Elevator Mirror Quotes

So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together. In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page: I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me. Tonight, this strange interior gesture of friendship—the lending of a hand from me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page. Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND… I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.

The room was not a room to elevate the soul. Louis XIV, to pick a name at random, would not have liked it, would have found it not sunny enough, and insufficiently full of mirrors. He would have desired someone to pick up the socks, put the records away, and maybe burn the place down. Michelangelo would have been distressed by its proportions, which were neither lofty nor shaped by any noticeable inner harmony or symmetry, other than that all parts of the room were pretty much equally full of old coffee mugs, shoes and brimming ashtrays, most of which were sharing their tasks with each other. The walls were painted in almost precisely that shade of green which Rafaello Sanzio would have bitten off his own right hand at the wrist rather than use, and Hercules, on seeing the room, would probably have returned half an hour later armed with a navigable river.

He loved the soothing hour, when the last tints of light die away; when the stars, one by one, tremble through æther, and are reflected on the dark mirror of the waters; that hour, which, of all others, inspires the mind with pensive tenderness, and often elevates it to sublime contemplation.

Inside the mirrored elevator, Mulch used a telescopic pointer to push P for the penthouse. For the first few months he had jumped to reach the button, but that was undignified behavior for a millionaire. And besides, he was certain that Art could hear the thumping from the security desk.

The world we live in, i.e., the life we perceive, is a perfect reflection, a mirror image, of our internal reality.

I caught a glimpse of my face in the mirror as we glided p. I looked as eroded as the groaning lift. What had happened to the fresh-faced belle from Boston, Mass.? The woman who stared back at me was at the dreaded age between forty-five and fifty, that no-man's land of sag, oncoming wrinkle, and stealthy approach of menopause. "I hate this elevator, too," I said grimly. Zoe grinned and pinched my cheek. "Mom, even Gwyneth Paltrow would look like hell in that mirror." I had to smile. That was such a Zoe-like remark.

One of the points that all wise men and women agree on is this: If we want our world to improve, we should work on ourselves first. That’s where the significant gains are to be found. Focusing on the inadequacies of others, or the unfairness in the world, is often just a trap of our own making as we resist looking in the mirror.

The deepest shade of twilight did not send him from his favourite plane-tree. He loved the soothing hour, when the last tints of light die away; when the stars, one by one, tremble through aether, and are reflected on the dark mirror of the waters; that hour, which, of all others, inspires the mind with pensive tenderness, and often elevates it to sublime contemplation. When the moon shed her soft rays among the foliage, he still lingered, and his pastoral supper of cream and fruits was often spread beneath it. Then, on the stillness of night, came the song of the nightingale, breathing sweetness, and awakening melancholy.

I am locked in a very expensive suit old elegant and enduring Only my hair has been able to get free but someone has been leaving their dandruff in it Now I will tell you all there is to know about optimism Each day in hub cap mirror in soup reflection in other people's spectacles I check my hair for an army of alpinists for Indian rope trick masters for tangled aviators for dove and albatross for insect suicides for abominable snowmen I check my hair for aerialists of every kind Dedicated as an automatic elevator I comb my hair for possibilities I stick my neck out I lean illegally from locomotive windows and only for the barber do I wear a hat

So she looks in her rearview mirror,” one is saying, “and there’s a bear in the back seat, eating popcorn.” When wildlife officers gather at a conference, the shop talk is outstanding. Last night I stepped onto the elevator as a man was saying, “Ever tase an elk?

Property is no longer about power, personality and command. It's not about vulgar display or tasteful display. Because it no longer has weight or shape. The only thing that matters is the price you pay. Yourself, Eric, think. What did you buy for your one hundred and four million dollars? Not dozens of rooms, incomparable views, private elevators. Not the rotating bedroom and computerized bed. Not the swimming pool or the shark. Was it air rights? The regulating sensors and software? Not the mirrors that tell you how you feel when you look at yourself in the morning. You paid the money for the number itself. One hundred and four million. This is what you bought. And it's worth it. The number justifies itself.

She had a look at herself in the mirror in the elevator lobby while she was waiting. She looked cool and in charge, and if she could fool herself she could fool anybody.

So, there was this beautiful princess. She was locked in a high tower, one whose smart walls had cleaver holes in them that could give her anything: food, a clique of fantastic friends, wonderful clothes. And, best of all, there was this mirror on the wall, so that the princess could look at her beautiful self all day long. The only problem with the tower was that there way no way out. The builders had forgotten to put in an elevator, or even a set of stairs. She was stuck up there. One day, the princess realized that she was bored. The view from the tower--gentle hills, fields of white flowers, and a deep, dark forest--fascinated her. She started spending more time looking out the window than at her own reflection, as is often the case with troublesome girls. And it was pretty clear that no prince was showing up, or at least that he was really late. So the only thing was to jump. The hole in the wall gave her a lovely parasol to catch her when she fell, and a wonderful new dress to wear in the fields and forest, and a brass key to make sure she could get back into the tower if she needed to. But the princess, laughing pridefully, tossed the key into the fireplace, convinced she would never need to return to the tower. Without another glance in the mirror, she strolled out onto the balcony and stepped off into midair. The thing was, it was a long way down, a lot farther than the princess had expected, and the parasol turned out to be total crap. As she fell, the princess realized she should have asked for a bungee jacket or a parachute or something better than a parasol, you know? She struck the ground hard, and lay there in a crumpled heap, smarting and confused, wondering how things had worked out this way. There was no prince around to pick her up, her new dress was ruined, and thanks to her pride, she had no way back into the tower. And the worst thing was, there were no mirrors out there in the wild, so the princess was left wondering whether she in fact was still beautiful . . . or if the fall had changed the story completely.

