Splendid Evening Quotes

I want to let her know though that all the nights sleeping beside her even the useless arguments were things ever splendid and the hard words I ever feared to say can now be said: I love you.

I am convinced that human life is filled with many pure, happy, serene examples of insincerity, truly splendid of their kind-of people deceiving one another without (strangely enough) any wounds being inflicted, of people who seem unaware even that they are deceiving one another.

One must wait until the evening to see how splendid the day has been.

‎I know you're still young but I want you to understand and learn this now. Marriage can wait, education cannot. You're a very very bright girl. Truly you are. You can be anything you want Laila. I know this about you. And I also know that when this war is over Afghanistan is going to need you as much as its men maybe even more. Because a society has no chance of success if its women are uneducated Laila. No chance.

Charles,” Bones said distinctly. “You’d better have a splendid explanation for her being on top of you.” The black-haired vampire rose to his feet as soon as I jumped off, brushing the dirt off his clothes. “Believe me, mate, I’ve never enjoyed a woman astride me less. I came out to say hello, and this she-devil blinded me by flinging rocks in my eyes. Then she vigorously attempted to split my skull before threatening to impale me with silver if I so much as even twitched! It’s been a few years since I’ve been to America, but I daresay the method of greeting a person has changed dramatically!” Bones rolled his eyes and clapped him on the shoulder. “I’m glad you’re still upright, Charles, and the only reason you are is because she didn’t have any silver. She’d have staked you right and proper otherwise. She has a tendency to shrivel someone first and then introduce herself afterwards.

Truly we work and live on a streetful of splendid people, whom we are to love and serve even if they are uninterested in us!

He saw clearly how plain and simple - how narrow, even - it all was; but clearly, too, how much it all meant to him, and the special value of some such anchorage in one's existence. He did not at all want to abandon the new life and its splendid spaces, to turn his back on sun and air and all they offered him and creep home and stay there; the upper world was all too strong, it called to him still, even down there, and he knew he must return to the larger stage. But it was good to think he had this to come back to, this place which was all his own, these things which were so glad to see him again and could always be counted upon for the same simple welcome.

He could not stand Alexia Tarabotti, even if her lovely brown eyes twinkled when she laughed, and she smelled good, and she had a particularly splendid figure.

People love to talk but hate to listen. Listening is not merely not talking, though even that is beyond most of our powers; it means taking a vigorous, human interest in what is being told us. You can listen like a blank wall or like a splendid auditorium where every sound comes back fuller and richer.

Yet, at the same time, as the Eastern sages also knew, man is a worm and food for worms. This is the paradox: he is out of nature and hopelessly in it; he is dual, up in the stars and yet housed in a heart-pumping, breath-gasping body that once belonged to a fish and still carries the gill-marks to prove it. His body is a material fleshy casing that is alien to him in many ways—the strangest and most repugnant way being that it aches and bleeds and will decay and die. Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order to blindly and dumbly rot and disappear forever. It is a terrifying dilemma to be in and to have to live with. The lower animals are, of course, spared this painful contradiction, as they lack a symbolic identity and the self-consciousness that goes with it. They merely act and move reflexively as they are driven by their instincts. If they pause at all, it is only a physical pause; inside they are anonymous, and even their faces have no name. They live in a world without time, pulsating, as it were, in a state of dumb being. This is what has made it so simple to shoot down whole herds of buffalo or elephants. The animals don't know that death is happening and continue grazing placidly while others drop alongside them. The knowledge of death is reflective and conceptual, and animals are spared it. They live and they disappear with the same thoughtlessness: a few minutes of fear, a few seconds of anguish, and it is over. But to live a whole lifetime with the fate of death haunting one's dreams and even the most sun-filled days—that's something else.

And yet, or just for this reason, it's so fascinating to be a woman. It's an adventure that takes such courage, a challenge that's never boring. You'll have so many things to engage you if you're born a woman. To begin with, you'll have to struggle to maintain that if God exists he might even be an old woman with white hair or a beautiful girl. Then you'll have to struggle to explain that it wasn't sin that was born on the day when Eve picked an apple, what was born that day was a splendid virtue called disobedience.

You have a mother?" He quirked a brow. "Did you think mine was some sort of divine birth? My father was a remarkable man, but even he was not that talented.

Ways of loving from a distance, mating without even touching-Amor platonicus! The ladder of love one is expected to climb higher and higher, elating the Self and the Other. Plato clearly regards any actual physical contact as corrupt and ignoble because he thinks the true goal of Eros is beauty. Is there no beauty in sex? Not according to Plato. He is after `more sublime pursuits.' But if you ask me, I think Plato's problem, like those of many others, was that he never got splendidly laid.

What is it about wearing a tuxedo or that little black dress, that makes us feel confident, beautiful, splendid, even invincible? We put on formal wear and suddenly we become extraordinary. On the days when you feel low and invisible, why not try this on for size: imagine you are wearing a fantastic tailored tuxedo or a stunning formal gown. And then proceed with your day.

When Marco Polo came at last to Cathay, seven hundred years ago, did he not feel--and did his heart not falter as he realized--that this great and splendid capital of an empire had had its being all the years of his life and far longer, and that he had been ignorant of it? That it was in need of nothing from him, from Venice, from Europe? That it was full of wonders beyond his understanding? That his arrival was a matter of no importance whatever? We know that he felt these things, and so has many a traveler in foreign parts who did not know what he was going to find. There is nothing that cuts you down to size like coming to some strange and marvelous place where no one even stops to notice that you stare about you.

In spring it is the dawn that is most beautiful. As the light creeps over the hills, their outlines are dyed a faint red and wisps of purplish cloud trail over them. In summer the nights. Not only when the moon shines, but on dark nights too, as the fireflies flit to and fro, and even when it rains, how beautiful it is! In autumn, the evenings, when the glittering sun sinks close to the edge of the hills and the crows fly back to their nests in threes and fours and twos; more charming still is a file of wild geese, like specks in the distant sky. When the sun has set, one's heart is moved by the sound of the wind and the hum of the insects. In winter the early mornings. It is beautiful indeed when snow has fallen during the night, but splendid too when the ground is white with frost; or even when there is no snow or frost, but it is simply very cold and the attendants hurry from room to room stirring up the fires and bringing charcoal, how well this fits the season's mood! But as noon approaches and the cold wears off, no one bothers to keep the braziers alight, and soon nothing remains but piles of white ashes.

She lived in fear of his shifting moods, his volatile temperament, his insistence on steering even mundane exchanges down a confrontational path that, on occasion, he would resolve with punches, slaps, kicks, and sometimes try to make amends for with polluted apologies, and sometimes not.

Inside Laila too a battle was being waged : guilt on one side, partnered with shame, and, on the other, the conviction that what she and Tariq had done was not sinful; that it had been natural, good, beautiful, even inevitable, spurred by the knowledge that they might never see each other again.

And now please note that I have raised my right hand. And that means that I'm not kidding, that whatever I say next I believe to be true. So here it goes: The most spiritually splendid American phenomenon of my lifetime wasn't our contribution to the defeat of the Nazis, in which I played such a large part, or Ronald Reagan's overthrow of Godless Communism, in Russia at least. The most spiritually splendid American phenomenon of my lifetime is how African-American citizens have maintained their dignity and self-respect, despite their having been treated by white Americans, both in and out of government, and simply because of their skin color, as though they were contemptible and loathsome, and even diseased." "If this isn’t nice, I don’t know what is.

In my opinion, at least, the splendid achievements of Alexander are the clearest possible proof that neither strength of body, nor noble blood, nor success in war even greater than Alexander's own... that none of these things, I say, can make a man happy, unless he can win one more victory in addition to those the world thinks so great---the victory over himself.

The enduring attraction of war is this: Even with its destruction and carnage it can give us what we long for in life. It can give us purpose, meaning, a reason for living. Only when we are in the midst of conflict does the shallowness and vapidness of much of our lives become apparent. Trivia dominates our conversations and increasingly our airwaves. And war is an enticing elixir. It gives us resolve, a cause. It allows us to be noble. And those who have the least meaning in their lives, the impoverished refugees in Gaza, the disenfranchised North African immigrants in France, even the legions of young who live in the splendid indolence and safety of the industrialized world, are all susceptible to war's appeal.

134. Letters are Commonplace Letters are commonplace enough, yet what splendid things they are! When someone is in a distant province and one is worried about him, and then a letter suddenly arrives, one feels as though one were seeing him face to face. Again, it is a great comfort to have expressed one's feelings in a letter even though one knows it cannot yet have arrived. If letters did not exist, what dark depressions would come over one! When one has been worrying about something and wants to tell a certain person about it, what a relief it is to put it all down in a letter! Still greater is one's joy when a reply arrives. At that moment a letter really seems like an elixir of life.

when you look at the past through a fresh lens, you invariably see the world differently and find new material and insights even along well-trodden paths.

