Far By Distance Close By Heart Quotes

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Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple “I must,” then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose... ...Describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty - describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, don’t blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is not poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the world’s sounds – wouldn’t you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. - And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it.
Rainer Maria Rilke
Will!” He turned at the familiar voice and saw Tessa. There was a small path cut along the side of the hill, lined with unfamiliar white flowers, and she was walking up it, toward him. Her long brown hair blew in the wind — she had taken off her straw bonnet, and held it in one hand, waving it at him and smiling as if she were glad to see him. His own heart leaped up at the sight of her. “Tess,” he called. But she was still such a distance away — she seemed both very near and very far suddenly and at the same time. He could see every detail of her pretty, upturned face, but could not touch her, and so he stood, waiting and desiring, and his heart beat like the wings of seagulls in his chest. At last she was there, close enough that he could see where the grass and flowers bent beneath the tread of her shoes. He reached out for her —
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
And I loved you I loved you so There were times I forgot to breathe Waiting for the phone call For the sound of your voice Touching me places You couldn't touch For the miles between us. And I loved you Like a forest loves the spring Waiting for the smallest signs Of you coming back And breathing life back into me Warming me up On my brightest fields And my darkest valleys But you stayed away. And I loved you But fate seemed to have Different plans for us. I guess now I see that It was a one-sided love Peeking through The large glasses of a binocular I am here, so very close But you are far-far-away...
Veronika Jensen
What can the love in my soul be compared to another wonderful soul which is so far and yet so close of my self? What can this symbiosis between two souls can be? What can love be when you feel you cannot sleep at night, that every drop of dew becomes a crystal in your heart, when every breeze of wind has magical meanings? What can love be when you feel that you want nothing more in this world that to be with the soul you love? But what can love be in other transcendental realities? What about our souls? Are our souls a waterfall, a true Niagara or a smile, a flirt of an angel? Are our souls a mere mood of a fairy or a lightening in a summer rain? Our souls could be all of this and much more. But what really happens in that transcendental reality when we feel we are truly in love, that we love so much that it hurts? That the air in the room is unbreathable, that the sentimental, spiritual or physical distances kill us? What happens when dawn find us sadder than ever, looking for an excuse or an argument for the person we love so much, our Great Love? What are all thses? What are the looks lost in the desert horizons of unfulfilment or those in the eyes that deeply loose each other in the others inside the souls?
Sorin Cerin
Is that … chocolate cake?” “I thought you might need some.” “Need, not want?” A ghost of a smile was on her lips, and he almost sagged in relief as he said, “For you, I’d say that chocolate cake is most definitely a need.” She crossed from the fireplace to where he stood, stopping a hand’s breadth away and staring up at him. Some of the color had returned to her face. He should step back, put more distance between them. But instead, he found himself reaching for her, a hand slipping around her waist and the other twining itself through her hair as he held her tightly to him. His heart thundered through him so hard he knew she could feel it. After a second, her arms came up around him, her fingers digging into his back in a way that made him realize how close they stood. He shoved that feeling down, even as the silken texture of her hair against his fingers made him want to bury his face in it, and the smell of her, laced with mist and night, had him grazing his nose against her neck. There were other kinds of comfort that he could give her than mere words, and if she needed that kind of distraction … He shoved down that thought, too, swallowing it until he nearly choked on it. Her fingers were moving down his back, still digging into his muscles with a fierce kind of possession. If she kept touching him like that, his control was going to slip completely. And then she pulled back, just far enough to look up at him again, still so close their breath mingled. He found himself gauging the distance between their lips, his eyes flicking between her mouth and her eyes, the hand he had entwined in her hair stilling. Desire roared through him, burning down every defense he’d put up, erasing every line he’d convinced himself he had to maintain.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
We may be far in distance but we will always be close in heart!
Avijeet Das
Cauldron save me," she began whispering, her voice lovely and even-like music. "Mother hold me," she went on, reciting a prayer similar to one I'd heard once before, when Tamlin eased the passing of that lesser faerie who'd died in the foyer. Another of Amarantha's victims. "Guide me to you." I was unable to raise my dagger, unable to take the step that would close the distance between us. "Let me pass through the gates; let me smell that immortal land of milk and honey." Silent tears slide down my face and neck, where they dampened the filthy collar of my tunic. As she spoke, I knew I would be forever barred from that immortal land. I knew that whatever Mother she meant would never embrace me. In saving Tamlin, I was to damn myself. I couldn't do this-couldn't lift that dagger again. "Let me fear no evil," she breathed, staring at me-into me, into the soul that was cleaving itself apart."Let me feel no pain." A sob broke from my lips. "I'm sorry," I moaned. "Let me enter eternity," She breathed. I wept as I understood. Kill me now, she was saying. Do it fast. Don't make it hurt. Kill me now. Her bronze eyes were steady, if not sorrowful. Infinitely, infinitely worse than the pleading of the dead faerie beside her. I couldn't do it. But she held my gaze-held my gaze and nodded. As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.” As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face. More faeries wailed now-her kinsmen and friends. The dagger was a weight in my hand-my hand, shining and coated with the blood of the first faerie. It would be more honorable to refuse-to die, rather than murder innocents. But... but... "Let me enter eternity," she repeated, lifting her chin. "Fear no evil," she whispered-just for me. "Feel no pain." I gripped her delicate, bony shoulder and drove the dagger into her heart. She gasped, and blood spilled onto the ground like a splattering of rain. Her eyes were closed when I looked at her face again. She slumped to the floor and didn't move. I went somewhere far, far away from myself.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
No. If she cared about me, she would have loved me for whomever I was, not just who she wanted me to be. What she maybe thought I was. Relationships are always made up of these little perceptions of relationships, you know. What you think is friendship is something else so to someone else. You can never really know what's in someone else's mind, no matter how much you love them." I nod, then say, "Yeah," because I realize she can't see me. I think of the distance between us, and how maybe there's that distance between all of us, because she's right, I can't know what's in someone else's head. And just like that, I can feel the distance close—snap like a rubber band. We were never really far apart, maybe. It just looked that way.
Lev A.C. Rosen (Jack of Hearts (and Other Parts))
No. If she cared about me, she would have loved me for whomever I was, not just who she wanted me to be. What she maybe thought I was. Relationships are always made up of these little perceptions of relationships, you know. What you think is friendship is something else to someone else. You can never really know what's in someone else's mind, no matter how much you love them." I nod, then say, "Yeah," because I realize she can't see me. I think of the distance between us, and how maybe there's that distance between all of us, because she's right, I can't know what's in someone else's head. And just like that, I can feel the distance close—snap like a rubber band. We were never really far apart, maybe. It just looked that way.
