Elm Rowan Quotes

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Above rowan and yew, the elm tree stands tall. It waits along borders, a sentry at call.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
For nothing is safe, and nothing is free. Debt follows all men, no matter their plea. When the Shepherd returns, a new day shall ring. Death to the Rowans.” His gray eyes focused, homing in on Elm. “Long live the King.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
All the trees of the world appeared to be rushing towards Aslan. But as they drew nearer they looked less like trees, and when the whole crowd, bowing and curtsying and waving thin long arms to Aslan, were all around Lucy, she saw that it was a crowd of human shapes. Pale birch-girls were tossing their heads, willow-women pushed back their hair from their brooding faces to gaze on Aslan, the queenly beeches stood still and adored him, shaggy oak-men, lean and melancholy elms, shock-headed hollies (dark themselves, but their wives all bright with berries) and gay rowans, all bowed and rose again, shouting, "Aslan, Aslan!" in their various husky or creaking or wave-like voices.
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
Elm. The Nightmare slowed his pace. When he looked back at Elm, his voice drifted in the air, oil and honey and poison. “Neither Rowan nor Yew, but somewhere between. A pale tree in winter, neither red, gold, nor green. Black hides the bloodstain, forever his mark. Alone in the castle, Prince of the dark.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I did not notice the bright red light spilling into the keyhole, nor did I expect the vivacity of the Scythe Card’s ruby-red color until it was already in the room. Prince Renelm Rowan stepped into the cellar, mud still clumped onto his boots from the hunt. When his eyes found me, they were brilliant green. “Who the hell is this?” “Elspeth Spindle,” Jespyr said. “Erik’s daughter,” Ravyn said, sharing a pointed look with his cousin. The Prince surveyed me. He looked like a fox to me, with his wild auburn hair and bright, intelligent eyes. “I’m Renelm,” he said, narrowing them. “But Elm will do.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
kind of Princes ripped from the pages of a storybook. Handsome, clever, unmarried. Only, in the Nightmare’s storybook version, they weren’t simply the kingdom’s beloved Princes. They were also its villains. He snarled behind my eyes, watching Elm with curled claws. The berry of rowans is red, always red. The earth at its trunk is dark with blood shed. Trust never the man who wields the Card red. His voice seeped out of him, a poisonous fog filling my mind. No peace will be known till the final Rowan is dead. I fought a shudder, my face muscles straining against the chill the Nightmare’s words set upon me. For the Rowans, the Nightmare bore a bottomless, vengeful hatred. And I knew why. King Rowan, like his predecessors, used the ancient wisdom of The Old Book of Alders to instill fear—not wonder—of magic. He corrupted our ancient text. Defiled it so that it became a weapon to control Blunder by—just like the Scythe. The red Card. There were only four of them in the entire kingdom. And the Rowans had always claimed them all. With it, they had the ultimate power of persuasion. Three taps of the Scythe, and you would do whatever a Rowan asked of you. If Elm asked me to hop on one leg off a cliff, I would gladly do so, not because the Scythe made my legs move—but because it made me want to jump.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Hauth turned to the side, gesturing forward someone I could not see. Two lights warred for dominance. One burgundy, the other pink, carried by a strikingly beautiful woman with yellow hair. My heart plummeted into my stomach as Hauth’s voice rattled over the din. “Tonight,” he declared, “thanks to his generous contribution, my father has knighted Tyrn Hawthorn. We are proud to offer his daughter a place in our royal family.” Applause erupted around me, glass clinking and cheers sounding, the clamor enormous. Next to me, Ravyn Yew exhaled, as if all the wind in his lungs had frozen. Across the table, Elm Rowan and Jespyr Yew had gone ghostly pale, their faces arrested in shock. Hauth took the hand of the beautiful woman. She passed him the burgundy light, a smile on her full lips. Hauth, goaded by the crowd’s uproar, held up the Providence Card trimmed by dark burgundy velvet. “I present to you,” he called, “the elusive Nightmare Providence Card, and my future wife, Ione Hawthorn.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
