“
One believes things because one has been conditioned to believe them.
”
”
Aldous Huxley (Brave New World)
“
Why does the brave druskelle Matthias Helvar eat no meat? 'Tis a sad story indeed, my child. His teeth were winnowed away by a vexatious Grisha, and now he can eat only pudding.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Let the people talk, let people doubt, and let
people question you, but never allow yourself to quit walking your path. Their path is their own and the path you walk is that of your own. Sweet child of mine, be the brave child of mine.
”
”
Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
“
How dreadful are the curses which Mohammedanism lays on its votaries! Besides the fanatical frenzy, which is as dangerous in a man as hydrophobia in a dog, there is this fearful fatalistic apathy. The effects are apparent in many countries. Improvident habits, slovenly systems of agriculture, sluggish methods of commerce, and insecurity of property exist wherever the followers of the Prophet rule or live. A degraded sensualism deprives this life of its grace and refinement; the next of its dignity and sanctity. The fact that in Mohammedan law every woman must belong to some man as his absolute property – either as a child, a wife, or a concubine – must delay the final extinction of slavery until the faith of Islam has ceased to be a great power among men. Thousands become the brave and loyal soldiers of the faith: all know how to die but the influence of the religion paralyses the social development of those who follow it. No stronger retrograde force exists in the world. Far from being moribund, Mohammedanism is a militant and proselytizing faith. It has already spread throughout Central Africa, raising fearless warriors at every step; and were it not that Christianity is sheltered in the strong arms of science, the science against which it had vainly struggled, the civilisation of modern Europe might fall, as fell the civilisation of ancient Rome.
”
”
Winston S. Churchill (The River War)
“
I can’t cry so I have to laugh.
”
”
Maria Nhambu (Africa's Child (Dancing Soul Trilogy, #1))
“
Stay wild, moon child."
I will shine my full silver light on your path, Moon child. Trust your intuition and follow your dreams. When I go dark, go within and tend to yourself, set your goals and release what no longer serves. When I come out of the shadow Moon child, go, be brave, and to yourself stay wild and true.
”
”
Riitta Klint
“
But I was young
and didn’t know better
and someone should have told me to capture every second
every kiss & every night
Because now I’m sitting here alone and it’s getting really hard to breath because tears are growing in my throat and they want to break out, but there are people
watching
and I just want to be somewhere silent
somewhere still
But still I don’t want to be alone because I’m scared and lonely
and I don’t understand
Because I was alone my whole life
My whole life
I was so damn lonely and I was content with that
because I liked myself and my own company
and I didn’t need anyone
I thought
But then there was you .. ...
So, someone should have told me that love is for those few brave who can handle the unbearable emptiness,
the unbearable guilt and lack of oneself,
Because I lost myself to someone I love
and I might get myself back one day
but it will take time, it will take time.
This is gonna take some time.
I wish someone would have told me this.
Someone should have told me this.
”
”
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
“
You have listened to fears, Child,' said Aslan. 'Come, let me breathe on you. Forget them. Are you brave again?
”
”
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
“
But what good is it to teach a child to count, if you don't show him that he counts for something?
”
”
Chris Cleave (Everyone Brave Is Forgiven)
“
Keep thinking back about what Mum said about being real and the Velveteen Rabbit book (though frankly have had enough trouble with rabbits in this particular house). My favorite book, she claims of which I have no memory was about how little kids get one toy that they love more than all the others, and even when its fur has been rubbed off, and it's gone saggy with bits missing, the little child still thinks it's the most beautiful toy in the world, and can't bear to be parted from it.
That's how it works, when people really love each other, Mum whispered on the way out in the Debenhams lift, as if she was confessing some hideous and embarrassing secret. But, the thing is, darling, it doesn't happen to ones who have sharp edges, or break if they get dropped, or ones made of silly synthetic stuff that doesn't last. You have to be brave and let the other person know who you are and what you feel.
”
”
Helen Fielding (Bridget Jones: The Edge of Reason (Bridget Jones, #2))
“
Sharpen your Claws against wrong doing, against human suffering. Have Ears like Owls, HEAR what your child isn't telling you. Have Eyes like a Hawk, so that you might SEE all that passes before you. Be Brave like a Bear and have the Courage of a Mother Lion to SAVE our young.
”
”
Theresa L. Flores (The Sacred Bath: An American Teen's Story of Modern Day Slavery)
“
Watch over our child. Guide him safely from the ways of harm.
Keep happy his heart, brave his soul, and rosy his cheeks.
Guard with your life his hopes and dreams,
for he is all that we have, all that we are,
and all that we will ever be.
”
”
William Joyce (The Man in the Moon (Guardians of Childhood, #1))
“
She awaits the rain like a writer embraces metaphors,
A drizzle isn't for the child who dances in the storm.
Of rain that washes away the petrichor it brings,
A downpour of a hail of bullets, and she calls it spring.
”
”
Sanhita Baruah (The Farewell and other poems)
“
I think I’m learning
that sometimes the bravest thing is not to face the world,
but to turn away from it.
”
”
Charlotte Eriksson
“
So instead of teaching Chizalum to be likeable, teach her to be honest. And kind. And brave. Encourage her to speak her mind, to say what she really thinks, to speak truthfully. And then praise her when she does. Praise her especially when she takes a stand that is difficult or unpopular because it happens to be her honest position. Tell her that kindness matters. Praise her when she is kind to other people. But teach her that her kindness must never be taken for granted. Tell her that she, too, deserves the kindness of others. Teach her to stand up for what is hers. If another child takes her toy without her permission, ask her to take it back, because her consent is important. Tell her that if anything ever makes her uncomfortable, to speak up, to say it, to shout.
”
”
Chimamanda Ngozi Adichie (Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions)
“
But I had to meet you in the end . . . eleven years old, and you were so brave. So good. You walked uncomplainingly along the path that had been laid at your feet. Of course I loved you . . . and I knew that it would happen all over again . . . that where I loved, I would cause irreparable damage. I am no fit person to love . . . I have never loved without causing harm. A
”
”
J.K. Rowling (Harry Potter and the Cursed Child (Harry Potter, #8))
“
Women are as brave as any man. They save their own without a second thought. But that's love isn't it? Loyalty. Women never give up, not when it's someone they love. Many a child wouldn't be here if they did.
”
”
Ann Perry
“
If I may ride with you, Citizen Evremonde, will you let me hold your hand? I am not afraid, but I am little and weak, and it will give me more courage." As the patient eyes were lifted to his face, he saw a sudden doubt in them, and then astonishment. He pressed the work-worn, hunger-worn young fingers, and touched his lips.
"Are you dying for him?" she whispered.
"And his wife and child. Hush! Yes."
"Oh, you will let me hold your brave hand, stranger?"
"Hush! Yes, my poor sister; to the last.
”
”
Charles Dickens (A Tale of Two Cities)
“
Like the most of you, I was raised among people who knew - who were certain. They did not reason or investigate. They had no doubts. They knew that they had the truth. In their creed there was no guess — no perhaps. They had a revelation from God. They knew the beginning of things. They knew that God commenced to create one Monday morning, four thousand and four years before Christ. They knew that in the eternity — back of that morning, he had done nothing. They knew that it took him six days to make the earth — all plants, all animals, all life, and all the globes that wheel in space. They knew exactly what he did each day and when he rested. They knew the origin, the cause of evil, of all crime, of all disease and death.
At the same time they knew that God created man in his own image and was perfectly satisfied with his work... They knew all about the Flood -- knew that God, with the exception of eight, drowned all his children -- the old and young -- the bowed patriarch and the dimpled babe -- the young man and the merry maiden -- the loving mother and the laughing child -- because his mercy endureth forever. They knew too, that he drowned the beasts and birds -- everything that walked or crawled or flew -- because his loving kindness is over all his works. They knew that God, for the purpose of civilizing his children, had devoured some with earthquakes, destroyed some with storms of fire, killed some with his lightnings, millions with famine, with pestilence, and sacrificed countless thousands upon the fields of war. They knew that it was necessary to believe these things and to love God. They knew that there could be no salvation except by faith, and through the atoning blood of Jesus Christ.
Then I asked myself the question: Is there a supernatural power -- an arbitrary mind -- an enthroned God -- a supreme will that sways the tides and currents of the world -- to which all causes bow?
I do not deny. I do not know - but I do not believe. I believe that the natural is supreme - that from the infinite chain no link can be lost or broken — that there is no supernatural power that can answer prayer - no power that worship can persuade or change — no power that cares for man.
Is there a God?
I do not know.
Is man immortal?
I do not know.
One thing I do know, and that is, that neither hope, nor fear, belief, nor denial, can change the fact. It is as it is, and it will be as it must be.
We can be as honest as we are ignorant. If we are, when asked what is beyond the horizon of the known, we must say that we do not know. We can tell the truth, and we can enjoy the blessed freedom that the brave have won. We can destroy the monsters of superstition, the hissing snakes of ignorance and fear. We can drive from our minds the frightful things that tear and wound with beak and fang. We can civilize our fellow-men. We can fill our lives with generous deeds, with loving words, with art and song, and all the ecstasies of love. We can flood our years with sunshine — with the divine climate of kindness, and we can drain to the last drop the golden cup of joy.
”
”
Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol 1: Lectures)
“
When you're young you believe that love is infatuation, but infatuation is simple, any child can become infatuated, fall in love. But real love? Love is a job for an adult. Love demands a whole person, all the best of you, all the worst. It has nothing to do with romance, because the hard part of a marriage isn't that I have to live seeing all your faults, but that you have to live with me seeing them. That I know everything about you now. Most people aren't brave enough to live without secrets. Everyone dreams about being invisible sometimes, no one dreams of being transparent.
Marriage? There ought to be a different word for it after a while. Because there's no such thing as 'eternal infatuation,' only love lasts that long, and it's never simple. It requires a whole person, everything you have. The whole lot.