Lev A.C. Rosen (Jack of Hearts (and Other Parts))
Can you drive it?" "No. I can't drive a stick at all. It's why I took Andy's car and not one of yours." "Oh people, for goodness' sake...move over." Choo Co La Tah pushed past Jess to take the driver's seat. Curious about that, she slid over to make room for the ancient. Jess hesitated. "Do you know what you're doing?" Choo Co La Tah gave him a withering glare. "Not at all. But I figured smoeone needed to learn and no on else was volunteering. Step in and get situated. Time is of the essence." Abigail's heart pounded. "I hope he's joking about that." If not, it would be a very short trip. Ren changed into his crow form before he took flight. Jess and Sasha climbed in, then moved to the compartment behind the seat. A pall hung over all of them while Choo Co La Tah adjusted the seat and mirrors. By all means, please take your time. Not like they were all about to die or anything... She couldn't speak as she watched their enemies rapidly closing the distance between them. This was by far the scariest thing she'd seen. Unlike the wasps and scorpions, this horde could think and adapt. They even had opposable thumbs. Whole different ball game. Choo Co La Tah shifted into gear. Or at least he tried. The truck made a fierce grinding sound that caused jess to screw his face up as it lurched violently and shook like a dog coming in from the rain. "You sure you odn't want me to try?" Jess offered. Choo Co La Tah waved him away. "I'm a little rusty. Just give me a second to get used to it again." Abigail swallowed hard. "How long has it been?" Choo Co La Tah eashed off the clutch and they shuddred forward at the most impressive speed of two whole miles an hour. About the same speed as a limping turtle. "Hmm, probably sometime around nineteen hundred and..." They all waited with bated breath while he ground his way through more gears. With every shift, the engine audibly protested his skills. Silently, so did she. The truck was really moving along now. They reached a staggering fifteen miles an hour. At this rate, they might be able to overtake a loaded school bus... by tomorrow. Or at the very least, the day after that. "...must have been the summer of...hmm...let me think a moment. Fifty-three. Yes, that was it. 1953. The year they came out with color teles. It was a good year as I recall. Same year Bill Gates was born." The look on Jess's and Sasha's faces would have made her laugh if she wasn't every bit as horrified. Oh my God, who put him behind the wheel? Sasha visibly cringed as he saw how close their pursuers were to their bumper. "Should I get out and push?" Jess cursed under his breath as he saw them, too. "I'd get out and run at this point. I think you'd go faster." Choo Co La Tah took their comments in stride. "Now, now, gentlemen. All is well. See, I'm getting better." He finally made a gear without the truck spazzing or the gears grinding.
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
A THOUGHT AWAY Distance does not separate us. We're not so far away. Take in a breath and blow it out. Say what you want to say. We hear you as you sit and breathe And contemplate the light, For deep inside is where we live Not far away and out of sight. Our world is yours; it's not distinct, Just varying vibrations, Not divided by false borders Like geographic nations. To join the two just close your eyes And loving thoughts bring to your mind, And there our worlds meet on the breath Like two hearts intertwined A thought away, that's all we are, So keep us close at hand. For now you cannot touch us But at your side is where we stand.
Suzanne Giesemann (In the Silence: 365 Days of Inspiration from Spirit)
I lingered at the gates; I lingered on the lawn; I paced backwards and forwards on the pavement; the shutters of the glass door were closed; I could not see into the interior; and both my eyes and spirit seemed drawn from the gloomy house—from the grey hollow filled with rayless cells, as it appeared to me—to that sky expanded before me,—a blue sea absolved from taint of cloud; the moon ascending it in solemn march; her orb seeming to look up as she left the hill-tops, from behind which she had come, far and farther below her, and aspired to the zenith, midnight dark in its fathomless depth and measureless distance; and for those trembling stars that followed her course; they made my heart tremble, my veins glow when I viewed them. Little things recall us to earth; the clock struck in the hall; that sufficed; I turned from moon and stars, opened a side-door, and went in.
Charlotte Brontë (Jane Eyre)
I gave it up and walked down to the Sphynx. After years of waiting, it was before me at last. The great face was so sad, so earnest, so longing, so patient. There was a dignity not of earth in its mien, and in its countenance a benignity such as never any thing human wore. It was stone, but it seemed sentient. If ever image of stone thought, it was thinking. It was looking toward the verge of the landscape, yet looking at nothing—nothing but distance and vacancy. It was looking over and beyond every thing of the present, and far into the past. It was gazing out over the ocean of Time—over lines of century-waves which, further and further receding, closed nearer and nearer together, and blended at last into one unbroken tide, away toward the horizon of remote antiquity. It was thinking of the wars of departed ages; of the empires it had seen created and destroyed; of the nations whose birth it had witnessed, whose progress it had watched, whose annihilation it had noted; of the joy and sorrow, the life and death, the grandeur and decay, of five thousand slow revolving years. It was the type of an attribute of man—of a faculty of his heart and brain. It was MEMORY—RETROSPECTION—wrought into visible, tangible form. All who know what pathos there is in memories of days that are accomplished and faces that have vanished—albeit only a trifling score of years gone by—will have some appreciation of the pathos that dwells in these grave eyes that look so steadfastly back upon the things they knew before History was born—before Tradition had being—things that were, and forms that moved, in a vague era which even Poetry and Romance scarce know of—and passed one by one away and left the stony dreamer solitary in the midst of a strange new age, and uncomprehended scenes.
