β
And now that you don't have to be perfect, you can be good.
β
β
John Steinbeck (East of Eden)
β
All great and precious things are lonely.
β
β
John Steinbeck (East of Eden)
β
I believe a strong woman may be stronger than a man, particularly if she happens to have love in her heart. I guess a loving woman is indestructible.
β
β
John Steinbeck (East of Eden)
β
But the Hebrew word, the word timshelββThou mayestββ that gives a choice. It might be the most important word in the world. That says the way is open. That throws it right back on a man. For if βThou mayestββit is also true that βThou mayest not.
β
β
John Steinbeck (East of Eden)
β
There's more beauty in truth, even if it is dreadful beauty.
β
β
John Steinbeck (East of Eden)
β
Do you take pride in your hurt? Does it make you seem large and tragic? ...Well, think about it. Maybe you're playing a part on a great stage with only yourself as audience.
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John Steinbeck (East of Eden)
β
And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion, or government which limits or destroys the individual. This is what I am and what I am about.
β
β
John Steinbeck (East of Eden)
β
My imagination will get me a passport to hell one day.
β
β
John Steinbeck (East of Eden)
β
Sometimes a man wants to be stupid if it lets him do a thing his cleverness forbids.
β
β
John Steinbeck (East of Eden)
β
People like you to be something, preferably what they are.
β
β
John Steinbeck (East of Eden)
β
A man so painfully in love is capable of self-torture beyond belief.
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β
John Steinbeck (East of Eden)
β
It would be absurd if we did not understand both angels and devils, since we invented them.
β
β
John Steinbeck (East of Eden)
β
I believe that there is one story in the world, and only one. . . . Humans are caughtβin their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity tooβin a net of good and evil. . . . There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done wellβor ill?
β
β
John Steinbeck (East of Eden)
β
But I have a new love for that glittering instrument, the human soul. It is a lovely and unique thing in the universe. It is always attacked and never destroyed - because 'Thou mayest.
β
β
John Steinbeck (East of Eden)
β
A kind of light spread out from her. And everything changed color. And the world opened out. And a day was good to awaken to. And there were no limits to anything. And the people of the world were good and handsome. And I was not afraid any more.
β
β
John Steinbeck (East of Eden)
β
When a man says he does not want to speak of something he usually means he can think of nothing else.
β
β
John Steinbeck (East of Eden)
β
An unbelieved truth can hurt a man much more than a lie. It takes great courage to back truth unacceptable to our times. There's a punishment for it, and it's usually crucifixion.
β
β
John Steinbeck (East of Eden)
β
When a child first catches adults out -- when it first walks into his grave little head that adults do not always have divine intelligence, that their judgments are not always wise, their thinking true, their sentences just -- his world falls into panic desolation. The gods are fallen and all safety gone. And there is one sure thing about the fall of gods: they do not fall a little; they crash and shatter or sink deeply into green muck. It is a tedious job to build them up again; they never quite shine. And the child's world is never quite whole again. It is an aching kind of growing.
β
β
John Steinbeck (East of Eden)
β
A man without words is a man without thought.
β
β
John Steinbeck (East of Eden)
β
Perhaps the less we have, the more we are required to brag.
β
β
John Steinbeck (East of Eden)
β
..it's awful not to be loved. It's the worst thing in the world...It makes you mean, and violent, and cruel.
β
β
John Steinbeck (East of Eden)
β
Itβs a hard thing to leave any deeply routine life, even if you hate it.
β
β
John Steinbeck (East of Eden)
β
Perhaps it takes courage to raise children..
β
β
John Steinbeck (East of Eden)
β
We have only one story. All novels, all poetry, are built on the neverending contest in ourselves of good and evil. And it occurs to me that evil must constantly respawn, while good, while virtue, is immortal. Vice has always a new fresh young face, while virtue is venerable as nothing else in the world is.
β
β
John Steinbeck (East of Eden)
β
No one who is young is ever going to be old.
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β
John Steinbeck (East of Eden)
β
Maybe-- maybe love makes you suspicious and doubting. Is it true that when you love a woman you are never sure-- never sure of her because you aren't sure of yourself?
β
β
John Steinbeck (East of Eden)
β
And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected.
β
β
John Steinbeck (East of Eden)
β
Man has a choice and it's a choice that makes him a man.
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β
John Steinbeck (East of Eden)
β
He never fell,
never slipped back,
never flew.
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β
John Steinbeck (East of Eden)
β
There are no ugly questions except those clothed in condescension.
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β
John Steinbeck (East of Eden)
β
No story has power, nor will it last, unless we feel in ourselves that it is true and true of us.
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β
John Steinbeck (East of Eden)
β
I think I love you, Cal." -Abra
I'm not good." -Cal
Because you're not good." -Abra
β
β
John Steinbeck (East of Eden)
β
And, of course, people are interested only in themselves. If a story is not about the hearer he will not listen.
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β
John Steinbeck (East of Eden)
β
I wonder how many people I have looked at all my life and never really seen.
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β
John Steinbeck (East of Eden)
β
Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man.
