Etched Quotes

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The mind is not a book, to be opened at will and examined at leisure. Thoughts are not etched on the inside of skulls, to be perused by an invader. The mind is a complex and many-layered thing, Potter… or at least, most minds are…
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Carve your name on hearts, not tombstones. A legacy is etched into the minds of others and the stories they share about you.
Shannon L. Alder
I will never leave him. It will be this, always, for as long as he will let me. If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth. As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong. “Patroclus,” he said. He was always better with words than I.
Madeline Miller (The Song of Achilles)
And Percy was shaking his brother, and Ron was kneeling beside them, and Fred's eyes stared without seeing, the ghost of his last laugh still etched upon his face.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Tattoos, for example, are very hard to forget. I think there's something about the impermanence of life these days that makes it necessary to etch ink into our skins. It reminds us that we've been marked by the world, that we're still alive. That we'll never forget.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
A marker drawn to show our end, is etched into its line. The briefest moment shared with you—the longest on my mind.
Lang Leav (Love & Misadventure)
I am a canvas of my experiences, my story is etched in lines and shading, and you can read it on my arms, my legs, my shoulders, and my stomach.
Kat Von D.
I don't want my life to be defined by what is etched on a tombstone. I want it to be defined by what is etched in the lives and hearts of those I've touched.
Steve Maraboli (Life, the Truth, and Being Free)
And Hermione was struggling to her feet in the wreckage, and three red-headed men were grouped on the ground where the wall had blasted apart. Harry grabbed Hermione's hand as they staggered and stumbled over stone and wood. 'No - no - no!' someone was shouting. 'No! Fred! No!' And Percy was shaking his brother, and Ron was kneeling beside them, and Fred's eyes stared without seeing, the ghost of his last laugh still etched upon his face.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Gwyn whispered, "I am the rock against which the surf crashes." Nesta straightened at the words, as if they were a prayer and a summons. Gwyn lifted the blade. "Nothing can break me." Cassian's throat tightened, and even from across the ring he could see Nesta's eyes gleaming with pride and pain. Emerie said, "Nothing can break us ." The world seemed to pause at the words. As if it had been following one path and now branched off in another direction. In a hunred years, a thousand, this moment would still be etched in his mind. That he would tell his children, his grandchildren, Right then and there. That was when it all changed. Azriel went wholly still, as if he, too, had felt the shift. As if he, too, were aware that far larger forces peered into that training ring as Gwyn moved.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
In the uncertain ebb and flow of time and emotions much of one's life history is etched in the senses.
Banana Yoshimoto (Kitchen)
Gas Attendant: "Thata ain't no etch-a-sketch. Thats one doodle that can't be un-did home skillet.
Diablo Cody (Juno: The Shooting Script)
No - no - no!" someone was shouting. "No! Fred! No!" And Percy was shaking his brother, and Ron was kneeling beside them, and Fred's eyes stared without seeing, the ghost of his last laugh still etched upon his face.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
After the bare requisites to living and reproducing, man wants most to leave some record of himself, a proof, perhaps, that he has really existed. He leaves his proof on wood, on stone or on the lives of other people. This deep desire exists in everyone, from the boy who writes dirty words in a public toilet to the Buddha who etches his image in the race mind. Life is so unreal. I think that we seriously doubt that we exist and go about trying to prove that we do.
John Steinbeck (The Pastures of Heaven)
Words are powerful forces of nature. they are destruction. they are nourishment. they are flesh. they are water. they are flowers and bone. they burn. they cleanse they erase. they etch. they can either leave you feeling homeless or brimming with home.
Sanober Khan
The years, the months, the days, and the hours have flown by my open window. Here and there an incident, a towering moment, a naked memory, an etched countenance, a whisper in the dark, a golden glow these and much more are the woven fabric of the time I have lived.
Howard Thurman
Had he stood outside my door as I'd stood outside his, fists at his sides, lips drawn back? Did it have him as bad as it had me? Was it eating at him, gnawing at him with the same sharp vicious little teeth that wouldn't let me sleep? Yes, it was. I could see the rage of insatiable uninvited lust in every line of that dark, stoic face that had once been too subtly etched for me to read. I wasn't the only one lying awake at night, fevered with memories, tossing, turning, soaking my sheets, burning up--not for Fae sex, but him, damn it all to hell, him.
Karen Marie Moning (Dreamfever (Fever, #4))
Draco, do it, or stand aside so one of us -" screeched the woman, but at that precise moment the door to the ramparts burst open once more and there stood Snape, his wand clutched in his hand as his black eyes swept the scene, from Dumbledore slumped against the wall, to the four Death Eaters, including the enraged werewolf, and Malfoy. "We've got a problem, Snape," said the lumpy Amycus, whose eyes and wand were fixed alike upon Dumbledore, "the boy doesn't seem able -" But somebody else had spoken Snape's name, quite softly. "Severus ..." The sound frightened Harry beyond anything he had experienced all evening. For the first time, Dumbledore was pleading. Snape said nothing, but walked forwards and pushed Malfoy roughly out of the way. The three Death Eaters fell back without a word. Even the werewolf seemed cowed. Snape gazed for a moment at Dumbledore, and there was revulsion and hatred etched in the harsh lines of his face. "Severus ... please ..." Snape raised his wand and pointed it directly at Dumbledore. "Avada Kedavra!
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
If all we are allowed is hours, minutes, I want to be able to etch each of them on to my memory with exquisite clarity so that I can recall them at moments like this, when my very soul feels blackened.