Mark Twain (The Innocents Abroad)
He closed his hand on the twenty kopecks, walked on for ten paces, and turned facing the Neva, looking towards the palace. The sky was cloudless and the water was almost bright blue, which is so rare in the Neva. The dome of the cathedral, which is seen at its best from the bridge about twenty paces from the chapel, glittered in the sunlight, and in the pure air every ornament on it could be clearly distinguished. The pain from the lash eased off, and Raskolnikov forgot about it; one uneasy and not quite definite idea now occupied him completely. He stood still, and gazed long and intently into the distance; this spot was especially familiar to him. When he was attending the university, he had hundreds of times—generally on his way home—stood still on this spot, gazed at this truly magnificent spectacle and almost always marveled at a vague and mysterious emotion it aroused in him. It left him strangely cold; for him, this gorgeous picture was blank and lifeless. He wondered every time at his somber and enigmatic impression and, mistrusting himself, put off finding an explanation for it. He vividly recalled those old doubts and perplexities, and it seemed to him that it was no mere chance that he recalled them now. It struck him as strange and grotesque that he should have stopped at the same spot as before, as though he actually imagined he could think the same thoughts, be interested in the same theories and pictures that had interested him . . . so short a time ago. He felt it almost amusing, and yet it wrung his heart. Deep down, hidden far away out of sight all that seemed to him now—all his old past, his old thoughts, his old problems and theories, his old impressions and that picture and himself and all, all . . . He felt as though he were flying upwards, and everything were vanishing from his sight. Making an unconscious movement with his hand, he suddenly became aware of the piece of money in his fist. He opened his hand, stared at the coin, and with a sweep his arm flung it into the water; then he turned and went home. It seemed to him, he had cut himself off from every one and from everything at that moment.
Fyodor Dostoevsky (Crime and Punishment)
He closed his hand on the twenty copecks, walked on for ten paces, and turned facing the Neva, looking towards the palace. The sky was without a cloud and the water was almost bright blue, which is so rare in the Neva. The cupola of the cathedral, which is seen at its best from the bridge about twenty paces from the chapel, glittered in the sunlight, and in the pure air every ornament on it could be clearly distinguished. The pain from the lash went off, and Raskolnikov forgot about it; one uneasy and not quite definite idea occupied him now completely. He stood still, and gazed long and intently into the distance; this spot was especially familiar to him. When he was attending the university, he had hundreds of times—generally on his way home—stood still on this spot, gazed at this truly magnificent spectacle and almost always marvelled at a vague and mysterious emotion it roused in him. It left him strangely cold; this gorgeous picture was for him blank and lifeless. He wondered every time at his sombre and enigmatic impression and, mistrusting himself, put off finding the explanation of it. He vividly recalled those old doubts and perplexities, and it seemed to him that it was no mere chance that he recalled them now. It struck him as strange and grotesque, that he should have stopped at the same spot as before, as though he actually imagined he could think the same thoughts, be interested in the same theories and pictures that had interested him… so short a time ago. He felt it almost amusing, and yet it wrung his heart. Deep down, hidden far away out of sight all that seemed to him now—all his old past, his old thoughts, his old problems and theories, his old impressions and that picture and himself and all, all…. He felt as though he were flying upwards, and everything were vanishing from his sight. Making an unconscious movement with his hand, he suddenly became aware of the piece of money in his fist. He opened his hand, stared at the coin, and with a sweep of his arm flung it into the water; then he turned and went home. It seemed to him, he had cut himself off from everyone and from everything at that moment.
Fyodor Dostoevsky (Crime and Punishment)
Arthur tried to gauge the speed at which they were traveling, but the blackness outside was absolute and he was denied any reference points. The sense of motion was so soft and slight he could almost believe they were hardly moving at all. Then a tiny glow of light appeared in the far distance and within seconds had grown so much in size that Arthur realized it was traveling toward them at a colossal speed, and he tried to make out what sort of craft it might be. He peered at it, but was unable to discern any clear shape, and suddenly gasped in alarm as the aircar dipped sharply and headed downward in what seemed certain to be a collision course. Their relative velocity seemed unbelievable, and Arthur had hardly time to draw breath before it was all over. The next thing he was aware of was an insane silver blur that seemed to surround him. He twisted his head sharply round and saw a small black point dwindling rapidly in the distance behind them, and it took him several seconds to realize what had happened. They had plunged into a tunnel in the ground. The colossal speed had been their own, relative to the glow of light which was a stationary hole in the ground, the mouth of the tunnel. The insane blur of silver was the circular wall of the tunnel down which they were shooting, apparently at several hundred miles an hour. He closed his eyes in terror. After a length of time which he made no attempt to judge, he sensed a slight subsidence in their speed and some while later became aware that they were gradually gliding to a gentle halt. He opened his eyes again. They were still in the silver tunnel, threading and weaving their way through what appeared to be a crisscross warren of converging tunnels. When they finally stopped it was in a small chamber of curved steel. Several tunnels also had their termini here, and at the farther end of the chamber Arthur could see a large circle of dim irritating light. It was irritating because it played tricks with the eyes, it was impossible to focus on it properly or tell how near or far it was. Arthur guessed (quite wrongly) that it might be ultraviolet. Slartibartfast turned and regarded Arthur with his solemn old eyes. “Earthman,” he said, “we are now deep in the heart of Magrathea.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
If, in the further reaches of some or another remote corridor in an immense house of two or, perhaps, three storeys, and behind some or another door that remains mostly closed but in sight of a window overlooking some or another tract of far-reaching landscape of mostly level grassy countryside with low hills or a line of trees in the distance, a certain man at his desk, on some or another day of sunshine with scattered clouds, were to spurn the predictable words and phrases of the many writers of fiction who have reported of this or that male character that he once fell in love with this or that female character, and if that same man, after striving as neither I, the author of this sentence, nor even the most discerning reader of the sentence, have or has striven nor will ever strive, in late afternoon, and at about the time when the rays of the declining sun might have caused the pane in the window of his room to seem to a traveller on a distant road like a spot of golden oil, had found in his heart, or wherever such things are to be found, the words best fitted to suggest what he seemed to have felt long before, on a certain hot afternoon, in a distant inland city, and whether he had simply kept those words in mind or whether he had actually written them, either as notes for a work of fiction that he might one day write or as part of an actual work of fiction, then I do not doubt that the words would have been to the effect that a certain boy, a mere child, while he watched unobserved a certain girl, a mere child, whose name he did not know and who had almost certainly never had sight of him, wished for the means to inform her that he was worthy of trust.
