Expressions Oozing Quotes

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Fear that I was very different from everyone else. Fear that deep down inside I was a shallow fraud, that after the revolution or after Jesus came down to straighten everything out, everyone from hippies to hard-hats would unfold and blossom into the beautiful people they were while I would remain a gnarled little wart in the corner, oozing bile and giving off putrid smells.
Mark Vonnegut (The Eden Express: A Memoir of Insanity)
So all that took place at the hotel,” he said, “consisted of a—” “The association,” Rachael said, “wanted to reach the bounty hunters here and in the Soviet Union. This [having sex] seemed to work…for reasons which we do not fully understand. Our limitation again, I guess.” “I doubt if it works as often or as well as you say,” he said thickly. “But it has with you.” “We’ll see.” “I already know,” Rachael said. “When I saw that expression on your face, that grief. I look for that.” “How many times have you done this?” “I don’t remember. Seven, eight. No, I believe it’s nine.” She—or rather it—nodded. “Yes, nine times.” “The idea is old-fashioned,” Rick said. Startled, Rachael said, “W-What?” Pushing the steering wheel away from him, he put the car into a gliding decline. “Or anyhow that’s how it strikes me. I’m going to kill you,” he said. “And go on to Roy and Irmgard Baty and Pris Stratton alone.” “That’s why you’re landing?” Apprehensively, she said, “There’s a fine; I’m the property, the legal property, of the association. I’m not an escaped android who fled here from Mars; I’m not in the same class as the others.” “But,” he said, “if I can kill you then I can kill them.” Her hands dived for her bulging, overstuffed, kipple-filled purse; she searched frantically, then gave up. “Goddamn this purse,” she said with ferocity. “I never can lay my hands on anything in it. Will you kill me in a way that won’t hurt? I mean, do it carefully. If I don’t fight; okay? I promise not to fight. Do you agree?” Rick said, “I understand now why Phil Resch said what he said. He wasn’t being cynical; he had just learned too much. Going through this—I can’t blame him. It warped him.” “But the wrong way.” She seemed more externally composed now. But still fundamentally frantic and tense. Yet, the dark fire waned; the life force oozed out of her, as he had so often witnessed before with other androids. The classic resignation. Mechanical, intellectual acceptance of that which a genuine organism—with two billion years of the pressure to live and evolve hagriding it—could never have reconciled itself to. “I can’t stand the way you androids give up,” he said savagely.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
A bout of nerves crept up my spine and I tilted my head at him, hoping I was imagining the heat spreading over my cheeks to spare myself the embarrassment of blushing merely because he was piercing me with those chocolate eyes that I had never noticed were so amazing. “What are you staring at?” “Can I take you to prom?” He asked me. Just like that, no hesitation or insecurity to be found in his tone or facial expression. His confidence caught me completely off guard and I gaped at him in a stunned silence for almost twenty full seconds. His expression never faltered, though. He just watched my mouth work to make some sort of intelligible sound, waiting for my answer as he oozes at least the illusion of complete calm. “Huh?” I blurted in an embarrassingly high-pitched squeak. I sounded like a chipmunk and his smirk made me turn a deep shade of red. “Um… Uh… Prom?” I managed, eloquent as ever. He laughed at me fondly, nodding his head. “Yeah, prom.” Shock was not a deep enough word to describe what I was feeling over this proposal. This was Jim, the kid who swore up and down he would rather gouge out his eyes with a grapefruit spoon than put on dress clothes and he was offering to take me to a place where flannel shirts and ratty jeans were unacceptable and dance me around a room in uncomfortable shoes all night long? This couldn’t be real life. But it was real life. I was sitting in the car with him with my mouth hanging open like a fish waiting for him to laugh and tell me he was kidding, that there was no way he was going to put on a tie for my benefit, and he was sitting right there, a slightly nervous look crossing his features over my dumbstruck expression. Breathe, Lizzie, I scolded myself. Answer him! Say yes! You could have knocked me over with a feather and I was very relieved to be sitting down in a car so I could prevent anything humiliating from happening. Having already proved I could not trust my voice to answer him I jerkily nodded my head as my mouth grew into a Cheshire cat sized smile. I turned my face away and hid behind my hair as if I could hide my excitement from the world. Jim was visibly euphoric and that only made me want to squeal even more. He was excited to take me out. How cool was that?
