected area. This scar tissue binds up and ties down tissues that need to move freely. As scar tissue builds up: Muscles become shorter and weaker. Tension on tendons causes tendonitis. Nerves can become trapped. This can result in reduced ranges of motion, loss of strength, and pain. With trapped nerves, you may also feel tingling, numbness, shooting pains, burning sensations, weakness, muscle atrophy and circulatory changes. Even when most doctors say medications or surgery is the only answer, ART may still be able to resolve the symptoms and put you back on the field or back to work and into your best game. ChiroCynergy can help! We offer Active Release Technique (A.R.T.) in Leland, NC. Call us: (910) 368-1528 #chiropractor_Leland_nc #best_chiropractor_Leland_nc #chiropractor_near_Leland_nc #chiropractic_in_Leland_nc #best_chiropractor_in_Leland_nc #chiropractic_near_me #chiropractor_near_me #family_chiropractor_in_Leland_nc #female_chiropractors_in_Leland_nc #physical_therapy_in_Leland_nc #sports_chiropractor_in_Leland_nc #pregnancy_chiropractor_in_Leland_nc #sciatica_chiropractor_in_Leland_nc #car_accident_chiropractor_in_Leland_nc #Active_Release_Technique_in_Leland_nc #Cold_Laser_Therapy_in_Leland_nc #Spinal_Decompression_in_Leland_nc
ChiroCynergy - Dr. Matthew Bradshaw | Active Release Technique (A.R.T.) in Leland, NC
Take your hands off him.' She did. 'Unshackle him.' Lucien's skin drained of colour as Ianthe obeyed me, her face queerly vacant, pliant. The blue stone shackles thumped to the mossy ground. Lucien's shirt was askew, the top button on his pants already undone. The roaring that filled my mind was so loud I could barely hear myself as I said, 'Pick up that rock.' Lucien remained pressed against that tree. And he watched in silence as Ianthe stopped to pick up a grey, rough rock about the size of an apple. 'Put your right hand on that boulder.' She obeyed, though a tremor went down her spine. Her mind thrashed and struggled against me, like a fish snared on a line. I dug my mental talons in deeper, and some inner voice of hers began screaming. 'Smash your hand with the rock as hard as you can until I tell you to stop.' The hand she'd put on him, on so many others. Ianthe brought the stone up. The first impact was a muffled, wet thud. The second was an actual crack. The third drew blood. Her arm rose and fell, her body shuddering with the agony. And I said to her very clearly, 'You will never touch another person against their will. You will never convince yourself that they truly want your advances; that they're playing games. You will never know another's touch unless they initiate, unless it's desired by both sides.' Thwack; crack; thud. 'You will not remember what happened here. You will tell the others that you fell.' Her ring finger had shifted in the wrong direction. 'You are allowed to see a healer to set the bones. But not to erase the scarring. And every time you look at that hand, you are going to remember that touching people against their will has consequences, and if you do it again, everything you are will cease to exist. You will live with that terror every day, and never know where it originates. Only the fear of something chasing you, hunting you, waiting for you the instant you let your guard down.' Silent tears of pain flowed down her face. 'You can stop now.' The bloodied rock tumbled onto the grass. Her hand was little more than cracked bones wrapped in shredded skin. 'Kneel here until someone finds you.' Ianthe fell to her knees, her ruined hand leaking blood onto her pale robes. 'I debated slitting your throat this morning,' I told her. 'I debated it all last night while you slept beside me. I've debated it every single day since I learned you sold out my sisters to Hybern.' I smiled a bit. 'But I think this is a better punishment. And I hope you live a long, long life, Ianthe, and never know a moment's peace.' I stared down at her for a moment longer, tying off the tapestry of words and commands I'd woven into her mind, and turned to Lucien. He'd fixed his pants, his shirt. His wide eyes slid from her to me, then to the bloodied stone. 'The word you're looking for, Lucien,' crooned a deceptively light female voice, 'is daemati.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
This is not to say that you shouldn’t warm up at all. One of the most studied warm-up routines in the world is FIFA’s “11+” routine—which consists of isometric holds, agility drills, balance training, and game-play simulations. Studies of female soccer players have demonstrated that this type of warm-up reduces injury rates by around 30%.193 Passive stretching is conspicuously vacant from the 11+ warm-up.