Jojo Moyes (The Last Letter from Your Lover)
A smug, satisfied grin stretched Apollo's lips. "I took Hermes' helmet, melted the mother down, and here you go. An invisibility charm just for you." Apollo dropped the necklace into my palm. It was a reddish-gold color, and a crudely shaped wing was etched into it. "Ha," I said. "It's like Harry Potter and the invisibility cloak." Everyone stared at me.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth. As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong. “Patroclus,” he said. He was always better with words than I.
Madeline Miller (The Song of Achilles)
This faith transforms the whirlwind of despair into a warm and reviving breeze of hope. The words of a motto which a generation ago were commonly found on the wall in the homes of devout persons need to be etched on our hearts: Fear knocked at the door. Faith answered. There was no one there.
Martin Luther King Jr. (Strength to Love)
HAZEL: "THERE," she said.The official building on their left had a single word etched on the glass doors: AMAZON. "oh," Frank said."Uh, no, Hazel. That's a modern thing. They're a company, Right? they sell stuff on the internet. They're not actually Amazons." "Unless..." Percy walked through the doors.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Your thoughts construct patterns like scaffolding in your mind. You are really etching chemical patterns. In most cases, people get stuck in those patterns, just like grooves in a record, and they never get out of them.
Steve Jobs
EVENTIDE Dark and light striking each other, vividly etching wild colors through the horizon. The charm of sunset makes me want to scurry home.
Tara Estacaan
So think as if your every thought were to be etched in fire upon the sky for all and everything to see. For so, in truth, it is.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
Brooklyn’s too cold tonight & all my friends are three years away. My mother said I could be anything I wanted—but I chose to live. On the stoop of an old brownstone, a cigarette flares, then fades. I walk towards it: a razor sharpened with silence. A jawline etched in smoke. The mouth where I’ll be made new again. Stranger, palpable echo, here is my hand, filled with blood thin as a widow’s tears. I am ready. I am ready to be every animal you leave behind.
Ocean Vuong
I open a paperclip and scratch it across the inside of my left wrist. Pitiful. If a suicide attempt is a cry for help, then what is this. A whimper, a peep? I draw little window cracks of blood, etching line after line until it stops hurting.
Laurie Halse Anderson (Speak)
You can fall in love and make love many times but there is only one bullet with your name etched on the side. And if you are lucky enough to be shot with that bullet then the wound never heals.
Michael Connelly (Lost Light (Harry Bosch, #9; Harry Bosch Universe, #13))
And I saw for the first time how, despite the isolation of our own lives, we are always connected to our ancestors; our bodies hold the memories of those who came before us, whether it is the features we inherit or a disposition that is etched into our soul.
Alyson Richman (The Lost Wife)
Lada looked up into her father's eyes, deep-set and etched with years of cunning and cruelty. She nodded, then held out her hand. "The daughter of Wallachia wants her knife back." Vlad smiled and gave it to her.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
Winter is an etching, spring a watercolor, summer an oil painting and autumn a mosaic of them all.
Stanley H. Horowitz
We were supposed to grow old together, Dolores. Have kids. Take walks under old trees. I wanted to watch the lines etch themselves into your flesh and know when each and every one of them appeared. Die together.
Dennis Lehane (Shutter Island)
Shifter or true animal, that truth lay etched in the soul of every canine. Ithan Holstrom sprinted toward Asphodel Meadows with the weight of that history behind him, burning in his heart. He prayed he was not too late.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Oh dios mio, she makes me burn, she makes me need. She is etching herself into mi alma
P.T. Macias (Hot & Spicy (De La Cruz Saga, #1))
Your momma wanted to save you--save you from your fate. If she hadn't, you'd be nothing but a memory and a fear long forgotten. Just like all you who mix the breeds. What they want you two for, what they have planned." She shook her head again and when she looking at me, sorrow etched across her face. "They fear you, fear what comes from you. I told you child. I told you that your path was filled with dark things tat must be done.
Jennifer L. Armentrout (Pure (Covenant, #2))
In the uncertain ebb and flow of time and emotions, much of one’s life history is etched in the senses. And things of no particular importance, or irreplaceable things, can suddenly resurface in a café one winter night.
Banana Yoshimoto (Kitchen)
Age should not have its face lifted, but it should rather teach the world to admire wrinkles as the etchings of experience and the firm line of character.
Clarence Day Jr.
Now I can do the bolts," she slurred. "I've been trying to focus enough magic all week." The magic shifted and swirled, finally etching a picture in the air. It was a rough picture of Foaly, and he was laughing. I hate you, centaur!" screamed Opal, lunging toward, and then through, the insubstantial image. Her eyes rolled back into her head, and then she collapsed, snoring, on the floor. Artemis straightened his tie. Freud, he was certain, would have a field day with that.
