Empire Quotes

We've searched our database for all the quotes and captions related to Empire. Here they are! All 100 of them:

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There is a rumour going around that I have found God. I think this is unlikely because I have enough difficulty finding my keys, and there is empirical evidence that they exist.
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Terry Pratchett
β€œ
The world,” Aelin said, β€œwill be saved and remade by the dreamers, Rolfe.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β€œ
And out of that hopeless attempt has come nearly all that we call human historyβ€”money, poverty, ambition, war, prostitution, classes, empires, slaveryβ€”the long terrible story of man trying to find something other than God which will make him happy.
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C.S. Lewis (Mere Christianity)
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Any planet is 'Earth' to those that live on it.
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Isaac Asimov (Pebble in the Sky (Galactic Empire, #3))
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Even when this world is a forgotten whisper of dust between the stars, I will always love you.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β€œ
You should try not to talk so much, friend. You'll sound far less stupid that way. - Breeze
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Brandon Sanderson (The Final Empire (Mistborn, #1))
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It is an impressively arrogant move to conclude that just because you don’t like something, it is empirically not good. I don’t like Chinese food, but I don’t write articles trying to prove it doesn’t exist.
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Tina Fey (Bossypants)
β€œ
loves are like empires: when the idea they are founded on crumbles, they, too, fade away.
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Milan Kundera (The Unbearable Lightness of Being)
β€œ
But you can't kill me, Lord Tyrant. I represent that one thing you've never been able to kill, no matter how hard you try. I am hope.
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Brandon Sanderson (The Final Empire (Mistborn, #1))
β€œ
I've always been very confident in my immaturity.
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Brandon Sanderson (The Final Empire (Mistborn, #1))
β€œ
Our belief is often strongest when it should be weakest. That is the nature of hope.
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Brandon Sanderson (The Final Empire (Mistborn, #1))
β€œ
There's always another secret.' -Kelsier
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Brandon Sanderson (The Final Empire (Mistborn, #1))
β€œ
Look back over the past, with its changing empires that rose and fell, and you can foresee the future too.
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Marcus Aurelius (Meditations)
β€œ
My behavior is nonetheless, deplorable. Unfortunately, I'm quite prone to such bouts of deplorability--take for instance, my fondness for reading books at the dinner table.
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Brandon Sanderson (The Final Empire (Mistborn, #1))
β€œ
Every empire, however, tells itself and the world that it is unlike all other empires, that its mission is not to plunder and control but to educate and liberate." (Los Angeles Times, July 20, 2003)
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Edward W. Said
β€œ
I'm not really sure why. But... do you stop loving someone just because they betray you? I don't think so. That's what makes the betrayal hurt so much - pain, frustration, anger... and I still loved her. I still do.
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Brandon Sanderson (The Final Empire (Mistborn, #1))
β€œ
Memories are dangerous things. You turn them over and over, until you know every touch and corner, but still you'll find an edge to cut you.
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Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
β€œ
I love you. There is no limit to what I can give to you, no time I need. Even when this world is forgotten whisper of dust between the stars, I will love you.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β€œ
Where is Aelin. Where is my wife?
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β€œ
He was hers and she was his and they had found each other across centuries of bloodshed and loss, across oceans and kingdoms and war.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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It is not such a hard thing, is it - to die for your friends.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β€œ
Aelin Galathynius had raised an army not just to challenge Morath, but to rattle the stars.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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You will find, Rolfe, that one does not deal with Celaena Sardothien. One survives her
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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Tell me, tutor,' I said. 'Is revenge a science, or an art?
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Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
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Men rarely see their own actions as unjustified.
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Brandon Sanderson (The Final Empire (Mistborn, #1))
β€œ
He had a heart that could have held the entire empire of the world; and, in the end, he had to content himself with a cellar.
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Gaston Leroux (The Phantom of the Opera)
β€œ
Give me a shot to remember And you can take all the pain away from me A kiss and I will surrender The sharpest lives are the deadliest to lead A light to burn all the empires So bright the sun is ashamed to rise and be And I'm in love with all of those vampires So you can leave like the sane abandoned me
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Gerard Way
β€œ
Your pretty empire took so long to build, now, with a snap of history's fingers, down it goes.
