Lulu Quotes

We've searched our database for all the quotes and captions related to Lulu. Here they are! All 100 of them:

There is a world of difference, Lulu, between falling in love and being in love.
Gayle Forman (Just One Day (Just One Day, #1))
...being Lulu, it made me realize that all my life I've been living in a small, square room, with no windows and no doors. And I was fine. I was happy, even. I thought. Then someone came along and showed me there was a door in the room. One that I'd never even seen before. Then he opened it for me. Held my hand as I walked through it. And for one perfect day, I was on the other side. I was somewhere else. Someone else. And then he was gone, and I was thrown back into my little room. And now, no matter what I do, I can't seem to find that door.
Gayle Forman (Just One Day (Just One Day, #1))
Because that day with Willem, I may have pretended to be someone named Lulu, but I had never been more honest in my life. Maybe that's the thing with liberation. It comes at a price.
Gayle Forman (Just One Day (Just One Day, #1))
By that point, it’ll have been more than year since I met Lulu. Any sane person would say it’s too late. It already felt too late that first day, when I woke up in the hospital. But even so, I’ve kept looking. I’m still looking.
Gayle Forman (Just One Year (Just One Day, #2))
Straight guys only feel three ways about girls . . . First, either they love you, and they show it by writing a song about you, like Gabriel, and asking you out, and everything is nice and fun like it should be. Second, they love you, but they’re scared of their passion for you because it’s so strong, like your boy Christopher, so they stuff it way, way down and ignore you, or do stupid things like make fun of you because they don’t know how to express it any other way, because they’re immature little babies and are too shy to, say, write a song about you. Or third, there’s something wrong with them, and they start out nice and loving and then turn around and do stupid things like sleep with other girls behind your back, like Justin Bay. But we’ll never figure out what went wrong with them, and neither will they, so it’s not worth thinking about. Okay? That’s it. The end.” Lulu Collins
Meg Cabot (Airhead (Airhead, #1))
There was Layla in the fullness of her lips, Lulu in the thick waves of her hair, Lu Xin in the intensity of her hazel eyes, Lucia in their twinkle. She was not alone. Maybe she never would be alone again. There, in the mirror, was every incarnation of Lucinda staring back at her and wondering, "What is to become of us? What about our history, and our love?
Lauren Kate (Rapture (Fallen, #4))
You agreee with me that the situation is a lulu? Certainly, a somewhat sharp crisis in your affairs would appear to have been precipitated, Sir.
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
I realize it’s not just Willem I’m looking for; it’s Lulu too.
Gayle Forman (Just One Day (Just One Day, #1))
Nowhere is the sky so blue, the grass so green, the sunshine so bright, the shade so welcome, as right here, now, today.
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
Christian does a great job helping an aspiring writer get inspired to write and finish their book. It’s easy to read and understand, and provides encouragement and specific guidance, without being too harsh or detailed on fiction writing only. If you are struggling with how to put your thoughts onto paper, give this a read and establish a rhythm for your writing. Christian’s success at completing over 21 published manuscripts while leading a busy life are testament in if there is a will, there is a way. And it provides some good humor throughout.” Rachel Braynin, Sr Program Manager at Lulu Publishing
Christian Warren Freed (So...You Want to Write a Book?)
When I give up the fish, I get, at long last, that thing I had been searching for: a mantra, a trick, a prescription for hope. I get the promise that there are good things in store. Not because I deserve them. Not because I worked for them. But because they are as much a part of Chaos as destruction and loss. Life, the flip side of death. Growth, of rot.
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
And this is the truth. Because I may be only eighteen, but it already seems pretty obvious that the world is divided into two groups: the doers and the watchers. The people things happen to and the rest of us, who just sort of plod on with things. The Lulus and the Allysons. It never occurred to me that by pretending to be Lulu, I might slip into that other column, even for just a day.
Gayle Forman (Just One Day (Just One Day, #1))
Ignorance is the most delightful science in the world because it is acquired without labor or pains and keeps the mind from melancholy.
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
Because for that day, I really did become Lulu. Maybe not from the film or the real Louise Brooks, but my own idea of what Lulu represented. Freedom. Daring. Adventure. Saying yes.
Gayle Forman (Just One Day (Just One Day, #1))
I felt bad for Lulu because I've been Lulu. It's really hard when you realize the guy you've been dating is basically a high schooler at heart. It make you feel like Mary Kay Letourneau. It's the worst. Until I was thirty, I only dated boys, as far as I can tell. I'll tell you why. Men scared the shit out of me. Men know what they want. Men make concrete plans. Men own alarm clocks. Men sleep on a mattress that isn't on the floor. Men tip generously. Men buy new shampoo instead of adding water to a nearly empty bottle of shampoo. Men go to the dentist. Men make reservations. Men go in for a kiss without giving you some long preamble about how they're thinking of kissing you.
