Fahrenheit 451 Quotes

We've searched our database for all the quotes and captions related to Fahrenheit 451. Here they are! All 100 of them:

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Why is it," he said, one time, at the subway entrance, "I feel I've known you so many years?" "Because I like you," she said, "and I don't want anything from you.
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Ray Bradbury (Fahrenheit 451)
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Stuff your eyes with wonder, he said, live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories.
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Ray Bradbury (Fahrenheit 451)
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We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?
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Ray Bradbury (Fahrenheit 451)
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There must be something in books, something we can’t imagine, to make a woman stay in a burning house; there must be something there. You don’t stay for nothing.
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Ray Bradbury (Fahrenheit 451)
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If you hide your ignorance, no one will hit you and you'll never learn.
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Ray Bradbury (Fahrenheit 451)
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Don't ask for guarantees. And don't look to be saved in any one thing, person, machine, or library. Do your own bit of saving, and if you drown, at least die knowing you were heading for shore.
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Ray Bradbury (Fahrenheit 451)
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The magic is only in what books say, how they stitched the patches of the universe together into one garment for us.
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Ray Bradbury (Fahrenheit 451)
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I'm seventeen and I'm crazy. My uncle says the two always go together. When people ask your age, he said, always say seventeen and insane.
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Ray Bradbury (Fahrenheit 451)
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We cannot tell the precise moment when friendship is formed. As in filling a vessel drop by drop, there is at last a drop which makes it run over; so in a series of kindnesses there is at last one which makes the heart run over.
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Ray Bradbury (Fahrenheit 451)
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The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies.
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Ray Bradbury (Fahrenheit 451)
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But you can't make people listen. They have to come round in their own time, wondering what happened and why the world blew up around them. It can't last.
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Ray Bradbury (Fahrenheit 451)
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With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word 'intellectual,' of course, became the swear word it deserved to be.
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Ray Bradbury (Fahrenheit 451)
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It was a pleasure to burn.
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Ray Bradbury (Fahrenheit 451)
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A book is a loaded gun in the house next door...Who knows who might be the target of the well-read man?
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Ray Bradbury (Fahrenheit 451)
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Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there. It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.
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Ray Bradbury (Fahrenheit 451)
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I don't talk things, sir. I talk the meaning of things.
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Ray Bradbury (Fahrenheit 451)
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Oh God, the terrible tyranny of the majority. We all have our harps to play. And it's up to you to know with which ear you'll listen.
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Ray Bradbury (Fahrenheit 451)
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It doesn't matter what you do...so long as you change something from the way it was before you touched it into something that's like you after you take your hands away.
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Ray Bradbury (Fahrenheit 451)
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See the world. It's more fantastic than any dream made or paid for in factories. Ask for no guarantees, ask for no security.
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Ray Bradbury (Fahrenheit 451)
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I still love books. Nothing a computer can do can compare to a book. You can't really put a book on the Internet. Three companies have offered to put books by me on the Net, and I said, 'If you can make something that has a nice jacket, nice paper with that nice smell, then we'll talk.' All the computer can give you is a manuscript. People don't want to read manuscripts. They want to read books. Books smell good. They look good. You can press it to your bosom. You can carry it in your pocket.
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Ray Bradbury (Fahrenheit 451)
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That's the good part of dying; when you've nothing to lose, you run any risk you want.
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Ray Bradbury (Fahrenheit 451)
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I'll hold on to the world tight some day. I've got one finger on it now; that's a beginning.
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Ray Bradbury (Fahrenheit 451)
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If they give you ruled paper, write the other way.
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Juan RamΓ³n JimΓ©nez (Invisible Reality)
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Our civilization is flinging itself to pieces. Stand back from the centrifuge.
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Ray Bradbury (Fahrenheit 451)
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That's the wonderful thing about man; he never gets so discouraged or disgusted that he gives up doing it all over again, because he knows very well it is important and WORTH the doing.
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Ray Bradbury (Fahrenheit 451)
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The books are to remind us what asses and fool we are. They're Caeser's praetorian guard, whispering as the parade roars down the avenue, "Remember, Caeser, thou art mortal." Most of us can't rush around, talking to everyone, know all the cities of the world, we haven't time, money or that many friends. The things you're looking for, Montag, are in the world, but the only way the average chap will ever see ninety-nine per cent of them is in a book. Don't ask for guarantees. And don't look to be saved in any one thing, person, machine, or library. Do your own bit of saving, and if you drown, at least die knowing you were headed for shore.
