Cassette Tapes Quotes

Tonight, I feel like my whole body is made out of memories. I'm a mix-tape, a cassette that's been rewound so many times you can hear the fingerprints smudged on the tape.

My mother said it was like a cassette tape you could never rewind. But it was hard to remember you couldn’t rewind it while you were listening to it. And so you’d forget and fall into the music and listen and then, without you even knowing it, the tape would suddenly end.

Blue got herself back together and then turned on the radio. Adam hadn't even realized the ancient tape deck worked, but after a hissing few seconds, a tape inside jangled a tune. Noah began to sing along at once. 'Squash one, squash two-' Adam pawed for the radio at the same time as Blue. The tape ejected with enough force that Noah stretched a hand to catch it. 'That song. What are you doing with that in your player?' Demanded Blue. 'Do you listen to that recreationally? How did that song escape from the Internet?' Noah cackled and showed them the cassette. It boasted a handmade label marked with Ronan's handwriting: PARRISH'S HONDAYOTA ALONE TIME. The other side was A SHITBOX SINGALONG. 'Play it! Play it!' Noah said gaily, waving the tape. 'Noah. Noah! Take that away from him,' Adam said.

I mean, my age is just a number. So what if you were born in the era when they still used rotary phones and cassette tapes? I think it’s cute.

I replay the memories like an old cassette, one that can never be thrown away no matter how damaged the tape becomes.

But for me, if we're talking about romance, cassettes wipe the floor with MP3s. This has nothing to do with superstition, or nostalgia. MP3s buzz straight to your brain. That's part of what I love about them. But the rhythm of the mix tape is the rhythm of romance, the analog hum of a physical connection between two sloppy human bodies. The cassette is full of tape hiss and room tone; it's full of wasted space, unnecessary noise. Compared to the go-go-go rhythm of an MP3, mix tapes are hopelessly inefficient. You go back to a cassette the way a detective sits and pours drinks for the elderly motel clerk who tells stories about the old days--you know you might be somewhat bored, but there might be a clue in there somewhere. And if there isn't, what the hell? It's not a bad time. You know you will waste time. You plan on it.

I spent hours putting that cassette together. To me, making a tape is like writing a letter - there's a lot of erasing and rethinking and starting again, and I wanted it to be a good one. . . A good compilation tape, like breaking up, is hard to do. You've got to kick off with a corker, to hold the attention, and then you've got to up it a notch, or cool it a notch. . . oh, there are loads of rules. (pg. 88-9)

Hello boys and girls, Hannah Baker here. Live and in stereo. No return engagements, no encore. And this time? Absolutely no requests.

This is what remains. Magical objects with the magic gone out of them. A few cassettes and no tape machine on which they can be played.

She’d taken the time and care to have her tape recorder ready so that any time she had to fart, she could just pick it up and rip one. When she had a full cassette tape, she drew up a cover and mailed it to the office. I’d play it for people and they’d say, “That’s from your Mother???” She

The air of the islands, she believed, was different than the air of other regions of the world. It engulfed her now, carrying with it flavors of sun-drenched soil and foam-flecked sea, aromas of virgin woods and naked rocks, its tang of citrus trees and its fizz of foreign wine-misted lips. It carried in its pockets the sounds of children's laughter, the clatter of drunken brawls, the mandolin music thrumming sensually from decades-old cassette tapes in the colorful souvenir shops where old ladies and young women waved at passersby. It came from near and far, rebounding off the blue-white flag strapped to ferry masts rearing above the sparkling waters, glinting in the brown-eyed winks and twirled mustaches of the locals.

I first heard Pearl Jam in the seventh grade, when this kid I didn’t know very well was brandishing a copy of Ten on cassette in our language arts class. I asked to borrow it and took it home and held a tape recorder up to the speaker in our living room for an hour to record it. (This, sweet babies, is my version of “in my day, we used to have to walk up a hill to get to school with plastic bags for shoes!” Please kill me.)

My maid was an old cassette tape that kept being recorded over.

Her eyes fall over the cassette tape high on my torso, musical notes stringing out of it, and the label on the tape reading The Hand That Rules the World. It was a play on words from a poem Ryen quoted in a letter once when she was encouraging me to start a band.

The Mozart Effect and The Mozart Effect for Children. Pardon the pun, but his works have obviously struck a chord, since millions of the CDs and cassette tapes that accompany his books have also been sold. Strengthen the Mind features music for intelligence and learning, Heal the Body presents music for rest and relaxation, and Unlock the Creative Spirit focuses on music for imagination and creativity. Don chose other musical selections especially for the needs of pregnant mothers, infants, and children. The director of the coronary-care unit at Baltimore Hospital states that listening to classical music for half an hour produces the same effect as ten milligrams of Valium.

Tonight, I feel like my whole body is made out of memories. I’m a mix tape, a cassette that’s been rewound so many times you can hear the fingerprints smudged on the tape.