Mindy Kaling
There is grandeur in this view of life. ....if you can’t see, shame on you.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
There is a world of difference, Lulu, between falling in love and being in love. [...] You have to fall in love to be in love, but falling in love isn't the same as being in love.
Gayle Forman (Just One Day (Just One Day, #1))
It was the dandelion principle! To some people a dandelion might look like a weed, but to others that same plant can be so much more. To an herbalist, it’s a medicine—a way of detoxifying the liver, clearing the skin, and strengthening the eyes. To a painter, it’s a pigment; to a hippie, a crown; a child, a wish. To a butterfly, it’s sustenance; to a bee, a mating bed; to an ant, one point in a vast olfactory atlas.
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
I have come to believe that it is our life's work to tear down this order, to keep tugging at it, trying to unravel it, to set free the organisms trapped underneath. That it is our life's work work to mistrust our measures. Especially those about moral and mental standing. To remember that behind every ruler there is a Ruler. To remember that a category is at best a proxy; at worst, a shackle.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
Growing up," she told me, "is learning to stop believing people's words about you.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
Why did the chicken cross the road?
Judith Viorst (Lulu Is Getting a Sister: (Who WANTS Her? Who NEEDS Her?) (The Lulu Series))
It doesn’t even matter if they out-and-out abhor me, Because when I am done with them, they’ll totally adore me.
Judith Viorst (Lulu Is Getting a Sister: (Who WANTS Her? Who NEEDS Her?) (The Lulu Series))
How lonely it can feel inside a head with ideas you can’t figure out how to spit out.
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
-Hay un mundo de diferencia, Lulu, entre el enamoramiento y el amar.
Gayle Forman (Just One Day (Just One Day, #1))
Before Jesse could say another word, the bedroom door jerked open and Lucie’s father stood on the threshold, looking alarmed. “Lucie?” he said. “Did you call out? I thought I heard you.” Lucie tensed, but the expression in her father’s blue eyes didn’t change—mild worry mixed with curious puzzlement. He really couldn’t see Jesse. Jesse looked at her and, very irritatingly, shrugged as if to say, I told you so. “No, Papa,” she said. “Everything is all right.” He looked at the manuscript pages scattered all over the rug. “Spot of writer’s block, Lulu?” Jesse raised an eyebrow. Lulu? he mouthed. Lucie considered whether it was possible to die of humiliation. She did not dare look at Jesse.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Scientists have discovered, it's true, that employing positive illusions will help you achieve your goals. But I have slowly come to believe that far better things await outside of the tunnel vision of your goals.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
...we barely know the world around us, even the simplest things under our feet..we have been wrong before and we will be wrong again...the true path to progress is paved not with certainty but doubt, with being "open to revision.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
Don’t tell them he’s upstairs , I commanded my brain. Tell them he moved to Pacoima to start a commune for vegetarian vampires. Tell them he’s looking into getting a sex-change operation and renaming himself Lulu Pleshette.
Molly Harper (The Care and Feeding of Stray Vampires (Half-Moon Hollow, #1))
For the hundredth time tonight, I’m back with Lulu, on Jacques’s barge, the improbably named Viola. She’d just toldme the story of double happiness and we were arguing over the meaning. She’d thought it meant the luck of the boy getting the job and the girl. But I’d disagreed. It was the couplet fitting together, the two halves finding each other. It was love. But maybe we were both wrong, and both right. It’s not either or, not luck or love. Not fate or will. Maybe for double happiness, you need both.
Gayle Forman (Just One Year (Just One Day, #2))
This was what Darwin was trying so hard to get his readers to see: that there is never just one way of ranking nature's organisms. To get stuck on a single hierarchy is to miss the bigger picture, the messy truth of nature, the "whole machinery of life." The work of good science is to try and peer beyond the "convenient" lines we draw over nature. To peer beyond intuition where something wilder lives. To know that in every organism at which you gaze, there is complexity you will never comprehend.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
Kafka calls it the Indestructible—the thing at the bottom of each individual that keeps going whether they feel like going or not.
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
Ha ha ha ha ha ho ho ho!"–Little Lulu
John Stanley (Little Lulu, Volume 14: Queen Lulu)
Oddly enough, though, that day with Lulu it didn’t feel anything like falling. It felt like arriving
Gayle Forman (Just One Year (Just One Day, #2))
I’ve given up on Lulu before. In Utrecht. In Mexico. But that felt like surrendering. Like it was me I was really giving up on. This feels different, somehow. Like maybe Lulu brought me to this place, and for the first time in a long time, I’m on the cusp of something real. Maybe this is the point of it all. Maybe this is where the road is meant to end. I think of the postcards I left in her suitcase. I’d written sorry on one of them. Only now do I understand what I really should’ve written was thank you. “Thank you,” I say quietly to the empty house. I know she’ll never hear it, but somehow that seems besides the point.
