Elwood Quotes

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Years ago my mother used to say to me, she'd say, "In this world, Elwood, you must be" - she always called me Elwood - "In this world, Elwood, you must be oh so smart or oh so pleasant." Well, for years I was smart. I recommend pleasant. You may quote me.
Mary Chase (Harvey (Acting Edition for Theater Productions))
In this world, you must be oh so smart, or oh so pleasant. Well, for years I was smart. I recommend pleasant.
Elwood P. Dowd
In this world, Elwood, you must be oh-so-smart or -oh-so-pleasant. For years I was smart. I recommend pleasant. And you may quote me.
Mary Chase (Harvey (Acting Edition for Theater Productions))
It’s like Elwood Blues says: everybody needs somebody to love. I’m an everybody. I get a somebody.
Heidi Cullinan (Carry the Ocean (The Roosevelt, #1))
The capacity to suffer. Elwood--all the Nickel boys--existed in the capacity. Breathed in it, ate in it, dreamed in it. That was their lives now. Otherwise they would have perished. The beatings, the rapes, the unrelenting winnowing of themselves. They endured. But to love those who would have destroyed them? To make that leap? We will meet your physical force with soul force. Do to us what you will and we will still love you.
Colson Whitehead (The Nickel Boys)
The fact that they're shaped like tiny elves!" Keefe said, clapping his hands before he pointed to the label. "Hang on-THEY CALL THEM 'ELF WITCHES'?" "They do, Keefe. They do. And that's not even the best part." "AHHHHHH LOOK AT THEIR LITTLE FACES!" Keefe shouted as he peeled back the plastic cover. "THIS IS THE GREATEST THING I HAVE EVER SEEN---EVER!" "Greater than when you discovered Fitz slept with Mr. Snuggles?" Sophie had to ask. "Um. YEAH. They have names, Foster. NAMES!" He held up one of the cookies and pointed to the name tag the little elf was holding. "This one's Ernie! AHHHH AND THIS ONE IS FAST EDDIE!" he said, snatching a different cookie. "And this one is Bickets! And Elwood! I don't know who named these guys, but whoever they are, they're a genius, I tell you--a GENIUS. - Legacy, chapter 37, page 596-97 hardcover.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
When you are famous it is hard to work on small problems. This is what did Shannon in. After information theory, what do you do for an encore? The great scientists often make this error. They fail to continue to plant the little acorns from which the mighty oak trees grow. They try to get the big thing right off. And that isn't the way things go. So that is another reason why you find that when you get early recognition it seems to sterilize you.
Richard Hamming
Miss Kelly, you know, when you wear my flower you make it beautiful.
Elwood P. Dowd
Elwood- "It's a 106 miles to Chicago, We got a full tank o' gas, half a pack of cigarettes, it's dark, and we're wearing sunglasses." Jake- "Hit it.
Blues Brothers
I always have a wonderful time, wherever I am, whomever I'm with.
Elwood P. Dowd
In this world, you must be oh so smart, or oh so pleasant. Well, for years I was smart. I recommend pleasant. ~Elwood P. Dowd
Mary Chase (Harvey (Acting Edition for Theater Productions))
Miss Kelly, perhaps you'd like this flower. I seem to have misplaced my buttonhole.
Elwood P. Dowd
Elwood said, "It's against the law." State law, but also Elwood's. If everyone looked the other way, then everybody was in on it. If he looked the other way, he was as implicated as the rest. That's how he saw it, how he'd always seen things.
Colson Whitehead (The Nickel Boys)
You see, science has overcome time and space. Well, Harvey has overcome not only time and space, but any objections.
Elwood P. Dowd
...for years I was smart. I recommend pleasant.
Elwood P. Dowd
Elwood never ceased to marvel how you could walk around and get used to seeing only a fraction of the world. Not knowing you only saw a sliver of the real thing.
Colson Whitehead (The Nickel Boys)
The second thing Elwood noticed was the boy’s eerie sense of self. The mess hall was loud with the rumble and roil of juvenile activity, but this boy bobbed in his own pocket of calm.
Colson Whitehead (The Nickel Boys)
Hard work was a fundamental virtue, for hard work didn’t allow time for marches or sit-ins. Elwood would not make a commotion of himself by messing with that movie-theater nonsense, she said. “You have made an agreement with Mr. Marconi to work in his store after school. If your boss can’t depend on you, you won’t be able to keep a job.” Duty might protect him, as it had protected her.
Colson Whitehead (The Nickel Boys)
Well, you've heard the expression, 'his face would stop a clock'. Well, Harvey can look at your clock... and stop it. And you can go anywhere you like, with anyone you like, and stay as long as you like, and when you get back... not one minute will have ticked by.
Elwood P. Dowd
Harvey and I sit in the bars... have a drink or two... play the juke box. And soon the faces of all the other people they turn toward mine and they smile. And they're saying, "We don't know your name, mister, but you're a very nice fella." Harvey and I warm ourselves in all these golden moments. We've entered as strangers - soon we have friends. And they come over... and they sit with us... and they drink with us... and they talk to us. They tell about the big terrible things they've done and the big wonderful things they'll do. Their hopes, and their regrets, and their loves, and their hates. All very large, because nobody ever brings anything small into a bar. And then I introduce them to Harvey... and he's bigger and grander than anything they offer me. And when they leave, they leave impressed. The same people seldom come back; but that's envy, my dear. There's a little bit of envy in the best of us.