There was Ruth, lying on her side across my rug, peering at the spines of the cassettes in the low light, and then the Judy Bridgewater tape was in her hands.

Recently, I’ve gathered some of the most compelling stories in a book called The Best of The Spirit of Medjugorje and the latest project I am considering is putting the newsletters on cassette tapes and CDs for people who cannot see well enough to read. If this additional ministry is the will of Our Lord and Our Lady, it, too, will be carried out. June Klins, Pennsylvania

When genetic engineering and artificial intelligence reveal their full potential, liberalism, democracy and free markets might become as obsolete as flint knives, tape cassettes, Islam and communism.

Enough of trying to write this all down. It’s going nowhere. Say I write the word “coincidence”. What you read in the word “coincidence” could be utterly different—even opposite—from what the very same word means to me. This is unfair, if I may say so. Here I am stripped to my underpants while you’ve only undone three button of your blouse. An unfair turn of events if there ever was one. Hence I bought myself a cassette tape, having decided to directly record my letter to you.

Since it was my car, and since I felt confident it would make Marcus miserable, I pushed the Pearl Jam cassette into the tape deck as I got back on the freeway and turned it up. After a couple of tracks, Bas got hung up on trying to figure out the lyrics to “Yellow Ledbetter”—an unattainable goal since they were basically undecipherable sounds with a few words sprinkled in. The song was all feeling, but he was determined. We listened to it over and over, and caught a little more each time. Metaphorically, the song felt perfect for the mission we were on.

Roller Boogie is a relic from - when else? - the '70s. This is a tape I made for the eight-grade dance. The tape still plays, even if the cogs are a little creaky and the sound quality is dismal. It's a ninety-minute TDK Compact Cassette, and like everything else made in the '70s, it's beige. It takes me back to the fall of 1979, when I was a shy, spastic, corduroy-clad Catholic kid from the suburbs of Boston, grief-stricken over the '78 Red Sox. The words "douche" and "bag" have never coupled as passionately as they did in the person of my thirteen-yer-old self. My body, my brain, my elbows that stuck out like switchblades, my feet that got tangled in my bike spokes, but most of all my soul - these formed the waterbed where douchitude and bagness made love sweet love with all the feral intensity of Burt Reynolds and Rachel Ward in Sharkey's Machine.

Brian discovers that this first group features two bricklayers, a machinist, a doctor, a gun-store owner, a veterinarian, a plumber, a barber, an auto mechanic, a farmer, a fry cook, and an electrician. The second group—Brian thinks of them as the Dependents—features the sick, the young, and all the white-collar workers with obscure administrative backgrounds. These are the former middle managers and office drones, the paper pushers and corporate executives who once pulled down six-figure incomes running divisions of huge multinationals—now just taking up space, as obsolete as cassette tapes.

If the front door is opened," Barris said, "during our absence, my cassette tape recorder starts recording. It's under the couch. It has a two-hour tape. I placed three omnidirectional Sony mikes at three different--" "You should have told me," Arctor said. "What if they come in through the windows?" Luckman said. "Or the back door?" "To increase the chances of their making their entry via the front door," Barris continued, "rather than in other less usual ways, I providentially left the front door unlocked." After a pause, Luckman began to snigger. "Suppose they don't know it's unlocked?" Arctor said. "I put a note on it," Barris said.

Two flights of steps bordered either side of the Hill from Hell. I didn’t know who constructed them or when, but it was sometime before I was born. Maybe even before Daddy was born. In one stretch, the steps were made of large semiflat stones. In another, wood. In a third, slate. All of them were in terrible disrepair, but it was still easier to climb them than to try to walk up the dirt road itself, especially since Stacy and I were weighed down with our backpacks, slices of pie in Tupperware containers, bottles of Pepsi, and a bunch of cassette tapes. We stopped halfway up to catch our breath. I really didn’t need to, but I could tell Stacy was not used to trudging up hills.

Dr. Lecter toyed with his food while he wrote and drew and doodled on his pad with a felt-tipped pen. He flipped over the cassette in the tape player chained to the table leg and punched the play button. Glenn Gould playing Bach’s Goldberg Variations on the piano. The music, beautiful beyond plight and time, filled the bright cage and the room where the warders sat.

Adam hadn't even realized the ancient tape deck worked, but after a hissing few seconds, a tape inside jangled a tun. Noah began to sing along at once. "Squash one, squash two--" Adam pawed for the radio at the same time as Blue. The tape ejected with enough force that Noah stretched a hand to catch it. "That song. What are you doing with that in your player?" demanded Blue. "Do you listen to that recreationally? How did that song escape from the internet?" Noah cackled and showed them the cassette. It boasted a handmade label marked with Ronan's handwriting: Parrish's Hondayota Alone Time. The other side was A Shitbox Singalong. "Play it! Play it!" Noah said gaily, waving the tape. "Noah. Noah! Take that away from him," Adam said.