Yes,’ he cried, ‘you have killed my love! You used to stir my imagination. Now you don’t even stir my curiosity. You simply produce no effect. I loved you because you were marvelous, because you had genius and intellect, because you realized the dreams of great poets and gave shape and substance to the shadows of art. You have thrown it all away. You are shallow and stupid. My God! how mad I was to love you! What a fool I have been! You are nothing to me now. I will never see you again. I will never think of you. I will never mention your name. You can’t know what you were to me, once. Why, once… Oh, I can’t bear to think of it! I wish I had never laid eyes upon you! You have spoiled the romance of my life. How little you can know of love if you say it mars your art! Without your art you are nothing. I would have made you famous, splendid, magnificent. The world would have worshiped you, and you would have borne my name. What are you now? A third-rate actress with a pretty face.

One must wait until evening to see how splendid the day has been.

What makes a civilization real to its inhabitants, in the end, is not just the splendid edifices at it centre, nor even the smooth functioning of the institutions they house. At its core, a civilization is the texts that are taught in its schools, learned by its students and recollected in times of tribulation.

When they entered they found, hanging upon the wall, a splendid portrait of their master as they had last seen him, in all the wonder of his exquisite youth and beauty. Lying on the floor was a dead man, in evening dress, with a knife in his heart. He was withered, wrinkled, and loathsome of visage. It was not till they had examined the rings that they recognised who it was.

You knew the fate of civilization was being decided fifteen thousand feet above your head in a world of sun, wind and sky . . . You knew it, but even so it was hard to take it in.

That summer, Titanic fever gripped Kabul. People smuggled pirated copies of the film from Pakistan- sometimes in their underwear. After curfew, everyone locked their doors, turned out the lights, turned down the volume, and reaped tears for Jack and Rose and the passengers of the doomed ship. If there was electrical power, Mariam, Laila, and the children watched it too. A dozen times or more, they unearthed the TV from behind the tool-shed, late at night, with the lights out and quilts pinned over the windows. At the Kabul River, vendors moved into the parched riverbed. Soon, from the river's sunbaked hollows, it was possible to buy Titanic carpets, and Titanic cloth, from bolts arranged in wheelbarrows. There was Titanic deodorant, Titanic toothpaste, Titanic perfume, Titanic pakora, even Titanic burqas. A particularly persistent beggar began calling himself "Titanic Beggar." "Titanic City" was born. It's the song, they said. No, the sea. The luxury. The ship. It's the sex, they whispered. Leo, said Aziza sheepishly. It's all about Leo. "Everybody wants Jack," Laila said to Mariam. "That's what it is. Everybody wants Jack to rescue them from disaster. But there is no Jack. Jack is not coming back. Jack is dead.

The three of us do not go out very often as the three of us. I think Daniel is perfect for Jed, which is the highest compliment I can give. But my friendship isn't with him, and Jed understands that. When we hit the road, we hit it together alone. We get to the bridge, out undestined destination. Even though there's no sign, no arrow, Jed turns at the last minute and parks us in a verge right before the bridge leaves the ground. The trunk pops open, and Jed runs round back to retrieve a bag of oranges and a sweatshirt that fits me better. Shall we make like lizards and leap? he asks. I never felt the urge to jump off a bridge, but there are times I have wanted to jump out of my life, out of my skin. Would you stroll me down the promenade instead? I ask back. Most certainly, my splendid. There is no word for our kind of friendship. Two people tho don't see each other a lot, but can make each other effortlessly happy.

He always smelled like warm wood and brandy, even when he hadn't had a drop of drink. Funny how he managed that. Funny how his smell was in her bed. Henry's eyelids fluttered open. Funny how he was in her bed.

Laila remembered how Mammy had dropped to the ground, how she’d screamed, torn at her hair. But Laila couldn’t even manage that. She could hardly move. She could hardly move a muscle. She sat on the chair instead, hands limp in her lap, eyes staring at nothing, and let her mind fly on. She let it fly on until it found the place, the good and safe place, where the barley fields were green, where the water ran clear and the cottonwood seeds danced by the thousands in the air; where Babi was reading a book beneath an acacia and Tariq was napping with his hands laced across his chest, and where she could dip her feet in the stream and dream good dreams beneath the watchful gaze of gods of ancient, sun-bleached rock.

Cheap heroism is always easy, and even to sacrifice life is easy too; because it is only a case of hot blood and an overflow of energy, and there is such a longing for what is beautiful! No, take the deed of heroism that is labourious, obscure, without noise or flourish, slandered, in which there is a great deal of sacrifice and not one grain of glory - in which you, a splendid man, are made to look like a scoundrel before every one, though you might be the most honest man in the world - you try that sort of heroism and you'll soon give it up! While I - have been bearing the burden of that all my life.

The greatest book in the world, the Mahabharata, tells us we all have to live and die by our karmic cycle. Thus works the perfect reward-and-punishment, cause-and-effect, code of the universe. We live out in our present life what we wrote out in our last. But the great moral thriller also orders us to rage against karma and its despotic dictates. It teaches us to subvert it. To change it. It tells us we also write out our next lives as we live out our present. The Mahabharata is not a work of religious instruction. It is much greater. It is a work of art. It understands men will always fall in the shifting chasm between the tug of the moral and the lure of the immoral. It is in this shifting space of uncertitude that men become men. Not animals, not gods. It understands truth is relative. That it is defined by context and motive. It encourages the noblest of men - Yudhishtra, Arjuna, Lord Krishna himself - to lie, so that a greater truth may be served. It understands the world is powered by desire. And that desire is an unknowable thing. Desire conjures death, destruction, distress. But also creates love, beauty, art. It is our greatest undoing. And the only reason for all doing. And doing is life. Doing is karma. Thus it forgives even those who desire intemperately. It forgives Duryodhana. The man who desires without pause. The man who precipitates the war to end all wars. It grants him paradise and the admiration of the gods. In the desiring and the doing this most reviled of men fulfils the mandate of man. You must know the world before you are done with it. You must act on desire before you renounce it. There can be no merit in forgoing the not known. The greatest book in the world rescues volition from religion and gives it back to man. Religion is the disciplinarian fantasy of a schoolmaster. The Mahabharata is the joyous song of life of a maestro. In its tales within tales it takes religion for a spin and skins it inside out. Leaves it puzzling over its own poisoned follicles. It gives men the chance to be splendid. Doubt-ridden architects of some small part of their lives. Duryodhanas who can win even as they lose.

One must find some structure, even if it be this haphazard one of the alphabet.

There are few things more blasphemous than a preacher who compliments the unbeliever on the wonderful life he has made for himself, extolling all that he has achieved, and then adding that he lacks one thing: he needs Jesus to make it all complete. This was not the attitude of the apostle Paul, who counted even the most splendid things in his previous life to be dung in comparison to Christ.11 We should never present Christ to the unbeliever as the cherry on top of an already wonderful life. The unbeliever must see that he has no life, and that all his personal achievements prior to Christ are monuments to his own vanity: made of sand and quickly passing.

Life to me is the greatest of all games. The danger lies in treating it as a trivial game, a game to be taken lightly, and a game in which the rules don’t matter much. The rules matter a great deal. The game has to be played fairly or it is no game at all. And even to win the game is not the chief end. The chief end is to win it honorably and splendidly.

The day I fall in love with you for real will be the same day they open up a ski resort in Hell.” “Splendid. That can be our first date.” He flashed me a grin which, even in the dark, managed to sparkle.

so deeply ingrained is the unconscious northern hemisphere chauvinism in those of us who live there, and even some who don't. 'Unconscious' is exactly right. That is where consciousness-raising comes in. It is for a deeper reason than gimmicky fun that, in Australia and New Zealand, you can buy maps of the world with the South Pole on top. What splendid consciousness-raisers those maps would be, pinned to the walls of our northern hemisphere classrooms. Day after day, the children would be reminded that 'north' is an arbitrary polarity which has no monopoly on 'up'.

Sociologically, politically, psychologically, spiritually, it was never enough for James Baldwin to categorize himself as one thing or the other: not just black, not just sexual, not just American, nor even just as a world-class literary artist. He embraced the whole of life the way the sun’s gravitational passion embraces everything from the smallest wandering comet to the largest looming planet.

How condescending, how splendidly democratic of Sir Lancelot, to laugh, as if he were an ordinary man! Perhaps he eats and drinks as well, or even sleeps at night.