Gayle Forman (Just One Year (Just One Day, #2))
pet. Now, a big black bear who liked listening to the music that insects make in the early evening couldn’t hear their song because Lulu’s was louder. Plus, a lot of the insects were deader because Lulu kept on spraying them with her spray. This made him mad. Then madder. Then madder than that. He growled a thunderous growl, and then he lumbered heavily down the forest path and stood on his two hind legs in front of Lulu. Waving a big claw-y paw in her face, he said, “You’re interrupting my favorite program.” (Please don’t give me an argument. In my story, bears are allowed to have favorite programs.) “So I’m going to scratch you to pieces with my claws.
Judith Viorst (Lulu and the Brontosaurus)
The longer we examine our world, the stranger it proves to be.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
...people will never exchange comfort for truth.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
Perhaps the greatest gift ever bestowed upon us by evolution is the ability to believe we are more powerful than we are . . . You walk around with the fundamental belief that the world is uncaring, that no matter how hard you work there is no promise of success, that you are competing against billions, that you are vulnerable to the elements, and that everything you ever love will eventually be destroyed. A little lie can take the edge off, can help you keep charging forward into the gauntlet of life, where you sometimes, accidentally, prevail.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
And just in general, I'm better. Better than I've been since Bram died, and in some ways better than I was even before that. No, Lulu didn't break my hear. But I'm beginning to wonder if in some roundabout way, she fixed it.
Gayle Forman (Just One Year (Just One Day, #2))
I'll keep you here.' He taps his temple. 'Where you can't get lost.
Gayle Forman (Just One Day (Just One Day, #1))
Slowly, it came into focus. This small web of people keeping one another afloat. All these minuscule interactions- a friendly wave, a pencil sketch, some plastic beads strung up a nylon cord- they might not look like much from the outside, but for the people caught inside that web? They might be everything, the very tethers that keep one bound to this planet.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
We adopted a pug with cancer and changed his name from Lucas to Lulu Guinness. I’m in the process of turning him gay by telling him he’s gay every morning. It’s not working, but it gives me a purpose.
Babe Walker (Psychos: A White Girl Problems Book)
I tried to find a word for it in my thesaurus, but there isn't one. At least, not one that doesn't belittle the plight of POWs and victims of famine. I guess we can just call it beyond suck. -Lulu Dark
Bennett Madison (Lulu Dark and the Summer of the Fox)
The true path to progress is paved not with certainty but with doubt, with being 'open to revision.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
People really do change. Don't let anyone tell you differently. That the future does not conform to the past is not the exception, but the rule.
Jonathan Evison (All About Lulu)
In her more lucid moments, she knew that half her life had been sacrificed to safeguard her secret heart, to appease that unreasonable, mortal dread she suffered of being suddenly revealed to others in a nakedness of spirit that terrified her more than the concept of God's own retribution itself.
Raymond Kennedy (Lulu Incognito)
Children born to-day may see the beginnings of a genuine state church in the Republic, with a hierarchy of live wires and a purely American theology. I regret that I am too old to wait for it, for if it comes it will be a lulu.
H.L. Mencken (H.L. Mencken on Religion)
She said she had sympathy for the fish, then. Sympathy for the idea that once you name something, you tend to stop looking at it.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
there are good things in store. Not because I deserve them. Not because I worked for them. But because they are as much a part of Chaos as destruction and loss.
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
I am reminded to do as Darwin did: to wonder about the reality waiting behind our assumption.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
When people have this feeling of personal inefficiency, compulsive collecting helps them in feeling better.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
He was a boy made to be conquered, maybe even saved. But not by Lulu. She was neither a knight or a Nightingale. She was a girl made to be selfish. She would have her own adventures.
Aminah Mae Safi (Not the Girls You're Looking For)
While other people don’t matter, either, treat them like they do.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
When I'd looked back up at the window, the white curtain flapping in the gusty breeze, I'd felt both sadness and relief, the oppositional tug of heaviness and lightness, one lifting me up, one pushing me down. I understood then, Lulu and I had started something, something I'd always wanted, but also something I was scared of getting. Something ai wanted more of. And, also, something I wanted to get away from. The truth and its opposite.
Gayle Forman (Just One Year (Just One Day, #2))
The work of good science is to try to peer beyond the "convenient" lines we draw over nature. To peer beyond intuition, where something wilder lives. To know that in every organism at which you gaze, there is complexity you will never comprehend.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
The inside of his skull, it tasted like roses and barbed wire and butterflies. Switchblades and heroin and grassy green gardens.
