“
You may have noticed that the books you really love are bound together by a secret thread. You know very well what is the common quality that makes you love them, though you cannot put it into words: but most of your friends do not see it at all, and often wonder why, liking this, you should also like that. Again, you have stood before some landscape, which seems to embody what you have been looking for all your life; and then turned to the friend at your side who appears to be seeing what you saw -- but at the first words a gulf yawns between you, and you realise that this landscape means something totally different to him, that he is pursuing an alien vision and cares nothing for the ineffable suggestion by which you are transported. Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of -- something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boat's side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possessed your soul have been but hints of it -- tantalising glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest -- if there ever came an echo that did not die away but swelled into the sound itself -- you would know it. Beyond all possibility of doubt you would say "Here at last is the thing I was made for". We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the thing we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all.
”
”
C.S. Lewis (The Problem of Pain)
“
Failing and Flying"
Everyone forgets that Icarus also flew.
It's the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy.
I believe Icarus was not failing as he fell,
but just coming to the end of his triumph.
”
”
Jack Gilbert (Refusing Heaven: Poems)
“
To watch the dawn emerge from the night undoubtedly gives a heavenly feeling! The fresh sun rays entwine with the dark horizon and peep out of the creek with tranquil grin.
”
”
Supriya Kaur Dhaliwal
“
Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots. The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again. In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered. The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion. So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate. The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so. Occasionally Fate can pull itself together again. And Time is always waiting.
”
”
Erin Morgenstern (The Starless Sea)
“
Whenever it poured like this, Max felt as if time was pausing. It was like a cease-fire during which you could stop whatever you were doing and just stand by a window for hours, watching the performance, an endless curtain of tears falling from heaven.
”
”
Carlos Ruiz Zafón (The Prince of Mist (Niebla, #1))
“
You need her there; you want her there. Your triumph means nothing if she isn’t there to watch it. And that—that need for someone to love you—that does come from me.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
He watched his feet, the only things that were keeping him from finding out if there really was a Kingdom of Heaven or not.
”
”
Richard Bachman (The Long Walk)
“
I was surrounded by heaven. The sun, the moon, the earth, and all those living stars. They wen't static like in pictures taken from impossibly far away- they breathed, they glowed. They were future and past, possibility and memory. They were beautiful.
"I never knew there were so many," I whispered. We are merely pieces of a grander design, even more insignificant than I imagined. When the earth ceases to be, all those stars will shine on. Out deaths will mean nothing to them.
"I feel so small." No one replied. I wondered as I watched the stars, really seeing them for the fist time, whether they could see me, too.
”
”
Shaun David Hutchinson (We Are the Ants)
“
Mothers don't go to heaven when they die. They get special permission from God to stay around a bit longer and watch over their children, no matter what has passed between them in their brief mortal lives.
”
”
Elif Shafak (Honor)
“
I was in Cancun, Mexico, sitting in a disappearing-edge swimming pool, on a bar stool that was actually under the water, watching palm trees sway in a sultry breeze against the unmistakable aqua splendor of the Caribbean Sea; drinking coconut, lime, and tequila from a scooped-out pineapple, with salt spray of breaking surf and sun kissing my skin.
Translation: I'd died and gone to heaven.
”
”
Karen Marie Moning
“
So the days slipped away, as each morning dawned bright and fair, and each evening followed cool and clear. But autumn was waning fast; slowly the golden light faded to pale silver, and the lingering leaves fell from the naked trees. A wind began to blow chill from the Misty Mountains to the east. The Hunter's Moon waxed round in the night sky, and put to flight all the lesser stars. But low in the South one star shone red. Every night, as the Moon waned again, it shone brighter and brighter. Frodo could see it from his window, deep in the heavens, burning like a watchful eye that glared above the trees on the brink of the valley.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
God spreads the heavens above us like great wings
And gives a little round of deeds and days,
And then come the wrecked angels and set snares,
And bait them with light hopes and heavy dreams,
Until the heart is puffed with pride and goes
Half shuddering and half joyous from God's peace;
And it was some wrecked angel, blind with tears,
Who flattered Edane's heart with merry words.
Come, faeries, take me out of this dull house!
Let me have all the freedom I have lost;
Work when I will and idle when I will!
Faeries, come take me out of this dull world,
For I would ride with you upon the wind,
Run on the top of the dishevelled tide,
And dance upon the mountains like a flame.
I would take the world
And break it into pieces in my hands
To see you smile watching it crumble away.
Once a fly dancing in a beam of the sun,
Or the light wind blowing out of the dawn,
Could fill your heart with dreams none other knew,
But now the indissoluble sacrament
Has mixed your heart that was most proud and cold
With my warm heart for ever; the sun and moon
Must fade and heaven be rolled up like a scroll
But your white spirit still walk by my spirit.
When winter sleep is abroad my hair grows thin,
My feet unsteady. When the leaves awaken
My mother carries me in her golden arms;
I'll soon put on my womanhood and marry
The spirits of wood and water, but who can tell
When I was born for the first time?
The wind blows out of the gates of the day,
The wind blows over the lonely of heart,
And the lonely of heart is withered away;
While the faeries dance in a place apart,
Shaking their milk-white feet in a ring,
Tossing their milk-white arms in the air;
For they hear the wind laugh and murmur and sing
Of a land where even the old are fair,
And even the wise are merry of tongue;
But I heard a reed of Coolaney say--
When the wind has laughed and murmured and sung,
The lonely of heart is withered away.
”
”
W.B. Yeats (The Land of Heart's Desire)
“
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
”
”
Alice Sebold (The Lovely Bones)
“
Emotions are the lowest form of consciousness. Emotional actions are the most contracted, narrowing, dangerous form of behavior.
The romantic poetry and fiction of the last 200 years has quite blinded us to the fact that emotions are an active and harmful form of stupor.
Any peasant can tell you that. Beware of emotions. Any child can tell you that. Watch out for the emotional person. He is a lurching lunatic.
Emotions are caused by biochemical secretions in the body to serve during the state of acute emergency. An emotional person is a blind, crazed maniac. Emotions are addictive and narcotic and stupefacient.
Do not trust anyone who comes on emotional.
What are the emotions? In a book entitled Interpersonal Diagnosis of Personality, written when I was a psychologist, I presented classifications of emotions and detailed descriptions of their moderate and extreme manifestations. Emotions are all based on fear. [...]
The emotional person cannot think; he cannot perform any effective game action (except in acts of physical aggression and strength). The emotional person is turned off sensually. His body is a churning robot. [...]
The only state in which we can learn, harmonize, grow, merge, join, understand is the absence of emotion. This is called bliss or ecstasy, attained through centering the emotions. [...]
Conscious love is not an emotion; it is serene merging with yourself, with other people, with other forms of energy. Love cannot exist in an emotional state. [...]
The great kick of the mystic experience, the exultant, ecstatic hit, is the sudden relief from emotional pressure.
Did you imagine that there could be emotions in heaven? Emotions are closely tied to ego games. Check your emotions at the door to paradise.
”
”
Timothy Leary (The Politics of Ecstasy)
“
They're all gone, my tribe is gone. Those blankets they gave us, infected with smallpox, have killed us. I'm the last, the very last, and I'm sick, too. So very sick. Hot. My fever burning so hot.
I have to take off my clothes, feel the cold air, splash water across my bare skin. And dance. I'll dance a Ghost Dance. I'll bring them back. Can you hear the drums? I can hear them, and it's my grandfather and grandmother singing. Can you hear them?
I dance one step and my sister rises from the ash. I dance another and a buffalo crashes down from the sky onto a log cabin in Nebraska. With every step, an Indian rises. With every other step, a buffalo falls.
I'm growing, too. My blisters heal, my muscles stretch, expand. My tribe dances behind me. At first they are no bigger than children. Then they begin to grow, larger than me, larger than the trees around us. The buffalo come to join us and their hooves shake the earth, knock all the white people from their beds, send their plates crashing to the floor.
We dance in circles growing larger and larger until we are standing on the shore, watching all the ships returning to Europe. All the white hands are waving good-bye and we continue to dance, dance until the ships fall off the horizon, dance until we are so tall and strong that the sun is nearly jealous. We dance that way.
”
”
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
“
Let's say that the consensus is that our species, being the higher primates, Homo Sapiens, has been on the planet for at least 100,000 years, maybe more. Francis Collins says maybe 100,000. Richard Dawkins thinks maybe a quarter-of-a-million. I'll take 100,000. In order to be a Christian, you have to believe that for 98,000 years, our species suffered and died, most of its children dying in childbirth, most other people having a life expectancy of about 25 years, dying of their teeth. Famine, struggle, bitterness, war, suffering, misery, all of that for 98,000 years.
Heaven watches this with complete indifference. And then 2000 years ago, thinks 'That's enough of that. It's time to intervene,' and the best way to do this would be by condemning someone to a human sacrifice somewhere in the less literate parts of the Middle East. Don't lets appeal to the Chinese, for example, where people can read and study evidence and have a civilization. Let's go to the desert and have another revelation there. This is nonsense. It can't be believed by a thinking person.
Why am I glad this is the case? To get to the point of the wrongness of Christianity, because I think the teachings of Christianity are immoral. The central one is the most immoral of all, and that is the one of vicarious redemption. You can throw your sins onto somebody else, vulgarly known as scapegoating. In fact, originating as scapegoating in the same area, the same desert. I can pay your debt if I love you. I can serve your term in prison if I love you very much. I can volunteer to do that. I can't take your sins away, because I can't abolish your responsibility, and I shouldn't offer to do so. Your responsibility has to stay with you. There's no vicarious redemption. There very probably, in fact, is no redemption at all. It's just a part of wish-thinking, and I don't think wish-thinking is good for people either.
It even manages to pollute the central question, the word I just employed, the most important word of all: the word love, by making love compulsory, by saying you MUST love. You must love your neighbour as yourself, something you can't actually do. You'll always fall short, so you can always be found guilty. By saying you must love someone who you also must fear. That's to say a supreme being, an eternal father, someone of whom you must be afraid, but you must love him, too. If you fail in this duty, you're again a wretched sinner. This is not mentally or morally or intellectually healthy.
And that brings me to the final objection - I'll condense it, Dr. Orlafsky - which is, this is a totalitarian system. If there was a God who could do these things and demand these things of us, and he was eternal and unchanging, we'd be living under a dictatorship from which there is no appeal, and one that can never change and one that knows our thoughts and can convict us of thought crime, and condemn us to eternal punishment for actions that we are condemned in advance to be taking. All this in the round, and I could say more, it's an excellent thing that we have absolutely no reason to believe any of it to be true.
”
”
Christopher Hitchens
“
Once upon a time there was a king who had three beautiful daughters.
No, no, wait.
Once upon a time there were three bears who lived in a wee house in the woods.
Once upon a time there were three soldiers, tramping together down the road after the war.
Once upon a time there were three little pigs.
Once upon a time there were three brothers.
No, this is it. This is the variation I want.
Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts.
Bounce, effort, and snark.
Contemplation and enthusiasm. Ambition and strong coffee.
Sugar, curiosity, and rain.
And yet, there was a witch.
There's always a witch.
This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening.
The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short.
The next boy was studious and open hearted. Though it's true, he was an outsider.
And the girl was witty, Generous, and ethical. Though it's true, she felt powerless.
The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic.
She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them.
She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it.
She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think.
Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so.
What she did instead was cursed them.
"When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame."
The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches.
There, surely, they would be safe.
There, Surely, the witch would never find them.
But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting.
The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories.
Then she gave them a box of matches.
The children were entranced, for nearly sixteen they have never seen fire.
Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen.
Go on, she said, the flames will cleanse your souls.
Go on, she said, for you are independent thinkers.
Go on, she said. What is this life we lead, if you did not take action?
And they listened.
They took the matches from her and they struck them. The witch watched their beauty burn,
Their bounce,
Their intelligence,
Their wit,
Their open hearts,
Their charm,
Their dreams for the future.
She watched it all disappear in smoke.
”
”
E. Lockhart (We Were Liars)
“
I'd love to watch TV all the time, but it rots our brains. Before I came down from Heaven Ma left it on all day long and got turned into a zombie that's like a ghost but walks 'thump thump.' So now she always switches off after one show, then the cells multiply again in the day and we can watch another show after dinner and grow more brains in our sleep.
”
”
Emma Donoghue (Room)
“
On occasions, global or personal, we may feel we are distanced from God, shut out from heaven, lost, alone in dark and dreary places. Often enough that distress can be of our own making, but even then the Father of us all is watching and assisting. And always there are those angels who come and go all around us, seen and unseen, known and unknown, mortal and immortal.
”
”
Jeffrey R. Holland (Created for Greater Things)
“
I saw thee once - only once - years ago:
I must not say how many - but not many.
It was a July midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber,
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared stir, unless on tiptoe -
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light,
Their odorous souls in an ecstatic death -
Fell on the upturn'd faces of these roses
That smiled and died in the parterre, enchanted
By thee, and by the poetry of thy presence.
Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell upon the upturn'd faces of the roses,
And on thine own, upturn'd - alas, in sorrow!
Was it not Fate, that, on this July midnight -
Was it not Fate, (whose name is also Sorrow,)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footsteps stirred: the hated world all slept,
Save only thee and me. (Oh, Heaven! - oh, G**!
How my heart beats in coupling those two words!)
Save only thee and me. I paused - I looked -
And in an instant all things disappeared.
(Ah, bear in mind the garden was enchanted!)
The pearly lustre of the moon went out:
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All - all expired save thee - save less than thou:
Save only divine light in thine eyes -
Save but the soul in thine uplifted eyes.
I saw but them - they were the world to me.
I saw but them - saw only them for hours -
Saw only them until the moon went down.
What wild heart-histories seemed to lie enwritten
Upon those crystalline, celestial spheres!
How dark a wo! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition! yet how deep -
How fathomless a capacity for love!
But now, at length, dear Dian sank from sight,
Into a western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go - they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me - they lead me through the years.
They are my ministers - yet I their slave.
Their office is to illumine and enkindle -
My duty, to be saved by their bright fire,
And purified in their electric fire,
And sanctified in their elysian fire.
They fill my soul with Beauty (which is Hope,)
And are far up in Heaven - the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still - two sweetly scintillant
Venuses, unextinguished by the sun!
”
”
Edgar Allan Poe (The Raven and Other Poems)
“
Stephen watched the three glasses being raised from the counter as his father and his two cronies drank to the memory of their past. An abyss of fortune or of temperament sundered him from them. His mind seemed older than theirs: it shone coldly on their strifes and happiness and regrets like a moon upon a younger earth. No life or youth stirred in him as it had stirred in them. He had known neither the pleasure of companionship with others nor the vigour of rude male health nor filial piety. Nothing stirred within his soul but a cold and cruel and loveless lust. His childhood was dead or lost and with it his soul capable of simple joys, and he was drifting amid life like the barren shell of the moon.
Art thou pale for weariness
Of climbing heaven and gazing on the earth,
Wandering companionless...?
He repeated to himself the lines of Shelley's fragment. Its alternation of sad human ineffectiveness with vast inhuman cycles of activity chilled him, and he forgot his own human and ineffectual grieving.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
No, dear, but speaking of Father reminded me how much I miss him, how much I owe him, and how faithfully I should watch and work to keep his little daughters safe and good for him.
Yet you told him to go, Mother, and didn’t cry when he went, and never complain now, or seem as if you needed any help, said Jo, wondering.
I gave my best to the country I love, and kept my tears till he was gone. Why should I complain, when we both have merely done our duty and will surely be the happier for it in the end? If I don’t seem to need help, it is because I have a better friend, even than Father, to comfort and sustain me. My child, the troubles and temptations of your life are beginning and may be many, but you can overcome and outlive them all if you learn to feel the strength and tenderness of your Heavenly Father as you do that of your earthly one. The more you love and trust Him, and the less you will depend on human power and wisdom. His love and care never tire or change, can never be taken from you, but my become the source of lifelong peace, happiness, and strength. Believe this heartily, and go to God with all your little cares, and hopes, and sins, and sorrows, as freely and confidingly as you come to your mother.
”
”
Louisa May Alcott (Little Women)
“
Lying on her side, the warm fire at her feet, Helen's laughter died away as Lucas suddenly went from tuning to playing.
It was like an orchestra in an instrument.
He played with both hands-not one hand picking and the other holding down strings-but with both hands so that it sounded like more than one guitar was playing. Sometimes he hit the strings to make them hum like a harp, and sometimes he hit the body of the guitar like a drum to add bass and keep time. It was the most fascinating thing Helen had ever watched, like Lucas had a dozen voices in his head, all singing the same song, and he'd figured a way to make them come out of ten fingers.
Helen looked at his face and could tell why he loved it. It was like thinking for him, only this was a puzzle that he could share with her as he solved it.
He'd walked into her head when he'd come to her world. And she'd walked into his when she finally heard him play.
It was heaven.
”
”
Josephine Angelini (Goddess (Starcrossed, #3))
“
I never handed humanity the rope, I just stood in the background and watched as you tied it into a noose and strangled the world.
”
”
Ava Martell (Lucifer (Fire from Heaven, #1))
“
Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of--something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boat's side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possesed your soul have been but hints of it--tantalizing glimspes, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest--if there ever came an echo that did not die away but swelled into the sound itself--you would know it. Beyond all possibility of doubt you would say 'Here at last is the thing I was made for.' We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the things we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all.
”
”
C.S. Lewis (The Problem of Pain)
“
I take the sealed envelope from him—the one that holds the information about my biological father. I ask him for his cigarette lighter. He hands it to me. I look at Sam and Fito and say, “Word for the day.” Sam understands and says, “Nurture.” I take the unopened envelope. I am watching myself as I take the lighter and place it over the edge of the paper. I am watching the envelope burn. I am watching the ashes floating up to the heavens. I am hearing myself as I tell my father, “I know who my father is. I have always known.” And now I am laughing. And my dad is laughing. And Fito is smiling that incredible smile of his. We are watching Sam dance around the yard as Maggie follows her and jumps up and barks. Sam is shouting out to me and the morning sky, “Your name is Salvador! Your name is Salvador! Your name is Salvador!
”
”
Benjamin Alire Sáenz (The Inexplicable Logic of My Life)
“
Have faith that you are a daughter of Heavenly Father who loves you.
Determine which of your divine gifts will allow you to be a champion for Christ.
Realize that you have been sent to Earth with a divine mission that is yours to achieve.
Let your knowledge come from the good parts of life that surround you.
Choose to set high standards and defend them.
Become a great woman by doing good. Always be on the Lord's errand.
Leave your mark. Be true in every situation--even when no one is watching.
Let your strength come from having high moral standards.
Look to Him.
Stand as His witness.
Become a keeper of what matters most.
”
”
Emily Belle Freeman (Keepers Of What Matters Most)
“
To Helen
I saw thee once-once only-years ago;
I must not say how many-but not many.
It was a july midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared to stir, unless on tiptoe-
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light
Thier odorous souls in an ecstatic death-
Fell on the upturn'd faces of these roses
That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence.
Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell on the upturn'd faces of the roses
And on thine own, upturn'd-alas, in sorrow!
Was it not Fate that, on this july midnight-
Was it not Fate (whose name is also sorrow)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footstep stirred; the hated world all slept,
Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!)
Save only thee and me. I paused- I looked-
And in an instant all things disappeared.
(Ah, bear in mind this garden was enchanted!)
The pearly lustre of the moon went out;
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All- all expired save thee- save less than thou:
Save only the divine light in thine eyes-
Save but the soul in thine uplifted eyes.
I saw but them- they were the world to me.
I saw but them- saw only them for hours-
Saw only them until the moon went down.
What wild heart-histories seemed to lie enwritten
Upon those crystalline, celestial spheres!
How dark a woe! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition!yet how deep-
How fathomless a capacity for love!
But now, at length, dear Dian sank from sight,
Into western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go- they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me- they lead me through the years.
They are my ministers- yet I thier slave
Thier office is to illumine and enkindle-
My duty, to be saved by thier bright light,
And purified in thier electric fire,
And sanctified in thier Elysian fire.
They fill my soul with Beauty (which is Hope),
And are far up in heaven- the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still- two sweetly scintillant
Venuses, unextinguished by the sun!
”
”
Edgar Allan Poe
“
If thou indeed derive thy light from Heaven,
Then, to the measure of that heaven-born light,
Shine, Poet! in thy place, and be content: --
The stars pre-eminent in magnitude,
And they that from the zenith dart their beams,
(Visible though they be to half the earth,
Though half a sphere be conscious of their brightness)
Are yet of no diviner origin,
No purer essence, than the one that burns,
Like an untended watch-fire on the ridge
Of some dark mountain; or than those which seem
Humbly to hang, like twinkling winter lamps,
Among the branches of the leafless trees.
All are the undying offspring of one Sire:
Then, to the measure of the light vouchsafed,
Shine, Poet! in thy place, and be content.
”
”
William Wordsworth
“
Off To The Races"
My old man is a bad man but
I can't deny the way he holds my hand
And he grabs me, he has me by my heart
He doesn't mind I have a Las Vegas past
He doesn't mind I have an LA crass way about me
He loves me with every beat of his cocaine heart
Swimming pool glimmering darling
White bikini off with my red nail polish
Watch me in the swimming pool bright blue ripples you
Sitting sipping on your black Cristal
Oh yeah
Light of my life, fire of my loins
Be a good baby, do what I want
Light of my life, fire of my loins
Give me them gold coins, gimme them coins
And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth
Ready for you
My old man is a tough man but
He's got a soul as sweet as blood red jam
And he shows me, he knows me
Every inch of my tar black soul
He doesn't mind I have a flat broke down life
In fact he says he thinks it's why he might like about me
Admires me, the way I roll like a Rolling Stone
Likes to watch me in the glass room bathroom, Chateau Marmont
Slippin' on my red dress, puttin' on my makeup
Glass film, perfume, cognac, lilac
Fumes, says it feels like heaven to him
Light of his life, fire of his loins
Keep me forever, tell me you own me
Light of your life, fire of your loins
Tell me you own me, gimme them coins
And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth
Now I'm off to the races, laces
Leather on my waist is tight and I am fallin' down
I can see your face is shameless, Cipriani's basement
Love you but I'm going down
God I'm so crazy, baby, I'm sorry that I'm misbehaving
I'm your little harlot, starlet, Queen of Coney Island
Raising hell all over town
Sorry 'bout it
My old man is a thief and I'm gonna stay and pray with him 'til the end
But I trust in the decision of the Lord to watch over us
Take him when he may, if he may
I'm not afraid to say that I'd die without him
Who else is gonna put up with me this way?
I need you, I breathe you, I never leave you
They would rue the day I was alone without you
You're lying with your gold chain on, cigar hanging from your lips
I said "Hon' you never looked so beautiful as you do now, my man."
And we're off to the races, places
Ready, set the gate is down and now we're goin' in
To Las Vegas chaos, Casino Oasis, honey it is time to spin
Boy you're so crazy, baby, I love you forever not maybe
You are my one true love, you are my one true love
You are my one true love
”
”
Lana Del Rey
“
The Fallen
It was the night
a comet with its silver tail
fell through darkness
to earth's eroded field,
the night I found
the wolf,
starved in metal trap,
teeth broken
from pain's hard bite,
its belly swollen with unborn young.
In our astronomy
the Great Wolf
lived in the sky.
It was the mother of all women
and howled her daughter's names
into the winds of night.
But the new people,
whatever stepped inside their shadow,
they would kill,
whatever crossed their path,
they came to fear.
In their science,
Wolf as not the mother.
Wolf was not wind.
They did not learn healing
from her song.
In their stories
Wolf was the devil, falling
down an empty,
shrinking universe,
God's Lucifer
with yellow eyes
that had seen their failings
and knew that they could kill the earth,
that they would kill each other.
That night
I threw the fallen stone back to sky
and falling stars
and watched it all come down
to ruined earth again.
Sky would not take back
what it had done.
That night, sky was a wilderness so close
the eerie light of heaven
and storming hands of sun
reached down the swollen belly
and dried up nipples of a hungry world.
That night,
I saw the trapper's shadow
and it had four legs.
”
”
Linda Hogan
“
It's curious that I can't stomach half an hour of television, in general, but I can spend the better half of an hour watching water fall from the heavens. Why do you suppose that is?
”
”
Pam Stucky (Letters from Wishing Rock: a novel with recipes (Wishing Rock, #1))
“
The Gift
Be still, my soul, and steadfast.
Earth and heaven both are still watching
though time is draining from the clock
and your walk, that was confident and quick,
has become slow.
So, be slow if you must, but let
the heart still play its true part.
love still as once you loved, deeply
and without patience. Let God and the world
know you are grateful.
That the gift has been given.
”
”
Mary Oliver (Felicity)
“
Look up, you whose gaze is fixed on this earth, who are spellbound by the little events and changes on the face of the earth. Look up to these words, you who have turned away from heaven disappointed. Look up, you whose eyes are heavy with tears and who are heavy and who are crying over the fact that the earth has gracelessly torn us away. Look up, you who, burdened with guilt, cannot lift your eyes. Look up, your redemption is drawing near. something different from what you see daily will happen. Just be aware, be watchful, wait just another short moment. Wait and something quite new will break over you: God will come.
”
”
Dietrich Bonhoeffer (God Is in the Manger: Reflections on Advent and Christmas)
“
One was watching the other day a red-tailed hawk, high in the heavens, circling effortlessly, without a beat of the wing, just for the fun of flying, just to be sustained by the air-currents. Then it was joined by another, and they were flying together for quite a while. They were marvellous creatures in that blue sky, and to hurt them in any way is a crime against heaven. Of course there is no heaven; man has invented heaven out of hope, for his life has become a hell, an endless conflict from birth to death, coming and going, making money, working endlessly. This life has become a turmoil, a travail of endless striving. One wonders if man, a human being, will ever live on this earth peacefully. Conflict has been the way of his life - within the skin and outside the skin, in the area of the psyche and in the society which that psyche has created.
”
”
J. Krishnamurti (Krishnamurti to Himself: His Last Journal)
“
Most people give little enough real thought to their own mortality. Oh yes, they gabble on about heaven and the bosom of Abraham, but really, they are weary of life almost from the time they’re born, and are only waiting for it all to end. They live their days quietly, obscurely, and underneath their daily toils, they long for oblivion.
”
”
Ari Berk (Death Watch (The Undertaken, #1))
“
Inside the room it was dark now, the florescent light behind my father flickering so slightly it lit only the most obvious masses in the room. My sister was in a chair pulled up alongside the bed, her head resting on the side of it with her hand extended out to touch my father. My father, deep under, was lying on his back. My mother could not know that I was there with them, that here were the four of us, so changed now from the days when she tucked Lindsey and me into bed and went to make love to her husband, our father. Now she saw the pieces. She saw that my sister and father, together, had become a piece. She was glad of it.
I had played a hide-and-seek game of love with my mother as I grew up, courting her attention and approval in a way that I had never had to with my father.
I didn't have to play hide-and-seek anymore. As she stood in the darkened room and watched my sister and father, I knew one of the things that heaven meant. I had a choice, and it was not to divide my family in my heart.
~pg 154; Susie's family and heaven
”
”
Alice Sebold (The Lovely Bones)
“
She didn’t read books so she didn’t know that she was the world and the heavens boiled down to a drop. Man attempting to climb to painless heights from his dung hill.
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
This night is not calm; the equinox still struggles in its storms. The wild rains of the day are abated; the great single cloud disparts and rolls away from heaven, not passing and leaving a sea all sapphire, but tossed buoyant before a continued, long-sounding, high-rushing moonlight tempest. The Moon reigns glorious, glad of the gale, as glad as if she gave herself to his fierce caress with love. No Endymion will watch for his goddess tonight. there are no flocks out on the mountains; and it is well, for to-night she welcomes Aeolus.
”
”
Charlotte Brontë (Shirley)
“
Because I’m not going to let them take you from me, Blue, even if they come down from the heavens themselves to try and rip you from my arms. I am not named after the hunter constellation for no reason. I will make the stars my prey if they set you in their sights, and so help me, I will carve every one of them out of their seats in the sky and watch them fall.
”
”
Caroline Peckham (Heartless Sky (Zodiac Academy, #7))
“
As observers of totalitarianism such as Victor Klemperer noticed, truth dies in four modes, all of which we have just witnessed.
The first mode is the open hostility to verifiable reality, which takes the form of presenting inventions and lies as if they were facts. The president does this at a high rate and at a fast pace. One attempt during the 2016 campaign to track his utterances found that 78 percent of his factual claims were false. This proportion is so high that it makes the correct assertions seem like unintended oversights on the path toward total fiction. Demeaning the world as it is begins the creation of a fictional counterworld.
The second mode is shamanistic incantation. As Klemperer noted, the fascist style depends upon “endless repetition,” designed to make the fictional plausible and the criminal desirable. The systematic use of nicknames such as “Lyin’ Ted” and “Crooked Hillary” displaced certain character traits that might more appropriately have been affixed to the president himself. Yet through blunt repetition over Twitter, our president managed the transformation of individuals into stereotypes that people then spoke aloud. At rallies, the repeated chants of “Build that wall” and “Lock her up” did not describe anything that the president had specific plans to do, but their very grandiosity established a connection between him and his audience.
The next mode is magical thinking, or the open embrace of contradiction. The president’s campaign involved the promises of cutting taxes for everyone, eliminating the national debt, and increasing spending on both social policy and national defense. These promises mutually contradict. It is as if a farmer said he were taking an egg from the henhouse, boiling it whole and serving it to his wife, and also poaching it and serving it to his children, and then returning it to the hen unbroken, and then watching as the chick hatches.
Accepting untruth of this radical kind requires a blatant abandonment of reason. Klemperer’s descriptions of losing friends in Germany in 1933 over the issue of magical thinking ring eerily true today. One of his former students implored him to “abandon yourself to your feelings, and you must always focus on the Führer’s greatness, rather than on the discomfort you are feeling at present.” Twelve years later, after all the atrocities, and at the end of a war that Germany had clearly lost, an amputated soldier told Klemperer that Hitler “has never lied yet. I believe in Hitler.”
The final mode is misplaced faith. It involves the sort of self-deifying claims the president made when he said that “I alone can solve it” or “I am your voice.” When faith descends from heaven to earth in this way, no room remains for the small truths of our individual discernment and experience. What terrified Klemperer was the way that this transition seemed permanent. Once truth had become oracular rather than factual, evidence was irrelevant. At the end of the war a worker told Klemperer that “understanding is useless, you have to have faith. I believe in the Führer.
”
”
Timothy Snyder (On Tyranny: Twenty Lessons from the Twentieth Century)
“
As the native drum kept rhythm with the nighttime symphony of the African bush, the cry of a hyrax (a small, furry animal that sounded a lot scarier than it looked) pierced the night. A hyena howled. A warthog ran through our camp. What was he running from? Sitting in front of my tent, I tried to figure everything out. I wouldn’t have called what I did prayer but maybe wonder.
Night after night, I’d listened to the rush of a river or watched my own personal light show as lightning spider-webbed across the heavens, danced in the distance, and serenaded me with a muffled growl. Until a crash—so loud it seemed to break the sky—caused me to twitch as a shiver ran up my spine.
“You know how it is when you feel someone staring at you from across the room?” I said to Truth. “You turn to meet the gaze. It was like that, but I saw no one. I just felt a comforting presence as we sat together in silence.”
“You think it was God?” she asked.
“Yeah, but I called him Fred. Not so overwhelming, more personal.”
”
”
Elizabeth Bristol (Mary Me: One Woman’s Incredible Adventure with God)
“
You are the light. A light sent from heaven to help cast aside darkness and fear. The light to see the good in all who have strayed from it. The light that guides the ones meant to watch over us.
”
”
Jennifer Murgia (Lemniscate (Angel Star, #2))
“
I watched him as he lined up the ships in bottles on his deck, bringing them over from the shelves where they usually sat. He used an old shirt of my mother's that had been ripped into rags and began dusting the shelves. Under his desk there were empty bottles- rows and rows of them we had collected for our future shipbuilding. In the closet were more ships- the ships he had built with his own father, ships he had built alone, and then those we had made together. Some were perfect, but their sails browned; some had sagged or toppled over the years. Then there was the one that had burst into flames in the week before my death.
He smashed that one first.
My heart seized up. He turned and saw all the others, all the years they marked and the hands that had held them. His dead father's, his dead child's. I watched his as he smashed the rest. He christened the walls and wooden chair with the news of my death, and afterward he stood in the guest room/den surrounded by green glass. The bottle, all of them, lay broken on the floor, the sails and boat bodies strewn among them. He stood in the wreckage. It was then that, without knowing how, I revealed myself. In every piece of glass, in every shard and sliver, I cast my face. My father glanced down and around him, his eyes roving across the room. Wild. It was just for a second, and then I was gone. He was quiet for a moment, and then he laughed- a howl coming up from the bottom of his stomach. He laughed so loud and deep, I shook with it in my heaven.
He left the room and went down two doors to my beadroom. The hallway was tiny, my door like all the others, hollow enough to easily punch a fist through. He was about to smash the mirror over my dresser, rip the wallpaper down with his nails, but instead he fell against my bed, sobbing, and balled the lavender sheets up in his hands.
'Daddy?' Buckley said. My brother held the doorknob with his hand.
My father turned but was unable to stop his tears. He slid to the floor with his fists, and then he opened up his arms. He had to ask my brother twice, which he had never to do do before, but Buckley came to him.
My father wrapped my brother inside the sheets that smelled of me. He remembered the day I'd begged him to paint and paper my room purple. Remembered moving in the old National Geographics to the bottom shelves of my bookcases. (I had wanted to steep myself in wildlife photography.) Remembered when there was just one child in the house for the briefest of time until Lindsey arrived.
'You are so special to me, little man,' my father said, clinging to him.
Buckley drew back and stared at my father's creased face, the fine bright spots of tears at the corners of his eyes. He nodded seriously and kissed my father's cheek. Something so divine that no one up in heaven could have made it up; the care a child took with an adult.
'Hold still,' my father would say, while I held the ship in the bottle and he burned away the strings he'd raised the mast with and set the clipper ship free on its blue putty sea. And I would wait for him, recognizing the tension of that moment when the world in the bottle depended, solely, on me.
”
”
Alice Sebold (The Lovely Bones)
“
But that’s not what I’m trying to tell you,” Violet said, her eyes taking on a slightly determined expression. “What I’m trying to say is that when you were born, and they put you into my arms—it’s strange, because for some reason I was so convinced you would look just like your father. I thought for certain I would look down and see his face, and it would be some sort of sign from heaven.”
Hyacinth’s breath caught as she watched her, and she wondered why her mother had never told her this story. And why she’d never asked.
“But you didn’t,” Violet continued. “You looked rather like me. And then—oh my, I remember this as if it were yesterday—you looked into my eyes, and you blinked. Twice.”
“Twice?” Hyacinth echoed, wondering why this was important.
“Twice.” Violet looked at her, her lips curving into a funny little smile. “I only remember it because you looked so deliberate. It was the strangest thing. You gave me a look as if to say, ‘I know exactly what I’m doing.’ ”
A little burst of air rushed past Hyacinth’s lips, and she realized it was a laugh. A small one, the kind that takes a body by surprise.
