Dolls Quotes

We've searched our database for all the quotes and captions related to Dolls. Here they are! All 200 of them:

I was not a pet, not a doll, not an animal. I was a survivor, and I was strong. I would not be weak, or helpless again I would not, could not be broken. Tamed.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I've got a library copy of Gone with the Wind, a quart of milk and all these cookies. Wow! What an orgy!
Jacqueline Susann (Valley of the Dolls)
We're not freaks, Tally. We're normal. We may not be gorgeous, but at least we're not hyped-up Barbie dolls.
Scott Westerfeld (Uglies (Uglies, #1))
Neighbors bring food with death and flowers with sickness and little things in between. Boo was our neighbor. He gave us two soap dolls, a broken watch and chain, a pair of good-luck pennies, and our lives. But neighbors give in return. We never put back into the tree what we took out of it: we had given him nothing, and it made me sad.
Harper Lee (To Kill a Mockingbird)
Dolls with no little girls around to mind them were sort of creepy under any conditions.
Stephen King (Desperation)
If men could see us as we really are, they would be a little amazed; but the cleverest, the acutest men are often under an illusion about women: they do not read them in a true light: they misapprehend them, both for good and evil: their good woman is a queer thing, half doll, half angel; their bad woman almost always a fiend.
Charlotte Brontë (Shirley)
You look like you're twelve. No. Maybe thirteen, but my sister has this doll that kinda reminds me of you. All big-eyed and vacant.
Jennifer L. Armentrout (Obsidian (Lux, #1))
My brother cleared his throat. "I wish she knew that I think she is the most hilarious person on Earth. And that whenever she's not home, I feel like I'm missing my partner in crime." My throat tightened. Do not cry. Do not cry. "I wish she knew that she's really Mom's favorite--" I shook my head here. "--the princess she always wanted. That Mom used to dress her up like a little doll and parade her around like Mara was her greatest achievement. I wish Mara knew that I never minded, because she's my favorite too.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
Running with a drowsy child of Hades was more like doing a 3 -legged race with a life size rag doll.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Nothing that grieves us can be called little: by the eternal laws of proportion a child's loss of a doll and a king's loss of a crown are events of the same size.
Mark Twain
You have never loved me. You have only thought it pleasant to be in love with me.
Henrik Ibsen (A Doll's House)
For love is no part of the dreamworld. Love belongs to Desire, and Desire is always cruel.
Neil Gaiman (The Sandman, Vol. 2: The Doll's House)
She still felt like a punked-out, faux-leather-wearing, free-thinking Bratz doll in a sea of Pretty Princess of Preppyland Barbies.
Sara Shepard (Perfect (Pretty Little Liars, #3))
Helmer: I would gladly work night and day for you. Nora- bear sorrow and want for your sake. But no man would sacrifice his honor for the one he loves. Nora: It is a thing hundreds of thousands of women have done.
Henrik Ibsen (A Doll's House)
I know you’re just a rag doll now, sewn together with memories that we might have had. I know you’re just the dream inside of a dream And don’t worry, I know I don’t know you, anymore.
pleasefindthis (I Wrote This For You (I Wrote This For You #4))
There is never a sudden revelation, a complete and tidy explanation for why it happened, or why it ends, or why or who you are. You want one and I want one, but there isn't one. It comes in bits and pieces, and you stitch them together wherever they fit, and when you are done you hold yourself up, and still there are holes and you are a rag doll, invented, imperfect. And yet you are all that you have, so you must be enough. There is no other way.
Marya Hornbacher (Wasted : A Memoir of Anorexia and Bulimia)
He liked women with little butts and big tits? Someone had played with one too many barbie dolls as a kid.
Kelley Armstrong (Stolen (Women of the Otherworld, #2))
What fabrications they are, mothers. Scarecrows, wax dolls for us to stick pins into, crude diagrams. We deny them an existence of their own, we make them up to suit ourselves -- our own hungers, our own wishes, our own deficiencies.
Margaret Atwood (The Blind Assassin)
The woman is the most perfect doll that i have dressed with delight and admiration.
Karl Lagerfeld
But I think the first real change in women’s body image came when JLo turned it butt-style. That was the first time that having a large-scale situation in the back was part of mainstream American beauty. Girls wanted butts now. Men were free to admit that they had always enjoyed them. And then, what felt like moments later, boom—Beyoncé brought the leg meat. A back porch and thick muscular legs were now widely admired. And from that day forward, women embraced their diversity and realized that all shapes and sizes are beautiful. Ah ha ha. No. I’m totally messing with you. All Beyonce and JLo have done is add to the laundry list of attributes women must have to qualify as beautiful. Now every girl is expected to have Caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama, and doll tits. The person closest to actually achieving this look is Kim Kardashian, who, as we know, was made by Russian scientists to sabotage our athletes.
Tina Fey (Bossypants)
HELMER: But this is disgraceful. Is this the way you neglect your most sacred duties? NORA: What do you consider is my most sacred duty? HELMER: Do I have to tell you that? Isn't it your duty to your husband and children? NORA: I have another duty, just as sacred. HELMER: You can't have. What duty do you mean? NORA: My duty to myself.
Henrik Ibsen (A Doll's House)
But no man would sacrifice his honor for the one he loves." "It is a thing hundreds of thousands of women have done.
Henrik Ibsen (A Doll's House)
You love me?” He answered without hesitation. “With everything I am, baby doll, and everything I’m meant to be.
Kristen Ashley (With Everything I Am (The Three, #2))
My love is like one of those wooden Russian nesting dolls (matryoshka doll). I know, because your heart fits perfectly inside mine.

Jarod Kintz (Who Moved My Choose?: An Amazing Way to Deal With Change by Deciding to Let Indecision Into Your Life)
Doll, you're going to get me out of your system as much as I'm going to get you out of mine. It's impossible.
Gail McHugh (Collide (Collide, #1))
My favorite band at the moment is the Dresden Dolls, they're from Boston. It's a guy and a girl. She plays piano and he plays the drums and she also sings. You can find them on the web they're incredible.
Gerard Way
You see, there are some people that one loves, and others that perhaps one would rather be with.
Henrik Ibsen (A Doll's House)
Never judge anyone by another's opinions. We all have different sides that we show to different people.
Jacqueline Susann (Valley of the Dolls)
I must make up my mind which is right – society or I.
Henrik Ibsen (A Doll's House)
Evie replied with an eye-roll. “Do you think you can manage to not steal anything while I’m gone?” “The only thing I’m trying to steal is your heart, doll.” Sam smirked. “You’re not that talented a thief, Sam Lloyd.
Libba Bray (The Diviners (The Diviners, #1))
What we ask is to be human individuals, however peculiar and unexpected. It is no good saying: "You are a little girl and therefore you ought to like dolls"; if the answer is, "But I don't," there is no more to be said.
Dorothy L. Sayers (Are Women Human? Astute and Witty Essays on the Role of Women in Society)
I'd never been turned on by the Ken doll—even before I looked down his pants and saw what was missing.
Karen Marie Moning (Darkfever (Fever, #1))
The only reason people die, is because EVERYONE does it. You all just go along with it. It's RUBBISH, death. It's STUPID. I don't want nothing to do with it.
Neil Gaiman (The Sandman, Vol. 2: The Doll's House)
The doll, Dallas. You know, Barbie doll. Jeez, didn't you ever have dollies?" "Dolls are like small dead people. I have enough dead people, thanks.
J.D. Robb (Origin in Death (In Death, #21))
Never let anyone shame you into doing anything you don't choose to do. Keep your identity.
Jacqueline Susann (Valley of the Dolls)
A Short Alternative Medical Dictionary Definitions courtesy of Dr Lemuel Pillmeister (also known as Lemmy) Addiction - When you can give up something any time, as long as it's next Tuesday. Cocaine - Peruvian Marching Powder. A stimulant that has the extraordinary effect that the more you do, the more you laugh out of context. Depression - When everything you laugh at is miserable and you can't seem to stop. Heroin - A drug that helps you to escape reality, while making it much harder to cope when you are recaptured. Psychosis - When everybody turns into tiny dolls and they have needles in their mouths and they hate you and you don't care because you have THE KNIFE! AHAHAHAHAHAHA!
Nikki Sixx (The Heroin Diaries: A Year in the Life of a Shattered Rock Star)
This car sucks.” “It was your idea. I, on the other hand, think this car if perfect size. But that might be because I’m not the size of a mountain.” He snickered. “You’re the size of a little, itty bitty doll.” “If you say a vacant doll, I will hurt you.” I wound the necklace chain around my fingers. “Got that?” “Yes, ma’am.
Jennifer L. Armentrout (Onyx (Lux, #2))
The little girl on the plane Who turned her doll's head around To look at me.
J.D. Salinger (Franny and Zooey)
Statues are too much like dolls, and dolls are creepy. You keep expecting them to blink. And the ones that smile, like this?" Eve kept her lips tight together and she curved them up. "You know they've got teeth in there. Big, sharp, shiny teeth." I didn't. But now I've got to worry about it.
J.D. Robb (Salvation in Death (In Death, #27))
How do our lives ravel out into the no-wind, no-sound, the weary gestures wearily recapitulant: echoes of old compulsions with no-hand on no-string: in sunset we fall into furious attitudes, dead gestures of dolls.