”
”
Fredrik Backman (The Winners (Beartown, #3))
“
Vesna Esta Holicia, until you shine again, into vision, into the real world. Though a child of man knows time, life itself is eternal.
”
”
Miyuki Miyabe (Brave Story)
“
But only be good, dear, only be brave, only be kind and true always, and then you will never hurt any one, so long as you live, and you may help many, and the big world may be better because my little child was born. And that is best of all, Ceddie, — it is better than everything else, that the world should be a little better because a man has lived — even ever so little better, dearest.
”
”
Frances Hodgson Burnett (Little Lord Fauntleroy)
“
Everything has changed. Because one upon a time I was just a child. Today I'm still a child, but this time I've got an iron will and 2 fists made of steel and I've aged 50 years. Now I finally have a clue. I've finally figured out that I'm strong enough, that maybe I'm a touch brave enough, that maybe this time I can do what I was meant to do.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Are you dying for him?" she whispered. "And his wife and child. Hush! Yes." "O you will let me hold your brave hand, stranger?" "Hush! Yes, my poor sister; to the last.
”
”
Charles Dickens (A Tale of Two Cities)
“
It's a matter of honor, death. It's your white page, do you see? Or your shame. Either you're worthy of it or you ain't. To accept it, to face it with honor and respect and goodwill, to earn it, that is to be brave.
”
”
N. Scott Momaday (The Ancient Child)
“
But if you knew that, why on earth did you marry her?" Rosemary asked.
"Why?" Rhett's mouth twisted in a smile.
"Because she was so full of fire and so recklessly, stubbornly brave.Because she was such a child beneath all her pretenses.Because she was unlike any woman I had ever known. She fascinated
me,infuriated me, drove me mad. I loved her as consumingly as she loved him. From the day I first laid eyes on her. It was a kind of disease."
There was a weight of sorrow in his voice. He bowed his head into his two hands and laughed shakily. His voice was muffled and blurred by his fingers. "What a grotesque practical joke life is. Now Ashley Wilkes is a free man and would marry Scarlett on a moment's notice, and I want to be rid of her. Naturally that makes her determined to have me. She wants only what she cannot have."
Rhett raised his head. "I'm afraid," he said quietly, "afraid that it will all begin again. I know that she's heartless and completely selfish, that she's like a child who cries for a toy and then breaks it once she has it. But there are moments when she tilts her head at a certain angle, or she smiles that gleeful smile, or she suddenly looks lost-and I come close to forgetting what I know.
”
”
Alexandra Ripley (Scarlett)
“
I'm an alien in my own world, a writer without words, a musician without a piano, a magician without a wand. I am fooled by infinite words that rush in my blood, yet imprisoned by the very thoughts of silence. I'm a gray green fallow leaf on trees and abandoned on the streets, a never-ending spring season and an eternal autumn. I'm the golden of the sun and the silver of the moon, the fog of dawn and the amber of dusk. I'm the white and the red flag , the obedient and the rebel. I am the coward in the brave, and the child in the man. I am, but a writer.
”
”
Nema Al-Araby (Remnants and Ashes)
“
I am the child I once was, and the adult I am today. I am all of my good points, and each of my bad. I am brave but afraid, healed but damaged, strong but helpless. I am everything I have admitted and all that I have denied. The person that I am right now in this moment is the product of every- thing I have ever been; the truth, the lies and everything in between.
”
”
Maria Goodin (From the Kitchen of Half Truth)
“
It is the fate of great achievements, born from a way of life that sets truth before security, to be gobbled up by you and excreted in the form of shit. For centuries great, brave, lonely men have been telling you what to do. Time and again you have corrupted, diminished and demolished their teachings; time and again you have been captivated by their weakest points, taken not the great truth, but some trifling error as your guiding principal. This, little man, is what you have done with Christianity, with the doctrine of sovereign people, with socialism, with everything you touch. Why, you ask, do you do this? I don't believe you really want an answer. When you hear the truth you'll cry bloody murder, or commit it. … You had your choice between soaring to superhuman heights with Nietzsche and sinking into subhuman depths with Hitler. You shouted Heil! Heil! and chose the subhuman. You had the choice between Lenin's truly democratic constitution and Stalin's dictatorship. You chose Stalin's dictatorship. You had your choice between Freud's elucidation of the sexual core of your psychic disorders and his theory of cultural adaptation. You dropped the theory of sexuality and chose his theory of cultural adaptation, which left you hanging in mid-air. You had your choice between Jesus and his majestic simplicity and Paul with his celibacy for priests and life-long compulsory marriage for yourself. You chose the celibacy and compulsory marriage and forgot the simplicity of Jesus' mother, who bore her child for love and love alone. You had your choice between Marx's insight into the productivity of your living labor power, which alone creates the value of commodities and the idea of the state. You forgot the living energy of your labor and chose the idea of the state. In the French Revolution, you had your choice between the cruel Robespierre and the great Danton. You chose cruelty and sent greatness and goodness to the guillotine. In Germany you had your choice between Goring and Himmler on the one hand and Liebknecht, Landau, and Muhsam on the other. You made Himmler your police chief and murdered your great friends. You had your choice between Julius Streicher and Walter Rathenau. You murdered Rathenau. You had your choice between Lodge and Wilson. You murdered Wilson. You had your choice between the cruel Inquisition and Galileo's truth. You tortured and humiliated the great Galileo, from whose inventions you are still benefiting, and now, in the twentieth century, you have brought the methods of the Inquisition to a new flowering. … Every one of your acts of smallness and meanness throws light on the boundless wretchedness of the human animal. 'Why so tragic?' you ask. 'Do you feel responsible for all evil?' With remarks like that you condemn yourself. If, little man among millions, you were to shoulder the barest fraction of your responsibility, the world would be a very different place. Your great friends wouldn't perish, struck down by your smallness.
”
”
Wilhelm Reich (Listen, Little Man!)
“
The Quitter
When you're lost in the Wild, and you're scared as a child,
And Death looks you bang in the eye,
And you're sore as a boil, it's according to Hoyle
To cock your revolver and . . . die.
But the Code of a Man says: "Fight all you can,"
And self-dissolution is barred.
In hunger and woe, oh, it's easy to blow...
It's the hell-served-for-breakfast that's hard.
"You're sick of the game!" Well, now, that's a shame.
You're young and you're brave and you're bright.
"You've had a raw deal!" I know — but don't squeal,
Buck up, do your damnedest, and fight.
It's the plugging away that will win you the day,
So don't be a piker, old pard!
Just draw on your grit; it's so easy to quit:
It's the keeping-your-chin-up that's hard.
It's easy to cry that you're beaten — and die;
It's easy to crawfish and crawl;
But to fight and to fight when hope's out of sight —
Why, that's the best game of them all!
And though you come out of each gruelling bout,
All broken and beaten and scarred,
Just have one more try — it's dead easy to die,
It's the keeping-on-living that's hard.
”
”
Robert W. Service (Rhymes of a Rolling Stone)
“
A brave woman is one who stands up when she hears gunshots. She doesn’t dive under the desk.
”
”
Lee Child (Jack Reacher's Rules)
“
You must miss your father terribly, I know. Lord Eddard was a brave man, honest and loyal...but quite a hopeless player.' He brought the seed to his mouth with the knife. 'In King's Landing, there are two sorts of people The players and the pieces.'
'And I was a piece?' She dreaded the answer.
'Yes, but don't let that trouble you. You're still half a child. Every man's a piece to start with, and every maid as well. Even some who think they are players.' He at another seed. 'Cersei, for one. She thinks herself sly, but in truth she is utterly predictable. her strength rests on her beauty, birth, and riches. Only the first of those is truly her own, and it will soon desert her. I pity her then. She wants power, but has no notion what to do with it when she gets it. Everyone wants something, Alayne. And when you know what a man wants you know who he is, and how to move him.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
To be a seed in a world, is to remain safe almost unharmed living within a shell to protect you from the exterior world, what a risk it was to chose to bud and prosper into a little sprout unaware of what you will become, yet fearlessly ready to trust the process along the way.
”
”
Nikki Rowe
“
It was my teacher's genius, her quick sympathy, her loving tact
which made the first years of my education so beautiful. It was
because she seized the right moment to impart knowledge that made
it so pleasant and acceptable to me. She realized that a child's
mind is like a shallow brook which ripples and dances merrily
over the stony course of its education and reflects here a
flower, there a bush, yonder a fleecy cloud; and she attempted to
guide my mind on its way, knowing that like a brook it should be
fed by mountain streams and hidden springs, until it broadened
out into a deep river, capable of reflecting in its placid
surface, billowy hills, the luminous shadows of trees and the
blue heavens, as well as the sweet face of a little flower.
Any teacher can take a child to the classroom, but not every
teacher can make him learn. He will not work joyously unless he
feels that liberty is his, whether he is busy or at rest; he must
feel the flush of victory and the heart-sinking of disappointment
before he takes with a will the tasks distasteful to him and
resolves to dance his way bravely through a dull routine of
textbooks.
My teacher is so near to me that I scarcely think of myself apart
from her. How much of my delight in all beautiful things is
innate, and how much is due to her influence, I can never tell. I
feel that her being is inseparable from my own, and that the
footsteps of my life are in hers. All the best of me belongs to
her--there is not a talent, or an aspiration or a joy in me that
has not been awakened by her loving touch.
”
”
Helen Keller (The Story of My Life: With Her Letters (1887 1901) and a Supplementary Account of Her Education Including Passages from the Reports and Letters of Her Teacher Anne Mansfield Sullivan by John Albert Macy)
“
If you want to breed something, breed bravehearts, not soulless racehorses.