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Ray Bradbury (Fahrenheit 451)
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Nobody listens anymore. I can't talk to the walls because they're yelling at me, I can't talk to my wife; she listens to the walls. I just want someone to hear what I have to say. And maybe if I talk long enough it'll make sense. And I want you to teach me to understand what I read.
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Ray Bradbury (Fahrenheit 451)
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And when he died, I suddenly realized I wasn’t crying for him at all, but for the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the backyard or play the violin the way he did, or tell us jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them the way he did. He was individual. He was an important man. I’ve never gotten over his death. Often I think what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands? He shaped the world. He did things to the world. The world was bankrupted of ten million fine actions the night he passed on.
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Ray Bradbury (Fahrenheit 451)
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A book is a loaded gun.
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Ray Bradbury (Fahrenheit 451)
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If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change.
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Ray Bradbury (Fahrenheit 451)
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Putting out the stars and extinguishing the sun.
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Ray Bradbury (Fahrenheit 451)
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You're afraid of making mistakes. Don't be. Mistakes can be profited by. Man, when I was young I shoved my ignorance in people's faces. They beat me with sticks. By the time I was forty my blunt instrument had been honed to a fine cutting point for me. If you hide your ignorance, no one will hit you and you'll never learn.
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Ray Bradbury (Fahrenheit 451)
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The sun burnt every day. It burnt time.
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Ray Bradbury (Fahrenheit 451)
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How do you get so empty? he wondered. Who takes it out of you?
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Ray Bradbury (Fahrenheit 451)
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The books are to remind us what asses and fools we are.
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Ray Bradbury (Fahrenheit 451)
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We're going to meet a lot of lonely people in the next week and the next month and the next year. And when they ask us what we're doing, you can say, We're remembering. That's where we'll win out in the long run. And someday we'll remember so much that we'll build the biggest goddamn steamshovel in history and dig the biggest grave of all time and shove war in it and cover it up.
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Ray Bradbury (Fahrenheit 451)
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The average TV commercial of sixty seconds has one hundred and twenty half-second clips in it, or one-third of a second. We bombard people with sensation. That substitutes for thinking.
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Ray Bradbury (Fahrenheit 451)
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Stuff your eyes with wonder. Live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that . Shake the tree and knock the great sloth down on his ass.
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Ray Bradbury (Fahrenheit 451)
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Are you happy?
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Ray Bradbury (Fahrenheit 451)
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I just want someone to hear what I have to say. And maybe if I talk long enough, it’ll make sense.
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Ray Bradbury (Fahrenheit 451)
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There was always a minority afraid of something, and a great majority afraid of the dark, afraid of the future, afraid of the past, afraid of the present, afraid of themselves and shadows of themselves
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Ray Bradbury (Fahrenheit 451)
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Those who don't build must burn.
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Ray Bradbury (Fahrenheit 451)
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Live as if you'd drop dead in ten seconds.
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Ray Bradbury (Fahrenheit 451)
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Everyone must leave something behind when he dies . . . Something your hand touched some way so your soul has somewhere to go when you die . . . It doesn't matter what you do, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away.
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Ray Bradbury (Fahrenheit 451)
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You're not like the others. I've seen a few; I know. When I talk, you look at me. When I said something about the moon, you looked at the moon, last night. The others would never do that. The others would walk off and leave me talking. Or threaten me. No one has time any more for anyone else. You're one of the few who put up with me. That's why I think it's so strange you're a fireman, it just doesn't seem right for you, somehow.
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Ray Bradbury (Fahrenheit 451)
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She didn't want to know how a thing was done, but why.... Luckily, queer ones like her don't happen often.
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Ray Bradbury (Fahrenheit 451)
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These are all novels, all about people that never existed, the people that read them it makes them unhappy with their own lives. Makes them want to live in other ways they can never really be.
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Ray Bradbury (Fahrenheit 451)
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We have everything we need to be happy but we aren't happy. Something is missing... It is not books you need, it's some of the things that are in books. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us.
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Ray Bradbury (Fahrenheit 451)
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For if we're destroyed, the knowledge is dead...We're nothing more than dust jackets for books...so many pages to a person...
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Ray Bradbury (Fahrenheit 451)
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Let you alone! That’s all very well, but how can I leave myself alone? We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?