“And then you let out a wail,” Violet said, shaking her head. “My heavens, I thought you were going to shake the paint right off the walls. And I smiled. It was the first time since your father died that I smiled.”
Violet took a breath, then reached for her tea. Hyacinth watched as her mother composed herself, wanting desperately to ask her to continue, but somehow knowing the moment called for silence.
For a full minute Hyacinth waited, and then finally her mother said, softly, “And from that moment on, you were so dear to me. I love all my children, but you…” She looked up, her eyes catching Hyacinth’s. “You saved me.”
Something squeezed in Hyacinth’s chest. She couldn’t quite move, couldn’t quite breathe. She could only watch her mother’s face, listen to her words, and be so very, very grateful that she’d been lucky enough to be her child.
“In some ways I was a little too protective of you,” Violet said, her lips forming the tiniest of smiles, “and at the same time too lenient. You were so exuberant, so completely sure of who you were and how you fit into the world around you. You were a force of nature, and I didn’t want to clip your wings.”
“Thank you,” Hyacinth whispered, but the words were so soft, she wasn’t even sure she’d said them aloud.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
Dot sat forward and tugged another handful of bracelets from the snarl. “Here’s something I believe.” She held up a green bracelet so that the sun shone clear through the colors on the beads. “I believe that when women like us meet, that our children in heaven also find their way to each other, on account of us all being in the same place and them watching over. So they’re all together—Stella your pair, Melinda’s, and mine. Right now, they’re up there, singing maybe, or playing Red Rover, and probably laughing at us sitting around trying to fix a mess we ourselves made.
”
”
Deanna Roy (Baby Dust)
“
And What Good Will Your Vanity Be When The Rapture Comes”
says the man with a cart of empty bottles at the corner of church
and lincoln while I stare into my phone and I say
I know oh I know while trying to find the specific
filter that will make the sun’s near-flawless descent look
the way I might describe it in a poem and the man
says the moment is already right in front of you and I
say I know but everyone I love is not here and I mean
here like on this street corner with me while I turn
the sky a darker shade of red on my phone and I mean
here like everyone I love who I can still touch and not
pass my fingers through like the wind in a dream
but I look up at the man and he is a kaleidoscope
of shadows I mean his shadows have shadows
and they are small and trailing behind him and I know
then that everyone he loves is also not here and the man doesn’t ask
but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty
to go home to and the sun is still hot even in its
endless flirt with submission and the man’s palm has a small
river inside I mean he has taken my hand now and here we are
tethered and unmoving and the man says what color are you making
the sky and I say what I might say in a poem I say all surrender
ends in blood and he says what color are you making the sky and
I say something bright enough to make people wish they were here
and he squints towards the dancing shrapnel of dying
light along a rooftop and he says I love things only as they are
and I’m sure I did once too but I can’t prove it to anyone these days
and he says the end isn’t always about what dies and I know I know
or I knew once and now I write about beautiful things
like I will never touch a beautiful thing again and the man
looks me in the eyes and he points to the blue-orange vault
over heaven’s gates and he says the face of everyone you miss
is up there and I know I know I can’t see them but I know
and he turns my face to the horizon and he says
we don’t have much time left and I get that he means the time
before the sun is finally through with its daily work or I
think I get that but I still can’t stop trembling and I close
my eyes and I am sobbing on the corner of church and
lincoln and when I open my eyes the sun is plucking everyone
who has chosen to love me from the clouds and carrying them
into the light-drunk horizon and I am seeing this and I know
I am seeing this the girl who kissed me as a boy in the dairy aisle
of meijer while our parents shopped and the older boy on the
basketball team who taught me how to make a good fist and swing
it into the jaw of a bully and the friends who crawled to my porch
in the summer of any year I have been alive they were all there
I saw their faces and it was like I was given the eyes of a newborn
again and once you know what it is to be lonely it is hard to
unsee that which serves as a reminder that you were not always
empty and I am gasping into the now-dark air and I pull my shirt
up to wipe whatever tears are left and I see the man walking in the
other direction and I chase him down and tap his arm and I say did
you see it did you see it like I did and he turns and leans into the
glow of a streetlamp and he is anchored by a single shadow now
and he sneers and he says have we met and he scoffs and pushes
his cart off into the night and I can hear the glass rattling even
as I watch him become small and vanish and I look down at my
phone and the sky on the screen is still blood red.
”
”
Hanif Abdurraqib
“
our God is not a God who just sits up in heaven watching everything from afar. Jesus is in the fire with us—standing beside us, experiencing the flames with us. He mourns with us, hurts over our sufferings with us, and celebrates our victories with us. When the fires of life begin to rage, he is with us. The hotter the flames burn, the closer he gets.
”
”
Kasey Van Norman (Raw Faith: What Happens When God Picks a Fight)
“
People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists.
“…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…”
What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks.
I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me.
“The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.”
“I know what you mean,” I said.
His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.”
“I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened.
“I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.
”
”
Wally Lamb (She's Come Undone)
“
Jack fell to his knees on the bench,his eyes rolling back in ecstasy as he clutched both hands to his heart. "Oh, heavens above,to have seen such beauty with my own eyes! It's more than I ever hoped for. But how can I live now, knowing that you're not mine? Please." He crawled forward to the edge of the bench. "Marry me. Nay,marriage will cost us precious moments together. Let us make sweet, passionate love right here.Let me bear your children."
A primal growl signaled Miss Lynn getting over her shock at being thus addressed. She lunged forward; Jack deftly rolled off the bench, jumping up out of her reach.
"Goodness, I didn't expect you to be quite this enthusiastic about my advances. If I don't play hard to get, how will I ever know whether or not you respect me?"
Another growl,this one sounding like "you!" Or prehaps "eew!" because that's certainly how I felt about the whole exchange. Everyone stopped laughing and watched, wide-eyed with horror, unsure whether to stay or distance themselves from the inevitable outcome, which would quite possibly involve jack's dismemberment.
I didn't know who to root for.
”
”
Kiersten White (Supernaturally (Paranormalcy, #2))
“
I once met a traveler who told me he would live to see the end of time. He laid out all his vitamins before me and told me he slept seven hours every night, no more or less. All the life you want, he said. It's all within the palm of your hand now. He said he would outlast all the wars and all the diseases, long enough to remember everything, and long enough to forget everything. He'd be the last man still standing when the sun decides to collapse upon itself and history ends. He said he had found the safest place on earth, where he could stay until the gateway to the beyond opened before him. A thousand generations from today. I pictured him there, atop a remote and snowy mountain. The heavens opening and God congratulating him for his perseverance. Asking him to join Him and watch as the sun burns down to a dull orange cinder and everything around it breaks is orbit and goes tumbling tumbling away, everything that once seemed permanent pulled apart so effortlessly, like a ball of yarn. A life into divinity.
But I knew it was a lie. I've always known it was a lie. You can not hide from the world. It will find you. It always does. And now it has found me. My split second of immortality is over. All that's left now is the end, which is all any of us ever has.
”
”
Drew Magary (The Postmortal)
“
They do the twenty-one-gun salute for the good guys, right? So I brought this.” Beckett pointed the gun in the sky. “For Mouse.”
One, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, fifteen, sixteen shots exploded from Beckett’s gun.
“Who am I fucking kidding? What the hell does a gun shot by me mean? Nothing special, that’s for damn sure. Fuck it.”
“For Mouse, who watched over my sister and saved Blake and me from more than we could’ve handled in the woods that night.” Livia nodded at Beckett, and he squeezed the trigger. When the sound had cleared, she counted out loud. “Seventeen.”
Kyle stepped forward and replaced Livia at Beckett’s arm. “For Mouse. I didn’t know you well, but I wish I had.” The air snapped with the shot. “Eighteen.”
Cole rubbed Kyle’s shoulder as he approached. He took the gun from Beckett’s hand. “For Mouse, who protected Beckett from himself for years.” The gun popped again. “Nineteen.”
Blake thought for a moment with the gun pointed at the ground, then aimed it at the sky. “For Mouse, who saved Livia’s life when I couldn’t. Thank you is not enough.” The gun took his gratitude to the heavens. “Twenty.”
Eve took the gun from Blake, the hand that had been shaking steadied. “Mouse, I wish you were still here. This place was better when you were part of it.” The last shot was the most jarring, juxtaposed with the perfect silence of its wake.
As if the bullet was a key in a lock, the gray skies opened and a quiet, lovely snow shower filtered down. The flakes decorated the hair of the six mourners like glistening knit caps.
Eve turned her face to be bathed in the fresh flakes. “Twenty-one,” she said softly, replacing her earpiece.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
Today is the winter solstice. The planet tilts just so to its star, lists and holds circling in a fixed tension between veering and longing, and spins helpless, exalted, in and out of that fleet blazing touch. Last night Orion vaulted and spread all over the sky, pagan and lunatic, his shoulder and knee on fire, his sword three suns at the ready-for what?
I won’t see this year again, not again so innocent; and longing wrapped round my throat like a scarf. “For the Heavenly Father desires that we should see,” says Ruysbroeck, “and that is why He is ever saying to our inmost spirit one deep unfathomable word and nothing else.” But what is the word? Is this mystery or coyness? A cast-iron bell hung from the arch of my rib cage; when I stirred, it rang, or it tolled, a long syllable pulsing ripples up my lungs and down the gritty sap inside my bones, and I couldn’t make it out; I felt the voiced vowel like a sigh or a note but I couldn’t catch the consonant that shaped it into sense.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
At the first light of the dawn
the loner knight asked:
"Do you happen to know-
the abode of The Beloved?"
The skies went silent,
save their mournful clouds,
save their falling stars.
The pilgrim gave up his glowing twig-
to the gloom of the sands-
and replied:
“Don’t you see that poplar tree?
Well, right before the tree,
There is a lane that you’ll reckon, I deem.
For it is greener than a heavenly dream,
For it is generously shaded-
with the deep blue’s of love.
Well, if you See!
So walk down that lane,
You’ll arrive to the garden of sense;
Turn to the direction of the loner lake;
Listen to the genial hymn of leaves;
Watch the eternal fountain-
that flows from the spring of ancient myths-
till you fade away-
In a plain fear.
When a rigid noise-
Clatters into the fluid intimacy of the space,
you'll find a child-
on the top of a tree-
next to the nest of owls-
in hope of a golden egg.
Well, if you See.
You may be sure: The Child will show you the way.
Well,
If you just ask about-
The Abode of The Beloved.
”
”
Sohrab Sepehri
“
We think we know the ones we love.
Our husbands, our wives. We know them - we are them, sometimes; when separated at a party we find ourselves voicing their opinions, their taste in food or books, telling an anecdote that never happened to us but happened to them. We watch their tics of conversation, of driving and dressing, how they touch a sugar cube to their coffee and stare as it turns white to brown, then drop it, satisfied, into the cup. I watched my own husband do that every morning; I was a vigilant wife.
We think we know them. We think we love them. But what we love turns out to be a poor translation, a translation we ourselves have made, from a language we barely know. We try to get past it to the original, but we never can. We have seen it all. But what have we really understood?
One morning we awaken. Beside us, that familiar sleeping body in the bed: a new kind of stranger. For me, it came in 1953. That was when I stood in my house and saw a creature merely bewitched with my husband's face.
Perhaps you cannot see a marriage. Like those giant heavenly bodies invisible to the human eye, it can only be charted by its gravity, its pull on everything around it. That is how I think of it. That I must look at everything around it, all the hidden stories, the unseen parts, so that somewhere in the middle - turning like a dark star - it will reveal itself at last.
”
”
Andrew Sean Greer (The Story of a Marriage)
“
Is this a dagger which I see before me,
The handle toward my hand? Come, let me clutch thee.
I have thee not, and yet I see thee still.
Art thou not, fatal vision, sensible
To feeling as to sight? or art thou but
A dagger of the mind, a false creation,
Proceeding from the heat-oppressed brain?
I see thee yet, in form as palpable
As this which now I draw.
Thou marshall'st me the way that I was going;
And such an instrument I was to use.
Mine eyes are made the fools o' the other senses,
Or else worth all the rest; I see thee still,
And on thy blade and dudgeon gouts of blood,
Which was not so before. There's no such thing:
It is the bloody business which informs
Thus to mine eyes. Now o'er the one halfworld
Nature seems dead, and wicked dreams abuse
The curtain'd sleep; witchcraft celebrates
Pale Hecate's offerings, and wither'd murder,
Alarum'd by his sentinel, the wolf,
Whose howl's his watch, thus with his stealthy pace.
With Tarquin's ravishing strides, towards his design
Moves like a ghost. Thou sure and firm-set earth,
Hear not my steps, which way they walk, for fear
Thy very stones prate of my whereabout,
And take the present horror from the time,
Which now suits with it. Whiles I threat, he lives:
Words to the heat of deeds too cold breath gives.
[a bell rings]
I go, and it is done; the bell invites me.
Hear it not, Duncan; for it is a knell
That summons thee to heaven or to hell.
”
”
William Shakespeare
“
The sign of its passing was written there upon the sky as if a giant hand had drawn a piece of chalk across the blue dome of heaven. Even as they watched, the gleaming vapor trail began to fray at the edges, breaking up into wisps of cloud, until it seemed that a bridge of snow had been thrown from horizon to horizon.
”
”
Arthur C. Clarke (The Songs Of Distant Earth)
“
My hot-as-fuck Mistress makes nachos, watches football, and has a book club. Careful, baby, I’m gonna start thinking you’re a real person and not an angel sent from heaven to jack my shit.”
She started laughing, through it saying, “I’m sure you’ll agree I’m no angel.”
He moved his face close to her. “Don’t know about that.
”
”
Kristen Ashley (The Deep End (Honey, #1))
“
He told me each star is a soul, watching over us, protecting us from the heavens and the unearthly worlds from us.
”
”
Shari J. Ryan (The Bookseller of Dachau)
“
I added pieces the same way I’d constructed my body, from the inside out: boy-cut panties first (lacy), bra (sheer), stockings (thigh high), knee-length leather skirt (black), lime green midriff-baring shirt (polyester). David leaned against the wall and watched this striptease-in-reverse with fabulously expressive eyebrows slowly climbing toward heaven, I finished it off with a pair of strappy lime green three-inch heels, something from the Manolo Blahnik spring collection that I’d seen two months ago in Vogue.
He looked me over, blinked behind the glasses, and asked, “You’re done?”
I took offense, “Yeah. You with the fashion police?”
“I don’t think I’d pass the entrance exam.” The eyebrows didn’t come down. “I never knew you were so…”
“Fashionable?”
“Not really the word I was thinking.”
I struck a pose and looked at him from under my supernaturally lustrous eyelashes. “Come on, you know it’s sexy.”
“And that’s sort of my point.
”
”
Rachel Caine (Heat Stroke (Weather Warden, #2))
“
She watched, observed, reflected, and finally determined that this was not a case of fortitude or of resignation only. A submissive spirit might be patient, a strong understanding would supply resolution, but here was something more; here was that elasticity of mind, that disposition to be comforted, that power of turning readily from evil to good, and of finding employment which carried her out of herself, which was from nature alone. It was the choicest gift of Heaven; and Anne viewed her friend as one of those instances in which, by a merciful appointment, it seems designed to counterbalance almost every other want.
”
”
Jane Austen (Persuasion)
“
I shall expect you and the Slytherins in the Great Hall in twenty minutes, also,” said Professor McGonagall. “If you wish to leave with your students, we shall not stop you. But if any of you attempt to sabotage our resistance or take up arms against us within this castle, then, Horace, we duel to kill.”
“Minerva!” he said, aghast.
“The time has come for Slytherin House to decide upon its loyalties,” interrupted Professor McGonagall. “Go and wake your students, Horace.”
Harry did not stay to watch Slughorn splutter: He and Luna ran after Professor McGonagall, who had taken up a position in the middle of the corridor and raised her wand.
“Piertotum--oh, for heaven’s sake, Filch, not now--”
The aged caretaker had just come hobbling into view, shouting, “Students out of bed! Students in the corridors!”
“They’re supposed to be, you blithering idiot!” shouted McGonagall. “Now go and do something constructive! Find Peeves!”
“P-Peeves?” stammered Filch as though he had never heard the name before.
“Yes, Peeves, you fool, Peeves! Haven’t you been complaining about him for a quarter of a century? Go and fetch him, at once!”
Filch evidently thought Professor McGonagall had taken leave of her senses, but hobbled away, hunch-shouldered, muttering under his breath.
“And now--Piertotum Locomotor!” cried Professor McGonagall.
And all along the corridor the statues and suits of armor jumped down from their plinths, and from the echoing crashes from the floors above and below, Harry knew that their fellows throughout the castle had done the same.
“Hogwarts is threatened!” shouted Professor McGonagall. “Man the boundaries, protect us, do your duty to our school!
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Look," Steven said, pointing at the sky.
The stars were out in droves. One, far in the distance, was particularly bright. It flickered, then seemed to go out altogether before returning even brighter than before.
"That's them, isn't it?" she said. "The Fall?"
"Yes," Francesca said. "That's it. It looks just like the old texts say it would."
"It was just"-Luce furrowed her brow, squinting-"I can only see it when I-"
"Concentrate," Cam ordered.
"What's happening to it?" Luce asked.
"It is coming into being in this world," Daniel said. "It wasn't the physical transit from Heaven to Earth that took nine days. It was the shift from a Heavenly realm to an Earthly one. When we landed here, our bodies were...different. We became different. That took time."
"Now time is taking us," Roland said, looking at the golden pocket watch that Dee must have given him before she died.
"Then it is time for us to go," Daniel said to Luce.
"Up there?"
"Yes, we must soar up to meet them. We will fly right up to the limits of the Fall, and then you-"
"I have to stop him?"
"Yes."
She closed her eyes thought back to the way Lucifer had looked at her in the Meadow. He looked like he wanted to crush every speck of tenderness there was. "I think I know how."
"I told you she would say that!" Arriane whooped.
Daniel pulled her close. "Are you sure?"
She kissed him, never surer. "I just got my wings back, Daniel. I'm not going to let Lucifer take them away."
So Luce and Daniel said goodbye to their friends, reached for each other's hands, and took off into the night. They flew upward forever, through the thinnest outer skin of the atmosphere, through a film of light at the edge of space.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
Until now, I’ve barely had the chance to register his size. I knew he was big, I even just watched him stroking it. But like this, from behind when he’s taking it slow, making me feel every inch, I really know it.
”
”
Kerry Heavens (Spencer (Not your average British romance Book 1))
“
May I whisper in your ear
from my heart so you'll clearly hear.
There are people so dear…
They're like children…
Naked in a cold world…
Beautiful children
In an old world.
May I take you away
from the evils of today
to the dreams of tomorrow?
You know that Heaven
has no sorrow.
We know that Heaven
has no tomorrow.
Hear the sound of the magic drums…
Hearts are beating for the Sun,
Sending Evil on the run.
Now watch the wind…
”
”
Jimi Hendrix (Cherokee Mist: The Lost Writings)
“
What made him most anxious, he told me, was not the big questions -the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he'd become impatient with the way people wasted their lives, squandered their chances like paychecks.
I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both -Mr. Pucci, frail and wasted, a talking dead man. And myself with a surgical mask over my mouth, to protect him from me.
"The irony," he said, "... is that now that I'm this blind man, it's clearer to me now then it's ever been before. What's the line? 'Was blind but now I see...' " He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away.
"You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought ...said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed-up phone message...
That time we separated was my idea. I thought, well, I'm fifty years old and there might be someone else out there. People waste their happiness -that's what makes me sad. Everyone's so scared to be happy."
"I know what you mean," I said.
His eyes opened wider. For a second he seemed to see me.
"No you don't," he said. "You mustn’t. He keeps wanting to give you his love, a gift out and out and you dismiss it. Shrug it off because you're afraid."
"I'm not afraid. It's more like ..." I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened.
"l'll give you what I learned from all this," he said. "Accept what people offer. Drink their milkshakes. Take their love.
”
”
Wally Lamb (She's Come Undone)
“
Perhaps we can help you, Prisoner. Meaning comes from purpose—” “—and purpose comes in many forms.” Veera steepled her fingers. Surprisingly, Jorrus did not. She said, “Have you ever considered the fact that everything we are originates from the remnants of stars that once exploded?” Jorrus said, “Vita ex pulvis.” “We are made from the dust of dead stars.” “I’m aware of the fact,” said Kira. “It’s a lovely thought, but I don’t see the relevance.” Jorrus said, “The relevance—” “—is in the logical extension of that idea.” Veera paused for a moment. “We are aware. We are conscious. And we are made from the same stuff as the heavens.” “Don’t you see, Prisoner?” said Jorrus. “We are the mind of the universe itself. We and the Jellies and all self-aware beings. We are the universe watching itself, watching and learning.” “And someday,” said Veera, “we, and by extension the universe, will learn to expand beyond this realm and save ourselves from otherwise inevitable extinction.” Kira said, “By escaping the heat death of this space.” Jorrus nodded. “Even so. But the point is not that. The point is that this act of observation and learning is a process we all share—” “—whether or not we realize it. As such, it gives purpose to everything we do, no matter—” “—how insignificant it may seem, and from that purpose, meaning. For the universe itself, given consciousness through your own mind—” “—is aware of your every hurt and care.” Veera smiled. “Take comfort, then, that whatever you choose in life has importance beyond yourself. Importance, even, on a cosmic scale.
”
”
Christopher Paolini (To Sleep in a Sea of Stars)
“
Go back to that night when Divine Light, in order to illumine the darkness of men, tabernacled Himself in the world He had made… The angels and a star caught up in the reflection of that Light, as a torch lighted by a torch, and passed it on to the watchers of sheep and the searchers of skies. And lo! As the shepherds watched their flocks about the hills of Bethlehem, they were shaken by the light of the angels And lo! As wise men from beyond the land of Media and Persia searched the heavens, the brilliance of a star, like a tabernacle lamp in the sanctuary of God’s creation, beckoned them on to the stable where the star seemed to lose its light in the unearthly brilliance of the Light of the Word.
”
”
Fulton J. Sheen
“
But the Esquire passage I found most poignant and revealing was this one: Mister Rogers' visit to a teenage boy severely afflicted with cerebral palsy and terrible anger. One of the boys' few consolations in life, Junod wrote, was watching Mister Rogers Neighborhood.
'At first, the boy was made very nervous by the thought that Mister Rogers was visiting him. He was so nervous, in fact, that when Mister Rogers did visit, he got mad at himself and began hating himself and hitting himself, and his mother had to take him to another room and talk to him. Mister Rogers didn't leave, though. He wanted something from the boy, and Mister Rogers never leaves when he wants something from somebody. He just waited patiently, and when the boy came back, Mister Rogers talked to him, and then he made his request. He said, 'I would like you to do something for me. Would you do something for me?' On his computer, the boy answered yes, of course, he would do anything for Mister Rogers, so then Mister Rogers said: I would like you to pray for me. Will you pray for me?' And now the boy didn't know how to respond. He was thunderstruck... because nobody had ever asked him for something like that, ever. The boy had always been prayed for. The boy had always been the object of prayer, and now he was being asked to pray for Mister Rogers, and although at first he didn't know how to do it, he said he would, he said he'd try, and ever since then he keeps Mister Rogers in his prayers and doesn't talk about wanting to die anymore, because he figures if Mister Rogers likes him, that must mean that God likes him, too.
As for Mister Rogers himself... he doesn't look at the story the same way the boy did or I did. In fact, when Mister Rogers first told me the story, I complimented him on being smart - for knowing that asking the boy for his prayers would make the boy feel better about himself - and Mister Rogers responded by looking at me first with puzzlement and then with surprise. 'Oh heavens no, Tom! I didn't ask him for his prayers for him; I asked for me. I asked him because I think that anyone who has gone through challenges like that must be very close to God. I asked him because I wanted his intercession.
”
”
Tim Madigan (I'm Proud of You: My Friendship with Fred Rogers)
“
Bobby’s eyes widened. Then he swallowed like there was an anvil in his throat.
“You want me...”
She waited for him to continue but he didn’t seem capable. So she shifted and the pain brought him back from wherever his glazed gaze had taken him.
“You want me to rip your underwear off?”
Given the need to clamp her thighs together, she didn’t care how he worded it. She nodded.
“I think I’ve died and gone to Heaven,” he murmured.
“You will if you don’t watch it, Wichowski. Just...reach under...
”
”
Dee Tenorio (A Wedding Story)
“
There’s a part of me wishes that Daddy would sleep his life away. A part of me that hopes that after all these years his drinking will finally catch up to him. That one day he’ll just go to bed and never wake up. But who am I kidding with that dream? It’s the people like Daddy, the wicked ones who go on living forever. It’s like God puts people like Daddy on earth on purpose. Making them a test for the good people in the world. If you can withstand what the good Lord throws at you, by staying true to your goodhearted self, and persevering through all of the obstacles thrust before you, then you’ve earned a spot by his side in Heaven. I look forward to that day. I look forward to the day where I’ll be smiling down from Heaven, wondering what made my daddy become so sick, twisted, and rotten. I look forward to the day when I can forgive him for everything he’s done and watch him from a cloud up in Heaven, praying for his damned soul, while he’s doused in flames, and burning in hell.
”
”
Lauren Hammond (Insanity (Asylum, #1))
“
Watching the little feather’s wanderings, Charles felt a stab of anguish: It struck him that the angel he had thought about these past weeks was alerting him that it was already somewhere here, very nearby. Perhaps, frightened, before it was to be flung out of heaven it had let loose from its wind this tiny barely visible feather, like a wisp of its anxiety, like a memory of the happy life it had shared with the stars, like a calling card meant to explain its arrival and declare the approaching end.
”
”
Milan Kundera (The Festival of Insignificance)
“
SHOHAKU OKUMURA: We human beings have the ability to think of things not in front of us. We create stories in our minds in which the hero or heroine is always us. We evaluate what happened in the past, we analyze our present conditions, and we anticipate what should happen in the future. This is an important ability. Because of it, we can create art, study history, and have visions of the future. Without it, we couldn’t write or enjoy poems or movies. Almost all of human culture depends on seeing things not in front of our eyes. This means almost all culture is fictitious. Our ability to create such fictions is the reality of our lives. We cannot live without it. But this ability leads to many problems. We have certain expectations of our stories. If things go as we expect, we feel like heavenly beings, but if not, we feel we’re in hell. Often we desire more and more without ever experiencing satisfaction, like hungry ghosts. It’s important to see that it’s not life that causes suffering but our expectation that life should be the way we want. We can’t live without expectation, but if we can handle the feelings caused by the difference between our expectations and reality, that’s liberation. Zazen practice as taught by Dogen Zenji, Sawaki Roshi, and Uchiyama Roshi is taking a break from watching the screen of our stories and sitting down on the ground of the reality that exists before our imagination. When we’re not taken in by our fictitious world, we can enjoy and learn from the stories we make.
”
”
Kosho Uchiyama (Zen Teaching of Homeless Kodo)
“
This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear.
I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also.
”
”
Henry David Thoreau (The Journal, 1837-1861)
“
Now, the last one was that the demon king can’t stand either in heaven or on the earth. Urga set the demon on his lap, which means I guess I’ll have to…sit on your back.”
Awkward. Even though Ren was a big tiger and it would be like riding a small pony, I was still conscious that he was a man, and I didn’t feel right about turning him into a pack animal. I took off my backpack and set it down wondering what I could do to make this a bit less embarrassing. Mustering the courage to sit on his back, I’d just decided that it wouldn’t be too bad if I sat sidesaddle, when my feet flew out from under me.
Ren had changed into a man and swept me up into his arms. I wiggled for a minute, protesting, but he just gave me a look-the don’t-even-bother-coming-up-with-an-argument look. I shut my mouth. He leaned over to pick up the backpack, let it dangle from his fingers, and then said, “What’s next?”
“I don’t know. That’s all that Mr. Kadam told me.”
He shifted me in his arms, walked over to stand in the doorway again, then peered up at the statue. He murmured, “I don’t see any changes.”
He held me securely while looking at the statue and, I have to admit, I totally stopped caring about what we were doing. The scratches on my arm that had been throbbing a moment ago didn’t bother me at all. I let myself enjoy the feeling of being cuddled up close to his muscular chest. What girl didn’t want to be swept up in the arms of a drop-dead gorgeous man? I allowed my gaze to drift up to his beautiful face. The thought occurred to me that if I were to carve a stone god, I’d pick Ren as my subject. This Urga half-lion and half-man guy had nothing on Ren.
Eventually, he realized I was watching him, and said, “Hello? Kells? Breaking a curse here, remember?”
I just smiled back stupidly. He quirked an eyebrow at me.
“What were you thinking about just now?”
“Nothing important.”
He grinned. “May I remind you that you are in prime tickling position, and there’s no escape. Tell me.”
Gads. His smile was brilliant, even in the fog. I laughed nervously.
“If you tickle me, I’ll protest and struggle violently, which will cause you to drop me and ruin everything that we are trying to accomplish.”
He grunted, leaned close to my ear, and then whispered, “That sounds like an interesting challenge, rajkumari. Perhaps we shall experiment with it later. And just for the record, Kelsey, I wouldn’t drop you.”
The way he said my name made goose bumps rise all over my arms. When I looked down to quickly rub them, I noticed the flashlight had been turned off. I switched it on, but the statue remained the same. Giving up, I suggested, “Nothing’s happening. Maybe we need to wait till dawn.”
He laughed throatily while nuzzling my ear and declared softly, “I’d say that something is happening, but not the something that will open the doorway.”
He trailed soft, slow kisses from my ear down my neck. I sighed faintly and arched my neck to give him better access. With a last kiss, he groaned and reluctantly raised his head.
Disappointed that he’d stopped, I asked, “What does rajkumari mean?”
He laughed quietly, carefully set me down, and said, “It means princess.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Hear me, Lord, Holy Father, almighty and eternal God, and graciously send Your holy angel from heaven to watch over, to cherish, to protect, to abide with, and to defend all who dwell in this house; through Jesus Christ our Lord. Amen. —TRADITIONAL CATHOLIC PRAYER
”
”
David P. Gushee (Yours Is the Day, Lord, Yours Is the Night: A Morning and Evening Prayer Book)
“
To assure someone that if enough nuns sing enough Masses then her dead child will go to heaven is trickery as low as passing a false coin as good. To buy a pardon from the pope, to force the pope to annul a marriage, to make him set aside kinship laws, to watch as he fleeces his cardinals, who charge the bishops, who rent to the priests, who seek their tithes from the poor – all these abuses would have to fall away if we agreed that a soul can come to God without any intervention. The crucifixion is the work of God. The church is the work of man.
”
”
Philippa Gregory (The Taming of the Queen (The Plantagenet and Tudor Novels, #11))
“
Moshe watched spellbound from the wings as Webb, a tiny man with a curved spine clad in a white suit, roared with laughter and enthusiasm as he played, egging his band on from the rear with his masterful drumming, the thunderous band shaking the floor with rip-roaring waves of gorgeous sound. That man, Moshe decided, was a joymaker. And Moshe could not help but notice that Webb, like his lovely Chona, had a physical disability. Though he was a hunchback of some kind, he moved with a certain feeling of joy, a lightness, as if every moment were precious.
”
”
James McBride (The Heaven & Earth Grocery Store)
“
From her handbag she takes a round gilt compact with violets on the cover. She opens it, unclosing her other self, and runs her fingertip around the corners of her mouth, left one, right one; then she unswivels a pink stick and dots her cheeks and blends them, changing her shape, performing the only magic left to her.
Rump on a packsack, harem cushion, pink on the cheeks and black discreetly around the eyes, as red as blood as black as ebony, a seamed and folded imitation of a magazine picture that is itself an imitation of a woman who is also an imitation, the original nowhere, hairless lobed angel in the same heaven where God is a circle, captive princess in someone's head. She is locked in, she isn't allowed to eat or shit or cry or give birth, nothing goes in, nothing comes out. She takes her clothes off or puts them on, paper doll wardrobe, she copulates under strobe lights with the man's torso while his brain watches from its glassed-in control cubicle at the other end of the room, her face twists into poses of exultation and total abandonment, that is all. She is not bored, she has no other interests.
”
”
Margaret Atwood (Surfacing)
“
MAY 6 I HAVE BROKEN LEVIATHAN’S POWER FROM YOUR LIFE MY CHILD, I have broken the demonic power of the sea serpent from your life. I have caused all his demonic little demon fish to stick to his scales as I brought him up out of the midst of the sea and cast him into the wilderness to lie on the open field as food for all the beasts of the field and the birds of the heavens. The rivers and seas belong to Me, and I will make utterly waste and desolate the places where his evil power has dwelt. I am the one who commands the sea and its streams to run dry, and I have broken the power of the evils of the sea from bringing destruction to your life. EZEKIEL 29:3–5; ISAIAH 44:27 Prayer Declaration Father, in the name of Jesus I bind every sea monster that would attack my life or region. You have raised a watch against Leviathan, and You will not let the demonic powers of the sea oppress me. You have stripped him of his power and have taken away his armor. You have caused the places of his domain to become utterly waste and desolate and have thrown him and his demonic spirits into the wilderness to be food for the beasts and birds who dwell there.
”
”
John Eckhardt (Daily Declarations for Spiritual Warfare: Biblical Principles to Defeat the Devil)
“
I dreamed my shoulders held up the sky for a thousand hawks that squawked and cawed and beat their feathered wings against the hotness of the day. I supported their flight, watching and marveling, until sweat dripped from my body, and groans crossed my lips over fatiguing muscles.
Choosing to let the sky fall, I awoke.
My eyes opened to a cast of hawks gripping me in their talons. They supported my weight, hauling me high above the clouds through a blue expanse of heaven. And though they struggled—squawking and flapping wearily—never once did a single bird release its hold.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
After watching—with a twinge of satisfaction—the letters burn to ashes in the fireplace, Evie felt sleepy. She went to the master bedroom for a nap. In spite of her weariness, it was difficult to relax while she was worried about Sebastian. Her thoughts chased round and round, until her tired brain put an end to the useless fretting and she dropped off to sleep.
When she awakened an hour or so later, Sebastian was sitting on the bed beside her, a lock of her bright hair clasped loosely between a thumb and forefinger. He was watching her closely, his eyes the color of heaven at daybreak. She sat up and smiled self-consciously.
Gently Sebastian stroked back her tumbled hair. “You look like a little girl when you sleep,” he murmured. “It makes me want to guard you every minute.”
“Did you find Mr. Bullard?”
“Yes, and no. First tell me what you did while I was gone.”
“I helped Cam to arrange things in the office. And I burned all your letters from lovelorn ladies. The blaze was so large, I’m surprised no one sent for a fire brigade.”
His lips curved in a smile, but his gaze probed hers carefully. “Did you read any of them?”
Evie lifted a shoulder in a nonchalant half shrug. “A few. There were inquiries as to whether or not you’ve yet tired of your wife.”
“No.” Sebastian drew his palm along the line of her thigh. “I’m tired of countless evenings of repetitive gossip and tepid flirtation. I’m tired of meaningless encounters with women who bore me senseless. They’re all the same to me, you know. I’ve never given a damn about anyone but you.”
“I don’t blame them for wanting you,” Evie said, looping her arms around his neck. “But I’m not willing to share.”