Gerard Manley Hopkins somewhere describes how he mesmerized a duck by drawing a line of chalk out in front of it. Think of me as the duck; the chalk, softly wearing itself away against the tiny pebbles embedded in the corporate concrete, is Joyce's forward-luring rough-smooth voice on the cassettes she gives me. Or, to substitute another image, since one is hardly sufficient in Joyce's case, when I let myself really enter her tape, when I let it surround me, it is as if I'm sunk into the pond of what she is saying, as if I'm some kind of patient, cruising amphibian, drifting in black water, entirely submerged except for my eyes, which blink every so often. Each word comes floating up to me like a thick, healthy lily pad and brushes past my head.

They have just sat their first set of exams and are waiting for the results, waiting for the summer to be over, for the new school year to begin, waiting for their futures to take shape, waiting for their shifts to end, waiting for the tourists to leave, waiting, waiting. Some are waiting for bad haircuts to grow out, for their parents to allow them to drive or give them more money or clock their unhappiness, for the boy or girl they like to notice them, for the cassette tape they ordered at the music shop to arrive, for their shoes to wear out so they can be bought new ones, for the bus to arrive, for the phone to ring. They are, all of them, waiting because that is what teenagers who grow up in seaside towns do. They wait. For something to end, for something to begin.

Sometimes we think and worry nonstop. It’s like having a cassette tape continually turning in our minds. When we leave the television set on for a long time, it becomes hot. Our head also gets hot from all our thinking. When we can’t stop, we may be unable to sleep well. Even if we take a sleeping pill, we continue to run, think, and worry in our dreams. The alternative medicine is mindful breathing. If we practice mindful breathing for five minutes, allowing our body to rest, then we stop thinking for that time. We can use words like ‘in’ and ‘out’ to helps us be aware of our breathing. This is not thinking; these words aren’t concepts. They’re guides for mindfulness of breathing. When we think too much, the quality of our being is reduced. Stopping the thinking, we increase the quality of our being. There’s more peace, relaxation, and rest.

The value of the tape was also the crafting of a mixtape. I am from an era when we learned not to waste songs. If you are creating a cassette that you must listen to all the way through, and you are crafting it with your own hands and your own ideas, then it is on you not to waste sounds and to structure a tape with feeling. No skippable songs meant that I wouldn’t have to take my thick gloves off during the chill of a Midwest winter to hit fast-forward on a Walkman, hoping that I would stop a song just in time. No skippable songs meant that when the older, cooler kids on my bus ride to school asked what I was listening to in my headphones, armed with an onslaught of jokes if my shit wasn’t on point, I could hand my headphones over, give them a brief listen of something that would pass quality control, and keep myself safe from humiliation for another day.

He's rigged a tiny cassette player with a small set of foam earphones to listen to demo tapes and rough mixes. Occasionally he'll hand the device to Mindy, wanting her opinion, and each time, the experience of music pouring directly against her eardrums - hers alone - is a shock that makes her eyes well up; the privacy of it, the way it transforms her surroundings into a golden montage, as if she were looking back on this lark in Africa with Lou from some distant future.

I accidentally put on a sex tape while babysitting a little girl when I was fourteen. The family wasn’t much into technology and only had a VCR player with one Disney movie in VHS. The cassette stopped working right at the beginning of my shift and the kid threw such a massive tantrum, I panicked and searched EVERYWHERE for another movie. Almost shed tears of joy when I found the Little Mermaid. Except it was really called the Little “Spermaid.” And the characters were her parents. Thank God I stopped it before she saw anything

The last dealership had a Toyota Carina 1800 GT Twin-Cam Turbo and a Toyota Mark II. Both new, both with car stereos. I said I’d take the Carina. I didn’t have a crease of an idea what either car looked like. Having done that, I went to a record shop and bought a few cassettes. Johnny Mathis’s Greatest Hits, Zubin Mehta conducting Schönberg’s Verklärte Nacht, Kenny Burrell’s Stormy Sunday, Popular Ellington, Trevor Pinnock on the harpsichord playing the Brandenburg Concertos, and a Bob Dylan tape with Like A Rolling Stone. Mix’n’match. I wanted to cover the bases—how was I to know what kind of music would go with a Carina 1800 GT Twin-Cam Turbo?