Gerald Murnane (A Million Windows)
Gabriel’s hands were a bit unsteady as he prepared a late dinner. Jared hadn’t returned from work yet, the medical staff working overtime, but it was getting late. Surely Jared would return soon? Gabriel cut his finger and dropped the knife, hissing. Dammit. He leaned against the table and forced himself to take a few deep breaths. It didn’t help. The feeling of dread didn’t disappear. He was scared. He didn’t like the look in Jared’s eyes when Jared had walked away from him. Jared had looked like a man who was resolved to do something very unpleasant but necessary. Had he pushed Jared too far? By the time dinner was ready, Gabriel was nearly sick with worry. Why wasn’t Jared back yet? Finally, there was the sound of a car in the distance, approaching the house, and Gabriel’s heart started thumping so hard he could feel it throughout his entire body. He wiped his hands, ignoring his stinging finger, glanced at the table for the last time, making sure he didn’t forget anything, and waited for Jared to come find him. But Jared didn’t. The front door opened and closed, and there was the sound of footsteps heading upstairs. And then nothing. Ten minutes passed. His anxiety increasing, Gabriel left the kitchen and headed upstairs, too. He found Jared in his bedroom, fresh out of the shower and changing. “I’m going out,” Jared said, slipping into a dark shirt. “But…but what about dinner?” “I’m not hungry,” Jared said, zipping up his jeans. He grabbed his jacket and strode to the door past Gabriel. “Jay,” Gabriel said, grabbing his arm. Jared finally looked at him. “Look, this is fucking with my mind,” he said. “This—our relationship—has become a total mindfuck. It’s too much and not enough.
Alessandra Hazard (Just a Bit Unhealthy (Straight Guys #3))
Even here, it is only the evening that I love. The dawn gladdens me for a moment; I fancy I could fell the charm of it if the day that is to follow were not bound to be so long! I certainly have a free domain to wander in, but it is not wild and impressive enough. its features are tame, its rocks small and uninteresting, the vegetation as a rule lacks the luxuriance and profusion I like to see; one never catches here the murmur of a torrent far down in the depths; it is a land of plains. Nothing burdens me here; nothing satisfies me. I fancy, if anything, my boredom increases; simply because I have not enough to suffer. I am happier then, you think? Not a bit of it; to suffer and to be unhappy are not at all the same thing, no more than enjoyment is identical with happiness. I am delightfully circumstanced, and yet I live a melancholy life. I could not be better off than I am here: free, undistracted, well in health, unyoked from business, unconcerned about a future from which I expect nothing, and leaving behind without regret a past I have not enjoyed. But here is within me a persistent unrest, a yearning I cannot define, imperative and absorbing, which takes me out of the sphere of perishable creatures... No, it is not the yearning to love; you are mistaken there, as I once was mistaken myself. The interval is wide enough between the emptiness of my heart and the love it has so eagerly desired, but the distance between what I am and what I want to be is infinite. I do not want to enjoy possession; I want hope, I should like to know. I need limitless illusions, receding before me to keep me always under their spell. What use to me is anything that can end? The hour which will arrive in sixty years' time is already close at hand. I have no liking for anything that takes its rise, draws near, arrives and is no more. I want a good, a dream, in fact a hope that is ever in advance, ever beyond me, greater than my expectation itself, greater than the things which pass away. I would like to be pure intelligence, I would like the eternal order of the world... And yet, thirty years ago, that order was, and I had no existence. worthless and accidental creature of a day, I used not to exist, and soon I shall exist no more. I discover with surprise that my thought is greater than my being, and when I consider that my life is absurd in my own eyes, I lose my way in hopeless darkness. Truly, happier is he who fells trees and burns charcoal, and flies to holy water when the thunder peals. He lives like the brute. Nay; for he sings at his work. I shall never know his peace, and yet I shall pass like him. His life will glide along with time, but mine is led astray and hurried on by excitement and unrest, and by the phantoms of an unknown greatness.
Étienne Pivert de Senancour (Obermann)
The man was naked. He was all bones and ribs and snarling mouth. The front of him was caked in blood, a smear of charcoal black in the dim red glow of Palmer’s dive light. There was just a flash of this grisly image before the man crashed into Palmer, knocking him to the ground, desperate hands clenching around his throat. Palmer saw pops of bright light as his head hit the floor. He couldn’t breathe. He heard his own gurgles mix with the raspy hisses from the man on top of him. A madman. A thin, half-starved, and full-crazed madman. Palmer fought for a breath. His visor was knocked from his head. Letting go of the man’s wrists, he reached for his dive knife, but his leg was pinned, his boot too far away. He pawed behind himself and felt his visor, had some insane plan of getting it to his temples, getting his suit powered on, overloading the air around him, trying to shake the man off. But as his fingers closed on the hard plastic—and as the darkness squeezed in around his vision—he instead swung the visor at the snarling man’s face, a final act before the door to that king’s crypt sealed shut on him. A piercing shriek returned Palmer to his senses. Or it was the hands coming off his neck? The naked man howled and lunged again, but Palmer got a boot up, caught the man in the chest, kicked him. He scrambled backward while the man reeled. The other diver. Brock’s diver. Palmer turned and crawled on his hands and knees to get distance, got around a desk, moving as fast as he could, heart pounding. Two divers. There had been two divers. He waited for the man’s partner to jump onto his back, for the two men to beat him to death for his belly full of jangling coin— —when he bumped into the other diver. And saw by his dive light that he was no threat. And the bib of gore on the man chasing him was given sudden meaning. Palmer crawled away, sickened. He wondered how long the men had been down here, how long one had been eating the other. Hands fell onto his boots and yanked him, dragging him backward. A reedy voice yelled for him to be still. And then he felt a tug as his dive knife was pulled from its sheath, stolen. Palmer spun onto his back to defend himself. His own knife flashed above him traitorously, was brought down by those bone-thin arms, was meant to skewer him. There was a crunch against his belly. A painful blow. The air came out of Palmer. The blade was raised to strike him again, but there was no blood. His poor life had been saved by a fistful of coin. Palmer brought up his knee as the man struck again—and shin met forearm with a crack. A howl, and the knife was dropped. Palmer fumbled for it, his dive light throwing the world into pale reds and deep shadows. Hand on the hilt, his knife reclaimed, he slashed at the air, and the man fell back, hands up, shouting, “Please, please!” Palmer scooted away, keeping the knife in front of him. He was weak from fitful sleep and lack of food, but this poor creature before him seemed even weaker. Enraged and with the element of surprise, the man had nearly killed him, but it had been like fighting off a homeless dune-sleeper who had jumped him for some morsel of bread. Palmer dared to turn his dive light up so he could see the man better. “Sorry. I’m sorry,” the man said. “Thought you were a ghost.” The