William Faulkner (As I Lay Dying)
Mrs LINDE: When you've sold yourself once for the sake of others, you don't do it second time.
Henrik Ibsen (A Doll's House)
Sometimes I think I should just buy a blow-up party doll. Same level of intelligence, plastic, and full of air. The problem is, I'd probably fall in love.
Nikki Sixx (The Heroin Diaries: A Year in the Life of a Shattered Rock Star)
Boo was our neighbor. He gave us two soap dolls, a broken watch and chain, a pair of good-luck pennies, and our lives.
Harper Lee (To Kill a Mockingbird)
People were like Russian nesting dolls - versions stacked inside the latest edition. But they all still lived inside, unchanged, just out of sight.
Megan Miranda (All the Missing Girls)
Yes, there's one thing I do want. I want to be aware of the minutes and the seconds, and to make each one count.
Jacqueline Susann (Valley of the Dolls)
See... I knew baby Marissa was quality people, look how she's eating the head off the red-headed Artemis doll. Simi need to teach her to belch fire, then introduce her to the real heifer-Goddess herself(Simi)
Sherrilyn Kenyon (Night Play (Dark-Hunter, #5; Were-Hunter, #1))
She was another broken doll dreaming of a boy with glue. 
Atticus Poetry (Love Her Wild)
Like I need to play on the Wii when you're there willing to f*** me. Video games are what men invented to fill the sex void. Any man who chooses video games over sex deserves to live in his mother's basement with his mint-condition, in box Star Wars figurines and his real doll.
Lauren Dane (Coming Undone (Brown Family, #2))
What's this about?" "Finally. Interest," was the only response. "If this is one of your tricks..." Like the time Torin had ordered hundreds of blow-up dolls and placed them throughout the fortress, all because Paris had foolishly complained about the lack of female companionship in town. The plastic "ladies" had stared our from every corner, their wide eyes and let-me-suck-you mouths taunting everyone who passed them. Things like that happened when Torin was bored.
Gena Showalter (The Darkest Night (Lords of the Underworld, #1))
I believe that before all else I am a reasonable human being, just as you are--or, at all events, that I must try and become one.
Henrik Ibsen (The Doll's House: A Play)
I pretend I am a princess,so that I can try and behave like one.
Frances Hodgson Burnett (A Little Princess)
I was impressed, and also unnerved. Being around Nikolai was always like this, watching him shift and change, revealing secrets as he went. He reminded me of the wooden nesting dolls I'd played with as a child. Except instead of getting smaller, he just kept getting grander and more mysterious. Tomorrow, he'd probably tell me he'd built a pleasure palace on the moon. Tough to get to, but quite a view.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
A little girl without a doll is almost as unhappy, and quite as impossible, as a woman without children.
Victor Hugo (Fantine (Les Misérables, #1))
People?" As though she'd never heard of such a thing. "They're like dolls. Plastic and shiny and fake.
Dia Reeves (Slice of Cherry)
Only the children know what they are looking for. They waste their time over a rag doll and it becomes very important to them; and if anybody takes it away from them, they cry...
Antoine de Saint-Exupéry
People parted, years passed, they met again- and the meeting proved no reunion, offered no warm memories, only the acid knowledge that time had passed and things weren't as bright or attractive as they had been.
Jacqueline Susann (Valley of the Dolls)
It is an anxious, sometimes a dangerous thing to be a doll. Dolls cannot choose; they can only be chosen; they cannot 'do'; they can only be done by.
Rumer Godden (The Dolls' House)
Because I am a doll, and a servant. Because I am a pretty thing and a soldier all the same.
Leigh Bardugo (The Tailor (The Shadow and Bone Trilogy, #1.5))
You're sad because you're sad. It's psychic. It's the age. It's chemical. Go see a shrink or take a pill, or hug your sadness like an eyeless doll you need to sleep. Well, all children are sad but some get over it. Count your blessings. Better than that, buy a hat. Buy a coat or a pet. Take up dancing to forget.
Margaret Atwood
This near enough? Whatcha gonna do, doll girl? Cry all over me?" Claire hid her eyes as the biker reached out for Eve with one tattooed hand. No," Eve said breathlessly. "I'm going to let my boyfriend beat the crap out of you." There was a dull thunk of wood meeting flesh, and a howl. Then another, much harder thunk, and a crash as a body hit the floor. The biker was down. Claire stared at him in disbelief, then looked past him, to the figure standing there with the field hockey stick in both hands. Michael Glass.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
Love shouldn't make a beggar of one. I wouldn't want love if I had to beg for it, to barter or qualify it. And I should despise it if anyone ever begged for my love. Love is something that must be given -- it can't be bought with words or pity, or even reason.
Jacqueline Susann (Valley of the Dolls)
Oh, doll, I just did. Was it you he was fucking on the hood of Sex in the parking garage before dinner? I didn't think so.
K. Bromberg (Fueled (Driven, #2))
Prayers are to men as dolls are to children.
Samuel Butler
Dear Die-ary, today I stuffed some dolls full of dead rats I put in the blender. I'm wondering if, maybe, there really is something wrong with me.
Jhonen Vásquez (Johnny the Homicidal Maniac: Director's Cut)
Little Lotte thought of everything and nothing. Her hair was as golden as the sun's rays, and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her red shoes and her fiddle, but loved most of all, when she went to sleep, to hear the Angel of Music.
Gaston Leroux (The Phantom of the Opera)
And I don't want the world to see me, Cause I don't think that they'd understand. When everything's made to be broken, I just want you to know who I am.
Goo Goo Dolls
You just, like, hate yourself? You hate being yourself?" "There's no self to hate. It's like, when I look into myself, there's no actual me—just a bunch of thoughts and behaviors and circumstances. And a lot of them just don't feel like they're mine. They're not things I want to think or do or whatever. And when I do look for the, like, Real Me, I never find it. It's like those nesting dolls, you know? The ones that are hollow, and then when you open them up, there's a smaller doll inside, and you keep opening hollow dolls until eventually you get to the smallest one, and it's solid all the way through. But with me, I don't think there is one that is solid. They just keep getting smaller.
John Green (Turtles All the Way Down)
It's no accident, I think, that tennis uses the language of life. Advantage, service, fault, break, love, the basic elements of tennis are those of everyday existence, because every match is a life in miniature. Even the structure of tennis, the way the pieces fit inside one another like Russian nesting dolls, mimics the structure of our days. Points become games become sets become tournaments, and it's all so tightly connected that any point can become the turning point. It reminds me of the way seconds become minutes become hours, and any hour can be our finest. Or darkest. It's our choice.
Andre Agassi (Open)
Being around Nikolai was always like this, watching him shift and change, revealing secrets as he went. He reminded me of the wooden nesting dolls I'd played with as a child. Except instead of getting smaller, he just kept getting grander and more mysterious.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Congratulations, Mommy," I say, dropping the doll into his hands. "You could've told me I knocked you up." "My bad. I thought you'd force me to get an abortion," Henry replies, taking the baby and cradling it as if it's real. "He has your eyes, Woods." "And your hair." The doll is bald. "Can we name him Joe Montana?" "Hells no, his name is Jerry Rice." "No, his name is Joe Montana." "I was in labor with him for fourteen hours!" Henry exclaims as he rocks the baby back and forth. “His name is Jerry Rice." I grin. "Fine.
Miranda Kenneally (Catching Jordan)
Get off the cross, we need the wood.
Tori Amos (Tori Amos: American Doll Posse (Pvg))
I’ll begin with the most basic. What are you?” “Pussy Cat Doll?” she asked, immediately doing a slow headshake at his look. “Judge, jury and executioner.” He scowled. Her eyes lit up. “Transient! What? Really. No? Babe in Toyland?
Kresley Cole (The Warlord Wants Forever (Immortals After Dark, #0.5))
My eyes widen at the sight of her. This is the girl Boss Man is after? She looks like a porcelain doll…beat three times with an ugly stick.
Victoria Scott (The Collector (Dante Walker, #1))
Umm. Wow. Did it grow? Because it looks bigger." "Kissin' your red-hot love flower made this stem grow big and hard just for you, baby doll." AJ managed to meet his eyes. "Love flower?" "Thought maybe you wanted some kinda sweet-talkin' love words first.
Lorelei James (Cowgirl Up and Ride (Rough Riders, #3))
She was happy, and perfectly in line with the tradition of those women they used to call "ruined," "fallen," feckless, bitches in heat, ravished dolls, sweet sluts, instant princesses, hot numbers, great lays, succulent morsels, everybody's darlings...
Jean Genet (Querelle of Brest)
You're like a doll I had when I was a kid. She was all stiched together and her head kept falling off, but I loved that doll. That's what you look like. Like somebody just loved you to death.
Dia Reeves (Slice of Cherry)
It hurts, but I can bear it. Because I am a doll, and a servant. Because I am a pretty thing and a soldier all the same.
Leigh Bardugo (The Tailor (The Shadow and Bone Trilogy, #1.5))
I hope you like cherry coke, baby doll, or we can't be friends.