The Memory Business Steven Sasson is a tall man with a lantern jaw. In 1973, he was a freshly minted graduate of the Rensselaer Polytechnic Institute. His degree in electrical engineering led to a job with Kodak’s Apparatus Division research lab, where, a few months into his employment, Sasson’s supervisor, Gareth Lloyd, approached him with a “small” request. Fairchild Semiconductor had just invented the first “charge-coupled device” (or CCD)—an easy way to move an electronic charge around a transistor—and Kodak needed to know if these devices could be used for imaging.4 Could they ever. By 1975, working with a small team of talented technicians, Sasson used CCDs to create the world’s first digital still camera and digital recording device. Looking, as Fast Company once explained, “like a ’70s Polaroid crossed with a Speak-and-Spell,”5 the camera was the size of a toaster, weighed in at 8.5 pounds, had a resolution of 0.01 megapixel, and took up to thirty black-and-white digital images—a number chosen because it fell between twenty-four and thirty-six and was thus in alignment with the exposures available in Kodak’s roll film. It also stored shots on the only permanent storage device available back then—a cassette tape. Still, it was an astounding achievement and an incredible learning experience. Portrait of Steven Sasson with first digital camera, 2009 Source: Harvey Wang, From Darkroom to Daylight “When you demonstrate such a system,” Sasson later said, “that is, taking pictures without film and showing them on an electronic screen without printing them on paper, inside a company like Kodak in 1976, you have to get ready for a lot of questions. I thought people would ask me questions about the technology: How’d you do this? How’d you make that work? I didn’t get any of that. They asked me when it was going to be ready for prime time? When is it going to be realistic to use this? Why would anybody want to look at their pictures on an electronic screen?”6 In 1996, twenty years after this meeting took place, Kodak had 140,000 employees and a $28 billion market cap. They were effectively a category monopoly. In the United States, they controlled 90 percent of the film market and 85 percent of the camera market.7 But they had forgotten their business model. Kodak had started out in the chemistry and paper goods business, for sure, but they came to dominance by being in the convenience business. Even that doesn’t go far enough. There is still the question of what exactly Kodak was making more convenient. Was it just photography? Not even close. Photography was simply the medium of expression—but what was being expressed? The “Kodak Moment,” of course—our desire to document our lives, to capture the fleeting, to record the ephemeral. Kodak was in the business of recording memories. And what made recording memories more convenient than a digital camera? But that wasn’t how the Kodak Corporation of the late twentieth century saw it. They thought that the digital camera would undercut their chemical business and photographic paper business, essentially forcing the company into competing against itself. So they buried the technology. Nor did the executives understand how a low-resolution 0.01 megapixel image camera could hop on an exponential growth curve and eventually provide high-resolution images. So they ignored it. Instead of using their weighty position to corner the market, they were instead cornered by the market.

So deeply moved, he pulled the cassette from the machine, flipped it back over to the beginning, fitted it back into its snug carriage of capstans and guiding pins, and pressed play, thinking that he might preserve such a mood of pure, clean sorrow by listening back to his narrative. He imagined that his memoir might now sound like those of an admirable stranger, a person he did not know but whom he immediately recognized and loved dearly. Instead, the voice he heard sounded nasally and pinched and, worse, not very well educated, as if he were a bumpkin who had been called, perhaps even in mockery, to testify about holy things, as if not the testimony but the fumbling through it were the reason for his presence in front of some dire, heavenly senate. He listened to six seconds of the tape before he ejected it and threw it into the fire burning in the woodstove.

That’s why traditional religions offer no real alternative to liberalism. Their scriptures don’t have anything to say about genetic engineering or artificial intelligence, and most priests, rabbis and muftis don’t understand the latest breakthroughs in biology and computer science. For if you want to understand these breakthroughs, you don’t have much choice – you need to spend time reading scientific articles and conducting lab experiments instead of memorising and debating ancient texts. That doesn’t mean liberalism can rest on its laurels. True, it has won the humanist wars of religion, and as of 2016 it has no viable alternative. But its very success may contain the seeds of its ruin. The triumphant liberal ideals are now pushing humankind to reach for immortality, bliss and divinity. Egged on by the allegedly infallible wishes of customers and voters, scientists and engineers devote more and more energies to these liberal projects. Yet what the scientists are discovering and what the engineers are developing may unwittingly expose both the inherent flaws in the liberal world view and the blindness of customers and voters. When genetic engineering and artificial intelligence reveal their full potential, liberalism, democracy and free markets might become as obsolete as flint knives, tape cassettes, Islam and communism.