Eoin Colfer
There was a loud scraping noise as five chairs slid backward. The men rose as a unit. And started coming for her. She looked to the faces of the two she knew, but their grave expressions weren't encouraging. And then the knives came out. With a metallic whoosh, five black daggers were unsheathed. She backed up frantically, hands in front of herself. She slammed into a wall and was about to scream for Wrath when the men dropped down on bended knees in a circle around her. In a single movement, as if they'd been choreographed, they buried the daggers into the floor at her feet and bowed their heads. The great whoomp of sound as steel met wood seemed both a pledge and a battle cry. The handles of the knives vibrated. The rap music continued to pound. They seemed to be waiting for some kind of response from her. "Umm. Thank you," she said. The men's heads lifted. Etched into the harsh planes of their faces was total reverence. Even the scarred one had a respectful expression. And then Wrath came in with a squeeze bottle of Hershey's syrup. "Bacon's on the way." He smiled. "Hey, they like you." "And thank God for that," she murmured, looking down at the daggers.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
But somebody else had spoken Snape’s name, quite softly. “Severus . . .” The sound frightened Harry beyond anything he had experienced all evening. For the first time, Dumbledore was pleading. Snape gazed for a moment at Dumbledore, and there was revulsion and hatred etched in the harsh lines of his face. “Severus . . . please . . .” Snape raised his wand and pointed it directly at Dumbledore. “Avada Kedavra!” A jet of green light shot from the end of Snape’s wand and hit Dumbledore squarely in the chest. Harry’s scream of horror never left him; silent and unmoving, he was forced to watch as Dumbledore was blasted into the air. For a split second, he seemed to hang suspended beneath the shining skull, and then he fell slowly backward, like a great rag doll, over the battlements and out of sight.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Here’s what I believe: 1. If you are offended or hurt when you hear Hillary Clinton or Maxine Waters called bitch, whore, or the c-word, you should be equally offended and hurt when you hear those same words used to describe Ivanka Trump, Kellyanne Conway, or Theresa May. 2. If you felt belittled when Hillary Clinton called Trump supporters “a basket of deplorables” then you should have felt equally concerned when Eric Trump said “Democrats aren’t even human.” 3. When the president of the United States calls women dogs or talks about grabbing pussy, we should get chills down our spine and resistance flowing through our veins. When people call the president of the United States a pig, we should reject that language regardless of our politics and demand discourse that doesn’t make people subhuman. 4. When we hear people referred to as animals or aliens, we should immediately wonder, “Is this an attempt to reduce someone’s humanity so we can get away with hurting them or denying them basic human rights?” 5. If you’re offended by a meme of Trump Photoshopped to look like Hitler, then you shouldn’t have Obama Photoshopped to look like the Joker on your Facebook feed. There is a line. It’s etched from dignity. And raging, fearful people from the right and left are crossing it at unprecedented rates every single day. We must never tolerate dehumanization—the primary instrument of violence that has been used in every genocide recorded throughout history.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
There is lonely, and there is alone time. I have found that both have etched character upon my soul.
Alfa Holden
You cannot love a person fully without knowing the darkness etched into their soul.
Sav R. Miller (Promises and Pomegranates (Monsters & Muses, #1))
All I had to do was open a book - to see the stories bleeding from page to page. To see the memories etched onto paper.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
I myself shall continue living in my glass house where you can always see who comes to call, where everything hanging from the the ceiling and on the walls stays where it is as if by magic, where I sleep nights in a glass bed, under glass sheets, where who I am will sooner or later appear etched by a diamond.
André Breton
The clouds were building up now for the trade wind and he looked ahead and saw a flight of wild ducks etching themselves against the sky over the water, then blurring, then etching again and he knew no man was ever alone on the sea.
Ernest Hemingway (The Old Man and the Sea)
What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmatic—one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita’s absence from my side, but the absence of her voice from that concord.
Vladimir Nabokov (Lolita)
Something strange started to rage inside me, hearing you inhale sharply as I tried to kiss those scars away or etch them deeper into your skin, wanting to mark you in an entirely different way.
D.S. Wrights (The Beast In Me (The Beast And Me, #2))
Books are easily destroyed. But words will live as long as people can remember them. Tattoos, for example, are very hard to forget. I think there's something about the impermanence of life these days that makes it necessary to etch ink into our skin. It reminds us that we've been marked by the world, that we're still alive. That we'll never forget.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
But why is it still there? Why is it there at all?" I flipped my palm over several times, shook it, but the faint blue tattoo was still there. "You can see it, right? Like right now, you can see it?" "Yes. It hasn't faded." Seth leaned forward, catching my hand. "Stop shaking it like it's a damn Etch-A-Sketch. That doesn't make them disappear.
Jennifer L. Armentrout (Pure (Covenant, #2))
In the dark, dank world of the Tunnels, I would call upon this memory. And there would be a flicker of candlelight. If only for a moment. I closed my eyes, as if my eyelids were the levers of a printing press, etching the fibers into my mind. Memories were outside Cole’s reach. As long as I held them, memories were mine and mine alone.
Brodi Ashton (Everneath (Everneath, #1))
The past is a tricky thing. Sometimes it's etched in stone. And other times, it's rendered in soft memories. But if you meddle too long in deep, dark things... Who knows what monsters you'll awaken?
Emily Thorne
Bran grabbed my hand,pulled me to a chest, and swung the heavy lid open. A white cloth covered the contents. He jerked it aside. Human heads filled the chest. "Oh God." He scooped a mummified head from the chest by a scalp lock and thrust it at me. "All of them are mine." This was officially the weirdest version of "come down to my place and I'll show you some etchings" I've ever been hit with.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
It would be perfect if everyone who makes love, is in love, but this is simply an unrealistic expectation. I'd say 75 percent of the population of people who make love, are not in love, this is simply the reality of the human race, and to be idealistic about this is to wait for the stars to aline and Jupiter to change color; for the Heavens to etch your names together in the sky before you make love to someone. But idealism is immaturity, and as a matter of fact, the stars may never aline, Jupiter may never change color, and the Heavens may never ever etch your names together in the sky for you to have the never-ending permission to make endless love to one another. And so the bottom line is, there really is no difference between doing something today, and doing something tomorrow, because today is what you have, and tomorrow may not turn out the way you expect it to. At the end of the day, sex is an animalistic, humanistic, passionate desire.
C. JoyBell C.
Oh. Wow.' 'What?' He held my hand up between us. 'Look.' I squinted at my hands. 'I don't see anything.' Sighing, he flipped my hand over, and my jaw hit the ground. A faint blue line marked the center of my palm with a smaller line through it. It would've looked like a cross, except the horizontal line was slanted. 'Oh. My. Gods.' I jerked my hand away, scrambling back. 'I have a rune on my hand. It's an Apollyon rune, isn't it.' Seth rested his hands on his knees. 'I think so. I have one like that.' 'But why is it still there? Why is it there at all?' I flipped my palm over several times, shook it, but the faint blue tattoo was still there. 'You can see it, right? Like right now, you can see it?' 'Yes. It hasn't faded.' Seth leaned forward, catching my hand. 'Stop shaking it like it's a damn Etch-A-Sketch. That doesn't make them disappear.