Mercedes M. Yardley (Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love)
Wer mir den Glauben an die Menschen zurückgibt, gibt mir mein Leben zurück.
Frank Wedekind (The Lulu Plays and Other Sex Tragedies)
No matter how dark the night, morning always comes, and our journey begins anew.
Lulu Final Fantasy X
Porque puedo tener sólo dieciocho años, pero ya parece bastante obvio que el mundo se divide en dos grupos: los que actúan y los que observan. La gente a la que le suceden las cosas y el resto de nosotros, que sólo medio perseveran con las cosas. Las Lulu y las Allyson.
Gayle Forman (Just One Day (Just One Day, #1))
The best way of ensuring you don't miss them(the good things in store), these gifts, the trick that has helped me squint at the bleakness and see them more clearly, is to admit, with every breath, that you have no idea what you are looking at. To examine each object in the avalanche of Chaos with curiosity, with doubt.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
But perhaps the most damning argument came from nature herself. Had David followed his own advice to look to nature for truth, he would have seen it. This dazzling, feathery, squawking, gurgling mound of counterevidence. Animals can outperform humans on nearly every measure supposedly associated with our superiority. There are crows that have better memories than us, chimps with better pattern-recognition skills, ants that rescue their wounded, and blood flukes with higher rates of monogamy. When you actually examine the range of life on Earth, it takes a lot of acrobatics to sort it into a single hierarchy with humans at the top. We don’t have the biggest brain or the best memory. We’re not the fastest or the strongest or the most prolific. We’re not the only ones that mate for life, that show altruism, use tools, language. We don’t have the most copies of genes in circulation. We aren’t even the newest creation on the block.
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
Lulu writes: “When Mother, Mr. Jones and I were walking through those strange, crowded downtown streets, where people were sticking their hands into pickle barrels, pointing to smoked fish, and eating sliced herring, I saw the scene in a whole new way. They weren’t buying food: They were finding their way home.
Ruth Reichl (Delicious!)
This is a great wedding. I like weddings." "It is a good one, isn't it?" she agreed. "But it was always going to be--Emma so efficient." "Isn't she," he said. "I like weddings." Lulu said nothing. "Weddings," he said after a moment. "Funny things, but I like them." Lulu stopped dancing and drew back to look up into his eyes. "If you say that one more time," she said levelly, "I won't take you to the Cheddar cheese shop." "Sorry," he said quickly "I like funerals, too, if that's any help? We do marvelous ones in Ireland, we're famous for them.
Gabrielle Donnelly (The Little Women Letters)
[David Starr Jordan] claims that salvation lies in the electricity of our bodies. “Happiness comes from doing, helping, working, loving, fighting, conquering,” he writes in a syllabus from around the same time, “from the exercise of functions; from self-activity.” Don’t overthink it, I think, is his point. Enjoy the journey. Savor the small things. The “luscious” taste of a peach, the “lavish” colors of tropical fish, the rush from exercise that allows one to experience “the stern joy which warriors feel.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
Life served up only a small portion of firsts in a lifetime, and it was up to the person to not take it for granted. There were no do-overs with firsts.
T.I. Lowe (Lulu's Cafe)
the
Willa Cather (Pulitzer Prize Winning Works Collections: 11 Works: One of Ours / Alice Adams / Anna Christie / Miss Lulu Bett)
Lu felt his heart do a strange thing. It hurt. It opened. It beat.
Mercedes M. Yardley (Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love)
It's not if, it's when. Chaos is the only sure thing in this world. The master that rules us all.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
I have strived my whole life to follow in his nihilistic, clown-shoed footsteps. To stare our pointlessness in the face, and waddle along toward happiness because of it.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
And I touched her with the strongest, most delicate touch in the world--like the thumb of God running down the spine of a baby bird.
Jonathan Evison (All About Lulu)
In writing the history of a life I believe absolutely that the reader cannot understand the character and deeds of the subject unless he is given a basic understanding of that person's sexual loves and hates and conflicts. It is the only way the reader can make sense out of innumerable apparently senseless actions.
Louise Brooks (Lulu in Hollywood)
In plainer terms", Baumeister and Bushman write, "it is not so much the people who regard themselves as superior beings who are the most dangerous but, rather those who have a strong desire to regard themselves as superior beings....People who are preoccupied with validating a grandiose self-image apparently find criticism highly upsetting and lash out against the source of it.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
I am Lulu Deerdancer and I am twenty-nine years old and I am perfectly legal to enter this here homosexual establishment and partake in beverages and repetitive techno music.” “Because you both have been here before.” “Yes,” I said. “Hmm,” the bouncer said. Then Paul sneezed and his mustache flew off his face and landed on the cheek of the bouncer. The silence that followed was slightly awkward. “Huh,” Paul said. “I guess that’s easier than shaving. It’ll certainly revolutionize the facial hair industry.