Scott H Hogan (Built from Broken: A Science-Based Guide to Healing Painful Joints, Preventing Injuries, and Rebuilding Your Body)
Your first duty is to protect your child. Our first duty must be to protect you.” His silver gaze clearly censured Mikhail. “You don’t know for sure if I’m pregnant.” “Do not play games, Raven. Sometimes your rebellious ways grow tedious. I know you are with child. You cannot hide such a thing from me. Mikhail knows it to be true, and he knows he cannot allow your dangerous involvement in this mission to continue with you in such a condition.” Raven flung out her ebony hair. “No one allows me to do anything. I decide. I was born and raised human, Gregori,” she pointed out. “I can only be myself. Byron is my friend, and he is in desperate trouble. I intend to help him.” “If your lifemate is so enthralled with you that he would allow you such foolishness,” Gregori replied softly, menacingly, “then I can do no other than protect you myself.” “Don’t you talk about Mikhail like that!” Raven was furious. You really know how to stir up the hornets’ nest with the women, do you not? Mikhail demanded, even though he understood Gregori completely and felt him justified. Gregori did not look at him but stared out into the storm. The child she carries is my lifemate. It is female and belongs to me. There was an unmistakable warning note, an actual threat.
Christine Feehan (Dark Desire (Dark, #2))
They turn on short-range telemetry kits, and we approach through the clear-cut. The black soil is deformed into thigh-high welts from earth-moving equipment. Pings from the radio collars tell them that the male is south of the female, who is farther up the wood line. Because the male wolf and the yearlings will often sit the pups while the female goes off to hunt or rest elsewhere, the biologists must choose which wolf’s signal to focus upon. This morning, they can’t decide which wolf might be with the pups. Chris whispers a game plan to Ryan. “I’m going to walk up on the male,” Chris says. “You walk farther up and get a bead on the female. Wait a few minutes before you go in - give me some time to find him first because the wind will wash your scent south right back on top of him, okay? If the pups aren’t with him, I’ll just keep moving north toward her and find you.” Ryan nods his agreement, and Chris slips into the woods. The density of the vegetation encloses around him within a few feet from the tree line. Chris, having spent twenty-five years using telemetry to track wolves, can interpret the pings like most people read road signs. His body melts behind thick vines, woody growth, and an abundance of wax myrtle bushes that crowd the understory. Ryan and I walk north along the clear-cut. He listens for the female, holding his telemetry antennae high. He waves the unit this way and that, searching the radio wave for the best strength. It begins raining. He paces up and down a fifty-foot stretch of the tree line. Where the female wolf’s signal is the strongest, he scratches a large X in the dark muck with his boot heel. We wait in the light drizzle. Minutes tick by. Finally, Ryan motions for me to follow him into the woods. We creep deliberately, slowly, and I plant each step where he does. After about ten yards, he drops onto his hands and knees and crawls beneath a cluster of thorny devil’s walking sticks. I trail him as if playing a silent game of follow the leader. We pause here and there to let the wolf confuse our sounds with a foraging squirrel. He uses vine clippers to snip through several large branches obscuring our way. Soon, Ryan pulls the cable from his antennae and shows me that he can hear her with just the receiver box. We are close. I try not to breathe. She is within thirty feet. Then the pinging in his headphones tells him she is running. We don’t hear or even see her flush. It is like tracking a ghost.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
Seems okay to me,' one of the men says, before returning his gaze to the screen. His female colleague follows suit. 'Isn't this how it's supposed to go?' He doesn't answer, struggling to convey the instincts that come from the sorts of experience he knows they do not have. Anxiety growing, he returns his attention to the screen. The scene is still being played out behind the front door. The rules of the game dictate that she will not admit him
Robert F. Barker (Last Gasp (DCI Jamie Carver, #1))
Girls can win by winning in their own hierarchy—by being good at what girls value, as girls. They can add to this victory by winning in the boys’ hierarchy. Boys, however, can only win by winning in the male hierarchy. They will lose status, among girls and boys, by being good at what girls value. It costs them in reputation among the boys, and in attractiveness among the girls. Girls aren’t attracted to boys who are their friends, even though they might like them, whatever that means. They are attracted to boys who win status contests with other boys. If you’re male, however, you just can’t hammer a female as hard as you would a male. Boys can’t (won’t) play truly competitive games with girls. It isn’t clear how they can win. As the game turns into a girls’ game, therefore, the boys leave. Are the universities—particularly the humanities—about to become a girls’ game? Is this what we want?
