Edgar Bergen Quotes

Hard work never killed anybody, but why take a chance?

Ambition is a poor excuse for not having sense enough to be lazy.

Laziness is nothing more than the habit of resting before you get tired. Edgar Bergen

How much kinder it would have been, to turn off, like an appliance. The gradual, drawn-out corruption of the body while its host was still trapped inside was a torture of a sort they would have contrived at Guantanamo, or Bergen-Belsen. Every old age was an Edgar Allan Poe story.

Fred Allen was perhaps the most admired of radio comics. His fans included the president of the United States, critically acclaimed writers, and the intelligentsia of his peers. William Faulkner was said to have liked Allen’s work; John Steinbeck, who became his friend and later wrote the foreword for Allen’s autobiography, called him “unquestionably the best humorist of our time.” As early as 1933, when he had been on the air less than six months, he got a heartening letter of support from Groucho Marx. To Jack Benny he was “the best wit, the best extemporaneous comedian I know.” Edgar Bergen, who normally shied away from gushy superlatives, told a Time reporter that Allen was the “greatest living comedian, a wise materialist who exposes and ridicules the pretensions of his times.

On Sunday evenings, there was a comparatively vast array of radio shows from which to choose. Frequently I would lie in my bed with my father, who would pull the covers over our heads and pretend that we were in a cave. This is how we would listen to shows such as Jack Benny, The Great Gildersleeve with Harold Peary, The Fred Allen Show, and The Edgar Bergen Show. As a ventriloquist, Edgar Bergen had Charlie McCarthy and the slow-witted Mortimer Snerd as puppets. For us the last show of the evening was always Your Hit Parade sponsored by Lucky Strike Cigarettes, starring Snooky Lanson, Gisele MacKenzie and a host of other well-known singers of that period. Although my father was a strict disciplinarian, on Sunday evenings he usually relaxed things and we would enjoy our time listening to the radio together.

The Four-Star Playhouse was developed for NBC, partly to help counter the CBS talent raid that had lured Jack Benny, Amos ’n’ Andy, and Edgar Bergen away from the older network. The NBC response was predictable: a barrage of new shows with big-name Hollywood talent. It didn’t work: by then there were so many similar shows on the air that the public didn’t care, and most of the new NBC shows soon vanished.

Comments: Jim plays Mort Toops in a voice not unlike the one Edgar Bergen employed later with Mortimer Snerd. With Jim and Marian playing almost all the parts, some of these early Fibber and McGee episodes give listeners a taste of what Smackout sounded like.

Ambition is a poor excuse for not having sense enough to be lazy.” – Charlie McCarthy (Edgar Bergen)