Ian stared until she disappeared inside the elevator. Then he glanced back at me. "Don't fret, poppet. I'll get her." "We need to do this discreetly. If I wanted to make a colossal scene, I'd just drag her off kicking and screaming now," I said, not adding, "dumb ass" only because he was family. "She'll come without a fuss," Ian said with confidence. "You can't green-eye her in the elevator, it'll have video surveillance. So will the garage," I retorted. "I don't need these," Ian said, flashing emerald in his turquoise gaze for a split second, "when I have this." With a casual swipe of his hand, he ripped his shirt open, causing buttons to fly everywhere. Another swipe took his sleep mask all the way off. Finally, he finger-combed his shoulder-lenght hair and smiled at his reflection in the rearview mirror. "I am after all, irresistible.

I had just finished polishing all the smudges off the mirror in the elevator when it began descending with me inside. In only a T-shirt and underwear. "Seriously?" I muttered, yanking off my rubber gloves to try to put order to my hair. After rolling around with Gideon all night, I looked like an epic mess. The doors slid open and Angus started to step in, his footstep halting midair when he spotted me.

Melancholy, amorous and barbaric,” these tales exalted adulterous love as the only true kind, while in the real life of the same society adultery was a crime, not to mention a sin. If found out, it dishonored the lady and shamed the husband, a fellow knight. It was understood that he had the right to kill both unfaithful wife and lover. Nothing fits in this canon. The gay, the elevating, the ennobling pursuit is founded upon sin and invites the dishonor it is supposed to avert. Courtly love was a greater tangle of irreconcilables even than usury. It remained artificial, a literary convention, a fantasy (like modern pornography) more for purposes of discussion than for everyday practice.

We know that whether something is considered beautiful or ugly is in the eye of the beholder. What’s more revealing is that the beholder’s determination of what is beautiful and what is ugly is a valuable insight into the soul and psyche of that person. The beauty and the beast are mirrors. It’s never actually about the object; it’s really about us. Every person, situation, and idea is an interaction between the observer and the observed, and therefore, a potential source of knowledge. Every encounter is an opportunity to learn, not just about the object but about ourselves. Every encounter is therefore an opportunity to evolve. If we pay attention!

The elevator had a carpeted floor and mirrors and indirect lighting. It rose as softly as the mercury in a thermometer.

There is no end to the wailing of senseless rebellion, to the elevation of self above all, the narcissism that sees the face of any authority only in the mirror.

The room was not a room to elevate the soul. Louis XIV, to pick a name at random, would not have liked it, would have found it not sunny enough, and insufficiently full of mirrors.

It so happens I am sick of being a man. And it happens that I walk into tailorshops and movie houses dried up, waterproof, like a swan made of felt steering my way in a water of wombs and ashes. The smell of barbershops makes me break into hoarse sobs. The only thing I want is to lie still like stones or wool. The only thing I want is to see no more stores, no gardens, no more goods, no spectacles, no elevators. It so happens that I am sick of my feet and my nails and my hair and my shadow. It so happens I am sick of being a man. Still it would be marvelous to terrify a law clerk with a cut lily, or kill a nun with a blow on the ear. It would be great to go through the streets with a green knife letting out yells until I died of the cold. I don't want to go on being a root in the dark, insecure, stretched out, shivering with sleep, going on down, into the moist guts of the earth, taking in and thinking, eating every day. I don't want so much misery. I don't want to go on as a root and a tomb, alone under the ground, a warehouse with corpses, half frozen, dying of grief. That's why Monday, when it sees me coming with my convict face, blazes up like gasoline, and it howls on its way like a wounded wheel, and leaves tracks full of warm blood leading toward the night. And it pushes me into certain corners, into some moist houses, into hospitals where the bones fly out the window, into shoeshops that smell like vinegar, and certain streets hideous as cracks in the skin. There are sulphur-colored birds, and hideous intestines hanging over the doors of houses that I hate, and there are false teeth forgotten in a coffeepot, there are mirrors that ought to have wept from shame and terror, there are umbrellas everywhere, and venoms, and umbilical cords. I stroll along serenely, with my eyes, my shoes, my rage, forgetting everything, I walk by, going through office buildings and orthopedic shops, and courtyards with washing hanging from the line: underwear, towels and shirts from which slow dirty tears are falling

Hegel gives a fantastically elevated role to humans in his philosophy. They are carriers of unfolding divinity. They are the mirrors of God, providing an ever clearer and more radiant reflection of the divine.

The elevation of the Citaceleste into the sky, the air currents for the dog sleighs, the distortions of space, the strong rooms, the concept of the sandglasses: there wasn’t a thing here that didn’t bear her trademark.

The carpet is too soft. Also the palm tree in the lobby is unbelievable. For a long time the Maitre looks at our faces, shuffling passports in his hands. "Such dark-ringed eyes, such dark-ringed eyes. I knew a merchant from Smyrna, who also had a false front tooth. Nowadays one has to be terribly careful: informers and scorpions are everywhere." In the elevator we stand facing the mirror, but already at the first jerk we see silvery mildew in the place of our faces.

No Jews, Mrs. Pike. And that means no one with a drop of Hispanic blood either. You need to have come over on the Mayflower to get into this building.” Now, Reneé scrutinized herself one last time in the inlaid mirror of the elevator. With her expertly balayaged hair and her expensively sculpted nose, did she still look like she had any Hispanic blood coursing through her veins?