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Ray Bradbury (Fahrenheit 451)
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I ate them like salad, books were my sandwich for lunch, my tiffin and dinner and midnight munch. I tore out the pages, ate them with salt, doused them with relish, gnawed on the bindings, turned the chapters with my tongue! Books by the dozen, the score and the billion. I carried so many home I was hunchbacked for years. Philosophy, art history, politics, social science, the poem, the essay, the grandiose play, you name 'em, I ate 'em.
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Ray Bradbury (Fahrenheit 451)
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Digression is the soul of wit. Take the philosophic asides away from Dante, Milton or Hamlet's father's ghost and what stays is dry bones.
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Ray Bradbury (Fahrenheit 451)
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Why aren't you in school? I see you every day wandering around." "Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?
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Ray Bradbury (Fahrenheit 451)
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Stand at the top of a cliff and jump off and build your wings on the way down.
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Ray Bradbury (Fahrenheit 451)
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Do you understand now why books are hated and feared? Because they reveal the pores on the face of life. The comfortable people want only the faces of the full moon, wax, faces without pores, hairless, expressionless.
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Ray Bradbury (Fahrenheit 451)
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To everything there is a season. Yes. A time to break down, and a time to build up. Yes. A time to keep silence and a time to speak. Yes.
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Ray Bradbury (Fahrenheit 451)
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The home environment can undo a lot you try to do at school.
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Ray Bradbury (Fahrenheit 451)
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And when he died, I suddenly realized I wasn't crying for him at all, but for the things he did. I cried because he would never do them again...
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Ray Bradbury (Fahrenheit 451)
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You're a hopeless romantic," said Faber. "It would be funny if it were not serious. It's not books you need, it's some of the things that once were in books. The same things could be in the 'parlor families' today. The same infinite detail and awareness could be projected through the radios, and televisors, but are not. No,no it's not books at all you're looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type or receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us. Of course you couldn't know this, of course you still can't understand what I mean when i say all this. You are intuitively right, that's what counts.
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Ray Bradbury (Fahrenheit 451)
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Thinking little at all about nothing in particular.
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Ray Bradbury (Fahrenheit 451)
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Do you ever read any of the books you burn?" He laughed. "That's against the law!" "Oh. Of course.
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Ray Bradbury (Fahrenheit 451)
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The autumn leaves blew over the moonlit pavement in such a way as to make the girl who was moving there seem fixed to a sliding walk, letting the motion of the wind and the leaves carry her forward. [...] The trees overhead made a great sound of letting down their dry rain.
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Ray Bradbury (Fahrenheit 451)
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He stood breathing, and the more he breathed the land in, the more he was filled up with all the details of the land. He was not empty. There was more than enough here to fill him. There would always be more than enough.
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Ray Bradbury (Fahrenheit 451)
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The problem in our country isn't with books being banned, but with people no longer reading. You don't have to burn books to destroy a culture. Just get people to stop reading them.
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Ray Bradbury (Fahrenheit 451)
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Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the Universe together into one garment for us.
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Ray Bradbury (Fahrenheit 451)
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He wore his happiness like a mask and the girl had run off across the lawn with the mask and there was no way of going to knock on her door and ask for it back.
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Ray Bradbury (Fahrenheit 451)
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I like to watch people. Sometimes I ride the subway all day and look at them and listen to them. I just want to figure out who they are and what they want and where they're going.
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Ray Bradbury (Fahrenheit 451)
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I care so much I’m sick.
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Ray Bradbury (Fahrenheit 451)
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Remember, the firemen are rarely necessary. The public itself stopped reading of its own accord.
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Ray Bradbury (Fahrenheit 451)
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I feel I'm doing what I should've done a lifetime ago. For a little while I'm not afraid. Maybe it's because I'm doing the right thing at last. Maybe it's because I've done a rash thing and don't want to look the coward to you.
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Ray Bradbury (Fahrenheit 451)
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The zipper displaces the button and a man lacks just that much time to think while dressing at dawn, a philosophical hour, and thus a melancholy hour.
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Ray Bradbury (Fahrenheit 451)
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Have you ever watched the jet cars race on the boulevard?...I sometimes think drivers don’t know what grass is, or flowers, because they never see them slowly...If you showed a driver a green blur, Oh yes! He'd say, that’s grass! A pink blur! That’s a rose garden! White blurs are houses. Brown blurs are cows.
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Ray Bradbury (Fahrenheit 451)
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The television is 'real'. It is immediate, it has dimension. It tells you what to think and blasts it in. It must be right. It seems so right. It rushes you on so quickly to its own conclusions your mind hasn't time to protest, 'What nonsense!'.