Jennifer L. Armentrout (Pure (Covenant, #2))
Except he and I know that some pain burrows so deep, no narcotic can ever soothe it. It's etched on your bones. It hides in your marrow, like cancer. If the boy survives, the pain is a memory he won't want.
Shaun David Hutchinson (The Five Stages of Andrew Brawley)
Every libromancer had a first book. Etched more sharply into my memory than my first kiss, this book had been my magical awakening.
Jim C. Hines (Libriomancer (Magic Ex Libris, #1))
The essential thing is to etch movements in the sky, movements so still they leave no trace. The essential thing is simplicity. / That is why the long path to perfection is horizontal.
Philippe Petit
Even if she hadn’t slaughtered Baba Yellowlegs, Manon would have killed her just for that spell she’d used to freeze her feet. Etching some foul spell with the man’s blood. And now she was going to die. Wind-Cleaver pressed against the queen’s blade. But Aelin held her ground and hissed, “I’m going to rip you to shreds.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
They loved so intensely that moments of their life have been etched into the very fabric of the mansion. Some say the king designed it that way, so if one day he lost her he could come live with her residue.
Karen Marie Moning (Iced (Fever, #6))
I could see the rage of insatiable uninvited lust in every line of that dark, stoic face that had once been too subtly etched for me to read.I wasn't the only one lying awake at night, fevered with memories, tossing, turning, soaking my sheets, burning up--not for Fae sex, but him, damn it all to hell, him.
Karen Marie Moning (Dreamfever (Fever, #4))
Then he was there, turned half toward her with a guarded expression etched across his face. She didn't stop or even slow her step. When she reached him, she grabbed the front of his shirt in both fists, pulling him to her, pushing her mouth up into his. Heat swirled through her as she pulled his face even closer, tighter. His arms wound around her and their bodies melded with a rightness she didn't bother to question. Her lips filled with the sweetness of his mouth and Tamani held her against him as if he could somehow pull her inside him, make her part of him. And for a moment, she did feel like a part of him. As if their kiss bridged the gap between the two worlds, even if only for that one brief, sparkling moment. A sigh that held the weight of years shuddered out of Tamani as their faces drew apart. "Thank you," Tamani whispered, almost too quiet to be heard.
Aprilynne Pike (Wings (Wings, #1))
Every family has a story, and I love that those stories are etched in sand rather than granite. That way we can change them. We can bury the lies and embrace the truth. And we can move forward.
Diane Chamberlain (The Lies We Told)
HE was standing across the street, staring at her with a look of shock and dismay. One look in Oliver's eyes and she knew he knew. But how? How could he have known? The'd been so careful to keep their love a secret. The grief etched all over his face was too much to bear. Schuyler felt the words catch in her throat as she crossed the stree to stand in front of him. "Ollie...it's not..." Oliver shot her a look of pure hatred, turned on his heel and began to run away. "OLIVER, please,let me explain..
Melissa de la Cruz (Revelations (Blue Bloods, #3))
[Kane to Rose] I'll never forget the way you looked walking toward me. I never thought that I'd have a woman like you in my life. It's all there etched in my brain. And now, the way the light pours over our hair, the way all that silk shines, so black it's nearly blue. The world disappears when I'm holding you.
Christine Feehan (Ruthless Game (GhostWalkers, #9))
I did my best to fight and claw my way back to the life I once knew, but panic had taken over and colors were swirling and fading all around me. It was all turning into a great cloud of blackness, just like the one I had seen in my dream. The looming cloud of nothingness I had feared for so long was finally grabbing me, wiping my world dark and blank. The darkness was thick and intense, an inky void that stretched to eternity in every direction. Eventually my panic burnt itself out and I simply stayed there in the dark, feeling as if someone had drained my adrenal glands. I was no longer responding to the dark with fear, but acceptance. In fact, curiosity was beginning to take over. The longer I let myself stare into it, the less dark it appeared. After some time, I realized that it was all different shades of murky black and foggy gray overlapping and undulating, just out of focus. I blinked mentally and suddenly she was there, standing above me with concern etched in sooty-colored lines on her monochromatic face.
Misty Mount (The Shadow Girl)
Buddhist say that thoughts are like drops of water on the brain; when you reinforce the same thought, it will etch a new stream into your consciousness, like water eroding the side of a mountain. Scientist confirm this bit of folk wisdom: our neurons break connections and form new pathways all the time. Even if you've been programmed to fear death, that particular pathway isn't set in stone. Each of us is responsible for seeking out new knowledge and creating mental circuits.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
I wish i could tell you that through the tragedy i mined some undiscovered, life-altering absolute that i could pass on to you.I didn't.The cliches apply-people are what count,life is precious,materialism is over rated, and the little things matter,live in the moment-and i can repeat them to you ad nauseam.you might listen, but you won't internalize.Tragedy hammers it hm.Tragedy etches into your soul.You might not be happier.But you will be better.
Harlan Coben (Tell No One)
I had not known, before us, that every vein in my body was capable of carrying light, like a river seen from a train makes a channel of sky etch itself deep into a landscape. I had not really known I could be so much more than myself. I had not known another body could do this to mine.