All you know I know: careening astronauts and bank clerks glancing at the clock before lunch; actresses cowling at light-ringed mirrors and freight elevator operators grinding a thumbful of grease on a steel handle; student riots; know that dark women in bodegas shook their heads last week because six months prices have risen outlandishly; how coffee tastes after you've held it in your mouth, cold, a whole minute.

You know what surrealism is, then.” “Of course.” It was a twentieth-century art movement that elevated the subconscious and the stuff of dreams: Dalí’s dripping clocks and Magritte’s The False Mirror. The whole point is for the art to make you uneasy, until you realize the world is just a construct. An image that doesn’t make sense to you forces your mind to free-associate—and those associations are key to analyzing reality on a deeper level.

As a minister of the Lord in whatever way the Lord decides to use you and with the gifts he gives you for the work, there is the tendency to start idolizing the work itself or the gifts that you forget it is the father who gave it to you. Who picked you up and dusted you from nothing and adorned you. You forget and make the work a god before him. Exodus 20:3 "You shall have no other gods before me". ----- This can be very subtle especially for social media ministry. You begin to love your social image over the word of God. You begin to dampen and tweak the word of God to appeal to a wider audience. You're suddenly no longer about the raw truth of the gospel. As the followers and likes increase you begin to get more and more addicted to the fruit of the works and the response to YOUR messages and posts. If a post doesn't do too well and get many likes and comments you are not happy. It hurts you deeply. That is how you know It has become about you. ------ If this is you and this message has touched your heart, if this post is like a mirror to your face, go back to God and ask for forgiveness. Ask God to forgive you for elevating yourself and your work as a god before him and return back to when it was just about loving him and preaching the good news. You probably may have noticed you lost the fire of inspiration you used to have at the beginning. This is why.

Waiting here, away from the terrifying weaponry, out of the halls of vapor and light, beyond holland and into the hills, I have come to to wound the autumnal city. So howled out for the world to give him a name. The in-dark answered with wind. All you know I know: careening astronauts and bank clerks glancing at the clock before lunch; actresses cowling at light-ringed mirrors and freight elevator operators grinding a thumbful of grease on a steel handle; student riots; know that dark women in bodegas shook their heads last week because in six months prices have risen outlandishly; how coffee tastes after you've held it in your mouth, cold, a whole minute.

Mesmerized by the gilt ghastliness of it all, Elizabeth slowly turned in a full circle. Above the fireplace there was a gilt-framed painting of a lady attired in nothing whatsoever but a scrap of nearly-transparent red silk that had been draped across her hips. Elizabeth jerked her eyes away from that shocking display of nudity and found herself confronted by a veritable army of cavorting cupids. They reposed in chubby, gilt splendor atop the mantel and the bed tables; a cluster of them formed the tall candelabra beside the bed, which held twelve candles-one of which the footman had lit-and more cupids surrounded an enormous mirror. “It’s…” Berta uttered as she gazed through eyes the size of saucers, “it’s…I can’t find words,” she breathed, but Elizabeth had passed through her own state of shock and was perilously close to hilarity. “Unspeakable?” Elizabeth suggested helpfully, and a giggle bubbled up from her throat. “U-Unbelievable?” she volunteered, her shoulders beginning to shake with mirth. Berta made a nervous, strangled sound, and suddenly it was too much for both of them. Days of relentless tension erupted into gales of hilarity, and they gave in to it with shared abandon. Great gusty shouts of laughter erupted from them, sending tears trickling down their cheeks. Berta snatched for her missing apron, then remembered her new, elevated station in life and instead withdrew a handkerchief from her sleeve, dabbing at the corners of her eyes; Elizabeth simply clutched the forgotten bust to her chest, perched her chin upon its smooth head, and laughed until she ached. So complete was their absorption that neither of them realized their host was entering the bedchamber until Sir Francis boomed enthusiastically, “Lady Elizabeth and Lady Berta!” Berta let out a muffled scream of surprised alarm and quickly shifted her handkerchief from the corners of her eyes to her mouth. Elizabeth took one look at the satin-clad figure who rather resembled the cupids he obviously admired, and the dire reality of her predicament hit her like a bucket of icy water, banishing all thoughts of laughter. She dropped her gaze to the floor, trying wildly to remember her plan and to believe she could make it work. She had to make it work, for if she failed, this aging roué with the penchant for gilded cupids could very likely become her husband.

After you've been to bed together for the first time, without the advantage or disadvantage of any prior acquaintance, the other party very often says to you, Tell me about yourself, I want to know all about you, what's your story? And you think maybe they really and truly do sincerely want to know your life story, and so you light up a cigarette and begin to tell it to them, the two of you lying together in completely relaxed positions like a pair of rag dolls a bored child dropped on a bed. You tell them your story, or as much of your story as time or a fair degree of prudence allows, and they say, Oh, oh, oh, oh, oh, each time a little more faintly, until the oh is just an audible breath, and then of course there's some interruption. Slow room service comes up with a bowl of melting ice cubes, or one of you rises to pee and gaze at himself with the mild astonishment in the bathroom mirror. And then, the first thing you know, before you've had time to pick up where you left off with your enthralling life story, they're telling you their life story, exactly as they'd intended to all along, and you're saying, Oh, oh, oh, oh, oh, each time a little more faintly, the vowel at last becoming no more than an audible sigh, as the elevator, halfway down the corridor and a turn to the left, draws one last, long, deep breath of exhaustion and stops breathing forever. Then? Well, one of you falls asleep and the other one does likewise with a lighted cigarette in his mouth, and that's how people burn to death in hotel rooms.