In its essence, Elemental, the Power of Illuminated Love, maintains we are all on a quest to experience qualities of compassion and acceptance capable of helping to sustain both the individual and the larger society. Because such a journey tends to take place even more within than without, the visual imagery, words, and music of ILLUMINATED LOVE incorporates both levels of that reality.

On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze. A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that? Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind. In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday. Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us. It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral. All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.

The most spiritually splendid American phenomenon of my lifetime is how African-American citizens have maintained their dignity and self-respect, despite their having been treated by white Americans, both in and out of government, and simply because of their skin color, as though they were contemptible and loathsome, and even diseased.

At Midnight Now at last I have come to see what life is, Nothing is ever ended, everything only begun, And the brave victories that seem so splendid Are never really won. Even love that I built my spirit's house for, Comes like a brooding and a baffled guest, And music and men's praise and even laughter Are not so good as rest.

It is an unchristian religion, in the first place!' the prince resumed in great agitation and with excessive sharpness. 'That's in the first place, and secondly, Roman Catholicism is even worse than atheism - that's my opinion. Yes, that's my opinion! Atheism merely preaches a negation, but Catholicism goes further: it preaches a distorted Christ, a Christ calumniated and defamed by it, the opposite of Christ! It preaches Antichrist - I swear it does, I assure you it does! This is my personal opinion, an opinion I've held for a long time, and it has worried me a lot myself. ... Roman Catholicism believes that the Church cannot exist on earth without universal temporal power, and cries: Non possumus! In my opinion, Roman Catholicism isn't even a religion, but most decidedly a continuation of the Holy Roman Empire, and everything in it is subordinated to that idea, beginning with faith. The Pope seized the earth, an earthly throne and took up the sword; and since then everything has gone on in the same way, except that they've added lies, fraud, deceit, fanaticism, superstition wickedness. They have trifled with the most sacred, truthful, innocent, ardent feelings of the people, have bartered it all for money, for base temporal power. And isn't this the teaching of Antichrist? Isn't it clear that atheism had to come from them? And it did come from them, from Roman Catholicism itself! Atheism originated first of all with them: how could they believe in themselves? It gained ground because of abhorrence of them; it is the child of their lies and their spiritual impotence! Atheism! In our country it is only the upper classes who do not believe, as Mr Radomsky so splendidly put it the other day, for they have lost their roots. But in Europe vast numbers of the common people are beginning to lose their faith - at first from darkness and lies, and now from fanaticism, hatred of the Church and Christianity!

Materialists believe that absolutely everything, even the formal structures of culture and the intentional structures of consciousness, can be reduced without remainder to an ensemble of mechanistic interactions among intrinsically mindless physical elements; and I suppose anyone capable of believing that is capable of believing practically anything.

This morning a splendid dawn passed over our house on its way, to Kansas. This morning Kansas rolled out of its sleep into a sunlight grandly announced, proclaimed throughout heaven—one more of the very finite number of days that this old prairie has been called Kansas, or Iowa. But it has all been one day, that first day. Light is constant, we just turn over in it. So every day is in fact the selfsame evening and morning. My grandfather’s grave turned into the light, and the dew on his weedy little mortality patch was glorious.

Even in sin, the act of love -done with love- is shadowed with divinity. Its conformity may be at fault, but its nature is not altered, and its nature is creative, communicative, splendid in surrender. It was in the splendor of my surrender to Nina and she to me, that I first understood how a man might surrender himself to God -if a God existed. The moment of love is a moment of union -of body and spirit- and the act of faith is mutual and implicit.

there are places in the world where real life is still happening, far away from here, in a pre-Hitler Europe, where hundreds of lights are lit every evening, ladies and gentlemen gather to drink coffee with cream in oak-panelled rooms, or sit comfortably in splendid coffee-houses under gilt chandeliers, stroll arm in arm to the opera or the ballet, observe from close-up the lives of great artists, passionate love affairs, broken hearts, the painter’s girlfriend falling in love with his best friend the composer, and going out at midnight bareheaded in the rain to stand alone on the ancient bridge whose reflection trembles in the river. *

She broke the seal to find the flowing, masculine script that had come to mean the world to her. Courage, my love. I need you to possess the same fire that led you from Scotland to Normandy that first day when we met. Whatever the day brings, know that I will always love you. You carry with you, my heart, my soul, my very being. Be strong for me, Kenna. Ever your knight, S Postscriptum S doesn't stand for Stryder. She laughed at that, even though her eyes were filled with tears. -Simon in a letter to Kenna

Now at last I have come to see what life is, Nothing is ever ended, everything only begun, And the brave victories that seem so splendid Are never really won. Even love that I built my spirit's house for, Comes like a brooding and a baffled guest, And music and men's praise and even laughter Are not so good as rest.

All that profligate investment of energy to effect a splendid, momentary reversal of natural law. That such a reversal should demand so much and last such a short time was terrible; that people would go for it anyway was both terrible and wonderful. ...A game, or maybe even not that--maybe it was only practice for a game, the way that all the sweat and trembling exhaustion in the Wilshire loft that day had just been practice. Practice for a show that only a few people would probably care to attend and which would probably close quickly.

We want splendid books, books that immerse us in the splendor of reality and keep us there; books that prove to us that love is at work in the world next to evil, right up against it, at times indistinctly, and that it always will be, just the way that suffering will always ravage hearts. We want good novels...And even if there is only one such book per decade,...only one...every ten years, that would be enough. We want nothing else.

When I had lived in this world for twenty years, I understood that it was a world worth living in. At twenty-five I realized that light and dark are sides of the same coin; that wherever the sun shines, shadows too must fall. Now, at thirty, here is what I think: where joy grows deep, sorrow must deepen; the greater one's pleasures, the greater the pain. If you try to sever the two, life falls apart. Try to control them, and you will meet with failure. Money is essential, but with the increase of what is essential to you, anxieties will invade you even in sleep. Love is a happy thing, but as this happy love swells and grows heavy, you will yearn instead for the happy days before love came into your life. Splendid though he is, a cabinet minister must bear a million people on his shoulders; the weight of the whole nation rests heavy upon his back. If something is delicious, it goes hard not to eat it, yet if you eat a little you only desire more, and if you gorge yourself on it, it leaves you unpleasantly bloated.

My husband's personality was filled with serenity and sunlight. Not even the incurable illness which fell upon him soon after our marriage could long cloud his brow. On the very night of his death he took me in his arms, and during the many months when he lay dying in his wheel chair, he often said jokingly to me: 'Well, have you already picked out a lover?' I blushed with shame. 'Don't deceive me,' he added on one occasion, 'that would seem ugly to me, but pick out an attractive lover, or preferably several. You are a splendid woman, but still half a child, and you need toys.

Many people are miserable because they think that occasional destructive feelings necessarily make them terrible persons. But just as Aristotle maintained, “One swallow does not make a spring,” we must understand that one or two or even a dozen unadmirable traits does not make an unadmirable person. Long ago Edmund Burke warned humanity about the danger of false generalization in society; of judging a whole race by a few undesirable members. Today we should likewise become aware of the generalization about our individual personality. A splendid freedom awaits us when we realize that we need not feel like moral lepers or emotional pariahs because we have some aggressive, hostile feeling s towards ourselves and others. When we acknowledge these feelings we no longer have to pretend to be that which we are not. It is enough to be what we are! We discover that rigid pride is actually the supreme foe of inner victory, while flexible humility, the kind of humility that appears when we do not demand the impossible or the angelic of ourselves, is the great ally of psychic peace.

Read History: thus learn how small a space You may inhabit, nor inhabit long In crowding Cosmos -- in that confined place Work boldly; build your flimsy barriers strong; Turn round and round, make warm your nest; among The other hunting beasts, keep heart and face, -- Not to betray the doomed and splendid race You are so proud of, to which you belong. For trouble comes to all of us: the rat Has courage, in adversity, to fight; But what a shining animal is man, Who knows, when pain subsides, that is not that, For worse than that must follow -- yet can write Music; can laugh; play tennis; even plan.

Most Germans, so far as I could see, did not seem to mind that their personal freedom had been taken away, that so much of their splendid culture was being destroyed and replaced with a mindless barbarism, or that their life and work were being regimented to a degree never before experienced even by a people accustomed for generations to a great deal of regimentation … On the whole, people did not seem to feel that they were being cowed and held down by an unscrupulous tyranny. On the contrary, they appeared to support it with genuine enthusiasm

I act uncommonly important when I read, look all around to see if people are noticing how cleverly someone there is improving his mind and wits; I slit open page after page at splendid leisure, do not even read any more but satisfy myself with having assumed the posture of a person immersed in a book. That is how I am: harebrained, and all for effect. I am vain, but my satisfaction with my vanity costs remarkably little.