Hugh Howey (Sand (The Sand Chronicles, #1))
At least tell me the truth about Blakeborough,” he said hoarsely. “Do you love him?” “Why does it matter?” His eyes ate her up. “If you do, I’ll keep my distance. I’ll stay out of your life from now on.” “You’ve been doing that easily enough for the past twelve years,” she snapped. “I don’t see why my feelings for Edwin should change anything.” “Easily? It was never easy, I assure you.” His expression was stony. “And you’re avoiding the question. Are you in love with Blakeborough?” How she wished she could lie about it. Dom would take himself off, and she wouldn’t be tempted by him anymore. Unfortunately, he could always tell when she was lying. “And if I say I’m not?” “Then I won’t rest until you’re mine again.” The determination in his voice shocked her. Unsettled her. Thrilled her. No! “I don’t want that.” His fingers dug into her arm. “Because you love Blakeborough?” “Because love is a lie designed to make a woman desire what is only a figure of smoke in the wind. Love is too dangerous.” He released a heavy breath. “So you don’t love him.” His persistence sparked her temper, and she pushed free of him. “Oh, for pity’s sake, if you must know, I don’t.” She faced him down. “Not that it matters one whit. I don’t need love to have a good marriage, an amiable marriage. I don’t even want love.” It hurt too much when her heart was trampled upon. Dom had done that once before. How could she be sure he wouldn’t do it again? Eyes gleaming in the firelight, he said in a low voice, “You used to want love.” “I was practically a child. I didn’t know any better. But I do now.” “Do you? I wonder.” He circled her like a wolf assessing its prey’s weaknesses. “Very well, let’s forget about love for the moment. What about passion?” “What about it?” she asked unsteadily as he slipped behind her. Nervous, she edged nearer the impressively massive pianoforte that sat in the center of the room. “What part does passion play in your plan for a safe and loveless marriage?” She pivoted to face him, startled to find that he’d stepped to within a breath of her. “None at all.” He chuckled. “Does Blakeborough know that?” “Not that it’s any of your concern, but Edwin and I have an arrangement. He’ll give me children; I’ll help him make sure Yvette finds a good husband. We both agree that passion is…unimportant to our plans.” “Really?” He raised an eyebrow. “It certainly aids in the production of those children you’re hoping for. To quote a certain lady, ‘You can set a plan in motion, but as soon as it involves people, it will rarely commence exactly as you wish.’ You may not want passion to be important, sweeting, but it always is.” “Not to us,” she said, though with him standing so close her legs felt like rubber and her blood raced wildly through her veins. “Not to me.” With his gaze darkening, he lifted his hand to run his thumb over the pounding pulse at her throat. “Yes, I can tell how unimportant it is to you.” “That doesn’t mean…anything.” “Doesn’t it?” He backed her against the pianoforte. “So the way you trembled in my arms this morning means nothing.” It meant far too much. It meant her body was susceptible to him, even when her mind had the good sense to resist. And curse him to the devil, he knew it. He slipped his hand about her waist to pull her against him. “It means nothing that every time we’re together, we ignite.” “People do not…ignite,” she said shakily, though her entire body was on fire. “What an absurd idea.” She held her breath and waited for his attempt to kiss her, determined to refuse it this time. But he didn’t kiss her. Instead he fondled her breast through her gown, catching her so by surprise that she gasped, then moaned as the feel of his hand caressing her made liquid heat swirl in her belly. Devil take the man.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
What’s going on?” he said. The wind breathed a cool breath across her skin, making her shiver. “What do you mean?” “Come on, Meridith—that kiss . . .” “It was just a kiss,” she said feebly, but her mind replayed the embrace, refuting her words. “You won’t even look at me.” His voice was strained. “Maybe we need to turn out the lights.” Her face burned. Even the wind couldn’t cool it. The grass at Jake’s feet shimmied and bowed over his scarred tennis shoes. “I don’t know what to say. I—I just can’t do this.” She wrapped her arms around her middle. “Why?” She searched the ground for answers like she’d find it among the blades of grass, pull it up by the roots, and hand it over. If only it were so easy. When nothing materialized, she chose the only answer that sounded logical. “I just broke my engagement a month ago. You can’t expect—” “This isn’t about him, and you know it.” An ache started behind her eyes. “I don’t know what it is.” “Then there’s nothing to stop us, is there? Unless you don’t feel anything for me . . .” Self-doubt crept into his tone. She let the sentence hang, unable to deny it. She prayed somehow he wouldn’t remember her response to the kiss or at least not remember it the way she did. She took three cleansing breaths. Four. The briny air failed to calm her. “No, it’s there, isn’t it.” It wasn’t even a question. There was no point denying it. “All right, I won’t deny an attraction. But that’s all, that’s all there can be.” “Why?” She threw her hands up. “I’m leaving soon, moving hundreds of miles away, I’ve just inherited three kids, my engagement’s broken, my future’s uncertain . . .” Surely there was more, but her mind ran out of steam. “Those are all things people work around.” He took a step toward her, then another. “There’s something else.” A memory flashed in her mind. Her mother, in manic mode coming toward her, slowly, just like this. She’d been no more than nine years old, had been wrapped in her mom’s arms only an hour earlier, but an hour made all the difference. Now her mom’s face was red and mottled, and she was yelling. Meridith had covered her ears with her hands. Jake’s movement snagged her attention. He was getting close. She stepped back. 974 . . . 948 . . . 922 . . . “Why are you running?” She knew he wasn’t talking about the step. It hadn’t put nearly enough distance between them. He was there, right in front of her. 896 . . . 8 . . . “Meridith.” He took her by the shoulders. The motion drew her eyes to his, and she knew it with certainty: she was too far gone. As far gone as he, maybe more. What had she done? How was she going to escape with her heart intact? There weren’t enough calming breaths to fix this. She could count backward from a million and still be where she was now. Hopelessly in love with the man who made her feel too many things. “You’re afraid.