“You won’t have to.” He cupped her face in his hands and pressed a swift kiss to her lips.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Mrs. Winterson didn't want her body resurrected because she had never, ever loved it, not even for a single minute of a single day But although she believed in End Time, she felt that the bodily resurrection was unscientific. When I asked her about this she told me she had seen Pathé newsreels of Hiroshima and Nagasaki, and she knew all about Robert Oppenheimer and the Manhattan Project. She had lived through the war. Her brother had been in the air force, my dad had been in the army -- it was their life, not their history. She said that after the atomic bomb you couldn't believe in mass any more, it was all about energy. 'This life is all mass. When we go, we'll be all energy, that's all there is to it.'
I have thought about this a lot over the years. She had understood something infinitely complex and absolutely simple. For her, in the Book of Revelation, the 'things of the world' that would pass away, 'heaven and earth rolled up like a scroll,' were demonstrations of the inevitable movement from mass to energy. Her uncle, her beloved mother's beloved brother, had been a scientist. She was an intelligent woman, and somewhere in the middle of the insane theology and the brutal politics, the flamboyant depression and the refusal of books, of knowledge, of life, she had watched the atomic bomb go off and realised that the true nature of the world is energy not mass.
But she never understood that energy could have been her own true nature while she was alive. She did not need to be trapped in mass.
”
”
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
“
When the dogma of the Assumption was defined a friend of mine, a very intelligent Mohammedan, congratulated me on the gesture which the Holy Father had made; a gesture (said he) against materialism. And I think he was right. When our Lord took his blessed Mother, soul and body, into heaven, he did honour to the poor clay of which our human bodies are fashioned. It was the first step towards reconciling all things in heaven and earth to his eternal Father, towards making all things new. "The whole of nature", St Paul tells us, "groans in a common travail all the while. And not only do we see that, but we ourselves do the same; we ourselves although we have already begun to reap our spiritual harvest, groan in our hearts, waiting for that adoption which is the ransoming of our bodies from their slavery." That transformation of our material bodies to which we look forward one day has been accomplished—we know it now for certain-in her.
When the Son of God came to earth, he came to turn our hearts away from earth, Godwards. And as the traveller, shading his eyes while he contemplates some long vista of scenery, searches about for a human figure that will give him the scale of those distant surroundings, so we, with dazzled eyes looking Godwards, identify and welcome one purely human figure close to his throne. One ship has rounded the headland, one destiny is achieved, one human perfection exists. And as we watch it, we see God clearer, see God greater, through this masterpiece of his dealings with mankind.
”
”
Ronald Knox
“
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20)
The thorns that God had sent to curse the earth’s rebellion now twisted around his brow…
“On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings.
As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe.
But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot.
His Father! He must face his Father like this!
From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes.
“Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end!
Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath?
Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed.
The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction.
“Father! Father! Why have you forsaken me?!”
But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply.
The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
”
”
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
“
This universe an old enchantment guards; Its objects are carved cups of World-Delight Whose charmed wine is some deep soul’s rapture-drink: The All-Wonderful has packed heaven with his dreams, He has made blank ancient Space his marvel-house; He spilled his spirit into Matter’s signs: His fires of grandeur burn in the great sun, He glides through heaven shimmering in the moon; He is beauty carolling in the fields of sound; He chants the stanzas of the odes of Wind; He is silence watching in the stars at night; He wakes at dawn and calls from every bough, Lies stunned in the stone and dreams in flower and tree.
”
”
Sri Aurobindo (Inspiration from Savitri: Beauty)
“
This is Lilly Heaven saying good night, and to all a very good night. Good night everybody. Here's wishing you pleasant dreams. Sleep tight. From all of us to all of you, a warm good night. And now we must, I'm afraid, say "good night." Good night, ladies and gentlemen, and good night. Thanks a lot and God bless you. This is Lilly signing off and wishing all of you out there from all of us in here the very best possible good night. I can only hope that you enjoyed watching us as much as we enjoyed being here. Good night. Pleasant dreams. Sleep tight. It's been wonderful being with you, and I hope you'll invite us into your living room again tomorrow night. From the actors and myself, from the staff here, I want to wish you all the best possible night and day before we meet again. It's been wonderful being with you. It's been truly grand. I only wish we could go on but I'm afraid our time is up, and so this is your Lily saying good night to you. Pleasant dreams. Good night all. Good night to you all. Good night to all of you. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. To all of you out there from all of us here good night. And pleasant dreams till we meet again. Good night to you all. Good night. Good night. Good night. Good night.
”
”
Jean-Claude van Itallie (War and Four Other Plays - Acting Edition)
“
SELF-HELP FOR FELLOW REFUGEES
If your name suggests a country where bells
might have been used for entertainment,
or to announce the entrances and exits of the seasons
and the birthdays of gods and demons,
it's probably best to dress in plain clothes
when you arrive in the United States.
And try not to talk too loud.
If you happen to have watched armed men
beat and drag your father
out the front door of your house
and into the back of an idling truck,
before your mother jerked you from the threshold
and buried your face in her skirt folds,
try not to judge your mother too harshly.
Don't ask her what she thought she was doing,
turning a child's eyes
away from history
and toward that place all human aching starts.
And if you meet someone
in your adopted country
and think you see in the other's face
an open sky, some promise of a new beginning,
it probably means you're standing too far.
Or if you think you read in the other, as in a book
whose first and last pages are missing,
the story of your own birthplace,
a country twice erased,
once by fire, once by forgetfulness,
it probably means you're standing too close.
In any case, try not to let another carry
the burden of your own nostalgia or hope.
And if you're one of those
whose left side of the face doesn't match
the right, it might be a clue
looking the other way was a habit
your predecessors found useful for survival.
Don't lament not being beautiful.
Get used to seeing while not seeing.
Get busy remembering while forgetting.
Dying to live while not wanting to go on.
Very likely, your ancestors decorated
their bells of every shape and size
with elaborate calendars
and diagrams of distant star systems,
but with no maps for scattered descendants.
And I bet you can't say what language
your father spoke when he shouted to your mother
from the back of the truck, "Let the boy see!"
Maybe it wasn't the language you used at home.
Maybe it was a forbidden language.
Or maybe there was too much screaming
and weeping and the noise of guns in the streets.
It doesn't matter. What matters is this:
The kingdom of heaven is good.
But heaven on earth is better.
Thinking is good.
But living is better.
Alone in your favorite chair
with a book you enjoy
is fine. But spooning
is even better.
”
”
Li-Young Lee (Behind My Eyes: Poems)
“
When, in the morning at sunrise, I go out to Walheim, and with my own hands gather in the garden the peas which are to serve for my dinner, when I sit down to shell them, and read my Homer during the intervals, and then, selecting a saucepan from the kitchen, fetch my own butter, put my mess on the fire, cover it up, and sit down to stir it as occasion requires, I figure to myself the illustrious suitors of Penelope, killing, dressing, and preparing their own oxen and swine. Nothing fills me with a more pure and genuine sense of happiness than those traits of patriarchal life which, thank Heaven! I can imitate without affectation. Happy is it, indeed, for me that my heart is capable of feeling the same simple and innocent pleasure as the peasant whose table is covered with food of his own rearing, and who not only enjoys his meal, but remembers with delight the happy days and sunny mornings when he planted it, the soft evenings when he watered it, and the pleasure he experienced in watching its daily growth.
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
It is said in those districts that not all the trains which run on the city’s tracks are listed in Metropolitan Transit’s compendious schedule. The residents will tell you that after midnight, on some nights, there will be other trains, trains whose cry is different, the bellow of some great beast fighting for its life. And if you watch those trains go past, behind those bright flickering windows you will see passengers unlike any passengers you have seen when riding the trains yourself: men with wings, women with horns, beast-headed children, fauns and dryads and green-skinned people more beautiful than words can describe. In 1893, a schoolteacher swore that she saw a unicorn; in 1934, a murderer turned himself into the police, weeping, saying that he saw his victims staring at him from a train as it howled past the station platform on which he stood.
These are the seraphic trains. The stories say they run to Heaven, Hell, and Faërie. They are omens, but no one can agree on what they portend. And although you will never meet anyone who has seen or experienced it, there are persistent rumors, unkillable rumors, that sometimes, maybe once a century, maybe twice, a seraphic train will stop in its baying progress and open its doors for a mortal.
Those who know the story of Thomas the Rhymer—and even some who don’t—insist that all these people, blest or damned as they may be, must be poets.
”
”
Sarah Monette (Somewhere Beneath Those Waves)
“
Things I've Learned in 18 Years of Life 1) True love is not something found, rather [sic] something encountered. You can’t go out and look for it. The person you marry and the person you love could easily be two different people. So have a beautiful life while waiting for God to bring along your once-in-a-lifetime love. Don't allow yourself to settle for anything less than them. Stop worrying about who you're going to marry because God's already on the front porch watching your grandchildren play. 2) God WILL give you more than you can handle, so you can learn to lean on him in times of need. He won't tempt you more than you can handle, though. So don't lose hope. Hope anchors the soul. 3) Remember who you are and where you came from. Remember that you are not from this earth. You are a child of heaven, you're invaluable, you are beautiful. Carry yourself that way. 4) Don't put your faith in humanity, humanity is inherently flawed. We are all imperfect people created and loved by a perfect God. Perfect. So put your faith in Him. 5) I fail daily, and that is why I succeed. 6) Time passes, and nothing and everything changes. Don't live life half asleep. Don't drag your soul through the days. Feel everything you do. Be there physically and mentally. Do things that make you feel this way as well. 7) Live for beauty. We all need beauty, get it where you can find it. Clothing, paintings, sculptures, music, tattoos, nature, literature, makeup. It's all art and it's what makes us human. Same as feeling the things we do. Stay human. 8) If someone makes you think, keep them. If someone makes you feel, keep them. 9) There is nothing the human brain cannot do. You can change anything about yourself that you want to. Fight for it. It's all a mental game. 10) God didn’t break our chains for us to be bound again. Alcohol, drugs, depression, addiction, toxic relationships, monotony and repetition, they bind us. Break those chains. Destroy your past and give yourself new life like God has given you. 11) This is your life. Your struggle, your happiness, your sorrow, and your success. You do not need to justify yourself to anyone. You owe no one an explanation for the choices that you make and the position you are in. In the same vein, respect yourself by not comparing your journey to anyone else's. 12) There is no wrong way to feel. 13) Knowledge is everywhere, keep your eyes open. Look at how diverse and wonderful this world is. Are you going to miss out on beautiful people, places, experiences, and ideas because you are close-minded? I sure hope not. 14) Selfless actions always benefit you more than the recipient. 15) There is really no room for regret in this life. Everything happens for a reason. If you can't find that reason, accept there is one and move on. 16) There is room, however, for guilt. Resolve everything when it first comes up. That's not only having integrity, but also taking care of your emotional well-being. 17) If the question is ‘Am I strong enough for this?’ The answer is always, ‘Yes, but not on your own.’ 18) Mental health and sanity above all. 19) We love because He first loved us. The capacity to love is the ultimate gift, the ultimate passion, euphoria, and satisfaction. We have all of that because He first loved us. If you think about it in those terms, it is easy to love Him. Just by thinking of how much He loves us. 20) From destruction comes creation. Beauty will rise from the ashes. 21) Many things can cause depression. Such as knowing you aren't becoming the person you have the potential to become. Choose happiness and change. The sooner the better, and the easier. 22) Half of happiness is as simple as eating right and exercising. You are one big chemical reaction. So are your emotions. Give your body the right reactants to work with and you'll be satisfied with the products.
”
”
Scott Hildreth (Broken People)
“
Today, you can live the let-go life in your family life because God Himself builds your house and watches over your children. I pray your heart will be more and more established in knowing that because of what Jesus has done on the cross, your children can be blessed in every area of their lives. Just as the children of Israel experienced supernatural light in their dwellings when all of Egypt was enveloped in darkness (see Ex. 10:23), may you and your children also experience the Lord’s protection and supernatural light even in these dark times we’re living in. In Jesus’ mighty name, I speak blessings upon you and your household and declare that your days and the days of your children shall be as days of heaven upon the earth!
”
”
Joseph Prince (Live the Let-Go Life: Breaking Free from Stress, Worry, and Anxiety)
“
To fill the days up of his dateless year
Flame from Queen Helen to Queen Guenevere?
For first of all the sphery signs whereby
Love severs light from darkness, and most high,
In the white front of January there glows
The rose-red sign of Helen like a rose:
And gold-eyed as the shore-flower shelterless
Whereon the sharp-breathed sea blows bitterness,
A storm-star that the seafarers of love
Strain their wind-wearied eyes for glimpses of,
Shoots keen through February's grey frost and damp
The lamplike star of Hero for a lamp;
The star that Marlowe sang into our skies
With mouth of gold, and morning in his eyes;
And in clear March across the rough blue sea
The signal sapphire of Alcyone
Makes bright the blown bross of the wind-foot year;
And shining like a sunbeam-smitten tear
Full ere it fall, the fair next sign in sight
Burns opal-wise with April-coloured light
When air is quick with song and rain and flame,
My birth-month star that in love's heaven hath name
Iseult, a light of blossom and beam and shower,
My singing sign that makes the song-tree flower;
Next like a pale and burning pearl beyond
The rose-white sphere of flower-named Rosamond
Signs the sweet head of Maytime; and for June
Flares like an angered and storm-reddening moon
Her signal sphere, whose Carthaginian pyre
Shadowed her traitor's flying sail with fire;
Next, glittering as the wine-bright jacinth-stone,
A star south-risen that first to music shone,
The keen girl-star of golden Juliet bears
Light northward to the month whose forehead wears
Her name for flower upon it, and his trees
Mix their deep English song with Veronese;
And like an awful sovereign chrysolite
Burning, the supreme fire that blinds the night,
The hot gold head of Venus kissed by Mars,
A sun-flower among small sphered flowers of stars,
The light of Cleopatra fills and burns
The hollow of heaven whence ardent August yearns;
And fixed and shining as the sister-shed
Sweet tears for Phaethon disorbed and dead,
The pale bright autumn's amber-coloured sphere,
That through September sees the saddening year
As love sees change through sorrow, hath to name
Francesca's; and the star that watches flame
The embers of the harvest overgone
Is Thisbe's, slain of love in Babylon,
Set in the golden girdle of sweet signs
A blood-bright ruby; last save one light shines
An eastern wonder of sphery chrysopras,
The star that made men mad, Angelica's;
And latest named and lordliest, with a sound
Of swords and harps in heaven that ring it round,
Last love-light and last love-song of the year's,
Gleams like a glorious emerald Guenevere's.
”
”
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
“
So now the sky was falling.
Maybe the end of the world. Maybe Jesus coming again.
That suited her.
White lights shot across the sky. She lost count. She stood and watched through Sidney's telescope and felt. For the first time in a year she wasn't ice cold all the way to her soul. It was as close as she could be to free in her stronghold of a home.
Logic told her that the world probably wasn't coming to an end. That would be too easy. She hadn't had an easy day in her life.
She pulled the telescope away from her eye and watched white slices of heavenly light. Content with the goosebumps of fear, her spirits rose. Assuming the world wasn't ending, she'd come to a good place out here. Her children were safe. She was safe-- bitterly lonely but safe.
”
”
Mary Connealy (Sharpshooter in Petticoats (Sophie's Daughters, #3))
“
Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic,” the voice continues. “Their romance disrupted the flow of time. It tangled the strings of fortune into knots. The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were Time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate wove together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually,” the storyteller continues, “Fate and Time found each other again.
”
”
Erin Morgenstern (The Starless Sea)
“
That night, after we'd had our tea, Kevin and I went bird-watching. Not the usual sort, plodding round the fields with great binoculars round your neck (though I did take my work binoculars). No, we go up in the big trees in the wood, where the birds live. Right to the tops we go, where the branches sway and swing like a comfy bed, and you can look along the green billows of the tree-tops. In spring, we take the eggs out of the nests, handling them gentle, like, and putting them back afterwards of course. An' getting away quickly, so the hen-bird can come back and sit on them again. That's a wonder of life to me; to hold a speckled egg in the palm of your hand, and think what a marvellous thing it's going to become, a bird that flies and feeds and takes its chance with the cats, and breeds its own young and dies back into the dust in the end. Why does anyone need those crazy Christian dreams of Heaven, wi' angels playin' their harps on fleecy clouds, when they can have a wood at sunset, when you can look down from a low branch and see young rabbits playing, or even young foxes tumbling over and over and squeaking when they nip each other with their sharp little teeth?
”
”
Robert Westall (The Stones of Muncaster Cathedral)
“
Do you mind?”
Elizabeth glanced at the cigar, smiled, and started to shake her head, then she stopped, assailed by a memory of him standing in a garden nearly two years ago. He’d been about to light one of those cheroots when he saw her standing there, watching him. She remembered it so clearly, she could still see the golden flame illuminating his chiseled features as he cupped his hands around it, lighting the cigar. Her smile wobbled a little with the piercing memory, and she lifted her eyes from the unlit cigar to Ian’s face, wondering if he remembered it, too.
His eyes met hers in polite inquiry, flicked to the unlit cigar, and moved back to her face. He did not remember; she could see that he didn’t. “No, I don’t mind at all,” she said, hiding her disappointment behind a smile.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Rump on a packsack, harem cushion, pink on the cheeks and black discreetly around the eyes, as red as blood as black as ebony, a seamed and folded imitation of a magazine picture that is itself an imitation of a woman who is also an imitation, the original nowhere, hairless lobed angel in the same heaven where God is a circle, captive princess in someone's head. She is locked in, she isn't allowed to eat or shit or cry or give birth, nothing goes in, nothing comes out. She takes her clothes off or puts them on, paperdoll wardrobe, she copulates under strobe lights with the man's torso while his brain watches from its glassed-in control cubicle at the other end of the room, her face twists into poses of exultation and total abandonment, that is all. She is not bored, she has no other interests.
”
”
Margaret Atwood (Surfacing)
“
There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut.
There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness.
The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine.
On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy.
Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair.
The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?
”
”
Charlotte Brontë (Shirley)
“
When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately.
“Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?”
“I was at prayer,” Elizabeth said, managing to look him straight in the eye.
Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen.
Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?”
Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.”
Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.”
“My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.”
“Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years.
“I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.”
Elizabeth gave him an innocent stare. “This is all I brought.”
“All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.”
“They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer.
“Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?”
Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided.
All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?”
“The mortal remains of Saint Jacob.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Hold thy desperate hand:
Art thou a man? thy form cries out thou art:
Thy tears are womanish; thy wild acts denote
The unreasonable fury of a beast:
Unseemly woman in a seeming man!
Or ill-beseeming beast in seeming both!
Thou hast amazed me: by my holy order,
I thought thy disposition better temper’d.
Hast thou slain Tybalt? wilt thou slay thyself?
And stay thy lady too that lives in thee,
By doing damned hate upon thyself?
Why rail’st thou on thy birth, the heaven, and earth?
Since birth, and heaven, and earth, all three do meet
In thee at once; which thou at once wouldst lose.
Fie, fie, thou shamest thy shape, thy love, thy wit;
Which, like a usurer, abound’st in all,
And usest none in that true use indeed
Which should bedeck thy shape, thy love, thy wit:
Thy noble shape is but a form of wax,
Digressing from the valour of a man;
Thy dear love sworn but hollow perjury,
Killing that love which thou hast vow’d to cherish;
Thy wit, that ornament to shape and love,
Misshapen in the conduct of them both,
Like powder in a skitless soldier’s flask,
Is set afire by thine own ignorance,
And thou dismember’d with thine own defence.
What, rouse thee, man! thy Juliet is alive,
For whose dear sake thou wast but lately dead;
There art thou happy: Tybalt would kill thee,
But thou slew’st Tybalt; there are thou happy too:
The law that threaten’d death becomes thy friend
And turns it to exile; there art thou happy:
A pack of blessings lights up upon thy back;
Happiness courts thee in her best array;
But, like a misbehaved and sullen wench,
Thou pout’st upon thy fortune and thy love:
Take heed, take heed, for such die miserable.
Go, get thee to thy love, as was decreed,
Ascend her chamber, hence and comfort her:
But look thou stay not till the watch be set,
For then thou canst not pass to Mantua;
Where thou shalt live, till we can find a time
To blaze your marriage, reconcile your friends,
Beg pardon of the prince, and call thee back
With twenty hundred thousand times more joy
Than thou went’st forth in lamentation.
Go before, nurse: commend me to thy lady;
And bid her hasten all the house to bed,
Which heavy sorrow makes them apt unto:
Romeo is coming.
”
”
William Shakespeare (Romeo and Juliet)
“
given men warning of coming judgments. Those who had faith in His message for their time, and who acted out their faith, in obedience to His commandments, escaped the judgments that fell upon the disobedient and unbelieving. The word came to Noah, “Come thou and all thy house into the ark; for thee have I seen righteous before Me.” Noah obeyed and was saved. The message came to Lot, “Up, get you out of this place; for the Lord will destroy this city.” Genesis 7:1; 19:14. Lot placed himself under the guardianship of the heavenly messengers, and was saved. So Christ’s disciples were given warning of the destruction of Jerusalem. Those who watched for the sign of the coming ruin, and fled from the city, escaped the destruction. So now we are given warning of Christ’s second coming and of the destruction to fall upon the world. Those who heed the warning will be saved.
”
”
Ellen Gould White (The Desire of Ages (Conflict of the Ages Book 3))
“
Mum bought me �kite for my sixth birthday. It was beautiful. Snowy white with � long tail of ribbons. She
held the string, and I� ran and ran as fast as I �could, but it kept dropping to� clumsy heap on the ground. When� I got
tired Mum took over, holding it high above her head and
running and running until, all at once, �sudden wonderful gust of wind took the kite soaring high, high into the sky, so� I had to squint to see it.
“Hold on, Rosie!” Mum had called. “Hold tight!”
And �I did, gripping the string with all my might as the kite danced high up above, gleaming bright white
against the blue sky, its ribbons sparkling in the sunlight as it flew, soaring and dipping like �bird, forever pulling at the string in my hand —higher, higher — tugging to get
free.
Then� I let go.The string snapped from my grip and was gone.
Mum raced after it,but it was too fast,soaring up,up and away, higher than the trees. She scooped me up in �hug and told me it was all right, she'd buy me another one. But� I didn't want another one. That was my kite,and
it was free. I’d let it go.It’d wanted so much to be free that I just couldn't hold on, couldn’t hold it down.� I smiled as I� watched it whirl away — above the trees, above the birds, above the clouds, sparkling into the heavens, dancing free.
It was the most beautiful thing I �have ever seen.
”
”
Katie Dale (Someone Else's Life)
“
Such was the bridal-hour of Genius and Humanity. Who shall rehearse the tale of their after-union? Who shall depict its bliss and bale? Who shall tell how He, between whom and the Woman God put enmity, forged deadly plots to break the bond or defile its purity? Who shall record the long strife between Serpent and Seraph? How still the Father of Lies insinuated evil into good - pride into wisdom - grossness into glory - pain into bliss - poison into passion? How the 'dreadless Angel' defied, resisted, and repelled? How, again and again, he refined the polluted cup, exalted the debased emotion, rectified the perverted impulse, detected the lurking venom, baffled the frontless temptation - purified, justified, watched, and withstood? How, by his patience, by his strength, by that unutterable excellence he held from God - his Origin - this faithful Seraph fought for Humanity a good fight through time; and, when Time's course closed, and Death was encountered at the end, barring with fleshless arms the portals of Eternity, how Genius still held close his dying bride, sustained her through the agony of the passage, bore her triumphant into his own home - Heaven; restored her, redeemed, to Jehovah - her Maker; and at last, before Angel and Archangel, crowned her with the crown of Immortality.
Who shall, of these things, write the chronicle?
”
”
Charlotte Brontë (Shirley)
“
I wish I had an angel of love, whom I could bring a night so bright, that if God even comes down from heaven above, would watch me kiss her and hold her tight. Silence will speak the words I would, while the night gets caught in her hair, and nothing he could do that God could, than drown within my blind prayer. The day would rest for an eternity, and the moment be left untouched, as time would join the fraternity, and the worlds of universe shushed.
”
”
Harpreet Singh Nanda
“
A few more years of the same, though, and I got used to it: I would load entire libraries from country castles and city mansions, fine, rare, leather- and Morroco-bound books, load whole trains full, and as soon as a train had thirty cars, off it would go to Switzerland or Austria, one kilogram of rare books for the equivalent of one crown of convertible currency, and nobody blinked an eye, nobody shed a tear, not even I myself, no, all I did was stand there smiling as I watched the train hauling those priceless libraries off to Switzerland and Austria for one crown in convertible currency a kilo. By then I had mustered the strength to look upon misfortune with composure, to still my emotions, by then I had begun to understand the beauty of destruction and I loaded more and more freight cars, and more and more trains left the station heading west at one crown per kilogram, and as I stood there staring after the red lantern hanging from the last car, as I stood there leaning on a lamppost like Leonardo da Vinci, who stood leaning on a column and looking on while French soldiers used his statue for target practice, shooting away horse and rider bit by bit, I thought how Leonardo, like me, standing and witnessing such horrors with complete composure, had realized even than that neither the heavens are humane nor is any man with a head on his shoulders.
”
”
Bohumil Hrabal (Too Loud a Solitude)
“
Damon looked at the odd food and frowned. That sure as hell didn't look like heaven to him. Glancing up at Nicole, he watched her lift a piece of pizza to her lips taking a large bite, the cheese stringing from her lips to the pizza. Her tongue licked out to wrap around the cheese to bring it back to her mouth. Her moan was one of ecstasy. His pants became uncomfortably tight. Damn if this was the way she ate pizza, he was going to buy the fucking place.
”
”
Teresa Gabelman (Damon (The Protectors, #1))
“
How the penises of Western men have leapt, for a century, to the sight of this singular point at the top of a lady's stocking, this transition from silk to bare skin and suspender! It's easy for non-fetishists to sneer about Pavlovian conditioning and let it go at that, but any underwear enthusiast worth his unwholesome giggle can tell you there is much more here - there is a cosmology: of nodes and cusps and points of osculation, mathematical kisses… singularities! Consider cathedral spires, holy minarets, the crunch of trainwheels over the points as you watch peeling away the track you didn't take… mountain peaks rising sharply to heaven, such as those to be noted at scenic Berchtesgaden… the edges of steel razors, always holding potent mystery… rose thorns that prick us by surprise… even, according to the Russian mathematician Friedmann, the infinitely dense point from which the present Universe expanded… In each case, the change from point to no-point carries a luminosity and enigma at which something in us must leap and sing, or withdraw in fright. Watching the A4 pointed at the sky - just before the last firing-switch closes - watching that singular point at the very top of the Rocket, where the fuze is… Do all these points imply, like the Rocket's, an annihilation? What is that, detonating in the sky above the cathedral? beneath the edge of the razor, under the rose?
”
”
Thomas Pynchon (Gravity's Rainbow)
“
Her pretty name of Adina seemed to me to have somehow a mystic fitness to her personality.
Behind a cold shyness, there seemed to lurk a tremulous promise to be franker when she knew you better.
Adina is a strange child; she is fanciful without being capricious.
She was stout and fresh-coloured, she laughed and talked rather loud, and generally, in galleries and temples, caused a good many stiff British necks to turn round.
She had a mania for excursions, and at Frascati and Tivoli she inflicted her good-humoured ponderosity on diminutive donkeys with a relish which seemed to prove that a passion for scenery, like all our passions, is capable of making the best of us pitiless.
Adina may not have the shoulders of the Venus of Milo...but I hope it will take more than a bauble like this to make her stoop.
Adina espied the first violet of the year glimmering at the root of a cypress. She made haste to rise and gather it, and then wandered further, in the hope of giving it a few companions. Scrope sat and watched her as she moved slowly away, trailing her long shadow on the grass and drooping her head from side to side in her charming quest. It was not, I know, that he felt no impulse to join her; but that he was in love, for the moment, with looking at her from where he sat. Her search carried her some distance and at last she passed out of sight behind a bend in the villa wall.
I don't pretend to be sure that I was particularly struck, from this time forward, with something strange in our quiet Adina. She had always seemed to me vaguely, innocently strange; it was part of her charm that in the daily noiseless movement of her life a mystic undertone seemed to murmur "You don't half know me! Perhaps we three prosaic mortals were not quite worthy to know her: yet I believe that if a practised man of the world had whispered to me, one day, over his wine, after Miss Waddington had rustled away from the table, that there was a young lady who, sooner or later, would treat her friends to a first class surprise, I should have laid my finger on his sleeve and told him with a smile that he phrased my own thought. .."That beautiful girl," I said, "seems to me agitated and preoccupied."
"That beautiful girl is a puzzle. I don't know what's the matter with her; it's all very painful; she's a very strange creature. I never dreamed there was an obstacle to our happiness--to our union. She has never protested and promised; it's not her way, nor her nature; she is always humble, passive, gentle; but always extremely grateful for every sign of tenderness. Till within three or four days ago, she seemed to me more so than ever; her habitual gentleness took the form of a sort of shrinking, almost suffering, deprecation of my attentions, my petits soins, my lovers nonsense. It was as if they oppressed and mortified her--and she would have liked me to bear more lightly. I did not see directly that it was not the excess of my devotion, but my devotion itself--the very fact of my love and her engagement that pained her. When I did it was a blow in the face. I don't know what under heaven I've done! Women are fathomless creatures. And yet Adina is not capricious, in the common sense...
.So these are peines d'amour?" he went on, after brooding a moment. "I didn't know how fiercely I was in love!"
Scrope stood staring at her as she thrust out the crumpled note: that she meant that Adina--that Adina had left us in the night--was too large a horror for his unprepared sense...."Good-bye to everything! Think me crazy if you will. I could never explain. Only forget me and believe that I am happy, happy, happy! Adina Beati."...
Love is said to be par excellence the egotistical passion; if so Adina was far gone. "I can't promise to forget you," I said; "you and my friend here deserve to be remembered!
”
”
Henry James (Adina)
“
The Three-Decker
"The three-volume novel is extinct."
Full thirty foot she towered from waterline to rail.
It cost a watch to steer her, and a week to shorten sail;
But, spite all modern notions, I found her first and best—
The only certain packet for the Islands of the Blest.
Fair held the breeze behind us—’twas warm with lovers’ prayers.
We’d stolen wills for ballast and a crew of missing heirs.
They shipped as Able Bastards till the Wicked Nurse confessed,
And they worked the old three-decker to the Islands of the Blest.
By ways no gaze could follow, a course unspoiled of Cook,
Per Fancy, fleetest in man, our titled berths we took
With maids of matchless beauty and parentage unguessed,
And a Church of England parson for the Islands of the Blest.
We asked no social questions—we pumped no hidden shame—
We never talked obstetrics when the Little Stranger came:
We left the Lord in Heaven, we left the fiends in Hell.
We weren’t exactly Yussufs, but—Zuleika didn’t tell.
No moral doubt assailed us, so when the port we neared,
The villain had his flogging at the gangway, and we cheered.
’Twas fiddle in the forc’s’le—’twas garlands on the mast,
For every one got married, and I went ashore at last.
I left ’em all in couples a-kissing on the decks.
I left the lovers loving and the parents signing cheques.
In endless English comfort by county-folk caressed,
I left the old three-decker at the Islands of the Blest!
That route is barred to steamers: you’ll never lift again
Our purple-painted headlands or the lordly keeps of Spain.
They’re just beyond your skyline, howe’er so far you cruise
In a ram-you-damn-you liner with a brace of bucking screws.
Swing round your aching search-light—’twill show no haven’s peace.
Ay, blow your shrieking sirens to the deaf, gray-bearded seas!
Boom out the dripping oil-bags to skin the deep’s unrest—
And you aren’t one knot the nearer to the Islands of the Blest!
But when you’re threshing, crippled, with broken bridge and rail,
At a drogue of dead convictions to hold you head to gale,
Calm as the Flying Dutchman, from truck to taffrail dressed,
You’ll see the old three-decker for the Islands of the Blest.
You’ll see her tiering canvas in sheeted silver spread;
You’ll hear the long-drawn thunder ’neath her leaping figure-head;
While far, so far above you, her tall poop-lanterns shine
Unvexed by wind or weather like the candles round a shrine!
Hull down—hull down and under—she dwindles to a speck,
With noise of pleasant music and dancing on her deck.
All’s well—all’s well aboard her—she’s left you far behind,
With a scent of old-world roses through the fog that ties you blind.
Her crew are babes or madmen? Her port is all to make?
You’re manned by Truth and Science, and you steam for steaming’s sake?
Well, tinker up your engines—you know your business best—
She’s taking tired people to the Islands of the Blest!
”
”
Rudyard Kipling
“
I beg your pardon, Mrs. Graham - but you get on too fast. I have not yet said that a boy should be taught to rush into the snares of life, - or even wilfully to seek temptation for the sake of exercising his virtue by overcoming it; - I only say that it is better to arm and strengthen your hero, than to disarm and enfeeble the foe; - and if you were to rear an oak sapling in a hothouse, tending it carefully night and day, and shielding it from every breath of wind, you could not expect it to become a hardy tree, like that which has grown up on the mountain-side, exposed to all the action of the elements, and not even sheltered from the shock of the tempest.'
'Granted; - but would you use the same argument with regard to a girl?'
'Certainly not.'
'No; you would have her to be tenderly and delicately nurtured, like a hot-house plant - taught to cling to others for direction and support, and guarded, as much as possible, from the very knowledge of evil. But will you be so good as to inform me why you make this distinction? Is it that you think she has no virtue?'
'Assuredly not.'
'Well, but you affirm that virtue is only elicited by temptation; - and you think that a woman cannot be too little exposed to temptation, or too little acquainted with vice, or anything connected therewith. It must be either that you think she is essentially so vicious, or so feeble-minded, that she cannot withstand temptation, - and though she may be pure and innocent as long as she is kept in ignorance and restraint, yet, being destitute of real virtue, to teach her how to sin is at once to make her a sinner, and the greater her knowledge, the wider her liberty, the deeper will be her depravity, - whereas, in the nobler sex, there is a natural tendency to goodness, guarded by a superior fortitude, which, the more it is exercised by trials and dangers, is only the further developed - '
'Heaven forbid that I should think so!' I interrupted her at last."
'Well, then, it must be that you think they are both weak and prone to err, and the slightest error, the merest shadow of pollution, will ruin the one, while the character of the other will be strengthened and embellished - his education properly finished by a little practical acquaintance with forbidden things. Such experience, to him (to use a trite simile), will be like the storm to the oak, which, though it may scatter the leaves, and snap the smaller branches, serves but to rivet the roots, and to harden and condense the fibres of the tree. You would have us encourage our sons to prove all things by their own experience, while our daughters must not even profit by the experience of others. Now I would have both so to benefit by the experience of others, and the precepts of a higher authority, that they should know beforehand to refuse the evil and choose the good, and require no experimental proofs to teach them the evil of transgression. I would not send a poor girl into the world, unarmed against her foes, and ignorant of the snares that beset her path; nor would I watch and guard her, till, deprived of self-respect and self-reliance, she lost the power or the will to watch and guard herself; - and as for my son - if I thought he would grow up to be what you call a man of the world - one that has "seen life," and glories in his experience, even though he should so far profit by it as to sober down, at length, into a useful and respected member of society - I would rather that he died to-morrow! - rather a thousand times!' she earnestly repeated, pressing her darling to her side and kissing his forehead with intense affection. He had already left his new companion, and been standing for some time beside his mother's knee, looking up into her face, and listening in silent wonder to her incomprehensible discourse.