No, of course not," Belle said, playfully swatting him on the shoulder. "I never, never even once thought I was making a mistake. I was just a bit at odds with myself because my wedding wasn't exactly how I dreamed it was going to be." "I'm sorry," John said softly. "No, no, don't be. Just because it wasn't what I thought I wanted doesn't mean it wasn't absolutely perfect. Oh, dear, am I making any sense at all.?" John nodded solemnly. "I thought that I needed a church and hundreds of guest and music that actually sounded like music, but I was wrong. What I needed was a drunken priest, irreverent guests, and a companion who learned to play piano from a goat." "Then you got exactly what you needed." "I suppose so. But then again, all I really needed was you." John leaned down to kiss her again, and they remained thus occupied for the next hour.

Two hours later he was ready to kill her. Even his outraged mind, however, recognized that murder was not a viable option, and so he contented himself with devising various plans to make her suffer. Torture was probably too trite, he decided, and he didn't have the stomach to use it on a female. Although ... He looked over at the person in the baggy breeches. She appeared to be smiling as she lugged the stones. She was no ordinary female. He shook his head. There were other ways to make her miserable. A snake in her bed perhaps? No, the blasted woman probably liked snakes. A spider? Didn't everyone hate spiders?

He did not at all want to abandon the new life and its splendid spaces, to turn his back on sun and air and all they offered him and creep home and stay there; the upper world was all too strong, it called to him still, even down there, and he knew he must return to the larger stage. But it was good to think he had this to come back to; this place which was all his own, these things which were so glad to see him again and could always be counted upon for the same simple welcome.

He did not at all want to abandon the new life and its splendid spaces, to turn his back on sun and air and all they offered him and creep home and stay there; the upper world was all too strong, it called to him still, even down there, and he knew he must return to the larger stage. But it was good to think he had this to come back to; this place, which was all his own, these things which were so glad to see him again and could always be counted upon for the same simple welcome.

Bad or good, movies nearly always have a strange diminishing effect on works of fantasy (of course there are exceptions; The Wizard of Oz is an example which springs immediately to mind). In discussions, people are willing to cast various parts endlessly. I've always thought Robert Duvall would make a splendid Randall Flagg, but I've heard people suggest such people as Clint Eastwood, Bruce Dern and Christopher Walken. They all sound good, just as Bruce Springsteen would seem to make an interesting Larry Underwood, if ever he chose to try acting (and, based on his videos, I think he would do very well ... although my personal choice would be Marshall Crenshaw). But in the end, I think it's best for Stu, Larry, Glen, Frannie, Ralph, Tom Cullen, Lloyd, and that dark fellow to belong to the reader, who will visualize them through the lens of the imagination in a vivid and constantly changing way no camera can duplicate. Movies, after all, are only an illusion of motion comprised of thousands of still photographs. The imagination, however, moves with its own tidal flow. Films, even the best of them, freeze fiction - anyone who has ever seen One Flew Over The Cuckoo's Nest and then reads Ken Kesey's novel will find it hard or impossible not to see Jack Nicholson's face on Randle Patrick McMurphy. That is not necessarily bad ... but it is limiting. The glory of a good tale is that it is limitless and fluid; a good tale belongs to each reader in its own particular way.

You know that feeling of invincibility you sometimes get, especially when young and testing yourself - well that could be because actually know deep down that we are indeed eternal. We come into this world to live a life, to experience it, from somewhere else, some other plane, but we are programmed by all around us to deny or forget this - until one day we may remember again. That feeling of blissful reconnection with our source can be invoked through nature, beautiful writing or art or music, any detailed craft or work of discovery or personal dedication, meditation or other mentally balancing practice, or even through religious experience if there is a pure communion (not a pretence of it). But we should not yearn to return too soon, we should accept that we have come here for the duration of each life, and revel in the chance to learn and grow on this splendid planet. We can draw a deep sense of being-ness. peace, and love from this connection, which will sustain us through any trial. Once nurtured, this becomes stronger than any other connection, so of course our relationships here are most joyful when they allow us the personal freedom to spend time developing and celebrating that connection. Our deepest friendships form with those we can share such time and experiences with - discussing, meditating, immersing ourselves in nature, or creating our music, art, written or other works. Our journeys here are voyages of discovery, opening out the wonders within and all around. What better companions could we have than those who are able to fully share in such delights with us?

Our intellect has created a new world that dominates nature, and has populated it with monstrous machines. The latter are so indubitably useful that we cannot see even a possibility of getting rid of them or our subservience to them. Man is bound to follow the adventurous promptings of his scientific and inventive mind and to admire himself for his splendid achievements. At the same time, his genius shows the uncanny tendency to invent things that become more and more dangerous, because they represent better and better means for wholesale suicide.

When I lived on the Bluff in Yokohama I spend a good deal of my leisure in the company of foreign residents, at their banquets and balls. At close range I was not particularly struck by their whiteness, but from a distance I could distinguish them quite clearly from the Japanese. Among the Japanese were ladies who were dressed in gowns no less splendid than the foreigners’, and whose skin was whiter than theirs. Yet from across the room these ladies, even one alone, would stand out unmistakably from amongst a group of foreigners. For the Japanese complexion, no matter how white, is tinged by a slight cloudiness. These women were in no way reticent about powdering themselves. Every bit of exposed flesh—even their backs and arms—they covered with a thick coat of white. Still they could not efface the darkness that lay below their skin. It was as plainly visible as dirt at the bottom of a pool of pure water. Between the fingers, around the nostrils, on the nape of the neck, along the spine—about these places especially, dark, almost dirty, shadows gathered. But the skin of the Westerners, even those of a darker complexion, had a limpid glow. Nowhere were they tainted by this gray shadow. From the tops of their heads to the tips of their fingers the whiteness was pure and unadulterated. Thus it is that when one of us goes among a group of Westerners it is like a grimy stain on a sheet of white paper. The sight offends even our own eyes and leaves none too pleasant a feeling.

The one universal balm for the trauma of war was tea. It was the thing that helped people cope. People made tea during air raids and after air raids, and on breaks between retrieving bodies from shattered buildings. Tea bolstered the network of thirty thousand observers who watched for German aircraft over England, operating from one thousand observation posts, all stocked with tea and kettles. Mobile canteens dispensed gallons of it, steaming, from spigots. In propaganda films, the making of tea became a visual metaphor for carrying on. “Tea acquired almost a magical importance in London life,” according to one study of London during the war. “And the reassuring cup of tea actually did seem to help cheer people up in a crisis.” Tea ran through Mass-Observation diaries like a river. “That’s one trouble about the raids,” a female diarist complained. “People do nothing but make tea and expect you to drink it.” Tea anchored the day—though at teatime, Churchill himself did not actually drink it, despite reputedly having said that tea was more important than ammunition. He preferred whiskey and water. Tea was comfort and history; above all, it was English. As long as there was tea, there was England. But now the war and the strict rationing that came with it threatened to shake even this most prosaic of pillars.

You can see by these things that she was of a rather vain and frivolous character; still, she had virtues, and enough to make up, I think. She had a kind heart and gentle ways, and never harbored resentments for injuries done her, but put them easily out of her mind and forgot them; and she taught her children her kindly way, and from her we learned also to be brave and prompt in time of danger, and not to run away, but face the peril that threatened friend or stranger, and help him the best we could without stopping to think what the cost might be to us. And she taught us not by words only, but by example, and that is the best way and the surest and the most lasting. Why, the brave things she did, the splendid things! she was just a soldier; and so modest about it—well, you couldn't help admiring her, and you couldn't help imitating her; not even a King Charles spaniel could remain entirely despicable in her society. So, as you see, there was more to her than her education.

O full and splendid Moon, whom I Have, from this desk, seen climb the sky So many a midnight,—would thy glow For the last time beheld my woe! Ever thine eye, most mournful friend, O'er books and papers saw me bend; But would that I, on mountains grand, Amid thy blessed light could stand, With spirits through mountain-caverns hover, Float in thy twilight the meadows over, And, freed from the fumes of lore that swathe me, To health in thy dewy fountains bathe me! Ah, me! this dungeon still I see. This drear, accursed masonry, Where even the welcome daylight strains But duskly through the painted panes.