Melissa Simmons (Best Thing I Never Had (Anthology))
Straightening reluctantly, she strolled about the room with forced nonchalance, her hands clasped behind her back, looking blindly at the cobwebs in the corner of the ceiling, trying to think what to say. And then inspiration struck. The solution was demeaning but practical, and properly presented, it could appear she was graciously doing him a favor. She paused a moment to arrange her features into what she hoped was the right expression of enthusiasm and compassion, then she wheeled around abruptly. “Mr. Thornton!” Her voice seemed to explode in the room at the same time his startled amber gaze riveted on her face, then drifted down her bodice, roving boldly over her ripened curves. Unnerved but determined, Elizabeth forged shakily ahead: “It appears as if no one has occupied this house in quite some time.” “I commend you on that astute observation, lady Cameron,” Ian mocked lazily, watching the tension and emotion play across her expressive face. For the life of him he could not understand what she was doing here or why she seemed to be trying to ingratiate herself this morning. Last night the explanation he’d given Jake had made sense; now, looking at her, he couldn’t quite believe any of it. Then he remembered that Elizabeth Cameron had always robbed him of the ability to think rationally. “Houses do have a way of succumbing to dirt when no one looks after them,” she stated with a bright look. “Another creditable observation. You’ve certainly a quick mind.” “Must you make this so very difficult!” Elizabeth exclaimed. “I apologize,” he said with mocking gravity. “Do go on. You were saying?” “Well, I was thinking, since we’re quite stranded here-Lucinda and I, I mean-with absolutely nothing but time on our hands, that this house could certainly use a woman’s touch.” “Capital idea!” burst out Jake, returning from his mission to locate the butter and casting a highly hopeful look at Lucinda. He was rewarded with a glare from her that could have pulverized rock. “It could use an army of servants carrying shovels and wearing masks on their faces,” the duenna countered ruthlessly. “You needn’t help, Lucinda,” Elizabeth explained, aghast. “I never meant to imply you should. But I could! I-“ She whirled around as Ian Thornton surged to his feet and took her elbow in a none-too-gentle grasp. “Lady Cameron,” he said. “I think you and I have something to discuss that may be better spoken in private. Shall we?” He gestured to the open door and then practically dragged her along in his wake. Outdoors in the sunlight he marched her forward several paces, then dropped her arm. “Let’s hear it,” he said. “Hear what?” Elizabeth said nervously. “An explanation-the truth, if you’re capable of it. Last night you drew a gun on me, and this morning you’re awash with excitement over the prospect over the prospect of cleaning my house. I want to know why.” “Well,” Elizabeth burst out in defense of her actions with the gun, “you were extremely disagreeable!” “I am still disagreeable,” he pointed out shortly, ignoring Elizabeth’s raised brows. “I haven’t changed. I am not the one who’s suddenly oozing goodwill this morning.” Elizabeth turned her head to the lane, trying desperately to think of an explanation that wouldn’t reveal to him her humiliating circumstances. “The silence is deafening, Lady Cameron, and somewhat surprising. As I recall, the last time we met you could scarcely contain all the edifying information you were trying to impart to me.” Elizabeth knew he was referring to her monologue on the history of hyacinths in the greenhouse. “I just don’t know where to begin,” she admitted. “Let’s stick to the salient points. What are you doing here?