Flynn lived in a shiny glass apartment tower on the water in Melbourne. The building looked like hundreds of mirrors reflecting the bright blue sky. He lived at the top of the high-rise. Kope and I stepped off the elevator and looked down the hall at Flynn’s door. We’d been silent. Nodding to each other, we sent our hearing into the apartment. With a quiet gasp, I yanked my auditory sense back to normal. Flynn was busy with company at the moment. Very busy. Kope made a low sound and closed his eyes, shaking his head as if to clear away the sounds he’d heard. My face heated and I shifted from foot to foot, fighting back the nervous smile that always wanted to surface at inappropriate times. I found a small sitting area around the corner with glass walls overlooking the city. We sat, taking in the view. When my stupid urge to smile finally settled, I braved another look at Kope and pointed to myself, using my new, limited sign-language skills to tell him I’d listen. Given the new information about his inclination for lust, it was only fair. I quickly looked away, embarrassed by the crassness of the situation. I wasn’t going to listen the whole time. I’d just pop in for a quick check. Ten minutes passed. Still busy. Half an hour passed. Busy. Forty-five minutes passed. I shook my head to let Kope know they were still at it. He fidgeted and paced, out of his normal, calm comfort zone. An hour and ten minutes passed, and I took a turn at stretching my legs. I was getting hungry. I thought we’d be through with our talk by this time. We could interrupt Flynn, but I didn’t want him to freak out in front of somebody. We needed his guest to leave so we could talk alone. At the hour and a half mark, Kope checked his watch and looked at me. I sent my hearing into the room. Oh, they weren’t in the bedroom anymore. Finally! I wiggled my hearing around until it hit the sound of running water. A shower. This was a good sign. But wait . . . nope. I shook my head, eyes wide. Was this normal? Kope did something uncharacteristic then. He grinned, giving a little huff through his nose. This elicited a small giggle from me and I pressed both hands over my mouth. It was too late, though. At this point, I wouldn’t be able to stop myself. I could feel the crazy, unfortunate amusement rising. I jumped up and ran as spritely as I could to the stairwell with Kope on my heels. We sprinted down several flights before I fell back against the wall, laughter bubbling out. It went on and on, only getting worse when Kope joined in with his deep chuckling, a joyful rumble.

As I step out of the van, blood flows out the door in a mini-waterfall—think an elevator–in–The Shining level of blood. I look at myself in the van’s side mirror. In my bloody suit, I look like the maître d’ at a Texas Chainsaw cookout.

ah beliefs.... best to transcend all belief structures that crystalize the mind within the limits of time and planetary legends or stories. Elevating consciousness into the state of Being-ness ever originating prior to and beyond all planetary religions and metaphorical stories brings you homeward....

She looked at herself in the smoky elevator mirror. Her mother always said she had the face of an angel: almond-shaped blue eyes, long dark lashes, a small nose dusted with freckles, and God's imprint, a dimple on the side of her mouth. The reflection staring back at her looked more like Snow White just after she realized she'd eaten the poisoned apple.

This line of inquiry has other benefits. Employees should be able to look at themselves in the mirror and feel strongly that they matter to the organization, that they contribute in significant ways, that their absence would significantly hurt its results. If they can say those things honestly, they will feel far more secure and confident in their own value. It will also advance their careers at any company that recognizes and rewards

Thankfulness is Both Giving and Receiving a Blessing When you affirm your thankfulness for something or someone, you're actually reciting a blessing which raises its spiritual energy from the ordinary to the sacred. That elevation to holiness is simultaneously mirrored in you. That's why thankfulness leads to happiness.

I nod to Boyd to follow me towards Sophie’s room. Her room is only a few doors down from the elevator, but it feels like a really long walk with Boyd behind me. His shoes click against the linoleum floor while mine make the occasional squeak. Am I breathing weirdly? I think I’m breathing weirdly. I wonder how ridiculous these leggings look from behind. I remind myself to look in the mirror when I get home just so I have a clear mental image of this moment to torment myself with. “Is this going to be our thing now?” he asks. “Donuts?” I ask, confused, glancing at him behind me. His eyes move to my leggings-covered ass and he laughs. “No, awkward meetings.” “Why are you dressed like that?” I blurt out, then slap my hand over my mouth. “Excuse me?” he replies, brows raised. “Nothing.” “No, I think you had a question about my clothing?” he says, glancing down at his suit and then back to me. He takes a moment to run his eyes over my donut leggings before meeting my eyes. “I teach the second grade!” I protest, in defense. “I catch criminals,” he retorts. “What’s wrong with my suit?” “The federal government cannot be paying you enough to dress like James Bond.” “So you like the way I look,” he clarifies with a confident smirk. “Obviously,” I say, then catch myself and add a sarcastic, “Not,” to the end. What is wrong with me? Why am I behaving like a bitch? If I had any idea what I was doing with men I’d be doing it right now, not insulting him. I pause in front of Sophie’s door and turn to him. “Thank you for going along with me back there,” I say, referring to my fib to Everly about not having met him previously. “I love Everly, but she’s a little…” I trail off. “Nuts. The girl is nuts,” he says. “But it’s fine.