No one ever said aloud any of the kinds of things he was so constantly thinking, because no one in the parish, not Alice, not Lady Higgs, not anybody, ever seemed to see the things he saw. If they thought as he did, if they saw what he did, they never mentioned it; and to have things which are precious to one eternally unmentioned makes one, he had long discovered, lonely. These August nights, for instance—remarkably and unusually beautiful, warm and velvety as he had never known them, ushered in each evening by the most astonishing variety of splendid sunsets—nobody had said a single word about them. They might have been February ones, for all the notice they got. Sometimes he climbed up to the top of Burdon Down towards evening, and stood staring in amazement at what looked like heaven let loose in flames over England; but always he stood alone, always there was no one but himself up there, and no one afterwards, when he descended from his heights, seemed to be aware that anything unusual had been going on.

the true test of a country’s level of civility has nothing to do with building the tallest skyscraper or driving the fastest car, nor does it matter how advanced your weapons system is or how powerful your military might be; it is also not about how advanced your technology is or even your artistic achievements, and it is especially not related to how lavish your official government meetings are or how splendid your firework displays are, or even how many rich Chinese tourists you have buying up different parts of the world. There is only one true test, and that is how you treat the weakest and most vulnerable members of your society.

But even as they laid him low a great cry rang through the glade - "In the King's Name" and the stalwart knights of the Splendid Way burst upon them with clashing shields and flashing swords. In a breath the attackers were sent reeling back, and the prostrate knight was covered by the strong weapons of his comrades. Then it seemed that at the glory of the face of Sir Felix the evil spirits of the wood shrank back to their lair in deadly fear: and the Knight of the Clean Heart raised Sir Constant to his feet, and gave him back his fallen sword. "Hearken, comrade," he cried mightily. "This is thy battle and the glorious end shall be thine. Strike hard and conquer!

Yubbazubbies, you are yummy, you are succulent and sweet, you are splendidly delicious, quite delectable to eat, how I smack my lips with relish when you bump against my knees, then nuzzle up beside me, chirping, "Eat us if you please!" You are juicy, Yubbazubbies, you are tender, never tough, you are appetizing morsels, I can never get enough, you have captivating flavors and a tantalizing smell, a bit like candied apple, and a bit like caramel. Yubbazubbies, you are luscious, you are soft and smooth as silk, like a dish of chicken dumplings, or a glass of chocolate milk, even when I'm hardly hungry, I am sure to taste a few, and I'm never disappointed, Yubbazubbies, I love you.

My first sight of the fabled warrior was a surprise. He was not a mighty-thewed giant, like Ajax. His body was not broad and powerful, as Odysseos'. He seemed small, almost boyish, his bare arms and legs slim and virtually hairless. His chin was shaved clean, and the ringlets of his long black hair were tied up in a silver chain. He wore a splendid white silk tunic, bordered with a purple key design, cinched at the waist with a belt of interlocking gold crescents... His face was the greatest shock. Ugly, almost to the point of being grotesque. Narrow beady eyes, lips curled in a perpetual snarl, a sharp hook of a nose, skin pocked and cratered... A small ugly boy born to be a king... A young man possessed with fire to silence the laughter, to stifle the taunting. His slim arms and legs were iron-hard, knotted with muscle. His dark eyes were absolutely humourless. There was no doubt in my mind that he could outfight Odysseos or even powerful Ajax on sheer willpower alone.

I feel grateful for the slight sprain which has introduced this mysterious and fascinating division between one of my feet and the other. The way to love anything is to realise that it might be lost. In one of my feet I can feel how strong and splendid a foot is; in the other I can realise how very much otherwise it might have been. The moral of the thing is wholly exhilarating. This world and all our powers in it are far more awful and beautiful than even we know until some accident reminds us. If you wish to perceive that limitless felicity, limit yourself if only for a moment. If you wish to realise how fearfully and wonderfully God's image is made, stand on one leg. If you want to realise the splendid vision of all visible things-- wink the other eye.

The greatest inspiration, the most sublime ideas of living that have come down to humanity come from a higher realm, a happier realm, a place of pure dreams, a heaven of blessed notions. Ideas and infinite possibilities dwell there in absolute tranquility. Before these ideas came to us they were pure, they were silent, and their life-giving possibilities were splendid. But when they come to our earthly realm they acquire weight and words. They become less. The sweetest notions, ideas of universal love and justice, love for one another, or intuitions of joyful creation, these are all perfect in their heavenly existences. Any artist will tell you that ideas are happier in the heaven of their conception than on the earth of their realization. We should return to pure contemplation, to sweet meditation, to the peace of silent loving, the serenity of deep faith, to the stillness of deep waters. We should sit still in our deep selves and dream good new things for humanity. We should try and make those dreams real. We should keep trying to raise higher the conditions and possibilities of this world. Then maybe one day, after much striving, we might well begin to create a world justice and a new light on this earth that could inspire a ten-second silence of wonder – even in heaven.

Man is bound to follow the exploits of his scientific and inventive mind and to admire himself for his splendid achievements. At the same time, he cannot help admitting that his genius shows an uncanny tendency to invent things that become more and more dangerous, because they represent better and better means for wholesale suicide. In view of the rapidly increasing avalanche of world population, we have already begun to seek ways and means of keeping the rising flood at bay. But nature may anticipate all our attempts by turning against man his own creative mind, and, by releasing the H-bomb or some equally catastrophic device, put an effective stop to overpopulation. In spite of our proud domination of nature we are still her victims as much as ever and have not even learnt to control our own nature, which slowly and inevitably courts disaster.

We will simply say here that, as a means of contrast with the sublime, the grotesque is, in our view, the richest source that nature can offer art. Rubens so understood it, doubtless, when it pleased him to introduce the hideous features of a court dwarf amid his exhibitions of royal magnificence, coronations and splendid ceremonial. The universal beauty which the ancients solemnly laid upon everything, is not without monotony; the same impression repeated again and again may prove fatiguing at last. Sublime upon sublime scarcely presents a contrast, and we need a little rest from everything, even the beautiful. On the other hand, the grotesque seems to be a halting-place, a mean term, a starting-point whence one rises toward the beautiful with a fresher and keener perception. The salamander gives relief to the water-sprite; the gnome heightens the charm of the sylph.

Gift Nothing will hurt you that much despite how you feel the stress on your back shapes your insight this splendid November rain Toussaint. I find you by your marks, he says an imprint But when I summon you, I talk to—I say— my memory of your face. It’s kind of crazy to others. They’re not very interesting he says. When I first came to this country, and now I know the language I say, but I had in a dream spoken it many years previously. That is, not the language of the dead the language of France. I took one year of French in 1964 and then nothing but once, in 1977 I spoke French in a dream all night: I was in the future I moved here in 1992. Country of the more logical than I? though the people of my quartier know and like me, even as I a foreigner remain strange You do everything alone a woman said to me. There are ways to care without interfering but the French speak of anguish frequently they are conscious of emotional extremity a terrible gift. It’s all a gift, he says . . . some haven’t been opened. I’m not sure he said that it’s nearly my sixty-seventh birthday today though it’s the day of the dead hello we love you they say.

Philosophy, a love of wisdom, is both a desire for a good and an appreciation of the admirable. The good is an object of desire and love, the admirable is an object of contemplation. If we focus too exclusively on what is useful or even on what is good, we lose the capacity for admiration: “We become blind to the beauty that completes the good.” The admirable manifests itself in all the works of intelligence: in the elegance of well-formed mathematical systems, in deeply moving political speeches, in a life well lived, and in a well-ordered city. What is admirable in all of these things is the way they have to be. Their forms express this necessity, not in the sense of something relentless and overpowering, but in the sense of a fullness that displays their perfection. Philosophy is to remind us of the necessity in things: not just the necessities to which we have to resign ourselves, but those we can find splendid.

Can you remember, Acte...how much easier our belief in Nero made life for us in the old days? And can you remember the paralysis, the numbness that seized the whole world when Nero died? Didn't you feel as if the world had grown bare and colorless all of a sudden? Those people on the Palatine have tried to steal our Nero from us, from you and me. Isn't splendid to think that we can show them they haven't succeeded? They have smashed his statues into splinters, erased his name from all the inscriptions, they even replaced his head on that huge statue in Rome with the peasant head of old Vespasian. Isn't it fine to teach them that all that hasn't been of the slightest use? Granted that they have been successful for a few years. For a few years they have actually managed to banish all imagination from the world, all enthusiasm, extravagance, everything that makes life worth living. But now, with our Nero, all these things are back again.

He was lying a hundred and fifty feet below the Earth, inside the loneliest mountain in France - as if in his own grave. Never in his life had he felt so secure, certainly not is his mother's belly. The world could go up in flames out there, but he would not even notice it here. He began to cry softly. He did not know who to thank for such good fortune... We are familiar with people who seek out solitude: penitents, failures, saints, or prophets... Grenouille's case was nothing of the sort. There was not the least notion of God in his head. He was not doing penance nor waiting for some supernatural inspiration. He had withdrawn solely for his own personal pleasure, only to be near to himself. No longer distracted by anything external, he basked in his own existence and found it splendid. He lay in his stony crypt like his own corpse, hardly breathing, his hearty hardly beating - and yet lived as intensively and dissolutely as ever a rake had lived in the wide world outside.