Jamie McGuire (Beautiful Oblivion (The Maddox Brothers, #1))
NORA: I must stand on my own two feet if I'm to get to know myself and the world outside. That's why I can't stay here with you any longer.
Henrik Ibsen (A Doll's House)
She hated their new nickname. It made them sound like deranged Barbie dolls.
Sara Shepard (Heartless (Pretty Little Liars, #7))
Shotgunning anybody in this room would be the moral equivalent of killing a car, a Barbie doll, a vacuum cleaner. We're all such products.
Chuck Palahniuk (Invisible Monsters)
Laila watches Mariam glue strands of yarn onto her doll's head. In a few years, this little girl will be a woman who will make small demands on life, who will never burden others, who will never let on that she too had sorrows, disappointments, dreams that have been ridiculed. A woman who will be like a rock in a riverbed, enduring without complaint, her grace not sullied but shaped by the turbulence that washes over her. Already Laila sees something behind this young girl's eyes, something deep in her core, that neither Rasheed nor the Taliban will be able to break. something as hard and unyielding as a block of limestone. Something that, in the end, will be her undoing and Laila's salvation. The little girl looks up. Puts the doll down. Smiles.
Khaled Hosseini (A Thousand Splendid Suns)
Things only get darker from here, doll. Might want to hold my hand for this.
Victoria Scott (The Liberator (Dante Walker, #2))
Love belongs to Desire. And Desire is always Cruel. -Old Man
Neil Gaiman (The Sandman, Vol. 2: The Doll's House)
Eww," Jack said, and then giggled. "Yeah, and a Paris Hilton doll that had an optional brain."Aphrodite raised her brow at him. "Don't go all crazy. There are some things even Paris Hilton can't buy.
P.C. Cast (Burned (House of Night, #7))
seven times down eight times up like the Daruma doll
Chris Bradford (The Way of the Warrior (Young Samurai, #1))
Where are you taking us?" Nico said. "You should be honored, my boy. You will have the opportunity to join a great army! Just like that silly game you play with cards and dolls." "They're not dolls! They're figurines! And you can take your great army and—
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
Philosophers play with the word, like a child with a doll. It does not mean that everything in life is relative.
Albert Einstein
Someone will come for you, but first you must open your heart...
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
I hate the thought that I'm just some kind of Russian nesting doll with the big outside and inevitably, rattling around under all the layers, a crude little peg with a face is the truth of me.
Wendy McClure (I'm Not the New Me)
Sometimes I feel like a windup doll, like I have to reach behind and turn my golden key to produce a greeting, a laugh, whatever the socially acceptable reaction should be.
Jessica Knoll (Luckiest Girl Alive)
There is something about me, doll face. It’s between my legs, and I do believe a few minutes ago you were praying to it.
Debra Anastasia (Crushed Seraphim (Seraphim, #1))
I am a kaleidoscope of hope and dreams and wonder in the shape of a girl. I am not a porcelain doll. I am not empty. I am worthy. I am enough.
Ashley Poston (The Princess and the Fangirl (Once Upon a Con, #2))
I hated that the soldier doll had my name. I mean, please. I didn't play with him much. He was another Christmas present from my clueless grandparents. One time when they were visiting, my grandpa asked me if G.I. Joe had been in any wars lately. I said, "No, but he and Ken got married last week." Every Christmas since then, my grandparents have sent me a check.
James Howe (Totally Joe (The Misfits, #2))
Everyone has an identity. One of their own, and one for show.
Jacqueline Susann (Valley of the Dolls)
Our home has been nothing but a playroom. I have been your doll-wife, just as at home I was papa's doll-child; and here the children have been my dolls.
Henrik Ibsen (A Doll's House)
I saw that it was all over, put away in a box like a doll no longer cared for, the magical intimacy of our childhood together
Tennessee Williams (Collected Stories)
Can't fight the moment of truth in your lies.
Goo Goo Dolls
And more’?” The name of the store is Dolls and More. He’s asking what others have before him once they come into the store and only see dolls. I nod. “Dolls and more dolls.
Kasie West (The Distance Between Us (Old Town Shops, #1))
With her long dark hair and green eyes, she was pretty as a doll. You know, the kind of doll that came to life at night to kill monsters.
Alyxandra Harvey (Blood Moon (Drake Chronicles, #5))
Where was that fragile, golden-fair Dresden doll I used to be? Gone. Gone like porcelain turned into steel-made into someone who would always get what she wanted, no matter who or what stood in her way.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
She's easy to use." Laszlo pointed at the doll's neck. "You remove the clamp, insert the small funnel, select two quarts of your favorite blood from Romatech Industries, and fill her up." I see. Does she light up when she's running low?" Laszlo frowned. "I suppose I could put in an indicator light-
Kerrelyn Sparks (How to Marry a Millionaire Vampire (Love at Stake, #1))
Fictions are merely frozen dreams, linked images with some semblance of structure. They are not to be trusted, no more than the people who create them.
Neil Gaiman (The Sandman, Vol. 2: The Doll's House)
With every step I took away from her, the movement at my heart and between my legs grew more defined: I felt like a ventriloquist, locking his protesting dolls in to a trunk.
Sarah Waters (Tipping the Velvet)
You know, for the record, I hate to take orders. But! I realize I'm in over my head. You have no idea how much I hate all this supernatural garbage. So I'm willing to listen to you, but you better start acting like I'm a person and not some mindless blow-up doll. (Amanda)
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
With me you could have been another person.
Henrik Ibsen (A Doll's House)
A man must feel he runs things, but as long as you control yourself, you control him.
Jacqueline Susann (Valley of the Dolls)
Venezuelan dream dolls? We have some on display in the palace. They're incredibly rare." He examined its back. "What is it doing here?" "I'm pretty sure Thorne stole it." Kai's expression filled with clarity. "Ah. Of course." He nestled the doll back into its packaging. "He'd better plan on giving all this stuff back." "Sure I'll give it back, Your Majesticness. For a proper finder's fee.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Baby doll, you're about to be claimed.
Kristen Ashley (With Everything I Am (The Three, #2))
I'm not doing much at all. I mimght as well be a rag doll. Comes complete with matching shoes. Spine sold separately.
Amie Kaufman (These Broken Stars (Starbound, #1))
You aren’t falling apart. You’re well beyond that. You’re just rattling along now. Elven dolls doing what little you can to gather the pieces as they fall away. But you don’t know how to properly reattach them—a doll does not repair itself. So you hug those brittle fragments to your chest until you simply cannot hug anymore. Until you’ve had to leave so many behind that you no longer remember what it is you’re missing.
Darrell Drake (Where Madness Roosts)
I believe that before anything else I'm a human being -- just as much as you are... or at any rate I shall try to become one. I know quite well that most people would agree with you, Torvald, and that you have warrant for it in books; but I can't be satisfied any longer with what most people say, and with what's in books. I must think things out for myself and try to understand them.
Henrik Ibsen (A Doll's House)
At Keramzin, I had a doll I made out of an old sock that I used to talk to whenever he was away hunting. Maybe that would make me feel better." "You were an odd little girl." "You have no idea. What did you and Tolya play with?" "The skulls of our enemies." I saw the glint in her eye, and we both burst out laughing.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
And all I can taste is this moment And all I can breathe is your life Cause sooner or later it's over I just don't want to miss you tonight And I don't want the world to see me Cause I don't think that they'd understand When everything's made to be broken I just want you to know who I am this song remind me of die for me at sometimes on in the chapter :)
Amy Plum (Die for Me (Revenants, #1))
How do I look?” She was wearing a pair of tiny jean shorts and a bright pink T-shirt. Her blond hair was matted on one side and there were dirt smudges all over her arms, legs, and face. Gabriel hesitated. “Like a Barbie doll that got run over by a garbage truck.” “Wow. Really, Gabriel?
Chelsea Fine (Avow (The Archers of Avalon, #3))
Now, after my confession, I felt battered, like one of those dolls that always bounces back up when hit. But here's the thing - those silly dolls get hit all the more for it.
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
I inhabit the wax image of myself, a doll's body. Sickness begins here; I am a dartboard for witches.
Sylvia Plath
The row of dolls watched her impassively from the bookshelf, their tea party propriety almost certainly offended.
Holly Black (Tithe (Modern Faerie Tales, #1))
Things to worry about: Worry about courage Worry about cleanliness Worry about efficiency Worry about horsemanship Things not to worry about: Don’t worry about popular opinion Don’t worry about dolls Don’t worry about the past Don’t worry about the future Don’t worry about growing up Don’t worry about anybody getting ahead of you Don’t worry about triumph Don’t worry about failure unless it comes through your own fault Don’t worry about mosquitoes Don’t worry about flies Don’t worry about insects in general Don’t worry about parents Don’t worry about boys Don’t worry about disappointments Don’t worry about pleasures Don’t worry about satisfactions Things to think about: What am I really aiming at? How good am I really in comparison to my contemporaries in regard to: (a) Scholarship (b) Do I really understand about people and am I able to get along with them? (c) Am I trying to make my body a useful instrument or am I neglecting it? With dearest love, Daddy
F. Scott Fitzgerald
There’s people who do things and people who never do—who say they will someday, but they just don’t. I want to go on a quest. I’ve always wanted to go on a quest. And now that I have one, I’m not backing down from it. I’m not going home until it’s complete.