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Alan Moore (V for Vendetta)
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I'd walk into the burning heart of hell itself to find you.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β€œ
Nameless is my price.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β€œ
Alexander, Caesar, Charlemagne, and I have founded empires. But on what did we rest the creations of our genius? Upon force. Jesus Christ founded his empire upon love; and at this hour millions of men would die for him.
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NapolΓ©on Bonaparte
β€œ
The fear of loss . . . it can destroy you as much as the loss itself.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β€œ
Science may provide the most useful way to organize empirical, reproducible data, but its power to do so is predicated on its inability to grasp the most central aspects of human life: hope, fear, love, hate, beauty, envy, honor, weakness, striving, suffering, virtue.
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Paul Kalanithi (When Breath Becomes Air)
β€œ
We die a little every day and by degrees we’re reborn into different men, older men in the same clothes, with the same scars.
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Mark Lawrence (King of Thorns (The Broken Empire, #2))
β€œ
Belief isn't simply a thing for fair times and bright days...What is belief - what is faith - if you don't continue in it after failure?...Anyone can believe in someone, or something that always succeeds...But failure...ah, now, that is hard to believe in, certainly and truly. Difficult enough to have value. Sometimes we just have to wait long enough...then we find out why exactly it was that we kept believing...There's always another secret.
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Brandon Sanderson (The Final Empire (Mistborn, #1))
β€œ
He was done with politics and intrigue. He loved her, and no empire, no king, and no earthly fear would keep him from her. No, if they tried to take her from him, he'd rip the world apart with his bare hands. And for some reason, that didn't terrify him.
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Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
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The Earth is littered with the ruins of empires that believed they were eternal.
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Camille Paglia
β€œ
Truth is treason in the empire of lies.
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Ron Paul (The Revolution: A Manifesto)
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Belief?" "Yes," Sazed said. "Tell me, Mistress. What is it that you believe?" Vin frowned. "What kind of question is that?" "The most important kind, I think.
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Brandon Sanderson (The Final Empire (Mistborn, #1))
β€œ
Governments, if they endure, always tend increasingly toward aristocratic forms. No government in history has been known to evade this pattern. And as the aristocracy develops, government tends more and more to act exclusively in the interests of the ruling class - whether that class be hereditary royalty, oligarchs of financial empires, or entrenched bureaucracy. - Politics as Repeat Phenomenon: Bene Gesserit Training Manual
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Frank Herbert (Children of Dune (Dune #3))
β€œ
He shifted his arm so he could brush her hair back. His fingers lingered along her jaw. β€œYou make me want to live, too, Aelin Galathynius,” he said. β€œNot existβ€”but live.” He cupped her cheek, and took a steadying breathβ€”as if he’d thought about every word these past three days, over and over again. β€œI spent centuries wandering the world, from empires to kingdoms to wastelands, never settling, never stoppingβ€”not for one moment. I was always looking toward the horizon, always wondering what waited across the next ocean, over the next mountain. But I think … I think that whole time, all those centuries, I was just looking for you.
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Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
β€œ
A court that wouldn't just change the world. It would start the world over.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β€œ
Empirically speaking, we are made of star stuff. Why aren’t we talking more about that?
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Maggie Nelson (The Argonauts)
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Philosophy ... is a science, and as such has no articles of faith; accordingly, in it nothing can be assumed as existing except what is either positively given empirically, or demonstrated through indubitable conclusions.
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Arthur Schopenhauer (Parerga and Paralipomena)
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Empires do not suffer emptiness of purpose at the time of their creation. It is when they have become established that aims are lost and replaced by vague ritual. -Words of Muad'dib by Princess Irulan.
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Frank Herbert (Dune Messiah (Dune Chronicles, #2))
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There’s something brittle in me that will break before it bends.
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Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
β€œ
Aelin Galathynius, Queen of Terrasen, knew the time would soon come to prove just how much she'd bleed for Erilea.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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Do not be afraid of what makes you shine brightly.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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War is sanctioned murder, no matter what side you're on.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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Hate will keep you alive where love fails
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Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
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The biggest lies we save for ourselves.