Close your eyes. Be with me. Imagine that I am stepping off of the front stoop of my old apartment building. That I am strolling along the Upper West Side, like always. Just like any other morning. It is a splendid, sunlit day, and I am wearing my brand-new Gucci pumps. Walking across 110th Street, I take the rustic, parkside staircase into the tiled recesses of the Cathedral Parkway station. It may have originally opened in 1904, but for my money it doesn’t look a day over 60. I wonder, sometimes, what it must have been like to be alive back then, when all of this was different. Before the city had made, erased, and remade itself fifty times over. In my fantasy world, everything must have been slower—easier, even. I like to think that if we could somehow slow down the passage of time, if we could eke just a little bit more out of each minute, then we could get more depth out of life. That things might taste a bit richer, more diffuse. That we could experience the fullness of sound. That we could feel things more deeply—and longer.

him." "Oh, I wish we had the old days back again," exclaimed Jem. "I'd love to be a soldier—a great, triumphant general. I'd give EVERYTHING to see a big battle." Well, Jem was to be a soldier and see a greater battle than had ever been fought in the world; but that was as yet far in the future; and the mother, whose first-born son he was, was wont to look on her boys and thank God that the "brave days of old," which Jem longed for, were gone for ever, and that never would it be necessary for the sons of Canada to ride forth to battle "for the ashes of their fathers and the temples of their gods." The shadow of the Great Conflict had not yet made felt any forerunner of its chill. The lads who were to fight, and perhaps fall, on the fields of France and Flanders, Gallipoli and Palestine, were still roguish schoolboys with a fair life in prospect before them: the girls whose hearts were to be wrung were yet fair little maidens a-star with hopes and dreams. Slowly the banners of the sunset city gave up their crimson and gold; slowly the conqueror's pageant faded out. Twilight crept over the valley and the little group grew silent. Walter had been reading again that day in his beloved book of myths and he remembered how he had once fancied the Pied Piper coming down the valley on an evening just like this. He began to speak dreamily, partly because he wanted to thrill his companions a little, partly because something apart from him seemed to be speaking through his lips. "The Piper is coming nearer," he said, "he is nearer than he was that evening I saw him before. His long, shadowy cloak is blowing around him. He pipes—he pipes—and we must follow—Jem and Carl and Jerry and I—round and round the world. Listen— listen—can't you hear his wild music?" The girls shivered. "You know you're only pretending," protested Mary Vance, "and I wish you wouldn't. You make it too real. I hate that old Piper of yours." But Jem sprang up with a gay laugh. He stood up on a little hillock, tall and splendid, with his open brow and his fearless eyes. There were thousands like him all over the land of the maple. "Let the Piper come and welcome," he cried, waving

The "Avenue," so called by the Newbridge people, was a stretch of road four or five hundred yards long, completely arched over with huge, wide-spreading apple-trees, planted years ago by an eccentric old farmer. Overhead was one long canopy of snowy fragrant bloom. Below the boughs the air was full of a purple twilight and far ahead a glimpse of painted sunset sky shone like a great rose window at the end of a cathedral aisle. Its beauty seemed to strike the child dumb. She leaned back in the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. Even when they had passed out and were driving down the long slope to Newbridge she never moved or spoke. Still with rapt face she gazed afar into the sunset west, with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where dogs barked at them and small boys hooted and curious faces peered from the windows, they drove, still in silence. When three more miles had dropped away behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk.

I would be pleased to participate in this conversation to a greater degree," he drawled, "except that you have not seen fit to share with me any of the details of your life." "It was not an oversight on my part." He clucked disapprovingly. "So hostile." Her eyes bugged out. "You abducted me-" Coerced," he reminded her. "Do you want me to hit you?" "I wouldn't mind it," he said mildly. "And besides, now that you're here, was it really so very terrible that I browbeat you into coming? You like my family, don't you?" "Yes,but-" "And they treat you fairly, right?" "Yes,but-" "Then what," he asked, his tone most supercilious, "is the problem?" Sophie almost lost her temper. She almost jumped to her feet and grabbed his shoulders and shook and shook and shook, but at the last moment she realized that that was exactly what he wanted her to do.And so instead she merely sniffed and said, "If you cannot recognize the problem, there is no way that I could explain it to you." He laughed,damn the man. "My goodness," he said, "that was an expert sidestep." She picked up her book and opened it. "I'm reading." "Trying,at least," he murmured. She flipped a page, even though she hadn't read that last two paragraphs. She was really just trying to make a show of ignoring him, and besides, she could always go back and read them later, after he left. "Your book is upside down," he pointed out. Sophie gasped and looked down. "It is not!" He smiled slyly. "But you still had to look to be sure, didn't you?" She stood up and announced, "I'm going inside." He stood immediately. "And leave the splendid spring air?" "And leave you," she retorted, even though his gesture of respect was not lost on her. Gentleman did not ordinarily stand for mere servants. "Pity," he murmured. "I was having such fun." Sophie wondered how much injury he'd sustain if she threw the book at him. Probably not enough to make up for the loss to her dignity.

I went on writing reviews for the newspaper, and critical articles crying out for a different approach to culture, as even the most inattentive reader could hardly fail to notice if he scratched the surface a little, critical articles crying out, indeed begging, for a return to the Greek and Latin greats, to the Troubadours, to the dolce stil nuovo and the classics of Spain, France and England, more culture! more culture! read Whitman and Pound and Eliot, read Neruda and Borges and Vallejo, read Victor Hugo, for God’s sake, and Tolstoy, and proudly I cried myself hoarse in the desert, but my vociferations and on occasions my howling could only be heard by those who were able to scratch the surface of my writings with the nails of their index fingers, and they were not many, but enough for me, and life went on and on and on, like a necklace of rice grains, on each grain of which a landscape had been painted, tiny grains and microscopic landscapes, and I knew that everyone was putting that necklace on and wearing it, but no one had the patience or the strength or the courage to take it off and look at it closely and decipher each landscape grain by grain, partly because to do so required the vision of a lynx or an eagle, and partly because the landscapes usually turned out to contain unpleasant surprises like coffins, makeshift cemeteries, ghost towns, the void and the horror, the smallness of being and its ridiculous will, people watching television, people going to football matches, boredom navigating the Chilean imagination like an enormous aircraft carrier. And that’s the truth. We were bored. We intellectuals. Because you can't read all day and all night. You can't write all day and all night. Splendid isolation has never been our style...

We might call this existential paradox the condition of individuality finitude. Man has a symbolic identity that brings him sharply out of nature. He is a symbolic self, a creature with a name, a life history. He is a creator with a mind that soars out to speculate about atoms and infinity, who can place himself imaginatively at a point in space and contemplate bemusedly his own planet. This immense expansion, this dexterity, this ethereality, this self-consciousness gives to man literally the status of a small god in nature, as the Renaissance thinkers knew. Yet, at the same time, as the Eastern sages also knew, man is a worm and food for worms. This is the paradox: he is out of nature and hopelessly in it; he is dual, up in the stars and yet housed in a heart-pumping, breath-gasping body that once belonged to a fish and still carries the gill-marks to prove it. His body is a material fleshy casing that is alien to him in many ways-the strangest and most repugnant way being that it aches and bleeds and will decay and die. Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order to blindly and dumbly rot and disappear forever. It is a terrifying dilemma to be in and to have to live with. The lower animals are, of course, spared this painful contradiction, as they lack a symbolic identity and the self-consciousness that goes with it. They merely act and move reflexively as they are driven by their instincts. If they pause at all, it is only a physical pause; inside they are anonymous, and even their faces have no name. They live in a world without time, pulsating, as it were, in a state of dumb being. This is what has made it so simple to shoot down whole herds of buffalo or elephants. The animals don't know that death is happening and continue grazing placidly while others drop alongside them. The knowledge of death is reflective and conceptual, and animals are spared it. They live and they disappear with the same thoughtlessness: a few minutes of fear, a few seconds of anguish, and it is over. But to live a whole lifetime with the fate of death haunting one's dreams and even the most sun-filled days-that's something else.

What, then, remains to be done by those who live now, devoted body and soul to our ideal of visible (and invisible) perfection on all planes? On a worldwide scale, or even national, absolutely nothing. It is too late. The “twenty-fifth hour” has sounded for too long a time. On the individual scale, or at least “restricted,” there remains to preserve, insofar as it is still possible, the beauty of the world: human, animal, vegetable, inanimate; all beauty; to obstinately and efficiently preserve élite minorities; dedicatedly to defend them at all costs—all noble minorities, whether they be those of the Aryans of Europe, Asia, or America, conscious of the excellence of their common race; or of those splendid large felines threatened by extinction; or of those noble trees threatened by the atrocity of being uprooted by bulldozers in order to install, on their nourishing soil, invading multitudes of mammals with two legs, less beautiful and less innocent than they. It remains to take care and resist; and to aid all beautiful minorities attacked by the agents of chaos; to resist, even if that should delay only a few decades the disappearance of the last aristocrats among men, animals, or trees. There is nothing else that one can do, if not, perhaps, to curse in one’s heart, day and night, today’s humanity (apart from very rare exceptions), and to work with all one’s efforts for its destruction.