Jabril’s epicurean tongue rimmed at my anal receptacle before jabbing into my tunnel of love with abandon. His commanding lividity drove my tilting pelvis to receive slivers of his dripping saliva. He was preparing me for the feast of the gods. And I was delighted to suffice. Much like my Valet relishing the helmsman’s mightiness, Victor devoured the captain’s prowess with avid ferocity. Spittle of beaming wetness coated their organs. Tad led me above deck while the men followed suit. Pulling me atop a comfortable mattress, I straddled the athlete with aplomb, kissing his succulent mouth with wanton fervency. Quivers of euphoric rhapsody surged through my body when his tumid avidity eased into my passageway of forbidden love. His bouncing gyrations commingled with my lustful kisses brought our hankering spirits into a unified entity. Just as this newfound vivacity took hold, I felt another force in my core. This elevated double entry catapulted me into an uncharted and blissful realm. The captain and the champion tantalized my tightness with symmetrical cadences as we tangoed to the rhythm of the lapping waves. Tad’s provocative expertise, coalescing with Fahrib’s rousing mastery, hurled my frenzied soul to an intensified crescendo of erotic gratification. Rainbows of aesthetic enthusiasm flashed before me as Andy and Victor mirrored one another as the Levantine logerez himself onto their throbbing hardness simultaneously. He was at once in agony and ecstasy before his misshapen expression transformed into gleeful entrancement. Heaving sighs of euphoric relief, he accommodated both obelisks with pride.

Why is it that fancy hotels always locate the rooms that are supposed to be accessible to folks in wheelchairs and walkers at the end of the hall as far from the elevators as possible? And why is it those rooms are always the ones with the worst views?

Genesis, chapter eleven. We came down, into the plain of Shinar, and said, ‘Hot damn, let’s show off how clever we are!’ So we built ourselves a fine city, and put a bodacious skyscraper in the middle. And yea verily, we did the whole thing in mirrored glass, and installed high-speed elevators, and AC, and an underground garage with valet parking.

Sorcha took the elevator down to the basement of the fashion house. She glanced at her stunningly beautiful reflection in the mirror and smiled to herself. How fortunate she was to be a vampire - no gray hairs, no wrinkles, no broken nails, no weight problems, and no PMT. What bliss! And how fortunate it was that all the legends about vampires were not true. She could not imagine an existence where she could not see and admire her own likeness - such a life to her would be intolerable and tedious. How could any female, even a vampire, survive without being able to see their own reflection? How could they do their hair and makeup? The very idea was totally preposterous.

Can you see the entry?” “Yes.” “Watch.” “It’s only two o’clock. Will be hours before he come.” “Watch.” He expected her to fidget or try to make conversation, but she didn’t. She sat behind him, a second presence in the car, quiet and still, watching. They watched for an hour and ten minutes, silent, as people came and went around them, parking, backing out, pushing buggies filled high with groceries. Rina did not move or speak for the entire time, but then she suddenly pulled herself forward, and pointed past his chin. “That window on the top floor, on the side there away from the freeway. That was mine.” Then she settled back and said nothing more. Pike studied her in the rearview, but only for a moment. He didn’t want her to catch him staring. An hour and twenty minutes later, she abruptly pulled herself forward again. “That girl. She is one of the girls there. In the green.” A young woman in black spandex shorts and a lime green top came around the corner and went to the glass door. Her dark hair was pulled back into a sleek ponytail, and a large gym bag was slung over her shoulder. On her way back from the gym. She was lean and fit, but her breasts were too large to be natural. She looked very young. Rina said, “You see? I know this girl when they bring her here. They make her waitress, and then she dance.” “Stripper.” “Yes. And this.” The girl let herself into the lobby, then pushed a button for the elevator. Fifteen minutes later, Rina pulled forward again. “There. In the black car.” A black BMW convertible turned off Sepulveda and crept past the building as if looking for a parking place. The driver was a white male in his twenties with a thick neck and long, limp hair. He wore a white shirt with the sleeves rolled, a day-old beard, and mirrored sunglasses. Pike

A week later he was in Tokyo, his face reflected in an elevator’s gold-veined mirror for this three-floor ascent of the aggressively nondescript O My Golly Building. To be admitted to Death Cube K, apparently a Franz Kafka theme bar.

In the corridor the dying man had at last ceased his thrashing. Blood no longer spurted from his neck but simply oozed out onto the drenched carpet. Victor couldn’t help but admire the pattern of red on the wall above the corpse. The criss-crossed lines had a certain aesthetic quality that reminded him of a Jackson Pollock. Victor examined his reflection in the mirrored elevator walls and took a moment to straighten his appearance. In his current surroundings if he looked anything but presentable he would be noted. The elevator doors closed as a shrill scream echoed from the direction of the stairwell. Someone had just received something of a surprise. Victor guessed she wasn’t a great fan of Pollock’s work

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An acronym. Awfully Convenient Timing of Revelations,” Logan explained. “ACTOR.” Sinead continued to look at him blankly in the mirrored elevator door. “The whole, ‘Oh, I nearly forgot to mention!’ shite,” Logan explained. “I never buy it.

Never underestimate the power of your associations. By the phenomenon known as “emotional contagion” as well as through the activation of the mirror neurons in our brains, we model the behavior of the people we spend our days with. Fill your life with exceptionally excellent, enterprising, healthy, positive, ethical and sincerely loving people. And over time, you’ll exemplify these lofty traits. Allow dream stealers, energy thieves and enthusiasm bandits into your Tight Bubble of Total Focus and please know you’re sure to become like them. The real key is to avoid trouble creators. People who have grown up in an environment riddled with drama and non-stop problems will consciously and subconsciously re-create drama and nonstop problems because, as amazing as it seems, such conditions feel familiar, safe and like home to them. Stay away from all drama queens and negativity kings. If you don’t, sooner or later, they’ll dissolve your bigness and destroy your life. It’s just what they do. Relate peacefully, as much as possible, with everyone. Even one enemy is an enemy too many. Pass through life gracefully, taking the high road when conflict shows up. Should someone do you wrong, let karma do the dirty work. And let a world-class life be your revenge.

Your influence in the world mirrors the glory, nobility, vitality and luminosity you’ve accessed in yourself.