”
”
Abhijit Naskar
“
Gradually, she realizes how she is forced to look for distraction when she is moved, upset, or sad. (When a six-year-old’s mother died, his aunt told him: “You must be brave; don’t cry;
”
”
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
“
Bravely, I broke the silence. I boldly shared the truth. I empowered myself to create healthy boundaries. I became a badass. I no longer tolerated being shamed, blamed, and manipulated.
”
”
Dana Arcuri (Soul Cry: Releasing & Healing the Wounds of Trauma)
“
Daughter of Merrow, leave your sleep,
The ways of childhood no more to keep.
The dream will die, a nightmare rise,
Sleep no more, child, open your eyes...
Daughter of Merrow, chosen one,
The end begins, your time has come.
The sands run out, our spell unwinds,
Inch by inch, our chant unbinds...
Daughter of Merrow, find the five
Brave enough to keep hope alive.
One whose heart will hold the light,
One possessed of a prophet’s sight.
One who does not yet believe,
Thus has no choice but to deceive.
One with spirit sure and strong,
One who sings all creatures’ songs.
Together find the talismans
Belonging to the six who ruled,
Hidden under treacherous waters
After light and darkness dueled.
These pieces must not be united,
Not in anger, greed, or rage.
They were scattered by brave Merrow,
Lest they unlock destruction’s cage.
Come to us from seas and rivers,
Become one mind, one heart, one bond.
Before the waters, and all creatures in them,
Are laid to waste by Abbadon!
”
”
Jennifer Donnelly (Deep Blue (Waterfire Saga, #1))
“
Courage is resistance to fear, mastery of fear-not absence of fear. Except a creature be part coward it is not a compliment to say it is brave; it is merely a loose misapplication of the word. Consider the flea!-Incomparably the bravest of all the creatures of God, if ignorance of fear were courage. Whether you are asleep or awake he will attack you, caring nothing for the fact that in bulk and strength you are to him as are the massed armies of the earth to a sucking child; he lives both day and night and all days and nights in the very lap of peril and the immediate presence of death, and yet is no more afraid than is the man who walks the streets of a city that was threatened by an earthquake ten centuries before. When we speak of Clive, Nelson, and Putnam as men who "didn't know what fear was," we ought always to add the flea-and put him at the head of the procession.
”
”
Mark Twain
“
Obedient to no man, dependent only on weather and season, without a goal before them or a roof above them, owning nothing, open to every whim of fate, the homeless wanderers lead their childlike, brave, shabby existence. They are the sons of Adam, who was driven out of Paradise; the brothers of the animals, of innocence. Out of heaven's hand they accept what is given them from moment to moment: sun, rain, fog, snow, warmth, cold, comfort, and hardship; time does not exist for them and neither does history, or ambition, or that bizarre idol called progress and evolution, in which houseowners believe so desperately. A wayfarer may be delicate or crude, artful or awkward, brave or cowardly—he is always a child at heart, living in the first day of creation, before the beginning of the history of the world, his life always guided by a few simple instincts and needs. He may be intelligent or stupid; he may be deeply aware of the fleeting fragility of all living things, of how pettily and fearfully each living creature carries its bit of warm blood through the glaciers of cosmic space, or he may merely follow the commands of his poor stomach with childlike greed—he is always the opponent, the deadly enemy of the established proprietor, who hates him, despises him, or fears him, because he does not wish to be reminded that all existence is transitory, that life is constantly wilting, that merciless icy death fills the cosmos all around.
”
”
Hermann Hesse (Narcissus and Goldmund)
“
...Child, do you know where trult great courage comes from, the kind of courage that will never back down?'
I said, "Faith."
"And love," she said. "faith is a kind of love you know. Love of what is unseen but certain. Love makes us strong and brave.
”
”
Dean Koontz (Deeply Odd (Odd Thomas, #6))
“
Evil is not one large entity, but a collection of countless, small depravities brought up from the muck by petty men. Many have traded the enrichment of vision for a gray fog of mediocrity--the fertile inspiration of striving and growth, for mindless stagnation and slow decay--the brave new ground of the attempt, for the timid quagmire of apathy. Many of you have traded freedom not even for a bowl of soup, but worse, for the spoken empty feelings of others who say that you deserve to have a full bowl of soup provided by someone else. Happiness, joy, accomplishment, achievement . . . are not finite commodities, to be divided up. Is a child’s laughter to be divided and allotted? No! Simply make more laughter! Every person’s life is theirs by right. An individual’s life can and must belong only to himself, not to any society or community, or he is then but a slave. No one can deny another person their right to their life, nor seize by force what is produced by someone else, because that is stealing their means to sustain their life. It is treason against mankind to hold a knife to a man’s throat and dictate how he must live his life. No society can be more important than the individuals who compose it, or else you ascribe supreme importance, not to man, but to any notion that strikes the fancy of the society, at a never-ending cost of lives. Reason and reality are the only means to just laws; mindless wishes, if given sovereignty, become deadly masters. Surrendering reason to faith in unreasonable men sanctions their use of force to enslave you--to murder you. You have the power to decide how you will live your life. Those mean, unreasonable little men are but cockroaches, if you say they are. They have no power to control you but that which you grant them!
”
”
Terry Goodkind (Faith of the Fallen (Sword of Truth, #6))
“
Children are the most fearless souls on earth.
”
”
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
“
It's possible to be afraid and brave at the same time.
”
”
Vicki A. King (Kingdom of the Green Glass Straw (Child from Another Time and Place, #1))
“
It’s one of the secrets of strength: We’re so much more likely to find it in the service of others than we are to find it in service to ourselves. We have no idea why this is. It’s not just the mother who lifts the car to free her child, or the guy who shields his girlfriend when the gunman starts to fire. Those are extremes, brave extremes, which life rarely calls on us to offer. No, it is the less extreme strength—a strength that is not so much situational as it is constitutional—that we will find in order to give. How often did we see this, as we were dying? How many soft-spoken lovers turned into fierce watchdogs over our care? How many reticent parents shed that reticence to be there with us? Not all. Certainly, not everyone showed strength. Some supposedly strong people in our lives showed that their strength was actually made of straw. But so many held us up in ways they would not have held themselves. They saw us through, even as their worlds crumbled through their fingers. They kept fighting, even after we were gone. Or especially because we were gone. They kept fighting for us.
”
”
David Levithan (Two Boys Kissing)
“
Here was the remainder of ten thousand educations, the bones drifted down to this depth. It was the fossil of one's country. She ached, because the war had cut the thin cord that bound each child to its ancestors with links made from cross-stitch and calligraphy.
”
”
Chris Cleave (Everyone Brave Is Forgiven)
“
If I were you,” Tom said, “I should stick to reading, writing and arithmetic.” “But what good is it to teach a child to count, if you don’t show him that he counts for something?” Tom held up his hands. “I’m sorry, you’re losing me.” Mary exhaled smoke. “Possibly I am.
”
”
Chris Cleave (Everyone Brave is Forgiven)
“
The counselor briefed Jennifer as soon as she arrived. He told her about the altercation, the punch, and the offensive language and behavior that sent Jake into hysterics. She demonstrated a brave front but was dying inside. How much pain must my boys endure? Is this how it is going to be from now on? Will we have to transfer to a different school?
”
”
Mark M. Bello (Betrayal of Faith (Zachary Blake Legal Thriller, #1))
“
You can live for a long time inside the shell you were born in. But one day it'll become too small."
"Then what?" I ask.
"Well, then you'll have to find a larger shell to live in."
I consider this for a moment. "What if it's too small but you still want to live there?"
She sighs. "Gracious, child, what a question. I suppose you'll either have to be brave and find a new home or you'll have to live inside a broken shell.
”
”
Christina Baker Kline (A Piece of the World)
“
She has never liked sleeping alone. Even as a small child, she would steel herself to brave the black soup of the room as far as her brother’s bed, creeping in beside him. And he, who when awake would rather fight than talk, would put his arms around her and stroke her hair until their warmness mingled and she fell asleep.
”
”
Sarah Dunant (Blood & Beauty: The Borgias)
“
Naturally all of them had a sad story: too much notice, not enough, or the worst kind. Some tale about dragon daddies and false-hearted men, or mean mamas and friends who did them wrong. Each story has a monster in it who made them tough instead of brave, so they open their legs rather than their hearts where that folded child is tucked.
”
”
Toni Morrison
“
When my childhood began coming back to me, I went off the rails for a bit. I became what you could charitably call "colorful." After a year or so of disgrace, I remembered that I was thirty-odd years old, no longer a child, that I had a calling of a kind, and I began to heal. Either childhood is a lot more painful the second time around, or it's just less bearable. None of us are as strong or as brave as the children we used to be.
”
”
Peter Straub (The Throat)
“
I have a folder that’s labeled “The Folder of 24.” Inside it are letters from twenty-four people who were actively in the process of planning their suicide, but who stopped and got help—not because of what I wrote on my blog, but because of the amazing response from the community of people who read it and said, “Me too.” They were saved by the people who wrote about losing their mother or father or child to suicide and how they’d do anything to go back and convince them not to believe the lies mental illness tells you. They were saved by the people who offered up encouragement and songs and lyrics and poems and talismans and mantras that worked for them and that might work for a stranger in need. There are twenty-four people alive today who are still here because people were brave enough to talk about their struggles, or compassionate enough to convince others of their worth, or who simply said, “I don’t understand your illness, but I know that the world is better with you in it.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Be courageous, not brave. Bravery was to dash out of the bomb shelter and grab the child left crying on the veranda. Courage was to go to the stream the day after a bomb had scattered your friend on that path because water must be fetched to sustain the life that was left.