And, even now, as he paced the streets, and listlessly looked round on the gradually increasing bustle and preparation for the day, everything appeared to yield him some new occasion for despondency. Last night, the sacrifice of a young, affectionate, and beautiful creature, to such a wretch, and in such a cause, had seemed a thing too monstrous to succeed; and the warmer he grew, the more confident he felt that some interposition must save her from his clutches. But now, when he thought how regularly things went on, from day to day, in the same unvarying round; how youth and beauty died, and ugly griping age lived tottering on; how crafty avarice grew rich, and manly honest hearts were poor and sad; how few they were who tenanted the stately houses, and how many of those who lay in noisome pens, or rose each day and laid them down each night, and lived and died, father and son, mother and child, race upon race, and generation upon generation, without a home to shelter them or the energies of one single man directed to their aid; how, in seeking, not a luxurious and splendid life, but the bare means of a most wretched and inadequate subsistence, there were women and children in that one town, divided into classes, numbered and estimated as regularly as the noble families and folks of great degree, and reared from infancy to drive most criminal and dreadful trades; how ignorance was punished and never taught; how jail-doors gaped, and gallows loomed, for thousands urged towards them by circumstances darkly curtaining their very cradles' heads, and but for which they might have earned their honest bread and lived in peace; how many died in soul, and had no chance of life; how many who could scarcely go astray, be they vicious as they would, turned haughtily from the crushed and stricken wretch who could scarce do otherwise, and who would have been a greater wonder had he or she done well, than even they had they done ill; how much injustice, misery, and wrong, there was, and yet how the world rolled on, from year to year, alike careless and indifferent, and no man seeking to remedy or redress it; when he thought of all this, and selected from the mass the one slight case on which his thoughts were bent, he felt, indeed, that there was little ground for hope, and little reason why it should not form an atom in the huge aggregate of distress and sorrow, and add one small and unimportant unit to swell the great amount.

Here, reader, thou must pardon us if we stop a while to lament the capriciousness of Nature in forming this charming part of the creation designed to complete the happiness of man; with their soft innocence to allay his ferocity, with their sprightliness to soothe his cares, and with their constant friendship to relieve all the troubles and disappointments which can happen to him. Seeing then that these are the blessings chiefly sought after and generally found in every wife, how must we lament that disposition in these lovely creatures which leads them to prefer in their favour those individuals of the other sex who do not seem intended by nature as so great a masterpiece! For surely, however useful they may be in the creation, as we are taught that nothing, not even a louse, is made in vain, yet these beaus, even that most splendid and honoured part which in this our island nature loves to distinguish in red, are not, as some think, the noblest work of the Creator. For my own part, let any man chuse to himself two beaus, let them be captains or colonels, as well-dressed men as ever lived, I would venture to oppose a single Sir Isaac Newton, a Shakespear, a Milton, or perhaps some few others, to both these beaus; nay, and I very much doubt whether it had not been better for the world in general that neither of these beaus had ever been born than that it should have wanted the benefit arising to it from the labour of any one of those persons. If this be true, how melancholy must be the consideration that any single beau, especially if he have but half a yard of ribbon in his hat, shall weigh heavier in the scale of female affection than twenty Sir Isaac Newtons!

I charge you with a phrase from the gospel of John, Updike that is: Your only duty is to give the mundane its beautiful due. You step from this moment with scripture and stole ordained to the ordinary. Ours is an existence in something more than the husk it once was but not yet the bloom it shall be; in other words, you are charged to the in-between, middle-earth, us. Yes, our lives are sewn on occasion with a texture of joy unmistakable, the foretastes. But many days, if not most hours, reek of repetition, a mundane rising and falling punctuated with what the old hymn writer penned as “seasons of distress and grief.” The relief you are charged to bring to our souls in times like these is beauty – nothing more, nothing less. It is your only duty. Give up all other ambitions for the dross they are. Give the mundane its beautiful due. Bear witness to the truth we so often bury, that our lives are shot through with drama, interest, relevance, importance, and poetry. Live among us, story by story, with both precision and surprisingness. Help us to believe in God by startling us with the kicker – God believes in us. Know this, that yours is not so much a high calling as it is a careful attention; you are to be a person of prayer, not big britches. Once you begin a gesture it's often fatal not to go through with it, so please, for the love of God and us and you, go through with this. The world for you may be even harder from here on in, but most things worth doing are hard. So break and bless and preach and teach and laugh and sing and weep and rage and whisper at the altar of this astonishingly splendid fallen world. Give the mundane its beautiful due. Amen and amen.

The central values by which most men have lived, in a great many lands at a great many times—these values, almost if not entirely universal, are not always harmonious with each other. Some are, some are not. Men have always craved for liberty, security, equality, happiness, justice, knowledge, and so on. But complete liberty is not compatible with complete equality—if men were wholly free, the wolves would be free to eat the sheep. Perfect equality means that human liberties must be restrained so that the ablest and the most gifted are not permitted to advance beyond those who would inevitably lose if there were competition. Security, and indeed freedoms, cannot be preserved if freedom to subvert them is permitted. Indeed, not everyone seeks security or peace, otherwise some would not have sought glory in battle or in dangerous sports. Justice has always been a human ideal, but it is not fully compatible with mercy. Creative imagination and spontaneity, splendid in themselves, cannot be fully reconciled with the need for planning, organization, careful and responsible calculation. Knowledge, the pursuit of truth—the noblest of aims—cannot be fully reconciled with the happiness or the freedom that men desire, for even if I know that I have some incurable disease this will not make me happier or freer. I must always choose: between peace and excitement, or knowledge and blissful ignorance. And so on... If these ultimate human values by which we live are to be pursued, then compromises, trade-offs, arrangements have to be made if the worst is not to happen. So much liberty for so much equality, so much individual self-expression for so much security, so much justice for so much compassion.

Some centuries ago they had Raphael and Michael Angelo; now we have Mr. Paul Delaroche, and all because we are progressing. You brag of your Opera houses; ten Opera houses the size of yours could dance a saraband in a Roman amphitheatre. Even Mr. Martin, with his lame tiger and his poor gouty lion, as drowsy as a subscriber to the Gazette, cuts a pretty small figure by the side of a gladiator from antiquity. What are your benefit performances, lasting till two in the morning, compared with those games which lasted a hundred days, with those performances in which real ships fought real battles on a real sea; when thousands of men earnestly carved each other -- turn pale, O heroic Franconi! -- when, the sea having withdrawn, the desert appeared, with its raging tigers and lions, fearful supernumeraries that played but once; when the leading part was played by some robust Dacian or Pannonian athlete, whom it would often have been might difficult to recall at the close of the performance, whose leading lady was some splendid and hungry lioness of Numidia starved for three days? Do you not consider the clown elephant superior to Mlle. Georges? Do you believe Taglioni dances better than did Arbuscula, and Perrot better than Bathyllus? Admirable as is Bocage, I am convinced Roscius could have given him points. Galeria Coppiola played young girls' parts, when over one hundred years old; it is true that the oldest of our leading ladies is scarcely more than sixty, and that Mlle. Mars has not even progressed in that direction. The ancients had three or four thousand gods in whom they believed, and we have but one, in whom we scarcely believe. That is a strange sort of progress. Is not Jupiter worth a good deal more than Don Juan, and is he not a much greater seducer? By my faith, I know not what we have invented, or even wherein we have improved.