Astonishment: these women’s military professions—medical assistant, sniper, machine gunner, commander of an antiaircraft gun, sapper—and now they are accountants, lab technicians, museum guides, teachers…Discrepancy of the roles—here and there. Their memories are as if not about themselves, but some other girls. Now they are surprised at themselves. Before my eyes history “humanizes” itself, becomes like ordinary life. Acquires a different lighting. I’ve happened upon extraordinary storytellers. There are pages in their lives that can rival the best pages of the classics. The person sees herself so clearly from above—from heaven, and from below—from the ground. Before her is the whole path—up and down—from angel to beast. Remembering is not a passionate or dispassionate retelling of a reality that is no more, but a new birth of the past, when time goes in reverse. Above all it is creativity. As they narrate, people create, they “write” their life. Sometimes they also “write up” or “rewrite.” Here you have to be vigilant. On your guard. At the same time pain melts and destroys any falsehood. The temperature is too high! Simple people—nurses, cooks, laundresses—behave more sincerely, I became convinced of that…They, how shall I put it exactly, draw the words out of themselves and not from newspapers and books they have read—not from others. But only from their own sufferings and experiences. The feelings and language of educated people, strange as it may be, are often more subject to the working of time. Its general encrypting. They are infected by secondary knowledge. By myths. Often I have to go for a long time, by various roundabout ways, in order to hear a story of a “woman’s,” not a “man’s” war: not about how we retreated, how we advanced, at which sector of the front…It takes not one meeting, but many sessions. Like a persistent portrait painter. I sit for a long time, sometimes a whole day, in an unknown house or apartment. We drink tea, try on the recently bought blouses, discuss hairstyles and recipes. Look at photos of the grandchildren together. And then…After a certain time, you never know when or why, suddenly comes this long-awaited moment, when the person departs from the canon—plaster and reinforced concrete, like our monuments—and goes on to herself. Into herself. Begins to remember not the war but her youth. A piece of her life…I must seize that moment. Not miss it! But often, after a long day, filled with words, facts, tears, only one phrase remains in my memory (but what a phrase!): “I was so young when I left for the front, I even grew during the war.” I keep it in my notebook, although I have dozens of yards of tape in my tape recorder. Four or five cassettes… What helps me? That we are used to living together. Communally. We are communal people. With us everything is in common—both happiness and tears. We know how to suffer and how to tell about our suffering. Suffering justifies our hard and ungainly life.

To be honest, I was uneasy about Steve. He had a forceful personality, whereas I do not, and I felt threatened by him. For all of my talk about the importance of surrounding myself with people smarter than myself, his intensity was at such a different level, I didn’t know how to interpret it. It put me in the mind of an ad campaign that the Maxell cassette tape company released around this time, featuring what would become an iconic image: a guy sitting low in a leather-and-chrome Le Corbusier chair, his long hair being literally blown back by the sound from the stereophonic speaker in front of him. That’s what it was like to be with Steve. He was the speaker. Everyone else was the guy.

The doctor gave me a relaxation cassette. When my blood pressure gets too high, the man on the tape tells me to say ‘SERENITY NOW!’ Are you supposed to yell it? The man on the tape wasn’t specific. — Seinfeld

10 Print “The 80s are fab!” 20 Goto 10 Run

Hey man! Ok, I have some awesome news for you! First of all: We found some vintage audio training cassettes. Dude, these are like, prehistoric! I think they were like, training tapes, for like other employees or something like that. So, I thought we could like, have them playing, like over the speakers while people walk through the attraction? Dude, that makes this feel, LEGIT man. But I have an even better surprise for you, and you're not gonna believe this! We found one. A REAL one. Uh, oh uhm, gotta go man! W-well look I-It's in there somewhere, I-I'm sure you'll see it. Okay, I'll leave you with some of this great audio I found. Talk to you late man!" Click! "Oh, Hello! Hello, hello! Uh, welcome to your new career as a performer/entertainer, for Freddy Fazbear's Pizza. Uh, these tapes will provide you, with much needed information on how to handle/climb into/climb out of, mascot costumes. Right now, we have 2 specially designed suits, that

Time is not a cassette tape that can be wound and rewound.

If Zeidy isn’t home, Bubby sings. She hums wordless tunes in her thin, feathery voice as she skillfully whisks a fluffy tower of meringue in a shiny steel bowl. This one is a Viennese waltz, she tells me, or a Hungarian rhapsody. Tunes from her childhood, she says, her memories of Budapest. When Zeidy comes home, she stops the humming. I know women are not allowed to sing, but in front of family it is permitted. Still, Zeidy encourages singing only on Shabbos. Since the Temple was destroyed, he says, we shouldn’t sing or listen to music unless it’s a special occasion. Sometimes Bubby takes the old tape recorder that my father gave me and plays the cassette of my cousin’s wedding music over and over, at a low volume so she can hear if someone’s coming. She shuts it off at the merest sound of creaking in the hallway.

At the residence of my first veterinary job in New England, I passed by the surgery suite just in time to see my boss pulling a long stretch of a cassette tape out of a dog’s intestine. “What in the world would entice him to eat this?” he muttered. He then rationalized a plausible explanation to himself which did not necessitate my reply. “It must be country music. Nothing else could possibly be worth the agony of all of this,” he mumbled continuing to pull loops and loops of tape from the dog’s inflamed intestines.