Ali Smith (Girl Meets Boy)
Ryder, we got a problem,” Ristan called from beyond the other side of the etched-glass shower door. “Someone had better be dying, Ristan,” Ryder growled when he'd pulled away from kissing me. “They might be. You need to come see this.” “We will be right there,” Ryder called out as I slid down his hard body. He watched me with a smirk and then placed his hand on my arm to move me from beneath the water, so he could rinse off. I watched him, unable to pull my eyes off of his hands as they roved over his body.He was quicksand, and I was sinking. “Did you say we?” Ristan asked. I blushed from my head to my Paint Your Toron-Toes Rose colored toenails. I opened the shower door and stepped out meeting Ristan's eyes. “Don't ask.” “How the…did you sift into his shower?” he asked, bubbling with laughter. “I said don't ask! It wasn't my fault. I was sleeping!” I shouted as both men laughed even harder. “Real mature, just real fucking mature!
Amelia Hutchins (Taunting Destiny (The Fae Chronicles, #2))
My gaze crept to where Sadi stood only a few feet from her, breathing heavily. Her white blouse was torn. Buttons popped and missing. Her normally coiffed hair looked like she’d been inside a wind tunnel, but the best part? Fingernail marks were etched down the side of Sadi’s face and reddish-blue blood had been drawn. A disturbing level of pride rippled through me. Kitten got claws and then some. “She doesn’t play nice with others,” Sadi huffed out. “So I’m in the process of adjusting her attitude.” “And I’m in the process of getting ready to cut out your heart, bitch.” In spite of everything that was so damn messed up, my lips twitched into a small smile. “Get out.
Jennifer L. Armentrout (Opposition (Lux, #5))
Only Muggles talk of the ‘mind reading.’ The mind is not a book, to be opened at will and examined at leisure. Thoughts are not etched on the inside of skulls, to be perused by any invader. The mind is complex and many-layered thing, Potter… or at least, most minds are…
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
I looked away from his direct gaze and down at the scratched surface of the table. Someone had etched into it RYAN LOVES MEGAN ALWAYS...I wondered who Ryan and Megan were. And if, wherever they were, they'd made it. I wondered how anyone could have been so sure about a concept so tenuous and impossible as 'always' that they'd be willing to carve it into a tabletop.
Morgan Matson (Amy & Roger's Epic Detour)
She turned suddenly, and before I could react, framed my face with her hands and pressed her lips to mine. I froze, mostly in shock, but after a moment my body uncoiled and I closed my eyes, relaxing into her. I remembered this; the feel of her lips on mine, cool and soft, the touch of her fingers on my skin. I remembered her scent, those long nights when we would lie under the cold, frozen stars, dreaming in each other’s arms. For a second, my body reacted instinctively. I started to pull us closer, to wrap my arms around her and return the kiss with equal passion…but, then I stopped. I remembered this perfectly; every shining moment with Ariella was forever etched into my mind. What we’d had, what we’d shared, everything. I’d built a shrine to her in my memories, carefully tended with grief and anger and regret. I knew every inch of our relationship, the passion, the feeling of emptiness when we weren’t together, the longing and, yes, the love. I had been in love with Ariella. I remembered what she’d meant to me once, what I’d felt for her then… …and what I didn’t feel for her now.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
You see, that is my dilemma. Because if I was led by God to love God, step by step, as it seemed, if I accept that the beauty and the rapture were real and true, then the rest of it was God's will too, and that, gentlemen, is cause for bitterness. But if I am simply a deluded ape who took a lot of old folktales far too seriously, then I brought all this on myself and my companions and the whole business becomes farcical, doesn't it. The problem with atheism, I find, under these circumstances," he continued with academic exactitude, each word etched on the air with acid, "is that I have no one to despise but myself. If, however, I choose to believe that God is vicious, then at least I have the solace of hating God.
Mary Doria Russell (The Sparrow (The Sparrow, #1))
And it killed me because I could never forget him. Couldn't because he'd permanently etched himself to me, left a part of himself forever within me. For so many years I'd loved him, but when he'd gone this time, he'd taken a part of me captive too, a piece that could never be retrieved because it would always belong to him...
A.L. Jackson (Come to Me Quietly (Closer to You, #1))
You could see the signs of female aging as diseased, especially if you had a vested interest in making women too see them your way. Or you could see that a woman is healthy if she lives to grow old; as she thrives, she reacts and speaks and shows emotion, and grows into her face. Lines trace her thought and radiate from the corners of her eyes as she smiles. You could call the lines a network of 'serious lesions' or you could see that in a precise calligraphy, thought has etched marks of concentration between her brows, and drawn across her forehead the horizontal creases of surprise, delight, compassion and good talk. A lifetime of kissing, of speaking and weeping, shows expressively around a mouth scored like a leaf in motion. The skin loosens on her face and throat, giving her features a setting of sensual dignity; her features grow stronger as she does. She has looked around in her life and it shows. When gray and white reflect in her hair, you could call it a dirty secret or you could call it silver or moonlight. Her body fills into itself, taking on gravity like a bather breasting water, growing generous with the rest of her. The darkening under her eyes, the weight of her lids, their minute cross-hatching, reveal that what she has been part of has left in her its complexity and richness. She is darker, stronger, looser, tougher, sexier. The maturing of a woman who has continued to grow is a beautiful thing to behold.
Naomi Wolf (The Beauty Myth)
Bridget von Ascheberg was mine and mine alone. It didn’t matter that she wasn’t mine to take. I was taking her anyway, and if I could tattoo myself onto her skin, bury myself into her heart, and etch myself onto her soul, I would. Her eyes widened, but before she could respond, I closed the distance between us and grasped her chin with my hand. “But first, I want to make one thing clear. From this point on, you’re mine. No other man touches you. If they do…” My fingers dug into her skin. “I know seventy-nine ways to kill a man, and I can make seventy of them look like an accident. Understand?” She nodded, her chest rising and falling more rapidly than usual. “I mean it, princess.” “I understand.” Definitely breathless. “Good.” I swiped my thumb over her bottom lip. “I want to hear you say it. Who do you belong to?” “You,” she whispered. I could smell her arousal already, sweet and heady, and I couldn’t hold back any longer. “That’s right,” I growled. “Me.
