Eclipse Season Quotes

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Usually, even a non-Christian knows something about the earth, the heavens, and the other elements of the world, about the motion and orbit of the stars and even their size and relative positions, about the predictable eclipses of the sun and moon, the cycles of the years and the seasons, about the kinds of animals, shrubs, stones, and so forth, and this knowledge he holds to as being certain from reason and experience. Now, it is a disgraceful and dangerous thing for an infidel to hear a Christian, presumably giving the meaning of Holy Scripture, talking nonsense on these topics; and we should take all means to prevent such an embarrassing situation, in which people show up vast ignorance in a Christian and laugh it to scorn. The shame is not so much that an ignorant individual is derided, but that people outside the household of faith think our sacred writers held such opinions, and, to the great loss of those for whose salvation we toil, the writers of our Scripture are criticized and rejected as unlearned men. If they find a Christian mistaken in a field which they themselves know well and hear him maintaining his foolish opinions about our books, how are they going to believe those books in matters concerning the resurrection of the dead, the hope of eternal life, and the kingdom of heaven, when they think their pages are full of falsehoods on facts which they themselves have learnt from experience and the light of reason? Reckless and incompetent expounders of Holy Scripture bring untold trouble and sorrow on their wiser brethren when they are caught in one of their mischievous false opinions and are taken to task by those who are not bound by the authority of our sacred books. For then, to defend their utterly foolish and obviously untrue statements, they will try to call upon Holy Scripture for proof and even recite from memory many passages which they think support their position, although they understand neither what they say nor the things about which they make assertion [quoting 1 Tim 1:7].
Augustine of Hippo (The Literal Meaning of Genesis, Vol 2 (De Genesi ad litteram))
When he gently tipped his forehead onto mine, I grew still. This close, I saw every detail of his face. The bow of his lips, cut as if with the tip of a knife. The eclipses of his eyes. “Let the aether bear witness,” he said. “I will never keep from you what you should know.” I closed my eyes. “I will never conspire against you, nor betray you by word or thought or deed. I will never, by choice, abandon you to your enemies, nor forsake you in adversity.” The cord shivered. I could feel the heat of fever in my breath, caught in the space between us. “In body and spirit, I am bound to this oath.” He clasped my hand to his chest. “Seo í mo mhóid shollúinte.
Samantha Shannon (The Mask Falling (The Bone Season, #4))
Busie olde foole, unruly Sunne; Why dost thou thus, Through windowes, and through curtaines call on us? Must to they motions lovers seasons run? Sawcy pedantique wretch, goe chide Late schoole boyes, and sowre prentices, Goe tell Court-huntsmen, that the King will ride, Call countrey ands to harvest offices; Love, all alike, no season knows, nor clyme, Nor houres, dayes, months, which are the rags of time. Thy beames, so reverend, and strong Why shouldst thou thinke? I could eclipse and cloud them with a winke, But that I would not lose her sight so long: If her eyes have not blinded thine Looke, and tomorrow late, tell mee, Whether both the India's of spice and Myne Be where thou leftst them, or lie here with mee. Aske for those Kings whom thou saw'st yesterday, And thou shalt heare, All here in one bed lay. She'is all States, and all Princes, I, Nothing else is; Princes doe but play us; compar'd to this, All honor's mimique; All wealth alchimie, Thou sunne art halfe as happy'as wee, In that the world's contracted thus; Thine ages askes ease, and since thy duties bee To warme the world, that's done in warming us. Shine here to us, and thou art every where; This bed thy center is, these walls, thy spheare.
John Donne
BUSY old fool, unruly Sun, Why dost thou thus, Through windows, and through curtains, call on us? Must to thy motions lovers' seasons run? Saucy pedantic wretch, go chide Late school-boys and sour prentices, Go tell court-huntsmen that the king will ride, Call country ants to harvest offices ; Love, all alike, no season knows nor clime, Nor hours, days, months, which are the rags of time. Thy beams so reverend, and strong Why shouldst thou think ? I could eclipse and cloud them with a wink, But that I would not lose her sight so long. If her eyes have not blinded thine, Look, and to-morrow late tell me, Whether both th' Indias of spice and mine Be where thou left'st them, or lie here with me. Ask for those kings whom thou saw'st yesterday, And thou shalt hear, "All here in one bed lay." She's all states, and all princes I ; Nothing else is ; Princes do but play us ; compared to this, All honour's mimic, all wealth alchemy. Thou, Sun, art half as happy as we, In that the world's contracted thus ; Thine age asks ease, and since thy duties be To warm the world, that's done in warming us. Shine here to us, and thou art everywhere ; This bed thy center is, these walls thy sphere.