Judith McNaught (Almost Heaven (Sequels, #3))
The Age Of Reason 1. ‘Well, it’s that same frankness you fuss about so much. You’re so absurdly scared of being your own dupe, my poor boy, that you would back out of the finest adventure in the world rather than risk telling yourself a lie.’ 2. “ I’m not so much interested in myself as all that’ he said simply. ‘I know’, said Marcelle. It isn’t an aim , it’s a means. It helps you to get rid of yourself; to contemplate and criticize yourself: that’s the attitude you prefer. When you look at yourself, you imagine you aren’t what you see, you imagine you are nothing. That is your ideal: you want to be nothing.’’ 3. ‘In vain he repeated the once inspiring phrase: ‘I must be free: I must be self-impelled, and able to say: ‘’I am because I will: I am my own beginning.’’ Empty, pompous words, the commonplaces of the intellectual.’ 4. ‘He had waited so long: his later years had been no more than a stand-to. Oppressed with countless daily cares, he had waited…But through all that, his sole care had been to hold himself in readiness. For an act. A free, considered act; that should pledge his whole life, and stand at the beginning of a new existence….He waited. And during all that time, gently, stealthily, the years had come, they had grasped him from behind….’ 5. ‘ ‘It was love. This time, it was love. And Mathiue thought:’ What have I done?’ Five minutes ago this love didn’t exist; there was between them a rare and precious feeling, without a name and not expressible in gestures.’ 6. ‘ The fact is, you are beyond my comprehension: you, so prompt with your indignation when you hear of an injustice, you keep this woman for years in a humiliating position, for the sole pleasure of telling yourself that you are respecting your principles. It wouldn’t be so bad if it were true, if you really did adapt your life to your ideas. But, I must tell you once more…you like that sort of life-placid, orderly, the typical life of an official.’ ‘’That freedom consisted in frankly confronting situations into which one had deliberately entered, and accepting all one’s responsibilities.’ ‘Well…perhaps I’m doing you an injustice. Perhaps you haven’t in fact reached the age of reason, it’s really a moral age…perhaps I’ve got there sooner than you have.’ 7. ‘ I have nothing to defend. I am not proud of my life and I’m penniless. My freedom? It’s a burden to me, for years past I have been free and to no purpose. I simply long to exchange it for a good sound of certainty….Besides, I agree with you that no one can be a man who has not discovered something for which he is prepared to die.’ 8. ‘‘I have led a toothless life’, he thought. ‘ A toothless life. I have never bitten into anything. I was waiting. I was reserving myself for later on-and I have just noticed that my teeth have gone. What’s to be done? Break the shell? That’s easily said. Besides, what would remain? A little viscous gum, oozing through the dust and leaving a glistering trail behind it.’ 9.’’ A life’, thought Mathieu, ‘is formed from the future just like the bodies are compounded from the void’. He bent his head: he thought of his own life. The future had made way into his heart, where everything was in process and suspense. The far-off days of childhood, the day when he has said:’I will be free’, the day when he had said: ’I will be famous’, appeared to him even now with their individual future, like a small, circled individual sky above them all, and the future was himself, himself just as he was at present, weary and a little over-ripe, they had claims upon him across the passage of time past, they maintained their insistencies, and he was often visited by attacks of devastating remorse, because his casual, cynical present was the original future of those past days.
Jean-Paul Sartre
Jenks and I stood there like statues watching him twitch, his eyes rolling up in his head. He clutched at his clothes pulling the wooden pole they hung from down on top of him. Slowly his right hand came scrambling out away from his body to clutch at my left leg. Without thinking I shoved my crucifix at him and he pulled his hand back with a hiss, shielding his face again. As quickly as I could, I dug my tubes of Holy Water out of my coat pocket and emptied them on his head. He shrieked again and clawed at his face. Jenks followed suit, pouring his two vials on Skorzeny's body and legs. Skorzeny started to foam and bubble before our eyes. I was paralyzed. I couldn't quite believe what was happening. Those books hadn't described any of this. I was feeling dizzy and sick. The shrieks turned to groans and a gurgling deep in his throat. He pulled his hands away from his face and it looked like the disintegrating Portrait of Dorian Gray. I looked over to Jenks who had an odd expression on his face. I looked over to Jenks who had on odd expression on his face. He motioned to me and reached for my left hand which, I noticed, was still clutching the airline hag with the stake and hammer in it. I dropped it and he grabbed it off the floor, moving over to the smoking form still squirming in the closet which smelled even more foul than before, and oozing a greenish yellow pus from the crumpled clothing on his scarecrow frame. Jenks looked back at me and handed me the stake and hammer. 