Anne Bronte, "The Tenant of Wildfell Hall" (24,25)
”
”
Anne Brontë
“
The castle’s chapel has been remade. The glass-and-gold chandelier still floats in the center of the room, the wires holding it up too thin to be seen by candlelight. All these electric miracles. The windows depicting the angels praising Our Lady have remained intact, as have the panels to Saint Theresa and Saint Jerome. The others—and the enameled paintings in the cupola—have been replaced and reimagined according to the New Scripture. There is the Almighty speaking to the Matriarch Rebecca in the form of a dove. There is the Prophet Deborah proclaiming the Holy Word to the disbelieving people. There—although she protested—is Mother Eve, the symbolic tree behind her, receiving the message from the Heavens and extending her hand filled with lightning. In the center of the cupola is the hand with the all-seeing eye at its heart. That is the symbol of God, Who watches over each of us, and Whose mighty hand is outstretched to both the powerful and the enslaved.
”
”
Naomi Alderman (The Power)
“
He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city.
At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
The people cast themselves down by the fuming boards
while servants cut the roast, mixed jars of wine and water,
and all the gods flew past like the night-breaths of spring.
The chattering female flocks sat down by farther tables,
their fresh prismatic garments gleaming in the moon
as though a crowd of haughty peacocks played in moonlight.
The queen’s throne softly spread with white furs of fox
gaped desolate and bare, for Penelope felt ashamed
to come before her guests after so much murder.
Though all the guests were ravenous, they still refrained,
turning their eyes upon their silent watchful lord
till he should spill wine in libation for the Immortals.
The king then filled a brimming cup, stood up and raised
it high till in the moon the embossed adornments gleamed:
Athena, dwarfed and slender, wrought in purest gold,
pursued around the cup with double-pointed spear
dark lowering herds of angry gods and hairy demons;
she smiled and the sad tenderness of her lean face,
and her embittered fearless glance, seemed almost human.
Star-eyed Odysseus raised Athena’s goblet high
and greeted all, but spoke in a beclouded mood:
“In all my wandering voyages and torturous strife,
the earth, the seas, the winds fought me with frenzied rage;
I was in danger often, both through joy and grief,
of losing priceless goodness, man’s most worthy face.
I raised my arms to the high heavens and cried for help,
but on my head gods hurled their lightning bolts, and laughed.
I then clasped Mother Earth, but she changed many shapes,
and whether as earthquake, beast, or woman, rushed to eat me;
then like a child I gave my hopes to the sea in trust,
piled on my ship my stubbornness, my cares, my virtues,
the poor remaining plunder of god-fighting man,
and then set sail; but suddenly a wild storm burst,
and when I raised my eyes, the sea was strewn with wreckage.
As I swam on, alone between sea and sky,
with but my crooked heart for dog and company,
I heard my mind, upon the crumpling battlements
about my head, yelling with flailing crimson spear.
Earth, sea, and sky rushed backward; I remained alone
with a horned bow slung down my shoulder, shorn of gods
and hopes, a free man standing in the wilderness.
Old comrades, O young men, my island’s newest sprouts,
I drink not to the gods but to man’s dauntless mind.”
All shuddered, for the daring toast seemed sacrilege,
and suddenly the hungry people shrank in spirit;
They did not fully understand the impious words
but saw flames lick like red curls about his savage head.
The smell of roast was overpowering, choice meats steamed,
and his bold speech was soon forgotten in hunger’s pangs;
all fell to eating ravenously till their brains reeled.
Under his lowering eyebrows Odysseus watched them sharply:
"This is my people, a mess of bellies and stinking breath!
These are my own minds, hands, and thighs, my loins and necks!"
He muttered in his thorny beard, held back his hunger
far from the feast and licked none of the steaming food.
”
”
Nikos Kazantzakis (The Odyssey: A Modern Sequel)
“
Celestial Music”
I have a friend who still believes in heaven.
Not a stupid person, yet with all she knows, she literally talks to god,
she thinks someone listens in heaven.
On earth, she’s unusually competent.
Brave, too, able to face unpleasantness.
We found a caterpillar dying in the dirt, greedy ants crawling over it.
I’m always moved by weakness, by disaster, always eager to oppose vitality.
But timid, also, quick to shut my eyes.
Whereas my friend was able to watch, to let events play out
according to nature. For my sake, she intervened,
brushing a few ants off the torn thing, and set it down
across the road.
My friend says I shut my eyes to god, that nothing else explains
my aversion to reality. She says I’m like the child who buries her head in the pillow
so as not to see, the child who tells herself
that light causes sadness—
My friend is like the mother. Patient, urging me
to wake up an adult like herself, a courageous person—
In my dreams, my friend reproaches me. We’re walking
on the same road, except it’s winter now;
she’s telling me that when you love the world you hear celestial music:
look up, she says. When I look up, nothing.
Only clouds, snow, a white business in the trees
like brides leaping to a great height—
Then I’m afraid for her; I see her
caught in a net deliberately cast over the earth—
In reality, we sit by the side of the road, watching the sun set;
from time to time, the silence pierced by a birdcall.
It’s this moment we’re both trying to explain, the fact
that we’re at ease with death, with solitude.
My friend draws a circle in the dirt; inside, the caterpillar doesn’t move.
She’s always trying to make something whole, something beautiful, an image
capable of life apart from her.
We’re very quiet. It’s peaceful sitting here, not speaking, the composition
fixed, the road turning suddenly dark, the air
going cool, here and there the rocks shining and glittering—
it’s this stillness that we both love.
The love of form is a love of endings.
”
”
Louise Glück (Ararat)
“
LECHLADE, GLOUCESTERSHIRE. (Composed September, 1815. Published with “Alastor”, 1816.) The wind has swept from the wide atmosphere Each vapour that obscured the sunset’s ray; And pallid Evening twines its beaming hair In duskier braids around the languid eyes of Day: Silence and Twilight, unbeloved of men, 5 Creep hand in hand from yon obscurest glen. They breathe their spells towards the departing day, Encompassing the earth, air, stars, and sea; Light, sound, and motion own the potent sway, Responding to the charm with its own mystery. 10 The winds are still, or the dry church-tower grass Knows not their gentle motions as they pass. Thou too, aereal Pile! whose pinnacles Point from one shrine like pyramids of fire, Obeyest in silence their sweet solemn spells, 15 Clothing in hues of heaven thy dim and distant spire, Around whose lessening and invisible height Gather among the stars the clouds of night. The dead are sleeping in their sepulchres: And, mouldering as they sleep, a thrilling sound, 20 Half sense, half thought, among the darkness stirs, Breathed from their wormy beds all living things around, And mingling with the still night and mute sky Its awful hush is felt inaudibly. Thus solemnized and softened, death is mild 25 And terrorless as this serenest night: Here could I hope, like some inquiring child Sporting on graves, that death did hide from human sight Sweet secrets, or beside its breathless sleep That loveliest dreams perpetual watch did keep. 30
”
”
Percy Bysshe Shelley (Percy Bysshe Shelley)
“
Before He called me forth from the grave, Jesus wept. His was not the loud, frantic keening of the women who mourned outside my tomb. His was a sigh and a groan and a single salty tear. It was, at first, almost imperceptible, even to those standing closest to Him.
But His sigh shook the universe, and the place where I was quaked. I stood in the midst of those who watched and waited for all things to be set right.
Jesus groaned, and the heads of angels and saints turned to look down upon the earth in wonder.
His tear trickled down his cheek, and a spring burst forth at my feet. Pure, clear water spilled from its banks and flowed down a mountainside, leaving a myriad of new stars, like flowers, blooming and rising in its wake.
I remember thinking, On a clear night, constellations above the earth reflect on the still surface of the sea. But here? Only one of Jesus’ tears contains a galaxy.
My eternal companions and I listened. We heard His voice echo from Bethany across the universe! He commanded, “Roll away the stone!”
We all waited in anticipation for the next word from His lips.
Then Jesus spoke my name: “Lazarus!”
Surely He could not mean me, I thought. But all the same, I whispered, “Here I am, Lord.”
Centuries have come and gone since His holy sob ripped me loose from timeless conversation with the ageless ones. Ten thousand, thousand scholars and saints have asked, “Why? What made the King of Heaven bow His head and cover His eyes and spill holy tears onto the earth? Why? Why did Jesus weep?
”
”
Bodie Thoene (When Jesus Wept (The Jerusalem Chronicles #1))
“
Dinner proceeded as if no raid were occurring. After the meal, Biddle told Churchill that he would like to see for himself “the strides which London had made in air-raid precautions.” At which point Churchill invited him and Harriman to accompany him to the roof. The raid was still in progress. Along the way, they put on steel helmets and collected John Colville and Eric Seal, so that they, too, as Colville put it, could “watch the fun.” Getting to the roof took effort. “A fantastic climb it was,” Seal said in a letter to his wife, “up ladders, a long circular stairway, & a tiny manhole right at the top of a tower.” Nearby, anti-aircraft guns blasted away. The night sky filled with spears of light as searchlight crews hunted the bombers above. Now and then aircraft appeared silhouetted against the moon and the starlit sky. Engines roared high overhead in a continuous thrum. Churchill and his helmeted entourage stayed on the roof for two hours. “All the while,” Biddle wrote, in a letter to President Roosevelt, “he received reports at various intervals from the different sections of the city hit by the bombs. It was intensely interesting.” Biddle was impressed by Churchill’s evident courage and energy. In the midst of it all, as guns fired and bombs erupted in the distance, Churchill quoted Tennyson—part of an 1842 monologue called Locksley Hall, in which the poet wrote, with prescience: Heard the heavens fill with shouting, and there rain’d a ghastly dew From the nations’ airy navies grappling in the central blue.
”
”
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
“
If most of us want good closing images, we have to change society. If we must watch our life over and over again forever on the day we die then we need our own revolution, starting from within. Or we’ll be in hell. Hell is yourself. Or rather hell is watching your shit life being replayed for eternity. Everyone should place the movie of their life on an LCD screen built into the headstone of their grave, and set on an infinite loop. Then anyone who stops by the grave to look at your movie will soon know whether you’ve gone to heaven or hell.
”
”
Mike Hockney (The Last Bling King)
“
The Dawning
Ah! what time wilt Thou come? when shall that cry,
The Bridegroom’s coming! fill the sky;
Shall it in the evening run
When our words and works are done?
Or will Thy all-surprising light
Break at midnight,
When either sleep or some dark pleasure
Possesseth mad man without measure?
Or shall these early, fragrant hours
Unlock Thy bow’rs,
And with their blush of light descry
Thy locks crown’d with eternity?
Indeed, it is the only time
That with Thy glory doth best chime;
All now are stirring, ev’ry field
Full hymns doth yield;
The whole Creation shakes off night,
And for Thy shadow looks the light;
Stars now vanish without number,
Sleepy Planets set and slumber,
The pursy Clouds disband and scatter,
All expect some sudden matter;
Not one beam triumphs but from far
That morning-star;
O at what time soever thou
(Unknown to us,) the heavens wilt bow,
And, with Thy angels in the van,
Descend to judge poor careless man,
Grant, I may not like puddle lie
In a corrupt security,
Where if a traveller water crave,
He finds it dead, and in a grave.
But as this restless, vocal spring
All day and night doth run, and sing,
And though here born, yet is acquainted
Elsewhere, and flowing keeps untainted;
So let me all my busy age
In Thy free services engage;
And though (while here) of force I must
Have commerce sometimes with poor dust,
And in my flesh, though vile and low,
As this doth in her channel flow,
Yet let my course, my aim, my love,
And chief acquaintance be above;
So when that day and hour shall come,
In which Thyself will be the sun,
Thou’lt find me drest and on my way,
Watching the break of Thy great day.
”
”
Henry Vaughan
“
Its objects are carved cups of World-Delight Whose charmed wine is some deep soul’s rapture-drink: The All-Wonderful has packed heaven with his dreams, He has made blank ancient Space his marvel-house; He spilled his spirit into Matter’s signs: His fires of grandeur burn in the great sun, He glides through heaven shimmering in the moon; He is beauty carolling in the fields of sound; He chants the stanzas of the odes of Wind; He is silence watching in the stars at night; He wakes at dawn and calls from every bough, Lies stunned in the stone and dreams in flower and tree.
”
”
Sri Aurobindo (Inspiration from Savitri: Beauty)
“
The Garden of Proserpine"
Here, where the world is quiet;
Here, where all trouble seems
Dead winds' and spent waves' riot
In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
A sleepy world of streams.
I am tired of tears and laughter,
And men that laugh and weep;
Of what may come hereafter
For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,
Desires and dreams and powers
And everything but sleep.
Here life has death for neighbour,
And far from eye or ear
Wan waves and wet winds labour,
Weak ships and spirits steer;
They drive adrift, and whither
They wot not who make thither;
But no such winds blow hither,
And no such things grow here.
No growth of moor or coppice,
No heather-flower or vine,
But bloomless buds of poppies,
Green grapes of Proserpine,
Pale beds of blowing rushes
Where no leaf blooms or blushes
Save this whereout she crushes
For dead men deadly wine.
Pale, without name or number,
In fruitless fields of corn,
They bow themselves and slumber
All night till light is born;
And like a soul belated,
In hell and heaven unmated,
By cloud and mist abated
Comes out of darkness morn.
Though one were strong as seven,
He too with death shall dwell,
Nor wake with wings in heaven,
Nor weep for pains in hell;
Though one were fair as roses,
His beauty clouds and closes;
And well though love reposes,
In the end it is not well.
Pale, beyond porch and portal,
Crowned with calm leaves, she stands
Who gathers all things mortal
With cold immortal hands;
Her languid lips are sweeter
Than love's who fears to greet her
To men that mix and meet her
From many times and lands.
She waits for each and other,
She waits for all men born;
Forgets the earth her mother,
The life of fruits and corn;
And spring and seed and swallow
Take wing for her and follow
Where summer song rings hollow
And flowers are put to scorn.
There go the loves that wither,
The old loves with wearier wings;
And all dead years draw thither,
And all disastrous things;
Dead dreams of days forsaken,
Blind buds that snows have shaken,
Wild leaves that winds have taken,
Red strays of ruined springs.
We are not sure of sorrow,
And joy was never sure;
To-day will die to-morrow;
Time stoops to no man's lure;
And love, grown faint and fretful,
With lips but half regretful
Sighs, and with eyes forgetful
Weeps that no loves endure.
From too much love of living,
From hope and fear set free,
We thank with brief thanksgiving
Whatever gods may be
That no life lives for ever;
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.
Then star nor sun shall waken,
Nor any change of light:
Nor sound of waters shaken,
Nor any sound or sight:
Nor wintry leaves nor vernal,
Nor days nor things diurnal;
Only the sleep eternal
In an eternal night.
”
”
Algernon Charles Swinburne (Poems and Ballads & Atalanta in Calydon)
“
Poem for My Father
You closed the door.
I was on the other side,
screaming.
It was black in your mind.
Blacker than burned-out fire.
Blacker than poison.
Outside everything looked the same.
You looked the same.
You walked in your body like a living man.
But you were not.
would you not speak to me for weeks
would you hang your coat in the closet without saying hello
would you find a shoe out of place and beat me
would you come home late
would i lose the key
would you find my glasses in the garbage
would you put me on your knee
would you read the bible to me in your smoking jacket after your mother died
would you come home drunk and snore
would you beat me on the legs
would you carry me up the stairs by my hair so that my feet never touch the bottom
would you make everything worse
to make everything better
i believe in god, the father almighty,
the maker of heaven, the maker
of my heaven and my hell.
would you beat my mother
would you beat her till she cries like a rabbit
would you beat her in a corner of the kitchen
while i am in the bathroom trying to bury my head underwater
would you carry her to the bed
would you put cotton and alcohol on her swollen head
would you make love to her hair
would you caress her hair
would you rub her breasts with ben gay until she stinks
would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot
would you come on the sheet while i am sleeping. later i look for the spot
would you go to embalming school with the last of my mother's money
would i see your picture in the book with all the other black boys you were the handsomest
would you make the dead look beautiful
would the men at the elks club
would the rich ladies at funerals
would the ugly drunk winos on the street
know ben
pretty ben
regular ben
would your father leave you when you were three with a mother who threw butcher knives at you
would he leave you with her screaming red hair
would he leave you to be smothered by a pillow she put over your head
would he send for you during the summer like a rich uncle
would you come in pretty corduroys until you were nine and never heard from him again
would you hate him
would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements
would you hate him for fucking the woman who gave birth to you
hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him
(bye bye
to the will of grandpa
bye bye to the family fortune
bye bye when he stompled that hat,
to the gold watch,
embalmer's palace,
grandbaby's college)
mother crying silently, making floating island
sending it up to the old man's ulcer
would grandmother's diamonds
close their heartsparks
in the corner of the closet
yellow like the eyes of cockroaches?
Old man whose sperm swims in my veins,
come back in love, come back in pain.
”
”
Toi Derricotte
“
And all this time I was keeping my eyes open, or trying to, only they kept closing, because I wanted to go on watching the stars, where the most extraordinary things were happening. A bright satellite, a man-made star, very slowly and somehow carefully crossed the sky in a great arc, from one side to the other, a close arc, one knew it was not far away, a friendly satellite slowly going about its business round and round the globe. And then, much much farther away, stars were quietly shooting and tumbling and disappearing, silently falling and being
extinguished, lost utterly silent falling stars, falling from nowhere to nowhere into an unimaginable extinction. How many of them there were, as if the heavens were crumbling at last and being dismantled. And I wanted to show all these things to my father.
Later I knew that I had been asleep and I opened my eyes with wonder and the sky had utterly changed again and was no longer dark but bright, golden, gold-dust golden, as if curtain after curtain had been removed behind the stars I had seen before, and now I was looking into the vast interior of the universe, as if the universe were quietly turning itself inside out. Stars behind stars and stars behind stars behind stars until there was nothing between them, nothing beyond them, but dusty dim gold of stars and no space and no light but stars. The moon was gone. The water lapped higher, nearer, touching the rock so lightly it was audible only as a kind of vibration. The sea had fallen dark, in submission to the stars. And the stars seemed to move as if one could see the rotation of the heavens as a kind of vast crepitation, only now there were no more events, no shooting stars, no falling stars, which human senses could grasp or even conceive of. All was movement, all was change, and somehow this was visible and yet unimaginable. And I was no longer I but something pinned down as an atom, an atom of an atom, a necessary captive spectator, a tiny mirror into which it was all indifferently beamed, as it motionlessly seethed and boiled, gold behind gold behind gold.
Later still I awoke and it had all gone; and for a few moments I thought that I had seen all those stars only in a dream. There was a weird shocking sudden quiet, as at the cessation of a great symphony or of some immense prolonged indescribable din. Had the stars then been audible as well as visible and had I indeed heard the music of the spheres? The early dawn light hung over the rocks and over the sea, with an awful intent gripping silence, as if it had seized these faintly visible shapes and were very slowly drawing tgem out of a darkness in which they wanted to remain. Even the water was now totally silent, not a tap, not a vibration. The sky was a faintly lucid grey and the sea was a lightless grey, and the rocks were a dark fuzzy greyish brown. The sense of loneliness was far more intense than it had been under the stars. Then I had felt no fear. Now I felt fear. I discovered that I was feeling very stiff and rather cold. The rock beneath me was very hard and I felt bruised and aching. I was surprised to find my rugs and cushions were wet with dew. I got up stiffly and shook them. I looked around me. Mountainous piled-up rocks hid the house. And I saw myself as a dark figure in the midst of this empty awfully silent dawn, where light was scarcely
yet light, and I was afraid of myself and quickly lay down again and settled my rug and closed my eyes, lying there stiffly and not imagining that I would sleep again.
”
”
Iris Murdoch (The Sea, the Sea)
“
Then we’re kissing right there in front of everyone. And nothing else seems to matter. Certainly not etiquette, or what anyone else thinks. It’s only his lips on mine, the pressure gentle. It’s only us. And I can’t stop—
Which is when Derrick arrives out of thin air and careens into my shoulder in a mess of wings and limbs. “Hellooooo! Don’t mind me, I’m just interrupting your brazen cuddle to steal the lady for a few minutes.”
Oh, damnation, not now. I’m really regretting not giving Derrick that extra five minutes. “Derrick,” I say through clenched teeth. I step back from Kiaran and try to control the pixie’s wriggling body in my hair. “Not—”
“My god.” Derrick collapses on my shoulder. “I am full of pie. I can barely even move my wings. I—” He squints over at Kiaran and smiles in delight. “Oh, hulloooooo, villainous wastrel!”
Kiaran is clearly not impressed. “You’ve a bit of pastry on your jacket.”
Derrick swipes at the morsel, snatches it, and eats it. “Was just saving a wee snack for later.” He giggles.
For god’s sake.
I look pleadingly at Kiaran. “Just . . . save that thought. Don’t go anywhere.” I’d like to resume the kissing. “I’ll be right back—”
“Kiaraaaaaaaaaan.” Derrick giggles. “Or would you prefer I keep villainous wastrel? I never asked.”
Kiaran arches an eyebrow. “I suppose that depends. Would you prefer pain in my arse?”
Derrick bursts into laughter. “Arse! Aileana. He said arse.”
“Hell,” I mutter. “Will you excuse me for a moment?”
I don’t wait for Kiaran’s response. I take Derrick with me to the lift and don’t say anything until I reach the fourth floor. “Let me just say, if someone gave you honey, I’ll—”
“No, no, no,” Derrick says, gliding off my shoulder. He now looks suspiciously lucid. “You said to save you after twenty-five minutes. So I did.”
“I said to save me if I was around Daniel and in obvious distress.” Not when I’m kissing someone in obvious delight.
“Firstly, I was the one in distress watching you kiss Kiaran because ughhhh.” Derrick wags a finger at me. “And secondly, you never said anything about distress, you said—”
“Forget what I said.” I narrow my eyes. “Are you telling me that down there was all an act?”
He grins. “I would have been perfect in the theater, wouldn’t you say?”
“Good heavens,” I murmur. At least I don’t have to deal with a drunk pixie. “Let’s just check the wards, all right
”
”
Elizabeth May (The Vanishing Throne (The Falconer, #2))
“
I’m supposed to believe you sold your emeralds out of some freakish start-out of a frivolous desire to go off with a man you claim was your brother?”
“Goodness, I don’t know what you are supposed to believe. I only know I did it.”
“Madam!” he snapped. “You were on the verge of tears, according to the jeweler to whom you sold them. If you were in a frivolous mood, why were you on the verge of tears?”
Elizabeth gave him a vacuous look. “I liked my emeralds.”
Guffaws erupted from the floor to the rafters. Elizabeth waited until they were finished before she leaned forward and said in a proud, confiding tone, “My husband often says that emeralds match my eyes. Isn’t that sweet?”
Sutherland was beginning to grind his teeth, Elizabeth noted. Afraid to look at Ian, she cast a quick glance at Peterson Delham and saw him watching her alertly with something that might well have been admiration.
“So!” Sutherland boomed in a voice that was nearly a rant. “We are now supposed to believe that you weren’t really afraid of your husband?”
“Of course I was. Didn’t I just explain how very cruel he can be?” she asked with another vacuous look. “Naturally, when Bobby showed me his back I couldn’t help thinking that a man who would threaten to cut off his wife’s allowance would be capable of anything-“
Loud guffaws lasted much longer this time, and even after they died down, Elizabeth noticed derisive grins where before there had been condemnation and disbelief. “And,” Sutherland boomed, when he could be heard again, “we are also supposed to believe that you ran off with a man you claim is your brother and have been cozily in England somewhere-“
Elizabeth nodded emphatically and helpfully provided, “In Helmshead-it is the sweetest village by the sea. I was having a very pleas-very practical time until I read the paper and realized my husband was on trial. Bobby didn’t think I should come back at all, because he was still provoked about being put on one of my husband’s ships. But I thought I ought.”
“And what,” Sutherland gritted, “do you claim is the reason you decided you ought?”
“I didn’t think Lord Thornton would like being hanged-“ More mirth exploded through the House, and Elizabeth had to wait for a full minute before she could continue. “And so I gave Bobby my money, and he went on to have his own agreeable life, as I said earlier.”
“Lady Thornton,” Sutherland said in an awful, silky voice that made Elizabeth shake inside, “does the word ‘perjury’ have any meaning to you?”
“I believe,” Elizabeth said, “it means to tell a lie in a place like this.”
“Do you know how the Crown punishes perjurers? They are sentenced to gaol, and they live their lives in a dark, dank cell. Would you want that to happen to you?”
“It certainly doesn’t sound very agreeable,” Elizabeth said. “Would I be able to take my jewels and gowns?”
Shouts of laughter shook the chandeliers that hung from the vaulted ceilings.
“No, you would not!”
“Then I’m certainly happy I haven’t lied.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
In the house Jake shoved his hands deep in his pockets as he stood at the window watching the women, his expression a mixture of stupefaction and ire. “Gawdamighty,” he breathed, glancing at Ian, who was scowling at the unopened, note in his hand. “The women are chasin’ you clear into Scotland! That’ll stop soon as the news is out that yer betrothed.” Reaching up, he idly scratched his bushy red hair and turned back to the window, peering down the path. The women had vanished from view, and he left the window. Unable to hide a tinge of admiration, he added, “Tell you one thing, that blond gel had spunk, you have to give her that. Cool as can be, she stood there tauntin’ you with your own words and callin’ you a swine. I don’t know a man what would dare to do that!”
“She’d dare anything,” Ian said, remembering the young temptress he’d known. When most girls her age were blushing and simpering, Elizabeth Cameron had asked him to dance at their first meeting. That same night she’d defied a group of men in the card room; the next day she’d risked her reputation to meet him in a cottage in the woods-and all that merely to indulge in what she’d described in the greenhouse as a “little weekend dalliance.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Remember how those who bent on denying the truth plotted against you to imprison you or kill you or expel you: they schemed—but God also schemed. God is the best of schemers. 31 Whenever Our revelations are recited to them, they say, ‘We have heard them. If we wished, we could produce the like. They are nothing but the fables of the ancients.’ 32 They also said, ‘God, if this really is the truth from You, then rain down upon us stones from heaven, or send us some other painful punishment.’ 33 But God would not punish them while you [Prophet] were in their midst, nor would He punish them so long as they sought forgiveness. 34 Yet why should God not punish them when they debar people from the Sacred Mosque, although they are not its guardians? Its rightful guardians are those who fear God, though most of them do not realize it. 35 Their prayers at the Sacred House are nothing but whistling and clapping of hands. ‘So taste the punishment because of your denial.’ 36 Those who are bent on denying the truth are spending their wealth in debarring others from the path of God. They will continue to spend it in this way till, in the end, this spending will become a source of intense regret for them, and then they will be overcome. And those who denied the truth will be gathered together in Hell. 37 So that God may separate the bad from the good, He will heap the wicked one upon another and then cast them into Hell. These will surely be the losers. 38 Tell those who are bent on denying the truth that if they desist, their past shall be forgiven, but if they persist in sin, they have an example in the fate of those who went before.b 39 Fight them until there is no more [religious] persecution,c and religion belongs wholly to God: if they desist, then surely God is watchful of what they do, 40 but if they turn away, know that God is your Protector; the Best of Protectors and the Best of Helpers!
”
”
Anonymous (The Quran: A Simple English Translation (Goodword))
“
Young sisters, be modest. Modesty in dress and language and deportment is a true mark of refinement and a hallmark of a virtuous Latter-day Saint woman. Shun the low and the vulgar and the suggestive. . . .
Don’t see R-rated movies or vulgar videos or participate in any entertainment that is immoral, suggestive, or pornographic. And don’t accept dates from young men who would take you to such entertainment. . . .
Also, don’t listen to music that is degrading. . . .
Instead, we encourage you to listen to uplifting music, both popular and classical, that builds the spirit. Learn some favorite hymns from our new hymnbook that build faith and spirituality. Attend dances where the music and the lighting and the dance movements are conducive to the Spirit. Watch those shows and entertainment that lift the spirit and promote clean thoughts and actions. Read books and magazines that do the same.
Remember, young women, the importance of proper dating. President Kimball gave some wise counsel on this subject: “Clearly, right marriage begins with right dating. . . . Therefore, this warning comes with great emphasis. Do not take the chance of dating nonmembers, or members who are untrained and faithless. A girl may say, ‘Oh, I do not intend to marry this person. It is just a “fun” date.’ But one cannot afford to take a chance on falling in love with someone who may never accept the gospel” (The Miracle of Forgiveness, pp. 241–42).
Our Heavenly Father wants you to date young men who are faithful members of the Church, who will be worthy to take you to the temple and be married the Lord’s way. There will be a new spirit in Zion when the young women will say to their boyfriends, “If you cannot get a temple recommend, then I am not about to tie my life to you, even for mortality!” And the young returned missionary will say to his girlfriend, “I am sorry, but as much as I love you, I will not marry out of the holy temple.
”
”
Ezra Taft Benson
“
Honoria nodded and was about to say something utterly
forgettable when she saw that his hand had been bandaged.
“I hope your injury is not severe,” she said politely.
“Oh, this?” he held up his hand. His fingers were free to waggle,
but the rest of it looked rather like a mitt. “It’s nothing. An
altercation with a letter opener.”
“Well, please do be careful of infection,” Honoria said,
somewhat more forcefully than was de rigueur. “If it grows red, or
swollen, or even worse, yellow, then you must see a doctor at
once.”
“Green?” he quipped.
“I beg your pardon?”
“You listed so many colors about which I must be wary.”
For a moment Honoria could only stare. Wound infection was
not a laughing matter.
“Lady Honoria?” he murmured.
She decided to proceed as if he’d said nothing. “Most
importantly, you must watch for reddish streaks spreading from the
wound. Those are the worst.”
He blinked, but if he was startled by the turn of the
conversation, he did not show it. Instead he looked down at his
hand with a curious eye and said, “How red?”
“I beg your pardon?”
“How red do the streaks have to be before I must worry?”
“How do you know so much about medicine?” Lady Danbury
cut in.
“Do you know, I’m not sure how red,” Honoria told Mr.
Bridgerton. “I would think anything stripey ought to be a cause for
alarm.
”
”
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
“
And though you are the one I hurt, it was God who was offended by me,” he said with downcast eyes. My heart was deeply moved and I felt great pity for him. “I wish for your redemption, John. Fear not Brother, for all is as it should be,” I said sincerely, clutching the stone in my hand, hopeful of its magic. “You shall hereby be released from the burdens you have carried like a ball and chain into Heaven,” I declared, weeping tears of regret. “You are forgiven, John. Now go forth and let us meet in the Kingdom of eternal grace,” I said expectantly. “I have paid a great price for my sins, Mariam. Please tell our daughter that her father loves and watches over
”
”
Krishna Rose (Woman in Red: Magdalene Speaks)
“
I had seen the soldiers' god, the Word, the Light, the Good Shepherd, the mediator between the one God and man. I had seen Mithras, who had come out of Asia a thousand years ago. He had been born in a cave at mid-winter, while shepherds watched and a star shone; he was born of earth and light, and sprang from the rock with a torch in his left hand and a knife in his right. He killed the bull to bring life and fertility to the earth with its shed blood, and then, after his last meal of bread and wine, he was called up to heaven. He was the god of strength and gentleness, of courage and self-restraint. The soldiers' god. [fifth-century Brittany] The Crystal Cave, p. 131 of 384
”
”
Mary Stewart (Merlin Trilogy Collection Vol (1-5) 5 Books Bundle By Mary Stewart (The Crystal Cave,The Wicked Day) Gift Wrapped Slipcase Specially For You)
“
In the center of the room Elizabeth stood stock still, clasping and unclasping her hands, watching the handle turn, unable to breathe with the tension. The door swung open, admitting a blast of frigid air and a tall, broad-shouldered man who glanced at Elizabeth in the firelight and said, “Henry, it wasn’t necess-“
Ian broke off, the door still open, staring at what he momentarily thought was a hallucination, a trick of the flames dancing in the fireplace, and then he realized the vision was real: Elizabeth was standing perfectly still, looking at him. And lying at her feet was a young Labrador retriever.
Trying to buy time, Ian turned around and carefully closed the door as if latching it with precision were the most paramount thing in his life, while he tried to decide whether she’d looked happy or not to see him. In the long lonely nights without her, he’d rehearsed dozens of speeches to her-from stinging lectures to gentle discussions. Now, when the time was finally here, he could not remember one damn word of any of them.
Left with no other choice, he took the only neutral course available. Turning back to the room, Ian looked at the Labrador. “Who’s this?” he asked, walking forward and crouching down to pet the dog, because he didn’t know what the hell to say to his wife.
Elizabeth swallowed her disappointment as he ignored her and stroked the Labrador’s glossy black head. “I-I call her Shadow.”
The sound of her voice was so sweet, Ian almost pulled her down into his arms. Instead, he glanced at her, thinking it encouraging she’d named her dog after his. “Nice name.”
Elizabeth bit her lip, trying to hide her sudden wayward smile. “Original, too.”
The smile hit Ian like a blow to the head, snapping him out of his untimely and unsuitable preoccupation with the dog. Straightening, he backed up a step and leaned his hip against the table, his weight braced on his opposite leg.
Elizabeth instantly noticed the altering of his expression and watched nervously as he crossed his arms over his chest, watching her, his face inscrutable. “You-you look well,” she said, thinking he looked unbearably handsome.
“I’m perfectly fine,” he assured her, his gaze level. “Remarkably well, actually, for a man who hasn’t seen the sun shine in more than three months, or been able to sleep without drinking a bottle of brandy.”
His tone was so frank and unemotional that Elizabeth didn’t immediately grasp what he was saying. When she did, tears of joy and relief sprang to her eyes as he continued: “I’ve been working very hard. Unfortunately, I rarely get anything accomplished, and when I do, it’s generally wrong. All things considered, I would say that I’m doing very well-for a man who’s been more than half dead for three months.”
Ian saw the tears shimmering in her magnificent eyes, and one of them traced unheeded down her smooth cheek.
With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.”
Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
What, may I ask, does your one truck contain if not gowns?”
Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided.
All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?”
“The mortal remains of Saint Jacob.”
Lady Eloise and Lady Mortand screamed in unison, Sir William choked on his wine, and Sir Francis gaped at her in horror, but Elizabeth wasn’t quite finished. She saved the coup de grace until the meal was over. As soon as everyone arose she insisted they sit back down so a proper prayer of gratitude could be said. Raising her hands heavenward, Elizabeth turned a simple grace into a stinging tirade against the sins of lust and promiscuity that rose to crescendo as she called down the vengeance of doomsday on all transgressors and culminated in a terrifyingly lurid description of the terrors that awaited all who strayed down the path of lechery-terrors that combined dragon lore with mythology, a smattering of religion, and a liberal dash of her own vivid imagination. When it was done Elizabeth dropped her eyes, praying in earnest that tonight would loose her from her predicament. There was no more she could do; she’d played out her hand with all her might; she’d given it her all.
It was enough. After supper Sir Francis escorted her to her chamber and, with a poor attempt at regret, announced that he greatly feared they wouldn’t suit. Not at all.