Perhaps Pre's driving was affected enough that he simply misjudged the curve and his approach speed. Perhaps, as one policeman speculated, he was reaching for a cassette tape and took his eyes off the road. Perhaps he failed to make the turn for an altogether different reason. The result is the same.

sitting with a hundred cassette tapes between them, and as soon as she walked away, Park leaned over and kissed Eleanor. It seemed like the best time not to get caught. She was a little too far away, so he put his hand on her back and pulled her toward him. He tried to do it like it was something he did all the time, as if touching

Here is where many Christian parents make a decision that seems right on the surface, but I believe is all wrong if they hope to prepare their teenagers to be a redemptive influence in the cultural struggle. Like the Smiths, many Christian parents try their best to keep the surrounding culture out of their homes (cassette tapes, CDs, and videos). In so doing, they lose a wonderful, focused opportunity to teach their children how to use a biblical view of life to understand and critique their culture.

the Taliban had arrested him for carrying cassette tapes.

Don’t tell me Kinshasa, the poorest city in the poorest country in the world, a place where the average per capita income is one goat bell, two bootleg Michael Jackson cassette tapes, and three sips of potable water per year, thinks we’re too poor to associate with.

Birds— and Territory My dad and I designed a house for a wren family when I was ten years old. It looked like a Conestoga wagon, and had a front entrance about the size of a quarter. This made it a good house for wrens, who are tiny, and not so good for other, larger birds, who couldn’t get in. My elderly neighbour had a birdhouse, too, which we built for her at the same time, from an old rubber boot. It had an opening large enough for a bird the size of a robin. She was looking forward to the day it was occupied. A wren soon discovered our birdhouse, and made himself at home there. We could hear his lengthy, trilling song, repeated over and over, during the early spring. Once he’d built his nest in the covered wagon, however, our new avian tenant started carrying small sticks to our neighbour’s nearby boot. He packed it so full that no other bird, large or small, could possibly get in. Our neighbour was not pleased by this pre- emptive strike, but there was nothing to be done about it. “If we take it down,” said my dad, “clean it up, and put it back in the tree, the wren will just pack it full of sticks again.” Wrens are small, and they’re cute, but they’re merciless. I had broken my leg skiing the previous winter— first time down the hill— and had received some money from a school insurance policy designed to reward unfortunate, clumsy children. I purchased a cassette recorder (a high- tech novelty at the time) with the proceeds. My dad suggested that I sit on the back lawn, record the wren’s song, play it back, and watch what happened. So, I went out into the bright spring sunlight and taped a few minutes of the wren laying furious claim to his territory with song. Then I let him hear his own voice. That little bird, one- third the size of a sparrow, began to dive- bomb me and my cassette recorder, swooping back and forth, inches from the speaker. We saw a lot of that sort of behaviour, even in the absence of the tape recorder. If a larger bird ever dared to sit and rest in any of the trees near our birdhouse there was a good chance he would get knocked off his perch by a kamikaze wren.

My mind was an old cassette tape that kept being recorded over. Only wavering ghost notes from the old music came through.

He’d watch Saturday Night Live, record the episodes on a video cassette recorder, transcribe the tapes by hand, and study the jokes. He scoured TV Guide every week to see which comedians were going to be on the talk shows. He wrote a thirty-page paper on the Marx brothers when he was in the fifth grade.

Maddy, they said affectionately, come to our room and listen to tapes.

I popped my cassette of Alte Kameraden into the player. A friend had taped it for me. Alte Kameraden seven and one-half times. The Royal Netherlands Guardsmen. Music to enlist by. It got my adrenaline moving. By the time I reached Candi Yakozi’s street I was ready to fight thirty-two Royal Bengal tigers. I counted doorways from her address to the corner. I parked and walked up the alley to the back door of her garden apartment. I knocked lightly. The door opened instantly. Candi Yakozi was wearing a smile and spike heels and a white sharkskin blouse that came to a screeching halt something like fifteen inches north of her knees. It looked like that might be all.

A simple, five-command loop expands into a beautiful segmented structure of fifty lines. Little portions of program detach into reusable parts. Neelay’s father hooks up a cassette tape player, for easy reloading of their hours of work in mere minutes. But the volume button must be set just right, or everything explodes with a read error.

Belinda Carlisle was her firm favorite that year. I’d been forced to hear “Heaven Is a Place on Earth” so often, I’m surprised she didn’t wear out the cassette tape.

magnétophone /maɲetɔfɔn/ nm (à cassette) cassette (tape) recorder; (à bande) tape recorder • enregistrer qch au ~ | to record sth, to tape sth magnétoscope /maɲetɔskɔp/ nm (à cassette) video (cassette) recorder, VCR; (à bande) video (tape) recorder • enregistrer qch au ~ | to video sth

Mothers who hand sewed kids' clothes, who read used Jane Austen paperbacks and stenciled checkerboards and hearts onto their kitchen cupboards, did not go away on weekend benders. Not according to my husband they didn't. "This one does," I told him, tossing long underwear, a disposable camera, and a Led Zeppelin cassette tape into a denim duffel bag.