Elwood P. Dowd
I could only imagine the prenup I'd have to sign: In the event of a divorce, Mrs. Scaife- Elwood will receive eleventy- bajillion dollars and Mr. Elwood will continue to blame himself for the dissolution of the marriage and the ruining of Mrs. Scaife- Elwood's life, in perpetuity, even though it's probably not his fault.
Abigail Barnette (The Girlfriend (The Boss, #2))
... Elwood saw that he was always simultaneously at home in whatever scene he found himself and also seemed like he shouldn't have been there; inside and above at the same time; a part and apart. Like a tree trunk that falls across a creek—it doesn't belong and then it's never not been there, generating its own ripples in the larger current.
Colson Whitehead (The Nickel Boys)
Yes. You survived! You get to eat breakfast with your family every day and dinner with them every night. When people look at you, they should see courage - literally - in your skin, and face the idea that you didn't give up when they probably would have. You're awake and standing and if they don't realize how amazing that is, the you can just blame me.
Tessa Elwood (Inherit the Stars (Inherit the Stars, #1))
In this world, Elwood, you must be oh so smart or oh so pleasant." ' Well, for years I was smart. I recommend pleasant. You may quote me.
Mary Chase
as chaste men think so the world goes asunder for evil disguised in chaste sweet guilt is the evil that kills the children and starves the soul of love-Elwood Jake
Elwood Jake
Perhaps if he'd spent more time in the crucible of the county jail, Elwood would have known that it is best not to interfere in other people's violence, no matter the underlying facts of the incident.
Colson Whitehead (The Nickel Boys)
No matter that Mr. Marconi had told him he didn’t care, no matter that Elwood had never said a word to his friends when they stole in his presence. It didn’t make no sense until it made the only sense.
Colson Whitehead (The Nickel Boys)
Punishment for acting above your station was a central principal in Harriet's interpretation of the world. In the hospital, Elwood wondered if the viciousness of his beating owed something to his request for harder classes...Now he worked on a new theory: There was no higher system guiding Nickel's brutality, merely an indiscriminate spite, one that had nothing to do with people. A figment from tenth-grade science struck him: a Perpetual Misery Machine, one that operated by itself without human agency. Also, Archimedes, one of his first encyclopedia finds. Violence is the only lever big enough to move the world
Colson Whitehead (The Nickel Boys)
Turner had never met a kid like Elwood before. Sturdy was the word he returned to, even though the Tallahassee boy looked soft, conducted himself like a goody-goody, and had an irritating tendency to preach. Wore eyeglasses you wanted to grind underfoot like a butterfly. He talked like a white college boy, read books when he didn't have to, and mined them for uranium to power his own personal A-bomb. Still--sturdy.
Colson Whitehead (The Nickel Boys)
Watch and think and plan. Let the world be a mob—Elwood will walk through it. They might curse and spit and strike him, but he’d make it through to the other side. Bloodied and tired, but he’d make it through.
Colson Whitehead (The Nickel Boys)
She threw him a bone about the movement: 'Lyndon Johnson's carrying on President Kennedy's civil rights bill. And if that good old boy is doing right, you know things is changing. Be a whole different thing when you come home, Elwood.
Colson Whitehead (The Nickel Boys)
This or this,” his eye doctor asked at checkups, a choice between two lenses of different power. Elwood never ceased to marvel how you could walk around and get used to seeing only a fraction of the world. Not knowing you only saw a sliver of the real thing. This or this?
Colson Whitehead (The Nickel Boys)
He had a narrow raccoon face that drew Elwood’s attention to his tiny nose and dark circles under his eyes and thick bristly eyebrows. Spencer was fastidious with his dark blue Nickel uniform; every crease in his clothes looked sharp enough to cut, as if he were a living blade.
Colson Whitehead (The Nickel Boys)
Over time, Elwood saw that he was always simultaneously at home in whatever scene he found himself and also seemed like he shouldn’t have been there; inside and above at the same time; a part and apart. Like a tree trunk that falls across a creek—it doesn’t belong and then it’s never not been there, generating its own ripples in the larger current.
Colson Whitehead (The Nickel Boys)
Do not wait for inspiration to find you You must pick yourself up and go and find it.
Charles Elwood Hudson
Love me for who i am and not for whom you think I am. There is so much more to me and if you would truly open your heart you then will know I am for you as you are for me.
Charles Elwood Hudson
Time is not a memorial it is the pasture where man lies in wait
Elwood Jake
The impact movies make on us are affected by when we watch it, who we see it with, and where we are in our lives at the moment. - Suzy Nakamura
Graham Elwood (The Comedy Film Nerds Guide to Movies: Featuring Dave Anthony, Lord Carrett, Dean Haglund, Allan Havey, Laura House, Jackie Kashian, Suzy Nakamura, ... Schmidt, Neil T. Weakley, and Matt Weinhold)
In this world, you must be oh so smart, or oh so pleasant. Well, for years I was smart. I recommend pleasant.
Elwood P. Dowd from Harvey by Mary Chase
He whirled her around under the stars, and somehow, it was perfect. She moved her feet at just the right time, and despite having never been much of a dancer, with Edouard it just… worked.
Paige Elwood (The City of Love (Eternity Rings, #1))
They were interesting things, stars. Like clouds, you could see them and could not deny their existence. Yet you couldn’t touch them, hold them, or own them. You couldn’t feel them. Love was somewhat the opposite, he pondered. It can’t be seen but it can be felt. It was intangible, like the stars and the clouds, like the heavens and destiny. Yet it existed, he knew this to be true.