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Ray Bradbury (Fahrenheit 451)
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Maybe the books can get us half out of the cave. They just might stop us from making the same damm insane mistakes!
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Ray Bradbury (Fahrenheit 451)
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Only if the third necessary thing could be given us. Number one, as I said: quality of information. Number two: leisure to digest it. And number three: the right to carry out actions based on what we learn from the interaction of the first two.
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Ray Bradbury (Fahrenheit 451)
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Do you know why books such as this are so important? Because they have quality. And what does the word quality mean? To me it means texture. This book has pores. It has features. This book can go under the microscope. You’d find life under the glass, streaming past in infinite profusion. The more pores, the more truthfully recorded details of life per square inch you can get on a sheet of paper, the more β€˜literary’ you are. That’s my definition anyway. Telling detail. Fresh detail. The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies. So now you see why books are hated and feared? They show the pores in the face of life.
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Ray Bradbury (Fahrenheit 451)
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He glanced back at the wall. How like a mirror, too, her face. Impossible; for how many people did you know who reflected your own light to you? People were more often--he searched for a simile, found one in his work--torches, blazing away until they whiffed out. How rarely did other people's faces take of you and throw back to you your own expression, your own innermost trembling thought?
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Ray Bradbury (Fahrenheit 451)
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There must be something in books, things we can’t imagine, to make a woman stay in a burning house; there must be something there. You don’t stay for nothing.
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Ray Bradbury (Fahrenheit 451)
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There are too many of us, he thought. There are billions of us and that's too many. Nobody knows anyone. Strangers come and violate you. Strangers come and cut your heart out. Strangers come and take your blood. Good God, who were those men? I never saw them before in my life!
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Ray Bradbury (Fahrenheit 451)
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Hello!" He said hello and then said, "What are you up to now?" "I'm still crazy. The rain feels good. I love to walk in it. "I don't think I'd like that," he said. "You might if you tried." "I never have." She licked her lips. "Rain even tastes good." "What do you do, go around trying everything once?" he asked. "Sometimes twice.
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Ray Bradbury (Fahrenheit 451)
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Coloured people don't like Little Black Sambo. Burn it. White people don't feel good about Uncle Tom's Cabin. Burn it. Someone's written a book on tobacco and cancer of the lungs? The cigarette people are weeping? Burn the book.
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Ray Bradbury (Fahrenheit 451)
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Those who don't build must burn. It's as old as history and juvenile delinquents.
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Ray Bradbury (Fahrenheit 451)
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There was a silly damn bird called a phoenix back before Christ, every few hundred years he built a pyre and burnt himself up. He must have been the first cousin to Man. But every time he burnt himself up he sprang out of the ashes, he got himself born all over again. And it looks like we're doing the same thing, over and over, but we're got on damn thing the phoenix never had. We know the damn silly thing we just did. We know all the damn silly things we've done for a thousand years and as long as we know that and always have it around where we can see it, someday we'll stop making the goddamn funeral pyres and jumping in the middle of them. We pick up a few more people that remember every generation.
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Ray Bradbury (Fahrenheit 451)
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It was a pleasure to burn. It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning.
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Ray Bradbury (Fahrenheit 451)
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What are you up to now?" "I'm sill crazy. The rain feels good. I love to walk in it.
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Ray Bradbury (Fahrenheit 451)
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Fiction gives us empathy: It puts us inside the minds of other people, gives us the gift of seeing through their eyes. Fiction is a lie that tells us true things, over and over.
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Ray Bradbury (Fahrenheit 451)
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It didn't come from the Government down. There was no dictum, no declaration, no censorship, to start with, no! Technology, mass exploitation, and minority pressure carried the trick, thank God.
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Ray Bradbury (Fahrenheit 451)
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People don't talk about anything... No, not anything. They name a lot of cars or clothes or swimming pools mostly and say how swell! But they all say the same things and nobody says anything different from anyone else.
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Ray Bradbury (Fahrenheit 451)
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Cram them full of non-combustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving. And they’ll be happy, because facts of that sort don’t change. Don’t give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy.
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Ray Bradbury (Fahrenheit 451)
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I am Plato's Republic. Mr. Simmons is Marcus. I want you to meet Jonathan Swift, the author of that evil political book, Gulliver's Travels! And this other fellow is Charles Darwin, and-this one is Schopenhauer, and this one is Einstein, and this one here at my elbow is Mr. Albert Schweitzer, a very kind philosopher indeed. Here we all are, Montag. Aristophanes and Mahatma Gandhi and Gautama Buddha and Confucius and Thomas Love Peacock and Thomas Jefferson and Mr. Lincoln, if you please. We are also Matthew, Mark, Luke, and John.