all the reasons vinyl was better than CD or cassette tape. It wasn’t just 1) the ARTWORK and SLEEVE NOTES on the album sleeve. It wasn’t 2) the possibility of a HIDDEN TRACK, or a little MESSAGE carved in the final groove. It wasn’t 3) the mahogany richness of the QUALITY OF SOUND. (But CD sound was clean, the reps argued. It had no surface noise. To which Frank replied, ‘Clean? What’s music got to do with clean? Where is the humanity in clean? Life has surface noise! Do you want to listen to furniture polish?’) It wasn’t even 4) the RITUAL of checking the record before carefully lowering the stylus. No, most of all it was about the JOURNEY. 5) The journey that an album made from one track to another, with a hiatus in the middle, when you had to get up and flip the record over in order to finish. With vinyl, you couldn’t just sit there like a lemon. You had to GET UP OFF YOUR ARSE and TAKE PART.

It's too late to sleep anyway. The coffee's gone cold, so I just heat up another pot. Tonight, I feel like my whole body is made out of memories. I'm a mix tape, a cassette that's been rewound so many times you can hear the fingerprints smudged on the tape. Press play.

Adam hadn't even realized the ancient tape deck worked, but after a hissing few seconds, a tape inside jangled a tune. Noah began to sing along at once. "Squash one, squash two--" Adam pawed for the radio at the same time as Blue. The tape ejected with enough force that Noah stretched a hand to catch it. "That song. What are you doing with that in your player?" demanded Blue. "Do you listen to that recreationally? How did that song escape from the internet?" Noah cackled and showed them the cassette. It boasted a handmade label marked with Ronan's handwriting: Parrish's Hondayota Alone Time. The other side was A Shitbox Singalong. "Play it! Play it!" Noah said gaily, waving the tape. "Noah. Noah! Take that away from him," Adam said.

Meanwhile, I still worked with Dr. Ferrante. He came up with different ways to try to help me with my approach to football. Back then, we listened to Walkmans and cassette tapes before games. This was almost ten years before Apple invented the iPod. Dr. Ferrante asked me to put together a playlist of the top twenty pregame songs that got me in the right football mood. Then he asked me to record my dad, my mom, my sister, and my brother as they each gave me a positive thought to take out onto the field. I took all the recordings to a local radio disc jockey, who was nice enough to mix them together on a cassette tape for me.

THE WHITE ALBUM IS THE BROKEN ALBUM, THE DOUBLE-VINYL mess, a build-your-own-Beatles kit forcing you to edit the album yourself. They even made the audience come up with the title. (Nobody has ever called it The Beatles.) In the predigital days, everybody made their own cassette for actual listening, with each fan taping a different playlist.

Sitting on the couch in the trailer watching TV one late night, I saw an infomercial for a series of audiocassettes called Attacking Anxiety and Depression from the Midwest Center for Stress and Anxiety. Without a moment’s hesitation I reached for the phone, called the 800 number on the TV screen and purchased the tapes. When the tapes arrived a few days later, I popped in the first cassette in the sixteen-cassette self-help series—which was comprised of testimonials from people afflicted with panic attacks—and realized that I wasn’t going crazy, that this was indeed a legitimate psychiatric disorder. As I listened to the remainder of the series in our trailer, I began to grasp that my brain could tell me something so convincingly that I had almost no choice but to believe it. During anxiety attacks I actually believed that I was dying. The attacks were so severe that I would have rather known that I was going to have open heart surgery at 9:00 a.m. the next day than a panic attack. That was the power of the nervous system: we can think things that aren’t true and feel and see things that aren’t real. With the Attacking Anxiety and Depression tapes suddenly the subjective no longer held the power for me that it had once held. Indeed, what I was learning about the power of the mind just might explain some of the experiences I’d had in the past—like speaking with God or hearing his voice. It was neurologically possible to hear an audible voice when there was no voice there. I began to entertain the possibility that there was an objective way of looking at my experiences, and that this objective perspective might prove those experiences to be false. Up until that moment seeing truly was believing, but what did it say about my beliefs if I had not seen or heard anything at all?

I have received hundreds and hundreds of letters concerning Twin Flames. You have to realize this knowing has nothing to do with the human sense of the word. They will tell me; they found their Twin Flame on a basis of a human love experience, or that their astrology is in polarity, or all sorts of verifications they look in the outer sense. You must remember that Jesus Christ said, flesh and blood cannot inherit the kingdom of heaven. We are not Twin Flames or [Soul Mates] by the virtue of our flesh and blood condition.

Then I think, what the hell, a flight from Newark to Jamaica takes as long as the walk to this village did, so yeah, I do live near Jamaica. Their eyes light up with excitement. One of them runs out and returns minutes later with a cassette tape. It turns out that James is the only one in the commune who owns a cassette player and his friend is the only one to own a tape, and it’s Bob Marley’s Legend.