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Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
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Aelin was insane, Dorian realized. Brilliant and wicked, but insane.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β€œ
How do you 'accidentally' kill a noble man in his own mansion?" "With a knife in the chest. Or, rather, a pair of knives in the chest...
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Brandon Sanderson (The Final Empire (Mistborn, #1))
β€œ
Aelin had promised herself, months and months ago, that she would not pretend to be anything but what she was. She had crawled through darkness and blood and despair-she had survived.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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Fireheart,” he said onto her mouth. β€œBuzzard,” she murmured onto his.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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The right belief is like a good cloak, I think. If it fits you well, it keeps you warm and safe. The wrong fit however, can suffocate.
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Brandon Sanderson (The Final Empire (Mistborn, #1))
β€œ
The various modes of worship which prevailed in the Roman world were all considered by the people as equally true; by the philosopher as equally false; and by the magistrate as equally useful.
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Edward Gibbon (The Decline and Fall of the Roman Empire)
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Adults...struggle desperately with fiction, demanding constantly that it conform to the rules of everyday life. Adults foolishly demand to know how Superman can possibly fly, or how Batman can possibly run a multibillion-dollar business empire during the day and fight crime at night, when the answer is obvious even to the smallest child: because it's not real.
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Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)
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I spent centuries wandering the world, from empires to kingdoms to wastelands, never settling, never stoppingβ€”not for one moment. I was always looking toward the horizon, always wondering what waited across the next ocean, over the next mountain. But I think … I think that whole time, all those centuries, I was just looking for you.
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Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
β€œ
And tell Rowan,” Aelin said, fighting her own sob, β€œthat I'm sorry I lied. But tell him it was all borrowed time anyway. Even before today, I knew it was all just borrowed time, but I still wish we'd had more of it.” She fought past her trembling mouth. β€œTell him he has to fight. He must save Terrasen, and remember the vows he made to me. And tell him . . . tell him thank youβ€”for walking that dark path with me back to the light.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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You know, you ladies can let us males do things every now and then.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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There is no sound more annoying than the chatter of a child, and none more sad than the silence they leave when they are gone.
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Mark Lawrence (King of Thorns (The Broken Empire, #2))
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That’s the funny thing about arriving somewhere, Vin,” he said with a wink. β€œOnce you’re there, the only thing you can really do is leave again.
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Brandon Sanderson (The Final Empire (Mistborn, #1))
β€œ
Colorful demonstrations and weekend marches are vital but alone are not powerful enough to stop wars. Wars will be stopped only when soldiers refuse to fight, when workers refuse to load weapons onto ships and aircraft, when people boycott the economic outposts of Empire that are strung across the globe.
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Arundhati Roy (Public Power in the Age of Empire (Open Media Series))
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Our strategy should be not only to confront empire, but to lay siege to it. To deprive it of oxygen. To shame it. To mock it. With our art, our music, our literature, our stubbornness, our joy, our brilliance, our sheer relentlessness – and our ability to tell our own stories. Stories that are different from the ones we’re being brainwashed to believe. The corporate revolution will collapse if we refuse to buy what they are selling – their ideas, their version of history, their wars, their weapons, their notion of inevitability. Remember this: We be many and they be few. They need us more than we need them. Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing.
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Arundhati Roy (War Talk)
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They won't listen. Do you know why? Because they have certain fixed notions about the past. Any change would be blasphemy in their eyes, even if it were the truth. They don't want the truth; they want their traditions.
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Isaac Asimov (Pebble in the Sky (Galactic Empire, #3))
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Lorcan reached out, grasping her chin and forcing her to look at him. Hopeless, bleak eyes met his. He brushed away a stray tear with his thumb. β€œI made a promise to protect you. I will not break it, Elide.” β€œI will always find you,” he swore to her. Her throat bobbed. Lorcan whispered, β€œI promise.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β€œ
Rowan’s always looking for an excuse to show off. Dramatic rescues give him purpose and fulfillment in his dull, immortal life.” There
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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Anything that you cannot sacrifice pins you. Makes you predictable, makes you weak.
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Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
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There was no force in any world that could keep her contained.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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Poor, unhappy Erik! Shall we pity him? Shall we curse him? He asked only to be 'some one,' like everybody else. But he was too ugly! And he had to hide his genius or use it to play tricks with, when, with an ordinary face, he would have been one of the most distinguished of mankind! He had a heart that could have held the entire empire of the world; and, in the end, he had to content himself with a cellar. Ah, yes, we must need pity the Opera ghost...