Elizabeth and Berta departed at dawn the following morning, an hour before Sir Francis’s servants stirred themselves. Clad in a dressing robe, Sir Francis watched from his bedchamber window as Elizabeth’s coachman helped her into her conveyance. He was about to turn away when a sudden gust of wind caught Elizabeth’s black gown, exposing a long and exceptionally shapely leg to Sir Francis’s riveted gaze. He was still staring at the coach as it circled the drive; through its open window he saw Elizabeth laugh and reach up, unpinning her hair. Clouds of golden tresses whipped about the open window, obscuring her face, and Sir Francis thoughtfully wet his lips.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Once again this unspeakable man had caused her to make a complete fool of herself, and the realization made her eyes blaze with renewed fury as she turned her head and looked at him.
Despite Ian’s apparent nonchalance he had been watching her closely, and he stiffened, sensing instinctively that she was suddenly and inexplicably angrier than before. He nodded to the gun, and when he spoke there was no more mockery in his voice; instead it was carefully neutral. “I think there are a few things you ought to consider before you use that.”
Though she had no intention of using it, Elizabeth listened attentively as he continued in that same helpful voice. “First of all, you’ll have to be very fast and very calm if you intend to shoot me and reload before Jake there gets to you. Second, I think it’s only fair to warn you that there’s going to be a great deal of blood all over the place. I’m not complaining, you understand, but I think it’s only right to warn you that you’re never again going to be able to wear that charming gown you have on.” Elizabeth felt her stomach lurch. “You’ll hang, of course,” he continued conversationally, “but that won’t be nearly as distressing as the scandal you’ll have to face first.”
Too disgusted with herself and with him to react to that last mocking remark, Elizabeth put her chin up and managed to say with great dignity, “I’ve had enough of this, Mr. Thornton. I did not think anything could equal your swinish behavior at our prior meetings, but you’ve managed to do it. Unfortunately, I am not so ill-bred as you and therefore have scruples against assaulting someone who is weaker than I, which is what I would be doing if I were to shoot an unarmed man. Lucinda, we are leaving,” she said, then she glanced back at her silent adversary, who’d taken a threatening step, and she shook her head, saying with extreme, mocking civility, “No, please-do not bother to see us out, sir, there’s no need. Besides, I wish to remember you just as you are at this moment-helpless and thwarted.” It was odd, but now, at the low point of her life, Elizabeth felt almost exhilarated because she was finally doing something to avenge her pride instead of meekly accepting her fate.
Lucinda had marched out onto the porch already, and Elizabeth tried to think of something to dissuade him from retrieving his gun when she threw it away outside. She decided to repeat his own advice, which she began to do as she backed away toward the door. “I know you’re loath to see us leave like this,” she said, her voice and her hand betraying a slight, fearful tremor. “However, before you consider coming after us, I beg you will take your own excellent advice and pause to consider if killing me is worth hanging for.”
Whirling on her heel, Elizabeth took one running step, then cried out in pained surprise as she was jerked off her feet and a hard blow to her forearm sent the gun flying to the floor at the same time her arm was yanked up and twisted behind her back. “Yes,” he said in an awful voice near her ear, “I actually think it would be worth it.”
Just when she thought her arm would surely snap, her captor gave her a hard shove that sent her stumbling headlong out into the yard, and the door slammed shut behind her.
“Well! I never,” Lucinda said, her bosom heaving with rage as she glowered at the closed door.
“Neither have I,” said Elizabeth, shaking dirt off her hem and deciding to retreat with as much dignity as possible. “We can talk about what a madman he is once we’re down the path, out of sight of the house. So if you’ll please take that end of the trunk?”
With a black look Lucinda complied, and they marched down the path, both of them concentrating on keeping their backs as straight as possible.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
A-Actually, the flower that sprang up would have been the iris or larkspur, not the modern hyacinth, but that is how it earned its name.”
“Fascinating.” His unfathomable eyes locked onto hers.
Elizabeth knew he was referring to her and not the history of the hyacinth, and though she commanded herself to move out of his reach, her legs refused to budge.
“Absolutely fascinating,” he murmured again, and in slow motion she watched his hands reach out and gently grasp her shoulders, rubbing lightly. “Last night you were ready to do battle with a roomful of men because they dared believe I’d cheated, yet now you’re afraid. Is it me you fear, sweetheart? Or something else?”
The endearment spoken in his rich baritone voice had the same stirring effect on her as the touch of his lips. “I’m afraid of the things you make me feel,” she admitted desperately, trying to get control of herself and the situation. “I realize that this is merely a-a little weekend dalliance-“
“Liar,” he teased, and he took her lips in a sweet, swift kiss. Her mind reeled from the brief touch, but the moment he lifted his mouth from hers she rushed into frightened speech. “Thank you,” she blurted inanely. “H-Hyacinths are not the only flower with an interesting history. There are lilies, too, which are also part of the genus-“
A lazy, seductive grin swept across his handsome face, and, to Elizabeth’s helpless horror, her gaze fastened on his mouth. She couldn’t still the shiver of anticipation as he bent his head.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
After that, we don't talk much until she brings out a ginger cake from the larder.
"An old family recipe," she says. "I've been experimenting with the quantities of cloves and Jamaica ginger. Tell me what you think." And she pushes a slice toward me. I try not to gobble for it, for I am starving.
"The most important thing with this cake is to beat in every ingredient, one by one, with the back of a wooden spoon," she says. "Simply throwing everything in together and then beating produces a most unsuccessful cake. I know because my first attempt was as heavy as a brick---quite indigestible!" She gives a rueful smile and asks if I think it needs more ginger.
I feel the crumb, dense and dark, melt on my tongue. My mouth floods with warmth and spice and sweetness. As I swallow, something sharp and clean seems to lift through my nose and throat until my head swims.
"I can see you like it." Miss Eliza watches me and smiles.
And then I blurt something out. Something I know Reverend Thorpe and his wife would not like. But it's too late, the words jump from my throat of their own accord. "I can taste an African heaven, a forest full of dark earth and heat."
The smile on Miss Eliza's face stretches a little wider and her eyes grow brighter. And this gives me the courage to ask a question that's nothing to do with my work. "What is the flavor that cuts through it so keenly, so that it sings a high note on my tongue?"
She stares at me with her forget-me-not eyes. "It's the lightly grated rinds of two fresh lemons!
”
”
Annabel Abbs (Miss Eliza's English Kitchen)
“
We have weathered deep depression, hurtful arguments, separation, estrangement, anger, bewilderment, deep disappointment and suspicion of words and deeds—all in connection with those nearest to us. We have overcome our own and our spouses’ thoughts of suicide, as well as an actual suicide attempt by one spouse and another by a surviving child. We have had to deal with a sibling turning to drugs in hopes of relieving the hurt. The repercussions of our children’s deaths will echo forever in our lives and those of our close family members. The bitterness and the fury will diminish, but they will never completely disappear. But the one relationship that has never faltered has been that which we had and continue to have with our deceased children. That closeness, which we probably took for granted when our children were alive, has grown to the point that they are forever with us and within us. Our dead children have become omnipresent in our lives. They are the one sure thing. Everything else surrounding us can ebb and flow, change and perhaps go, but our dead children are as much a part of us as they were when we carried them through nine months of pregnancy. We cannot, and will not, ever think of them as no longer existing. We cannot say for certain that they are watching us from heaven, but the thought that they may be doing just that comforts us and encourages us to go on with our lives. At times, it even makes us feel a certain comedic awkwardness. No matter what is happening, our child is in the room. Phyllis: “My son and his wife came
”
”
Ellen Mitchell (Beyond Tears: Living After Losing a Child)
“
STAINS
With red clay between my toes,
and the sun setting over my head,
the ghost of my mother blows in,
riding on a honeysuckle breeze, oh lord,
riding on a honeysuckle breeze.
Her teeth, the keys of a piano.
I play her grinning ivory notes
with cadenced fumbling fingers,
splattered with paint, textured with scars.
A song rises up from the belly of my past
and rocks me in the bosom of buried memories.
My mama’s dress bears the stains of her life:
blueberries, blood, bleach, and breast milk;
She cradles in her arms a lifetime of love and sorrow;
Its brilliance nearly blinds me.
My fingers tire,
as though I've played this song for years.
The tune swells red,
dying around the edges of a setting sun.
A magnolia breeze blows in strong,
a heavenly taxi sent to carry my mother home.
She will not say goodbye.
For there is no truth in spoken farewells.
I am pregnant with a poem,
my life lost in its stanzas.
My mama steps out of her dress
and drops it, an inheritance falling to my feet.
She stands alone: bathed, blooming,
burdened with nothing of this world.
Her body is naked and beautiful,
her wings gray and scorched,
her brown eyes piercing the brown of mine.
I watch her departure, her flapping wings:
She doesn’t look back, not even once,
not even to whisper my name: Brenda.
I lick the teeth of my piano mouth.
With a painter’s hands,
with a writer’s hands
with rusty wrinkled hands,
with hands soaked in the joys,
the sorrows, the spills
of my mother’s life,
I pick up eighty-one years of stains
And pull her dress over my head.
Her stains look good on me.
”
”
Brenda Sutton Rose
“
Vargus: Be me. Eat a bag of dicks for breakfast. Go home for lunch and eat another bag of dicks. Finish work and start preparing my bag of dicks for dinner while I warm up ‘The Saga Continues’. No Aetherius. Me sad. Chew dicks pensively. Some guy called Scorpius fighting instead. Level 28. Total noobcake. ROFL, wut a tryhard. Noobcake kicks demi-god in my three meals a day and cusses him out in livestream, with broken arms and legs. Dicks spilling from my gobsmacked open mouth (soooooo many dicks). I inhale too hard and my dinner gets lodged in my throat. Stars in my vision, blacking out. Try to call my mom for help, but multiple phalli are blocking my respiratory organs. Tumble out of my chair sideways and hit the ground, hands around my throat to dislodge all the penises I’ve been chowing down on. There’s no hope, there are too many. Everything goes dark. Wake up, my vision is blurry and my throat is blissfully unburdened by inadvertent deep throating. I’m being transported somewhere. Am I on my way to heaven? How will I explain my eating habits to Saint Peter? Big blurry white words are floating into perspective in the center of my vision. I try to focus on them, my brain still struggling to replenish oxygen. The words clear, and it is obvious that my diet has not gone unnoticed. I am in hell. ‘The Elder Scrolls V’. Oh no, oh god no, anything but that! ‘SKYRIM’. Please, St. Peter, I can change, please don’t forsake me, PLEA- “Hey you, you’re finally awake”. Thanks Todd. 10/10, would eat dicks and watch Daemien kick a demi-god in the schlong again.
”
”
Oliver Mayes
“
Before The Beginning Of Years"
Before the beginning of years
There came to the making of man
Time, with a gift of tears;
Grief, with a glass that ran;
Pleasure, with pain for leaven;
Summer, with flowers that fell;
Remembrance, fallen from heaven,
And madness risen from hell;
Strength without hands to smite;
Love that endures for a breath;
Night, the shadow of light,
And life, the shadow of death.
And the high gods took in hand
Fire, and the falling of tears,
And a measure of sliding sand
From under the feet of the years;
And froth and the drift of the sea;
And dust of the laboring earth;
And bodies of things to be
In the houses of death and of birth;
And wrought with weeping and laughter,
And fashioned with loathing and love,
With life before and after
And death beneath and above,
For a day and a night and a morrow,
That his strength might endure for a span
With travail and heavy sorrow,
The holy spirit of man.
From the winds of the north and the south,
They gathered as unto strife;
They breathed upon his mouth,
They filled his body with life;
Eyesight and speech they wrought
For the veils of the soul therein,
A time for labor and thought,
A time to serve and to sin;
They gave him light in his ways,
And love, and space for delight,
And beauty, and length of days,
And night, and sleep in the night.
His speech is a burning fire;
With his lips he travaileth;
In his heart is a blind desire,
In his eyes foreknowledge of death;
He weaves, and is clothed with derision;
Sows, and he shall not reap;
His life is a watch or a vision
Between a sleep and a sleep.
”
”
Algernon Charles Swinburne (Poems and Ballads & Atalanta in Calydon)
“
He said, One of the Fathers has told us that joy always depends on pain. Pain is part of joy. We are hungry and then think how we enjoy our food at last. We are thirsty...He stopped suddenly, with his eyes glancing away into the shadows, expecting the cruel laugh that did not come. He said, We deny ourselves so that we can enjoy. You have heard of rich men in the north who eat salted foods, so that they can be thirsty—for what they call the cocktail. Before the marriage, too, there is the long betrothal... Again he stopped. He felt his own unworthiness like a weight at the back of the tongue. There was a smell of hot wax from where a candle drooped in the nocturnal heat; people shifted on the hard floor in the shadows. The smell of unwashed human beings warred with the wax. He cried out stubbornly in a voice of authority, That is why I tell you that heaven is here: this is a part of heaven just as pain is a part of pleasure. He said, Pray that you will suffer more and more and more. Never get tired of suffering. The police watching you, the soldiers gathering taxes, the beating you always get from the jefe because you are too poor to pay, smallpox and fever, hunger...that is all part of heaven—the preparation. Perhaps without them, who can tell, you wouldn't enjoy heaven so much. Heaven would not be complete. And heaven. What is heaven? Literary phrases form what seemed now to be another life altogether—the strict quiet life of the seminary—became confused on his tongue: the names of precious stones: Jerusalem the Golden. But these people had never seen gold.
”
”
Graham Greene (The Power and the Glory)
“
Who can tell how scenes of peace and quietude sink into the minds of pain-worn dwellers in close and noisy places, and carry their own freshness, deep into their jaded hearts! Men who have lived in crowded, pent-up streets, through lives of toil, and who have never wished for change; men, to whom custom has indeed been second nature, and who have come almost to love each brick and stone that formed the narrow boundaries of their daily walks; even they, with the hand of death upon them, have been known to yearn at last for one short glimpse of Nature’s face; and, carried far from the scenes of their old pains and pleasures, have seemed to pass at once into a new state of being. Crawling forth, from day to day, to some green sunny spot, they have had such memories wakened up within them by the sight of sky, and hill and plain, and glistening water, that a foretaste of heaven itself has soothed their quick decline, and they have sunk into their tombs, as peacefully as the sun whose setting they watched from their lonely chamber window but a few hours before, faded from their dim and feeble sight! The memories which peaceful country scenes call up, are not of this world, nor of its thoughts and hopes. Their gentle influence may teach us how to weave fresh garlands for the graves of those we loved: may purify our thoughts, and bear down before it old enmity and hatred; but beneath all this, there lingers, in the least reflective mind, a vague and half-formed consciousness of having held such feelings long before, in some remote and distant time, which calls up solemn thoughts of distant times to come, and bends down pride and worldliness beneath it.
”
”
Charles Dickens (Oliver Twist)
“
There comes a time in most of our lives in which we no longer have the strength to lift ourselves out or to pretend ourselves strong. Sometimes our minds want to break because life stomped on us and God didn’t stop it. Like a family who watches their loved one slip and fall onto the rocks on a mountainside vacation when all was supposed to be beautiful and fun; or like a parent whose child was mistreated or shot while at school. Charles and those who lost their loved ones that terrible day had to come to terms with suffering in a house of God while the word was preached and a prankster cackled. Questions fill our lungs. We mentally wheeze. We go numb. When on vacation or at school or at church, that kind of thing is not supposed to happen there. Even the knees of a Jesus-follower will buckle. Charles’ wife, Susannah, said of Charles at that time, “My beloved’s anguish was so deep and violent, that reason seemed to totter in her throne, and we sometimes feared that he would never preach again.”5 Though it cannot be said for all of us or for every person that we have loved, it remains true that, in this cherished case, Charles Spurgeon did preach again. But sorrows of many kinds haunted and hounded him for the rest of his life. His depression came, not only from circumstances, or from questions about whether or not he was consecrated to God, but also from the chemistry of his body. God gave to us a preacher who knew firsthand what it felt like for his reason to totter, not just once, but many times during his life and ministry. And somehow this fellow sufferer named Charles and his dear wife Susannah (who also suffered physically most of her adult life) still made a go of it, insisting to each other and to their generation that the sorrowing have a Savior. On that November morning, in weakness, Charles did what some of us are not yet able to do in our sorrows; he read the Bible. Perhaps it will comfort you to learn that for a while “the very sight of the Bible” made Charles cry.6 Many of us know what this feels like. But this Scripture passage, Philippians 2:9-11, “had such a power of comfort upon [his] distressed spirit.” And being found in human form, he [Jesus] humbled himself by becoming obedient to the point of death, even death on a cross. Therefore God has highly exalted him and bestowed on him the name that is above every name (Phil. 2:8-9). From this Scripture, Charles set the larger story of his hope before us. The same Heavenly Father who picked up His son out of the muck, misery and mistreatment can do the same for us.
”
”
Zack Eswine (Spurgeon's Sorrows: Realistic Hope for those who Suffer from Depression)
“
Our ability to measure and apportion time affords an almost endless source of comfort.
“Synchronise watches at oh six hundred,” says the infantry captain, and each of his huddled lieutenants finds a respite from fear in the act of bringing two tiny pointers into jeweled alignment while tons of heavy artillery go fluttering overhead; the prosaic, civilian looking dial of the watch has restored, however briefly, an illusion of personal control. Good, it counsels, looking tidily up from the hairs and veins of each terribly vulnerable wrist; fine: so far, everything’s happening right on time…
“Oh, let me see now,” says the ancient man, tilting his withered head to wince and blink at the sun in bewildered reminiscence, “my first wife passed away the spring of -” and for a moment he is touched with terror. The spring of what? Past? Future? What is any spring but a mindless rearrangement of cells in the crust of the spinning earth as it floats in endless circuit of its sun? What is the sun itself but one of a billion insensible stars forever going nowhere into nothingness? Infinity! But soon the merciful valves and switches of his brain begin to do their tired work, and “The spring of Nineteen-Ought-Six,” he is able to say. “Or no, wait-” and his blood runs cold again as the galaxies revolve. “Wait! Nineteen-Ought — Four.”… He may have forgotten the shape of his first wife’s smile and the sound of her voice in tears, but by imposing a set of numerals on her death, he has imposed coherence on his own life and on life itself… “Yes sir,” he can say with authority, “nineteen-Ought-Four,” and the stars tonight will please him as tokens of his ultimate heavenly rest. He has brought order out of chaos.
”
”
Richard Yates (Revolutionary Road)
“
I think,” Berta remarked with a proud little smile when she was seated alone in the drawing room beside Elizabeth, “he’s having second thoughts about proposing, milday.”
“I think he was silently contemplating the easiest way to murder me at dinner,” Elizabeth said, chuckling. She was about to say more when the butler interrupted them to announce that Lord Marchman wished to have a private word with Lady Cameron in his study.
Elizabeth prepared for another battle of wits-or witlessness, she thought with an inner smile-and dutifully followed the butler down a dark hall furnished in brown and into a very large study where the earl was seated in a maroon chair at a desk on her right.
“You wished to see-“ she began as she stepped into his study, but something on the wall beside her brushed against her hair. Elizabeth turned her head, expecting to see a portrait hanging there, and instead found herself eye-to-fang with an enormous bear’s head. The little scream that tore from her was very real this time, although it owed to shock, not to fear.
“It’s quite dead,” the earl said in a voice of weary resignation, watching her back away from his most prized hunting trophy with her hand over her mouth.
Elizabeth recovered instantly, her gaze sweeping over the wall of hunting trophies, then she turned around.
“You may take your hand away from your mouth,” he stated. Elizabeth fixed him with another accusing glare, biting her lip to hide her smile. She would have dearly loved to hear how he had stalked that bear or where he had found that monstrous-big boar, but she knew better than to ask. “Please, my lord,” she said instead, “tell me these poor creatures didn’t die at your hands.”
“I’m afraid they did. Or more correctly, at the point of my gun.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
This will not be a normal winter. The winter will begin, and it will continue, winter following winter. There will be no spring, no warmth. People will be hungry and they will be cold and they will be angry. Great battles will take place, all across the world. Brothers will fight brothers, fathers will kill sons. Mothers and daughters will be set against each other. Sisters will fall in battle with sisters, and will watch their children murder each other in their turn. This will be the age of cruel winds, the age of people who become as wolves, who prey upon each other, who are no better than wild beasts. Twilight will come to the world, and the places where the humans live will fall into ruins, flaming briefly, then crashing down and crumbling into ash and devastation. Then, when the few remaining people are living like animals, the sun in the sky will vanish, as if eaten by a wolf, and the moon will be taken from us too, and no one will be able to see the stars any longer. Darkness will fill the air, like ashes, like mist. This will be the time of the terrible winter that will not end, the Fimbulwinter. There will be snow driving in from all directions, fierce winds, and cold colder than you have ever imagined cold could be, an icy cold so cold your lungs will ache when you breathe, so cold that the tears in your eyes will freeze. There will be no spring to relieve it, no summer, no autumn. Only winter, followed by winter, followed by winter. After that there will come the time of the great earthquakes. The mountains will shake and crumble. Trees will fall, and any remaining places where people live will be destroyed. The earthquakes will be so great that all bonds and shackles and fetters will be destroyed. All of them. Fenrir, the great wolf, will free himself from his shackles. His mouth will gape: his upper jaw will reach the heavens, the lower jaw will touch the earth. There is nothing he cannot eat, nothing he will not destroy. Flames come from his eyes and his nostrils. Where Fenris Wolf walks, flaming destruction follows. There will be flooding too, as the seas rise and surge onto the land. Jormungundr, the Midgard serpent, huge and dangerous, will writhe in its fury, closer and closer to the land. The venom from its fangs will spill into the water, poisoning all the sea life. It will spatter its black poison into the air in a fine spray, killing all the seabirds that breathe it. There will be no more life in the oceans, where the Midgard serpent writhes. The rotted corpses of fish and of whales, of seals and sea monsters, will wash in the waves. All who see the brothers Fenrir the wolf and the Midgard serpent, the children of Loki, will know death. That is the beginning of the end.
”
”
Neil Gaiman (Norse Mythology)
“
Flower Beds by Maisie Aletha Smikle
Flower beds in a row
Like tic toc toe
Spread the mulch
Pluck the weeds and mow
Water the flower beds
And flowers will bud
Colorful blooms
All season long
Welcome the sunshine
From heaven’s furnace
Anchored far up in the sky
Gentle rays beam from up above
A round ball of fire way up in the sky
Always suspended in the anchored sky
Shines its radiant beams from way up high
Warming the sprouting flower beds
Sunlight Moonlight Starlight
Warm gentle and bright
Make the flower beds bright
Glowing softly in the night
Thanks for the moon
Thanks for the stars
Thanks for the sun
Thanks for the soft radiant beams of light
That make the flower beds beautiful and bright
In colorful shades of red
Yellow orange black pink
Purple green and white
In the blooming flower bed
Sat a rabbit called Skip
Watching the horizon as the circle of fire slowly dip
Diving slowly into the ocean deep
”
”
Maisie Aletha Smikle
“
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?”
Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously.
Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.”
Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.”
It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.”
“Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.”
“No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!”
Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?”
Elizabeth nodded.
“There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?”
“Yes,” Elizabeth said. “I give you my word.”
She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder.
Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.”
“He ought to be shot!” Bentner said with blazing contempt.
Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I would like to see you cheat,” Elizabeth said impulsively, smiling at him.
His hands stilled, his eyes intent on her face. “I beg your pardon?”
“What I meant,” she hastily explained as he continued to idly shuffle the cards, watching her, “is that night in the card room at Charise’s there was mention of someone being able to deal a card from the bottom of the deck, and I’ve always wondered if you could, if it could…” She trailed off, belatedly realizing she was insulting him and that his narrowed, speculative gaze proved that she’d made it sound as if she believed him to be dishonest at cards. “I beg your pardon,” she said quietly. “That was truly awful of me.”
Ian accepted her apology with a curt nod, and when Alex hastily interjected, “Why don’t we use the chips for a shilling each,” he wordlessly and immediately dealt the cards.
Too embarrassed even to look at him, Elizabeth bit her lip and picked up her hand.
In it there were four kings.
Her gaze flew to Ian, but he was lounging back in his chair, studying his own cards.
She won three shillings and was pleased as could be.
He passed the deck to her, but Elizabeth shook her head. “I don’t like to deal. I always drop the cards, which Celton says is very irritating. Would you mind dealing for me?”
“Not at all,” Ian said dispassionately, and Elizabeth realized with a sinking heart that he was still annoyed with her.
“Who is Celton?” Jordan inquired.
“Celton is a groom with whom I play cards,” Elizabeth explained unhappily, picking up her hand.
In it there were four aces.
She knew it then, and laughter and relief trembled on her lips as she lifted her face and stared at her betrothed. There was not a sign, not so much as a hint anywhere on his perfectly composed features that anything unusual had been happening.
Lounging indolently in his chair, he quirked an indifferent brow and said, “Do you want to discard and draw more cards, Elizabeth?”
“Yes,” she replied, swallowing her mirth, “I would like one more ace to go with the ones I have.”
“There are only four,” he explained mildly, and with such convincing blandness that Elizabeth whooped with laughter and dropped her cards. “You are a complete charlatan!” she gasped when she could finally speak, but her face was aglow with admiration.
“Thank you, darling,” he replied tenderly. “I’m happy to know your opinion of me is already improving.”
The laughter froze in Elizabeth’s chest, replaced by warmth that quaked through her from head to foot. Gentlemen did not speak such tender endearments in front of other people, if at all. “I’m a Scot,” he’d whispered huskily to her long ago. “We do.” The Townsendes had launched into swift, laughing conversation after a moment of stunned silence following his words, and it was just as well, because Elizabeth could not tear her gaze from Ian, could not seem to move. And in that endless moment when their gazes held, Elizabeth had an almost overwhelming desire to fling herself into his arms. He saw it, too, and the answering expression in his eyes made her feel she was melting.
“It occurs to me, Ian,” Jordan joked a moment later, gently breaking their spell, “that we are wasting our time with honest pursuits.”
Ian’s gaze shifted reluctantly from Elizabeth’s face, and then he smiled inquisitively at Jordan. “What did you have in mind?” he asked, shoving the deck toward Jordan while Elizabeth put back her unjustly won chips.
“With your skill at dealing whatever hand you want, we could gull half of London. If any of our victims had the temerity to object, Alex could run them through with her rapier, and Elizabeth could shoot him before he hit the ground.”
Ian chuckled. “Not a bad idea. What would your role be?”
“Breaking us out of Newgate!” Elizabeth laughed.
“Exactly.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
How we should perform our works in the most rational way. There are many people (and we can ourselves easily be among them, if we wish) who are not impeded by those things with which they come into contact and in whom such things do not create a permanent image; for creatures can neither have nor find a resting place in a heart which is filled with God. But we should not rest content with this: we should also derive great profit from all things, whatever they may be, wherever we may be, whatever we see or hear and however alien and strange to us they are. It is then, and only then, that we are in the right state of mind. And no one can ever come to the end of this process, but rather we should grow in it without end and come to achieve ever more. We should make good use of our reason in all our works and in all things and have a clear understanding of ourselves and our inner nature, grasping God in all things and in the highest possible manner. For we should be as our Lord told us: ‘You should be like those who at all times watch and wait for their Lord’ (Luke 12:36). Truly, such vigilant people are alert and on the watch for their Lord for whom they wait; they look to see if he is not by chance concealed in what befalls them, however strange it may be to them. So we too should consciously look out for our Lord in all things. This demands much effort, and must cost us all that our senses and faculties are capable of. But this is the right thing for us to do, so that we grasp God in the same way in all things and find him equally everywhere. Works are different in kind, but whatever is done in the same spirit will be of equal value. For those who are in the right frame of mind, and for whom God has become their own, God will truly shine out just as clearly from their worldly acts as he does from their most sacred ones. But of course this is not to be understood as meaning that we should do things which are either worldly or wrong, but rather that we should offer to God whatever we see or hear of things in the world. Only those for whom God is present in all things and who make the very best use of their reason, know what true peace is and truly possess heaven. For those who want to achieve this, one of two things must always happen: either they must learn to grasp and to hold God in what they do, or they must stop doing things altogether. But since we cannot abandon all activity in this life, which is part of being human and which takes so many different forms, we must learn to possess God in all things, while remaining free in all that we do and wherever we are. Thus, if the beginner is to achieve something in company, then he or she must first enlist God’s help, fixing him firmly in their hearts and uniting all their intentions, thoughts, desires and faculties with him so that nothing else can take form in them.
”
”
Meister Eckhart (Selected Writings)
“
The last encounter was one Ian enjoyed, because Elizabeth was with him after they’d had their second-and last permissible-dance. Viscount Mondevale had approached them with Valerie hanging on his arm, and the rest of their group fanned around them. The sight of the young woman who’d caused them both so much pain evoked almost as much ire in Ian as the sight of Mondevale watching Elizabeth like a lovelorn swain.
“Mondevale,” Ian had said curtly, feeling the tension in Elizabeth’s fingers when she looked at Valerie, “I applaud your taste. I’m certain Miss Jamison will make you a fine wife, if you ever get up the spine to ask her. If you do, however, take my advice, and hire her a tutor, because she can’t write and she can’t spell.” Transferring his blistering gaze to the gaping young woman, Ian clipped, “’Greenhouse’ has a ‘u’ in it. Shall I spell ‘malice’ for you as well?”
“Ian,” Elizabeth chided gently as they walked away. “It doesn’t matter anymore.” She looked up at him and smiled, and Ian grinned back at her. Suddenly he felt completely in harmony with the world.
The feeling was so lasting that he managed to endure the remaining three weeks-with all the requisite social and courtship rituals and betrothal formalities-with equanimity while he mentally marked off each day before he could make her his and join his starving body with hers.
With a polite smile on his face Ian appeared at teas and mentally composed letters to his secretary; he sat through the opera and slowly undressed her in his mind; he endured eleven Venetian breakfasts where he mentally designed an entirely new kind of mast for his fleet of ships; he escorted her to eighteen balls and politely refrained from acting our his recurring fantasy of dismembering the fops who clustered around her, eyeing her lush curves and mouthing platitudes to her.
It was the longest three weeks of his life.
It was the shortest three weeks of hers.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Lalla Ruk
Dearest dream, my soul's enchantment
Lovely guest from heav'n above,
Most benevolent attender
To the earthly realm below,
You gave me blissful satisfaction
Momentary but complete:
Bringing with you happy tidings -
Like a herald from the skies.
I dreamed dreams of life eternal
In that Promised Land of peace;
I dreamed dreams of fragrant regions,
Of a tranquil, sweet Kashmir;
I could witness celebrations,
Festivals of roses vernal
Honoring that lovely maiden
From lands strange and far away.
And, with glistening enchantment
Like an angel from above, -
This untainted, youthful vision
Came before my dreaming eyes;
Like a veil, a shining shroud
Screened her lovely face from view,
Tenderly she did incline
Her shy gazes toward the earth.
All her traits - her timid shyness
Underneath her shining crown,
Childlike her animation,
And her face's noble beauty -
Glowing with a depth of feeling,
Sweet serenity and peace -
All of these completely artless
Indescribably sublime!
As I watched, the apparition
(Captivating me in passing)
Never to return, flew by;
I pursued - but it had gone!
T'was a vision merely fleeting,
Transient illumination
Leaving nothing but a legend
Of its passing through my life!
T'is not ours to harbor
Beauty's spirit - Ah, so pure!
It comes nigh but for a moment
From its heavenly abode;
Like a dream, it slips away,
Like an airy dream of morning:
But in sacred reminiscence
It is married with the heart!
Only in the purest instants
Of our life does it appear
Bringing with it revelations
Beneficial to our hearts;
That our hearts may know of heaven
In this earthly shadow realm,
It allows us momentary
Glimpses through the earthly veil.
And through all that here is lovely,
All that animates our lives,
To our souls it speaks a language
Reassuring and distinct;
When it quits our earthly region
It bestows a gift of love
Glowing in our evening heaven:
"Tis a farewell star for all to see.
”
”
Vasily Zhukovsky
“
When he reached a certain place, he stopped for the night because the sun had set. Taking one of the stones there, he put it under his head and lay down to sleep. He had a dream in which he saw a stairway resting on the earth, with its top reaching to heaven, and the angels of God were ascending and descending on it. There above it stood the LORD, and he said: “I am the LORD, the God of your father Abraham and the God of Isaac. I will give you and your descendants the land on which you are lying. Your descendants will be like the dust of the earth, and you will spread out to the west and to the east, to the north and to the south. All peoples on earth will be blessed through you and your offspring. I am with you and will watch over you wherever you go, and I will bring you back to this land. I will not leave you until I have done what I have promised you.” When Jacob awoke from his sleep, he thought, “Surely the LORD is in this place, and I was not aware of it.” GENESIS 28 : 11 – 16
”
”
Sarah Young (Jesus Calling, with Scripture References: Enjoying Peace in His Presence (A 365-Day Devotional) (Jesus Calling®))
“
But these things that Rome had to give, are they not good things?” Marcus demanded. “Justice, and order, and good roads; worth having, surely?” “These be all good things,” Esca agreed. “But the price is too high.” “The price? Freedom?” “Yes—and other things than freedom.” “What other things? Tell me, Esca; I want to know. I want to understand.” Esca thought for a while, staring straight before him. “Look at the pattern embossed here on your dagger-sheath,” he said at last. “See, here is a tight curve, and here is another facing the other way to balance it, and here between them is a little round stiff flower; and then it is all repeated here, and here, and here again. It is beautiful, yes, but to me it is as meaningless as an unlit lamp.” Marcus nodded as the other glanced up at him. “Go on.” Esca took up the shield which had been laid aside at Cottia’s coming. “Look now at this shield-boss. See the bulging curves that flow from each other as water flows from water and wind from wind, as the stars turn in the heaven and blown sand drifts into dunes. These are the curves of life; and the man who traced them had in him knowledge of things that your people have lost the key to—if they ever had it.” He looked up at Marcus again very earnestly. “You cannot expect the man who made this shield to live easily under the rule of the man who worked the sheath of this dagger.” “The sheath was made by a British craftsman,” Marcus said stubbornly. “I bought it at Anderida when I first landed.” “By a British craftsman, yes, making a Roman pattern. One who had lived so long under the wings of Rome—he and his fathers before him—that he had forgotten the ways and the spirit of his own people.” He laid the shield down again. “You are the builders of coursed stone walls, the makers of straight roads and ordered justice and disciplined troops. We know that, we know it all too well. We know that your justice is more sure than ours, and when we rise against you, we see our hosts break against the discipline of your troops, as the sea breaks against a rock. And we do not understand, because all these things are of the ordered pattern, and only the free curves of the shield-boss are real to us. We do not understand. And when the time comes that we begin to understand your world, too often we lose the understanding of our own.” For a while they were silent, watching Cub at his beetle-hunting. Then Marcus said, “When I came out from home, a year and a half ago, it all seemed so simple.” His gaze dropped again to the buckler on the bench beside him, seeing the strange, swelling curves of the boss with new eyes. Esca had chosen his symbol well, he thought: between the formal pattern on his dagger-sheath and the formless yet potent beauty of the shield-boss lay all the distance that could lie between two worlds. And yet between individual people, people like Esca, and Marcus, and Cottia, the distance narrowed so that you could reach across it, one to another, so that it ceased to matter.