Paige Elwood (The City of Love: A Medieval Time Travel Romance (Eternity Rings))
The second thing Elwood noticed was the boy's eerie sense of self. The mess hall was loud with the rumble and roil of juvenile activity, but this boy bobbed in his own pocket of calm. Over time, Elwood saw that he was always simultaneously at home in whatever scene he found himself and also seemed like he shouldn't have been there; onside and above at the same time; a part and apart.
Colson Whitehead (The Nickel Boys)
The second thing Elwood noticed was the boy's eerie sense of self. The mess hall was loud with the rumble and roil of juvenile activity, but this boy bobbed in his own pocket of calm. Over time, Elwood saw that he was always simultaneously at home in whatever scene he found himself and also seemed like he shouldn't have been there; inside and above at the same time; a part and apart.
Colson Whitehead (The Nickel Boys)
Harriet thought they should wake the boy. “Let him sleep,” Evelyn said, and that was the last she heard from them. If her daughter had ever been suited for motherhood, she never demonstrated it. The look on her face when little Elwood suckled on her breast—her joyless, empty eyes seeing through the walls of the house and into pure nothing—chilled Harriet to the bone whenever she remembered it.
Colson Whitehead (The Nickel Boys)
Gaunt let his head tilt so that it touched Ellwood's on his shoulder. Elwood fell asleep, and Gaunt pretended to do the same, but he couldn't think beyond the parts of them that were touching. If Ellwood were a girl, he might have held his hand, kissed his temple. He might have bought a ring and tied their lives together. But Ellwood was Ellwood, and Gaunt had to be satisfied with the weight of his head on his shoulder.
Alice Winn (In Memoriam)
Elwood dressed in the dark slacks from last year’s Emancipation Day play. He’d grown a few inches, so he let them out and they showed the barest sliver of his white socks. A new emerald tie clip held his black tie in place and the knot only took six attempts. His shoes glinted with polish. He looked the part, even if he still worried for his glasses if the police brought out nightsticks. If the whites carried iron pipes and baseball bats.
Colson Whitehead (The Nickel Boys)
Blakeley took Elwood through the front door and it was swiftly clear that outside was one thing and inside another. The warped floors creaked incessantly and the yellow walls were scuffed and scratched. Stuffing dribbled from the couches and armchairs in the recreation room. Initials and epithets marked the tables, gouged by a hundred mischievous hands. Elwood fixated on the housekeeping chores Harriet would have ticked off for his attention: the fuzzy haloes of finger grime around every cabinet latch and doorknob, the balls of dirt and hair in the corners.
Colson Whitehead (The Nickel Boys)
They knew Elwood’s route. Sometimes jeered at him for being a goody-two-shoes when he biked past Larry’s window on his way home. That night they jumped him. It was just getting dark and the smell of magnolias mingled with the tang of fried pork. They slammed him and his bike into the new asphalt the county had laid down that winter. The boys tore his sweater, threw his glasses into the street. As they beat him, Larry asked Elwood if he had any damned sense; Willie declared that he needed to be taught a lesson, and proceeded to do so. Elwood got a few licks in here and there, not much to talk about. He didn’t cry.
Colson Whitehead (The Nickel Boys)
Grateful was the teacher rescued by Elwood’s contributions when the classroom fell drowsy with the afternoon heat and he offered up Archimedes or Amsterdam at the key moment. The boy had one usable volume of Fisher’s Universal Encyclopedia, so he used it, what else could he do? Better than nothing. Skipping around, wearing it down, revisiting his favorite parts as if it were one of his adventure tales. As a story, the encyclopedia was disjointed and incomplete, but still exciting in its own right. Elwood filled his notebook with the good parts, definitions and etymology. Later he’d find this scrap-rummaging pathetic.
Colson Whitehead (The Nickel Boys)
They'd find a way out of this mess of thorns, she told her grandson, and promised to visit his first Sunday at Nickel. But when she showed up, they told her that he was sick and couldn't have visitors. She asked what was wrong with him. The Nickel man said, [How the h*** should I know, lady?] There was a new pair of denim pants on the chair next to Elwood's hospital bed. The beating had embedded bits of the first into his skin and it took two hours for the doctor to remove the fibers. It was a duty the doctor had to perform from time to time. Tweezers did the trick. The boy would be in the hospital until he walked without pain.
Colson Whitehead (The Nickel Boys)
In the three years Elwood played the role, the one constant was his nervousness at the climax, when Jackson had to kiss his best girl on the cheek. They were to be married and, it was implied, live a happy and fertile life in the new Tallahassee. Whether Marie-Jean was played by Anne, with her freckles and sweet moon face, or by Beatrice, whose buck teeth hooked into her lower lip, or in his final performance by Gloria Taylor, a foot taller and sending him to the tips of his toes, a knot of anxiety tautened in his chest and he got dizzy. All the hours in Marconi’s library had rehearsed him for heavy speeches but left him ill-prepared for performances with the brown beauties of Lincoln High, on the stage and off.
Colson Whitehead (The Nickel Boys)
In some ways Turner had been telling Elwood’s story ever since his friend died, through years and years of revisions, of getting it right, as he stopped being the desperate alley cat of his youth and turned into a man he thought Elwood would have been proud of. It was not enough to survive, you have to live—he heard Elwood’s voice as he walked down Broadway in the sunlight or at the end of a long night hunched over the books. Turner walked into Nickel with strategies and hard-won dodges and a knack for keeping out of scrapes. He jumped over the fence on the other side of the pasture and into the woods and then both boys were gone. In Elwood’s name, he tried to find another way. Now here he was. Where had it taken him?