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
At the club, nicknames stuck like dog hair to merino wool. A wiry, anxious weekend player called Phil who’d once missed a crucial putt when he was distracted by the call of a skein of Canada geese overhead was thereafter known to all as ‘Quack’. Carl Marchwell, who was infamous for telling all of his playing companions in great detail about his week and lacked the skill of self-editing, hadn’t been called ‘Carl’ by anybody at the club for years; he was always ‘Jackanory’. Ian Welcombe, who liked to bet big money on foursome matches but had never, to anybody’s knowledge, actually won, was ‘The Bank’. Jill, Ian’s wife – one of the few female members of the club who actually seemed to enjoy the game – was not ‘Jill’ but ‘Mrs Bank’. Recently I’d overheard people talking about somebody called ‘Jam Jar’ but I was yet to find out who that was.
Tom Cox (Villager)
What kind of weird Single White Female game are you playing?” Daphne walked straight up to me, ripping a clip-in extension off my head. She was not concerned about the welfare of my family.
Jenny Mollen (City of Likes)
Are you finished with your little meeting?” Audrey asked, setting down her magazine and smiling up at her brother. The way she’d said “little meeting” left Lucien with no doubt they were having fun at their expense, or perhaps it was her biting her bottom lip to prevent her laughter that gave her away. Regardless, Cedric’s sisters had challenged the men and they were in no mood to play games. Especially Cedric. “You.” Cedric pointed to Audrey. “Bed, now!” His accusing finger then swept towards Emily. “Since when do you embroider? I distinctly recall you telling me once that such a thing was a complete and utter waste of time.” “Considering your rather callous behavior tonight in leaving us out of your decisions, I decided to renew the rather useless habit,” Emily replied as though speaking of the weather. She politely held up the embroidery hoop, which was festooned with flowers around a simple phrase every single man in the room could read, Never Challenge a Woman. Lucien could only imagine how she must have embroidered that in so short a time. “We left you out of it because this matter doesn’t concern any of you ladies. Besides, it is a delicate and dangerous situation,” Cedric said. “Hmm,” Emily responded, the feminine sound came out strangely condescending. “Perhaps we ladies are keeping you out of a dangerous situation and haven’t bothered to inform you of our intentions. If you insist on keeping us in the dark, we will persist in our efforts to keep all of you alive regardless of your belief that we are incapable females.
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
All the models were preening and posing while Mario clicked away, twisting this way and that, upward, downward and every which way in order to capture the perfect shot. Not surprisingly, Andy was a natural in this modeling game. Like a well-trained Bahriji grad, he worked his seductive charms while posing with the three females, exuding an unmistakable flair and panache at every turn. Viewing the photographs later, I was definitely fooled by Andy playing the role of a 'straight’ man. It was strange for me to see how photographs trick the eye. I saw, until I analyzed it, exactly what the creator wanted me to see, and believe.
Young (Initiation (A Harem Boy's Saga Book 1))
QUICK MENTAL RECAP: KIDNAPPED BY Mafia gang ruled by insane, chain-smoking reject from the sixties—female; discover husband has alias name and FBI badge that he’s been able to keep hidden from me for seventeen years (reminder to self: get a clue!); follow half-baked scheme provided by Brad Pitt look-alike to make a quick getaway through guest bathroom; wind up playing bad game of Twister in bathtub with Elvis Presley wannabe; witness the whacking of FBI husband; hear Elvis Presley wannabe proclaim, regarding husband’s whacker: “That’s No Toes” and follow up with obvious comment, “Dis ain’t good.” Would Al Pacino be caught dead in this movie? Definitely not.
Karen Cantwell (Take the Monkeys and Run (Barbara Marr Murder Mystery, #1))