There's one thing you ought to know about old people," Alberto Terégo told me on our early morning walk on the beach. "Like what?" I asked my friend in reply. "Like old people don't mind if you kill them," Terégo said. "Just don't give them any more crap while you're doing it." "Are you talking about yourself?" I said. "You're telling me you'd rather have someone kill you than give you a hard time?” My head was starting to hurt. It usually did when I talked with Terégo, but never so soon into our daily conservation. He was grinning now, knowing he had me again. I just stared at him. He has this uncanny knack of making me feel he's laid a booby trap of punji sticks on which I'm about to impale myself. “That's ridiculous," I said finally, feeling like a kid for not being able to come up with a better response to his bizarre suggestion. “No, it's life,” Terégo said, his grin growing larger. “What's life?” I said. “Taking crap,” he said. "Taking crap is life?" I said. The grin hung ear to ear now. “It's what nice people do,” Terégo said. “There's an 18th century proverb that says we all have to eat a peck of dirt before we die. We do it from an early age, so old people have been doing it for a very long time, way beyond the proverbial amount that broke the camel's back.” “Eating dirt is life?” I said, feeling the pain grow under my arched eyebrows. "That's right," he said. "Eating dirt?" I repeated dully. "We do it to be team players, so we don’t rock the boat, to go with the flow," Terégo said. "We put up, shut up, get along--no matter what--with people even the Dalai Lama would slap silly. We defer to their foolishness, stupidity, biases, racism, ego, telling them what they want to hear, keeping quiet when we ought to be speaking up loud and clear. We put a sock in it even though it chokes us. We do it so we won’t offend, to fit in, be neighborly, sociable, kind. We do it so people will like us, love and reward and hire and promote us. We do it to be successful, secure, happy." "We eat dirt to be happy," I said, my eyes starting to glaze over like frost on window panes in deep winter. "You see the supreme irony in that," Terégo said, the triumph in his voice almost palpable, galling me no end.

You need to get home, both of you. Louis, I’d like to keep the letters here, if you don’t mind. I want to go over them again.” I came to my feet. “And ask the stars about them?” Jesse nodded. Armand only shook his head, gloomy. There were bruises under his eyes that hadn’t been there yesterday. “Ask the-fine. Splendid. Keep them if you like. Burn them. Turn them to gold or silver or lead. In the morning I’ll wake up and none of this will have happened.” “No, lordling,” I said to him. “You’re never going to wake like that again, and you’re never going to be able to forget.” “Bugger you, waif.” “And you.” He walked past both of us without another glance or another word, opened the door, and disappeared into the night. I went to Jesse and wrapped my arms around him. After only a second’s hesitation, his arms lifted to embrace me, too. “I don’t want to go,” I whispered. I felt his chest expand beneath my cheek. “This is going to be much more difficult than I anticipated.” “Which part?” “All of it.” He brought a hand to my hair, his fingers weaving through. “Things are about to change rapidly now, Lora. He’ll come back to us stronger and stronger. He’s going to crave you more and more, and not having you will eat him raw.” I frowned up at him. “What do you mean?” Jesse tucked a strand behind my ear, his eyes emerald dark, his lashes tipped with candlelight. “It will be in his nature. He’ll feel compelled to claim you, and he won’t stop trying to do that. Ever. When that happens-“ “That is not bloody going to happen.” “When that happens,” he said again resolutely, “I want you to remember two things. One: I’ve loved you since before he even knew you lived. Two: Spare a little pity for him. This isn’t entirely his fault. He was born into his role, just as you and I were. But, Lora-of-the-moon-only a little pity, all right?” “My pity may reach as deep and wide as the ocean,” I answered. “But my heart is already claimed.” To prove it, I clutched his shirt and lifted myself to my toes and brought my lips to his. Sweeter than raspberry jam, warmer than candle flame, softer than bread. People often spoke with religious rapture of milk and honey, but if I had nothing but Jesse to consume for the rest of my days, I’d die a heathen beast, content.

She wasn’t sure when she realized that she wasn’t alone. She’d heard a louder murmur from the crowd outside, but she hadn’t connected it with the door opening. She looked over her shoulder and saw Tate standing against the back wall. He was wearing one of those Armani suits that looked so splendid on his lithe build, and he had his trenchcoat over one arm. He was leaning back, glaring at the ceremony. Something was different about him, but Cecily couldn’t think what. It wasn’t the vivid bruise high up on his cheek where Matt had hit him. But it was something…Then it dawned on her. His hair was cut short, like her own. He glared at her. Cecily wasn’t going to cower in her seat and let him think she was afraid to face him. Mindful of the solemnity of the occasion, she got up and joined Tate by the door. “So you actually came. Bruises and all,” she whispered with a faintly mocking smile, eyeing the very prominent green-and-yellow patch on his jaw that Matt Holden had put there. He looked down at her from turbulent black eyes. He didn’t reply for a minute while he studied her, taking in the differences in her appearance, too. His eyes narrowed on her short hair. She thought his eyelids flinched, but it might have been the light. His eyes went back to the ceremony. He didn’t say another word. He didn’t really need to. He’d cut his hair. In his culture-the one that part of him still belonged to-cutting the hair was a sign of grief. She could feel the way it was hurting him to know that the people he loved most in the world had lied to him. She wanted to tell him that the pain would ease day by day, that it was better to know the truth than go through life living a lie. She wanted to tell him that having a foot in two cultures wasn’t the end of the world. But he stood there like a painted stone statue, his jaw so tense that the muscles in it were noticeable. He refused to acknowledge her presence at all. “Congratulations on your engagement, by the way,” she said without a trace of bitterness in her tone. “I’m very happy for you.” His eyes met hers evenly. “That isn’t what you told the press,” he said in a cold undertone. “I’m amazed that you’d go to such lengths to get back at me.” “What lengths?” she asked. “Planting that story in the tabloids,” he returned. “I could hate you for that.” The teenage sex slave story, she guessed. She glared back at him. “And I could hate you, for believing I would do something so underhanded,” she returned. He scowled down at her. The anger he felt was almost tangible. She’d sold him out in every way possible and now she’d embarrassed him publicly, again, first by confessing to the media that she’d been his teenage lover-a load of bull if ever there was one. Then she’d compounded it by adding that he was marrying Audrey at Christmas. He wondered how she could be so vindictive. Audrey was sticking to him like glue and she’d told everyone about the wedding. Not that many people hadn’t read it already in the papers. He felt sick all over. He wouldn’t have Audrey at any price. Not that he was about to confess that to Cecily now, after she’d sold him out. He started to speak, but he thought better of it, and turned his angry eyes back toward the couple at the altar. After a minute, Cecily turned and went back to her seat. She didn’t look at him again.

If talking pictures could be said to have a father, it was Lee De Forest, a brilliant but erratic inventor of electrical devices of all types. (He had 216 patents.) In 1907, while searching for ways to boost telephone signals, De Forest invented something called the thermionic triode detector. De Forest’s patent described it as “a System for Amplifying Feeble Electric Currents” and it would play a pivotal role in the development of broadcast radio and much else involving the delivery of sound, but the real developments would come from others. De Forest, unfortunately, was forever distracted by business problems. Several companies he founded went bankrupt, twice he was swindled by his backers, and constantly he was in court fighting over money or patents. For these reasons, he didn’t follow through on his invention. Meanwhile, other hopeful inventors demonstrated various sound-and-image systems—Cinematophone, Cameraphone, Synchroscope—but in every case the only really original thing about them was their name. All produced sounds that were faint or muddy, or required impossibly perfect timing on the part of the projectionist. Getting a projector and sound system to run in perfect tandem was basically impossible. Moving pictures were filmed with hand-cranked cameras, which introduced a slight variability in speed that no sound system could adjust to. Projectionists also commonly repaired damaged film by cutting out a few frames and resplicing what remained, which clearly would throw out any recording. Even perfect film sometimes skipped or momentarily stuttered in the projector. All these things confounded synchronization. De Forest came up with the idea of imprinting the sound directly onto the film. That meant that no matter what happened with the film, sound and image would always be perfectly aligned. Failing to find backers in America, he moved to Berlin in the early 1920s and there developed a system that he called Phonofilm. De Forest made his first Phonofilm movie in 1921 and by 1923 he was back in America giving public demonstrations. He filmed Calvin Coolidge making a speech, Eddie Cantor singing, George Bernard Shaw pontificating, and DeWolf Hopper reciting “Casey at the Bat.” By any measure, these were the first talking pictures. However, no Hollywood studio would invest in them. The sound quality still wasn’t ideal, and the recording system couldn’t quite cope with multiple voices and movement of a type necessary for any meaningful dramatic presentation. One invention De Forest couldn’t make use of was his own triode detector tube, because the patents now resided with Western Electric, a subsidiary of AT&T. Western Electric had been using the triode to develop public address systems for conveying speeches to large crowds or announcements to fans at baseball stadiums and the like. But in the 1920s it occurred to some forgotten engineer at the company that the triode detector could be used to project sound in theaters as well. The upshot was that in 1925 Warner Bros. bought the system from Western Electric and dubbed it Vitaphone. By the time of The Jazz Singer, it had already featured in theatrical presentations several times. Indeed, the Roxy on its opening night in March 1927 played a Vitaphone feature of songs from Carmen sung by Giovanni Martinelli. “His voice burst from the screen with splendid synchronization with the movements of his lips,” marveled the critic Mordaunt Hall in the Times. “It rang through the great theatre as if he had himself been on the stage.