”
”
Rosemary Sutcliff (The Eagle (The Dolphin Ring Cycle #1))
“
Besides, if you wouldn’t duel with Lord Everly when he called you a cheat, you certainly wouldn’t harm poor Lord Howard merely for touching my arm.”
“Wouldn’t I?” he asked softly. “Those are two very different issues.”
Not for the first time, Elizabeth found herself at a loss to understand him. Suddenly his presence was vaguely threatening again; whenever he stopped playing the amusing gallant he became a dark, mysterious stranger. Raking her hair off her forehead, she glanced out the window. “It must be after three already. I really must leave.” She surged to her feet, smoothing her skirts. “Thank you for a lovely afternoon. I don’t know why I remained. I shouldn’t have, but I am glad I did…”
She ran out of words and watched in wary alarm as he stood up. “Don’t you?” he asked softly.
“Don’t I what?”
“Know why you’re still here with me?”
“I don’t even know who you are?” she cried. “I know about places you’ve been, but not your family, your people. I know you gamble great sums of money at cards, and I disapprove of that-“
“I also gamble great sums of money on ships and cargo-will that improve my character in your eyes?”
“And I know,” she continued desperately, watching his gaze turn warm and sensual, “I absolutely know you make me excessively uneasy when you look at me the way you’re doing now!”
“Elizabeth,” he said in a tone of tender finality, “you’re here because we’re already half in love with each other.”
“Whaaat? she gasped.
“And as to needing to know who I am, that’s very simple to answer.” His hand lifted, grazing her pale cheek, then smoothing backward, cupping her head. Gently he explained, “I am the man you’re going to marry.”
“Oh, my God!”
“I think it’s too late to start praying,” he teased huskily.
“You-you must be mad,” she said, her voice quavering.
“My thoughts exactly,” he whispered, and, bending his head, he pressed his lips to her forehead, drawing her against his chest, holding her as if he knew she would struggle if he tried to do more than that. “You were not in my plans, Miss Cameron.”
“Oh, please,” Elizabeth implored helplessly, “don’t do this to me. I don’t understand any of this. I don’t know what you want.”
“I want you.” He took her chin between his thumb and forefinger and lifted it, forcing her to meet his steady gaze as he quietly added, “And you want me.”
Elizabeth’s entire body started to tremble as his lips began descending to hers, and she sought to forestall what her heart knew was inevitable by reasoning with him. “A gently bred Englishwomen,” she shakily quoted Lucinda’s lecture, “feels nothing stronger than affection. We do not fall in love.”
His warm lips covered hers. “I’m a Scot,” he murmured huskily. “We do.”
“A Scot!” she uttered when he lifted his mouth from hers.
He laughed at her appalled expression. “I said ‘Scot,’ not ‘ax murderer.”
A Scot who was a gambler to boot! Havenhurst would land on the auction block, the servants turned off, and the world would fall apart. “I cannot, cannot marry you.”
“Yes, Elizabeth,” he whispered as his lips trailed a hot path over her cheek to her ear, “you can.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Did you ever notice how very fickle males are?” she asked the horse. “And how very foolish females are about them?” she added, aware of how inexplicably deflated she felt. She realized as well that she was being completely irrational-she had not intended to come here, had not wanted him to be waiting, and now she felt almost like crying because he wasn’t!
Giving the ribbons of her bonnet an impatient jerk, she untied them. Pulling the bonnet off, she pushed the back door of the cottage open, stepped inside-and froze in shock!
Standing at the opposite side of the small room, his back to her, was Ian Thornton. His dark head was slightly bent as he gazed at the cheery little fire crackling in the fireplace, his hands shoved into the back waistband of his gray riding breeches, his booted foot upon the grate. He’d taken off his jacket, and beneath his soft lawn shirt his muscles flexed as he withdrew his right hand and shoved it through the side of his hair. Elizabeth’s gaze took in the sheer male beauty of his wide, masculine shoulders, his broad back and narrow waist.
Something in the somber way he was standing-added to the fact that he’d waited more than two hours for her-made her doubt her earlier conviction that he hadn’t truly cared whether she came or not. And that was before she glanced sideways and saw the table. Her heart turned over when she saw the trouble he’d taken: A cream linen tablecloth covered with crude china, obviously borrowed from Charise’s house. In the center of the table a candle was lit, and a half-empty bottle of wine stood beside a platter of cold meat and cheese.
In all her life Elizabeth had never known that a man could actually arrange a luncheon and set a table. Women did that. Women and servants. Not men who were so handsome they made one’s pulse race. It seemed she’d been standing there for several minutes, not mere seconds, when he stiffened suddenly, as if sensing her presence. He turned, and his harsh face softened with a wry smile: “You aren’t very punctual.”
“I didn’t intend to come,” Elizabeth admitted, fighting to recover her balance and ignore the tug of his eyes and voice. “I got caught in the rain on my way to the village.”
“You’re wet.”
“I know.”
“Come over by the fire.”
When she continued to watch him warily, he took his foot off the grate and walked over to her. Elizabeth stood rooted to the floor, while all of Lucinda’s dark warnings about being alone with a man rushed through her mind. “What do you want?” she asked him breathlessly, feeling dwarfed by his towering height.
“Your jacket.”
“No-I think I’d like to keep it on.”
“Off,” he insisted quietly. “It’s wet.”
“Now see here!” she burst out backing toward the open door, clutching the edges of her jacket.
“Elizabeth,” he said with reassuring calm, “I gave you my word you’d be safe if you came today.”
Elizabeth briefly closed her eyes and nodded, “I know. I also know I shouldn’t be here. I really ought to leave. I should, shouldn’t I?” Opening her eyes again, she looked beseechingly into his-the seduced asking the seducer for advice.
“Under the circumstances, I don’t think I’m the one you ought to ask.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
She was still standing there several moments later when Ian walked in to invite her to ride with him. “Still trying to find your answer, sweetheart?” he asked with a sympathetic grin, mistaking the cause of her wary stare.
“No, I found mine,” she said, her voice unintentionally accusing as she thrust both pieces of paper toward him. “What I would like to know,” she continued, unable to tear her gaze from him, “is how it happens to be the same answer you arrived at in a matter of moments.”
His grin faded, and he shoved his hands into his pockets, ignoring the papers in her outthrust hand. His expression carefully impassive, he said, “That answer is a little more difficult than the one I wrote down for you-“
“You can do this-calculate all those figures in your mind? In moments?”
He nodded curtly, and when Elizabeth continued to stare at him warily, as if he was a being of unknown origin, his face hardened. In a clipped, cool voice he said, “I would appreciate it if you would stop staring at me as if I’m a freak.”
Elizabeth’s mouth dropped open at his tone and his words. “I’m not.”
“Yes,” he said implacably. “You are. Which is why I haven’t told you before this.”
Embarrassed regret surged through her at the understandable conclusion he’d drawn from her reaction. Recovering her composure, she started around the desk toward him. “What you saw on my face was wonder and awe, no matter how it must have seemed.”
“The last thing I want from you is ‘awe,’” he said tightly, and Elizabeth belatedly realized that, while he didn’t care what anyone else thought of him, her reaction to all this was obviously terribly important to him. Rapidly concluding that he’d evidently had some experience with other people’s reaction to what must surely be a form of genius-and which struck them as “freakish”-she bit her lip, trying to decide what to say. When nothing came to mind, she simply let love guide her and reacted without artifice. Leaning back against the desk, she sent him an amused, sidelong smile and said, “I gather you can calculate almost as rapidly as you can read?”
His response was short and chilly. “Not quite.”
“I see,” she continued lightly. “I would guess there are close to ten thousand books in your library here. Have you read them all?”
“No.”
She nodded thoughtfully, but her eyes danced with admiring laughter as she continued, “Well, you’ve been quite busy the past few weeks-dancing attendance on me. No doubt that’s kept you from finishing the last thousand or two.” His face softened as she asked merrily, “Are you planning to read them all?”
With relief, she saw the answering smile tugging at his lips. “I thought I’d attend to that next week,” he replied with sham gravity.
“A worthy endeavor,” she agreed. “I hope you won’t start without me. I’d like to watch.”
Ian’s shout of laughter was cut short as he snatched her into his arms and buried his face in her fragrant hair, his hands clenching her to him as if he could absorb her sweetness into himself.
“Do you have any other extraordinary skills I ought to know about, my lord?” she whispered, holding him as tightly as he was holding her.
The laugher in his voice was replaced by tender solemnity. “I’m rather good,” he whispered, “at loving you.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Ever since he’d set eyes on Elizabeth Cameron he’d been blind-no, he corrected himself with furious self-disgust, in England he’d recognized instinctively what she was-gentle and proud, brave and innocent and…rare. He’d known damned well she wasn’t a promiscuous little flirt, yet he’d later convinced himself she was, and then he’d treated her like one here-and she had endured it the entire time she’d been here! She had let him say those things to her and then tried to excuse his behavior by blaming herself for behaving like “a shameless wanton” in England!
Bile rose up in his throat, suffocating him, and he closed his eyes. She was so damned sweet, and so forgiving, that she even did that for him.
Duncan hadn’t moved; in taut silence he watched his nephew standing at the window, his eyes clenched shut, his stance like that of a man who was being stretched on the rack.
Finally Ian spoke, and his voice was rough with emotion, as if the words were being gouged out of him: “Did the woman say that, or was that your own opinion?”
“About what?”
Drawing a ragged breath, he asked, “Did she tell you that Elizabeth was in love with me two years ago, or was that your opinion?”
The answer to that obviously meant so much to Ian that Duncan almost smiled. At the moment, however, the vicar was more concerned with the two things he wanted above all else: He wanted Ian to wed Elizabeth and rectify the damage he’d done to her, and he wanted Ian to reconcile with his grandfather. In order to do the former, Ian would have to do the latter, for Elizabeth’s uncle was evidently determined that her husband should have a title if possible. So badly did Duncan want those two things to happen that he almost lied to help the cause, but the precepts of his conscience forbade it. “It was Miss Throckmorton-Jones’s opinion when she was under the influence of laudanum. It is also my opinion, based on everything I saw in Elizabeth’s character and behavior to you.”
He waited through another long moment of awful suspense, knowing exactly where Ian’s thoughts would have to turn next, and then he plunged in, ready to press home his advantage with hard, systematic logic. “You have no choice except to rescue her from that repugnant marriage.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Turning, she smiled with genuine affection at Lord Marchman and offered him her hand through the open window of the coach. “Thank you,” she said shyly but with great sincerity, “for being all the things you are, my lord.”
His face scarlet with pleasure at her compliment, John Marchman stepped back and watched her coach pull out of his drive. He watched it until the horses turned onto the road, then he slowly walked back toward the house and went into his study. Sitting down at his desk, he looked at the note he’d written her uncle and idly drummed his fingers upon his desk, recalling her disturbing answer when he asked if she’d dissuaded old Belhaven from pressing his suit. “I think I have,” she’d said. And then John made his decision.
Feeling rather like an absurd knight in shining armor rushing to save an unwilling damsel in the event of future distress, he took out a fresh sheet of paper and wrote out a new message to her uncle. As it always happened the moment courtship was involved, Lord Marchman lost his ability to be articulate. His note read:
If Belhaven asks for her, please advise me of it. I think I want her first.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
She arranged the bacon on a platter and then debated what to do with the ten-inch biscuit that had actually been four small biscuits when she’d placed the pan in the oven. Deciding not to break it into irregular chucks, she placed the entire biscuit neatly in the center of the bacon and carried the platter over to the table, were Ian had just seated himself. Returning to the stove, she tried to dig the eggs out of the skillet, but they wouldn’t come loose, so she brought the skillet and spatula to the table. “I-I thought you might like to serve,” she offered formally, to hide her growing trepidation over the things she had prepared.
“Certainly,” Ian replied, accepting the honor with the same grave formality with which she’d offered it: then he looked expectantly at the skillet. “What have we here?” he inquired sociably.
Scrupulously keeping her gaze lowered, Elizabeth sat down across from him. “Eggs,” she answered, making an elaborate production of opening her napkin and placing it on her lap. “I’m afraid the yolks broke.”
“It doesn’t matter.”
When he picked up the spatula Elizabeth pinned a bright, optimistic smile on her face and watched as he first tried to lift, and then began trying to pry the eggs from the skillet. “They’re stuck,” she explained needlessly.
“No, they’re bonded,” he corrected, but at least he didn’t sound angry. After another few moments he finally managed to pry a strip loose, and he placed it on her plate. A few moments more and he was able to gouge another piece loose, which he placed on his own plate.
In keeping with the agreed-upon truce they both began observing all the polite table rituals with scrupulous care. First Ian offered the platter of bacon with the biscuit centerpiece to Elizabeth. “Thank you,” she said, choosing two black strips of bacon.
Ian took three strips of bacon and studied the flat brown object reposing on the center of the platter. “I recognize the bacon,” he said with grave courtesy, “but what is that?” he asked, eyeing the brown object. “It looks quite exotic.”
“It’s a biscuit,” Elizabeth informed him.
“Really?” he said, straight-faced. “Without any shape?”
“I call it a-a pan biscuit,” Elizabeth fabricated hastily.
“Yes, I can see why you might,” he agreed. “It rather resembles the shape of a pan.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
To you, O Blessed Joseph, we have recourse in our affliction, and having implored the help of your most holy spouse, we now, with hearts filled with confidence, earnestly beg you to take us under your protection. Through that sacred bond of charity which united you to the Immaculate Virgin Mother of God, and by that fatherly love with which you embraced the Child Jesus, we humbly beg you to look graciously upon the beloved inheritance which Jesus Christ purchased by his blood, and to aid us in our necessities with your power and strength. Defend, O most watchful guardian of the Holy Family, the chosen children of Jesus Christ. Keep from us, O most loving father, all blight of error and corruption. Aid us from on high, most valiant defender, in this conflict with the powers of darkness. And just as you once saved the Child Jesus from mortal danger, so now defend God’s Holy Church from the snares of the enemy and from all adversity. Shield us by your constant protection, so that, supported by your example and strengthened by your help, we may be able to live a virtuous life, die a happy death, and obtain everlasting bliss in heaven. Amen.11
”
”
Donald H. Calloway (Consecration to St. Joseph: The Wonders of Our Spiritual Father)
“
Elizabeth automatically started forward three steps, then halted, mesmerized. An acre of thick Aubusson carpet stretched across the book-lined room, and at the far end of it, seated behind a massive baronial desk with his shirtsleeves folded up on tanned forearms, was the man who had lied in the little cottage in Scotland and shot at a tree limb with her.
Oblivious to the other three men in the room who were politely coming to their feet, Elizabeth watched Ian arise with that same natural grace that seemed so much a part of him. With a growing sense of unreality she heard him excuse himself to his visitors, saw him move away from behind his desk, and watched him start toward her with long, purposeful strides. He grew larger as he neared, his broad shoulders blocking her view of the room, his amber eyes searching her face, his smile one of amusement and uncertainty. “Elizabeth?” he said.
Her eyes wide with embarrassed admiration, Elizabeth allowed him to lift her hand to his lips before she said softly, “I could kill you.”
He grinned at the contrast between her words and her voice. “I know.”
“You might have told me.”
“I hoped to surprise you.”
More correctly, he had hoped she didn’t know, and now he had his proof: Just as he had thought, Elizabeth had agreed to marry him without knowing anything of his personal wealth. That expression of dazed disbelief on her face had been real. He’d needed to see it for himself, which was why he’d instructed his butler to bring her to him as soon as she arrived. Ian had his proof, and with it came the knowledge that no matter how much she refused to admit it to him or to herself, she loved him.
She could insist for now and all time that all she wanted from marriage was independence, and now Ian could endure it with equanimity. Because she loved him.
Elizabeth watched the expressions play across his face. Thinking he was waiting for her to say more about his splendid house, she gave him a jaunty smile and teasingly said, “’Twill be a sacrifice, to be sure, but I shall contrive to endure the hardship of living in such a place as this. How many rooms are there?” she asked.
His brows rose in mockery. “One hundred and eighty-two.”
“A small place of modest proportions,” she countered lightly. “I suppose we’ll just have to make do.”
Ian thought they were going to do very well.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“
“Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?”
“Lucinda!” Elizabeth whispered desperately. “They didn’t know we were coming.”
“No respectable person would dwell in such a place even for a night,” she snapped, and Elizabeth watched in mingled distress and admiration as the redoubtable woman turned around and directed her attack on their unwilling host. “The responsibility for our being here is yours, whether it was a mistake or not! I shall expect you to rout your servants from their hiding places and have them bring clean linens up to us at once. I shall also expect them to have this squalor remedied by morning! It is obvious from your behavior that you are no gentleman; however, we are ladies, and we shall expect to be treated as such.”
From the corner of her eye Elizabeth had been watching Ian Thornton, who was listening to all of this, his jaw rigid, a muscle beginning to twitch dangerously in the side of his neck.
Lucinda, however, was either unaware of or unconcerned with his reaction, for, as she picked up her skirts and turned toward the stairs, she turned on Jake. “You may show us to our chambers. We wish to retire.”
“Retire!” cried Jake, thunderstruck. “But-but what about supper?” he sputtered.
“You may bring it up to us.”
Elizabeth saw the blank look on Jake’s face, and she endeavored to translate, politely, what the irate woman was saying to the startled red-haired man.
“What Miss Throckmorton-Jones means is that we’re rather exhausted from our trip and not very good company, sir, and so we prefer to dine in our rooms.”
“You will dine,” Ian Thornton said in an awful voice that made Elizabeth freeze, “on what you cook for yourself, madam. If you want clean linens, you’ll get them yourself from the cabinet. If you want clean rooms, clean them! Am I making myself clear?”
“Perfectly!” Elizabeth began furiously, but Lucinda interrupted in a voice shaking with ire: “Are you suggesting, sirrah, that we are to do the work of servants?”
Ian’s experience with the ton and with Elizabeth had given him a lively contempt for ambitious, shallow, self-indulgent young women whose single goal in life was to acquire as many gowns and jewels as possible with the least amount of effort, and he aimed his attack at Elizabeth. “I am suggesting that you look after yourself for the first time in your silly, aimless life. In return for that, I am willing to give you a roof over your head and to share our food with you until I can get you to the village. If that is too overwhelming a task for you, then my original invitation still stands: There’s the door. Use it!”
Elizabeth knew the man was irrational, and it wasn’t worth riling herself to reply to him, so she turned instead to Lucinda. “Lucinda,” she said with weary resignation, “do not upset yourself by trying to make Mr. Thornton understand that his mistake has inconvenienced us, not the other way around. You will only waste your time. A gentleman of breeding would be perfectly able to understand that he should be apologizing instead of ranting and raving. However, as I told you before we came here, Mr. Thornton is no gentleman. The simple fact is that he enjoys humiliating people, and he will continue trying to humiliate us for as long as we stand here.”
Elizabeth cast a look of well-bred disdain over Ian and said, “Good night, Mr. Thornton.” Turning, she softened her voice a little and said, “Good evening, Mr. Wiley.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
If you’re hoping for a good meal, you’ve come to the wrong place. Miss Cameron has already attempted to sacrifice herself on the altar of domesticity this morning, and we both narrowly escaped death from her efforts. I’m cooking supper,” he finished, “and it may not be much better.”
“I’ll try my hand at breakfast,” the vicar volunteered good-naturedly.
When Elizabeth was out of earshot, Ian said quietly, “How badly is the woman hurt?”
“It’s hard to say, considering that she was almost too angry to be coherent. Or it might have been the laudanum that did it.”
“Did what?”
The vicar paused a moment to watch a bird hop about in the rustling leaves overhead, then he said, “She was in a rare state. Quite confused. Angry, too. On the one hand, she was afraid you might decide to express your ‘tender regard’ for Lady Cameron, undoubtedly in much the way you were doing it when I arrived.” When his gibe evoked nothing but a quirked eyebrow from his imperturbable nephew, Duncan sighed and continued, “At the same time, she was equally convinced that her young lady might try to shoot you with your own gun, which I distinctly understood her to say the young lady had already tried to do. It is that which I feared when I heard the gunshots that sent me galloping up here.”
“We were shooting at targets.”
The vicar nodded, but he was studying Ian with an intent frown.
“Is something else bothering you?” Ian asked, noting the look.
The vicar hesitated, then shook his head slightly, as if trying to dismiss something from his mind. “Miss Throckmorton-Jones had more to say, but I can scarcely credit it.”
“No doubt it was the laudanum,” Ian said, dismissing the matter with a shrug.
“Perhaps,” he said, his frown returning. “Yet I have not taken laudanum, and I was under the impression you are about to betroth yourself to a young woman named Christina Taylor.”
“I am.”
His face turned censorious. “Then what excuse can you have for the scene I just witnessed a few minutes ago?”
Ian’s voice was clipped. “Insanity.”
They walked back to the house, the vicar silent and thoughtful, Ian grim. Duncan’s untimely arrival had not bothered him, but now that his passion had finally cooled he was irritated as hell with his body’s uncontrollable reaction to Elizabeth Cameron. The moment his mouth touched hers it was as if his brain went dead. Even though he knew exactly what she was, in his arms she became an alluring angel.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please—”
Ian realized what she was asking for, but he responded with a questioning lift of his brows.
“I—” she began, uncomfortably aware of the knowing look in his eyes.
“Yes?” he prompted.
“I don’t know—exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms.
“Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.”
“What!”
“You heard me.”
“Of all the arrogant—”
He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.
To Elizabeth, his statement that it had been “good between us” defused her ire and confused her at the same time. She stared at him in dazed wonder while his hands tightened imperceptibly on her arms. Self-conscious, she let her gaze drop to his finely molded lips, watching as a faint smile, a challenging smile lifted them at the corners, and inch by inch, the hands on her arms were drawing her closer.
“Afraid to find out?” he asked, and it was the trace of huskiness in his voice that she remembered, that worked its strange spell on her again, exactly as it had so long ago. His hands shifted to the curve of her waist. “Make up your mind,” he whispered, and in her confused state of loneliness and longing, she made no protest when he bent his head. A shock jolted through her as his lips touched hers, warm, invited—brushing slowly back and forth. Paralyzed, she waited for that shattering passion he’d shown her before, without realizing that her participation had done much to trigger it. Standing still and tense, she waited to experience that forbidden burst of exquisite delight . . . wanted to experience it, just once, just for a moment. Instead his kiss was feather-light, softly stroking . . . teasing!
She stiffened, pulling back an inch, and his gaze lifted lazily from her lips to her eyes. Dryly, he said, “That’s not quite the way I remembered it.”
“Nor I,” Elizabeth admitted, unaware that he was referring to her lack of participation.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Maybe it was easier if you knew your child was dead. It was a thought that stopped him in his tracks sometimes but he knew that it was the truth. If the child was dead then you had to figure out a way forward. It was being locked in this permanent state of limbo that was keeping Sarah in bed.One night he had come home from the day with a story of one of the young lads sliding through some fairly big cow pats. The boy had landed on his butt and there had been laughter all round. Restrained laughter but, still, it was funny. He had sat on the edge of the bed and related the story to Sarah and she had smiled and then released a small giggle. Immediately he could see her regret it and he had watched her bite down hard on her lip. Hard enough to draw some blood.
‘It’s okay, Sarah,’ he had said gently. ‘It’s okay to laugh.’
‘Bullshit, Doug,’ she had spat back at him. ‘How can you laugh if he’s not laughing? How can I laugh knowing that he may be suffering?’
‘I . . . I . . .’ Doug had started, then he had left the room.
If a child died did it end this struggle? Could you put your faith in God and heaven and know he was in a better place, laughing with other children? Was that how you were able to move on?
”
”
Nicole Trope (The Boy Under the Table)
“
Because he was not afraid until after it was all over, Grandfather said, because that was all it was to him -a spectacle, something to be watched because he might not have a chance to see such again, since his innocence still functioned and he not only did not know what fear was until afterward, he did not even know that at first he was not terrified; did not even know that he had found the place where money was to be had quick if you were courageous and shrewd but where high mortality was concomitant with the money and the sheen on the dollars was not from gold but from blood -a spot of earth which might have been created and set aside by Heaven itself, Grandfather said, as a theatre for violence and injustice and bloodshed and all the satanic lusts of human greed and cruelty, for the last despairing fury of all the pariah-interdict and all the doomed -a little island set in a smiling and fury lurked and incredible indigo sea, which was the halfway point between what we call the jungle and what we call civilization, halfway between the dark inscrutable continent from which the black blood, the black bones and flesh and thinking and remembering and hopes and desires, was ravished by violence, and the cold known land to which it was doomed, the civilised land and people which had expelled some of its own blood and thinking and desires that had become too crass to be faced and borne longer, and set it homeless and desperate on the lonely ocean -a little lost island in a latitude which would require ten thousand years of equatorial heritage to bear its climate, a soil manured with black blood from two hundred years of oppression and exploitation until it sprang with an incredible paradox of peaceful greenery and crimson flowers and sugar cane sapling size and three times the height of a man and a little bulkier of course but valuable pound for pound almost with silver ore, as if nature held a balance and kept a book and offered recompense for the torn limbs and outraged hearts even if man did not, the planting of nature and man too watered not only by the wasted blood but breathed over by the winds in which the doomed ships had fled in vain, out of which the last tatter of sail had sunk into the blue sea, along which the last vain despairing cry of woman or child had blown away; - the planting of men too: the yet intact bones and brains in which the old unsleeping blood that had vanished into the earth they trod still cried out for vengeance.
”
”
William Faulkner (Absalom, Absalom!)
“
A monk lived near the temple of Shiva. In the house opposite lived a prostitute. Noticing the large number of men who visited her, the monk decided to speak to her.
‘You are a great sinner,’ he said sternly. ‘You reveal your lack of respect for God every day and every night. Do you never stop to think about what will happen to you after your death?’
The poor woman was very shaken by what the monk said. She prayed to God out of genuine repentance, begging His forgiveness. She also asked the Almighty to help her to find another means of earning her living.
But she could find no other work and, after going hungry for a week, she returned to prostitution.
But each time she gave her body to a stranger, she would pray to the Lord for forgiveness.
Annoyed that his advice had had no effect, the monk thought to himself:
‘From now on, I’m going to keep a count of the number of men who go into that house, until the day the sinner dies.’
And from that moment on, he did nothing but watch the comings and goings at the prostitute’s house, and for each man who went in, he added a stone to a pile of stones by his side.
After some time, the monk again spoke to the prostitute and said:
‘You see that pile of stones? Each stone represents a mortal sin committed by you, despite all my warnings. I say to you once more: do not sin again!’
Seeing how her sins accumulated, the woman began to tremble. Returning home, she wept tears of real repentance and prayed to God:
‘O Lord, when will Your mercy free me from this wretched life?’
Her prayer was heard. That same day, the angel of death came to her house and carried her off. On God’s orders, the angel crossed the street and took the monk with him too.
The prostitute’s soul went straight up to Heaven, while the devils bore the monk down into Hell. They passed each other on the way, and when the monk saw what was happening, he cried out:
‘Is this Your justice, O Lord? I spent my whole life in devotion and poverty and now I am carried off into Hell, while that prostitute, who lived all her life steeped in sin, is borne aloft up to Heaven!’
Hearing this, one of the angels replied:
Angels are always just. You thought that God’s love meant judging the behaviour of your neighbour. While you filled your heart with the impurity of another’s sin, this woman prayed fervently day and night. Her soul is so light after all the tears she has shed that we can easily bear her up to Paradise. Your soul is so weighed down with stones it is too heavy to lift.
”
”
Paulo Coelho
“
Lady Cameron,” he said, playing his role with elan as he nodded toward Ian. “You recall our friend Lord Thornton, Marquess of Kensington, I hope?”
The radiant smile Elizabeth bestowed on Ian was not at all what the dowager had insisted ought to be “polite but impartial.” It wasn’t quite like any smile she’d ever given him. “Of course I remember you, my lord,” Elizabeth said to Ian, graciously offering him her hand.
“I believe this waltz is mine,” he said for the benefit of Elizabeth’s avidly interested admirers. He waited until they were near the dancers, then he tried to sound more pleasant. “You seem to be enjoying yourself tonight.”
“I am,” she said idly, but when she looked up at his face she saw the coolness in his eyes; with her new understanding of her own feelings, she understood his more easily. A soft, knowing smile touched her lips as the musicians struck up a waltz; it stayed in her heart as Ian’s arm slid around her waist, and his left hand closed around her fingers, engulfing them.
Overhead a hundred thousand candles burned in crystal chandeliers, but Elizabeth was back in a moonlit arbor long ago. Then as now, Ian moved to the music with effortless ease. That lovely waltz had begun something that had ended wrong, terribly wrong. Now, as she danced in his arms, she could make this waltz end much differently, and she knew it; the knowledge filled her with pride and a twinge of nervousness. She waited, expecting him to say something tender, as he had the last time.
“Belhaven’s been devouring you with his eyes all night,” Ian said instead. “So have half the men in this ballroom. For a country that prides itself on its delicate manners, they sure as hell don’t extend to admiring beautiful women.”
That, Elizabeth thought with a startled inner smile, was not the opening she’d been waiting for. With his current mood, Elizabeth realized, she was going to have to make her own opening. Lifting her eyes to his enigmatic golden ones, she said quietly, “Ian, have you ever wanted something very badly-something that was within your grasp-and yet you were afraid to reach out for it?”
Surprised by her grave question and her use of his name, Ian tried to ignore the jealousy that had been eating at him all night. “No,” he said, scrupulously keeping the curtness from his voice as he gazed down at her alluring face. “Why do you ask? Is there something you want?”
Her gaze fell from his, and she nodded at his frilled white shirtfront.
“What is it you want?”
“You.”
Ian’s breath froze in his chest, and he stared down at her lustrous hair. “What did you just say?”
She raised her eyes to his. “I said I want you, only I’m afraid that I-“
Ian’s heart slammed into his chest, and his fingers dug reflexively into her back, starting to pull her to him. “Elizabeth,” he said in a strained voice, glancing a little wildly at their avidly curious audience and resisting the impossible impulse to take her out onto the balcony, “why in God’s name would you say a thing like that to me when we’re in the middle of a damned dance floor in a crowded ballroom?”
Her radiant smile widened. “I thought it seemed like exactly the right place,” she told him, watching his eyes darken with desire.
“Because it’s safer?” Ian asked in disbelief, meaning safer from his ardent reaction.
“No, because this is how it all began two years ago. We were in the arbor, and a waltz was playing,” she reminded him needlessly. “And you came up behind me and said, ‘Dance with me, Elizabeth.’ And-and I did,” she said, her voice trailing off at the odd expression darkening his eyes. “Remember?” she added shakily when he said absolutely nothing.
His gaze held hers, and his voice was tender and rough. “Love me, Elizabeth.”
Elizabeth felt a tremor run through her entire body, but she looked at him without flinching. “I do.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
claque, aka canned laughter It’s becoming increasingly clear that there’s nothing new under the sun (a heavenly body, by the way, that some Indian ascetics stare at till they go blind). I knew that some things had a history—the Constitution, rhythm and blues, Canada—but it’s the odd little things that surprise me with their storied past. This first struck me when I was reading about anesthetics and I learned that, in the early 1840s, it became fashionable to hold parties where guests would inhale nitrous oxide out of bladders. In other words, Whip-it parties! We held the exact same kind of parties in high school. We’d buy fourteen cans of Reddi-Wip and suck on them till we had successfully obliterated a couple of million neurons and face-planted on my friend Andy’s couch. And we thought we were so cutting edge. And now, I learn about claque, which is essentially a highbrow French word for canned laughter. Canned laughter was invented long before Lucille Ball stuffed chocolates in her face or Ralph Kramden threatened his wife with extreme violence. It goes back to the 4th century B.C., when Greek playwrights hired bands of helpers to laugh at their comedies in order to influence the judges. The Romans also stacked the audience, but they were apparently more interested in applause than chuckles: Nero—emperor and wannabe musician—employed a group of five thousand knights and soldiers to accompany him on his concert tours. But the golden age of canned laughter came in 19th-century France. Almost every theater in France was forced to hire a band called a claque—from claquer, “to clap.” The influential claque leaders, called the chefs de claque, got a monthly payment from the actors. And the brilliant innovation they came up with was specialization. Each claque member had his or her own important job to perform: There were the rieurs, who laughed loudly during comedies. There were the bisseurs, who shouted for encores. There were the commissaires, who would elbow their neighbors and say, “This is the good part.” And my favorite of all, the pleureuses, women who were paid good francs to weep at the sad parts of tragedies. I love this idea. I’m not sure why the networks never thought of canned crying. You’d be watching an ER episode, and a softball player would come in with a bat splinter through his forehead, and you’d hear a little whimper in the background, turning into a wave of sobs. Julie already has trouble keeping her cheeks dry, seeing as she cried during the Joe Millionaire finale. If they added canned crying, she’d be a mess.
”
”
A.J. Jacobs (The Know-it-All: One Man's Humble Quest to Become the Smartest Person in the World)
“
Separately they surveyed their individual plates, trying to decide which item was most likely to be edible. They arrived at the same conclusion at the same moment; both of them picked up a strip of bacon and bit into it. Noisy crunching and cracking sounds ensued-like those of a large tree breaking in half and falling. Carefully avoiding each other’s eyes, they continued crunching away until they’d both eaten all the bacon on their plates. That finished, Elizabeth summoned her courage and took a dainty bite of egg.
The egg tasted like tough, salted wrapping paper, but Elizabeth chewed manfully on it, her stomach churning with humiliation and a lump of tears starting to swell in her throat. She expected some scathing comment at any moment from her companion, and the more politely he continued eating, the more she wished he’d revert to his usual unpleasant self so that she’d at least have the defense of anger. Lately everything that happened to her was humiliating, and her pride and confidence were in tatters. Leaving the egg unfinished, she put down her fork and tried the biscuit. After several seconds of attempting to break a piece off with her fingers she picked up her knife and sawed away at it. A brown piece finally broke loose; she lifted it to her mouth and bit-but it was so tough her teeth only made grooves on the surface. Across the table she felt Ian’s eyes on her, and the urge to weep doubled. “Would you like some coffee?” she asked in a suffocated little voice.
“Yes, thank you.”
Relieved to have a moment to compose herself, Elizabeth arose and went to the stove, but her eyes blurred with tears as she blindly filled a mug with freshly brewed coffee. She brought it over to him, then sat down again.
Sliding a glance at the defeated girl sitting with her head bent and her hands folded in her lap, Ian felt a compulsive urge to either laugh or comfort her, but since chewing was requiring such an effort, he couldn’t do either. Swallowing the last piece of egg, he finally managed to say, “That was…er…quite filling.”
Thinking perhaps he hadn’t found it so bad as she had, Elizabeth hesitantly raised her eyes to his. “I haven’t had a great deal of experience with cooking,” she admitted in a small voice. She watched him take a mouthful of coffee, saw his eyes widen with shock-and he began to chew the coffee.
Elizabeth lurched to her feet, squired her shoulders, and said hoarsely, “I always take a stroll after breakfast. Excuse me.”
Still chewing, Ian watched her flee from the house, then he gratefully got rid of the mouthful of coffee grounds.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I can’t help thinking,” she confided when he finished answering her questions about women in India who covered their faces and hair in public, “that it is grossly unfair that I was born a female and so must never know such adventures, or see but a few of those places. Even if I were to journey there, I’d only be allowed to go where everything was as civilized as-as London!”