Holly Black (Doll Bones)
I hate that everyone calls it growing up, but it seems like DYING.
Holly Black (Doll Bones)
I mean, seriously, is a baby doll dress for the breastless? I don’t know.
Lili St. Crow (Defiance (Strange Angels, #4))
Well, friend, I don’t know about your tastes, but I tend to like it very bloody,” Myrnin said. He shifted position, dragging Claire along like a rag doll without any effort at all. “Have we been introduced?” “Probably not. Why, are you asking me out, sweetheart?” “You’re not my type, darling. Is this one yours?” “No,” Frank said, and looked at Shane, just in a quick flicker. “Let’s say she’s a friend of the family.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
But somebody else had spoken Snape’s name, quite softly. “Severus . . .” The sound frightened Harry beyond anything he had experienced all evening. For the first time, Dumbledore was pleading. Snape gazed for a moment at Dumbledore, and there was revulsion and hatred etched in the harsh lines of his face. “Severus . . . please . . .” Snape raised his wand and pointed it directly at Dumbledore. “Avada Kedavra!” A jet of green light shot from the end of Snape’s wand and hit Dumbledore squarely in the chest. Harry’s scream of horror never left him; silent and unmoving, he was forced to watch as Dumbledore was blasted into the air. For a split second, he seemed to hang suspended beneath the shining skull, and then he fell slowly backward, like a great rag doll, over the battlements and out of sight.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter #6))
Nothing could be taken for granted. Women who loved you tried to cut your throat, while women who didn't even know your name scrubbed your back. Witches could sound like Katharine Hepburn and your best friend could try to strangle you. Smack in the middle of an orchid there might be a blob of jello and inside a Mickey Mouse doll, a fixed and radiant star.
Toni Morrison (Song of Solomon)
„One down,” I said, turning to Kale. He wasn't paying attention. His gaze was fixed on the red silk baby doll in my hand. „What is this?” he asked, rubbing the satiny material between his fingers. „Clothes” I said. „For women.” His eyes widened. „Girls wear this?” „Yeah, but usually not for long” I chuckled. Kale turned as red as the teddy. „Are you going to wear this now?” „Umm. No,” I said, blushing. He seemed a little disappointed and I stifled a laugh.
Jus Accardo (Touch (Denazen, #1))
Sometimes I speak to men and women just as a little girl speaks to her doll. She knows, of course, that the doll does not understand her, but she creates for herself the joy of communication through a pleasant and conscious self-deception.
Arthur Schopenhauer
We don't have a clue what's really going down, we just kid ourselves that we're in control of our lives while a paper's thickness away things that would drive us mad if we thought about them for too long play with us, and move us around from room to room, and put us away at night when they're tired, or bored.
Neil Gaiman (The Sandman, Vol. 2: The Doll's House)
Leave the dishes. Let the celery rot in the bottom drawer of the refrigerator and an earthen scum harden on the kitchen floor. Leave the black crumbs in the bottom of the toaster. Throw the cracked bowl out and don't patch the cup. Don't patch anything. Don't mend. Buy safety pins. Don't even sew on a button. Let the wind have its way, then the earth that invades as dust and then the dead foaming up in gray rolls underneath the couch. Talk to them. Tell them they are welcome. Don't keep all the pieces of the puzzles or the doll's tiny shoes in pairs, don't worry who uses whose toothbrush or if anything matches, at all. Except one word to another. Or a thought. Pursue the authentic-decide first what is authentic, then go after it with all your heart. Your heart, that place you don't even think of cleaning out. That closet stuffed with savage mementos. Don't sort the paper clips from screws from saved baby teeth or worry if we're all eating cereal for dinner again. Don't answer the telephone, ever, or weep over anything at all that breaks. Pink molds will grow within those sealed cartons in the refrigerator. Accept new forms of life and talk to the dead who drift in though the screened windows, who collect patiently on the tops of food jars and books. Recycle the mail, don't read it, don't read anything except what destroys the insulation between yourself and your experience or what pulls down or what strikes at or what shatters this ruse you call necessity.
Louise Erdrich (Original Fire)
I look sad because I don't have the courage to escape from you. And I think I don't want to understand the truth: for you, I am nothing but a dream. You like to play with life, you're not afraid of anything, not even of me. But I want you to know that I am not an object or a doll: I don't change faces on command, I like to sit down every day in the same place, on my own chair, and I know that you, you like to leave, to go to a new place every day.
Consuelo de Saint-Exupéry (The Tale of the Rose: The Love Story Behind The Little Prince)
How come the dog isn’t named?” He reads aloud the title on the box. “‘Peggy and dog.’” “Because people tend to want to name animals after their beloved pets.” “Really?” “No. I have no idea. I can give you the number of Peggy’s creator if you want to ask.” “You have the phone number of this doll’s creator?” “No.” I punch the price into the register and push Total. “You’re hard to read,” he says
Kasie West (The Distance Between Us (Old Town Shops, #1))
As it unfolded, the structure of the story began to remind me of one of those Russian dolls that contain innumerable ever-smaller dolls within. Step by step the narrative split into a thousand stories, as if it had entered a gallery of mirrors, its identity fragmented into endless reflections.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Marriage is like a series of opposing reflections, inverse images getting ever smaller like nesting dolls, each one of your trying to squeeze yourself smaller to fit inside the hopes of the other, until one of you cracks or stops existing.
Jacob M. Appel (The Biology of Luck)
Now every girl is expected to have Caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama, and doll tits. The person closest to actually achieving this look is Kim Kardashian, who, as we know, was made by Russian scientists to sabotage our athletes.
Tina Fey (Bossypants)
He wondered whether growing up was learning that most stories turned out to be lies.
Holly Black (Doll Bones)
Feminism … I think the simplest explanation, and one that captures the idea, is a song that Marlo Thomas sang, 'Free to be You and Me.' Free to be, if you were a girl—doctor, lawyer, Indian chief. Anything you want to be. And if you’re a boy, and you like teaching, you like nursing, you would like to have a doll, that’s OK too. That notion that we should each be free to develop our own talents, whatever they may be, and not be held back by artificial barriers—manmade barriers, certainly not heaven sent.
Ruth Bader Ginsburg (My Own Words)
The moment that's where I, Kill the conversation wrap this up a lie that I'm enjoying every minute with myself, And she could make hell feel just like home, So I'm never leaving her alone, But if your lightning lips aren't mine, Then I don't know the awkward stranger to my right, ( but she's crying )
Pierce the Veil
I am thinking about the way that life can be so slippery; the way that a twelve-year-old girl looking into the mirror to count freckles reaches out toward herself and that reflection has turned into that of a woman on her wedding day, righting her veil. And how, when that bride blinks, she reopens her eyes to see a frazzled young mother trying to get lipstick on straight for the parent/teacher conference that starts in three minutes. And how after that young woman bends down to retrieve the wild-haired doll her daughter has left on the bathroom floor, she rises up to a forty-seven-year-old, looking into the mirror to count age spots.
Elizabeth Berg (What We Keep)
And they heard the roaring thunder of a third brilliantly lighted express. "Are they pursuing the first travelers?" demanded the little prince. "They are pursuing nothing at all," said the switchman. "They are asleep in there, or if they are not asleep they are yawning. Only the children are flattening their noses against the windowpanes." "Only the children know what they are looking for," said the little prince. "They waste their time over a rag doll and it becomes very important to them; and if anybody takes it away from them, they cry..." "They are lucky," the switchman said.
Antoine de Saint-Exupéry (The Little Prince)
It’s rigged — everything, in your favor. So there is nothing to worry about. Is there some position you want, some office, some acclaim, some award, some con, some lover, maybe two, maybe three, maybe four — all at once, maybe a relationship with God? I know there is a gold mine in you, when you find it the wonderment of the earth’s gifts you will lay aside as naturally as does a child a doll. But, dear, how sweet you look to me kissing the unreal: comfort, fulfill yourself, in any way possible — do that until you ache, until you ache, then come to me again.
Rumi
I almost wish that I could replace their hideous flok dolls, as a gesture of my gratitude. Could you, perhaps, have one of the local women fashion a crude poppet out of, say, a wooden spool and some scraps of wool? Nothing fancy. Aesthetic standars for this particular collection were not high, believe me. "Ugly" and "ill-crafted" seem to be part of the key criteria.
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
When I lost you, it was as if all the solid ground dissolved from under my feet. Look at me; I'm a half-drowned man now, hanging onto a wreck.
Henrik Ibsen (A Doll's House)
Why are tall guys always attracted to short women? Not just moderately short women, either... Tiny women. Polly Pockets. The tallest guys always-always-always go for the shortest girls. Always. It's like they're so infatuated with their own height that they want to be with someone who makes them feel even taller. Someone they can tower over. A little doll that will make them feel even bigger and stronger.