The music I preferred on these excursions were hissy dubbed cassette tapes of Glenn Gould playing Bach in that bludgeoning, affectless style he invented, so remorseless in its inhuman power. The music, turned up all the way so as to be audible over the wide-open windows — the car had no air conditioning — felt a little bit like purgatory, and a little bit like anesthesia, and most of all like the cold rapture of thought struggling to transcend its surroundings. I've never felt as alone as I did in that little box, the hot wind battering my face, cutting through those desolate stretches of big-box stores, passing through the newly built subdivisions that had sprung up on raw pastureland. But sometimes, when the music was high, and the sun was a hot smear at high noon, or you were hurtling down an empty stretch of road at night, you felt the immense power of the car you were driving to propel you beyond yourself and into... Jameson called it the hysterical sublime.

Abdul owned only one cassette tape: Judy Collins’s Greatest Hits. I tried sleeping. I tried shutting it out, but, in the end, the soulless trilling and warbling of ‘Both Sides Now’ slowly ground me down to a state of near-hysterical desperation.

DILEMMA: Wiper fluid is good for clearing up most of the windshield, but it always leaves the edges even dirtier than before. SOLUTION: Remove the tape from a cassette—if you still have any around—shape it into a ball, stuff it into the foot of an old stocking, and tie the tip closed. You’ve just made your very own window wiper that won’t leave streaks and stains all over the place.

WHY THIS WORKS: Most cassette tape is made of ferric oxide and cobalt. In fine powder form, ferric oxide is often used as the finishing polish for jewelry and glasses—in other words, it’s great for magnetic storage but also an effective shine enhancer. The stockings are made of nylon, which is sturdy and keeps the tape material in a solid bunch without interfering with its cleaning skills.

The other song we did was my cover of “Addicted to Love.” There used to be a sort of karaoke booth on Saint Mark’s, where anyone could go in and record themselves. I chose “Addicted to Love” because I liked Robert Palmer’s video, with its background cast of zombie models identically dressed and holding guitars. I took the tape with the canned version of the song back to the studio, and we sped up the vocal to make it sound higher in pitch. Later I brought the cassette mix to Macy’s, where they had a video version of the karaoke sound booth. You could customize a background while two cameras filmed you. For my backdrop I picked jungle fighters, and I wore my Black Flag earrings. The entire bill came to $19.99, and in a slick, commercial MTV world, it felt gratifying and empowering to pay for the whole thing with a credit card.

But for me, if we’re talking about romance, cassettes wipe the floor with MP3s. This has nothing to do with superstition, or nostalgia. MP3s buzz straight to your brain. That’s part of what I love about them. But the rhythm of the mix tape is the rhythm of romance, the analog hum of a physical connection between two sloppy, human bodies. The cassette is full of tape hiss and room tone; it’s full of wasted space, unnecessary noise. Compared to the go-go-go rhythm of an MP3, mix tapes are hopelessly inefficient.

During the taxi ride on the way to the hotel, I had to laugh to myself as I experienced another special moment between the Universe and I. I have been referring to this trip as a journey into my heart, and have been envisioning Tulum as a physical symbol of heaven on earth. So what do you think is the first song that plays once the taxi driver turns on his tape cassette? As I hear the lyrics fill up the van, I almost can’t believe the synchronicity myself. It is the most perfect, fitting song in the world to be playing at this moment in time: “When you walk into the room You pull me close and we start to move, And we’re spinning with the stars above, And you lift me up in a wave of love… (Wait for it…) Ooh, baby, do you know what that’s worth? Ooh heaven is a place on earth They say in heaven, love comes first We’ll make heaven a place on earth Ooh heaven is a place on earth.

Pushed by Casey, American scholars and CIA analysts had begun in the early 1980s to examine Soviet Central Asia for signs of restiveness. There were reports that ethnic Uzbeks, Turkmen, Tajiks, and Kazakhs chafed under Russian ethnic domination. And there were also reports of rising popular interest in Islam, fueled in part by the smuggling of underground Korans, sermonizing cassette tapes, and Islamic texts by the Muslim Brotherhood and other proselytizing networks.

Walkman cassette player was temporarily put on hold when market research indicated that consumers would never buy a tape player that didn’t have the capacity to record and that customers would be irritated by the use of earphones. But Morita ignored his marketing department’s warning, trusting his own gut instead. The Walkman went on to sell over 330 million units and created a worldwide culture of personal music devices.

You will never be happy if your happiness depends on getting solely what you want. Change the focus, get a new center, will what God wills, and your joy no man shall take from you.

The way he tapped on the steering wheel; the way he hummed along to a song playing in the cassette deck. ‘Don’t Wanna Be a Player’ by Joe, as the tape sleeve said. Followed by ‘Natural Woman’ by Mary J. Blige and Shai’s ‘If I Ever Fall in Love’. ‘Wait, “Mo’s mix”?’ April parted her lips in mock astonishment. ‘I didn’t take Morag for an R&B type of gal.