Colson Whitehead (The Nickel Boys)
The appearance of Professor Benjamin Peirce, whose long gray hair, straggling grizzled beard and unusually bright eyes sparkling under a soft felt hat, as he walked briskly but rather ungracefully across the college yard, fitted very well with the opinion current among us that we were looking upon a real live genius, who had a touch of the prophet in his make-up.
William Elwood Byerly
You will fall in love with someone who you will have to walk away from, because they don’t love you. You must accept the fact that they don’t have your best interests in mind. That’s a tough pill to swallow, but you must swallow it for you own the sake. You have nothing further to prove to them love yourself enough to grab your bootstraps pick yourself up and keep moving
Charles Elwood Hudson
Elwood took the long way back, around the trails that circumnavigated Boot Hill and took him past the stables and laundry. He was slow with his steps. He didn’t want to know if Turner had been intercepted, or if the boy had ratted on him or simply taken his letter up to his hideout and put a match to it. Whatever waited for him on the other side would still be waiting for him whenever he got there, so he whistled a tune he remembered from when he was little, a blues tune. He didn’t recall the words or whether it had been his father or mother who sang it, but he felt good whenever the song snuck up on him, a kind of coolness like the shadow of a cloud out of nowhere, something that broke off something bigger. Yours briefly before it sailed on its way.
Colson Whitehead (The Nickel Boys)
I'd just put Ed Hickey into a taxi. Ed had been mixing his rye with his gin, and I just felt that he needed conveying. Well, anyway, I was walking down along the street and I heard this voice saying, "Good evening, Mr. Dowd." Well, I turned around and here was this big six-foot rabbit leaning up against a lamp-post. Well, I thought nothing of that because when you've lived in a town as long as I've lived in this one, you get used to the fact that everybody knows your name. And naturally I went over to chat with him. And he said to me... he said, "Ed Hickey was a little spiffed this evening, or could I be mistaken?" Well, of course, he was not mistaken. I think the world and all of Ed, but he was spiffed. Well, we talked like that for awhile and then I said to him, I said, "You have the advantage on me. You know my name and I don't know yours." And, and right back at me he said, "What name do you like?" Well, I didn't even have to think twice about that. Harvey's always been my favorite name. So I said to him, I said, "Harvey." And, uh, this is the interesting thing about the whole thing: He said, "What a coincidence. My name happens to be Harvey.
Elwood P. Dowd
Elwood had no paper, no pen, just walls, and he was all out of fine thoughts, let alone the wisdom and the way with words. The world had whispered its rules to him for his whole life and he refused to listen, hearing instead a higher order. The world continued to instruct: Do not love for they will disappear, do not trust for you will be betrayed, do not stand up for you will be swatted down. Still he heard those higher imperatives: Love and that love will be returned, trust in the righteous path and it will lead you to deliverance, fight and things will change. He never listened, never saw what was plainly in front of him, and now he had been plucked from the world altogether. The only voices were those of the boys below, the shouts and laughter and fearful cries, as if he floated in a bitter heaven.
Colson Whitehead (The Nickel Boys)
Turner let the work speak for itself. Harper wanted to be certain about Elwood's comfort with his new detail. 'You don't look surprised,' the young white man said. 'It has to end up somewhere,' Elwood responded. 'How things are done. Spencer tells me where to go, and he kicks it up to Director Hardee.' Harper fiddled the dial after more rock and roll: Elvis popped up again. He was everywhere. 'It used to be worse in the old days,' Harper said, 'from what my aunt says. But the state cracked down and now we lay off the south-campus stuff.' Meaning, they old sold the black students' supplies. 'We had this god old boy who used to run Nickel, Roberts, who would've sold the air you breathe if he could've. Now that was a crook!' 'Beats cleaning the toilets,' Turner said. 'Beats cutting grass, if you ask me.' It was nice to be out, and Elwood said so.
Colson Whitehead (The Nickel Boys)
Uma coisa dava à luz outra: sem a cela onde o reverendo estivera preso, não haveria um magnífico apelo à ação. Elwood não tinha papel nem caneta, apenas paredes. Não lhe restavam pensamentos belos, quanto mais sabedoria e habilidade com as palavras. O mundo tinha-lhe segredado as regras para o resto da vida e ele recusara-se a ouvir, escutando antes uma ordem mais elevada. O mundo continuava a instruí-lo: não ames porque eles vão desaparecer, não confies porque eles vão trair, não te ergas em defesa própria porque vais ser esmagado. Mesmo assim, ouvia imperativos de ordem maior: ama e esse amor será devolvido, confia no caminho dos justos e esse caminho desembocará na libertação, luta e as coisas mudarão. ele nunca ouvira ou tão-pouco tinha visto aquilo que era tão obvio, que estava diante de si, e agora fora arrancado do mundo de uma vez por todas.
Colson Whitehead (The Nickel Boys)
Sometimes you have to walk away from people, not because you don’t care, but because they don’t. When someone hurts you accept the fact that they don’t have your best interests in mind. It’s a tough pill to swallow, but its necessary medicine. Do not strive to impress them any further. Waste not another second of your time trying to prove something to them. Nothing has to be proven. Do not act with any thought of them ever again.