T.J. Klune (The Queen & the Homo Jock King (At First Sight, #2))
The view from my window was of a sloping green field, dotted with a few muddy sheep; the same lush, safe, soggy world that nearly fifteen years earlier was all Lulu, Damien, and I had ever known. Until Dad had said, "We're going to Botswana." I felt profoundly homesick, for the first time in my life. Knowing I'd be back, I'd never minded leaving before. There was the comforting thought of returning.
Robyn Scott (Twenty Chickens for a Saddle)
And then there was that key point in On the Origin of Species. That crucial point that somehow both David and before him Francis Galton had missed. What does Darwin say is the best way of building a strong species, of allowing it to endure into the future, to withstand the blows of Chaos in all her mighty forms—flood, drought, rising sea levels, fluctuating temperatures, invasions of competitors, predators, pests? Variation. Variation in genes, and hence in behavior and physical traits. Homogeneity is a death sentence. To rid a species of its mutants and outliers is to make that species dangerously vulnerable to the elements.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
...that whole day, being with Willem, being Lulu, it made me realize that all my life I've been living in a small, square room, with no windows and no doors. And I was fine. I was happy, even. I thought. Then someone came along and showed me there was a door in the room. One that I'd never even seen before. Then he opened it for me. Held my hand as I walked through it. And for one perfect day, I was on the other side. I was somewhere else. Someone else. And then he was gone, and I was thrown back into my little room. And now, no matter what I do, I can't seem to find that door.
Gayle Forman (Just One Day (Just One Day, #1))
the problem with spending one’s time pondering the futility of it all is that you divert that precious electricity gifted to you by evolution—those sacred ions that could make you feel so many wonderful sensations and think so many wonderful ideas—and you flush it all down the drain of existential inquiry, causing you to literally “die while the body is still alive.
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
[I]t is our life’s work to mistrust our measures. Especially those about moral and mental standing. To remember that behind every ruler there is a ruler. To remember that a category is at best a proxy; at worst, a shackle.” •
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
I know they were mean to me and to you, but helping them now is the right thing to do.
Elle Pierre (Tip & Lulu: A tale of two friends)
Growing up,” she told me, “is learning to stop believing people’s words about you.
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
In every organism at which you gaze, there is complexity you will never comprehend.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
First, I'm going to give you all the Copperfield crap, and I'm not going to apologize for any of it, not one paragraph, so if you're not interested in how I came to see the future, or how I came to understand that the biggest truth in my life was a lie, or, for that matter, how I parlayed my distaste for hot dogs into an '84 RX-7 and a new self-concept, do us both a favor, and just stop now.
Jonathan Evison (All About Lulu)
Tell me the best part of all your lives." She wanted to say When I found you, every time. But it wasn't as simple as that. It was hard even to think of them discretely. Her past lives began to swirl together and hiccup like the panels of a kaleidoscope. There was that beautiful moment in Tahiti when Lulu had tattooed Daniel's chest. And the way they'd abandoned a battle in ancient China because their love was more important than fighting any war. She could have listed a dozen sexy stolen moments, a dozen gorgeous, bittersweet kisses. Luce knew those weren't the best parts. The best part was now. That was what she would take with her from her journeys through the ages: He was worth everything to her and she was worth everything to him. The only way to experience that deep level of their love was to enter each new moment together, as if time were made of clouds. And if it came down to it during these next nine days, Luce knew that she and Daniel would risk everything for their love.
Lauren Kate (Rapture (Fallen, #4))
You don't matter seems to fuel his every step, his every bite. So live as you please. He spent years riding a motorbike, drinks copious amounts of beer, and enters the water, whenever possible, with the belliest of flops. He seems to permit himself just one lie to constrain his otherwise voracious hedonism, to form a kind of moral code. While other people don't matter, either, treat them like they do.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
Charlie snorted. “Ms. Muffman, may I introduce to you Lulu Deerdancer and Buster Cleveland. According to their IDs, both are in their twenties. Lulu here likes to fellate a sucker on his finger while laughing like a hyena. Buster is a self-proclaimed leather cub who sneezed his mustache on my face.” Ms. Muffman threw her head back and laughed, a low throaty thing that made me want to know all her secrets immediately. “Oh, this is delightful. I am delighted by the two of you. But this is no place for little boys. Shoo, little boys. Come back when you have hair on your balls.” “Uh,” Paul said. “I have several, so….
T.J. Klune (The Queen & the Homo Jock King (At First Sight, #2))
I know the bad can’t be ignored. Please observe it, learn from it, but never overlook the good. Bad is everywhere, and I have no doubt that you have survived something horribly bad that I can’t even imagine. Please remember good is like treasure. You have to seek it out. And remember how rewarding it is when you find it.