'Go ahead. This was your idea. Finish it.' I declined, turning away. Jenks spun me around violently and thrust the stake into my left hand. He pushed me toward what was left of Skorzeny and forced me to my knees. He forced my hand toward Skorzeny, positioning the stake over the man's chest. Then he stuck the hammer in my right hand. 'Do it, you gutless sonofabitch. Finish it... now!' And he stepped away. I looked at him and back at Skorzeny. Then I gave one vicious swing and hit the stake dead center. The thing made a gurgling grunt, like a pig snuffling for food, and started to regurgitate a blackish fluid from its mouth. I closed my eyes, took a deep breath and hit the stake three more times. Then I fell back and threw up. When I looked back, Skorzeny's hands, or what was left of them, clutched at the stake trying to pull it out. Suddenly, he emitted a kind of moaning, sucking sound, gagged and more bile-colored liquid flecked with black and red came coiling up in a viscous rope like some evil worm from his mouth. And he stopped moving, his hands still clutching the stake. Then a sort of gaseous mist started to rise from his body and it was so much worse than the original smell that I pushed Jenks aside and ran from the house. I ran all the way to a patrol car where I slumped against the left front wheel as Jenks slowly strolled toward me. He walked past me, ignoring me, and opened his trunk, taking out a couple of small gas cans, and headed back to the house. I wasn't paying much attention until he left the house again and I saw it was aflame.
Jeff Rice (The Night Stalker)
The unique pairing of verbal and visual language in the form of picture books has fascinated me forever. Having now written my own text for the picture book, ‘Hasel and Rose’, I feel more respect than ever for what writers do. Oddly, it has made me also more appreciative of the image makers. Pictures have for me, been little emotional lightning rods. Going through the contortions of putting into words what I would normally express in drawings was quite uncomfortable. At one point I even tried to write in German, my first language. Anything to reach some kind of musical flow. In my frustration, I oozed drawings until there was an embarrassing pile of avoidance….but you get the idea. I am looking forward to doing it all again soon…
Caroline Magerl
You could argue that the most important words in all of the Bible are the first four words, “In the beginning, God . . .” Those words are meant to change the way you think about yourself, life, God, and everything else. God was on site before you were. The earth and everything in it is an expression of his design and his purpose. Because he is the Creator of all things, all things belong to him. God created you. That means you belong to him. You and I were carefully designed for his purpose. We did not make ourselves. We did not rise out of the primordial ooze, the result of impersonal forces. We are the direct product of God’s creative power and will.
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
Originating as it does not from nation or kin but from the primordial ooze of capitalism, whiteness can only be defined by state power. It requires a legal system that can formalize irrational biological expressions, making them rational. It needs a justice system that will adjudicate the arbitrary inclusion and exclusion of people across time. And, most of all, whiteness requires a police state that can use violent force to defend its sovereignty.
Tressie McMillan Cottom (Thick: And Other Essays)
Don’t worry, Drake. Even nipple to nipple, you wouldn’t turn me on.” His expression offended, Drake stepped back. “I don’t believe you for even a second, Mari. I ooze sexy animal magnetism.” Darling rolled his eyes at Drake’s arrogance. “Excuse me, little brother? Not to tear down your epic ego or anything, but… Mari and I have gotten more women as gay men than you have ever gotten with all that oozing sexy animal whatever.” Maris concurred, then stepped forward to whisper loudly. “And if it is oozing, sweetie, you really should see a doctor about it. I’m told they have medication for things like that nowadays.” “Oh dear gods, what did I just walk in on?” Annalise pressed her hands to her ears and started singing out loud as she continued on her way down the hall, past them. Maris
Sherrilyn Kenyon (Born of Silence (The League #5))
What am I supposed to wear?” I ask in a tone that oozes sarcasm. He doesn’t speak. Instead, he moves around my body and grabs a bag off the floor behind me. Then he holds it out to me. I keep looking into his eyes, watching the deep, dark brown remain expression and emotionless. “Right. When you’re ready to use your big-boy words, maybe we can continue this playdate.