Charles Elwood Hudson
Throw us in jail, and we will still love you. Bomb our homes and threaten our children, and, as difficult as it is, we will still love you. Send your hooded perpetrators of violence into our communities after midnight hours, and drag us out onto some wayside road, and beat us and leave us half-dead, and we will still love you. But be ye assured that we will wear you down by our capacity to suffer, and one day we will win our freedom. The capacity to suffer. Elwood—all the Nickel boys—existed in the capacity. Breathed in it, ate in it, dreamed in it. That was their lives now. Otherwise they would have perished. The beatings, the rapes, the unrelenting winnowing of themselves. They endured. But to love those who would have destroyed them? To make that leap? We will meet your physical force with soul force. Do to us what you will and we will still love you.
Colson Whitehead (The Nickel Boys)
Elwood had never been much of a crier, but he’d taken it up since the arrest. The tears came at night, when he imagined what Nickel held in store for him. When he heard his grandmother sobbing in her room next door, fussing around, opening and closing things because she didn’t know what to do with her hands. When he tried without success to figure out why his life had bent to this wretched avenue. He knew he couldn’t let the boys see him weep, so he turned over in the bunk and put his pillow over his head and listened to the voices: the jokes and taunts, the stories of home and distant cronies, the juvenile conjectures about how the world worked and their naïve plans to outwit it. He’d started the day in his old life and ended it here. The pillowcase smelled like vinegar, and in the night the katydids and crickets screeched in waves, soft then loud, back and forth.
Colson Whitehead (The Nickel Boys)
This book is fiction and all the characters are my own, but it was inspired by the story of the Dozier School for Boys in Marianna, Florida. I first heard of the place in the summer of 2014 and discovered Ben Montgomery’s exhaustive reporting in the Tampa Bay Times. Check out the newspaper’s archive for a firsthand look. Mr. Montgomery’s articles led me to Dr. Erin Kimmerle and her archaeology students at the University of South Florida. Their forensic studies of the grave sites were invaluable and are collected in their Report on the Investigation into the Deaths and Burials at the Former Arthur G. Dozier School for Boys in Marianna, Florida. It is available at the university’s website. When Elwood reads the school pamphlet in the infirmary, I quote from their report on the school’s day-to-day functions. Officialwhitehouseboys.org is the website of Dozier survivors, and you can go there for the stories of former students in their own words. I quote White House Boy Jack Townsley in chapter four, when Spencer is describing his attitude toward discipline. Roger Dean Kiser’s memoir, The White House Boys: An American Tragedy, and Robin Gaby Fisher’s The Boys of the Dark: A Story of Betrayal and Redemption in the Deep South (written with Michael O’McCarthy and Robert W. Straley) are excellent accounts. Nathaniel Penn’s GQ article “Buried Alive: Stories From Inside Solitary Confinement” contains an interview with an inmate named Danny Johnson in which he says, “The worst thing that’s ever happened to me in solitary confinement happens to me every day. It’s when I wake up.” Mr. Johnson spent twenty-seven years in solitary confinement; I have recast that quote in chapter sixteen. Former prison warden Tom Murton wrote about the Arkansas prison system in his book with Joe Hyams called Accomplices to the Crime: The Arkansas Prison Scandal. It provides a ground’s-eye view of prison corruption and was the basis of the movie Brubaker, which you should see if you haven’t. Julianne Hare’s Historic Frenchtown: Heart and Heritage in Tallahassee is a wonderful history of that African-American community over the years. I quote the Reverend Martin Luther King Jr. a bunch; it was energizing to hear his voice in my head. Elwood cites his “Speech Before the Youth March for Integrated Schools” (1959); the 1962 LP Martin Luther King at Zion Hill, specifically the “Fun Town” section; his “Letter from Birmingham Jail”; and his 1962 speech at Cornell College. The “Negroes are Americans” James Baldwin quote is from “Many Thousands Gone” in Notes of a Native Son. I was trying to see what was on TV on July 3, 1975. The New York Times archive has the TV listings for that night, and I found a good nugget.
Colson Whitehead (The Nickel Boys)
Remember all those classic books you HAD to read in school? They sucked, right? Well, guess what? They are actually . . . classics. 'Brave New World', '1984', 'The Martian Chronicles' and even 'Animal Farm' are pretty cool it you're not told you HAVE to read them. If you discover them on your own or if you reread them without having a report due that sends you scurrying to buy CliffNotes or access Wikipedia, then you can actually relax and enjoy them. - Chris Mancini
Graham Elwood (The Comedy Film Nerds Guide to Movies: Featuring Dave Anthony, Lord Carrett, Dean Haglund, Allan Havey, Laura House, Jackie Kashian, Suzy Nakamura, ... Schmidt, Neil T. Weakley, and Matt Weinhold)
What about their family? How many boys you know here got family? Or got family that cares about them? Not everyone is you, Elwood. Turner got jealous when Elwood's grandmother visited and brought him snacks, and it slipped out from time to time. Like now. The blinders Elwood wore, walking around. The law was one thing-- you can march and wave signs around and change a law if you convinced enough white people. In Tampa, Turner saw the college kids with their nice shirts and ties sit in at Woolworths. He had to work, but they were out protesting. And it happened-- they opened the counter. Turner didn't have the money to eat there either way. You can change the law but you can't change people and the way they treat each other. Nickel was racist as h***--half the people who worked here probably dressed up like the Klan on the weekends--but the way Turner saw it, wickedness went deeper than skin color. It was Spencer. It was Spencer and it was Griff and it was all the parents who let their children wind up here. It was people. Which is why Turner brought Elwood out to the two trees. To show him something that wasn't in books.