Rainbow Rowell (Attachments)
Personally, I’m a mess of conflicting impulses—I’m independent and greedy and I also want to belong and share and be a part of the whole. I doubt that I’m the only one who feels this way. It’s the core of monster making, actually. Wanna make a monster? Take the parts of yourself that make you uncomfortable—your weaknesses, bad thoughts, vanities, and hungers—and pretend they’re across the room. It’s too ugly to be human. It’s too ugly to be you. Children are afraid of the dark because they have nothing real to work with. Adults are afraid of themselves. Oh we’re a mess, poor humans, poor flesh—hybrids of angels and animals, dolls with diamonds stuffed inside them. We’ve been to the moon and we’re still fighting over Jerusalem. Let me tell you what I do know: I am more than one thing, and not all of those things are good. The truth is complicated. It’s two-toned, multi-vocal, bittersweet. I used to think that if I dug deep enough to discover something sad and ugly, I’d know it was something true. Now I’m trying to dig deeper.
Richard Siken
When you're climbing Mount Everest, nothing is easy. You just take one step at a time, never look back and always keep your eyes glued to the top.
Jacqueline Susann (Valley of the Dolls)
Wow, she doesn't have any bones. Like, at all. Where the f*ck are her bones? Am I still drunk? Did I sleep with a blow-up doll? Again? I pealed my eyes open one at a time so the rays of sun shining in the room wouldn't make me go blind. Once my eyes adjusted to the light, I looked down and groaned. Nope, not drunk, just hugging a pillow.
Tara Sivec
[Y]et, I wondered why Marshall did not at least attempt a kiss. In many ways, his treatment of me reminded me of the way I had behaved toward the doll that Mamma Mae had given me as a child. I favored it so that I had refused myself of the joy of playing with it, daring to love it only with my eyes. But in doing so, I had denied myself its very purpose.
Kathleen Grissom (The Kitchen House)
I have a strange illusion quite often. I think I've become deaf. I have to make a little noise to prove I'm not. I clear my throat to show myself that everything is normal. It's like the little Japanese girl they found in the ruins of Hiroshima. Everything dead; and she was singing to her doll.
John Fowles (The Collector)
I thought you needed to be tougher. But I've been thinking that protecting somebody by hurting them before someone else gets the chance isn't the kind of protecting that anybody wants.
Holly Black (Doll Bones)
Now that we all have partners, all husbands should come pick up their projects." Pick up our project? Shrugging, I stand up and stretch my arms. Henry also stands. "No way, dude," I say. "I'm the man in this relationship." "Oh yeah, absolutely," he says, grinning. He sits back down as I walk to the closet to see this project, which turns out to be one of those fake electronic babies. Oh good God. Ms. Bonner hands me a fake baby boy. The doll has these creepy glass eyes that look like they’re staring straight into my soul. I hold the doll out in front of me like it's a flaming bag of poo and carry it back to Henry. "Congratulations, Mommy," I say, dropping the doll into his hands. You could've told me I knocked you up.
Miranda Kenneally (Catching Jordan)
No one should give up a dream without giving it a chance to come true.
Jacqueline Susann (Valley of the Dolls)
There were six dolls to be taken up and dressed every morning, for Beth was a child still, and loved her pets as well as ever. Not one whole or handsome one among them; all were outcasts till Beth took them in; for, when her sisters outgrew these idols, they passed to her.... Beth cherished them all the more tenderly for that very reason, and set up a hospital for infirm dolls. No pins were ever stuck into their cotton vitals; no harsh words or blows were ever given them; no neglect ever saddened the heart of the most repulsive: but all were fed and clothed, nursed and caressed, with an affection which never failed.
Louisa May Alcott (Little Women)
I see them standing at the formal gates of their colleges, I see my father strolling out under the ochre sandstone arch, the red tiles glinting like bent plates of blood behind his head, I see my mother with a few light books at her hip standing at the pillar made of tiny bricks with the wrought-iron gate still open behind her, its sword-tips black in the May air, they are about to graduate, they are about to get married, they are kids, they are dumb, all they know is they are innocent, they would never hurt anybody. I want to go up to them and say Stop, don't do it--she's the wrong woman, he's the wrong man, you are going to do things you cannot imagine you would ever do, you are going to do bad things to children, you are going to suffer in ways you never heard of, you are going to want to die. I want to go up to them there in the late May sunlight and say it, her hungry pretty blank face turning to me, her pitiful beautiful untouched body, his arrogant handsome blind face turning to me, his pitiful beautiful untouched body, but I don't do it. I want to live. I take them up like the male and female paper dolls and bang them together at the hips like chips of flint as if to strike sparks from them, I say Do what you are going to do, and I will tell about it
Sharon Olds
Oh we're a mess, poor humans, poor flesh—hybrids of angels and animals, dolls with diamonds stuffed inside them. We've been to the moon and we're still fighting over Jerusalem. Let me tell you what I do know: I am more than one thing, and not all of those things are good. The truth is complicated. It's two-toned, multi-vocal, bittersweet. I used to think that if I dug deep enough to discover something sad and ugly, I'd know it was something true. Now I'm trying to dig deeper.
Richard Siken
Facebook is a circle of Stranger=>Friends=>Best Friends=> Again Strangers
Jay Doll
I'm also like a half-drowned woman on a wreck. No one to suffer with; no one to care for.
Henrik Ibsen (A Doll's House)
And Desire smiles, and forgets, for Desire is a creature of the moment.
Neil Gaiman (The Sandman, Vol. 2: The Doll's House)
There is such a love, a love that creates value in what is loved. There is a love that turns rag dolls into priceless treasures. There is a love that fastens itself onto ragged little creatures, for reasons that no one could ever quite figure out, and makes them precious and valued beyond calculation. This is love beyond reason. This is the love of God.
John Ortberg (Love Beyond Reason)
She is often the broken-winged one, who does everything all wrong until people realize she's been doing it... pretty right all along. She's the poor girl who never dressed right, who had torn hose, and they were all baggy around her ankles. She's the Raggedy Ann of the sophisticated world, who pulls it out at the last minute, flies by the seat of her pants, cackling all the way home. She is the late bloomer, the late start, the autumn bush, the winter holly. She is Baubo, all the classical Greek goddesses. She is the old girl who still blushes, and laughs, and dances. She's the truth teller, maybe that people hate to hear, but they learn to listen to. She is not dumb and in some ways is not shrewd. She works on passion, and the doll in her pocket, and the intuition that leads her into and through all the world.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
Chantal is having a relationship with a sentence. Just one of those things. A chance meeting that grew into something important for the both of them.
Neil Gaiman (The Sandman, Vol. 2: The Doll's House)
Our holiday food splurge was a small crate of tangerines, which we found ridiculously thrilling after an eight-month abstinence from citrus.... Lily hugged each one to her chest before undressing it as gently as a doll. Watching her do that as she sat cross-legged on the floor one morning in pink pajamas, with bliss lighting her cheeks, I thought: Lucky is the world, to receive this grateful child. Value is not made of money, but a tender balance of expectation and longing.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
What you feel is what you are and what you are is beautiful.
Goo Goo Dolls
I slipped in and out of consciousness as time stretched and flowed around me. Dreams and reality blurred, but I liked the dreams better. Noah was in them. I dreamed of us, walking hand in hand down a crowded street in the middle of the day. We were in New York. I was in no rush—I could walk with him forever—but Noah was. He pulled me alongside him, strong and determined and not smiling. Not today. We wove among the people, somehow not touching a single one. The trees were green and blossoming. It was spring, almost summer. A strong wind shook a few steadfast flowers off of the branches and into our path. We ignored them. Noah led me into Central Park. It was teeming with human life. Bright colored picnic blankets burst across the lawn, the pale, outstretched forms of people wriggling over them like worms in fruit. We passed the reservoir, the sun reflecting off its surface, and then the crowd began to thicken. They funneled into a throbbing mass as we strode up a hill, over and through. Until we could see them all below us, angry and electric. Noah reached into his bag. He pulled out the little cloth doll, my grandmother’s. The one we burned.
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
Nora: It's true Torvald. When I lived at home with Papa, he used to tell me his opinion about everything, and so I had the same opinion. If I thought differently, I had to hide it from him, or he wouldn't have liked it. He called me his little doll, and he used to play with me just as I played with my dolls. Then I came to live in your house - Helmer: That's no way to talk about our marriage! Nora [undisturbed]: I mean when I passed out of Papa's hands into yours. You arranged everything to suit your own tastes, and so I came to have the same tastes as yours.. or I pretended to. I'm not quite sure which.. perhaps it was a bit of both -- sometimes one and sometimes the other. Now that I come to look at it, I've lived here like a pauper -- simply from hand to mouth. I've lived by performing tricks for you, Torvald. That was how you wanted it. You and Papa have committed a grievous sin against me: it's your fault that I've made nothing of my life.
Henrik Ibsen (A Doll's House)
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
It is Nixon himself who represents that dark, venal and incurably violent side of the American character that almost every country in the world has learned to fear and despise. Our Barbie-doll president, with his Barbie-doll wife and his boxful of Barbie-doll children is also America's answer to the monstrous Mr. Hyde. He speaks for the Werewolf in us; the bully, the predatory shyster who turns into something unspeakable, full of claws and bleeding string-warts on nights when the moon comes too close…
Hunter S. Thompson
L'union libre [Freedom of Love]" My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer Night Of privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire
André Breton (Poems of André Breton: A Bilingual Anthology)
Cigarettes and Whiskey and Wild, Wild Women" Perhaps I was born kneeling, born coughing on the long winter, born expecting the kiss of mercy, born with a passion for quickness and yet, as things progressed, I learned early about the stockade or taken out, the fume of the enema. By two or three I learned not to kneel, not to expect, to plant my fires underground where none but the dolls, perfect and awful, could be whispered to or laid down to die. Now that I have written many words, and let out so many loves, for so many, and been altogether what I always was— a woman of excess, of zeal and greed, I find the effort useless. Do I not look in the mirror, these days, and see a drunken rat avert her eyes? Do I not feel the hunger so acutely that I would rather die than look into its face? I kneel once more, in case mercy should come in the nick of time.