”
”
Chibundu Onuzo (Welcome to Lagos)
“
If you have read this far in the chronicle of the Baudelaire orphans - and I certainly hope you have not - then you know we have reached the thirteenth chapter of the thirteenth volume in this sad history, and so you know the end is near, even though this chapter is so lengthy that you might never reach the end of it. But perhaps you do not yet know what the end really means. "The end" is a phrase which refers to the completion of a story, or the final moment of some accomplishment, such as a secret errand, or a great deal of research, and indeed this thirteenth volume marks the completion of my investigation into the Baudelaire case, which required much research, a great many secret errands, and the accomplishments of a number of my comrades, from a trolley driver to a botanical hybridization expert, with many, many typewriter repairpeople in between. But it cannot be said that The End contains the end of the Baudelaires' story, any more than The Bad Beginning contained its beginning. The children's story began long before that terrible day on Briny Beach, but there would have to be another volume to chronicle when the Baudelaires were born, and when their parents married, and who was playing the violin in the candlelit restaurant when the Baudelaire parents first laid eyes on one another, and what was hidden inside that violin, and the childhood of the man who orphaned the girl who put it there, and even then it could not be said that the Baudelaires' story had not begun, because you would still need to know about a certain tea party held in a penthouse suite, and the baker who made the scones served at the tea party, and the baker's assistant who smuggled the secret ingredient into the scone batter through a very narrow drainpipe, and how a crafty volunteer created the illusion of a fire in the kitchen simply by wearing a certain dress and jumping around, and even then the beginning of the story would be as far away as the shipwreck that leftthe Baudelaire parents as castaways on the coastal shelf is far away from the outrigger on which the islanders would depart. One could say, in fact, that no story really has a beginning, and that no story really has an end, as all of the world's stories are as jumbled as the items in the arboretum, with their details and secrets all heaped together so that the whole story, from beginning to end, depends on how you look at it. We might even say that the world is always in medias res - a Latin phrase which means "in the midst of things" or "in the middle of a narrative" - and that it is impossible to solve any mystery, or find the root of any trouble, and so The End is really the middle of the story, as many people in this history will live long past the close of Chapter Thirteen, or even the beginning of the story, as a new child arrives in the world at the chapter's close. But one cannot sit in the midst of things forever. Eventually one must face that the end is near, and the end of The End is quite near indeed, so if I were you I would not read the end of The End, as it contains the end of a notorious villain but also the end of a brave and noble sibling, and the end of the colonists' stay on the island, as they sail off the end of the coastal shelf. The end of The End contains all these ends, and that does not depend on how you look at it, so it might be best for you to stop looking at The End before the end of The End arrives, and to stop reading The End before you read the end, as the stories that end in The End that began in The Bad Beginning are beginning to end now.
”
”
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
“
That poem was not by me. It is among the things which quite overpower me; I have never been able to read it without tears coming to my eyes; it sounds like a voice for which I have been waiting and waiting since childhood. The poem is by my friend Lou... She is as shrewd as an eagle and brave as a lion, and yet still a very girlish child, who perhaps will not live long.
”
”
Friedrich Nietzsche
“
There was a slight noise from the direction of the dim corner where the ladder was. It was the king descending. I could see that he was bearing something in one arm, and assisting himself with the other. He came forward into the light; upon his breast lay a slender girl of fifteen. She was but half conscious; she was dying of smallpox. Here was heroism at its last and loftiest possibility, its utmost summit; this was challenging death in the open field unarmed, with all the odds against the challenger, no reward set upon the contest, and no admiring world in silks and cloth of gold to gaze and applaud; and yet the king’s bearing was as serenely brave as it had always been in those cheaper contests where knight meets knight in equal fight and clothed in protecting steel. He was great now; sublimely great. The rude statues of his ancestors in his palace should have an addition—I would see to that; and it would not be a mailed king killing a giant or a dragon, like the rest, it would be a king in commoner’s garb bearing death in his arms that a peasant mother might look her last upon her child and be comforted.
”
”
Mark Twain (A Connecticut Yankee in King Arthur's Court)
“
DUMBLEDORE: No. I was protecting you. I did not want to hurt you . . .
DUMBLEDORE attempts to reach out of the portrait — but he can’t. He begins to cry but tries to hide it.
But I had to meet you in the end . . . eleven years old, and you were so brave. So good. You walked uncomplainingly along the path that had been laid at your feet. Of course I loved you . . . and I knew that it would happen all over again . . . that where I loved, I would cause irreparable damage. I am no fit person to love . . . I have never loved without causing harm.
A beat.
HARRY: You would have hurt me less if you had told me this then.
DUMBLEDORE (openly weeping now): I was blind. That is what love does. I couldn’t see that you needed to hear that this closed-up, tricky, dangerous old man . . . loved you.
A pause. The two men are overcome with emotion.
HARRY: It isn’t true that I never complained.
DUMBLEDORE: Harry, there is never a perfect answer in this messy, emotional world. Perfection is beyond the reach of humankind, beyond the reach of magic. In every shining moment of happiness is that drop of poison: the knowledge that pain will come again. Be honest to those you love, show your pain. To suffer is as human as to breathe.
”
”
Jack Thorne (Harry Potter and the Cursed Child: Parts One and Two (Harry Potter, #8))
“
Empurpled rapturous hills I guess and the long day brushstroke by brushstroke enfeebling into darkness and then the fires blooming on the pitch plains. In the beautiful blue night there was plenty of visiting and the braves was proud and ready to offer a lonesome soldier a squaw for the duration of his passion. John Cole and me sought out a hollow away from prying eyes. Then with the ease of men who have rid themselves of worry we strolled among the Indian tents and heard the sleeping babies breathing and spied out the wondrous kind called by the Indians winkte or by white men berdache, braves dressed in the finery of squaws. John Cole gazes on them but he don’t like to let his eyes linger too long in case he gives offence. But he’s like the plough-horse that got the whins. All woken in a way I don’t see before. The berdache puts on men’s garb when he goes to war, this I know. Then war over it’s back to the bright dress. We move on and he’s just shaking like a cold child. Two soldiers walking under the bright nails of the stars. John Cole’s long face, long stride. The moonlight not able to flatter him because he was already beautiful.
”
”
Sebastian Barry (Days Without End)
“
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips:
1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy.
2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously!
3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside!
4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live!
5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom!
6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true!
7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn.
8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours!
9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative!
10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
”
”
Brooke Hampton
“
They'll tell you who they think you should be
they'll even try to manipulate you into believing it but let me tell you something son, if I listened to who I was supposed to be - this, everything we are and do wouldn't be in existence. Be a leader, find yourself and make a life with it. Those who judge you and try to force the patterns of their beliefs onto you are envious they haven't the strength in themselves to do the same.
”
”
Nikki Rowe
“
I was a timid child. For all that, I am sure I was also obstinate, as children are. I am sure that Mother spoiled me too, but I cannot believe I was particularly difficult to manage; I cannot believe that a kindly word, a quiet taking by the hand, a friendly look, could not have got me to do anything that was wanted of me. Now you are, after all, basically a charitable and kindhearted person (what follows will not be in contradiction to this, I am speaking only of the impression you made on the child), but not every child has the endurance and fearlessness to go on searching until it comes to the kindliness that lies beneath the surface. You can treat a child only in the way you yourself are constituted, with vigor, noise, and hot temper, and in this case such behavior seemed to you to be also most appropriate because you wanted to bring me up to be a strong, brave boy.
”
”
Franz Kafka
“
No matter how a child joins your family, their presence changes all the rules; they move into your heart and build new rooms, knock down walls you never knew existed. This is why new parents crave reassurance more than anything else: We tell ourselves, and want others to tell us, that we’re going to be wonderful parents. That our children will be happy. That their suffering will be light—or at least, never of a kind we cannot help them through. We have to believe these things, promise ourselves we’ll meet every challenge, or we’d never be brave enough to begin.
”
”
Nicole Chung (All You Can Ever Know)
“
I stared far back into my past and remembered
the child who couldn’t be catalogued by Sears. I
saw her standing in front of her own mirror, in
her father’s suit, asking me if I was the person she
would grow up to become. Yes, I answered her. And
I thought how brave she was to have begun this
journey, to have withstood the towering judgments.
”
”
Leslie Feinberg (Stone Butch Blues)
“
Till at last the child's mind is these suggestions, and the sum of the suggestions is the child's mind. And not the child's mind only. The adult's mind too–all his life long. The mind that judges and desires and decides–made up of these suggestions. But all these suggestions are OUR suggestions!" The Director almost shouted in his triumph. "Suggestions from the State.
”
”
Aldous Huxley (Brave New World)
“
Why?” Rhett’s mouth twisted in a smile. “Because she was so full of fire and so recklessly, stubbornly brave. Because she was such a child beneath all her pretenses. Because she was unlike any woman I had ever known. She fascinated me, infuriated me, drove me mad. I loved her as consumingly as she loved him. From the day I first laid eyes on her. It was a kind of disease.
”
”
Alexandra Ripley (Scarlett: The Sequel to Margaret Mitchell's Gone with the Wind)
“
She knew well the history of which they spoke because her father had been a part of it. When the military overseers of Pakistan had refused to allow the winning party in Bangladesh—then East Pakistan—to form a government, her father had put down his textbooks, left the university, and joined the fight. Hundreds of thousands, millions of deaths later, Bangladesh had its independence. His stories had made a deep impact on on Asma as a child. She had resolved to be as brave, only to learn that as a woman she wasn't expected to be.
”
”
Amy Waldman (The Submission)
“
Best not to look back. Best to believe there will be happily ever afters all the way around- and so there may be; who is to say there will to be such endings? Not all boats which sail away into darkness never find the sun again, or the hand of another child; if life teaches anything at all, it teaches that there are so many happy endings that the man who believes there is no God needs his rationality called into serious question… And if you spare a last though, maybe it’s ghosts you wonder about… the ghosts of children standing in the water at sunset, standing in a circle, standing with their hands joined together, their faces young, sure, but tough… tough enough, anyway, to give birth to the people they will become, tough enough understand, maybe, that the people they will become must necessarily birth the people they were before they can get on with trying to understand simple morality. The circle closes, the wheel rolls, and that’s all there is. You don’t have to look back to see those children; part of you mind wills them forever, live with them forever, love with them forever. They are not necessarily the best part of you, but were once the repository of all you could become. Children I love you. I love you so much. So drive away quick, drive away while the last of the light slips away,drive away from Derry, from memory… but not from desire. That stays, the bright cameo of all we were and all we believed as children, all that shone in our eyes even when we were lost and the wind blew in the night. Drive away and try to keep smiling. Get a little rock and roll on the radio and go toward all the life there is with all the courage you can and all the belief you can muster. Be true, be brave, stand. All the rest is darkness.