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Gaston Leroux (The Phantom of the Opera)
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She wasn't fine, not even close. But she wasn't dead. And that was a start.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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The Queen of Flame and Shadow, the Heir of Fire, Aelin of the Wildfire, Fireheart…
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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Cowards make the best torturers. Cowards understand fear and they can use it.
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Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
β€œ
Just the other day, I was in my neighborhood Starbucks, waiting for the post office to open. I was enjoying a chocolatey cafe mocha when it occurred to me that to drink a mocha is to gulp down the entire history of the New World. From the Spanish exportation of Aztec cacao, and the Dutch invention of the chemical process for making cocoa, on down to the capitalist empire of Hershey, PA, and the lifestyle marketing of Seattle's Starbucks, the modern mocha is a bittersweet concoction of imperialism, genocide, invention, and consumerism served with whipped cream on top.
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Sarah Vowell
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A storm is coming. A great storm.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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We'd better eat before we raise hell.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
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Women? Women are like...thunderstorms. They're beautiful to look at, and sometimes they're nice to listen to-but most of the time they're just plain inconvenient.
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Brandon Sanderson (The Final Empire (Mistborn, #1))
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How important can it be that I suffer and think? My presence in this world will disturb a few tranquil lives and will unsettle the unconscious and pleasant naivetΓ© of others. Although I feel that my tragedy is the greatest in historyβ€”greater than the fall of empiresβ€”I am nevertheless aware of my total insignificance. I am absolutely persuaded that I am nothing in this universe; yet I feel that mine is the only real existence.
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Emil M. Cioran (On the Heights of Despair)
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He gripped her hard, forcing her to meet his eyes as he snarled, β€œI see you. I see every part of you. And I am not afraid.” I will not be afraid. A line in the burning brightness. My name is Aelin Ashryver Galathynius . . . And I will not be afraid.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β€œ
Rowan considered for a moment, and then said, "I have known many kings in my life, Dorian Havilliard. And it was a rare man indeed who asked for help when he needed it, who would put aside pride.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β€œ
And Elide sobbed as Manon Blackbeak emerged, smiling faintly. As Manon Blackbeak saw her and Aelin, knee-to-knee in the grass, and mouthed one word. Hope.
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β€œ
What? Is that boy crazy?" "Most young men his age are somewhat crazy, I think," Sazed said with a smile. "However, this is hardly unexpected. Haven't you noticed how he stares at you when you enter a room?" "I thought he was just creepy.
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Brandon Sanderson (The Final Empire (Mistborn, #1))
β€œ
No matter how old you are now. You are never too young or too old for success or going after what you want. Here’s a short list of people who accomplished great things at different ages 1) Helen Keller, at the age of 19 months, became deaf and blind. But that didn’t stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree. 2) Mozart was already competent on keyboard and violin; he composed from the age of 5. 3) Shirley Temple was 6 when she became a movie star on β€œBright Eyes.” 4) Anne Frank was 12 when she wrote the diary of Anne Frank. 5) Magnus Carlsen became a chess Grandmaster at the age of 13. 6) Nadia ComΔƒneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14. 7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15. 8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil. 9) Elvis was a superstar by age 19. 10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961. 11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936. 12) Beethoven was a piano virtuoso by age 23 13) Issac Newton wrote PhilosophiΓ¦ Naturalis Principia Mathematica at age 24 14) Roger Bannister was 25 when he broke the 4 minute mile record 15) Albert Einstein was 26 when he wrote the theory of relativity 16) Lance E. Armstrong was 27 when he won the tour de France 17) Michelangelo created two of the greatest sculptures β€œDavid” and β€œPieta” by age 28 18) Alexander the Great, by age 29, had created one of the largest empires of the ancient world 19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter 20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean 21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind 22) Edmund Hillary was 33 when he became the first man to reach Mount Everest 23) Martin Luther King Jr. was 34 when he wrote the speech β€œI Have a Dream." 24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics 25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight 26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions. 27) Neil Armstrong was 38 when he became the first man to set foot on the moon. 28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn" 29) Christopher Columbus was 41 when he discovered the Americas 30) Rosa Parks was 42 when she refused to obey the bus driver’s order to give up her seat to make room for a white passenger 31) John F. Kennedy was 43 years old when he became President of the United States 32) Henry Ford Was 45 when the Ford T came out. 33) Suzanne Collins was 46 when she wrote "The Hunger Games" 34) Charles Darwin was 50 years old when his book On the Origin of Species came out. 35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa. 36) Abraham Lincoln was 52 when he became president. 37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels. 38) Dr. Seuss was 54 when he wrote "The Cat in the Hat". 40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived 41) Colonel Harland Sanders was 61 when he started the KFC Franchise 42) J.R.R Tolkien was 62 when the Lord of the Ring books came out 43) Ronald Reagan was 69 when he became President of the US 44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats 45) Nelson Mandela was 76 when he became President
”
”
Pablo
β€œ
I bring you a message from a friend of ours," she said quietly. "He wanted you to know that he's not dead. He can't be killed." "He is hope." The she raised the spear and rammed it directly into the Lord Ruler's heart.