Anne Sexton
I was thinking. What if the world was like one of those Russian nesting dolls? What if we only saw one surface of it, the outside, but there was all kinds of other stuff going on, too? All the time. Underneath. But we just don't see it, even if we're part of it? Even if we're in it? And what if you had a chance to see a different layer, like flipping a channel or something? Would you want to look? Even if what you saw looked like hell? Or worse?
Andrew Smith (The Marbury Lens (The Marbury Lens, #1))
I knew it! I knew you'd hate my body!" She slammed her hands on her hips, marched over to the bed, and glared down at him. "Well, for your information, mister, all those cute little sex kittens in your past might have had perfect bodies, but they don't know a lepton from a proton,and if you think that I'm going to stand here and let you judge me by the size of my hips and because my belly's not flat, then you're in for a rude awakening." She jabbed her finger at him. "This is the way a grown woman looks, buster! This body was designed by God to be functional, not to be stared at by some hormonally imbalanced jock who can only get aroused by women who still own Barbie dolls" "Damn. Now I've got to gag you." With one swift motion, he pulled her down on the bed, rolled on top of her, and covered her lips with his own.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
And two years ago this morning I woke wondering what delightful gift the new day would give me. These are the two years I thought would be filled with fun." "Would you exchange them - now - for two years filled with fun " "No " said Rilla slowly. "I wouldn't. It's strange - isn't it - They have been two terrible years - and yet I have a queer feeling of thankfulness for them - as if they had brought me something very precious in all their pain. I wouldn't want to go back and be the girl I was two years ago not even if I could. Not that I think I've made any wonderful progress - but I'm not quite the selfish frivolous little doll I was then. I suppose I had a soul then Miss Oliver - but I didn't know it. I know it now - and that is worth a great deal - worth all the suffering of the past few years.
L.M. Montgomery (Rilla of Ingleside (Anne of Green Gables, #8))
Oh, I know that. Or at least I think I know that,” she stammers. “I mean, you seem like a decent guy, but then again, lots of serial killers probably seem decent too when you first meet them. Did you know that Ted Bundy was actually really charming?” Her eyes widen. “How messed up is that? Imagine you’re walking along one day and you meet this really cute, charming guy, and you’re like, oh my God, he’s perfect, and then you’re over at his place and you find a trophy dungeon in the basement with skin suits and Barbie dolls with the eyes ripped out and—” “Jesus,” I cut in. “Did anyone ever tell you that you talk a lot?
Elle Kennedy (The Mistake (Off-Campus, #2))
I am spinning the silk threads of my story, weaving the fabric of my world. The tiny elf dancer became a wooden doll whose strings were jerked by people not paying attention. I spun out of control. Eating was hard. Breathing was hard. Living was hardest. I wanted to swallow the bitter seeds of forgetfulness. Cassie did, too. We leaned on each other, lost in the dark and wandering in endless circles. She got too tired an went to sleep. Somehow, I dragged myself out of the dark and asked for help. I spin and weave and knit my words and visions until a life starts to take shape. There is no magic cure, no making it all go away forever. There are only small steps upward; an easier day, an unexpected laugh, a mirror that doesn't matter anymore. I am thawing.
Laurie Halse Anderson (Wintergirls)
This, you see, is the danger of children: they are ambushes, each and every one of them. A person may look at someone else's child and see only the surface, the shiny shoes or the perfect curls. They do not see the tears and the tantrums, the late nights, the sleepless hours, the worry. They do not even really see the love, not really. It can be easy, when looking at children from the outside, the believe that they are things, dolls designed and programmed by their parents to behave in one manner, following one set of rules. It can be easy, when standing on the lofty shores of adulthood, not to remember that every adult was once a child, with ideas and ambitions of their own. It can be easy, in the end, to forget that children are people, and that people will do what people will do, the consequences be damned.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
What do you think, Samantha?” Fosco asks me. That it’s a piece of pretentious shit. That it says nothing, gives nothing. That I don’t understand it, that probably no one does and no one ever will. That not being understood is a privilege I can’t afford. That I can’t believe this woman got paid to come here. That I think she should apologize to trees. Spend a whole day on her knees in the forest, looking up at the trembling aspens and oaks and whatever other trees paper is made of with tears in her languid eyes and say, I’m fucking sorry. I’m sorry that I think I’m so goddamned interesting when it is clear that I am not interesting. Here’s what I am: I’m a boring tree murderess. But I look at Vignette, at Creepy Doll, at Cupcake, the Duchess. All of them staring at me now with shy smiles. “I think I’d like to see more of the soup too,” I hear myself say.
Mona Awad (Bunny)
SEASONS PASSED, FALL AND WINTER and spring and summer. Leaves blew in through the open door of Lucius Clarke’s shop, and rain, and the green outrageous hopeful light of spring. People came and went, grandmothers and doll collectors and little girls with their mothers. Edward Tulane waited. The seasons turned into years. Edward Tulane waited. He repeated the old doll’s words over and over until they wore a smooth groove of hope in his brain: Someone will come; someone will come for you.
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
HELMER:—To forsake your home, your husband, and your children! You don’t consider what the world will say. NORA:—I can pay no heed to that. I only know what I must do. HELMER:—It is exasperating! Can you forsake your holiest duties in this world? NORA:—What do you call my holiest duties? HELMER:—Do you ask me that? Your duties to your husband and your children. NORA:—I have other duties equally sacred. HELMER:—Impossible! What duties do you mean? NORA:—My duties towards myself. HELMER:—Before all else you are a wife and a mother. NORA:—That I no longer believe. I think that before all else I am a human being, just as much as you are—or at least I will try to become one.
Henrik Ibsen (A Doll's House)
It'll be when you first learn to walk that I get daily demonstrations of the asymmetry in our relationship. You'll be incessantly running off somewhere, and each time you walk into a door frame or scrape your knee, the pain feels like it's my own. It'll be like growing an errant limb, an extension of myself whose sensory nerves report pain just fine, but whose motor nerves don't convey my commands at all. It's so unfair: I'm going to give birth to an animated voodoo doll of myself. I didn't see this in the contract when I signed up. Was this part of the deal?
Ted Chiang (Stories of Your Life and Others)
If God had wanted somebody with St. Francis's consistently winning personality for the job in the New Testament, he'd've picked him, you can be sure. As it was, he picked the best, the smartest, the most loving, the least sentimental the most unimitative master he could possibly have picked. And when you miss seeing that, I swear to you, you're missing the whole point of the Jesus Prayer. The Jesus Prayer has one aim, and one aim only. To endow the person who says it with Christ-consciousness. Not to set up some little cozy, holier-than-thou trysting place with some sticky, adorable divine personage who'll take you in his arms and relieve you of all your duties and make all your nasty weltschmerzen and Professor Tuppers go away and never come back. And by God, if you have intelligence enough to see that—and you do—and yet you refuse to see it, then you're misusing the prayer, you're using it to ask for a world full of dolls and saints and no Professor Tuppers.
J.D. Salinger (Franny and Zooey)
I know you loved us all, in your own way. Magdalena for her brilliance, Alexi for his loveliness. But I was your war bride, your faithful Constanta, and you loved me for my will to survive. You coaxed that tenacity out of me and broke it down in your hands, leaving me on your work table like a desiccated doll until you were ready to repair me. You filled me with your loving guidance, stitched up my seams with thread in your favorite color, taught me how to walk and talk and smile in whatever way pleased you best. I was so happy to be your marionette, at first. So happy to be chosen.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
In a way he made me think of a child doll, with briliant faintly red-brown glass eyes - a doll that had been found in an attic. I wanted to polish him with kisses, clean him up, make him evevn more radiant than he was. "That's what you always want," he said softly... "When you found me under Les Innocents," he said, "you wanted to bathe me with perfume and dress me in velvevt with great embroidered sleeves." "Yes," I said, "and comb your hair, your beautiful russet hair." My tone was angry. "You look good to me, you damnable little devil, good to embrace and good to love.