Of all the manifold things there were in all the world—trees, grass, flowers, telephones, radios, elevators—only TV constantly held up a mirror to its own neither solid nor fluid face.

I wrote this book between the spring of 2017 and the fall of 2018—a period during which American identity, culture, technology, politics, and discourse seemed to coalesce into an unbearable supernova of perpetually escalating conflict, a stretch of time when daily experience seemed both like a stopped elevator and an endless state-fair ride, when many of us regularly found ourselves thinking that everything had gotten as bad as we could possibly imagine, after which, of course, things always got worse.

Embrace Efficiency, Elevate Flavor: Smart Kitchen Tools for Culinary Adventurers The kitchen, once a realm of necessity, has morphed into a playground of possibility. Gone are the days of clunky appliances and tedious prep work. Enter the age of the smart kitchen tool, a revolution that whispers efficiency and shouts culinary liberation. For the modern gastronome, these tech-infused gadgets are not mere conveniences, but allies in crafting delectable adventures, freeing us to savor the journey as much as the destination. Imagine mornings when your smart coffee maker greets you with the perfect brew, prepped by the whispers of your phone while you dream. Your fridge, stocked like a digital oracle, suggests recipes based on its ever-evolving inventory, and even automatically orders groceries you've run low on. The multi-cooker, your multitasking superhero, whips up a gourmet chili while you conquer emails, and by dinnertime, your smart oven roasts a succulent chicken to golden perfection, its progress monitored remotely as you sip a glass of wine. But efficiency is merely the prologue. Smart kitchen tools unlock a pandora's box of culinary precision. Smart scales, meticulous to the milligram, banish recipe guesswork and ensure perfect balance in every dish. Food processors and blenders, armed with pre-programmed settings and self-cleaning prowess, transform tedious chopping into a mere blip on the culinary radar. And for the aspiring chef, a sous vide machine becomes a magic wand, coaxing impossible tenderness from the toughest cuts of meat. Yet, technology alone is not the recipe for culinary bliss. For those who yearn to paint with flavors, smart kitchen tools are the brushes on their canvas. A connected recipe platform becomes your digital sous chef, guiding you through each step with expert instructions and voice-activated ease. Spice racks, infused with artificial intelligence, suggest unexpected pairings, urging you to venture beyond the familiar. And for the ultimate expression of your inner master chef, a custom knife, forged from heirloom steel and lovingly honed, becomes an extension of your hand, slicing through ingredients with laser focus and lyrical grace. But amidst the symphony of gadgets and apps, let us not forget the heart of the kitchen: the human touch. Smart tools are not meant to replace our intuition but to augment it. They free us from the drudgery, allowing us to focus on the artistry, the love, the joy of creation. Imagine kneading dough, the rhythm of your hands mirroring the gentle whirring of a smart bread machine, then shaping a loaf that holds the warmth of both technology and your own spirit. Or picture yourself plating a dish, using smart portion scales for precision but garnishing with edible flowers chosen simply because they spark joy. This, my friends, is the symphony of the smart kitchen: a harmonious blend of tech and humanity, where efficiency becomes the brushstroke that illuminates the vibrant canvas of culinary passion. Of course, every adventure, even one fueled by smart tools, has its caveats. Interoperability between gadgets can be a tangled web, and data privacy concerns linger like unwanted guests. But these challenges are mere bumps on the culinary road, hurdles to be overcome by informed choices and responsible data management. After all, we wouldn't embark on a mountain trek without checking the weather, would we? So, embrace the smart kitchen, dear foodies! Let technology be your sous chef, your precision tool, your culinary muse. But never forget the magic of your own hands, the wisdom of your palate, and the joy of a meal shared with loved ones. For in the end, it's not about the gadgets, but the memories we create around them, the stories whispered over simmering pots, and the laughter echoing through a kitchen filled with the aroma of possibility.

Finding the right people for your team starts with a continual self-audit. Examine yourself in the mirror. Figure out who you are and who you aren’t. Then look at your friend group, the people who are around you all the time. Who’s building you up? Who’s bringing you down? The people in your circle, they’re either adding to you or subtracting from you. Maybe they’re helping to multiply your blessings. Or maybe they’re dividing you from things that are really important. To get the results you want in the MATHEMATICS OF LIFE, you’ve got to surround yourself with the right kind of folks.

Licorice tattoo turned a gun metal blue Scrawled across the shoulders of a dying town Took the one eyed-jacks across the railroad tracks And the scar on its belly pulled a stranger passing through He's a juvenile delinquent, never learned how to behave But the cops would never think to look in Burma-Shave And the road was like a ribbon and the moon was like a bone He didn't seem to be like any guy she'd ever known He kind of looked like Farley Granger with his hair slicked back She says, I'm a sucker for a fella in a cowboy hat How far are you going? Said depends on what you mean He says I'm only stopping here to get some gasoline I guess I'm going thataway just as long as it's paved And I guess you'd say I'm on my way to Burma Shave And with her knees up on the glove compartment She took out her barrettes and her hair spilled out like root beer And she popped her gum and arched her back Hell, Marysville ain't nothing but a wide spot in the road Some nights my heart pounds like thunder Don't know why it don't explode 'Cause everyone in this stinking town's got one foot in the grave And I'd rather take my chances out in Burma Shave Presley's what I go by, why don't you change the stations? Count the grain elevators in the rearview mirror She said mister, anywhere you point this thing It got to beat the hell out of the sting Of going to bed with every dream that dies here every mornin' And so drill me a hole with a barber pole And I'm jumping my parole just like a fugitive tonight Why don't you have another swig and pass that car if you're so brave I wanna get there before the sun comes up in Burma Shave And the spiderweb crack and the mustang screamed The smoke from the tires and the twisted machine Just a nickel's worth of dreams and every wishbone that they saved Lie swindled from them on the way to Burma Shave And the sun hit the derrick and cast a batwing shadow Up against the car door on the shotgun side And when they pulled her from the wreck You know she still had on her shades They say that dreams are growing wild Just this side Of Burma Shave