“There does seem to be a case of extreme disparity between the privileges accorded the sexes,” Ian agreed.
“Still, we each have our duty to perform,” she informed him with sham solemnity. “And there’s said to be great satisfaction in that.”
“How do you view your-er-duty?” he countered, responding to her teasing tone with a lazy white smile.
“That’s easy. It is a female’s duty to be a wife who is an asset to her husband in every way. It is a male’s duty to do whatever he wishes, whenever he wishes, so long as he is prepared to defend his country should the occasion demand it in his lifetime-which it very likely won’t. Men,” she informed him, “gain honor by sacrificing themselves on the field of battle while we sacrifice ourselves on the altar of matrimony.”
He laughed aloud then, and Elizabeth smiled back at him, enjoying herself hugely. “Which, when one considers it, only proves that our sacrifice is by far the greater and more noble.”
“How is that?” he asked, still chuckling.
“It’s perfectly obvious-battles last mere days or weeks, months at the very most. While matrimony lasts a lifetime! Which brings to mind something else I’ve often wondered about,” she continued gaily, giving full rein to her innermost thoughts.
“And that is?” he prompted, grinning, watching her as if he never wanted to stop.
“Why do you suppose, after all that, they call us the weaker sex?” Their laughing gazes held, and then Elizabeth realized how outrageous he must be finding some of her remarks. “I don’t usually go off on such tangents,” she said ruefully. “You must think I’m dreadfully ill-bred.”
“I think,” he softly said, “that you are magnificent.”
The husky sincerity in his deep voice snatched her breath away. She opened her mouth, thinking frantically for some light reply that could restore the easy camaraderie of a minute before, but instead of speaking she could only draw a long, shaky breath.
“And,” he continued quietly, “I think you know it.”
This was not, not the sort of foolish, flirtatious repartee she was accustomed to from her London beaux, and it terrified her as much as the sensual look in those golden eyes. Pressing imperceptibly back against the arm of the sofa, she told herself she was only overacting to what was nothing more than empty flattery. “I think,” she managed with a light laugh that stuck in her throat, “that you must find whatever female you’re with ‘magnificent.’”
“Why would you say a thing like that?”
Elizabeth shrugged. “Last night at supper, for one thing.” When he frowned at her as if she were speaking in a foreign language, she prodded, “You remember Lady Charise Dumont, our hostess, the same lovely brunette on whose every word you were hanging at supper last night?”
His frown became a grin. “Jealous?”
Elizabeth lifted her elegant little chin and shook her head. “No more than you were of Lord Howard.”
She felt a small bit of satisfaction as his amusement vanished. “The fellow who couldn’t seem to talk to you without touching your arm?” he inquired in a silky-soft voice. “That Lord Howard? As a matter of fact, my love, I spent most of my meal trying to decide whether I wanted to shove his nose under his right ear or his left.”
Startled, musical laughter erupted from her before she could stop it. “You did nothing of the sort,” she chuckled. “Besides, if you wouldn’t duel with Lord Everly when he called you a cheat, you certainly wouldn’t harm poor Lord Howard merely for touching my arm.”
“Wouldn’t I?” he asked softly. “Those are two very different issues.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
What the-“ he began, already heading toward the house, with Elizabeth walking quickly behind him.
Ian opened the front door just as Jake came hurrying in from the back of the cottage.
“I got some milk-“ Jake began, then he stopped abruptly as the stench hit him. His gaze snapped from Ian and Elizabeth, who were just rushing inside, to Lucinda, who was sitting exactly where she had been, serenely indifferent to the smell of burning bacon and incinerated eggs as she fanned herself with a black silk fan. “I took the liberty of removing the utensil from the stove,” she informed them. “However, I was not in time to save its contents, which I sincerely doubt were worth saving in any case.”
“Couldn’t you have moved ‘em before they burned?” Jake burst out.
“I cannot cook, sir.”
“Can you smell?” Ian demanded.
“Ian, there’s nothing for it-I’ll have to ride to the village and hire a pair o’ wenches to come up here and get this place in order for us or we’ll starve.”
“My thoughts exactly!” Lucinda seconded promptly, already standing up. “I shall accompany you.”
“Whaat?” Elizabeth burst out.
“What? Why?” Jake echoed, looking balky.
“Because selecting good female servants is best done by a woman. How far must we go?”
If Elizabeth weren’t so appalled, she’d have laughed at Jake Wiley’s expression. “We can be back late this afternoon, assumin’ there’s anyone in the village to do the work. But I-“
“Then we’d best be about it.” Lucinda paused and turned to Ian, passing a look of calculating consideration over hum; then she glanced at Elizabeth. Giving her a look that clearly said “Trust me and do not argue,” she said, “Elizabeth, if you would be so good as to excuse us, I’d like a word alone with Mr. Thornton.” With no choice but to do as bidden, Elizabeth went out the front door and stared in utter confusion at the trees, wondering what bizarre scheme Lucinda might have hatched to solve their problems.
In the cottage Ian watched through narrowed eyes as the gray-haired harpy fixed him with her basilisk stare. “Mr. Thornton,” she said finally, “I have decided you are a gentleman.”
She made that pronouncement as if she were a queen bestowing knighthood on a lowly, possibly undeserving serf. Fascinated and irritated at the same time, Ian leaned his hip against the table, waiting to discover what game she was playing by leaving Elizabeth alone here, unchaperoned. “Don’t keep me in suspense,” he said coolly. “What have I done to earn your good opinion?”
“Absolutely nothing,” she said without hesitation. “I’m basing my decision on my own excellent intuitive powers and on the fact that you were born a gentleman.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
In the chapter entitled “You Can’t Pray a Lie” in Twain’s beloved novel Adventures of Huckleberry Finn, Huck Finn has helped hide Miss Watson’s runaway slave, Jim. But Huck thought he was committing a sin in helping a runaway slave. Huck had learned in Sunday school “that people that acts as I’d been acting … goes to everlasting fire.” So in an act of repentance in order to save his soul, Huck wrote a note to Miss Watson and told her where she could find her runaway slave. Now Huck was ready to pray his “sinner’s prayer” and “get saved.” I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn’t do it straight off but laid the paper down and set there thinking—thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn’t seem to strike no places to harden me against him, but only the other kind. I’d see him standing my watch on top of his’n, ‘stead of calling me, so I could go on sleeping; and see how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had smallpox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world and the only he’s got now; and then I happened to look around and see the paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I’d got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: “All right, then, I’ll go to hell”—and tore it up. It was awful thoughts and awful words but they was said. And I let them stay said; and never thought no more about reforming.1 Huck Finn had been shaped by the Christianity he’d found in his Missouri Sunday school—a Christianity focused on heaven in the afterlife while preserving the status quo of the here and now. Huck thought that helping Jim escape from slavery was a sin, because that’s what he had been taught. He knew he couldn’t ask God to forgive him until he was ready to “repent” and betray Jim. Huck didn’t want to go to hell; he wanted to be saved. But Huck loved his friend more, so he was willing to go to hell in order to save his friend from slavery.
”
”
Brian Zahnd (A Farewell to Mars: An Evangelical Pastor's Journey Toward the Biblical Gospel of Peace)
“
When he finally pulled his mouth from hers an eternity later, their breaths were coming in mingled gasps. Feeling almost bereft, Elizabeth surfaced slightly from the sensual Eden where he had sent her, and forced her heavy eyelids to open so that she could look at him. Stretched out beside her on the sofa, he was leaning over her, his tanned face hard and dark with passion, his amber eyes smoldering. Lifting his hand, he tenderly brushed a golden lock of hair off her cheek, and he tried to smile, but his breathing was as ragged as hers. Unaware of the effort he was making to keep their passion under control, Elizabeth let her gaze drop to his finely chiseled mouth, and she watched him draw an unsteady breath. “Don’t,” he warned her in a husky, tender voice, “look at my mouth unless you want it on yours again.”
Too naïve to know how to hide her feelings, Elizabeth lifted her green eyes to his, and her longing for his kiss was in their soft depths. Ian drew a steadying breath, and yielded to temptation again, gently telling her how to show him what she wanted. “Put your hand around my neck,” he whispered tenderly.
Her long fingers lifted to his nape, and he lowered his mouth to hers, so close their breaths mingled. Understanding finally dawned, and Elizabeth put firmer pressure on his nape. And even though she was braced for it, the shock of his parted lips on hers again was wild, indescribable sweetness. This time it was Elizabeth who touched her tongue to his lips, and when she felt him shudder, instinct told her she was doing something right.
I told him the same thing, and he jerked his mouth from hers. “Don’t do this, Elizabeth,” he warned.
In answer, she tightened her hand at his nape and at the same time turned into his arms. His mouth came down hard on hers, but instead of struggling, her body arched against him and she drew his tongue into her mouth. Against her breasts, she felt his heart slam into his ribs, and he began kissing her with unleashed passion, his tongue tangling with hers, then plunging and slowly retreating in some wildly exciting, forbidden rhythm that made the blood roar in Elizabeth’s ears. His hand slid up her side to her breast, covering it possessively, and Elizabeth jumped in shocked protest.
“Don’t,” he whispered against her lips. “God, don’t. Not yet…”
Stunned into stillness by the harsh need in his voice, Elizabeth gazed up into his face as he lifted his head, his eyes moving restlessly over the bodice of her dress. Despite his protest, his hand was still, and in her befuddled senses, she finally realized he was honoring his promise to stop whenever she asked him to stop. Helpless to stop or encourage him, she looked at the masculine fingers, still and tanned against her white shirt, then she dragged her eyes to his. Heat was beating behind them, and with a silent moan, Elizabeth curled her hand behind his head and turned into his body.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
A few minutes later Elizabeth watched Lucinda emerge from the cottage with Ian, but there was no way to guess from their closed expressions what they’d discussed.
In fact, the only person betraying any emotion at all was Jake Wiley as he led two horses into the yard. And his face, Elizabeth noted with confusion-which had been stormy when he went off to saddle the horses-was now wreathed in a smile of unrestrained glee. With a sweep of his arm and a bow he gestured toward a swaybacked black horse with an old sidesaddle upon its back. “Here’s your mount, ma’am,” he told Lucinda, grinning. “His name’s Attila.”
Lucinda cast a disdainful eye over the beast as she transferred her umbrella to her right hand and pulled on her black gloves. “Have you nothing better?”
“No, ma’am. Ian’s horse has a hurt foot.”
“Oh, very well,” said Lucinda, walking briskly forward, but as she came within reach the black suddenly bared his teeth and lunged. Lucinda struck him between the ears with her umbrella without so much as a pause in her step. “Cease!” she commanded, and, ignoring the animal’s startled grunt of pain, she continued around to his other side to mount. “You brought it on yourself,” she told the horse as Jake held Attila’s head, and Ian Thornton helped her into the sidesaddle. The whites of Attila’s eyes showed as he warily watched her land in his saddle and settle herself. The moment Jake handed Lucinda the reins Attila began to leap sideways and twist around in restless annoyance. “I do not countenance ill-tempered animals,” she warned the horse in her severest tone, and when he refused to heed her and continued his threatening antics she hauled up sharply on his reins and simultaneously gave him a sharp jab in the flank with her umbrella. Attila let out a yelping complaint, broke into a quick, animated trot, and headed obediently down the drive.
“If that don’t beat all!” Jake said furiously, glowering after the pair, and then at Ian. “That animal doesn’t know the meaning of the word loyalty!” Without waiting for a reply Jake swung into his saddle and cantered down the lane after them.
Absolutely baffled over everyone’s behavior this morning, Elizabeth cast a puzzled, sideways glance at the silent man beside her, then gaped at him in amazement. The unpredictable man was staring after Lucinda, his hands shoved into his pockets, a cigar clamped between his white teeth, his face transformed by a sweeping grin. Drawing the obvious conclusion that these odd reactions from the men were somehow related to Lucinda’s skillful handling of an obstinate horse, Elizabeth commented, “Lucinda’s uncle raised horses, I believe.”
Almost reluctantly, Ian transferred his admiring gaze from Lucinda’s rigid back to Elizabeth. His brows rose. “An amazing woman,” he stated. “Is there any situation of which she can’t take charge?”
“None that I’ve ever seen,” Elizabeth said with a chuckle; then she felt self-conscious because his smile faded abruptly, and his manner became detached and cool.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.
To Elizabeth, his statement that it had been “good between us” defused her ire and confused her at the same time. She stared at him in dazed wonder while his hands tightened imperceptibly on her arms. Self-conscious, she let her gaze drop to his finely molded lips, watching as a faint smile, a challenging smile lifted them at the corners, and inch by inch, the hands on her arms were drawing her closer.
“Afraid to find out?” he asked, and it was the trace of huskiness in his voice that she remembered, that worked its strange spell on her again, as it had so long ago. His hands shifted to the curve of her waist. “Make up your mind,” he whispered, and in her confused state of loneliness and longing, she made no protest when he bent his head. A shock jolted through her as his lips touched hers, warm, inviting-brushing slowly back and forth. Paralyzed, she waited for that shattering passion he’d shown her before, without realizing that her participation had done much to trigger it. Standing still and tense, she waited to experience that forbidden burst of exquisite delight…wanted to experience it, just once, just for a moment. Instead his kiss was feather-light, softly stroking…teasing!
She stiffened, pulling back an inch, and his gaze lifted lazily from her lips to her eyes. Dryly, he said, “That’s not quit the way I remembered it.”
“Nor I,” Elizabeth admitted, unaware that he was referring to her lack of participation.
“Care to try it again?” Ian invited, still willing to indulge in a few pleasurable minutes of shared ardor, so long as there was no pretense that it was anything but that, and no loss of control on his part.
The bland amusement in his tone finally made her suspect he was treating this as some sort of diverting game or perhaps a challenge, and she looked at him in shock, “Is this a-a contest?”
“Do you want to make it into one?”
Elizabeth shook her head and abruptly surrendered her secret memories of tenderness and stormy passion. Like all her other former illusions about him, that too had evidently been false. With a mixture of exasperation and sadness, she looked at him and said, “I don’t think so.”
“Why not?”
“You’re playing a game,” she told him honestly, mentally throwing her hands up in weary despair, “and I don’t understand the rules.”
“They haven’t changed,” he informed her. “It’s the same game we played before-I kiss you, and,” he emphasized meaningfully, “you kiss me.”
His blunt criticism of her lack of participation left her caught between acute embarrassment and the urge to kick him in the shin, but his arm was tightening around her waist while his other hand was sliding slowly up her back, sensuously stroking her nape.
“How do you remember it?” he teased as his lips came closer. “Show me.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
A breathtaking vision in emerald silk, she was too exquisite to be flesh and blood; too regal and aloof to have ever let him touch her. He drew a long, strangled breath and realized he hadn’t been breathing as he watched her. Neither had the four men beside him. “Good Lord,” Count Dillard breathed, turning clear around and staring at her, “she cannot possibly be real.”
“Exactly my thoughts when I first saw her,” Roddy Carstairs averred, walking up behind them.
“I don’t care what gossip says,” Dillard continued, so besotted with her face that he forgot that one of the men in their circle was a part of that gossip. “I want an introduction.”
He handed his glass to Roddy instead of the servant beside him and went off to seek an introduction from Jordan Townsende.
Watching him, it took a physical effort for Ian to maintain his carefully bland expression, tear his gaze from Dillard’s back, and pay attention to Roddy Carstairs, who’d just greeted him. In fact, it took several moments before Ian could even remember his name. “How are you, Carstairs?” Ian said, finally recollecting it.
“Besotted, like half the males in here, it would seem,” Roddy replied, tipping his head toward Elizabeth but scrutinizing Ian’s bland face and annoyed eyes. “In fact, I’m so besotted that for the second time in my jaded career I’ve done the gallant for a damsel in distress. Your damsel, unless my intuition deceives me, and it never does, actually.”
Ian lifted his glass to his lips, watching Dillard bow to Elizabeth. “You’ll have to be more specific,” he said impatiently.
“Specifically, I’ve been saying that in my august opinion no one, but no one, has ever besmirched that exquisite creature. Including you.” Hearing him talk about Elizabeth as if she were a morsel for public delectation sent a blaze of fury through Ian.
He was spared having to form a reply to Carstairs’s remark by the arrival of yet another group of people eager to be introduced to him, and he endured, as he had been enduring all night, a flurry of curtsies, flirtatious smiles, inviting glances, and overeager hanshakes and bos.
“How does it feel,” Roddy inquired as that group departed and another bore down on Ian, “to have become, overnight, England’s most eligible bachelor?”
Ian answered him and abruptly walked off, and in so doing dashed the hopes of the new group that had been heading toward him. The gentleman beside Roddy, who’d been admiring Ian’s magnificently tailored claret jacket and trousers, leaned closer to Roddy and raised his voice to be heard above the din. “I say, Roddy, how did Kensington say it feels to be our most eligible?”
Roddy lowered his glass, a sardonic smile twisting his lips. “He said it is a pain in the ass.” He slid a sideways glance at his staggered companion and added wryly, “With Hawthorne wed and Kensington soon to be-in my opinion-the only remaining bachelor with a dukedom to offer is Clayton Westmoreland. Given the uproar Hawthorne and Kensington have both created with their courtships, one can only look forward with glee to observing Westmoreland’s.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
That man,” she announced huffily, referring to their host, “can’t put two words together without losing his meaning!” Obviously she’d expected better of the quality during the time she was allowed to mix with them.
“He’s afraid of us, I think,” Elizabeth replied, climbing out of bed. “Do you know the time? He desired me to accompany him fishing this morning at seven.”
“Half past ten,” Berta replied, opening drawers and turning toward Elizabeth for her decision as to which gown to wear. “He waited until a few minutes ago, then went of without you. He was carrying two poles. Said you could join him when you arose.”
“In that case, I think I’ll wear the pink muslin,” she decided with a mischievous smile.
The Earl of Marchman could scarcely believe his eyes when he finally saw his intended making her way toward him. Decked out in a frothy pink gown with an equally frothy pink parasol and a delicate pink bonnet, she came tripping across the bank. Amazed at the vagaries of the female mind, he quickly turned his attention back to the grandfather trout he’d been trying to catch for five years. Ever so gently he jiggled his pole, trying to entice or else annoy the wily old fish into taking his fly. The giant fish swam around his hook as if he knew it might be a trick and then he suddenly charged it, nearly jerking the pole out of John’s hands. The fish hurtled out of the water, breaking the surface in a tremendous, thrilling arch at the same moment John’s intended bride deliberately chose to let out a piercing shriek: “Snake!”
Startled, John jerked his head in her direction and saw her charging at him as if Lucifer himself was on her heels, screaming, “Snake! Snake! Snnnaaaake!” And in that instant his connection was broken; he let his line go slack, and the fish dislodged the hook, exactly as Elizabeth had hoped.
“I saw a snake,” she lied, panting and stopping just short of the arms he’d stretched out to catch her-or strangle her, Elizabeth thought, smothering a smile. She stole a quick searching glance at the water, hoping for a glimpse of the magnificent trout he’d nearly caught, her hands itching to hold the pole and try her own luck.
Lord Marchman’s disgruntled question snapped her attention back to him. “Would you like to fish, or would you rather sit and watch for a bit, until you recover from your flight from the serpent?”
Elizabeth looked around in feigned shock. “Goodness, sir, I don’t fish!”
“Do you sit?” he asked with what might have been sarcasm.
Elizabeth lowered her lashes to hide her smile at the mounting impatience in his voice. “Of course I sit,” she proudly told him. “Sitting is an excessively ladylike occupation, but fishing, in my opinion, is not. I shall adore watching you do it, however.”
For the next two hours she sat on the boulder beside him, complaining about its hardness, the brightness of the sun and the dampness of the air, and when she ran out of matters to complain about she proceeded to completely spoil his morning by chattering his ears off about every inane topic she could think of while occasionally tossing rocks into the stream to scare off his fish.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him.
During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face.
“Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?”
Elizabeth shook her head.
“He thinks,” Ian said dispassionately, “that perhaps someone else has been taking his place in it.”
Fury sent bright flags of color to her pale cheeks.
“You’re blushing, my dear,” Ian said in an awful voice.
“I am furious!” she countered, momentarily forgetting that she was confronting a madman.
His stunned look was replaced almost instantly by an expression of relief and then bafflement. “I apologize, Elizabeth.”
“Would you p-lease get out of here!” Elizabeth burst out in a final explosion of strength. “Just go away and let me rest. I told you I was tired. And I don’t see what right you have to be so upset! We had a bargain before we married-I was to be allowed to live my life without interference, and quizzing me like this is interference!” Her voice broke, and after another narrowed look he strode out of the room.
Numb with relief and pain, Elizabeth crawled back into bed and pulled the covers up under her chin, but not even their luxurious warmth could still the alternating chills and fever that quaked through her. Several minutes later a shadow crossed her bed, and she almost screamed with terror before she realized it was Ian, who had entered silently though the connecting door of their suite.
Since she’d gasped aloud when she saw him, it was useless to pretend she was sleeping. In silent dread she watched him walking toward her bed. Wordlessly he sat down beside her, and she realized there was a glass in his hand. He put it on the bedside table, then he reached behind her to prop up her pillows, leaving Elizabeth no choice but to sit up and lean back against them. “Drink this,” he instructed in a calm tone.
“What is it?” she asked suspiciously.
“It’s brandy. It will help you sleep.”
He watched while she sipped it, and when he spoke again there was a tender smile in his voice. “Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?”
Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously.
Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.”
Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
How I Got That Name
Marilyn Chin
an essay on assimilation
I am Marilyn Mei Ling Chin
Oh, how I love the resoluteness
of that first person singular
followed by that stalwart indicative
of “be," without the uncertain i-n-g
of “becoming.” Of course,
the name had been changed
somewhere between Angel Island and the sea,
when my father the paperson
in the late 1950s
obsessed with a bombshell blond
transliterated “Mei Ling” to “Marilyn.”
And nobody dared question
his initial impulse—for we all know
lust drove men to greatness,
not goodness, not decency.
And there I was, a wayward pink baby,
named after some tragic white woman
swollen with gin and Nembutal.
My mother couldn’t pronounce the “r.”
She dubbed me “Numba one female offshoot”
for brevity: henceforth, she will live and die
in sublime ignorance, flanked
by loving children and the “kitchen deity.”
While my father dithers,
a tomcat in Hong Kong trash—
a gambler, a petty thug,
who bought a chain of chopsuey joints
in Piss River, Oregon,
with bootlegged Gucci cash.
Nobody dared question his integrity given
his nice, devout daughters
and his bright, industrious sons
as if filial piety were the standard
by which all earthly men are measured.
*
Oh, how trustworthy our daughters,
how thrifty our sons!
How we’ve managed to fool the experts
in education, statistic and demography—
We’re not very creative but not adverse to rote-learning.
Indeed, they can use us.
But the “Model Minority” is a tease.
We know you are watching now,
so we refuse to give you any!
Oh, bamboo shoots, bamboo shoots!
The further west we go, we’ll hit east;
the deeper down we dig, we’ll find China.
History has turned its stomach
on a black polluted beach—
where life doesn’t hinge
on that red, red wheelbarrow,
but whether or not our new lover
in the final episode of “Santa Barbara”
will lean over a scented candle
and call us a “bitch.”
Oh God, where have we gone wrong?
We have no inner resources!
*
Then, one redolent spring morning
the Great Patriarch Chin
peered down from his kiosk in heaven
and saw that his descendants were ugly.
One had a squarish head and a nose without a bridge
Another’s profile—long and knobbed as a gourd.
A third, the sad, brutish one
may never, never marry.
And I, his least favorite—
“not quite boiled, not quite cooked,"
a plump pomfret simmering in my juices—
too listless to fight for my people’s destiny.
“To kill without resistance is not slaughter”
says the proverb. So, I wait for imminent death.
The fact that this death is also metaphorical
is testament to my lethargy.
*
So here lies Marilyn Mei Ling Chin,
married once, twice to so-and-so, a Lee and a Wong,
granddaughter of Jack “the patriarch”
and the brooding Suilin Fong,
daughter of the virtuous Yuet Kuen Wong
and G.G. Chin the infamous,
sister of a dozen, cousin of a million,
survived by everbody and forgotten by all.
She was neither black nor white,
neither cherished nor vanquished,
just another squatter in her own bamboo grove
minding her poetry—
when one day heaven was unmerciful,
and a chasm opened where she stood.
Like the jowls of a mighty white whale,
or the jaws of a metaphysical Godzilla,
it swallowed her whole.
She did not flinch nor writhe,
nor fret about the afterlife,
but stayed! Solid as wood, happily
a little gnawed, tattered, mesmerized
by all that was lavished upon her
and all that was taken away!
”
”
Marilyn Chin
“
It was dusk when Ian returned, and the house seemed unnaturally quiet. His uncle was sitting near the fire, watching him with an odd expression on his face that was half anger, half speculation. Against his will Ian glanced about the room, expecting to see Elizabeth’s shiny golden hair and entrancing face. When he didn’t, he put his gun back on the rack above the fireplace and casually asked, “Where is everyone?”
“If you mean Jake,” the vicar said, angered yet more by the way Ian deliberately avoided asking about Elizabeth, “he took a bottle of ale with him to the stable and said he was planning to drink it until the last two days were washed from his memory.”
“They’re back, then?”
“Jake is back,” the vicar corrected as Ian walked over to the table and poured some Madeira into a glass. “The servingwomen will arrive in the morn. Elizabeth and Miss Throckmorton-Jones are gone, however.”
Thinking Duncan meant they’d gone for a walk, Ian flicked a glance toward the front door. “Where have they gone at this hour?”
“Back to England.”
The glass in Ian’s hand froze halfway to his lips. “Why?” he snapped.
“Because Miss Cameron’s uncle has accepted an offer for her hand.”
The vicar watched in angry satisfaction as Ian tossed down half the contents of his glass as if he wanted to wash away the bitterness of the news. When he spoke his voice was laced with cold sarcasm. “Who’s the lucky bridegroom?”
“Sir Francis Belhaven, I believe.”
Ian’s lips twisted with excruciating distaste.
“You don’t admire him, I gather?”
Ian shrugged. “Belhaven is an old lecher whose sexual tastes reportedly run to the bizarre. He’s also three times her age.”
“That’s a pity,” the vicar said, trying unsuccessfully to keep his voice blank as he leaned back in his chair and propped his long legs upon the footstool in front of him. “Because that beautiful, innocent child will have no choice but to wed that old…lecher. If she doesn’t, her uncle will withdraw his financial support, and she’ll lose that home she loves so much. He’s perfectly satisfied with Belhaven, since he possesses the prerequisites of title and wealth, which I gather are his only prerequisites. That lovely girl will have to wed that old man; she has no way to avoid it.”
“That’s absurd,” Ian snapped, draining his glass. “Elizabeth Cameron was considered the biggest success of her season two years ago. It was pubic knowledge she’d had more than a dozen offers. If that’s all he cares about, he can choose from dozens of others.”
Duncan’s voice was laced with uncharacteristic sarcasm. “That was before she encountered you at some party or other. Since then it’s been public knowledge that she’s used goods.”
“What the hell is that supposed to mean?”
“You tell me, Ian,” the vicar bit out. “I only have the story in two parts from Miss Throckmorton-Jones. The first time she spoke she was under the influence of laudanum. Today she was under the influence of what I can only describe as the most formidable temper I’ve ever seen. However, while I may not have the complete story, I certainly have the gist of it, and if half what I’ve heard is true, then it’s obvious that you are completely without either a heart or a conscience! My own heart breaks when I imagine Elizabeth enduring what she has for nearly two years. When I think of how forgiving of you she has been-“
“What did the woman tell you?” Ian interrupted shortly, turning and walking over to the window.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
The spiritual experience of Binah is the Vision of Sorrow. Within this Sephirah, one is to have a vision of the holistic picture of all that is, all that was, why it was, what it is now, why it is, and what it is to become. In essence, true and total understanding of all existence. The Great Mother sees all. She sees our joys but also our pains and our sins. And, in all that she sees, she is indeed in sorrow. We are a very stubborn species. Binah watches as all too often we neglect our children’s future, poison our air and seas, enslave each other, and go to war. We are at home in our own addictions, and unfortunately it frequently takes a major trauma to wake us up from our unhealthy habits or anosognosia. Regrettably, this is another aspect of the mystical experience not taken into consideration by some. It is not all bliss and rainbows. It is not just a possibility, but a necessity, to assimilate the Vision of the Sorrow that compels the Goddess into her eternal cry for her children. The Tree of Life will simply not allow you to proceed unless this is done.
Therefore, managing the Vision of Sorrow is best achieved through Binah’s primary virtue: silence. It is necessary to still the noise and the raging waters to Understand all things in their truest vision. By stilling the clamor can the sparkling stars of the Heavens accurately reflect on the mirroring surface of the body of water below. As the archetypal Temple, she is the root of all temples in manifestation, the Inner Church, the sacred space of all sacred spaces. Because of this, Binah truly is the womb of life, the container from which all has been embodied. Approach the Dark Mother’s temple in silence, approach the temple in sorrow, and the vision shall be received.
”
”
Daniel Moler (Shamanic Qabalah: A Mystical Path to Uniting the Tree of Life & the Great Work)
“
For the next twenty minutes Elizabeth asked for concessions, Ian conceded, Duncan wrote, and the dowager duchess and Lucinda listened with ill-concealed glee.. In the entire time Ian made but one stipulation, and only after he was finally driven to it out of sheer perversity over the way everyone was enjoying his discomfort: He stipulated that none of Elizabeth’s freedoms could give rise to any gossip that she was cuckolding him.
The duchess and Miss Throckmorton-Jones scowled at such a word being mentioned in front of them, but Elizabeth acquiesced with a regal nod of her golden head and politely said to Duncan, “I agree. You may write that down.” Ian grinned at her, and Elizabeth shyly returned his smile. Cuckolding, to the best of Elizabeth’s knowledge, was some sort of disgraceful conduct that required a lady to be discovered in the bedroom with a man who was not her husband. She had obtained that incomplete piece of information from Lucinda Throckmorton-Jones, who, unfortunately, actually believed it.
“Is there anything more?” Duncan finally asked, and when Elizabeth shook her head, the dowager spoke up. “Indeed, though you may not need to write it down.” Turning to Ian, she said severely, “If you’ve any thought of announcing this betrothal tomorrow, you may put it out of your head.”
Ian was tempted to invite her to get out, in a slightly less wrathful tone than that in which he’d ordered Julius from the house, but he realized that what she was saying was lamentably true. “Last night you went to a deal of trouble to make it seem there had been little but flirtation between the two of you two years ago. Unless you go through the appropriate courtship rituals, which Elizabeth has every right to expect, no one will ever believe it.”
“What do you have in mind?” Ian demanded shortly.
“One month,” she said without hesitation. “One month of calling on her properly, escorting her to the normal functions, and so on.”
“Two weeks,” he countered with strained patience.
“Very well,” she conceded, giving Ian the irritating certainty that two weeks was all she’d hoped for anyway. “Then you may announce your betrothal and be wed in-two months!”
“Two weeks,” Ian said implacably, reaching for the drink the butler had just put in front of him.
“As you wish,” said the dowager. Then two things happened simultaneously: Lucinda Throckmorton-Jones let out a snort that Ian realized was a laugh, and Elizabeth swept Ian’s drink from beneath his fingertips. “There’s-a speck of lint in it,” she explained nervously, handing the drink to Bentner with a severe shake of her head.
Ian reached for the sandwich on his plate.
Elizabeth watched the satisfied look on Bentner’s face and snatched that away, too. “A-a small insect seems to have gotten on it,” she explained to Ian.
“I don’t see anything,” Ian remarked, his puzzled glance on his betrothed. Having been deprived of tea and sustenance, he reached for the glass of wine the butler had set before him, then realized how much stress Elizabeth had been under and offered it to her instead.
“Thank you,” she said with a sigh, looking a little harassed. Bentner’s arm swopped down, scooping the wineglass out of her hand. “Another insect,” he said.
“Bentner!” Elizabeth cried in exasperation, but her voice was drowned out by a peal of laughter from Alexandra Townsende, who slumped down on the settee, her shoulders shaking with unexplainable mirth.
Ian drew the only possible conclusion: They were all suffering from the strain of too much stress.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Why did you come here-that is, why did you agree to reconsider my proposal?”
The question alarmed and startled her. Now that she’d seen him she had only the dimmest, possibly even erroneous recollection of having spoken to him at a ball. Moreover, she couldn’t tell him she was in danger of being cut off by her uncle, for that whole explanation was to humiliating to bear mentioning.
“Did I do or say something during our brief meetings the year before last to mislead you, perhaps, into believing I might yearn for the city life?”
“It’s hard to say,” Elizabeth said with absolute honesty.
“Lady Cameron, do you even remember our meeting?”
“Oh, yes, of course. Certainly,” Elizabeth replied, belatedly recalling a man who looked very like him being presented to her at Lady Markham’s. That was it! “We met at Lady Markham’s ball.”
His gaze never left her face. “We met in the park.”
“In the park?” Elizabeth repeated in sublime embarrassment.
“You had stopped to admire the flowers, and the young gentleman who was your escort that day introduced us.”
“I see,” Elizabeth replied, her gaze skating away from his.
“Would you care to know what we discussed that day and the next day when I escorted you back to the park?”
Curiosity and embarrassment warred, and curiosity won out. “Yes, I would.”
“Fishing.”
“F-fishing?” Elizabeth gasped.
He nodded. “Within minutes after we were introduced I mentioned that I had not come to London for the Season, as you supposed, but that I was on my way to Scotland to do some fishing and was leaving London the very next day.”
An awful feeling of foreboding crept over Elizabeth as something stirred in her memory. “We had a charming chat,” he continued. “You spoke enthusiastically of a particularly challenging trout you were once able to land.”
Elizabeth’s face felt as hot as red coals as he continued, “We quite forgot the time and your poor escort as we shared fishing stories.”
He was quiet, waiting, and when Elizabeth couldn’t endure the damning silence anymore she said uneasily, “Was there…more?”
“Very little. I did not leave for Scotland the next day but stayed instead to call upon you. You abandoned the half-dozen young bucks who’d come to escort you to some sort of fancy soiree and chose instead to go for another impromptu walk in the park with me.”
Elizabeth swallowed audibly, unable to meet his eyes.
“Would you like to know what we talked about that day?”
“No, I don’t think so.”
He chucked but ignored her reply, “You professed to be somewhat weary of the social whirl and confessed to a longing to be in the country that day-which is why we went to the park. We had a charming time, I thought.”
When he fell silent, Elizabeth forced herself to meet his gaze and say with resignation, “And we talked of fishing?”
“No,” he said. “Of boar hunting.”
Elizabeth closed her eyes in sublime shame.
“You related an exciting tale of a wild board your father had shot long ago, and of how you watched the hunt-without permission-from the very tree below which the boar as ultimately felled. As I recall,” he finished kindly, “you told me that it was your impulsive cheer that revealed your hiding place to the hunters-and that caused you to be seriously reprimanded by your father.”
Elizabeth saw the twinkle lighting his eyes, and suddenly they both laughed.