Colson Whitehead (The Nickel Boys)
[Benjamin Peirce's] lectures were not easy to follow. They were never carefully prepared. The work with which he rapidly covered the blackboard was very illegible, marred with frequent erasures, and not infrequent mistakes (he worked too fast for accuracy). He was always ready to digress from the straight path and explore some sidetrack that had suddenly attracted his attention, but which was likely to have led nowhere when the college bell announced the close of the hour and we filed out, leaving him abstractedly staring at his work, still with chalk and eraser in his hands, entirely oblivious of his departing class.
William Elwood Byerly
HE remembered looking "agape" in his encyclopedia volume after he read Dr. King's speech in the DEFENDER. The newspaper ran the address in full after the reverend's appearance at Cornell College. If Elwood had come across the word before, through all those years of skipping around the book, it hadn't stuck in his head. King described "agape" as a divine love operating in the heart of man. A selfless love, an incandescent love, the highest there is. He called upon his Negro audience to cultivate that pure love for their oppressors, that it might carry them to the other side of the struggle. Elwood tried to get his head around it, now that it was no longer the abstraction floating in his head last spring. It was real now. "Throw us in jail and we will still love you. Bomb our homes and threaten our children, and, as difficult as it is, we will still love you. Send your hooded perpetrators of violence into our communities after midnight hours, and drag us out onto some wayside road, and beat us and leave us half-dead, and we will still love you. But be ye assured that we will wear you down by our capacity to suffer, and one day we will win our freedom. The capacity to suffer. Elwood--all the Nickel boys--existed in the capacity. Breathed in it, ate in it, dreamed in it. That was their lives now. Otherwise they would have perished. The beatings, the rapes, the unrelenting winnowing of themselves. They endured. But to love those who destroyed them? To make that leap? "We will meet your physical force with soul force. Do to us what you will and we will still love you." Elwood shook his head. What a thing to ask. What an impossible thing.
Colson Whitehead (The Nickel Boys)
Yes,” Andy said. “But I’ll be hiring a lawyer, you know.” “What in God’s name for?” “I think we can put it together,” Andy said. “With Tommy Williams and with my testimony and corroborative testimony from records and employees at the country club, I think we can put it together.” “Tommy Williams is no longer an inmate of this facility.” “What?” “He’s been transferred.” “Transferred where?” “Cashman.” At that, Andy fell silent. He was an intelligent man, but it would have taken an extraordinarily stupid man not to smell deal all over that. Cashman was a minimum-security prison far up north in Aroostook County. The inmates pick a lot of potatoes, and that’s hard work, but they are paid a decent wage for their labor and they can attend classes at CVI, a pretty decent vocational-technical institute, if they so desire. More important to a fellow like Tommy, a fellow with a young wife and a child, Cashman had a furlough program . . . which meant a chance to live like a normal man, at least on the weekends. A chance to build a model plane with his kid, have sex with his wife, maybe go on a picnic. Norton had almost surely dangled all of that under Tommy’s nose with only one string attached: not one more word about Elwood Blatch, not now, not ever. Or you’ll end up doing hard time in Thomaston down there on scenic Route 1 with the real hard guys, and instead of having sex with your wife you’ll be having it with some old bull queer. “But why?” Andy said. “Why would—” “As a favor to you,” Norton said calmly, “I checked with Rhode Island. They did have an inmate named Elwood Blatch. He was given what they call a PP—provisional parole, another one of these crazy liberal programs to put criminals out on the streets. He’s since disappeared.” Andy said: “The warden down there . . . is he a friend of yours?” Sam Norton gave Andy a smile as cold as a deacon’s watchchain. “We are acquainted,” he said.
Stephen King (Different Seasons: Four Novellas)
To meet the great tasks that are before us, we require all our intelligence, and we must be sound and wholesome in mind. We must proceed in order. The price of anger is failure.
Elwood Hendricks
BEAUTY IS ONLY SKIN DEEP MANY PEOPLE ARE BEAUTIFUL ON THE OUTSIDE AND COLD AS ICE ON THE INSIDE. ALWAYS LOOK BEYOND THE LOOKS AND TAKE THE TIME TO LOOK IN THEIR HEARTS AND SEE IF THEY HAVE MORALS, VALUES AND COMPASSION. IF THAT ISN'T THERE ALL YOU HAVE IS AN EMPTY SHELL. SO GOES THE SAYING..CERTAIN THINGS CATCH YOUR EYE, BUT PURSUE ONLY THOSE THAT CAPTURE YOUR HEART.
Charles Elwood Hudson
You have two choices in life you can live with a good attitude or a bad attitude towards life. The decision is yours I hope you make the right decision.
Charles Elwood Hudson
You can blind yourself so you can’t see with your eyes the Things you don’t want to see. You can’t close your heart to not feel the things you don’t want to feel with your heart.
Charles Elwood Hudson
Never hold on to someone that’s not afraid to lose you. If you do you will miss the one that you’re meant to be with.
Charles Elwood Hudson
Life is not what you think it will be, you will have good times, sad times and bad times. At some point in your Life it will knock you to your knees just to test your resolve. Never give in and never give up there always is a light at the end of the tunnel you just have keep taking steps toward the light crawl if you have to, just keep going. You must know and experience all aspects of life in order to fully comprehend and understand life once you have experienced the good bad and ugly in life can you fully enjoy the gift of life.