T.I. Lowe (Lulu's Cafe)
Ugh. Crushes are the worst, but in hindsight a crush from afar seems so much easier than this. I should stick to making up stories in my head and watching from a distance like a reasonable creeper. Now I’ve broken the fourth wall and if he’s as friendly as his eyes tell me he is, he may notice me when I drop money in his case the next time, and I will be forced to interact smoothly or run in the opposite direction. I may be middle-of-the-pack when my mouth is closed, but as soon as I start talking to men, Lulu calls me Appalland, for how appallingly unappealing I become. Obviously, she’s not wrong. And now I’m sweating under my pink wool coat, my face is melting, and I’m hit with an almost uncontrollable urge to hike my tights up to my armpits because they have slowly crept down beneath my skirt and are starting to feel like form-fitting harem pants.
Christina Lauren (Roomies)
There is grandeur in this view,” scolds a quote from Darwin hanging over my dad’s desk at his lab. The words are written in looping brown calligraphy, enclosed in a varnished wooden frame. The quote comes from the last sentence of *On the Origin of Species*. It is Darwin’s sweet nothing, his apology for deflating the world of its God, his promise that there is grandeur—if you look hard enough, you’ll find it. But sometimes it felt like an accusation. If you can’t see it, shame on you.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
One of my greatest fears is family decline.There’s an old Chinese saying that “prosperity can never last for three generations.” I’ll bet that if someone with empirical skills conducted a longitudinal survey about intergenerational performance, they’d find a remarkably common pattern among Chinese immigrants fortunate enough to have come to the United States as graduate students or skilled workers over the last fifty years. The pattern would go something like this: • The immigrant generation (like my parents) is the hardest-working. Many will have started off in the United States almost penniless, but they will work nonstop until they become successful engineers, scientists, doctors, academics, or businesspeople. As parents, they will be extremely strict and rabidly thrifty. (“Don’t throw out those leftovers! Why are you using so much dishwasher liquid?You don’t need a beauty salon—I can cut your hair even nicer.”) They will invest in real estate. They will not drink much. Everything they do and earn will go toward their children’s education and future. • The next generation (mine), the first to be born in America, will typically be high-achieving. They will usually play the piano and/or violin.They will attend an Ivy League or Top Ten university. They will tend to be professionals—lawyers, doctors, bankers, television anchors—and surpass their parents in income, but that’s partly because they started off with more money and because their parents invested so much in them. They will be less frugal than their parents. They will enjoy cocktails. If they are female, they will often marry a white person. Whether male or female, they will not be as strict with their children as their parents were with them. • The next generation (Sophia and Lulu’s) is the one I spend nights lying awake worrying about. Because of the hard work of their parents and grandparents, this generation will be born into the great comforts of the upper middle class. Even as children they will own many hardcover books (an almost criminal luxury from the point of view of immigrant parents). They will have wealthy friends who get paid for B-pluses.They may or may not attend private schools, but in either case they will expect expensive, brand-name clothes. Finally and most problematically, they will feel that they have individual rights guaranteed by the U.S. Constitution and therefore be much more likely to disobey their parents and ignore career advice. In short, all factors point to this generation
Amy Chua (Battle Hymn of the Tiger Mother)
He informed me that there is no meaning of life. There is no point. There is no God. No one watching you or caring in any way. There is no afterlife. No destiny. No plan. And don’t believe anyone who tells you there is. These are all things people dream up to comfort themselves against the scary feeling that none of this matters and you don’t matter. But the truth is, none of this matters and you don’t matter.
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
Kafka calls it the Indestructible—the thing at the bottom of each individual that keeps going whether they feel like going or not. The Indestructible is a place that has nothing to do with optimism—instead, it’s something far deeper and far less self-conscious than optimism—the Indestructible is the thing we mask with all sorts of other symbols, hopes, and ambitions—that don’t force you to acknowledge what is underneath. Well…if you do (or are forced to) remove all those excesses, you get the Indestructible, and once you acknowledge it, Kafka goes deeper—he doesn’t let you think the Indestructible is optimistic or positive—instead it is the thing that could actually rip us apart and destroy us…
Lulu Miller (Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life)
Over the years I suffered poverty and rejection and came to believe that my mother had formed me for a freedom that was unattainable, a delusion. Then ... I was ... confined to this small apartment in this alien city of Rochester. ... Looking about, I saw millions of old people in my situation, wailing like lost puppies because they were alone and had no one to talk to. But they had become enslaved by habits which bound their lives to warm bodies that talked. I was free! Although my mother had ceased to be a warm body in 1944, she had not forsaken me. She comforts me with every book I read. Once again I am five, leaning on her shoulder, learning the words as she reads aloud ‘Alice in Wonderland’.