Ana Huang (Twisted Games (Twisted, #2))
Why…” I trailed off again when he fiddled with something on his phone and soft music filled the air. “We never got to dance at the wedding,” he said simply. “You don’t like it when I dance,” I half-joked, trying to hide the emotion welling in my chest. What happened in the library during Nikolai’s reception would forever be etched in my mind. “I love it when you dance. But only with me.” He placed his free hand on the small of my back. “You don’t dance.” “Only with you.” The burn intensified. “Careful, Mr. Larsen, or I’ll think you actually like me.” His mouth curled into a grin. “Baby, we’re way beyond like.
Ana Huang (Twisted Games (Twisted, #2))
It is hope--with regard to our careers, our love lives, our children, our politicians, and our planet--that is primarily to blame for angering and embittering us. The incompatibility between the grandeur of our aspirations and the mean reality of our condition generates the violent disappointments which rack our days and etch themselves in lines of acrimony across our faces.
Alain de Botton (Religion for Atheists: A Non-Believer's Guide to the Uses of Religion)
Somewhere there are gardens where peacocks sing like nightingales, somewhere there are caravans of separated lovers traveling to meet each other; there are ruby fires on distant mountains, and blue comets that come in spring like sapphires in the black sky. If this is not so, meet me in the shameful yard, and we will plant a gallows tree, and swing like sad pendulums, never once touching.
K.J. Bishop (The Etched City)
There are those who say that spiritual enlightenment is achieved through the denial of oneself; you must deny yourself many things, go and live in a mountaintop, never mingle with other people, talk to the birds..but I say to you, why should you dismantle your home? Where is the meaning in removing the bricks from your walls one by one? What is the purpose in uprooting your floors? Is there any significance in only allowing yourself a tin roof and a muddy bed? Why deny your house its structure? A truly enlightened soul is strong enough, is bright enough to live and shine through, even in a beautiful house! There is no need to ransack the house in order to see an inner beauty etched against a distraught surrounding. A bright and beautiful soul can shine forth even from inside an equally beautiful surrounding.
C. JoyBell C.
As the Qur’an itself had quoted Moses to declare (and as Muhammad had cited in his final letter to the assassin Musailimah): “The earth belongs to the Loving Divine, who allots it to whomever He wills; yet the most lasting legacy will be the enduring impact of those who have action-based hope.” Tellingly, when Al-Mansur inaugurated his new capital, the cornerstone of Baghdad featured that very verse etched for all to see.
Mohamad Jebara (The Life of the Qur'an: From Eternal Roots to Enduring Legacy)
Her normally coiffed hair looked like she’d been inside a wind tunnel, but the best part? Fingernail marks were etched down the side of Sadi’s face and reddish-blue blood had been drawn. A disturbing level of pride rippled through me. Kitten got claws and then some. “She doesn’t play nice with others,” Sadi huffed out. “So I’m in the process of adjusting her attitude.” “And I’m in the process of getting ready to cut out your heart, bitch.” In spite of everything that was so damn messed up, my lips twitched into a small smile.
Jennifer L. Armentrout (Opposition (Lux, #5))
I am still frozen when he reaches out and brushes a finger over the three lines etched into the surface of my ring, then twists one of his own rings to reveal a cleaner but identical set of lines. The Archive’s insignia. When I don’t react—because no fluid lie came to me and now it’s too late—he closes the gap between us, close enough that I can almost hear the bass again, radiating off his skin. His thumb hooks under the cord around my throat and guides my key out from under my shirt. It glints in the twilight. Then he fetches the key from around his own neck. “There,” he says cheerfully. “Now we’re on the same page.
V.E. Schwab (The Archived (The Archived, #1))
Some twenty-five miles to the north, the army of Bala was making progress as fast as it could towards the Coe Mountains. When the thunderous noise of the destruction in the Pass of Ing reached them, they turned to see the pass erupting like an angry volcano. The flames, even at this distance, were terrifying and shock was etched on every face as each man considered the defiant bravery of the day before, a bravery that could have had them consumed by withering fire. Robert Reid – White Light Red Fire
Robert Reid (White Light Red Fire)
The door to Blay's room opened wide without a knock, a hello, a hey-are-you-decent. Qhuinn stood in between the jambs, breathing hard, like he’d run down the hall of statues. Sh**, had Layla lost the pregnancy after all? Those mismatched eyes searched around. “You by yourself?” Why the hell would— Oh, Saxton. Right. “Yes—” The male took three strides forward, reached up . . . and kissed the ever-loving crap out of Blay. The kiss was the kind that you remembered all your life, the connection forged with such totality that everything from the feel of the body against your own, to the warm slid of another’s lips on yours, to the power as well as the control, was etched into your mind...
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
What is human memory?" Manning asked. He gazed at the air as he spoke, as if lecturing an invisible audience - as perhaps he was. "It certainly is not a passive recording mechanism, like a digital disc or a tape. It is more like a story-telling machine. Sensory information is broken down into shards of perception, which are broken down again to be stored as memory fragments. And at night, as the body rests, these fragments are brought out from storage, reassembled and replayed. Each run-through etches them deeper into the brain's neural structure. And each time a memory is rehearsed or recalled it is elaborated. We may add a little, lose a little, tinker with the logic, fill in sections that have faded, perhaps even conflate disparate events. "In extreme cases, we refer to this as confabulation. The brain creates and recreates the past, producing, in the end, a version of events that may bear little resemblance to what actually occurred. To first order, I believe it's true to say that everything I remember is false.