Charles Elwood Hudson
Live the life you love. Love the ,life you live.
Charles Elwood Hudson
But lives were long, and people changed.
Paige Elwood (The City of Love (Eternity Rings, #1))
The last people legitimately on a mission from Me were named Jake and Elwood.
David Javerbaum (An Act of God: Previously Published as The Last Testament: A Memoir by God)
The breakthrough study was done by Dr. Peter Elwood and a team from the Cochrane Institute of Primary Care and Public Health, Cardiff University, United Kingdom, and released in December 2013. For thirty years, these researchers followed 2,235 men living in Caerphilly, Wales, aged 45 to 59, and observed the impact of five activities on their health and on whether they developed dementia or cognitive decline, heart disease, cancer, or early death. The Cardiff study was meticulous, examining the men at intervals over the thirty years, and if they showed signs of cognitive decline or dementia, they were sent for detailed clinical assessments of high quality. It overcame study design problems from eleven previous studies (discussed in the endnotes). Results showed that if the men did four or five of the following behaviors, their risk for cognitive (mental) decline and dementia (including Alzheimer’s) fell by 60 percent:
Norman Doidge (The Brain's Way of Healing: Remarkable Discoveries and Recoveries from the Frontiers of Neuroplasticity)
Laws are not drawn up near dumpsters with dirty needles and rats, but in mahogany trimmed board rooms where the marble gleams with the light of noble intentions. Rarely do these coincide with the gun toting men who are charged with the task of enforcing them. They are the offensive linemen of society. Nobody buys their jersey. People just yell at them when they are offsides. But without him everything will collapse! When I was an offensive guard I did whatever I could to block the other guy. So I can empathize with Inspector Harry Callahan and his methods. I love it when Callahan is still chewing his hot dog as he blows away punks who think they can steal from a bank during the middle of the day in San Francisco. Dirty Harry you had me at 'do you feel lucky?' Real cops couldn't catch the Zodiac killer, but Harry blew that scumbag into a pond, then followed up by throwing his badge into the same pond, because he too knows that the rules of 'decent' society are a myth that pretty people in big houses talk about over tea.
Graham Elwood (The Comedy Film Nerds Guide to Movies: Featuring Dave Anthony, Lord Carrett, Dean Haglund, Allan Havey, Laura House, Jackie Kashian, Suzy Nakamura, ... Schmidt, Neil T. Weakley, and Matt Weinhold)
We're on a mission from God.
Elwood Blues
Elwood- "Shit." Jake- "What?" Elwood- "Rollers." Jake- "No!" Elwood- "Yeah." Jake- "Shit.
Blues Brothers
Caine’s a guy who needs to win. He needs to win before he poofs. Or he needs to win before I poof. The point is, he’s not going to just accept us freeing all these kids from Coates and taking over Perdido Beach,” Sam said. “So we need to be ready. And we need to be ready for something else, too: tomorrow is my birthday.” He made a wry face. “Not a birthday I’m exactly looking forward to. But, anyway, we need to decide who takes over for me if…when…I step outside.” Several of the kids made sympathetic or encouraging noises about how Sam maybe wasn’t going to blink out, or maybe it would be a good thing, an escape from the FAYZ. But Sam hushed them all. “Look, the good thing is, when I go, so does Caine. The bad thing is, that still leaves Drake and Diana and other bullies. Orc…well, we don’t exactly know what’s going on with him, but Howard’s not with him. And Lana…we don’t know what happened to her, whether she left or what.” The loss of Lana was a serious blow. Every one of the Coates refugees adored her for the way she had healed their hands. And it was reassuring to think that she could heal anyone who was injured. Astrid said, “I nominate Edilio to take over if…you know. Anyway, we need a number two, a vice president or vice mayor or whatever.” Edilio did a double take, like Astrid must be talking about some other Edilio. Then he said, “No way. Astrid’s the smartest person here.” “I have Little Pete to look after. Mary has to care for the prees and keep them out of harm’s way. Dahra has responsibility for treating anyone who gets hurt. Elwood has been so busy in the hospital with Dahra, he hasn’t dealt with Caine or Drake or any of the Coates faction. Edilio’s been up against Orc and Drake. And he’s always been brave and smart and able.” She winked at Edilio, acknowledging his discomfort. “Right,” Sam said. “So unless someone has an objection, that’s the way it is. If I get hurt or I ditch, Edilio’s in charge.” “Respect to Edilio,” Dekka said, “but he doesn’t even have powers.” “He has the power to earn trust and to come through when he has to,
Michael Grant
When he bets, he does this thing that a lot of players do when they’re betting with a vulnerable hand: he puts out his chips into the pot for the bet, and then holds a stack of chips a few inches behind the betting line, almost as if to subtly imply he’s ready to call if I were to raise him. I wait a few seconds. He stays completely quiet.
Zachary Elwood (Reading Poker Tells)
When a script focuses on being a film instead of a formula, it can transcend the ghetto of its genre. -Mike Schmidt
Graham Elwood (The Comedy Film Nerds Guide to Movies: Featuring Dave Anthony, Lord Carrett, Dean Haglund, Allan Havey, Laura House, Jackie Kashian, Suzy Nakamura, ... Schmidt, Neil T. Weakley, and Matt Weinhold)
Elwood had thoughtfully fed Patrick. There was a clean-licked plate on the kitchen tile. Patrick was curled up before a gas fireplace, though there was no fire.