Denise Hunter (Driftwood Lane (Nantucket, #4))
Muffled footsteps sounded in the distance. Goldie heard a shout, and the heavy clank of punishment chains. The footsteps came closer. A boy began to sing in a hoarse, adolescent voice. "Awa-a-a-y, across the ocean-a-an, awa-a-a-y, across the sea-a-a-a-." There was a slap, and a yell. The singing stopped, but only for a moment. When it started up again, there were a dozen or more voices, all caterwauling at the top of their lungs. "-I'll go-o-o-o where my heart takes me, where my-y-y-y love waits for me-e-e-e-e." A pause. A furious adult's voice said, "It's not your love that's waiting for you, you little villains, it's the House of Repentance! Deliberate destruction of property, putting the lives of others at risk, oh you're in for it, you are!" Clank clank clank, went the punishment chains. "I’ve be-e-e-e-en away so long, dear, I've tra-a-a-aveled far and wi-i-i-i-i-ide-" sang the voices. Goldie edged along the wall and eased the door open. There was a bustle and a shoving and a clanking, and suddenly the corridor in front of her was full of boys, milling backward and forward, rattling their chains and singing loudly. They were all older than Goldie, but they wore the same gray threadbare smock and leggings. Somewhere in the middle of them were two Blessed Guardians. The smell of burning hung over them all. There was no time to think. Goldie couldn't see Toadspit, but she was sure he must be there somewhere. She whispered a quick "thank you" to Bald Thoke, then she stepped out into the corridor and tucked herself between two of the boys. For a heart-stopping moment the song faltered. The boys on either side of Goldie shot incredulous glances at her- Then they closed smoothly around her and began to sing louder than ever, their voices bouncing off the high ceilings. "Three yea-a-a-a-ars I rowed the galley-y-y-ys, three year-a-a-a-ars I was a sla-a-a-a-ave-." They spilled out into the foyer, a laughing, shouting, singing rabble. The Guardians who led them were shouting too. Only Goldie was silent. She crouched between the tall, raucous boys, her smock blending with theirs, her pulse thundering in her ears. "What's this?" shouted the toad-like Guardian. "Where are you taking them at this time of night?" "Set fire to their beds?" shouted one of the other Guardians. "Don't know what's got into them! Marching them off to Repentance!" "I'll need their names!" "If I-I-I-I-I could turn back time, dea-a-a-a-ar, if I-I-I-I-I-I could start aga-a-a-a-a-in-" "For Great Wooden's sake, we'll give them to you when we come back. I can't bear this appalling racket a moment longer!" And with that, the boys, Goldie and the two Guardians spilled out the front door of Care, across the yard and through the gate.
Lian Tanner (Museum of Thieves (The Keepers, #1))
From a distance, the BrainTrust appears to be a routine huddle. Up close, it’s more like a painful medical procedure—specifically, a dissection that spotlights, names, and analyzes the film’s flaws in breathtaking detail. A BrainTrust meeting is not fun. It is where directors are told that their characters lack heart, their storylines are confusing, and their jokes fall flat. But it’s also where those movies get better. “The BrainTrust is the most important thing we do by far,” said Pixar president Ed Catmull. “It depends on completely candid feedback.
Daniel Coyle (The Culture Code: The Secrets of Highly Successful Groups)
And if tonight we decide to put aside our differences. Take my hand slow, pull me closer to someone that has never been this far. Take my hand slowly, and give a chance for two hearts that had nothing to do with our mistakes to beat as one again. Take my hand slowly, and let it trace a strong shoulder I had always leaned on, cause right now I need to lean in. Take my hand slowly, so I could safely close my eyes and listen to my favorite song while knowing, trusting and believing you wouldn't let me fall. If tonight we decide to do this, take my hand slowly, interlace yours in mine and give our souls a chance to have a glimpse at this. Leave a bit of a distance, just a small distance, so our eyes could get a glimpse too. If tonight we decide to put aside our differences, if we decide to let go of our mistakes, I will let you choose the song
Mennah al Refaey
His nose touched hers, and the warmth of his breath brushed her lips. “Christine,” he said, his voice filling her with longing, “may I kiss you?” A warning sounded from the far corners of her mind and told her she ought to say no, that she should retreat while she still retained her dignity. But he stroked his thumb from her chin back to her jaw again, and the caress lit a flame inside her like the strike of a match to a wick soaked in oil. She gave him her answer by moving into him and closing the distance between them. Although she’d never even embraced a man much less kissed one, she lifted herself to him and trusted he’d do the rest. She was rewarded by the sweet touch of his lips against hers. The sensation was soft and exquisite and brief. She found herself disappointed when he began to pull away. “Guy,” she whispered and pursued his lips with hers. He stilled as if he hadn’t expected her response. For an instant she regretted her boldness, wondered if she’d somehow broken a rule, and felt the heat of embarrassment creep into her cheeks. “I’m sorry—” she mumbled, pulling away. Before she could move more than a fraction, his hand slipped to the small of her back and his mouth returned to hers, cutting off her apology with another soft, feathery kiss. She didn’t know why he was being so careful with her, kissing her as though she might break. So she cupped his cheeks with her hands and pressed her lips harder. His hand against her back tensed and his fingers splayed, drawing her against his chest. He matched the pressure of her lips, tentatively at first. But when she melded against him, his kiss deepened and she could feel the power and strength of him. She relished it, craved it. And she didn’t want it to end.
Jody Hedlund (An Awakened Heart (Orphan Train, #0.5))
Even at a distance he recognized the way she sat a horse, the tilt of her head. He couldn’t believe she had come so far and so quickly. Fate had indeed led her in a circle back to him. Ordering Blackbird back to his mother’s lodge, Hunter increased his pace, the dread of leaving his people forgotten. Destiny. A month ago he had railed against it. Now he wasn’t certain how he felt. Resentful, yet pleased. And relieved. Deep in the quiet places of his heart, he sensed the rightness. Fate. Today it had brought him a woman, a woman like no other, with skin as white as a night moon, hair like honey, and eyes like the summer sky. His woman, and this time she came freely. From the hilltop Loretta watched the lone man walking toward her from the village. Relief flooded through her when she recognized Hunter’s loose-hipped, graceful stride. She crossed herself quickly and murmured thanks to the Holy Mother for her intercession. A dozen emotions surging through her, she urged Friend down the embankment. Hunter met her halfway across the flat. As Loretta rode toward him, she couldn’t stop staring. Even though she had been away from him only a short while, she had forgotten how Indian he looked. How savage. He moved with the fluid strength of a well-muscled animal, his shoulders, arms, and chest in constant motion, a bronzed play of tendon and flesh. The wind whipped his hair about his face. Mercy. He wasn’t wearing any breeches, just a breechcloth and knee-high moccasins. She drew Friend to a halt and swallowed a rush of anxiety. Aunt Rachel was right. He was a Comanche, first, last, and always. Yet she had come to him. “Blue Eyes?” He slowed his pace as he got closer, his indigo eyes traveling the length of her, taking in every detail of her dress, from the high neckline down to the bit of petticoat and black high-topped shoes showing below the hem of her full skirts. His eyes warmed with the familiar gleam of laughter that had once irritated her so much. She fastened her gaze on his face and, resisting the need to blurt out her troubles, searched her mind for the appropriate Comanche greeting, determined to begin this encounter on the right note. “Hi, hites,” she said, lifting her right hand. He caught the stallion’s bridle and stepped close. He was so tall that he didn’t have to tip his head back to see her face. With a smile in his voice, he replied, “Hello.” Loretta caught her bottom lip between her teeth to stop its trembling. How like him to remember her word of greeting. He was her friend. She had been right to come here.