”
”
Stephen King (It)
“
If I may ride with you, Citizen Evrémonde, will you let me hold your hand? I am not afraid, but I am little and weak, and it will give me more courage.' As the patient eyes were lifted to his face, he saw a sudden doubt in them, and then astonishment. He pressed the work-worn, hunger- worn young fingers, and touched his lips. 'Are you dying for him?' she whispered. 'And his wife and child. Hush! Yes.' 'O you will let me hold your brave hand, stranger!' 'Hush! Yes, my poor sister, to the last.
”
”
Charles Dickens (A Tale of Two Cities)
“
You’re acting like a child!” was one brave reporter’s response when I denied his interview.
Was I acting like child?
No, I didn’t think I was. They didn’t understand any of this if they thought that.
You know, sometimes I wanted to take their hands and place the truth in it. I wanted to give them everything I had. Sometimes I wanted to act like they treated me and show them how childish I could be. I wanted to give them the weight of everything I felt and let them be the goddamn judge of this shit.
Sometimes I wanted to vent, scream, and give it all away. Here, you take my talent. Take my life you feel the need to criticize every moment of the day. Take everything I have and you deal with the shit. You see what you can make of it since you seem to think I’m doing so badly.
I wanted them to feel the pressure, the inadequateness, the letdown, all of it.
”
”
Shey Stahl (Black Flag (Racing on the Edge, #2))
“
I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.'
But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich.
Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth.
Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ.
I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.'
I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain.
I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again.
This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.
”
”
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
“
Start working on your child’s mind. Start building your child’s character. Raise your child as a human being, instead of raising boys and girls. Raise human beings with the religion of love in their hearts. Raise human beings with the language of compassion on their lips. Raise human beings with the color of joy on their face. Raise human beings with the force of bravery in their nerves. And these brave conscientious souls with the flames of compassion in their hearts shall one day change the course of human history.
”
”
Abhijit Naskar (The Bengal Tigress: A Treatise on Gender Equality (Humanism Series))
“
I have entered the place I thought was death and it has turned out to be life itself. I entered this Ache alone, but inside it I have found everyone. In surrendering to the Ache of loneliness I have discovered un-loneliness. Right here, inside the Ache, with everyone who has welcomed a child or held the hand of a dying grandmother or said goodbye to a great love. I am here, with all of them. ... Inside the ache is “We.” We can do hard things like be alive and love deep and lose it all, because we do these hard things alongside everyone who has ever walked the Earth with her arms, eyes, and heart wide open. The Ache is not a flaw. It’s our meeting place. It’s the clubhouse of the brave. All the lovers are there. It is where you go alone to meet the world. The ache is love. The ache was never warning me “this ends, so leave.” She was saying “this ends, so stay.
”
”
Glennon Doyle (Untamed)
“
I've heard some people claim that their abuser/rapist made them stronger. We must realize that abusers and predators don't get credit for our strength, nor our healing. They did not make us stronger. Rather, the abusers and predators broke us. They shattered us. They turned our lives into a living hell. They violated us! Do you know who made you stronger? Do you know who made you brave? YOU did! You are a courageous survivor. You did the hard work. You overcame great obstacles. You are the one healing you. You did it!
”
”
Dana Arcuri (Soul Cry: Releasing & Healing the Wounds of Trauma)
“
Compare King William with the philosopher Haeckel. The king is one of the anointed by the most high, as they claim—one upon whose head has been poured the divine petroleum of authority. Compare this king with Haeckel, who towers an intellectual colossus above the crowned mediocrity. Compare George Eliot with Queen Victoria. The Queen is clothed in garments given her by blind fortune and unreasoning chance, while George Eliot wears robes of glory woven in the loom of her own genius.
The world is beginning to pay homage to intellect, to genius, to heart.
We have advanced. We have reaped the benefit of every sublime and heroic self-sacrifice, of every divine and brave act; and we should endeavor to hand the torch to the next generation, having added a little to the intensity and glory of the flame.
”
”
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
“
There's a stream that trickles through all of us. It's always there. It's evil and we know this, so we force it to mix with the larger river inside us. We let it be consumed by the greater flow of good. But when the good in the river runs dry and there isn't enough of it to dilute the stream, then the stream flows faster and harder, uncontrolled, and it finally floods one life, then another, then another. And it's always the innocent who are easiest to pull down. It's always the innocent who are standing there on the banks and looking in, curious and trusting and sometimes, maybe, even a little brave.
”
”
T. Jefferson Parker (Where Serpents Lie)
“
The Father protects his children, the septons taught, but Davos had led his boys into the fire. Dale would never give his wife the child they had prayed for, and Allard, with his girl in Oldtown and his girl in Kings Landing, and his girl in Braavos, they would all be weeping soon. Matthos would never captain his own ship, as he dreamed. Maric would never have his knighthood.
'How can I live when they are dead? So many brave knights and mighty lords have died, better men than me, and highborn. Crawl inside your cave, Davos. Crawl inside and shrink up small and the ship will go away, and no one will trouble you ever again. Sleep on your stone pillow and let the gulls peck out your eyes while the crabs feast on your flesh. You've feasted on enough of them, you owe them. Hide, smuggler. Hide, and be quiet, and die.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Here was an unknown quantity-a child in breeches with a blue scarf wound around his neck whose job it was to get them out and back alive. This...was the greatest terror of war: what you didn't know of the men who told you what to do-where to go and when. What if they were mad-or stupid? What if their fear was greater than yours? Or what if they were brave and crazy-wanting and demanding bravery from you? He looked away. He thought of being born-and trusting your parents. Maybe that was the same. Your parents could be crazy too. Or stupid. Still-he'd rather his father was with him-telling him what to do. Then he smiled. He knew that his father would take one look at the crater and tell him not to go.
”
”
Timothy Findley (The Wars)
“
As the last thing on earth that his heart was to warm and soften to, it warmed and softened to this pitiable girl. “I heard you were released, Citizen Evremonde. I hoped it was true?” “It was. But, I was again taken and condemned.” “If I may ride with you, Citizen Evremonde, will you let me hold your hand? I am not afraid, but I am little and weak, and it will give me more courage.” As the patient eyes were lifted to his face, he saw a sudden doubt in them, and then astonishment. He pressed the work-worn, hunger-worn young fingers, and touched his lips. “Are you dying for him?” she whispered.
“And his wife and child. Hush! Yes.” “O you will let me hold your brave hand, stranger?” “Hush! Yes, my poor sister; to the last.
”
”
Charles Dickens (A Tale of Two Cities)
“
Reasons Why I Loved Being With Jen
I love what a good friend you are. You’re really engaged with the lives of the people you love. You organize lovely experiences for them. You make an effort with them, you’re patient with them, even when they’re sidetracked by their children and can’t prioritize you in the way you prioritize them.
You’ve got a generous heart and it extends to people you’ve never even met, whereas I think that everyone is out to get me. I used to say you were naive, but really I was jealous that you always thought the best of people.
You are a bit too anxious about being seen to be a good person and you definitely go a bit overboard with your left-wing politics to prove a point to everyone. But I know you really do care. I know you’d sign petitions and help people in need and volunteer at the homeless shelter at Christmas even if no one knew about it. And that’s more than can be said for a lot of us.
I love how quickly you read books and how absorbed you get in a good story. I love watching you lie on the sofa reading one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other galaxy.
I love that you’re always trying to improve yourself. Whether it’s running marathons or setting yourself challenges on an app to learn French or the fact you go to therapy every week. You work hard to become a better version of yourself. I think I probably didn’t make my admiration for this known and instead it came off as irritation, which I don’t really feel at all.
I love how dedicated you are to your family, even when they’re annoying you. Your loyalty to them wound me up sometimes, but it’s only because I wish I came from a big family.
I love that you always know what to say in conversation. You ask the right questions and you know exactly when to talk and when to listen. Everyone loves talking to you because you make everyone feel important.
I love your style. I know you think I probably never noticed what you were wearing or how you did your hair, but I loved seeing how you get ready, sitting in front of the full-length mirror in our bedroom while you did your make-up, even though there was a mirror on the dressing table.
I love that you’re mad enough to swim in the English sea in November and that you’d pick up spiders in the bath with your bare hands. You’re brave in a way that I’m not.
I love how free you are. You’re a very free person, and I never gave you the satisfaction of saying it, which I should have done. No one knows it about you because of your boring, high-pressure job and your stuffy upbringing, but I know what an adventurer you are underneath all that.
I love that you got drunk at Jackson’s christening and you always wanted to have one more drink at the pub and you never complained about getting up early to go to work with a hangover. Other than Avi, you are the person I’ve had the most fun with in my life.
And even though I gave you a hard time for always trying to for always trying to impress your dad, I actually found it very adorable because it made me see the child in you and the teenager in you, and if I could time-travel to anywhere in history, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beautiful and clever and funny you are. That you are spectacular even without all your sports trophies and music certificates and incredible grades and Oxford acceptance.
I’m sorry that I loved you so much more than I liked myself, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of myself, either. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental.
I love you. I always will. I'm glad we met.
”
”
Dolly Alderton (Good Material)
“
In The Garret
Four little chests all in a row,
Dim with dust, and worn by time,
All fashioned and filled, long ago,
By children now in their prime.