John Donne
All love is alike, knowing no season, sun, or clime, but that damn sun does represent lovers’ ever-changing time. Why does it rise to show lovers nothing lasts? Does it not see those lovers and think, ‘I can eclipse and darken them with a wink. I could kill all love by rising and sending them to their forlorn pasts. I can make them for each other pine, and wait and wait as I rise and set. HA! Buffoons, they are all mine. And every time I shine they owe me a debt.
Bruce Crown (The Romantic and The Vile)
April 29 MORNING “Thou art my hope in the day of evil.” — Jeremiah 17:17 THE path of the Christian is not always bright with sunshine; he has his seasons of darkness and of storm. True, it is written in God’s Word, “Her ways are ways of pleasantness, and all her paths are peace;” and it is a great truth, that religion is calculated to give a man happiness below as well as bliss above; but experience tells us that if the course of the just be “As the shining light that shineth more and more unto the perfect day,” yet sometimes that light is eclipsed. At certain periods clouds cover the believer’s sun, and he walks in darkness and sees no light. There are many who have rejoiced in the presence of God for a season; they have basked in the sunshine in the earlier stages of their Christian career; they have walked along the “green pastures” by the side of the “still waters,” but suddenly they find the glorious sky is clouded; instead of the Land of Goshen they have to tread the sandy desert; in the place of sweet waters, they find troubled streams, bitter to their taste, and they say, “Surely, if I were a child of God, this would not happen.” Oh! say not so, thou who art walking in darkness. The best of God’s saints must drink the wormwood; the dearest of His children must bear the cross. No Christian has enjoyed perpetual prosperity; no believer can always keep his harp from the willows. Perhaps the Lord allotted you at first a smooth and unclouded path, because you were weak and timid. He tempered the wind to the shorn lamb, but now that you are stronger in the spiritual life, you must enter upon the riper and rougher experience of God’s full-grown children. We need winds and tempests to exercise our faith, to tear off the rotten bough of self-dependence, and to root us more firmly in Christ. The day of evil reveals to us the value of our glorious hope.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Coley and I had to separate to get around a girl who was mostly eclipsed by the size of the power she was carrying some sort of project about World War II—a picture of Hitler doing his mustachioed Sieg heil, a gaunt concentration camp victim, a couple of American soldiers smoking cigarettes and scowling at the camera, the captions beneath each photo in glitter-bubble letters. If this had been the movie version of my life, I knew, somebody who did teenage stuff well, some director, would have lingered on that poster and maybe even have swelled some poignant music, out is in slow motion as the hallway continued on at regular speed around us, backlit the three of us—Coley and the poster board chick and me—and in doing so tried to make some statement about teenage frivolity and prom season as it stacked up against something authentic and horrible like war. But if renting all those movies had taught me anything more than how to lose myself in them, it was that you only actually have perfectly profound little moments like that in real life if you recognize them yourself, do all the fancy shot work and editing in your head, usually in the very seconds that whatever is happening is happening. And even if you do manage to do so, just about never does anyone else you’re with at the time experience that exact same kind of moment, and it’s impossible to explain as it’s happening, and then the moment is over.
Emily M. Danforth (The Miseducation of Cameron Post)
Coley and I had to separate to get around a girl who was mostly eclipsed by the size of the poster she was carrying, some sort of project about World War Two—a picture of Hitler doing his mustachioed Sieg heil, a gaunt concentration-camp victim, a couple of American soldiers smoking cigarettes and scowling at the camera, the captions beneath each photo in glitter-bubble letters. If this had been the movie version of my life, I knew, somebody who did teenage stuff well, some director, would have lingered on that poster and maybe even have swelled some sort of poignant music, put us in slow motion as the hallway continued on at regular speed around us, backlit the three of us—Coley and the posterboard chick and me—and in doing so tried to make some statement about teenage frivolity and prom season as it stacked up against something authentic and horrible like war. But if renting all those movies had taught me anything more than how to lose myself in them, it was that you only actually have perfectly profound little moments like that in real life if you recognize them yourself, do all the fancy shot work and editing in your head, usually in the very seconds that whatever is happening is happening. And even if you do manage to do so, just about never does anyone else you’re with at the time experience that exact same kind of moment, and it’s impossible to explain it as it’s happening, and then the moment is over.