Harper Sloan (Locke (Corps Security, #5))
I remember drawing and painting family members early on. I wanted to pour all I felt about them into my painting. I wanted them to feel honored, seen, and most of all to not be offended at how pronounced I made their nose. But instead of gushing warm feelings into a piece, it oozed with all the angst that I carried throughout the process.
Amarilys Henderson (Drawing and Painting Expressive Little Faces: Step-by-Step Techniques for Creating People and Portraits with Personality--Explore Watercolors, Inks, Markers, and More)
Like a creature within the perpetual shadows, demonic eyes stare. Darkness oozes behind the beast, adding eeriness to the already sinister atmosphere. Sounds of discomfort enter the air as its leering continues. The silhouette of a head bobs erratically, as if too heavy for its long, thin neck, blending into the background. Unnaturally long fingers, bony in shape, each appearing like a tendril of a parasitic plant, reach forward, brushing against the porcelain creature’s unchanging face of wrinkles; how disconcerting. “Harold!” The call of an elderly woman rings throughout the upstairs hallway of the modern household. The man in question jumps, startled by his wife of fifty-four years. He removes his fingers from the abnormal portrait he’d been admiring. He gazes towards the open doorway of the bedroom. His wife stomps inside, fury in her eyes, exasperation in her expression. She pauses before him, hunching over with palms on her brittle hip bones. Her head constantly shakes involuntarily. “You told me you would get rid of that thing.
L. J. (Meraki: A Writing Collection)
That's the thing about teenagers - they don't need to verbally express their disappointment for everyone to know how they're feeling. Instead, it oozes out of them, creating an aura around them, something so physical that it feels like you should be able to reach out and touch it
Emily Shiner (The Wife in the Photo)
Finally, it was our turn and my stomach churned with anxiety and nerves. As we raced out onto the stage to form our positions before the curtain went up, Sara turned to me and said, “Break a leg, Julia!” “What?” I frowned. “That’s for good luck,” she smirked and then faced the audience whose applause was deafening once again. We lunged into our routine, with Sara in the front row, doing the somersaults that she was so good at and as usual, her precision and timing were excellent. The applause erupted again and with a flick of her long ponytail, she executed a very tricky interchange with Alex and then moved to the back. Alex attacked his moves with his usual gusto and the sharp, expressive movements which made him the stand out hip-hop dancer that he was. I felt a rush of pride at being a part of such a cool routine but just as I moved to the front position, I felt my leg give way under me. It was a completely involuntary reaction and one I was powerless to prevent. I was supposed to kneel down and support the weight of one of the smaller girls on my bent knee but unfortunately, it was the leg that I had injured that morning. There was no way I could bear her weight and the sharp pain caused my knee to drop just as Abbie pressed down on it to raise herself into the air. With a gasp from the audience, she went tumbling to the ground. Bright red with embarrassment, she glared at me in horror and all I could do was help her up and try to resume the timing and movements of the routine going on around us. Fortunately, Abbie had no trouble getting back into rhythm, but I just seemed to lose my place and was not able to recover. As if in slow motion, I felt myself limping around the stage after the others and then looking down, I realized that blood was oozing from my leg and onto the floor. I tried to ignore it and focus on the moves that I knew so well, but I was simply unable to get it together. Gratefully, Millie took over my spot and I moved once again to the back row, trying to camouflage myself amongst the others. The scene around me was almost surreal and I felt as though I were a spectator watching the event unfold from afar. The swirling, twisting and turning of the dancers in front of me, along with the steady thumping beat of the latest hip-hop song that everyone knew so well, all seemed to mesh together into a whirlpool of crazy colors and sounds. Then, feeling a slight nudge in my lower back, I was pushed towards the front of the stage. An instant flash of recall had me leaping into the air. Everyone still considered this moment the highlight of our routine. It was the grand finale and my chance to relinquish my status as actually being a decent dancer and choreographer. Flinging my arms and legs forward, I came down onto the stage, one foot at a time. Then reminiscent of that morning’s episode in the school driveway, rather than gripping onto the stage in a final dramatic stomp, my foot slid forward and just kept on going until my whole body landed horizontally on the floor with a loud bang. In a blur of dizziness, I sat up and looked around then saw that I had slipped on a pool of blood; blood that had oozed from the gash in my knee and onto the stage. At that very moment, I was overcome with a sudden rush of nausea and unable to stop the sudden convulsion, I vomited all over the floor in front of me. Too terrified to open my eyes, I wished I could turn back the clock. Back to the day of our dress rehearsal when everything had gone so smoothly. My final leap had been the high point of the day, where even Miss Sheldon and also Alex our expert hip hop dancer, had congratulated me on my performance. I dared to glance fearfully out into the audience. Everyone appeared aghast and I could see the shocked expressions of my mom and dad. Then, realizing I was surrounded by worried faces peering down at me, everything suddenly went black.