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Ray Bradbury (Fahrenheit 451)
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We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against.
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Ray Bradbury (Fahrenheit 451)
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But most of all, I like to watch people. Sometimes I ride the subway all day and look at them and listen to them. I just want to figure out who they are and what they want and where they are going. Sometimes I even go to Fun parks and ride in the jet cars when they race on the edge of town at midnight and the police don't care as long as they're insured. As long as everyone has ten thousand insurance everyone's happy. Sometimes I sneak around and listen in subways. Or I listen at soda fountains, and do you know what? People don't talk about anything.
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Ray Bradbury (Fahrenheit 451)
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Most of us can't rush around, talk to everyone, know all the cities of the world, we haven't time, money or that many friends. The things you're looking for... are in the world, but the only way the average chap will ever see ninety-nine per cent of them is in a book.
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Ray Bradbury (Fahrenheit 451)
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Christ is one of the 'family' now. I often wonder if God recognizes his own son the way we've dressed him up, or is it dressed him down? He's regular peppermint stick now, all sugar crystal and saccharine - when he isn't making veiled references to certain commercial products that ever worshiper absolutely needs.
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Ray Bradbury (Fahrenheit 451)
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Last night I thought about all the kerosene I've used in the past ten years. And I thought about books. And for the first time I realized that a man was behind each one of the books. A man had to think them up. A man had to take a long time to put them down on paper. And I'd never even thought that thought before...It took some man a lifetime maybe to put some of his thoughts down, looking around at the world and life, and then I come along in two minutes and boom! it's all over.
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Ray Bradbury (Fahrenheit 451)
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We'll just start walking today and see the world and the way the world walks around and talks, the way it really looks. I want to see everything now. And while none of it will be me when it goes in, after a while it'll all gather together inside and it'll be me. Look at the world out there, my God, my God, look at it out there, outside me, out there beyond my face and the only way to really touch it is to put it where it's finally me, where it's in the blood, where it pumps around a thousand times ten thousand a day. I get hold of it so it'll never run off. I'll hold onto the world tight some day. I've got one finger on it now; that's a beginning.
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Ray Bradbury (Fahrenheit 451)
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What is it about fire that's so lovely? No matter what age we are, what draws us to it?...The thing man wanted to invent, but never did...If you let it go on, it'd burn our lifetimes out. What is fire? It is a mystery. Scientists give us gobbledygook about friction and molecules. But they don't really know. Its real beauty is that it destroys responsibility and consequences.
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Ray Bradbury (Fahrenheit 451)
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No front porches. My uncle says there used to be front porches. And people sat there sometimes at night, talking when they wanted to talk, rocking, and not talking when they didn't want to talk. Sometimes they just sat there and thought about things, turned things over. My uncle says the architects got rid of the front porches because they didn't look well. But my uncle says that was merely rationalizing it; the real reason, hidden underneath, might be they didn't want people sitting like that, doing nothing, rocking, talking; that was the wrong KIND of social life. People talked too much. And they had time to think. So they ran off with the porches.
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Ray Bradbury (Fahrenheit 451)
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In sum, do not insult me with the beheadings, finger choppings or the lung-deflations you plan for my works. I need my head to shake or nod, my hand to wave or make into a fist, my lungs to shout or whisper with. I will not go gently onto a shelf, degutted, to become a non-book. All you umpires, back to the bleachers. Referees, hit the showers. It's my game. I pitch, I hit, I catch. I run the bases. At sunset I've won or lost. At sunrise, I'm out again, giving it the old try. And no one can help me. Not even you.
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Ray Bradbury (Fahrenheit 451)
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And me not sleeping tonight or tomorrow night or any night for a long while, now that this has started. And he thought of her lying on the bed with the two technicians standing straight over her, not bent with concern, but only standing straight, arms folded. And he remembered thinking then that if she died, he was certain he wouldn’t cry. For it would be the dying of an unknown, a street face, a newspaper image, and it was suddenly so very wrong that he had begun to cry, not at death but at the thought of not crying at death, a silly empty man near a silly empty woman, while the hungry snake made her still more empty. How do you get so empty? he wondered. Who takes it out of you? And that awful flower the other day, the dandelion! It had summed up everything, hadn’t it? β€˜What a shame! You’re not in love with anyone!’ And why not?
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Ray Bradbury (Fahrenheit 451)