Four little keys hung side by side,
With faded ribbons, brave and gay
When fastened there, with childish pride,
Long ago, on a rainy day.
Four little names, one on each lid,
Carved out by a boyish hand,
And underneath there lieth hid
Histories of the happy band
Once playing here, and pausing oft
To hear the sweet refrain,
That came and went on the roof aloft,
In the falling summer rain.
'Meg' on the first lid, smooth and fair.
I look in with loving eyes,
For folded here, with well-known care,
A goodly gathering lies,
The record of a peaceful life--
Gifts to gentle child and girl,
A bridal gown, lines to a wife,
A tiny shoe, a baby curl.
No toys in this first chest remain,
For all are carried away,
In their old age, to join again
In another small Meg's play.
Ah, happy mother! Well I know
You hear, like a sweet refrain,
Lullabies ever soft and low
In the falling summer rain.
'Jo' on the next lid, scratched and worn,
And within a motley store
Of headless dolls, of schoolbooks torn,
Birds and beasts that speak no more,
Spoils brought home from the fairy ground
Only trod by youthful feet,
Dreams of a future never found,
Memories of a past still sweet,
Half-writ poems, stories wild,
April letters, warm and cold,
Diaries of a wilful child,
Hints of a woman early old,
A woman in a lonely home,
Hearing, like a sad refrain--
'Be worthy, love, and love will come,'
In the falling summer rain.
My Beth! the dust is always swept
From the lid that bears your name,
As if by loving eyes that wept,
By careful hands that often came.
Death canonized for us one saint,
Ever less human than divine,
And still we lay, with tender plaint,
Relics in this household shrine--
The silver bell, so seldom rung,
The little cap which last she wore,
The fair, dead Catherine that hung
By angels borne above her door.
The songs she sang, without lament,
In her prison-house of pain,
Forever are they sweetly blent
With the falling summer rain.
Upon the last lid's polished field--
Legend now both fair and true
A gallant knight bears on his shield,
'Amy' in letters gold and blue.
Within lie snoods that bound her hair,
Slippers that have danced their last,
Faded flowers laid by with care,
Fans whose airy toils are past,
Gay valentines, all ardent flames,
Trifles that have borne their part
In girlish hopes and fears and shames,
The record of a maiden heart
Now learning fairer, truer spells,
Hearing, like a blithe refrain,
The silver sound of bridal bells
In the falling summer rain.
Four little chests all in a row,
Dim with dust, and worn by time,
Four women, taught by weal and woe
To love and labor in their prime.
Four sisters, parted for an hour,
None lost, one only gone before,
Made by love's immortal power,
Nearest and dearest evermore.
Oh, when these hidden stores of ours
Lie open to the Father's sight,
May they be rich in golden hours,
Deeds that show fairer for the light,
Lives whose brave music long shall ring,
Like a spirit-stirring strain,
Souls that shall gladly soar and sing
In the long sunshine after rain
”
”
Louisa May Alcott (Little Women)
“
One of the interesting takeaways from both the Antonine plague and polio is what a difference a strong leader can make during an epidemic. Marcus Aurelius’s swift response to the Antonine plague—and his attempt to help cover expenses for the general populace and rebuild the parts of the army decimated by the disease—staved off the fall of the Roman Empire, at least temporarily. When FDR took up polio as a cause, America followed his lead and went to work eradicating it. Although his role may not have been as significant, Eisenhower is also to be commended for trying to ensure that cost did not prohibit any child from receiving the polio vaccine, and that the vaccine was shared with the world. Those men each acknowledged the seriousness of their crises and went about bravely confronting the disease in their midst head-on. They did not ignore it or glamorize it or shame people for having it, because that never works. That strategy just gives diseases more time to multiply and kill people. Diseases are delighted when you refuse to take them seriously.
”
”
Jennifer Wright
“
The Quitter
When you're lost in the Wild, and you're scared as a child,
And Death looks you bang in the eye,
And you're sore as a boil, it's according to Hoyle
To cock your revolver and . . . die.
But the Code of a Man says: "Fight all you can,"
And self-dissolution is barred.
In hunger and woe, oh, it's easy to blow . . .
It's the hell-served-for-breakfast that's hard.
"You're sick of the game!" Well, now, that's a shame.
You're young and you're brave and you're bright.
"You've had a raw deal!" I know -- but don't squeal,
Buck up, do your damnedest, and fight.
It's the plugging away that will win you the day,
So don't be a piker, old pard!
Just draw on your grit; it's so easy to quit:
It's the keeping-your-chin-up that's hard.
It's easy to cry that you're beaten -- and die;
It's easy to crawfish and crawl;
But to fight and to fight when hope's out of sight --
Why, that's the best game of them all!
And though you come out of each gruelling bout,
All broken and beaten and scarred,
Just have one more try -- it's dead easy to die,
It's the keeping-on-living that's hard.
”
”
Robert W. Service
“
I want to talk with you today about a subject that touches every one of us. Loss. Sometimes we are faced with things we think we just can't handle...
The death of a loved one, a father, a child, and we strive to find the reason behind it all.
And when those reasons don't make sence, we question God.
We look up and we say, "God, how could You do this to us? "How can You put so much on our plate?" But we're not operating on God's timetable, are we? We don't understand God's plan. How can we? And let me tell you, this is where faith comes in. Faith can help us see His message in our own lives. Perhaps this loss is there to teach us not to take the ones we love for granted, to cherish the simple, mundane moments, to love others as fiercely and as bravely and as compassionately as we can. And in that love, human love, forgiving, relentless, unconditional love, you'll find peace.
”
”
Chaplain Orlovsky
“
Thus we arrive at the problem of the relation of religion to the negation of sexual desire. Sexual debility results in a lowering of self-confidence. In one case it is compensated by the brutalization of sexuality, to maintain sexual repression, in the other by rigid character traits. The compulsion to control one's sexuality, to maintain sexual repression, leads to the development of pathologic, emotionally tinged notions of honor and duty, bravery and self-control. But the pathology and emotionality of these psychic attitudes are strongly at variance with the reality of one's personal behavior. The man who attains genital satisfaction, is honorable, responsible, brave, and controlled, without making much of a fuss about it. These attitudes are an organic part of his personality. The man whose genitals are weakened, whose sexual structure is full of contradictions, must continually remind himself to control his sexuality, to preserve his sexual dignity, to be brave in the face of temptation, etc. The struggle to resist the temptation to masturbate is a struggle that is experienced by every adolescent and every child, without exception. All the elements of the reactionary man's structure are developed in this struggle. It is in the lower middle classes that this structure is reinforced most strongly and embedded most deeply. Every form of mysticism derives it's most active energy and, in part, also it's content from this compulsory suppression of sexuality.
”
”
Wilhelm Reich (The Mass Psychology of Fascism)
“
There ought to be a different word for it once you’ve been married for enough years. When you’ve long since passed the point where it stopped feeling like a choice. I no longer choose you every morning, that was a beautiful thing we said on our wedding day, I just can’t imagine life without you now. We aren’t freshly blooming flowers, we’re two trees with intertwined roots, you’ve grown old within me. When you’re young you believe that love is infatuation, but infatuation is simple, any child can become infatuated, fall in love. But real love? Love is a job for an adult. Love demands a whole person, all the best of you, all the worst. It has nothing to do with romance, because the hard part of a marriage isn’t that I have to live seeing all your faults, but that you have to live with me seeing them. That I know everything about you now. Most people aren’t brave enough to live without secrets. Everyone dreams about being invisible sometimes, no one dreams of being transparent. Marriage? There ought to be a different word for it after a while. Because there’s no such thing as “eternal infatuation,” only love lasts that long, and it’s never simple. It requires a whole person, everything you have. The whole lot.
”
”
Fredrik Backman (The Winners (Beartown, #3))
“
There ought to be a different word for it once you’ve been married for enough years. When you’ve long since passed the point where it stopped feeling like a choice. I no longer choose you every morning, that was a beautiful thing we said on our wedding day, I just can’t imagine life without you now. We aren’t freshly blooming flowers, we’re two trees with intertwined roots, you’ve grown old within me. When you’re young you believe that love is infatuation, but infatuation is simple, any child can become infatuated, fall in love. But real love? Love is a job for an adult. Love demands a whole person, all the best of you, all the worst. It has nothing to do with romance, because the hard part of a marriage isn’t that I have to live seeing all your faults, but that you have to live with me seeing them. That I know everything about you now. Most people aren’t brave enough to live without secrets. Everyone dreams about being invisible sometimes, no one dreams of being transparent.
”
”
Fredrik Backman (The Winners (Beartown, #3))
“
There is this narrative, which we follow in our world, that tells us we ought to always be strong. Fortified, immovable, brave. So we tell ourselves that's what we are. Then we believe it. The grave problem with this narrative lies in the fact that in the minutes we stop to breathe and be quiet, in the minutes we stop telling ourselves that, we look into the mirror, or we look at our photographs, and it hits us: we are soft! We are soft, we are bruised, we got hurt far too much than what we deserved! And guess what? It wasn't okay! It really was never okay. And then panic settles in as we realise that all of that time we were abandoning the real us, inside of us, like a small child left in the corner of an alleyway, in favour of embracing the big and brave version of ourselves that we told ourselves to love! So we stopped actually loving the us of the us. The real us. The real you. There is no sadder thing! Please... you are soft and scared... embrace your teddy self, embrace your infant soul, protect what is left of you.