Anne Rice
Exposition: the workings of the actual past + the virtual past may be illustrated by an event well known to collective history, such as the sinking of the Titanic. The disaster as it actually occurred descends into obscurity as its eyewitnesses die off, documents perish + the wreck of the ship dissolves in its Atlantic grave. Yet a virtual sinking of the Titanic, created from reworked memories, papers, hearsay, fiction--in short, belief--grows ever "truer." The actual past is brittle, ever-dimming + ever more problematic to access + reconstruct: in contrast, the virtual past is malleable, ever-brightening + ever more difficult to circumvent/expose as fraudulent. The present presses the virtual past into its own service, to lend credence to its mythologies + legitimacy to the imposition of will. Power seeks + is the right to "landscape" the virtual past. (He who pays the historian calls the tune.) Symmetry demands an actual + virtual future too. We imagine how next week, next year, or 2225 will shape up--a virtual future, constructed by wishes, prophecies + daydreams. This virtual future may influence the actual future, as in a self-fulfilling prophecy, but the actual future will eclipse our virtual one as surely as tomorrow eclipses today. Like Utopia, the actual future + the actual past exist only in the hazy distance, where they are no good to anyone. Q: Is there a meaningful distinction between one simulacrum of smoke, mirrors + shadows--the actual past--from another such simulacrum--the actual future? One model of time: an infinite matryoshka doll of painted moments, each "shell" (the present) encased inside a nest of "shells" (previous presents) I call the actual past but which we perceive as the virtual past. The doll of "now"likewise encases a nest of presents yet to be, which I call the actual future but which we perceive as the virtual future.
David Mitchell (Cloud Atlas)
I have always seen great value in practicing kindness. Although I had no money to buy gifts as a child, I gave my friends the gift of song to cheer them up. Depending on the situation, I’d sing to them and make up melodies and lyrics on the spot about whatever was going on in their lives. If a girlfriend was lonely or heartbroken, I’d make up a song about the handsome and adoring boyfriend I imagined coming into her life. Or if a friend felt deprived or neglected, I’d make up a song about a gift of a shiny new doll, or a velvet party dress, that I knew would make her happy.
Tina Turner (Happiness Becomes You: A Guide to Changing Your Life for Good)
Edward thought about everything that had happened to him in his short life. What kind of adventures would you have if you were in the world for a century? The old doll said, “I wonder who will come for me this time. Someone will come. Someone always comes. Who will it be?” “I don’t care if anyone comes for me,” said Edward. “But that’s dreadful,” said the old doll. “There’s no point in going on if you feel that way. No point at all. You must be filled with expectancy. You must be awash in hope. You must wonder who will love you, whom you will love next.” “I am done with being loved,” Edward told her. “I’m done with loving. It’s too painful.” “Pish,” said the old doll. “Where is your courage?” “Somewhere else, I guess,” said Edward. “You disappoint me,” she said. “You disappoint me greatly. If you have no intention of loving or being loved, then the whole journey is pointless. You might as well leap from this shelf right now and let yourself shatter into a million pieces. Get it over with. Get it all over with now.” “I would leap if I was able,” said Edward. “Shall I push you?” said the old doll
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
Colin's chuckles grew more heartfelt. "You really ought to have more faith in your favorite brother, dear sis." "He’s your favorite brother?" Simon asked, one dark brow raised in disbelief. "Only because Gregory put a toad in my bed last night," Daphne bit off, "and Benedict's standing has never recovered from the time he beheaded my favorite doll." "Makes me wonder what Anthony's done to deny him even an honorable mention," Colin murmured. "Don't you have somewhere else to be?" Daphne asked pointedly. Colin shrugged. "Not really." "Didn't," she asked through clenched teeth, "you just tell me you promised a dance to Prudence Featherington?" "Gads, no. You must have misheard." "Perhaps Mother is looking for you, then. In fact, I'm certain I hear her calling your name." Colin grinned at her discomfort. "You're not supposed to be so obvious," he said in a stage whisper, purposely loud enough for Simon to hear. "He'll figure out that you like him." Simon's entire body jerked with barely contained mirth. "It's not his company I'm trying to secure," Daphne said acidly. "It's yours I'm trying to avoid." Colin clapped a hand over his heart. "You wound me, Daff." He turned to Simon. "Oh, how she wounds me." "You missed your calling, Bridgerton," Simon said genially. "You should have been on the stage." "An interesting idea," Colin replied, "but one that would surely give my mother the vapors." His eyes lit up. "Now that's an idea. And just when the party was growing tedious. Good eve to you both." He executed a smart bow and walked off.
Julia Quinn (The Duke and I (Bridgertons, #1))
I wish Mara knew that I’m jealous of her.” I whipped around to face him. “You can’t be serious.” Brooke shook her finger. “No interruptions, Mara.” My brother cleared his throat. “I wish she knew that I think she’s the most hilarious person on Earth. And that whenever she’s not home, I feel like I’m missing my partner in crime.” My throat tightened. Do not cry. Do not cry. “I wish she knew that she’s really Mom’s favorite—” I shook my head here. “—the princess she always wanted. That Mom used to dress her up like a little doll and parade her around like Mara was her greatest achievement. I wish Mara knew that I never minded, because she’s my favorite too.” A chin quiver. Damn. “I wish she knew that I’ve always had acquaintances instead of friends because I’ve spent every second I’m not in school studying or practicing piano. I wish she knew that she is literally as smart as I am—her IQ is ONE POINT lower,” he said, raising his eyes to meet mine. “Mom had us tested. And that she could get the same grades if she weren’t so lazy.” I slouched in my seat, and may or may not have crossed my arms over my chest defensively. “I wish she knew that I am really proud of her, and that I always will be, no matter what.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
The porn films are not about sex. Sex is airbrushed and digitally washed out of the films. There is no acting because none of the women are permitted to have what amounts to a personality. The one emotion they are allowed to display is an unquenchable desire to satisfy men, especially if that desire involves the women’s physical and emotional degradation. The lightning in the films is harsh and clinical. Pubic hair is shaved off to give the women the look of young girls or rubber dolls. Porn, which advertises itself as sex, is a bizarre, bleached pantomime of sex. The acts onscreen are beyond human endurance. The scenarios are absurd. The manicured and groomed bodies, the huge artificial breasts, the pouting oversized lips, the erections that never go down, and the sculpted bodies are unreal. Makeup and production mask blemishes. There are no beads of sweat, no wrinkle lines, no human imperfections. Sex is reduced to a narrow spectrum of sterilized dimensions. It does not include the dank smell of human bodies, the thump of a pulse, taste, breath—or tenderness. Those in films are puppets, packaged female commodities. They have no honest emotion, are devoid of authentic human beauty, and resemble plastic. Pornography does not promote sex, if one defines sex as a shared act between two partners. It promotes masturbation. It promotes the solitary auto-arousal that precludes intimacy and love. Pornography is about getting yourself off at someone else’s expense.
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
Speaking of, “When is your birthday?” Strider asked Kaia. Wide silver-gold eyes swung to him. “You don’t know?” “No.” Pouting, she twirled a strand of her hair. “How can you not know?” “Do you know mine?” he asked. “Of course I do. It’s the day you met me. As good a day as any. “No, it’s not, because that was a trick question, baby doll. I don’t actually have a birthday. I was created fully formed, not born.” True story. “You can be such a moron.” She threw up her arms, exasperated. “Don’t argue with me about this kind of thing. I’ll always be right. Seriously. You were dead until you met me and we both know it. Which means I brought you to life. So, happy belated birthday.
Gena Showalter (The Darkest Surrender (Lords of the Underworld, #8))
Old lady, if I die I'd like you to do one small thing for me. I want you to build a one-hundred-acre museum dedicated to my memory. Bronze my clothing and possessions. Have at least three hundred marble statues erected of me in my most dashing poses. One of these statues should stand one hundred feet tall and greet ships as they float down the Hudson River. One of the fourteen wings of the museum should have an amusement park with the world's fastest roller coaster inside. None of these rides should be equipped with safety devices. You can license some of the space to fast-food restaurants and ice-cream parlors but nothing should be healthy or nutritious. The gift shop should sell stuffed Puck dolls packed with broken glass and asbestos. There's a more detailed list in my room." Puck saidduble
Michael Buckley (Sisters Grimm Books 1, 2, and 3 Three-Pack (The Sisters Grimm, #1-3))
{Calpurnia)"My mother…she’s desperate for a daughter she can dress like a porcelain doll. Sadly, I shall never be such a child. How I long for my sister to come out and distract the countess from my person." He joined her on the bench, asking, "How old is your sister?" "Eight," she said, mournfully. "Ah. Not ideal." "An understatement." She looked up at the star-filled sky. "No, I shall be long on the shelf by the time she makes her debut." "What makes you so certain you’re shelf-bound?" She cast him a sidelong glance. "While I appreciate your chivalry, my lord, your feigned ignorance insults us both." When he failed to reply, she stared down at her hands, and replied, "My choices are rather limited." "How so?" "I seem able to have my pick of the impoverished, the aged, and the deadly dull.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Live or die, but don't poison everything... Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle. The chief ingredient is mutilation. And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn bitch! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk. This became perjury of the soul. It became an outright lie and even though I dressed the body it was still naked, still killed. It was caught in the first place at birth, like a fish. But I play it, dressed it up, dressed it up like somebody's doll. Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up. And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer. Today life opened inside me like an egg and there inside after considerable digging I found the answer. What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer. God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles. If I'm on fire they dance around it and cook marshmallows. And if I'm ice they simply skate on me in little ballet costumes. Here, all along, thinking I was a killer, anointing myself daily with my little poisons. But no. I'm an empress. I wear an apron. My typewriter writes. It didn't break the way it warned. Even crazy, I'm as nice as a chocolate bar. Even with the witches' gymnastics they trust my incalculable city, my corruptible bed. O dearest three, I make a soft reply. The witch comes on and you paint her pink. I come with kisses in my hood and the sun, the smart one, rolling in my arms. So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny tits. Just last week, eight Dalmatians, 3/4 of a lb., lined up like cord wood each like a birch tree. I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected. Not an Eichmann. The poison just didn't take. So I won't hang around in my hospital shift, repeating The Black Mass and all of it. I say Live, Live because of the sun, the dream, the excitable gift.