This troubles me not intellectually but spiritually. Spirituality ought not to be ethereal or insubstantial but pragmatic and active. The reason I feel optimistic in such a superficially gloomy and apocalyptic climate is I know that there are wonderful possibilities for our species that we are only just beginning to reconsider. When the physicist speaks of the expanding universe with atheistic wonder, he is feeling the same transcendent pull that Rumi describes: Do you know what you are? You are a manuscript of a divine letter. You are a mirror reflecting a noble face. This universe is not outside of you. Look inside yourself; everything that you want, you are already that. Rumi was a Sufi mystic, though I imagine if you don’t know who Rumi was, the addition of the definition “Sufi mystic” isn’t tremendously helpful. “Who is Alan Devonshire?” “He had a great left peg but dodgy knees.” “Oh. Thank you for clarifying.” The manifest world is telling us what to do, with increasingly obvious signals; we need only look at our codes. Symptoms are signals. We are becoming through technology increasingly adept at reading and responding to signals; alas, due to the perverse prevailing ideology, we are ignoring the most important messages. The people that currently have power are tuned in on the wrong side of Solzhenitsyn’s line, temporarily forgetting that they are divinely connected. Hence ecological meltdown. The obvious signals that we need to switch to different energy systems are being ignored because they’re watching another channel, where the moot, outdated signal of individualistic self-advancement is being bombastically broadcast. Now is the time to change channels. Where now can we feel this connection in our pre-packed and prescriptive lives? When are we supposed to have time amidst the deadening thud of our futile duties? “You’ll find God among the poor,” they say. Is that true anymore? Is the connection between poverty and divinity simply a panacea for the world’s destitute, an assurance that they’ll be rewarded in the hereafter? Or does a material deficit provide space for God? My love of God elevates the intention of this book beyond the dry and admirable establishment of collectivized communities. I am enraptured by the magnetic pull of evolution: What is this energy that heals the body and escalates one cell to two, that repairs and creates and calculates in harmony with environment, outside of time? Where is evolution trying to go? Evolutionary psychologists would likely say the imposition of an anthropocentric concept like “trying” or “intending” is naïve, but I’m not going to ask one, they get enough airtime, the killjoys. I remain uncharmed by the incessant rationalization that requires the spirit’s capitulation. The infusion of the scientific with the philosophical is materialism. The manifesto for our salvation is not in this sparse itinerary. This all encompassing realm, this consciousness beyond mind, cannot be captured with language any more than you can appreciate Caravaggio by licking the canvas or Mozart by sniffing the notes on a staff.

The road of sin always ends in despair instead of delight and in anger in place of awe, because you and I make tremendous children, but terrible compasses! God alone is our anchor. It is only when His Name, His Word, His Promise, and His Presence are elevated as our treasure that we will ever experience hope. The system of sin is built to get us to shift our gaze and to lose our days playing the game of shame, or entitlement, or both. And our enemy doesn’t care which way we minimize the Cross. He will gladly take us focusing on the mirror to bury ourselves in shame and regret, or to spend our lives comparing to and blaming everyone else. As long as we remain on the throne of our lives, it doesn’t matter which way we flip the coin.

her. I rode the elevator down to the foyer alone with the crowd of my mirror selves: beside and behind me, still and silent, not one of them was able to meet my eye.

Your influence in the world mirrors the glory, nobility, vitality and luminosity you’ve accessed in yourself. Very

I watch myself in the mirrored walls, veiled, slide down to sit on the floor and dial the reception planner. “Checking to make sure you’ve arranged a place card and seat for Simone.” “Yes,” she says. “I’ve put her with the table you’ve labeled ‘one-offs.’” “Perfect.” I hang up. The doors slide open. The concierge’s voice trails me out of the elevator. “I’ve heard it’s good luck to say a rosary on the morning of your wedding. I have one at my desk if you…” Minutes down the tree-lined road, the groom is being mimosa-toasted in his aunt Henshaw’s home. The cake is in the shape of the lake. In the morning we’ll return to the city. Alone in the room, I switch the channel to a newscast and slide under the folded coverlet. From the shelf of sleep, I hear local news stories. Henrietta has opened a store during an unfriendly economic climate. Despite everyone’s predictions, she is doing well. In global news, in towns around the world, people prepare for different holidays amid varied architecture.

wrote this book between the spring of 2017 and the fall of 2018—a period during which American identity, culture, technology, politics, and discourse seemed to coalesce into an unbearable supernova of perpetually escalating conflict, a stretch of time when daily experience seemed both like a stopped elevator and an endless state-fair ride, when many of us regularly found ourselves thinking that everything had gotten as bad as we could possibly imagine, after which, of course, things always got worse.

Nothing resembles itself, and holographic reproduction, like all fantasies of the exact synthesis or resurrection of the real (this also goes for scientific experimentation), is already no longer real, is already hyperreal. It thus never has reproductive (truth) value, but always already simulation value . . . Singular and murderous power of the potentialization of the truth, of the potentialization of the real. This is perhaps why twins were deified, and sacrificed, in a more savage culture: hypersimilitude was equivalent to the murder of the original, and thus to a pure non-meaning. Any classification or signification, any modality of meaning can thus be destroyed simply by logically being elevated to the nth power - pushed to its limit, it is as if all truth swallowed its own criteria of truth as one "swallows one's birth certificate" and lost all its meaning. Thus the weight of the world, or the universe, can eventually be calculated in exact terms, but initially it appears absurd, because it no longer has a reference, or a mirror in which it can come to be reflected - this totalization, which is practically equivalent to that of all the dimensions of the real in its hyperreal double, or to that of all the information on an individual in his genetic double (clone), renders it immediately pataphysical.