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Brandon Sanderson (The Final Empire (Mistborn, #1))
β€œ
For West is where we all plan to go some day. It is where you go when the land gives out and the old-field pines encroach. It is where you go when you get the letter saying: Flee, all is discovered. It is where you go when you look down at the blade in your hand and the blood on it. It is where you go when you are told that you are a bubble on the tide of empire. It is where you go when you hear that thar's gold in them-thar hills. It is where you go to grow up with the country. It is where you go to spend your old age. Or it is just where you go.
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”
Robert Penn Warren (All the King’s Men)
β€œ
Marsh: Our best efforts were never even a mild annoyance to the Lord Ruler." Kelsier: Ah, but being an annoyance is something that I am very good at. In fact, I'm far more than just a 'mild' annoyance--people tell me I can be downright frustrating. Might as well use this talent for the cause of good, eh?
”
”
Brandon Sanderson (The Final Empire (Mistborn, #1))
β€œ
Memory is all we are. Moments and feelings, captured in amber, strung on filaments of reason. Take a man’s memories and you take all of him. Chip away a memory at a time and you destroy him as surely as if you hammered nail after nail through his skull.
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”
Mark Lawrence (King of Thorns (The Broken Empire, #2))
β€œ
For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasΓ©: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.
”
”
Gillian Flynn (Gone Girl)
β€œ
Anarchy wears two faces, both creator and destroyer. Thus destroyers topple empires; make a canvas of clean rubble where creators then can build another world. Rubble, once achieved, makes further ruins' means irrelevant. Away with our explosives, then! Away with our destroyers! They have no place within our better world. But let us raise a toast to all our bombers, all our bastards, most unlovely and most unforgivable. Let's drink their health... then meet with them no more.
”
”
Alan Moore (V for Vendetta)
β€œ
A girl nearby muttered,"If that's a lady, I'm a cat." Reaching out, Sandry lifted the pitcher of milk from the table. Cradling it in both hands, she walked over to the mutterer. I am Sandrilene fa Toren, daughter of Count Mattin fer Toren and his countess, Amiliane fa Landreg. I am the great-niece of his grace, Duke Vedris of this realm of Emelan, and cousin of her Imperial Highness, Empress Berenene of the Namorn Empire. You are Esmelle ei Pragin, daughter of Baron Witten en Pragin and his lady Colledia of House Wheelwright, a merchant house. If I tell you my friend is a lady, then you"- carefully she poured milk into Esmelle's plate-"you had best start lapping, kitty." She set the pitcher down and returned to her chair.
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Tamora Pierce (Sandry's Book (Circle of Magic, #1))
β€œ
I’ll tell you now. That silence almost beat me. It’s the silence that scares me. It’s the blank page on which I can write my own fears. The spirits of the dead have nothing on it. The dead one tried to show me hell, but it was a pale imitation of the horror I can paint on the darkness in a quiet moment.