Michael Grant (Gone (Gone, #1))
Is this your dress for the ball tonight?” “Yes.” “Carter said you promised it’d be green. He’s been talking about it matching your pretty green eyes all week.” “He talks about me?” Ducky chuckled. “Nonstop.” “He’s probably like that with all the girls he’s—” “Nope. Only you.” Ducky eyed her. “Never seen him like this about anyone before, and we’ve been friends for quite a while now. I know you two have had your differences over Elwood and all, but you have something special. Hey, even an old hayseed like me can see it. He’s drawn to you like a fly to a piece of cherry pie.
Lorna Seilstad (A Great Catch)
Polarization becomes a serious and dangerous problem when many people have very negative views of people on the “other side” — not just disagreeing but hating and fearing them. When high levels of contempt and fear are involved, this is what’s referred to as toxic polarization (and by other names, like psychological polarization, affective polarization, and pernicious polarization). In countries that are toxically polarized, it’s common for people to call their political opponents “horrible” and “evil,” and use other dehumanizing language. High levels of contempt and fear lead to the behaviors that can tear countries apart.
Zachary Elwood (How Contempt Destroys Democracy: An American Liberal's Guide to Toxic Polarization)
Insults and threats are the raw materials of our contempt and fear; they’re what we use to build our stories of the other side’s badness. And as conflict progresses, that can start to become a self-fulfilling prophecy. Because we see the other side as dehumanizing and threatening us, we in turn can justify dehumanizing them. Some people on both sides start to become the hateful, threatening people the other side imagines they are.
Zachary Elwood (How Contempt Destroys Democracy: An American Liberal's Guide to Toxic Polarization)
If you’re someone fighting for fair and just outcomes (however you define that), if you fight in a way that amplifies political animosity, you may end up helping create a world that is less fair and less just. This is why it’s important to pursue one’s political aims in depolarizing, de-escalating, and persuasive ways. And this is entirely possible: You can work toward any political goal while avoiding dehumanizing and insulting your political opponents, and while speaking in persuasive, respectful ways.
Zachary Elwood (How Contempt Destroys Democracy: An American Liberal's Guide to Toxic Polarization)
When talking about polarization, many people will try to assign blame to various groups: “It’s the media,” “It’s politicians trying to get power,” “It’s the political party machines manipulating us,” “It’s the rich trying to divide us,” “It’s the colleges.” And there are valid points to be made about how various organizations and systems and institutions amplify the effects of polarization — but it’s also true that those systems and organizations are made up of people. The same dynamics that can make individual people become polarized can make groups of people and organizations become polarized.
Zachary Elwood (How Contempt Destroys Democracy: An American Liberal's Guide to Toxic Polarization)
When liberals confidently arrive at highly pessimistic narratives about what drives conservatives’ behavior, it will arouse conservatives' anger and amplify the toxicity of our divides.
Zachary Elwood (How Contempt Destroys Democracy: An American Liberal's Guide to Toxic Polarization)
People concerned about worst-case scenarios — like threats to democracy, authoritarian actions, high levels of political violence, or civil war-like scenarios — should want to reduce toxic polarization in America because that's how we’ll make those things less likely.
Zachary Elwood (How Contempt Destroys Democracy: An American Liberal's Guide to Toxic Polarization)
A simplified way to think of toxic polarization is as a feedback loop of animosity. One group’s animosity creates more animosity in the other group, which in turn creates more animosity in the first group, and so on. As more and more insults and threats are produced, both groups view the other group as more immoral and dangerous, which makes more people speak in contemptuous and insulting ways. As each group’s views of the “other side” get more and more pessimistic, contempt and fear grow.
Zachary Elwood (How Contempt Destroys Democracy: An American Liberal's Guide to Toxic Polarization)
Human conflict is not like chess, where each side has the same exact pieces and follows the exact same rules. Human groups are messy. Human groups can have very different traits, motivations, and methods of engagement. Another way to put this is that human groups in conflict are asymmetrical: they don’t match up exactly. When in conflict, people on both sides will try to compare the groups, often in order to build a case for why “the other side is much worse.” But the asymmetrical aspects of the two groups means that they’ll often be making bad and biased comparisons.
Zachary Elwood (How Contempt Destroys Democracy: An American Liberal's Guide to Toxic Polarization)
When you’re trying to apply pressure through the press, you must know and exploit your enemies’ weak spots.
Phil Elwood (All the Worst Humans: How I Made News for Dictators, Tycoons, and Politicians)
They build their careers, and I do my job to spin
Phil Elwood (All the Worst Humans: How I Made News for Dictators, Tycoons, and Politicians)
They build their careers, and I do my job to spin a story for a client.
Phil Elwood (All the Worst Humans: How I Made News for Dictators, Tycoons, and Politicians)
The very essence of my job requires that I communicate effectively, yet I struggle to do that in my own mind.
Phil Elwood (All the Worst Humans: How I Made News for Dictators, Tycoons, and Politicians)
You may say: Isn’t that the wrong time? I’d say: it’s when history happens. Lindsay calls me “the Forrest Gump of DC” because I’ve been behind the scenes of so many global events and historical moments you’ve read about in the news.
Phil Elwood (All the Worst Humans: How I Made News for Dictators, Tycoons, and Politicians)
And I didn’t make as much money as you’d imagine in the PR machine. It didn’t make me a rich man. But I never did it for the money. I did it for the story.
Phil Elwood (All the Worst Humans: How I Made News for Dictators, Tycoons, and Politicians)