Catherine Anderson (Comanche Moon (Comanche, #1))
not yet allowing himself to wallow in the wave of relief coursing through his body, and pushed through it, ignoring questions barked at him in a foreign language. He galloped down a set of steps, past another pair of cops rushing in the opposite direction, barely meriting a second glance on this occasion. As he left the park, crossing a road that was cordoned off to traffic at either end, he breathed out a long, deep, endless sigh of relief that flooded out of him with the relentless power of the Nile emptying into the Mediterranean Sea. It was only now that he recognized how fast his heart was beating, or felt the beads of sweat dripping off his forehead – both more a result of tension than exertion. “That was close,” he groaned, cursing himself for breaking the cardinal rule of espionage and thrusting himself into the center of attention. “Too damn close.” And it was far from over. He might have escaped the first cordon of cops, but before long the whole of central Moscow would be on lockdown. He needed to get out before it was too late. Trapp fought against his instincts and slowed his pace, walking casually down a side street, past a government building with a small brass plaque outside which read, ‘Federal Agency for State Property Management’ in English letters under the Cyrillic. He kept his head low, pointed at the ground, hoping that it would obscure him from the surveillance cameras that dotted the area, but knowing that it probably wouldn’t. That’s a problem for another day. He cast a quick look around to make sure no one was paying him any attention, and when he was certain that they were not, he ducked into a space between two parked cars, crouched down, and pulled on the neon vest he had previously stowed by his breast. Again, the disguise was skin deep, but if one of the cops he’d just passed managed to radio in a description, then perhaps this costume change might add a layer of distance. It was better than nothing. He started walking again, slowly enough not to draw the eye, fast enough to put as much distance between himself and what was about to turn into a very hot crime scene as possible. As he walked, his fingers played with the rock he had carried all this time, searching for a seam or a catch. He knew that it would not be locked, or contain the kind of self-destruct device so beloved of Hollywood movies. There wasn’t the space, and besides, any competent intelligence agency would be able to defeat such protections quickly enough. Trapp found it, worked the bottom of the rock open, and saw a memory stick sitting in a foam indentation. He pulled it free, put it into the coin pocket of his denim jeans, and dumped the two halves of the rock into an overflowing trash can. It was only then that the question came to him. What the hell do I do now? 35 The village of Soloslovo was 20 miles from Central Moscow, about thirty minutes by car in light traffic, or twenty on a high-powered motorcycle the likes of which Eliza Ikeda rode as she zipped past, around
Jack Slater (Flash Point (Jason Trapp, #3))
Sometimes I can even read you as well as you read me. You have no idea what you’re doing half the time. You have no idea who you are.” Perhaps not, Shea, but I know you are my lifemate. I could not harm you now. His face remained granite, his eyes dark and ice cold. She was right. He was dangerous. He knew it in his soul. His mind was not to be trusted. Her presence kept him tranquil, calm, but his mind was a maze of dark, deadly trails. He had no idea I he would be able to distinguish reality from nightmare if their delicately balanced world tilted in any way. His black eyes went a glittering obsidian, and he looked away from her, ashamed. He should allow her to leave, give her her freedom, but he could not. She was his only sanity his only path to the surface from the hellish nightmare he lived in. I have sworn to protect you, Shea. I can only promise it is in my heart to do so. Shea stepped away from the bed, suddenly close to tears. He was in a treacherous labyrinth; he walked a fine line between sanity and a world she did not want to try to comprehend. “I will protect you, Jacques. You have my solemn word, I won’t let you down. I’ll see you through this until you’re right again.” And then? His black gaze slid lazily over her. Do you intend to leave me, Shea? You save me, and then you think to desert me? There was a kind of dark humor in his voice, a secret amusement that stirred something in her she hadn’t known existed. Something that went beyond fear. Terror. Her chin tilted a little belligerently. “What does that mean? Of course I won’t desert you. I’ll stay with you and see you through this. We’ll find your family.” It was too late. Even if she attempted to put distance between them, she could not break their bond. His blood ran in her veins; his mind was familiar with the path to hers. Their souls called to one another. Hearts were following, and it was only matter of time before he possessed her body. Running would not save either of them. Jacques knew it with a certainty with which he knew few other things. But imparting the knowledge to her would frighten her more. His heart twisted, a funny somersault. His Shea feared death far less than she feared personal commitment. She really had no idea they were already bound together. She would need him, need him close, need him touching her in her mind, in her body. I feel your need to perform the human functions you seem to enjoy. Go bathe. I am in no hurry to have you examine my wounds.
Christine Feehan (Dark Desire (Dark, #2))
About Mindset (心持やうの事) The mindset required [of the warrior] is to relentlessly deliberate on strategy, whether you are active or sitting down, with others or on your own. You must constantly reflect on this Way. Anticipate how to never lose to others, and with an expansive and straight heart act according to the circumstances within the model of the Way of combat strategy. Work out the mind of others and make sure that they cannot read yours. Do not rely on one thing but be aware of strengths and weaknesses, depths and shallows, leaving nothing to the unexpected. In normal times, and when you meet with the enemy, this mindset is to be maintained, with care taken not to jump to conclusions. Be aware of all things, knowing what is good and bad. This is the mindset for combat strategy. (2) About Gaze (目付の事) With regards to where one focuses the eyes, there is only the dual gaze of “looking in” (kan) and “looking at” (ken). Look carefully at the enemy’s face to figure out his heart and intent. When scrutinizing the enemy’s face, whether he be near or far, do not think of it as close. Absorb it all as if observing from a distance. Keep your eyes narrower than usual and do not move your eyeballs as you scrutinize him intently and calmly. That way you can see all the movements of his hands and feet and even [what is happening at] his left and right sides. The gaze for “looking at” is gentle whereas that for “looking in” is strong enough to peer into the interior of his heart. You will come to know him well as his heart is reflected in his countenance, which is why you should fix your gaze on the face of each enemy. (3) About Posture (身なりの事) You should hold your body in a way that makes you appear big. Your expression should be genial and free of wrinkles. The back of your neck should be slightly toughened, with your shoulders neither strained nor slouching forward. Do not jut out your chest. Project your stomach but do not bend your hips. Your legs should not buckle at the knees, and there should be no distortion in your body. Always strive to preserve this combat posture so that you do not need to change your stance when you encounter the enemy.