Anne Sexton (The Complete Poems)
Will looked at his sister. “And you don’t care about being a Shadowhunter. How is this: I shall write a letter and give it to you if you promise to deliver it home yourself — and not to return.” Cecily recoiled; she had many memories of shouting matches with Will, of the china dolls she had owned that he had broken by dropping them out an attic window; but there was also kindness in her memories: the brother who had bandaged up a cut knee, or retied her hair ribbons when they came loose. That kindness was absent from the Will who stood before her now. Her mother had used to cry for the first year or two after Will went; she had said, in Welsh, holding Cecily to her, that they — the Shadowhunters — would “take all the love out of him.” A cold, unloving people, she had told Cecily, who had forbidden her marriage to her husband. What could he want with them, her Will, her little one? “I will not go,” Cecily said, staring her brother down. “And if you insist that I must, I will — I will —” The door of the attic slid open and Jem stood silhouetted in the doorway…
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I reach for the napkin, and as I do I catch sight of my hands. They are knobby and crooked, thin-skinned, and—like my ruined face—covered with liver spots. My face. I push the porridge aside and open my vanity mirror. I should know better by now, but somehow I still expect to see myself. Instead, I find an Appalachian apple doll, withered and spotty, with dewlaps and bags and long floppy ears. A few strands of white hair spring absurdly from its spotted skull. I try to brush the hairs flat with my hand and freeze at the sight of my old hand on my old head. I lean close and open my eyes very wide, trying to see beyond the sagging flesh. It's no good. Even when I look straight into the milky blue eyes, I can't find myself anymore. When did I stop being me?
Sara Gruen (Water for Elephants)
It's nice when grown people whisper to each other under the covers. Their ecstasy is more a leaf-sigh than bray and the body is the vehicle, not the point. They reach, grown people, for something beyond, way beyond and way, way down underneath tissue. They are remembering while they whisper the carnival dolls they won and the Baltimore boats they never sailed on. The pears they let hang on the limb because if they plucked them, they would be gone from there and who else would see that ripeness if they took it away for themselves? How could anybody passing by see them and imagine for themselves what the flavour would be like? Breathing and murmuring under covers both of them have washed and hung out on the line, in a bed they chose together and kept together nevermind one leg was propped on a 1916 dictionary, and the mattress, curved like a preacher's palm asking for witnesses in His name's sake, enclosed them each and every night and muffled their whispering, old-time love. They are under the covers because they don't have to look at themselves anymore; there is no stud's eye, no chippie glance to undo them. They are inward toward the other, bound and joined by carnival dolls and the steamers that sailed from ports they never saw. That is what is beneath their undercover whispers.
Toni Morrison (Jazz (Beloved Trilogy, #2))
Her room was warm and lightsome. A huge doll sat with her legs apart in the copious easy-chair beside the bed. He tried to bid his tongue speak that he might seem at ease, watching her as she undid her gown, noting the proud conscious movements of her perfumed head. As he stood silent in the middle of the room she came over to him and embraced him gaily and gravely. Her round arms held him firmly to her and he, seeing her face lifted to him in serious calm and feeling the warm calm rise and fall of her breast, all but burst into hysterical weeping. Tears of joy and relief shone in his delighted eyes and his lips parted though they would not speak. She passed her tinkling hand through his hair, calling him a little rascal. —Give me a kiss, she said. His lips would not bend to kiss her. He wanted to be held firmly in her arms, to be caressed slowly, slowly, slowly. In her arms he felt that he had suddenly become strong and fearless and sure of himself. But his lips would not bend to kiss her. With a sudden movement she bowed his head and joined her lips to his and he read the meaning of her movements in her frank uplifted eyes. It was too much for him. He closed his eyes, surrendering himself to her, body and mind, conscious of nothing in the world but the dark pressure of her softly parting lips. They pressed upon his brain as upon his lips as though they were the vehicle of a vague speech; and between them he felt an unknown and timid pressure, darker than the swoon of sin, softer than sound or odour.
James Joyce (A Portrait of the Artist as a Young Man)
It was love at first touch rather than at first sight, for I had met her several times before without experiencing any special emotions; but one night as I was seeing her home, something quaint she had said made me stoop with a laugh and lightly kiss her on the hair - and of course we all know of that blinding blast which is caused by merely picking up a small doll from the floor of a carefully abandoned house: the soldier involved hears nothing; for him it is but an ecstatic soundless and boundless expansion of what had been during his life a pinpoint of light in the dark center of his being. And really, the reason we think of death in celestial terms is that the visible firmament, especially at night (above our blacked-out Paris with the gaunt arches of its Boulevard Exelmans and the ceaseless Alpine gurgle of desolate latrines), is the most adequate and ever-present symbol of that vast silent explosion' The time, the place, the torture. Her fan, her gloves, her mask. I spent that night and many others getting it out of her bit by bit, but not getting it all. I was under the strange delusion that first I must find out every detail, reconstruct every minute, and only then decide whether I could bear it. But the limit of desired knowledge was unattainable, nor could I ever foretell the approximate point after which I might imagine myself satiated, because of course the denominator of every fraction of knowledge was potentially as infinite as the number of intervals between the fractions themselves.
Vladimir Nabokov (The Collected Stories)
NASA are idiots. They want to send canned primates to Mars!" Manfred swallows a mouthful of beer, aggressively plonks his glass on the table: "Mars is just dumb mass at the bottom of a gravity well; there isn't even a biosphere there. They should be working on uploading and solving the nanoassembly conformational problem instead. Then we could turn all the available dumb matter into computronium and use it for processing our thoughts. Long-term, it's the only way to go. The solar system is a dead loss right now – dumb all over! Just measure the MIPS per milligram. If it isn't thinking, it isn't working. We need to start with the low-mass bodies, reconfigure them for our own use. Dismantle the moon! Dismantle Mars! Build masses of free-flying nanocomputing processor nodes exchanging data via laser link, each layer running off the waste heat of the next one in. Matrioshka brains, Russian doll Dyson spheres the size of solar systems. Teach dumb matter to do the Turing boogie!
Charles Stross (Accelerando (Singularity))
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
Alan Beck
So what's your doll's name?" Boo asked me. "Barbie," I said. "All their names are Barbie." "I see," she said. "Well, I'd think that would get boring, everyone having the same name." I thought about this, then said, "Okay, then her name is Sabrina." "Well, that's a very nice name," Boo said. I remember she was baking bread, kneading the dough between her thick fingers. "What does she do?" "Do?" I said. "Yes." She flipped the dough over and started in on it from the other side. "What does she do?" "She goes out with Ken," I said. "And what else?" "She goes to parties," I said slowly. "And shopping." "Oh," Boo said, nodding. "She can't work?" "She doesn't have to work," I said. "Why not?" "Because she's Barbie." "I hate to tell you, Caitlin, but somebody has to make payments on that town house and the Corvette," Boo said cheerfully. "Unless Barbie has a lot of family money." I considered this while I put on Ken's pants. Boo started pushing the dough into a pan, smoothing it with her hand over the top. "You know what I think, Caitlin?" Her voice was soft and nice, the way she always spoke to me. "What?" "I think your Barbie can go shopping, and go out with Ken, and also have a productive and satisfying career of her own." She opened the oven and slid in the bread pan, adjusting its position on the rack. "But what can she do?" My mother didn't work and spent her time cleaning the house and going to PTA. I couldn't imagine Barbie, whose most casual outfit had sequins and go-go boots, doing s.uch things. Boo came over and plopped right down beside me. I always remember her being on my level; she'd sit on the edge of the sandbox, or lie across her bed with me and Cass as we listened to the radio. "Well," she said thoughtfully, picking up Ken and examining his perfect physique. "What do you want to do when you grow up?" I remember this moment so well; I can still see Boo sitting there on the floor, cross- legged, holding my Ken and watching my face as she tried to make me see that between my mother's PTA and Boo's strange ways there was a middle ground that began here with my Barbie, Sab-rina, and led right to me. "Well," I said abruptly, "I want to be in advertising." I have no idea where this came from. "Advertising," Boo repeated, nodding. "Okay. Advertising it is. So Sabrina has to go to work every day, coming up with ideas for commercials and things like that." "She works in an office," I went on. "Sometimes she has to work late." "Sure she does," Boo said. "It's hard to get ahead. Even if you're Barbie." "Because she wants to get promoted," I added. "So she can pay off the town house. And the Corvette." "Very responsible of her," Boo said. "Can she be divorced?" I asked. "And famous for her commercials and ideas?" "She can be anything," Boo told me, and this is what I remember most, her freckled face so solemn, as if she knew she was the first to tell me. "And so can you.
Sarah Dessen (Dreamland)
While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave. Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter. Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note. Got it. The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude. She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath. A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)