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Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
β€œ
The useless sentries in the watchtower are now all half in love with you,” he lied. β€œOne said he wanted to marry you.” A low snarl. He yielded a foot but held eye contact with her as he grinned. β€œBut you know what I told them? I said that they didn't stand a chance in hell. Because I am going to marry you,” he promised her. β€œOne day. I am going to marry you. I'll be generous and let you pick when, even if it's ten years from now. Or twenty. But one day, you are going to be my wife.” He shrugged. β€œPrincess Lysandra Ashryver sounds nice, doesn't it?
”
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Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β€œ
As a child there's a horror in discovering the limitations of the ones you love. The time you find that your mother cannot keep you safe, that your tutor makes a mistake, that the wrong path must be taken because the grown-ups lack the strength to take the right one...each of those moments is the theft of your childhood, each of them a blow that kills some part of the child you were, leaving another part of the man exposed, a new creature, tougher but tempered with bitterness and disappointment.
”
”
Mark Lawrence (King of Thorns (The Broken Empire, #2))
β€œ
And this is the east shore?" Sadie asked. "You said something about that in London--my grandparents living on the east shore." Amos smiled. "Yes. Very good, Sadie. In ancient times, the east bank of the Nile was always the side of the living, the side where the sun rises. The dead were buried west of the river. It was considered bad luck, even dangerous, to live there. The tradition is still strong among... our people." Our people?" I asked, but Sadie muscled in with another question. So you can't live in Manhattan?" she asked. Amos's brow furrowed as he looked across at the Empire State Building. "Manhattan has other problems. Other gods. It's best we stay separate.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β€œ
We’ve bought into the idea that education is about training and β€œsuccess”, defined monetarily, rather than learning to think critically and to challenge. We should not forget that the true purpose of education is to make minds, not careers. A culture that does not grasp the vital interplay between morality and power, which mistakes management techniques for wisdom, which fails to understand that the measure of a civilization is its compassion, not its speed or ability to consume, condemns itself to death.
”
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Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
β€œ
This is where the wise man turns away. This is where the holy kneel and call on God. These are the last miles, my brothers. Don't look to me to save you. Don't think I will not spend you. Run if you have the wit. Pray if you have the soul. Stand your ground if courage is yours. But don't follow me. Follow me, and I will break your heart.
”
”
Mark Lawrence (Emperor of Thorns (The Broken Empire, #3))
β€œ
The essence of capitalism is to turn nature into commodities and commodities into capital. The live green earth is transformed into dead gold bricks, with luxury items for the few and toxic slag heaps for the many. The glittering mansion overlooks a vast sprawl of shanty towns, wherein a desperate, demoralized humanity is kept in line with drugs, television, and armed force.
”
”
Michael Parenti (Against Empire)
β€œ
Breeze strolled over to the table and chose a seat with his characteristic decorum. The portly man raised his dueling cane, pointing it at Ham. 'I see that my period of intellectual respite has come to an end.' Ham smiled. 'I thought up a couple beastly questions while I was gone, and I've been saving them just for you, Breeze.' 'I'm dying of anticipation,' Breeze said. He turned his cane toward Lestibournes. 'Spook, drink.' Spook rushed over and fetched Breeze a cup of wine. 'He's such a fine lad,' Breeze noted, accepting the drink. 'I barely even have to nudge him Allomantically. If only the rest of you ruffians were so accommodating.' Spook frowned. 'Niceing the not on the playing without.' 'I have no idea what you just said, child,' Breeze said. 'So I'm simply going to pretend it was coherent, then move on.' Kelsier rolled his eyes. 'Losing the stress on the nip,' he said. 'Notting without the needing of care.' 'Riding the rile of the rids to the right,' Spook said with a nod. 'What are you two babbling about?' Breeze said testily. 'Wasing the was of brightness,' Spook said. 'Nip the having of wishing of this.' 'Ever wasing the doing of this,' Kelsier agreed. 'Ever wasing the wish of having the have,' Ham added with a smile. 'Brighting the wish of wasing the not.' Breeze turned to Dockson with exasperation. 'I believe our companions have finally lost their minds, dear friend.' Dockson shrugged. Then, with a perfectly straight face, he said, 'Wasing not of wasing is.
”
”
Brandon Sanderson (The Final Empire (Mistborn, #1))
β€œ
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
”
”
Bob Dylan (Chronicles, Volume One)