Emily M. Danforth (The Miseducation of Cameron Post)
Why do you say it was a hopeless task? You’re very much a lady.” “Three failed London seasons,” she pointed out. Harry made a scoffing sound. “That had nothing to do with being ladylike.” “Then why?” “The biggest obstacle was your intelligence. You don’t bother to hide it. One of the things Cat never taught you was how to flatter a man’s vanity—because she doesn’t have any damned idea of how to do it. And none of those idiots could tolerate the idea of having a wife who was smarter than himself. Second, you’re beautiful, which meant they would always have to worry about you being the target of other men’s attentions. On top of that, your family is . . . your family. Basically you were too much to manage, and they all knew they were better off finding dull, docile girls to marry. All except Bayning, who was so taken with you that the attraction eclipsed any other considerations. God knows I can’t hold that against him.” Poppy gave him a wry glance. “If I’m so forbiddingly intelligent and beautiful, then why did you want to marry me?” “I’m not intimidated by your brains, your family, or your beauty. And most men are too afraid of me to look twice at my wife.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
The striking almond shape and easy softness of his eyes draws you in and are likely the most attractive you've ever seen on another person, even if they're eclipsed by darkness from obvious lack of sleep and pupils blown wide from ecstasy. He feels familiar and inexplicably heart-warming, like the anticipated change of seasons or the scent of an extinguished candle after a family holiday, your bed when lined with clean sheets or the sound of a loved one's voice on the phone after not hearing it for some time.
peanutboyfriend (Kismet)
Ifiddled with the squad car radio, finally landing on a late-night radio host preparing to start her show as the clock ticked past 10:30 at night. “Well, my loyal listeners, we are nine days from what some scientists are calling the biggest astrological phenomena in human history. Sure, we’ve all seen a solar eclipse or a meteor shower but never together in the middle of the freaking day!
Sarah Biglow (Spring's Calling (Seasons of Magic, #1))
These good white liberals want monuments and wilderness to protect the places they recreate, to keep out companies that want to suck the fossil fuels out from under the sandstone. But the oil and gas will be burned by and large by them, to travel to Utah’s public lands. And it’s used by us - you in your big red Cadillac and me in my Toyota truck - although I’ve recently downgraded to a more fuel-efficient Subaru, the preferred method of transport that’s most often frosted with bike, ski, and boat racks for outdoor enthusiasts across the nation. The land and those who live off it know this arrangement breeds no symbiosis. We all want to get to, and get off on, a body corralled and commodified. Our orgasmic need for release and relief eclipses the fact this is the living, breathing body of the Beloved - the naked desert that has demarcated and delineated - ribbed, we believe, for our pleasure.