”
”
C. JoyBell C.
“
Winston Churchill on Islam: “How dreadful are the curses which Mohammedanism lays on its votaries! Besides the fanatical frenzy, which is as dangerous in a man as hydrophobia in a dog, there is this fearful fatalistic apathy. Improvident habits, slovenly systems of agriculture, sluggish methods of commerce, and insecurity of property exist wherever the followers of the Prophet rule or live. A degraded sensualism deprives this life of its grace and refinement; the next of its dignity and sanctity. The fact that in Mohammedan law every woman must belong to some man as his absolute property—either as a child, a wife, or a concubine—must delay the final extinction of slavery until the faith of Islam has ceased to be a great power among men. “Individual Moslems may show splendid qualities. Thousands become the brave and loyal soldiers of the Queen: all know how to die. But the influence of the religion paralyses the social development of those who follow it. No stronger retrograde force exists in the world. Far from being moribund, Mohammedanism is a militant and proselytising faith. It has already spread throughout Central Africa, raising fearless warriors at every step; and were it not that Christianity is sheltered in the strong arms of science—the science against which it had vainly struggled—the civilisation of modern Europe might fall, as fell the civilisation of ancient Rome.
”
”
Robert Spencer (The Politically Incorrect Guide to Islam (and the Crusades))
“
Those who say that children must not be frightened may mean two things. They may mean (1) that we must not do anything likely to give the child those haunting, disabling, pathological fears against which ordinary courage is helpless: in fact, phobias. His mind must, if possible, be kept clear of things he can’t bear to think of. Or they may mean (2) that we must try to keep out of his mind the knowledge that he is born into a world of death, violence, wounds, adventure, heroism and cowardice, good and evil. If they mean the first I agree with them: but not if they mean the second. The second would indeed be to give children a false impression and feed them on escapism in the bad sense. There is something ludicrous in the idea of so educating a generation which is born to the Ogpu and the atomic bomb. Since it is so likely that they will meet cruel enemies, let them at least have heard of brave knights and heroic courage. Otherwise you are making their destiny not brighter but darker. Nor do most of us find that violence and bloodshed, in a story, produce any haunting dread in the minds of children. As far as that goes, I side impenitently with the human race against the modern reformer. Let there be wicked kings and beheadings, battles and dungeons, giants and dragons, and let villains be soundly killed at the end of the book. Nothing will persuade me that this causes an ordinary child any kind or degree of fear beyond what it wants, and needs, to feel. For, of course, it wants to be a little frightened.
”
”
C.S. Lewis (On Three Ways of Writing for Children)
“
Hubris you say, brother? Please, tell us the nature of the prince's actions against you. Let everyone know exactly how Prince Styxx offended you." Bethany Disguised as Athena
"He has held himself up as a god. His arrogance and pride are an affront to us all." Apollo
"Held himself up as a god? Pray tell, when was this? .... Ah, yes, I remember... It was when he dared to slay your Atlantean grandson during battle. Is that not right, brother? I'm sure, like me, you remember that day well. The Atlanteans, led to our shores by your own blood kin, were slaughtering hundreds of Greeks until the beach sands turned red from good Greek blood. The onslaught was so fierce that entire veteran regiments fled from the Atlanteans and cowered. Even the brave, noble Dorians pulled back in fear. But not Prince Styxx. He rode in like a lion and jumped from his horse to save the life of a young shield-bearer who was about to be killed by one of the Atlantean giants."
Bethany/Athena
Bethany swept her gaze around the people there, who were completely silent now. "And with reckless disregard for his own life and limb, this prince picked the boy up and put him on the back of his royal steed and told him to ride to safety. He spent the rest of the day fighting on foot. Not as a prince or a god, but as a mere, heroic Greek soldier." She turned back to Apollo. "His actions so enraged the Atlantean gods that they turned all of their animosity toward him. And still Prince Styxx fought on for his people, wounded, bloody, and tired. He never backed off or backed down. Not even when your own grandson almost buried his axe through the prince's skull. He hit Styxx's hoplon so hard, it splintered a portion of it off. And as Xan held the prince down, the prince, who was barely more than a child, managed to stab him through the ribs. But now that I think about it, you don't remember that day, do you, Apollo? You weren't even there when it was fought, but later that very night-
”
”
Sherrilyn Kenyon (Styxx (Dark-Hunter, #22))
“
Few humans frequented the deep forest there because of its wild lands, wild animals, and wild legends.
In the chamber below the earth, Gregori roused himself several times, always on guard, always aware, asleep or awake, of those around him and the region surrounding them. In his mind he sought the child. She was brave and intelligent, a warm, living creature shedding a glow of light into his unrelenting darkness. His silver eyes pierced the veil of sleep to stare up at the dirt above his head. He was so close to turning, far closer than either Raven or Mikhail suspected he was holding on by his fingernails. ..All feeling had left him so long ago that he could not remember warmth or happiness. He had only the power of the kill and his memories of Mikhail’s friendship to keep him going. He turned his head to look at Raven’s slight form.
You must live, small one. You must live to save our race, to save all of mankind. There is no one alive on this earth who could stop me. Live for me, for your parents.
Something stirred in his mind. Shocked that an unborn child could exhibit such power and intelligence, he nonetheless felt its presence, tiny, wavering, unsure. All the same the being was there, and he latched on to it, sheltered it close to his heart for a long while before he reluctantly allowed himself to sleep again.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
As a child I had been taken to see Dr Bradshaw on countless occasions; it was in his surgery that Billy had first discovered Lego. As I was growing up, I also saw Dr Robinson, the marathon runner. Now that I was living back at home, he was again my GP. When Mother bravely told him I was undergoing treatment for MPD/DID as a result of childhood sexual abuse, he buried his head in hands and wept.
Child abuse will always re-emerge, no matter how many years go by. We read of cases of people who have come forward after thirty or forty years to say they were abused as children in care homes by wardens, schoolteachers, neighbours, fathers, priests. The Catholic Church in the United States in the last decade has paid out hundreds of millions of dollars in compensation for 'acts of sodomy and depravity towards children', to quote one information-exchange web-site. Why do these ageing people make the abuse public so late in their lives? To seek attention? No, it's because deep down there is a wound they need to bring out into the clean air before it can heal.
Many clinicians miss signs of abuse in children because they, as decent people, do not want to find evidence of what Dr Ross suggests is 'a sick society that has grown sicker, and the abuse of children more bizarre'.
(Note: this was written in the UK many years before the revelations of Jimmy Savile's widespread abuse, which included some ritual abuse)
”
”
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
“
Celestial Music”
I have a friend who still believes in heaven.
Not a stupid person, yet with all she knows, she literally talks to god,
she thinks someone listens in heaven.
On earth, she’s unusually competent.
Brave, too, able to face unpleasantness.
We found a caterpillar dying in the dirt, greedy ants crawling over it.
I’m always moved by weakness, by disaster, always eager to oppose vitality.
But timid, also, quick to shut my eyes.
Whereas my friend was able to watch, to let events play out
according to nature. For my sake, she intervened,
brushing a few ants off the torn thing, and set it down
across the road.
My friend says I shut my eyes to god, that nothing else explains
my aversion to reality. She says I’m like the child who buries her head in the pillow
so as not to see, the child who tells herself
that light causes sadness—
My friend is like the mother. Patient, urging me
to wake up an adult like herself, a courageous person—
In my dreams, my friend reproaches me. We’re walking
on the same road, except it’s winter now;
she’s telling me that when you love the world you hear celestial music:
look up, she says. When I look up, nothing.
Only clouds, snow, a white business in the trees
like brides leaping to a great height—
Then I’m afraid for her; I see her
caught in a net deliberately cast over the earth—
In reality, we sit by the side of the road, watching the sun set;
from time to time, the silence pierced by a birdcall.
It’s this moment we’re both trying to explain, the fact
that we’re at ease with death, with solitude.
My friend draws a circle in the dirt; inside, the caterpillar doesn’t move.
She’s always trying to make something whole, something beautiful, an image
capable of life apart from her.
We’re very quiet. It’s peaceful sitting here, not speaking, the composition
fixed, the road turning suddenly dark, the air
going cool, here and there the rocks shining and glittering—
it’s this stillness that we both love.
The love of form is a love of endings.
”
”
Louise Glück (Ararat)
“
THE ANTHEM OF HOPE
Tiny footprints in mud, metal scraps among thistles
Child who ambles barefooted through humanity’s war
An Elderflower in mud, landmines hidden in bristles
Blood clings to your feet, your wee hands stiff and sore
You who walk among trenches, midst our filth and our gore
Box of crayons in hand, your tears tumble like crystals
Gentle, scared little boy, at the heel of Hope Valley,
The grassy heel of Hope Valley.
And the bombs fall-fall-fall
Down the slopes of Hope Valley
Bayonets cut-cut-cut
Through the ranks of Hope Valley
Napalm clouds burn-burn-burn
All who fight in Hope Valley,
All who fall in Hope Valley.
Bullets fly past your shoulder, fireflies light the sky
Child who digs through the trenches for his long sleeping father
You plant a kiss on his forehead, and you whisper goodbye
Vain corpses, brave soldiers, offered as cannon fodder
Nothing is left but a wall; near its pallor you gather
Crayon ready, you draw: the memory of a lie
Kind, sad little boy, sketching your dream of Hope Valley
Your little dream of Hope Valley.
Missiles fly-fly-fly
Over the fields of Hope Valley
Carabines shoot-shoot-shoot
The brave souls of Hope Valley
And the tanks shell-shell-shell
Those who toiled for Hope Valley,
Those who died for Hope Valley.
In the light of gunfire, the little child draws the valley
Every trench is a creek; every bloodstain a flower
No battlefield, but a garden with large fields ripe with barley
Ideations of peace in his dark, final hour
And so the child drew his future, on the wall of that tower
Memories of times past; your tiny village lush alley
Great, brave little boy, the future hope of Hope Valley
The only hope of Hope Valley.