They sat at the rounded table, five of them: Jespyr Yew, Elm Rowan, Filick Willow, and two others I had not met but knew by the Yew insignia upon their clothes—Fenir and Morette Yew. Ravyn’s parents. A single chair was situated in the middle of the room, the light from the hearth casting long, ominous shadows across it. Ravyn gestured to it, offering me a seat. The Nightmare slithered to the forefront of my mind, acute—aware. Let the inquest begin.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
When Elm extended his hand in greeting, our fingers met, cold and unfeeling. “Welcome back to Stone, Miss Spindle,” he said, his green eyes cunning. “May I escort you to dinner?” The Rowans are not to be trusted. They cling too desperately to their Scythes, hungry for power—for control, the Nightmare called in the din. Be wary.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Brother,” High Prince Hauth Rowan said in greeting, his gaze shifting from Elm to me. “Who is this lovely creature?” If my thoughts on Prince Elm were bleak, my opinion of Hauth was abysmal. The High Prince was a brute. Bathed in the red light of his Scythe Card, Hauth had no qualms forcing others to do his bidding, especially those who flouted Blunder’s laws. I’d heard he was fond of executing criminals with his Scythe, forcing them to do horrible things against their will. The High Prince would often call a great crowd at the edge of town. Then, with three taps of his Scythe Card, he sent the accused, without a charm, to die in the mist—lost to the salt and the ravenous hunger of the Spirit of the Wood.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
As for Elm, you won’t get your hands on him. He won’t be coming with us. What makes you think I’d hurt him? Ravyn scoffed. He’s a Rowan. Descendant of the man who stole your throne and killed your kin. You’ve had five hundred years to imagine your revenge. His stomach turned as he looked at the old blood beneath the Nightmare’s fingernails. Surely you want him dead. I had plenty of time to hurt him. Only I didn’t. The Princeling sensed me—saw my strange eyes—and recoiled. He understands, far better than you, Captain, that there are monsters in this world. He let out a long breath. My claws would find no purchase in a Rowan who is already broken. When Ravyn’s rigid jaw didn’t ease, the Nightmare grinned. Above rowan and yew, the elm tree stands tall. It waits along borders, a sentry at call. Quiet and guarded and windblown and marred, its bark whispers stories of a boy-Prince once scarred. His voice in Ravyn’s mind went eerily soft. And so, Ravyn Yew, your Elm I won’t touch. His life strays beyond my ravenous clutch. For a kicked pup grows teeth, and teeth sink to bone. I will need him, one day, when I harvest the throne.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
The statue groaned. The fissure in Brutus’s chest widened, spreading down his legs until one large crack became hundreds. “Shit.” Brutus Rowan’s marble legs snapped at the ankles and the statue toppled into the pond, taking Elm with it. He hit the water, pushed under by the weight of the marble, held his breath, and swam. When his back collided with the grassy embankment, he flung himself upon it, hauled in a breath— Mist rushed into him. It tasted of brine and rot. It filled Elm’s lungs, his body, his mind. He went rigid on the ground, his eyes wide as he fumbled for his wrist, for the familiar feel of horsehair— His charm was gone. Lost, somewhere in the pond.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Guard them well.” Ravyn patted the extra charm he kept in his pocket—the head of a viper. “We’ll be in the mist some while.” Gorse shifted his weight. “How long?” “As long as it takes to find the Twin Alders Card. If that does not suit you”—Ravyn gestured back toward the meadow—“return to Stone. Or does the King expect a full report on my actions?” Gorse snapped his mouth shut and glowered. Ravyn was used to being glared at by a Destrier. He had none of Hauth’s or even Elm’s Rowan charm—never knew how to motivate men with words. His coldness, and his infection, had always made him an exacting, albeit unpopular, Captain of the Destriers.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Emory swayed. Then, quicker than a dying boy should, he lunged forward. Grasped Hauth’s wrist. His eyes rolled back in his head, and when he spoke, his voice was strange, smooth—as if slick with oil. “You won’t win,” he said again. “For nothing is safe, and nothing is free. Debt follows all men, no matter their plea. When the Shepherd returns, a new day shall ring. Death to the Rowans.” His gray eyes focused, homing in on Elm. “Long live the King.” Hauth ripped himself out of Emory’s grip. Expressionless though it was, his face had gone the color of paper.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