Arthur C. Clarke
Your brain is involved in everything you do. Your brain controls everything you do, feel, and think. When you look in the mirror, you can thank your brain for what you see. Ultimately, it is your brain that determines whether your belly bulges over your belt buckle or your waistline is trim and toned. Your brain plays the central role in whether your skin looks fresh and dewy or is etched with wrinkles. Whether you wake up feeling energetic or groggy depends on your brain. When you head to the kitchen to make breakfast, it is your brain that determines whether you go for the leftover pizza or the low-fat yogurt and fruit. Your brain controls whether you hit the gym or sit at the computer to check your Facebook page. If you feel the need to light up a cigarette or drink a couple cups of java, that's also your brain's doing.ACTION STEP Remember that your brain is involved in everything you do, every decision you make, every bite of food you take, every cigarette you smoke, every worrisome thought you have, every workout you skip, every alcoholic beverage you drink, and more.
Daniel G. Amen (Change Your Brain, Change Your Body: Use Your Brain to Get and Keep the Body You Have Always Wanted)
I am the rock against which the surf crashes.” Nesta straightened at the words, as if they were a prayer and a summons. Gwyn lifted the blade. “Nothing can break me.” Cassian’s throat tightened, and even from across the ring, he could see Nesta’s eyes gleaming with pride and pain. Emerie said, “Nothing can break us.” The world seemed to pause at the words. As if it had been following one path and now branched off in another direction. In a hundred years, a thousand, this moment would still be etched in his mind. That he would tell his children, his grandchildren, Right then and there. That was when it all changed.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Shapes began to appear in the mist as it thickened. Clary saw herself and Simon as children, holding hands, crossing a street in Brooklyn,; she had barrettes in her hair and Simon was adorably rumpled, his glasses sliding off his nose. There they were again, throwing snowballs in Prospect Park; and at Luke's farmhouse, tanned from summer, hanging upside down from tree branches. She saw them in Java Jones, listening to Eric's terrible poetry, and on the back of a flying motorcycle as it crashed into a parking lot, with Jace there, looking at them, his eyes squinted against the sun. And there was Simon with Isabelle, his hands curved around her face, kissing her, and she could see Isabelle as Simon saw her: fragile and strong, and so, so beautiful. And there was Valentine's ship, Simon kneeling on Jace, blood on his mouth and shirt, and blood at Jace's throat, and there was the cell in Idris, and Hodge's weathered face, and Simon and Clary again, Clary etching the Mark of Cain onto his forehead. Maureen, and her blood on the floor, and her little pink hat, and the rooftop in Manhattan where Lilith had raised Sebastian, and Clary was passing him a gold ring across a table, and an Angel was rising out of a lake before him and he was kissing Isabelle...
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
This was a face such as I had never seen before, even in the most fanciful of dreams, a face that was, in its way, a work of art. For it was light and dark, night and day, this world and the Otherworld. On the left side, the face of a youngish man, the skin weathered but fair, the eye gray and clear, the mouth well formed if unyielding in character. On all the right side, extending from an undrawn mark down the exact center, an etching of line and curve and feathery pattern, like the mask of some fierce bird of prey. An eagle? A goshawk? No, it was, I thought, a raven, even as far as the circles about the eye and the suggestion of predatory beak around the nostril. The mark of the raven. If I had not been so frightened, I might have laughed at the irony of it. The pattern extended down his neck and under the border of his leather jerkin and the linen shirt he wore beneath it. His head was completely shaven, and the skull, too, was colored the same, half-man, half-wild creature; some great artist of the inks and needle had wrought this over many days, and I imagined the pain must have been considerable.
Juliet Marillier (Son of the Shadows (Sevenwaters, #2))
On the plane leaving Tokyo I’m sitting alone in back twisting the knobs on Etch-A-Sketch and Roger is next to me singing “Over the Rainbow” straight into my ear, things changing, falling apart, fading, another year, a few more moves, a hard person who doesn’t give a fuck, a boredom so monumental it humbles, arrangements so fleeting made by people you don’t even know that it requires you to lose any sense of reality you might have once acquired, expectations so unreasonable you become superstitious about ever matching them. Roger offers me a joint and I take a drag and stare out the window and I relax for a moment when the lights of Tokyo, which I never realized is an island, vanish from view but this feeling only lasts a moment because Roger is telling me that other lights in other cities, in other countries, on other planets, are coming into view soon.
Bret Easton Ellis (The Informers)
Great meals rarely start at points that all look like beginnings. They usually pick up where something else leaves off. This is how most of the best things are made - imagine if the world had to begin from scratch each dawn: a tree would never grow, nor would we ever get to see the etchings of gentle rings on a clamshell... Meals' ingredients must be allowed to topple into one another like dominos. Broccoli stems, their florets perfectly boiled in salty water, must be simmered with olive oil and eaten with shaved Parmesan on toast; their leftover cooking liquid kept for the base for soup, studded with other vegetables, drizzled with good olive oil, with the rind of the Parmesan added for heartiness. This continuity is the heart and soul of cooking.
Tamar Adler (An Everlasting Meal: Cooking with Economy and Grace)
In becoming forcibly and essentially aware of my mortality, and of what I wished and wanted for my life, however short it might be, priorities and omissions became strongly etched in a merciless light and what I most regretted were my silences. Of what had I ever been afraid? To question or to speak as I believed could have meant pain, or death. But we all hurt in so many different ways, all the time, and pain will either change, or end. Death, on the other hand, is the final silence. And that might be coming quickly, now, without regard for whether I had ever spoken what needed to be said, or had only betrayed myself into small silences, while I planned someday to speak, or waited for someone else's words. And I began to recognize a source of power within myself that comes from the knowledge that while it is most desirable not to be afraid, learning to put fear into a perspective gave me great strength. I was going to die, if not sooner then later, whether or not I had ever spoken myself. My silences had not protected me. Your silence will not protect you.