And the grass grows-grows-grows
On the knolls of Hope Valley
Daffodils bloom-bloom-bloom
Across the hills of Hope Valley
The midday sun shines-shines-shines
On the folk of Hope Valley
On the dead of Hope Valley
From his Aerodyne fleet
The soldier faces the carnage
Uttering words to the fallen
He commends their great courage
Across a wrecked, tower wall
A child’s hand limns the valley
And this drawing speaks volumes
Words of hope, not of bally
He wipes his tears and marvels
The miracle of Hope Valley
The only miracle of Hope Valley
And the grass grows-grows-grows
Midst all the dead of Hope Valley
Daffodils bloom-bloom-bloom
For all the dead of Hope Valley
The evening sun sets-sets-sets
On the miracle of Hope Valley
The only miracle of Hope Valley
(lyrics to "the Anthem of Hope", a fictional song featured in Louise Blackwick's Neon Science-Fiction novel "5 Stars".
”
”
Louise Blackwick (5 Stars)
“
Casabianca"
The boy stood on the burning deck
Whence all but he had fled;
The flame that lit the battle's wreck
Shone round him o'er the dead.
Yet beautiful and bright he stood,
As born to rule the storm;
A creature of heroic blood,
A proud, though child-like form.
The flames rolled on–he would not go
Without his Father's word;
That father, faint in death below,
His voice no longer heard.
He called aloud–'say, Father, say
If yet my task is done?'
He knew not that the chieftain lay
Unconscious of his son.
'Speak, father!' once again he cried,
'If I may yet be gone!'
And but the booming shots replied,
And fast the flames rolled on.
Upon his brow he felt their breath,
And in his waving hair,
And looked from that lone post of death
In still yet brave despair.
And shouted but once more aloud,
'My father! must I stay?'
While o'er him fast, through sail and shroud,
The wreathing fires made way.
They wrapt the ship in splendour wild,
They caught the flag on high,
And streamed above the gallant child,
Like banners in the sky.
There came a burst of thunder sound–
The boy–oh! where was he?
Ask of the winds that far around
With fragments strewed the sea!–
With mast, and helm, and pennon fair,
That well had borne their part–
But the noblest thing which perished there
Was that young faithful heart.
Notes:
Young Casabianca, a boy about thirteen years old, son of the admiral of the Orient, remained at his post (in the Battle of the Nile), after the ship had taken fire, and all the guns had been abandoned; and perished in the explosion of the vessel, when the flames had reached the powder.
”
”
Felicia Hemans
“
Never, not in her wildest dreams, had she dared to imagine that she'd be that important to someone. As if she was air and without her, he couldn't breathe.
"I love you too," she whispered. "And I forgive future Sailor for being a dumbass." Linking her arms around his neck, she spoke through the storm inside her. "In fact, I think future Sailor is going to be an incredible man I'll adore more with each and every day."
"Yeah?" His lips kicked up in that familiar smile, but there was a question in his eyes, a quiet hunger. "What's he going to do?"
Ísa knew what he was asking her, what he needed her to tell him. "He's going to be a man who works hard but who has time for the people he loves. And he definitely has time to get up to wicked things with a certain redhead."
"I like this guy's priorities already."
"He's also the kind of father who takes a turn doing the school run because he enjoys spending time with his child." It was scary doing this, laying out her dreams, but Sailor had given her everything.
Ísa would be brave enough to give him the same back. "He has time to play with his baby, and to kiss his wife, and even if he forgets things now and then, or if he gets a little busy for a while, it's all right because his wife and child and all the members of his family know they're loved beyond measure." Perfection had never been what Ísa wanted. "Because when it matters, he's there. He sees the people who love him."
Demon-blue eyes solemn, Sailor said, "I can do that." It was a vow. "I can be that guy."
"You already are." Ísa whispered. "You're my dream, Sailor."
But Sailor shook his head. "You ain't seen nothing yet, spitfire. I'm going to court the hell out of you." After a meditative pause, he added, "Nakedness during said courting is optional but highly encouraged."
He was wonderful. And he was hers.
”
”
Nalini Singh (Cherish Hard (Hard Play, #1))
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Patriotism comes from the same Latin word as father. Blind patriotism is collective transference. In it the state becomes a parent and we citizens submit our loyalty to ensure its protection. We may have been encouraged to make that bargain from our public school education, our family home, religion, or culture in general. We associate safety with obedience to authority, for example, going along with government policies. We then make duty, as it is defined by the nation, our unquestioned course. Our motivation is usually not love of country but fear of being without a country that will defend us and our property. Connection is all-important to us; excommunication is the equivalent of death, the finality we can’t dispute. Healthy adult loyalty is a virtue that does not become blind obedience for fear of losing connection, nor total devotion so that we lose our boundaries. Our civil obedience can be so firm that it may take precedence over our concern for those we love, even our children. Here is an example: A young mother is told by the doctor that her toddler is allergic to peanuts and peanut oil. She lets the school know of her son’s allergy when he goes to kindergarten. Throughout his childhood, she is vigilant and makes sure he is safe from peanuts in any form. Eighteen years later, there is a war and he is drafted. The same mother, who was so scrupulously careful about her child’s safety, now waves goodbye to him with a tear but without protest. Mother’s own training in public school and throughout her life has made her believe that her son’s life is expendable whether or not the war in question is just. “Patriotism” is so deeply ingrained in her that she does not even imagine an alternative, even when her son’s life is at stake. It is of course also true that, biologically, parents are ready to let children go just as the state is ready to draft them. What a cunning synchronic-ity. In addition, old men who decide on war take advantage of the timing too. The warrior archetype is lively in eighteen-year-olds, who are willing to fight. Those in their mid-thirties, whose archetype is being a householder and making a mark in their chosen field, will not show an interest in battlefields of blood. The chiefs count on the fact that young braves will take the warrior myth literally rather than as a metaphor for interior battles. They will be willing to put their lives on the line to live out the collective myth of societies that have not found the path of nonviolence. Our collective nature thus seems geared to making war a workable enterprise. In some people, peacemaking is the archetype most in evidence. Nature seems to have made that population smaller, unfortunately. Our culture has trained us to endure and tolerate, not to protest and rebel. Every cell of our bodies learned that lesson. It may not be virtue; it may be fear. We may believe that showing anger is dangerous, because it opposes the authority we are obliged to appease and placate if we are to survive. This explains why we so admire someone who dares to say no and to stand up or even to die for what he believes. That person did not fall prey to the collective seduction. Watching Jeopardy on television, I notice that the audience applauds with special force when a contestant risks everything on a double-jeopardy question. The healthy part of us ardently admires daring. In our positive shadow, our admiration reflects our own disavowed or hidden potential. We, too, have it in us to dare. We can stand up for our truth, putting every comfort on the line, if only we can calm our long-scared ego and open to the part of us that wants to live free. Joseph Campbell says encouragingly, “The part of us that wants to become is fearless.” Religion and Transference Transference is not simply horizontal, from person to person, but vertical from person to a higher power, usually personified as God. When
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David Richo (When the Past Is Present: Healing the Emotional Wounds that Sabotage our Relationships)
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Elizabeth snapped awake in a terrified instant as the door to her bed chamber was flung open near dawn, and Ian stalked into the darkened room. “Do you want to go first, or shall I?” he said tightly, coming to stand at the side of her bed.
“What do you mean?” she asked in a trembling voice.
“I mean,” he said, “that either you go first and tell me why in hell you suddenly find my company repugnant, or I’ll go first and tell you how I feel when I don’t know where you are or why you want to be there!”
“I’ve sent word to you both nights.”
“You sent a damned note that arrived long after nightfall both times, informing me that you intended to sleep somewhere else. I want to know why!”
He has men beaten like animals, she reminded herself.
“Stop shouting at me,” Elizabeth said shakily, getting out of bed and dragging the covers with her to hide herself from him.
His brows snapped together in an ominous frown. “Elizabeth?” he asked, reaching for her.
“Don’t touch me!” she cried.
Bentner’s voice came from the doorway. “Is aught amiss, my lady?” he asked, glaring bravely at Ian.
“Get out of here and close that damned door behind you!” Ian snapped furiously.
“Leave it open,” Elizabeth said nervously, and the brave butler did exactly as she said.
In six long strides Ian was at the door, shoving it closed with a force that sent it crashing into its frame, and Elizabeth began to vibrate with terror. When he turned around and started toward her Elizabeth tried to back away, but she tripped on the coverlet and had to stay where she was.
Ian saw the fear in her eyes and stopped short only inches in front of her. His hand lifted, and she winced, but it came to rest on her cheek. “Darling, what is it?” he asked. It was his voice that made her want to weep at his feet, that beautiful baritone voice; and his face-that harsh, handsome face she’d adored. She wanted to beg him to tell her what Robert and Wordsworth had said were lies-all lies. “My life depends on this, Elizabeth. So does yours. Don’t fail us,” Robert had pleaded. Yet, in that moment of weakness she actually considered telling Ian everything she knew and letting him kill her if he wanted to; she would have preferred death to the torment of living with the memory of the lie that had been their lives-to the torment of living without him.
“Are you ill?” he asked, frowning and minutely studying her face.
Snatching at the excuse he’d offered, she nodded hastily. “Yes. I haven’t been feeling well.”
“Is that why you went to London? To see a physician?”
She nodded a little wildly, and to her bewildered horror he started to smile-that lazy, tender smile that always made her senses leap. “Are you with child, darling? Is that why you’re acting so strangely?” Elizabeth was silent, trying to debate the wisdom of saying yes or no-she should say no, she realized. He’d hunt her to the ends of the earth if he believed she was carrying his babe.
“No! He-the doctor said it is just-just-nerves.”
“You’ve been working and playing too hard,” Ian said, looking like the picture of a worried, devoted husband. “You need more rest.”
Elizabeth couldn’t bear any more of this-not his feigned tenderness or his concern or the memory of Robert’s battered back. “I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him.
During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face.
“Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?
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Judith McNaught (Almost Heaven (Sequels, #3))
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As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop.
My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair.
Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
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Frank H. Wu (Yellow)