The Scythe I created has been used for unspeakable crimes. Infected children have been hunted—killed. Physicians have turned to murderers. The Old Book of Alders has been defiled by Rowans to justify their every whim. Pain is Blunder’s legacy. It has perforated the kingdom for centuries, and would continue to do so if your family—my rightful heirs—were to forcibly take it back. There would be terrible unrest. You and I are Blunder’s reckoning, Ravyn Yew. Not its peace.” His voice softened, as if he were easing a child to rest with a story. “I had five hundred years to imagine my revenge. Hauth Rowan tasted it, that night at Spindle House. But poetry is as judicious as violence. And wouldn’t it be poetic to undo the Rowans from within? To take that legacy of pain, and watch one of their own grind it under his heel? To carve the way for a Prince who never used the Scythe for violence? Your cousin Elm has done more than Brutus Rowan or I ever could. He has looked pain in the eye—and refused to let it make a monster of him.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from–a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.
Elif Shafak (The Island of Missing Trees)
My claws would find no purchase in a Rowan who is already broken. When Ravyn’s rigid jaw didn’t ease, the Nightmare grinned. Above rowan and yew, the elm tree stands tall. It waits along borders, a sentry at call. Quiet and guarded and windblown and marred, its bark whispers stories of a boy-Prince once scarred. His voice in Ravyn’s mind went eerily soft. And so, Ravyn Yew, your Elm I won’t touch. His life strays beyond my ravenous clutch. For a kicked pup grows teeth, and teeth sink to bone. I will need him, one day, when I harvest the throne.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
One wrong word, and they’d realize it wasn’t my magic they needed… but the monster’s in my head. Help me, I called into the void. The Nightmare slithered across our shared darkness, churning against the current of Elm’s influence. It will be easier with me here, my dear. After all, the Scythe has no sway on me. I blinked. What? Why didn’t you say before? You did not ask. Magic. I felt it like salt water up my nostrils. The Nightmare stirred, loosening the rope Elm Rowan had tied across my mind. The Scythe’s magic lessened, the desire to be honest—malleable—obedient—fading, washed away by a wave of salt.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
have wanted to collect the Deck.” I gripped the lip of my chair so tightly my knuckles ached. “But you’re not working with King Rowan. Otherwise, you would have already given him your Nightmare Card. You’re collecting the Deck on your own account…” My eyes flew to the table. “Is there going to be a rebellion? Are you going to depose the King?” Fenir’s voice was sharp. “Nothing of the sort. Rebellion would destroy Blunder.” Then why not work alongside the King to collect the Deck? the Nightmare said, coiling through my mind. They’re hiding something. I waited, the room so quiet it might have been a tomb. “With the Deck of Cards,” Fenir said, “the King will lift the mist, regaining ownership of Blunder from the Spirit of the Wood.” He took his wife’s hand, his face drawn. “And he will be able to cure the infection.” I waited, my breath fast. “But as The Old Book of Alders so loves to remind us,” Elm said from the hearth, twirling the Scythe, “nothing comes for free. Now that my father has the Nightmare Card, he needs only two things to unite the Deck: the lost Twin Alders Card and blood. Infected blood.” He looked toward the flames, his shoulders tight. “And he’s going to kill Emory to get it.” The strange boy—his erratic, fitful nature. Infected. Which meant Emory Yew was not a resident in the King’s castle as a token of hospitality. He was a captive. And they were going to commit treason to save him.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from – a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.
Elif Shafak (The Island of Missing Trees)
your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.
Elif Shafak (The Island of Missing Trees)