Louise Brooks (Lulu in Hollywood)
But she had not been tempted to look him up back then. She’d become accustomed to the sense of herself as separate from all others, and there was something comforting about that. It was best to keep the past just out of reach, hovering a little more than arm’s length away. While she knew it was there, could sense it, she carefully kept those memories out of her grasp, and she sometimes seemed to forget the past entirely. But that was an illusion. Her memories of Jack, of Lulu—of life before—were not actually gone and forgotten; they lived on inside her, shadows of a bleached-out stain.
Katrin Schumann (The Forgotten Hours)
What I mean is that modern women like you are all, to a greater or lesser extend, hard...It's the yearning. Plainly and simply, it's the yearning." Yearning? For what? {Miss Prim] The yearning you all display to prove your worth, to show that you know this and that, to ensure that you can have it all. The yearning to succeed and, even more, the yearning not to fail; the yearning not to be seen as inferior, but instead even as superior, simply for being exactly what you believe you are, or rather what you've been made to believe you are. The inexplicable yearning for the world to give you credit simply for being women. {Lulu Thiberville]
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
As Tom walked away, every step more awful, Lucy pursued him, arms still outstretched. ‘Dadda, wait for Lulu,’ she begged, wounded and confused. When she tripped and fell face down on the gravel, letting out a scream, Tom could not go on, and spun around, breaking free of the policeman’s grip. ‘Lulu!’ He scooped her up and kissed her scratched chin. ‘Lucy, Lucy, Lucy, Lucy,’ he murmured, his lips brushing her cheek. ‘You’re all right, little one. You’ll be all right.’ Vernon Knuckey looked at the ground and cleared his throat. Tom said, ‘Sweetheart, I have to go away now. I hope—’ He stopped. He looked into her eyes and he stroked her hair, finally kissing her. ‘Goodbye, littlie.
M.L. Stedman
Hungry?” he asks. “The wager?” I remind him. “I’m getting there—it’s related to my question.” He lifts his chin to the meat locker. “They have good steaks here.” And just like that, I’m interested in whatever he’s suggesting. “They do. What’re you thinking?” “They have a porterhouse for two, three, or four.” I haven’t eaten in nearly twenty-four hours, and the idea of a big juicy steak has me salivating. “Yeah?” “So, I say we split the one for three, and whoever eats more wins.” “I’m going to guess their porterhouse for three could feed us both for a week.” “I’m betting you’re right.” His adorable grin should be accompanied by the sound of a silvery ding. “And your dinner is on me.” For not the first time, it occurs to me to ask him how he makes ends meet, but I can’t—not here, and maybe not when we’re alone, either. “You don’t have to do that.” “I think I can handle treating my wife to dinner on our wedding night.” Our wedding night. My heart thuds heavily. “That’s a lot of meat. No pun intended.” He grins enthusiastically. “I’d sure like to see how you handle it.” “You’re betting Holland can’t finish a steak?” Lulu chimes in from behind me. “Oh, you sweet summer child.” *** As we get up, I groan, clutching my stomach. “Is this what pregnancy feels like? Not interested.” “I could carry you,” Calvin offers sweetly, helping me with my coat. Lulu pushes between us, giddy from wine as she throws her arms around our shoulders. “You’re supposed to carry the bride across the threshold to be romantic, not because she’s broken from eating her weight in beef.” I stifle a belch. “The way to impress a man is to show him how much meat you can handle, don’t you know this, Lu?” Calvin laughs. “It was a close battle.” “Not that close,” Mark says, beside him. We went so far as to have the waiter split the cooked steak into two equal portions, much to the amused fascination of our tablemates. I ate roughly three-quarters of mine. Calvin was two ounces short. “Calvin Bakker has a pretty solid ring to it,” I say. He laugh-groans. “What did I get myself into?” “A marriage to a farm girl,” I say. “It’s best you learn on day one that I take my eating very seriously.
Christina Lauren (Roomies)
At first glance, the painting on the fortune-telling tent seemed to depict an eye, like the decoration on Madame Lulu's caravan and the tattoo on Count Olaf's ankle. The three children had seen similar eyes wherever they went, from a building in the shape of an eye when they were working in a lumbermill, to an eye on Esmé Squalor's purse when they were hiding in a hospital, to a huge swarm of eyes that surrounded them in their most frightening nightmares, and although the siblings never understood quite what these eyes meant, they were so weary of gazing at them that they would never pause to look at one again. But there are many things in life that become different if you take a long look at them, and as the children paused in front of the fortune-telling tent, the painting seemed to change before their very eyes, until it did not seem like a painting at all, but an insignia.