Alexander Bennett (Complete Musashi: The Book of Five Rings and Other Works: The Definitive Translations of the Complete Writings of Miyamoto Musashi--Japan's Greatest Samurai)
Very well—what is this love we have for the invert, boy or girl? It was they who were spoken of in every romance that we ever read. The girl lost, what is she but the Prince found? The Prince on the white horse that we have always been seeking. And the pretty lad who is a girl, what but the prince-princess in point lace—neither one and half the other, the painting on the fan! We love them for that reason. We were impaled in our childhood upon them as they rode through our primers, the sweetest lie of all, now come to be in boy or girl, for in the girl it is the prince, and in the boy it is the girl that makes a prince a prince—and not a man. They go far back in our lost distance where what we never had stands waiting; it was inevitable that we should come upon them, for our miscalculated longing has created them. They are our answer to what our grandmothers were told love was, and what it never came to be; they, the living lie of our centuries. When a long lie comes up, sometimes it is a beauty; when it drops into dissolution, into drugs and drink, into disease and death, it has at once a singular and terrible attraction. A man can resent and avoid evil on his own plane, but when it is the thin blown edge of his reverie, he takes it to his heart, as one takes to one's heart the dark misery of the close nightmare, born and slain of the particular mind; so that if one of them were dying of the pox, one would will to die of it too, with two feelings, terror and joy, welded somewhere back again into a formless sea where a swan (would it be ourselves, or her or him, or a mystery of all) sinks crying.
Djuna Barnes (Nightwood)
It was that fear, finally, that left her awake and tearless at her window late at night. She wasn’t falling behind, slipping into some sort of widow’s stupor; she was moving ahead, beyond reach. Her own daughter had suddenly made her realize it by quietly usurping her right to have a child. It was Emma’s turn to have children, but what was it her turn to do? It had taken her daughter’s pregnancy to make her realize how nearly impregnable she herself had become—impregnable in a variety of ways. Let her get a little stronger, a little older, a little more set in her ways, with a few more barricades of habit and routine, and no one would ever break in. Her ways would be her house and her garden and Rosie and one or two old friends, and Emma and the children she would have. Her delights would be conversation and concerts, the trees and the sky, her meals and her house, and perhaps a trip or two now and then to the places she liked best in the world. Such things were all very well, yet the thought that such things were going to be her life for as far ahead as she could see made her sad and restless—almost as restless as Vernon, except that her fidgets were mostly internal and seldom caused her to do anything more compulsive than twisting her rings. As she sat at the window, looking out, her sense of the wrongness of it was deep as bone. It was not just wrong to go on so, it was killing. Her energies, it seemed to her, had always flowed from a capacity for expectation, a kind of hopefulness that had persisted year after year, in defiance of all difficulties. It was hopefulness, the expectation that something nice was bound to happen to her, that got her going in the morning and brought her contentedly to bed at night. For almost fifty years some secret spring inside her had kept feeding hopefulness into her bloodstream, and she had gone through her days expectantly, always eager for surprises and always finding them. Now the stream seemed dry—probably there would be no more real surprises. Men had taken to fleeing before her, and soon her own daughter would have a child. She had always lived close to people; now, thanks to her own strength or her own particularity and the various quirks of fate, she was living at an intermediate distance from everybody, in her heart. It was wrong; she didn’t want it to go on. She was forgetting too much—soon she would be unable to remember what she was missing. Even sex, she knew, would eventually relocate itself and become an appetite of the spirit. Perhaps it had already happened, but if it hadn’t it soon would.
McMurtry, Larry
You’re a leader here. Obviously your skills are far superior to mine. I don’t think I could ever fit into your life. I’m a loner, not the first lady.” “I have great responsibilities, yes. My people count on me to keep our businesses running smoothly, to hunt down the assassins murdering our people. They even believe I will singlehandedly find out why we lose so many of our children in their first year of life. There is nothing special about me, Raven, except that I have a will of iron and I am willing to shoulder these burdens. But I have nothing for myself. I never have had. You give me a reason to go on. You are my heart, my soul, the very air I breathe. Without you, I have nothing but darkness, emptiness. Just because I have power, because I am strong, that does not mean I cannot feel utterly alone. It is cold and ugly to exist alone.” Raven pressed a hand to her stomach. The apple juice seemed a hard knot sitting in her stomach, but so far, it was staying down. Mikhail looked so remote, so alone. She hated the way he stood silent, straight and proud, waiting for her to rip his heart out. She had to comfort him, and he knew it. He read her mind; he knew she couldn’t bear that loneliness in his eyes. She crossed the distance separating them. Raven didn’t say anything. What could she say? She simply laid her head over his heart and slipped her arms around his waist. Mikhail closed his arms around her. He had taken her life away from her, without her knowledge. She was comforting him, yet she didn’t know of his crime. She was bound to him, could not be away from him for long. He had no words to explain it to her without giving away more about their species than he could safely do. She thought she couldn’t live up to his position. She made him feel humble and ashamed of himself. His hand cupped her face, his thumb caressing the delicate line of her jaw. “Listen to me, Raven.” He brushed a kiss on the top of her silky head. “I know I do not deserve you. You think you are somehow less than what I am, but in truth, you are so far above me, I have no right even to reach for you.
Christine Feehan (Dark Prince (Dark, #1))
My heart is aching and burning, With every beat, I feel the yearning. Are you not feeling my pain, As tears fall like a gentle rain? In the silence of the night, Your absence casts a haunting light. Memories of your smile so bright, Now shadowed by this endless fight. I long to hold you close, my dear, To whisper words that you can hear. But distance keeps us far apart, And sorrow fills my weary heart. Each moment without you feels like a year, As I navigate this sea of fear. For in your absence, I am but a shell, Lost in a world where I once knew well. So hear my plea, my love so true, Let's mend what's broken, start anew. For life without you is but despair, My heartache, my love, please handle with care.
Janid Kashmiri