Katrina Kahler (My Worst Day Ever! (Julia Jones' Diary #1))
A little bit of the niceness sort of oozed off him when he looked in the back of the pickup and saw Donna icing down the narwhal, and he got a funny expression like a man who has just stepped in something and is afraid to look down and see what it might be, and then he wanted to know if it was a stolen narwhal and I am afraid I lied and said that narwhal had been a voluntary surrender and then I was a little bit nervous because I could feel it going bad so I spun him a story about a friend who hadn’t gotten his narwhal spayed and now there was a litter but he’d found good homes except for this one and I don’t think he believed me on account of that being a monumentally stupid story but he also didn’t want to call one of the Platinum Leadership Council people a liar to their face, just in case I was looking to die myself and leave them money for a black-light jellyfish tank, which was what they were currently trying to fund according to the newsletters that they occasionally sent out to the house.
T. Kingfisher (Jackalope Wives and Other Stories)
Bell defined civilization in the language of a Bloomsbury connoisseur: ‘A taste for truth and beauty, tolerance, intellectual honesty, fastidiousness, a sense of humour, good manners, curiosity, a dislike of vulgarity, brutality, and over-emphasis, freedom from superstition and prudery, a fearless acceptance of the good things of life, a desire for complete self-expression and for a liberal education, a contempt for utilitarianism and philistinism, in two words – sweetness and light.’ Bell argued that ‘as a means to good and as a means to civility a leisured class is essential’. The Bloomsbury group was necessary because ‘It is only when there come together enough civilized individuals to form a nucleus from which light can radiate, and sweetness ooze, that a civilization becomes possible. The disseminators of civilization are therefore highly civilized men and women forming groups sufficiently influential to affect larger groups, and ultimately whole communities.
Richard Davenport-Hines (Universal Man: The Seven Lives of John Maynard Keynes)
I just…I didn’t like the idea of him being over there with you.” Her legs felt weak. How could he do that with just a single kiss? He let her go but she wished he hadn’t. “I had no idea Jeremy was going to show up on my doorstep. If I’d had the slightest idea of his intentions, I would have tried to head him off.” “What exactly were his intentions?” She kept her eyes on his face. “Jeremy came here to ask me to marry him.” His jaw went hard. Call walked over to the window, stared off toward the cabin. “Yeah, well, he looks like a pretty good catch. Expensive shoes. Wall Street haircut. Oozing with slick New York polish. What’d you say?” “What do you think I said? I said no, dammit. I’m not interested in finding a ‘good catch.’ I wouldn’t marry a man unless I loved him. I don’t love Jeremy Hauser.” Call said nothing. He gazed out the window, then slowly turned to face her. “Look, Charity. Even if you aren’t interested in Hauser, maybe it’s just as well this happened. After you left, I started doing some thinking. We were getting pretty involved. You know how I feel about that.” “Pretty involved? We spent the weekend together, Call. We slept together. We enjoyed ourselves. It wasn’t any big deal.” If he could dish it out, so could she. And she could tell by the scowl on his face that she had hit a nerve. “No big deal?” His expression was dark as he strode toward her, hauled her back into his arms. “We screwed like minks for hours and you call it no big deal?” She gasped as his mouth crushed down over hers.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))