Lemony Snicket (The Carnivorous Carnival (A Series of Unfortunate Events, #9))
Robert is, of course, at the theater, but it’s true that Jeff isn’t alone. Behind him, Lulu holds up two bottles of tequila, and behind her is Gene, Lulu’s . . . bed-friend, holding a bag of limes and sporting the world’s most enormous mustache. I take the bag of limes from him. “Are you guessing my weight tonight?” Jeff laughs in a loud bark before heading into the kitchen, but Gene does a bewildered double take. “What?” “Do I get to shoot a water gun to knock down the ducks?” I see the moment he gets it because his giant mustache twitches under his suppressed grin. “I’ll take my limes home if you’re going to be sassy, miss.” “You look like an old-timey auction barker,” I say. “Or Yosemite Sam. I have this sudden urge to buy a few head of cattle.” Behind me, Calvin snickers. “You wish you could grow a ’stache like this.” I burst out laughing. “I’m sorry, I can’t even hear what you’re saying through that thing.” “I told him it’s awful.” Lulu tugs at it and Gene leans away. He smoothes it down proudly. “I’m so lazy, and this is much more low maintenance than shaving.” I don’t need to look that closely to see he’s clearly waxed and styled it with a comb. It’s really not an afterthought mustache; it’s the kind that a person chooses from a book on various mustache styles—the perfect accessory for his very carefully crafted I don’t care enough to even glance in the mirror look (which Lulu tells me takes him a long time in front of the mirror).
Christina Lauren (Roomies)
Daniel's wings were concealed, but he must have sensed her eyeing the place where they unfurled from his shoulders. "When everything is in order, we'll fly wherever we have to go to stop Lucifer. Until then it's better to stay low to the ground." "Okay," Luce said. "Race you to the other side?" Her breath frosted the air. "You know I'd beat you." "True." He slipped an arm around her waist, warming her. "Maybe we'd better take the boat, then. Protect my famous pride." She watched him unmoor a small metal rowboat from a boat slip. The soft light on the water made her think back to the day they'd raced across the secret lake at Sword & Cross. His skin had glistened as they had pulled themselves up to the flat rock in the center to catch their breath, then had lain on the sun-warmed stone, letting the day's heat dry their bodies. She'd barely known Daniel then-she hadn't known he was an angel-and already she'd been dangerously in love with him. "We used to swim together in my lifetime in Tahiti, didn't we?" she asked, surprised to remember another time she'd seen Daniel's hair glisten with water. Daniel stared at her and she knew how much it meant to him finally to be able to share some of his memories of their past. He looked so moved that Luce thought he might cry. Instead he kissed her forehead tenderly and said, "You beat me all those times, too, Lulu." They didn't talk much as Daniel rowed. It was enough for Luce to watch the way his muscles strained and flexed each time he dragged back, hearing the oars dip into and out of the cold water, breathing in the brine of the ocean.
Lauren Kate (Rapture (Fallen, #4))
Eh? How 'bout that?" Bill nudged her. "Did I promise to show you love or did I promise to show you love?" "Sure,they seem like they're in love." Luce shrugged. "But-" "But what?Do you have any idea how painful that is? Look at that guy. He makes getting inked look like being caressed by a soft breeze." Luce squirmed on the branch. "Is that the lesson here? Pain equals love?" "You tell me," Bill said. "It may surprise you to hear this,but the ladies aren't exactly banging down Bill's door." "I mean,if I tattooed Daniel's same on my body would that mean I loved him more than I already do?" "It's a symbol,Luce." Bill let out a raspy sigh. "You're being too literal. Think about it this way: Daniel is the first good-looking boy LuLu has ever seen. Until he washed ashore a few months ago, this girl's whole world was her father and a few fat natives." "She's Miranda," Luce said, remembering the love story from The Tempest, which she'd read in her tenth-grade Shakespeare seminar. "How very civilized of you!" Bill pursed his lips with approval. "They are liek Ferdinand and Miranda: The handsome foreigner shipwrecks on her shores-" "So,of course it was love at first sight for LuLu," Luce murmured. This was what she was afraid of: the same thoughtless,automatic love that had bothered her in Helston. "Right," Bill said. "She didn't have a choice but to fall for him.But what's interesting here is Daniel. You see, he didn't have to teach her to craft a woven sail, or gain her father's trust by producing a season's worth of fish to cure,or exhibit C"-Bill pointed at the lovers on the beach-"agree to tattoo his whole body according to her local custom.It would have been enough if Daniel had just shown up.LuLu would have loved him anyway." "He's doing it because-" Luce thought aloud. "Because he wants to earn her love.Because otherwise,he would just be taking advantage of their curse. Because no matter what kind of cycle they're bound to,his love for her is...true.
Lauren Kate (Passion (Fallen, #3))