Amy Irvine (Desert Cabal: A New Season in the Wilderness)
He kept moving, not reclining on his side of the bed but shifting and rocking the mattress as he maneuvered himself to Louisa’s side. “Hello, Husband.” She was on her back. He was plastered against the length of her, a particular part of him prodding her hip. “Greetings, Wife, and as much as I admire the embroidery on your nightgown, I will wish that article of clothing farewell without a pang—at your earliest convenience.” She covered her face with both hands. “Must you sound so merry?” “A merry season is upon us.” He peeled her hands away and kissed her nose. “‘Oh why does that eclipsing hand of thine deny the sunshine of the Sun’s enlivening eye?’” “You have that Wilmot fellow on the brain.” “No, I do not. I have something else entirely—someone else—on my brain.” He spoke gently, but there was happiness for him in what he contemplated. Louisa could hear it in his voice. “Joseph, there are things we must discuss.” He untied the top bow of her nightgown. “We can discuss them naked.” A second bow came free. “We can discuss them tomorrow.” A third, a fourth. “We can discuss them naked tomorrow, but, Louisa, you are my lawfully wedded wife, and the time has come for me to pleasure you to the utmost, which I am enthusiastically willing to do.” Those were not lines penned by any long-dead earl. More of Louisa’s bows came undone, until there were no more bows to undo. Joseph pulled the covers up around her shoulders and slid a hand across her bare belly. “I did not feel the cold in Surrey, Louisa, not as long as I thought of what these moments with you might hold.” God in heaven. “Joseph, what am I supposed to do?” He shifted back to regard her, his dark brows drawing down. “You do whatever you please, with one exception.” He kissed her collarbone, a sweet little tasting that might have involved the tip of his tongue. “You do not think your way through this, Louisa Carrington. A plague on me if you’re able to cling to ratiocination at such a time. You put your prodigious mind with all its thoughts, languages, ciphering, and blasphemy aside, and let the damned thing rest while I love you.” The
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
Some of us think at times that we could cry, "My God, my God, why hast thou forsaken me?" There are seasons when the brightness of our Father's smile is eclipsed by clouds and darkness; but let us remember that God never does really forsake us. It is only a seeming forsaking with us, but in Christ's case it was a real forsaking.
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
April 15 MORNING “My God, my God, why hast Thou forsaken me?” — Psalm 22:1 WE here behold the Saviour in the depth of His sorrows. No other place so well shows the griefs of Christ as Calvary, and no other moment at Calvary is so full of agony as that in which His cry rends the air — “My God, my God, why hast Thou forsaken me?” At this moment physical weakness was united with acute mental torture from the shame and ignominy through which He had to pass; and to make His grief culminate with emphasis, He suffered spiritual agony surpassing all expression, resulting from the departure of His Father’s presence. This was the black midnight of His horror; then it was that He descended the abyss of suffering. No man can enter into the full meaning of these words. Some of us think at times that we could cry, “My God, my God, why hast Thou forsaken me?” There are seasons when the brightness of our Father’s smile is eclipsed by clouds and darkness; but let us remember that God never does really forsake us. It is only a seeming forsaking with us, but in Christ’s case it was a real forsaking. We grieve at a little withdrawal of our Father’s love; but the real turning away of God’s face from His Son, who shall calculate how deep the agony which it caused Him? In our case, our cry is often dictated by unbelief: in His case, it was the utterance of a dreadful fact, for God had really turned away from Him for a season. O thou poor, distressed soul, who once lived in the sunshine of God’s face, but art now in darkness, remember that He has not really forsaken thee. God in the clouds is as much our God as when He shines forth in all the lustre of His grace; but since even the thought that He has forsaken us gives us agony, what must the woe of the Saviour have been when He exclaimed, “My God, my God, why hast Thou forsaken me?
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Eclipses tend to be strong and last for several seasons. Those were particularly ominous because there were two of them, both in unfortunate locations. The occultation will direct those energies on the conscious and subconscious level promoting power grabs as well as mass deception and illusions. When a celestial event only occurs every thousands years or so it usually means something significant, usually a new cycle, and in this case potentially violent.
Marcha A. Fox (A Psilent Place Below (Star Trails Tetralogy, #3))
Who is it who watches the birds and stars and changing seasons, who predicts eclipses and propounds theories about fire and water, and who tames horses and trains dogs but greets other men as creatures like himself? Socrates’s answer was astonishing. As far as we know, it was without precedent.7 It was that this “I” was a soul, something existing apart from my body, which was the true seat of normal waking intelligence and moral character: “my” fundamental identity, in fact. The word Socrates used for this soul, psyche, or “breath,” was a common one in Greek.
Arthur Herman (The Cave and the Light: Plato Versus Aristotle, and the Struggle for the Soul of Western Civilization)
Rapunzel knew exactly when her adopted birthday was coming because of her careful tracking and observation of the heavens. What had started out as a child's interest in the longer days of summer and shorter days of winter had progressed into a study that would have been the praise of any university professor. She knew all the constellations, of course; which ones came and went with the seasons (Orion), which ones stayed wandering the heavens forever (the Big Bear). She could predict when Jupiter would rise. She could predict some lunar eclipses. She had astrolabes and pendulums and squares and straightedges and compasses for measuring the precise height of an astral object above her window ledge.
Liz Braswell (What Once Was Mine)