“I remember your laugh, too,” he said, still smiling, “I thought it was the loveliest sound imaginable. So much so that between it and our delightful conversation I felt very much at ease in your company.” Realizing he’d just flattered her, he flushed, tugged at his neckcloth, and self-consciously looked away.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Straightening reluctantly, she strolled about the room with forced nonchalance, her hands clasped behind her back, looking blindly at the cobwebs in the corner of the ceiling, trying to think what to say. And then inspiration struck. The solution was demeaning but practical, and properly presented, it could appear she was graciously doing him a favor. She paused a moment to arrange her features into what she hoped was the right expression of enthusiasm and compassion, then she wheeled around abruptly. “Mr. Thornton!” Her voice seemed to explode in the room at the same time his startled amber gaze riveted on her face, then drifted down her bodice, roving boldly over her ripened curves. Unnerved but determined, Elizabeth forged shakily ahead: “It appears as if no one has occupied this house in quite some time.”
“I commend you on that astute observation, lady Cameron,” Ian mocked lazily, watching the tension and emotion play across her expressive face. For the life of him he could not understand what she was doing here or why she seemed to be trying to ingratiate herself this morning. Last night the explanation he’d given Jake had made sense; now, looking at her, he couldn’t quite believe any of it. Then he remembered that Elizabeth Cameron had always robbed him of the ability to think rationally.
“Houses do have a way of succumbing to dirt when no one looks after them,” she stated with a bright look.
“Another creditable observation. You’ve certainly a quick mind.”
“Must you make this so very difficult!” Elizabeth exclaimed.
“I apologize,” he said with mocking gravity. “Do go on. You were saying?”
“Well, I was thinking, since we’re quite stranded here-Lucinda and I, I mean-with absolutely nothing but time on our hands, that this house could certainly use a woman’s touch.”
“Capital idea!” burst out Jake, returning from his mission to locate the butter and casting a highly hopeful look at Lucinda.
He was rewarded with a glare from her that could have pulverized rock. “It could use an army of servants carrying shovels and wearing masks on their faces,” the duenna countered ruthlessly.
“You needn’t help, Lucinda,” Elizabeth explained, aghast. “I never meant to imply you should. But I could! I-“ She whirled around as Ian Thornton surged to his feet and took her elbow in a none-too-gentle grasp.
“Lady Cameron,” he said. “I think you and I have something to discuss that may be better spoken in private. Shall we?”
He gestured to the open door and then practically dragged her along in his wake. Outdoors in the sunlight he marched her forward several paces, then dropped her arm. “Let’s hear it,” he said.
“Hear what?” Elizabeth said nervously.
“An explanation-the truth, if you’re capable of it. Last night you drew a gun on me, and this morning you’re awash with excitement over the prospect over the prospect of cleaning my house. I want to know why.”
“Well,” Elizabeth burst out in defense of her actions with the gun, “you were extremely disagreeable!”
“I am still disagreeable,” he pointed out shortly, ignoring Elizabeth’s raised brows. “I haven’t changed. I am not the one who’s suddenly oozing goodwill this morning.”
Elizabeth turned her head to the lane, trying desperately to think of an explanation that wouldn’t reveal to him her humiliating circumstances.
“The silence is deafening, Lady Cameron, and somewhat surprising. As I recall, the last time we met you could scarcely contain all the edifying information you were trying to impart to me.” Elizabeth knew he was referring to her monologue on the history of hyacinths in the greenhouse. “I just don’t know where to begin,” she admitted.
“Let’s stick to the salient points. What are you doing here?
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
There now,” she said to the flowers in an encouraging tone, “you have food and air. You’ll be very happy and pretty in no time.”
“Are you talking to the flowers?” Ian asked from behind her.
Elizabeth started and turned around on an embarrassed laugh. “They like it when I talk to them.” Knowing how peculiar that sounded, she reinforced it by adding, “Our gardener used to say all living things need affection, and that includes flowers.” Turning back to the garden, she shoveled the last of the compost around the flowers, then she stood up and brushed off her hands. Her earlier ruminations about him had abolished so much of her antagonism that as she looked at him now she was able to regard him with perfect equanimity. It occurred to her, though, that it must seem odd to him that a guest was rooting about in his garden like a menial. “I hope you don’t mind,” she said, nodding toward the garden, “but the flowers couldn’t breathe with so many weeds choking them. They were crying out for a little room and sustenance.”
An indescribable expression flashed across his face. “You heard them?”
“Of course not,” Elizabeth said with a chuckle. “But I did take the liberty of fixing a special meal-well, compost, actually-for them. It won’t help them very much this year, but next year I think they’ll be much happier…”
She trailed off, belatedly noticing the worried look he gave the flowers when she mentioned fixing them “a meal.” “You needn’t look as if you expect them to collapse at my feet,” she admonished, laughing. “They’ll fare far better with their meal than we did with ours. I am a much better gardener than I am a cook.”
Ian jerked his gaze from the flowers, then looked at her with an odd, contemplative expression. “I think I’ll go inside and clean up.” She walked away without looking back, and so she did not see Ian Thornton turn halfway around to watch her.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
The Unknown Soldier
A tale to tell in bloody rhyme,
A story to last ’til the dawn of end’s time.
Of a loving boy who left dear home,
To bear his countries burdens; her honor to sow.
–A common boy, I say, who left kith and kin,
To battle der Kaiser and all that was therein.
The Arsenal of Democracy was his kind,
–To make the world safe–was their call and chime.
Trained he thus in the far army camps,
Drilled he often in the march and stamp.
Laughed he did with new found friends,
Lived they together for the noble end.
Greyish mottled images clipp’ed and hack´ed–
Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ
—marching armies off to ’ttack.
Images scratched, chopped, theatrical exaggerate,
Confetti parades, shouts of high praise
To where hell would sup and partake
with all bon hope as the transport do them take
Faded icons board the ship–
To steel them away collaged together
–joined in spirit and hip.
Timeworn humanity of once what was
To broker peace in eagles and doves.
Mortal clay in the earth but to grapple and smite
As warbirds ironed soar in heaven’s light.
All called all forward to divinities’ kept date,
Heroes all–all aces and fates.
Paris–Used to sing and play at some cards,
A common Joe everybody knew from own heart.
He could have been called ‘the kid’ by the ‘old man,’
But a common private now taking orders to stand.
Receiving letters from his shy sweet one,
Read them over and over until they faded to none.
Trained like hell with his Commander-in-Arms,
–To avoid the dangers of a most bloody harm.
Aye, this boy was mortal, true enough said,
He could be one of thousands alive but now surely dead.
How he sang and cried and ate the gruel of rations,
And grumbled as soldiers do at war’s great contagions.
Out–out to the battle this young did go,
To become a man; the world to show.
(An ocean away his mother cried so–
To return her boy safe as far as the heavens go).
Lay he down in trenched hole,
With balls bursting overhead upon the knoll.
Listened hardnfast to the “Sarge” bearing the news,
—“We’re going over soon—” was all he knew.
The whistle blew; up and over they went,
Charging the Hun, his life to be spent
(“Avoid the gas boys that’ll blister yer arse!!”).
Running through wires razored and deadened trees,
Fell he into a gouge to find in shelter of need
(They say he bayoneted one just as he–,
face to face in War’s Dance of trialed humanity).
A nameless sonnuvabitch shell then did untimely RiiiiiiiP
the field asunder in burrrstzʑ–and he tripped.
And on the field of battle’s blood did he die,
Faceless in a puddle as blurrs of ghosting men
shrieked as they were fleeing by–.
Perished he alone in the no man’s land,
Surrounded by an army of his brother’s teeming bands . . .
And a world away a mother sighed,
Listened to the rain and lay down and cried.
. . . Today lays the grave somber and white,
Guarded decades long in both the dark and the light.
Silent sentinels watch o’er and with him do walk,
Speak they neither; their duty talks.
Lone, stark sentries perform the unsmiling task,
–Guarding this one dead–at the nation’s bequest.
Cared over day and night in both rain or sun,
Present changing of the guard and their duty is done
(The changing of the guard ’tis poetry motioned
A Nation defining itself–telling of
rifles twirl-clicking under the intensest of devotions).
This poem–of The Unknown, taken thus,
Is rend eternal by Divinity’s Iron Trust.
How he, a common soldier, gained the estate
Of bearing his countries glory unto his unknown fate.
Here rests in honored glory a warrior known but to God,
Now rests he in peace from the conflict path he trod.
He is our friend, our family, brother, our mother’s son
–belongs he to us all,
For he has stood in our place–heeding God’s final call.
”
”
Douglas M. Laurent
“
In the weeks that followed, Elizabeth discovered to her pleasure that she could ask Ian any question about any subject and that he would answer her as fully as she wished. Not once did he ever patronize her when he replied, or fend her off by pointing out that, as a woman, the matter was truly none of her concern-or worse-that the answer would be beyond any female’s ability to understand. Elizabeth found his respect for her intelligence enormously flattering-particularly after two astounding discoveries she made about him:
The first occurred three days after their wedding, when they both decided to spend the evening at home, reading.
That night after supper, Ian brought a book he wanted to read from their library-a heavy tome with an incomprehensible title-to the drawing room. Elizabeth brought Pride and Prejudice, which she’d been longing to read since first hearing of the uproar it was causing among the conservative members of the ton. After pressing a kiss on her forehead, Ian sat down in the high-backed chair beside hers. Reaching across the small table between them for her hand, he linked their fingers together, and opened his book. Elizabeth thought it was incredibly cozy to sit, curled up in a chair beside him, her hand held in his, with a book in her lap, and she didn’t mind the small inconvenience of turning the pages with one hand.
Soon, she was so engrossed in her book that it was a full half-hour before she noticed how swiftly Ian turned the pages of his. From the corner of her eye, Elizabeth watched in puzzled fascination as his gaze seemed to slide swiftly down one page, then the facing page, and he turned to the next. Teasingly, she asked, “Are you reading that book, my lord, or only pretending for my benefit?”
He glanced up sharply, and Elizabeth saw a strange, hesitant expression flicker across his tanned face. As if carefully phrasing his reply, he said slowly, “I have an-odd ability-to read very quickly.”
“Oh,” Elizabeth replied, “how lucky you are. I never heard of a talent like that.”
A lazy glamorous smile swept across his face, and he squeezed her hand. “It’s not nearly as uncommon as your eyes,” he said.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Seven Versions"
1. The Kiss
Massive languor, languor hammered;
Sentient languor, languor dissected;
Languor deserted, reignite your sidereal fires;
Holier languor, arise from love.
The wood’s owl has come home.
2. Beyond Sunlight
I can’t shakle one of your ankles
as if you were a falcon, but
nothing can prevent me
from following, no matter how far, even
beyond sunlight where Jesus becomes visible:
I’ll follow, I will wait, I will never give up
until I understand
why you are going away from me.
3. A Man Wound His Watch
In the darkness the man wound his watch before secreting it under his pillow. Then he went to
sleep. Outside, the wind was blowing. You who comprehend the repercussions of the faintest
gesture—you will understand. A man, his watch, the wind. What else is there?
4. For Which There Is No Name
Let me have what the tree has
and what it can never lose,
let me have it
and lose it again,
blurred lines the wind draws with the darkness
it gets from summer nights, formless
indescribable darkness. Either
give me back my gladness, or
the courage to think about how it was lost to me.
Give me back, not what I see, but my sight.
Let me meet you again owning nothing
but what is in the past. Let me inherit
the very thing I am forbidden.
And let me continue to seek,
though I know it is futile, the only heaven
that I could endure:
unhurting you.
5. The Composer
People said he was overly fond of the good life and ate like a pig. Yet the servant who brought
him his chocolate in bed would sometimes find him weeping quietly, both plump pink hands
raised slightly and conducting, evidently, in small brief genuflective feints. He experienced the
reality of death as music.
6. Detoxification
And I refuse to repent of my drug use. It gave me my finest and happiest hours.
And I have been wondering: will I use drugs again?
I will if my work wants me to. And if drugs want me to.
7. And Suddenlty It’s Night
You stand there alone, like everyone else, the center of the world’s
attention,
a ray of sunlight passing through you.
And suddenly it’s night.
Franz Wright, iO: A Journal of New American Poetry, Vol I Issue I . (May 15th, 2011)
The individual sections of “Seven Versions” ia based, loosely—some very loosely—on poems by Rene Char, Rumi, Yannis Ritsos, Natan Zach, Günther Eich, Jean Cocteau, and Salvatore Quasimodo.
”
”
Franz Wright
“
But before you do that, inform your master that we have arrived.”
“His master,” said a biting voice from a rear doorway, “is aware of that.”
Elizabeth swung around at the scathing tone of Ian’s voice, and her fantasy of seeing him fall to his knees in remorse the moment he set eyes on her collapsed the instant she saw his face; it was as hard and forbidding as a granite sculpture. He did not bother to come forward but instead remained where he was, his shoulder propped negligently against the door frame, his arms folded across his chest, watching her through narrowed eyes. Until then Elizabeth had thought she remembered exactly what he looked like, but she hadn’t. Not really. His suede jacket clung to wide shoulders that were broader and more muscular than she’d remembered, and his thick hair was almost black. His face was one of leashed sensuality and arrogant handsomeness with its sculpted mouth and striking eyes, but now she noticed the cynicism in those golden eyes and the ruthless set of his jaw-things she’d obviously been too young and naïve to see before. Everything about him exuded brute strength, and that in turn made her feel even more helpless as she searched his features for some sign that this aloof, forbidding man had actually held and kissed her with seductive tenderness.
“Have you had an edifying look at me, Countess?” he snapped, and before she could recover from the shock of that rude greeting his next words rendered her nearly speechless. “You are a remarkable young woman, Lady Cameron-you must possess the instincts of a bloodhound to track me here. Now that you’ve succeeded, there is the door. Use it.”
Elizabeth’s momentary shock gave way to a sudden, almost uncontrollable burst of wrath. “I beg your pardon?” she said tightly.
“You heard me.”
“I was invited here.”
“Of course you were,” Ian mocked, realizing in a flash of surprise that the letter he’d had from her uncle must not have been a prank, and that Julius Cameron had obviously decided to regard Ian’s lack of reply as willingness, which was nothing less than absurd and obnoxious. In the last months, since news of his wealth and his possible connection to the Duke of Stanhope had been made public, he’d become accustomed to being pursued by the same socialites who had once cut him. Normally he found it annoying; from Elizabeth Cameron he found it revolting.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Sam Underwater, everything is quiet. Tranquil. Like heaven is all around you, caressing your body, pulling you into its embrace. Deeper and deeper, it pulls at your legs until they beg to be released. I hold my water-resistant camera in front of me and take multiple pictures of the cold depths of the ocean. Its beauty never fails to mesmerize me. But I can’t stay for too long; sooner or later, that urge to breathe always pulls me back to the surface toward the dark sky littered with a million flickering lights … back into the noise of swooshing water and rushing wind. The shore is mostly deserted, except for a few beer cans, party cups, and some clothes and trash lying scattered all around. The only other person there is Nate Wilson … the most handsome guy at school and so much more than that. He’s sitting on a few rocks near the edge of the beach with a girl by his side. I can’t stop watching. Their hands touch briefly, but then the wave overtakes me and blocks my view. When the water lowers, I shake my head, but the waves keep picking up. Still, I hold up my camera and take a few pictures. Right as he turns his head toward me, I dive underwater again. Here, there are no boys, no girls, and no secret touches. Just me and the water, and all the beautiful creatures below that need to meet my camera. A single picture says more than words ever will. No matter how powerful they are. Nate People say it only takes a few minutes for your life to be destroyed. I never believed them … until today. With just the snap of a finger, a stupid decision and a simple push, I marked my own fate. My body grows colder and colder the longer I stay in the water. It consumes me whole as I stray farther and farther away from myself. From reality. I’m so damn dizzy, but I can’t collapse here. Not now, not in the middle of the ocean. I take a deep breath and peel my eyes open, forcing myself to go. That’s when I spot her … the girl and her camera. FLASH. I cover my eyes with my hand. Salty seawater enters my nostrils and mouth as I struggle to swim. When I open my eyes again, the girl is gone; swallowed by the same waves that drag me back to the shore. As my feet sink into the sand and the water creeps up against my toes, I stop and turn around, clutching the long red hairs in my hand as though they’re my last lifeline. This is now the place where not only my life changed forever. But hers too.
”
”
Clarissa Wild (Cruel Boy)
“
Sitting with some of the other members of the Scholastic Decathlon team, quiet, studious Martha Cox heard snatches of the lunchtime poetry. Her ears instantly pricked up.
"What's going on?" she asked, her eyes bright.
Betty Hong closed her book and leaned close. "Taylor McKessie told me all about it," she whispered. Betty told Martha about next week's poetry-reading assembly and how Taylor was trying to help half the starting basketball team locate their muse.
"That's totally fresh!" Martha cried. "Too bad I'm not in Ms Barrington's English class."
Betty made a face. "You like poetry stuff? I thought you were into maths and science."
"I like it all," Martha replied. "I love astronomy and hip-hop-"
Betty rolled her eyes. "Not hip-hop again."
"Word, girl," Martha replied. "You know I've been bustin' out kickin' rhymes for years. It helps me remember lessons, like last night's astronomy lecture."
"No," Betty said. "You didn't make up a rap to that."
"Just watch," Martha cried. Leaping out of her chair, she began to chant, freestyle:
"At the centre of our system is the molten sun,
A star that burns hot, Fahrenheit two billion and one.
But the sun, he ain't alone in the heavenly sphere,
He's got nine homeys in orbit, some far, some near.
Old Mercury's crowding in 'bout as close as he can,
Yo, Merc's a tiny planet who loves a tan....
Some kids around Martha heard her rap. They really got into it, jumping up from their tables to clap and dance. The beat was contagious. Martha started bustin' some moves herself. She kept the rap flowing, and more kids joined the party....
"Venus is next. She's a real hot planet,
Shrouded by clouds, hot enough to melt granite.
Earth is the third planet from the sun,
Just enough light and heat to make living fun.
Then comes Mars, a planet funky and red.
Covered with sand, the place is pretty dead.
Jupiter's huge! The largest planet of all!
Saturn's big, too, but Uranus is small.
So far away, the place is almost forgotten,
Neptune's view of Earth is pretty rotten.
And last but not least, Pluto's in a fog,
Far away and named after Mickey's home dog.
Yo, that's all the planets orbiting our sun,
But the Milky Way galaxy is far from done!"
When Martha finished her freestyle, hip-hop flow, the entire cafeteria burst into wild applause. Troy, Chad, Zeke, and Jason had been clapping and dancing, too. Now they joined in the whooping and hollering.
"Whoa," said Chad. "Martha's awesome.
”
”
Alice Alfonsi (Poetry in Motion (High School Musical: Stories from East High, #3))
“
When people start the journey towards wholeness, the pilgrimage to the promised land, there is a moment when their deepest being is touched. They have a fundamental experience, as if the stone of their egoism has been struck by Moses' staff and water starts to spring from it, or as if the stone which was over the tomb has been lifted and the deep self is able to emerge. It is an experience - and perhaps only a very faint one - of rebirth, of liberation, of forgiveness, of wonder. It is a time of betrothal with the universe, with the light, with others and with God. It is an experience of life in which we realize that we are fundamentally one with the universe and with God, while at the same time entirely ourselves in the most alive, light-filled and profound sense. It is the discovery that we are a spring of eternal life.
This experience at the start of our pilgrimage is like a foretaste of the end, like the kiss which is the foretaste of marriage. This is the call. It guides our steps in revealing our final destiny. There is nothing more deeply personal than this moment of wonder. But it happens very often in a given context. It may be a meeting with a poor person, whose call awakens a response in us; we discover that there is a living spring hidden deep within us. It may be during a visit to a community when we meet people who become models for us; in watching them and listening to them, we discover what we want to be - they reflect our own deepest self and we are mysteriously attracted to them. Or again, the call may be more secret, hidden in the depths of our heart, awakened perhaps by the Gospel or some other writing. It is hidden in our secret part; it makes us feel that we have glimpsed the promised land, found ourselves 'at home', found 'our place'. The experience is often such as to take someone into a community or change the orientation of their life.
The experience can be like an explosion of life, a luminous moment, flooded with peace, tranquility and light. Or it can be more humble - a touch of peace, a feeling of well-being, of being in 'one's place' and with people for whom one was made. The experience gives a new hope; it is possible to keep walking because we have glimpsed something beyond the material world and beyond human limitations. We have glimpsed the possibility of happiness. We have glimpsed 'heaven'.
The experience has opened our deepest being. Later, once we are in community and on our journey, clouds can obscure the sun and that deepest self can seem to be shut away again. But, nevertheless, the first experience stays hidden in the heart's memory. We know from then on that our deepest life is light and love, and that we must go on walking through the desert and the night of faith because we have had, at one moment, the revelation of our vocation.
”
”
Jean Vanier (Community and Growth)
“
When Oliver called time a few moments later, she’d beaten them all. But she’d beaten Mr. Pinter by only one bird.
“It appears, Lady Celia, that you’ve won a new rifle,” the duke said graciously.
“No,” she answered. They all stared at her. “It doesn’t seem sporting to win a challenge only because one of my opponents had a faulty firearm. Which we provided to him, by the way.”
“Don’t worry,” Mr. Pinter drawled. “I won’t hold the fault firearm against you and your brothers.”
“That’s not the point. This should be fair, and it isn’t.”
“Then we’ll move forward,” Oliver said, “and let the servants flush the grouse again. Pinter can take one more shot. That’s probably all that the misfire delayed him by. If he misses, then you’ve won squarely. If he hits his target then it’s a tie, and we’ll decide a tie breaker.”
“That seems fair.” She glanced over at Mr. Pinter. “What do you say, sir?”
“Whatever my lady wishes.” His eyes met hers in a heated glance.
She had the unsettling feeling that he referred to more than just the shooting. “Well, then,” she said lightly. “Let’s get on with it.”
The beaters headed forward to flush the grouse, but either because of where the grouse had last settled or because of the beaters’ position, the birds rose farther away than was practical.
“Damn it all,” Gabe uttered. “He won’t make a shot from here.”
“You can ignore this one, and we’ll have them flushed again,” Celia said.
But Mr. Pinter raised his gun to follow their flight. With a flash and the repugnant smell of black powder igniting, the gun fired and white smoke filled the air. She saw a bird fall.
No, not one bird. He’d hit two birds with an impossible shot.
Her breath lodged in her throat. She’d hit two with one shot a few times, due to how they clustered and how well the birdshot scattered, but to do it at such a distance…
She glanced at him, astonished. No one had ever beaten her-and certainly not with such an amazing shot.
Mr. Pinter gazed at her steadily as he handed off the gun to a servant. “It appears that I’ve won, my lady.”
Her mouth went dry. “It does indeed.”
Gabe hooted pleased at having escaped buying her a rifle. The duke and the viscount scowled, while Devonmont just looked amused as usual.
All of that fell away as Mr. Pinter’s gaze dropped to her mouth.
“Well done, Pinter,” Oliver said, clapping him on the shoulder. “You obviously more than earned a kiss.”
For a moment, raw hunger flickered in his eyes. Then it was as if a veil descended over his face, for his features turned blank. He walked up to her, bent his head…
And kissed her on the forehead.
Hot color flooded her cheeks. How dared he kiss her last night as if she were a woman, and then treat her like a child in front of her suitors! Or worse, a woman beneath his notice!
“Thank heavens that’s done,” she said loftily, trying to retain some dignity.
The men all laughed-except Mr. Pinter, who watched her with a shuttered expression.
As the other gentleman crowded round to congratulate him on his fine shot, she plotted. She would make him answer for every remark, every embarrassment of this day, as soon as she had the chance to get him alone.
Because no man made a fool of her and got away with it.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
He sent messages to all fifteen of my former suitors, asking if they were still interested in marrying me-“
“Oh, my God,” Alex breathed.
“-and, if they were, he volunteered to send me to them for a few days, properly chaperoned by Lucinda,” Elizabeth recited in that same strangled tone, “so that we could both discover if we still suit.”
“Oh, my God,” Alex said again, with more force.
“Twelve of them declined,” she continued, and she watched Alex wince in embarrassed sympathy. “But three of them agreed, and now I am to be sent off to visit them. Since Lucinda can’t return from Devon until I go to visit the third-suitor, who’s in Scotland,” she said, almost choking on the word as she applied it to Ian Thornton, “I shall have to pass Berta off as my aunt to the first two.”
“Berta!” Bentner burst out in disgust. “Your aunt? The silly widgeon’s afraid of her shadow.”
Threatened by another uncontrollable surge of mirth, Elizabeth looked at both her friends. “Berta is the least of my problems However, do continue invoking God’s name, for it’s going to take a miracle to survive this.”
“Who are the suitors?” Alex asked, her alarm increased by Elizabeth’s odd smile as she replied, “I don’t recall two of them. It’s quite remarkable, isn’t it,” she continued with dazed mirth, “that two grown men could have met a young girl at her debut and hared off to her brother to ask for her hand, and she can’t remember anything about them, except one of their names.”
“No,” Alex said cautiously, “it isn’t remarkable. You were, are, very beautiful, and that is the way it’s done. A young girl makes her debut at seventeen, and gentlemen look her over, often in the most cursory fashion, and decide if they want her. Then they apply for her hand. I can’t think it is reasonable or just to betroth a young girl to someone with whom she’s scarcely acquainted and then expect her to develop a lasting affection for him after she is wed, but the ton does regard it as the civilized way to manage marriages.”
“It’s actually quite the opposite-it’s rather barbaric, when you reflect on it,” Elizabeth stated, willing to be diverted from her personal calamity by a discussion of almost anything else.
“Elizabeth, who are the suitors? Perhaps I know of them and can help you remember.”
Elizabeth sighed. “The first is Sir Francis Belhaven-“
“You’re joking!” Alex exploded, drawing an alarmed glance from Bentner. When Elizabeth merely lifted her delicate brows and waited for information, Alex continued angrily, “Why, he’s-he’s a dreadful old roué. There’s no polite way to describe him. He’s stout and balding, and his debauchery is a joke among the ton because he’s so flagrant and foolish. He’s an unparalleled pinchpenny to boot-a nipsqueeze!”
“At least we have that last in common,” Elizabeth tried to tease, but her glance was on Bentner, who in his agitation was deflowering an entire healthy bush. “Benter,” she said gently, touched by how much he obviously cared for her plight, “you can tell the dead blooms from the live ones by their color.”
“Who’s the second suitor?” Alex persisted in growing alarm.
“Lord John Marchman.” When Alex looked blank, Elizabeth added, “The Earl of Canford.”
Comprehension dawned, and Alex nodded slowly. “I’m not acquainted with him, but I have heard of him.”
“Well, don’t keep me in suspense,” Elizabeth said, choking back a laugh, because everything seemed more absurd, more unreal by the moment.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Before their chaise drew to a complete halt in front of the house a door was already being flung open, and a tall, stocky man was bouncing down the steps.
“It would appear that our greeting here is going to be far more enthusiastic than the one we received at our last stop,” Elizabeth said in a resolute voice that still shook with nerves as she drew on her gloves, bravely preparing to meet and defy the next obstacle to her happiness and independence.
The door of their chaise was wrenched open with enough force to pull it from its hinges, and a masculine face poked inside. “Lady Elizabeth!” boomed Lord Marchman, his face flushed with eagerness-or drink; Elizabeth wasn’t certain. “This is indeed a long-awaited surprise,” and then, as if dumbstruck by his inane remark, he shook his large head and hastily said, “A long-awaited pleasure, that is! The surprise is that you’ve arrived early.”
Elizabeth firmly repressed a surge of compassion for his obvious embarrassment, along with the thought that he might be rather likeable. “I hope we haven’t inconvenienced you overmuch,” she said.
“Not overmuch. That is,” he corrected, gazing into her wide eyes and feeling himself drowning, “not at all.”
Elizabeth smiled and introduced “Aunt Berta,” then allowed their exuberant host to escort them up the steps. Beside her Berta whispered with some satisfaction, “I think he’s as nervous as I am.”
The interior of the house seemed drab and rather gloomy after the sunny splendor outside. As their host led her forward Elizabeth glimpsed the furnishings in the salon and drawing room-all of which were upholstered in dark leathers that appeared to have once been maroon and brown. Lord Marchman, who was watching her closely and hopefully, glanced about and suddenly saw his home as she must be seeing it. Trying to explain away the inadequacies of his furnishings, he said hastily, “This home is in need of a woman’s touch. I’m an old bachelor, you see, as was my father.”
Berta’s eyes snapped to his face. “Well, I never!” she exclaimed in outraged reaction to his apparent admission of being a bastard.”
“I didn’t mean,” Lord Marchman hastily assured, “that my father was never married. I meant”-he paused to nervously tug on his neckcloth, as if trying to loosen it-“that my mother died when I was very young, and my father never remarried. We lived here together.”
At the juncture of two hallways and the stairs Lord Marchman turned and looked at Berta and Elizabeth. “Would you care for refreshment, or would you rather go straight to bed?”
Elizabeth wanted a rest, and she particularly wanted to spend as little time in his company as was possible. “The latter, if you please.”
“In that case,” he said with a sweeping gesture of his arm toward the staircase, “let’s go.”
Berta let out a gasp of indignant outrage at what she perceived to be a clear indication that he was no better than Sir Francis. “Now see here, milord! I’ve been putting her in bed for nigh onto two score, and I don’t need help from the likes of you!” And then, as if she realized her true station, she ruined the whole magnificent effect by curtsying and adding in a servile whisper, “if you don’t mind, sir.”
“Mind? No, I-“ It finally occurred to John Marchmen what she thought, and he colored up clear to the roots of his hair. “I-I only meant to show you how,” he began, and then he leaned his head back and briefly closed his eyes as if praying for deliverance from his own tongue. “How to find the way,” he finished with a gusty sigh of relief.
Elizabeth was secretly touched by his sincerity and his awkwardness, and were the situation less threatening, she would have gone out of her way to put him at his ease.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Lady Thornton, how very good of you to find the time to pay us a social call! Would it be too pushing of me to inquire as to your whereabouts during the last six weeks?”
At that moment Elizabeth’s only thought was that if Ian’s barrister felt this way about her, how much more hatred she would face when she confronted Ian himself. “I-I can imagine what you must be thinking,” she began in a conciliatory manner.
He interrupted sarcastically, “Oh, I don’t think you can, madam. If you could, you’d be quite horrified at this moment.”
“I can explain everything,” Elizabeth burst out.
“Really?” he drawled blightingly. “A pity you didn’t try to do that six weeks ago!”
“I’m here to do it now,” Elizabeth cried, clinging to a slender thread of control.
“Begin at your leisure,” he drawled sarcastically. “here are only three hundred people across the hall awaiting your convenience.”
Panic and frustration made Elizabeth’s voice shake and her temper explode. “Now see here, sir, I have not traveled day and night so that I can stand here while you waste time insulting me! I came here the instant I read a paper and realized my husband is in trouble. I’ve come to prove I’m alive and unharmed, and that my brother is also alive!”
Instead of looking pleased or relieved he looked more snide than before. “Do tell, madam. I am on tenterhooks to hear the whole of it.”
“Why are you doing this?” Elizabeth cried. “For the love of heaven, I’m on your side!”
“Thank God we don’t have more like you.”
Elizabeth steadfastly ignored that and launched into a swift but complete version of everything that had happened from the moment Robert came up behind her at Havenhurst. Finished, she stood up, ready to go in and tell everyone across the hall the same thing, but Delham continued to pillory her with his gaze, watching her in silence above his steepled fingertips. “Are we supposed to believe that Banbury tale?” he snapped at last. “Your brother is alive, but he isn’t here. Are we supposed to accept the word of a married woman who brazenly traveled as man and wife with another man-“
“With my brother,” Elizabeth retorted, bracing her palms on the desk, as if by sheer proximity she could make him understand.
“So you want us to believe. Why, Lady Thornton? Why this sudden interest in your husband’s well-being?”
“Delham!” the duchess barked. “Are you mad? Anyone can see she’s telling the truth-even I-and I wasn’t inclined to believe a word she said when she arrived at my house! You are tearing into her for no reason-“
Without moving his eyes from Elizabeth, Mr. Delham said shortly, “Your grace, what I’ve been doing is nothing to what the prosecution will try to do to her story. If she can’t hold up in here, she hasn’t a chance out there!”
“I don’t understand this at all!” Elizabeth cried with panic and fury. “By being here I can disprove that my husband has done away with me. And I have a letter from Mrs. Hogan describing my brother in detail and stating that we were together. She will come here herself if you need her, only she is with child and couldn’t travel as quickly as I had to do. This is a trial to prove whether or not my husband is guilty of those crimes. I know the truth, and I can prove he isn’t.”
“You’re mistaken, Lady Thornton,” Delham said in a bitter voice. “Because of its sensational nature and the wild conjecture in the press, this is no longer a quest for truth and justice in the House of Lords. This is now an amphitheater, and the prosecution is in the center of the stage, playing a starring role before an audience of thousands all over England who will read about it in the papers. They’re bent on giving a stellar performance, and they’ve been doing just that. Very well,” he said after a moment. “Let’s see how well you can deal with them.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb—on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost—climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!—for it seems at times, as though the ear also possessed a sight of its own,—behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations.
Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries. You can follow the dialogue, by turns grave and shrill, of the treble and the bass; you can see the octaves leap from one tower to another; you watch them spring forth, winged, light, and whistling, from the silver bell, to fall, broken and limping from the bell of wood; you admire in their midst the rich gamut which incessantly ascends and re-ascends the seven bells of Saint-Eustache; you see light and rapid notes running across it, executing three or four luminous zigzags, and vanishing like flashes of lightning. Yonder is the Abbey of Saint-Martin, a shrill, cracked singer; here the gruff and gloomy voice of the Bastille; at the other end, the great tower of the Louvre, with its bass. The royal chime of the palace scatters on all sides, and without relaxation, resplendent trills, upon which fall, at regular intervals, the heavy strokes from the belfry of Notre-Dame, which makes them sparkle like the anvil under the hammer. At intervals you behold the passage of sounds of all forms which come from the triple peal of Saint-Germain-des-Prés. Then, again, from time to time, this mass of sublime noises opens and gives passage to the beats of the Ave Maria, which bursts forth and sparkles like an aigrette of stars. Below, in the very depths of the concert, you confusedly distinguish the interior chanting of the churches, which exhales through the vibrating pores of their vaulted roofs.
Assuredly, this is an opera which it is worth the trouble of listening to. Ordinarily, the noise which escapes from Paris by day is the city speaking; by night, it is the city breathing; in this case, it is the city singing. Lend an ear, then, to this concert of bell towers; spread over all the murmur of half a million men, the eternal plaint of the river, the infinite breathings of the wind, the grave and distant quartette of the four forests arranged upon the hills, on the horizon, like immense stacks of organ pipes; extinguish, as in a half shade, all that is too hoarse and too shrill about the central chime, and say whether you know anything in the world more rich and joyful, more golden, more dazzling, than this tumult of bells and chimes;—than this furnace of music,—than these ten thousand brazen voices chanting simultaneously in the flutes of stone, three hundred feet high,—than this city which is no longer anything but an orchestra,—than this symphony which produces the noise of a tempest.
”
”
Victor Hugo (The Hunchback of Notre Dame)