Audre Lorde (The Cancer Journals)
Didn't you have some big deal last night?" Peabody asked her. "Yeah, in East Washington. Roarke had this dinner / dance thing for some fancy charity. Save the moles or something. Enough food to feed every sidewalk sleeper on the Lower East Side for a year." "Gee, that's tough on you. I bet you had to get all dressed up in some beautiful gown, shuttle down on Roarke's private transpo, and choke down champagne." Eve only lifted a brow at Peabody's dust-dry tone. "Yeah, that's about it." They both knew the glamorous side of Eve's life since Roarke had come into it was both a puzzlement and a frustration to her. "And then I had to dance with Roarke. A lot." "Was he wearing a tux?" Peabody had seen Roarke in a tux. The image of it was etched in her mind like acid on glass. "Oh yeah." Until, Eve mused, they'd gotten home and she'd ripped it off of him. He looked every bit as good out of a tux as in one. "Man." Peabody closed her eyes, indulged herself with a visualization technique she'd learned at her Free-Ager parents' knees. "Man," she repeated. "You know, a lot of women would get pissed off at having their husband star in their aide's purient little fantasies." "But you're bigger than that, Lieutenant. I like that about you.
J.D. Robb (Conspiracy in Death (In Death, #8))
You think this is the first time such a thing has happened? Don’t you know about oxygen?” “I know it’s necessary for life.” “It is now,” Malcolm said. “But oxygen is actually a metabolic poison. It’s a corrosive gas, like fluorine, which is used to etch glass. And when oxygen was first produced as a waste product by certain plant cells—say, around three billion years ago—it created a crisis for all other life on our planet. Those plant cells were polluting the environment with a deadly poison. They were exhaling a lethal gas, and building up its concentration. A planet like Venus has less than one percent oxygen. On earth, the concentration of oxygen was going up rapidly—five, ten, eventually twenty-one percent! Earth had an atmosphere of pure poison! Incompatible with life!” Hammond looked irritated. “So what is your point? That modern pollutants will be incorporated, too?” “No,” Malcolm said. “My point is that life on earth can take care of itself. In the thinking of a human being, a hundred years is a long time. A hundred years ago, we didn’t have cars and airplanes and computers and vaccines.… It was a whole different world. But to the earth, a hundred years is nothing. A million years is nothing. This planet lives and breathes on a much vaster scale. We can’t imagine its slow and powerful rhythms, and we haven’t got the humility to try. We have been residents here for the blink of an eye. If we are gone tomorrow, the earth will not miss us.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him. I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!" "I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.” He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable. "There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests. I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough. Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere. "Letha? Where are you at?” My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon. Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze. "Have you ever been with anyone before?" he asked wonderingly. I shook my head. "How did you ... I never imagined you doing that...” "I learn fast.” He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...” "Tonight," I agreed. He backed away then, eyes still smoldering. "I love you. You are my life.” "I love you too." I smiled and watched him go.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
A cult is a group of people who share an obsessive devotion to a person or idea. The cults described in this book use violent tactics to recruit, indoctrinate, and keep members. Ritual abuse is defined as the emotionally, physically, and sexually abusive acts performed by violent cults. Most violent cults do not openly express their beliefs and practices, and they tend to live separately in noncommunal environments to avoid detection. Some victims of ritual abuse are children abused outside the home by nonfamily members, in public settings such as day care. Other victims are children and teenagers who are forced by their parents to witness and participate in violent rituals. Adult ritual abuse victims often include these grown children who were forced from childhood to be a member of the group. Other adult and teenage victims are people who unknowingly joined social groups or organizations that slowly manipulated and blackmailed them into becoming permanent members of the group. All cases of ritual abuse, no matter what the age of the victim, involve intense physical and emotional trauma. Violent cults may sacrifice humans and animals as part of religious rituals. They use torture to silence victims and other unwilling participants. Ritual abuse victims say they are degraded and humiliated and are often forced to torture, kill, and sexually violate other helpless victims. The purpose of the ritual abuse is usually indoctrination. The cults intend to destroy these victims' free will by undermining their sense of safety in the world and by forcing them to hurt others. In the last ten years, a number of people have been convicted on sexual abuse charges in cases where the abused children had reported elements of ritual child abuse. These children described being raped by groups of adults who wore costumes or masks and said they were forced to witness religious-type rituals in which animals and humans were tortured or killed. In one case, the defense introduced in court photographs of the children being abused by the defendants[.1] In another case, the police found tunnels etched with crosses and pentacles along with stone altars and candles in a cemetery where abuse had been reported. The defendants in this case pleaded guilty to charges of incest, cruelty, and indecent assault.[2] Ritual abuse allegations have been made in England, the United States, and Canada.[3] Many myths abound concerning the parents and children who report ritual abuse. Some people suggest that the tales of ritual abuse are "mass hysteria." They say the parents of these children who report ritual abuse are often overly zealous Christians on a "witch-hunt" to persecute satanists. These skeptics say the parents are fearful of satanism, and they use their knowledge of the Black Mass (a historically well-known, sexualized ritual in which animals and humans are sacrificed) to brainwash their children into saying they were abused by satanists.[4] In 1992 I conducted a study to separate fact from fiction in regard to the disclosures of children who report ritual abuse.[5] The study was conducted through Believe the Children, a national organization that provides support and educational sources for ritual abuse survivors and their families.
Margaret Smith (Ritual Abuse: What It Is, Why It Happens, and How to Help)