Inside the Great Wall Sheraton Hotel, amber and crystal lights cascaded down seven stories to an atrium. Between two giant columns, glass elevators were rising like bright lanterns toward the ceiling. On the marble floor cool as a mirror, a jazz band was playing. Casually dressed tourists and businessmen in dark suits sipped cocktails in lounge chairs.

So, there was this beautiful princess. She was locked in a high tower, one whose smart walls had clever holes in them that could give her anything: food, a clique of fantastic friends, wonderful clothes. And, best of all, there was this mirror on the wall, so that the princess could look at her beautiful self all day long. The only problem with the tower was that there was no way out. The builders had forgotten to put in an elevator, or even a set of stairs. She was stuck up there. One day, the princess realized that she was bored. The view from the tower—gentle hills, fields of white flowers, and a deep, dark forest—fascinated her. She started spending more time looking out the window than at her own reflection, as is often the case with troublesome girls. And it was pretty clear that no prince was showing up, or at least that he was really late. So the only thing was to jump.

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The Nephilim are a mirror of who we are as predators in this world. The Nephilim thirsted for the life which was in the blood, which enhances and elevates the predator to greater levels of insight and power. The cults of Yahweh condemned the draining of life force, or the symbolic blood as it also caused the brain by the way of red meat, to develop and grow. If humans were to grow intelligent, they would have no need of Yahweh or the monotheistic religions keeping the mind in chains. To drink the blood is symbolic of devouring and dominating life which exists outside the self. In Hebrew law according to Yahweh, drinking the blood was an evil taboo, forbidden to anyone. The symbolism of blood-drinking to the ancient Hebrews was the substance in which the spirit or soul existed, to devour it is to consume the spirit. During the Roman period, the legend of Jesus depicts his symbolic instructions for his followers to drink his blood and eat his flesh, something the Nephilim were damned for earlier. The path of the Luciferian is one created by the selfdetermination and Daemonic inspiration as a unique expression of the Adversarial Current. The Nephilim are both Vampyric and Cannibalistic in the symbolic sense of dominating and over-mastering their rivals or prey. This is the core of a god or demon, the very foundation of philosophy inherent in the Luciferian’s core being. Luciferians in the lore and symbol of the Nephilim, seek to balance the predatory instinct with a guided, creative and beneficial discipline in life.

HECATE TRIMORPHIS Antiquity provides the inspired Witch or Warlock with a vast body of knowledge concerning one of the most ancient, revered and feared deity known as Hecate. From ancient Greek and Greco-Roman myth, religion and magick traditions and her many epithets and masks, the Triple Goddess is incarnated in various forms and names in Celtic, Norse, Germanic, Thracian, Scythian and the Hellenistic world through the Christian period. The lore and wisdom of the circle reveals that the feminine and masculine powers which embody the Lord and Lady of the Sabbat are of equal quality. To be awakened as Baphomet – Cain, the Luciferian must attain a beginning of balance between Samael and Lilith. Be it known, these are Names of Power and there are numerous types of Deific Power within the elements and this world of flesh and spirit. Lilith is one mask of the goddess, representing a type of manifestation of that power. The goddess Hecate is another equally terrible and beautiful Deific Mask which is a foundation for the Luciferian Path. Hecate tests, challenges and reveals the complete circle of Above and Below. The Left-Hand Path is one of the Crooked Serpent; the Leviathanic-dragon which emerges from the deepest darkness, coiling upward to be Crowned in the Emerald and Amethyst brilliance of the sun. In this is found metaphor and knowledge, mark well the keys to your Apotheosis upon this path. You will not bow before another; all symbols and powers are incarnated in your flesh and spirit. To join the gods in the Sabbatic Circle of the Dream is to bring under your power the spirits of ancient forces which will be consumed in the diabolic ecstasies of nocturnal flight. Hecate has many faces, names and forms. To understand this great power, we must know her names and the whispers often too soft for the uninitiated to hear. In the Chaldean Oracles, Neoplatonism elevates Hecate to a goddess who has numerous incarnations and a wide authority of power. In the Oracles, Hecate is the Queen of Daimons; she personifies powers of matter and nature. The Chaldean Hecate reflects as a mirror the nature of the soul embodied in matter; she equals in approach the internal condition of the soul and matter. There are several traditions and variations of the Names of Power and Deific Masks Hecate assumes as a Triad, I have listed three examples. HECATE TRIODOTIS (of the Crossroads or Three-ways) Phoibie – Holds a key in her right hand and a blazing torch in her left hand. Dione – Holds a whip in her right hand and a burning torch in her left hand. Nychie – Holds a serpent in her right hand and dagger in her left hand. A second example of the Triad: HECATE TRIMORPHIS (Three-formed) Luna Lucifera (the Moon) in Heaven Diana Artemis on Earth, Hecate Phosphoros (Bringer of Light, Carrier of the Torch, the Morning Star) Hecate Chthonia (of the Underworld)

I just don’t want you to be frightened, he continued, and it was clear to any American girl that he wanted me to be frightened. I just don’t want you to be upset. I’d never let anyone upset you. I’d never let a woman that I—any woman that I know be humiliated like that, he said, and he was watching me earnestly in the elevator mirror, hoping I would be humiliated like that.