β
β
John Steinbeck (East of Eden)
β
Don't you dare take the lazy way. It's too easy to excuse yourself because of your ancestry. Don't let me catch you doing it! Now -- look close at me so you will remember. Whatever you do, it will be you who do.
β
β
John Steinbeck (East of Eden)
β
They're a dark people with a gift for suffering way past their deserving. It's said that without whiskey to soak and soften the world, they'd kill themselves. (Irish)
β
β
John Steinbeck (East of Eden)
β
There is more beauty in truth, even if it is a dreadful beauty. The storytellers at the city gate twist life so that it looks sweet to the lazy and the stupid and the weak, and this only strengthens their infirmities and teaches nothing, cures nothing, nor does it let the heart soar.
β
β
John Steinbeck (East of Eden)
β
Sometimes, a lie is told in kindness. I don't believe it ever works kindly. The quick pain of truth can pass away, but the slow, eating agony of a lie is never lost.
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β
John Steinbeck (East of Eden)
β
You can boast about anything if it's all you have. Maybe the less you have, the more you are required to boast.
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β
John Steinbeck (East of Eden)
β
Perhaps the best conversationalist in the world is the man who helps others to talk.
β
β
John Steinbeck (East of Eden)
β
He had an idea that even when beaten he could steal a little victory by laughing at defeat.
β
β
John Steinbeck (East of Eden)
β
I'll want to hear,' Samuel said. 'I eat stories like grapes.
β
β
John Steinbeck (East of Eden)
β
The free exploring mind of the individual human is the most valuable thing in the world.
β
β
John Steinbeck (East of Eden)
β
But you must give him some sign, some sign that you love him... or he'll never be a man. All his life he'll feel guilty and alone unless you release him.
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β
John Steinbeck (East of Eden)
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Act out being alive, like a play. And after a while, a long while, it will be true.
β
β
John Steinbeck (East of Eden)
β
Well, every little boy thinks he invented sin. Virtue we think we learn, because we are told about it. But sin is our own designing.
β
β
John Steinbeck (East of Eden)
β
When you're a child you're the center of everything. Everything happens for you. Other people? They're only ghosts furnished for you to talk to.
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β
John Steinbeck (East of Eden)
β
You're going to pass something down no matter what you do or if you do nothing. Even if you let yourself go fallow, the weeds will grow and the brambles. Something will grow.
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β
John Steinbeck (East of Eden)
β
You are one of the rare people who can separate your observation from your preconception. You see what is, where most people see what they expect.
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β
John Steinbeck (East of Eden)
β
He learned that when people are very poor they still have something to give and the impulse to give it.
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β
John Steinbeck (East of Eden)
β
These too are of a burning color--not orange, not gold, but if pure gold were liquid and could raise a cream, that golden cream might be like the color of the poppies.
β
β
John Steinbeck (East of Eden)
β
To a man born without conscience, a soul-stricken man must seem ridiculous. To a criminal, honesty is foolish. You must not forget that a monster is only a variation, and that to a monster the norm is monstrous.
β
β
John Steinbeck (East of Eden)
β
Time interval is a strange and contradictory matter in the mind. It would be reasonable to suppose that a routine time or an eventless time would seem interminable. It should be so, but it is not. It is the dull eventless times that have no duration whatever. A time splashed with interest, wounded with tragedy, crevassed with joy - that's the time that seems long in the memory. And this is right when you think about it. Eventlessness has no posts to drape duration on. From nothing to nothing is no time at all.
β
β
John Steinbeck (East of Eden)
β
In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted shortcuts to love...We have only one story. All novels, all poetry, are built on the neverending contest in ourselves of good and evil. And it occurs to me that evil must constantly respawn, while good, while virtue is immortal. Vice has always a new fresh young face, while virtue is venerable as nothing else in the world is.
β
β
John Steinbeck (East of Eden)
β
As with many people, Charles, who could not talk, wrote with fullness. He set down his loneliness and his perplexities, and he put on paper many things he did not know about himself.
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β
John Steinbeck (East of Eden)
β
If a story is not about the hearer he [or she] will not listen . . . A great lasting story is about everyone or it will not last. The strange and foreign is not interesting--only the deeply personal and familiar.
β
β
John Steinbeck (East of Eden)
β
You must not forget that a monster is only a variation, and that to a monster the norm is monstrous.
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β
John Steinbeck (East of Eden)
β
The church and the whorehouse arrived in the Far West simultaneously. And each would have been horrified to think it was a different facet of the same thing. But surely they were both intended to accomplish the same thing: the singing, the devotion, the poetry of the churches took a man out of his bleakness for a time, and so did the brothels.
β
β
John Steinbeck (East of Eden)
β
Just as there are physical monsters, can there not be mental or psychic monsters born? The face and body may be perfect, but if a twisted gene or malformed egg can produce physical monsters, may not the same process produce a malformed soul?
Monsters are variations from the accepted normal to a greater or a less degree. As a child may be born without an arm, so one may be born without kindness or the potential of conscience. A man who loses his arms in an accident has a great struggle to adjust himself to the lack, but one born without arms suffers only from people who find him strange. Having never had arms, he cannot miss them. To a monster the norm must seem monstrous, since everyone is normal to himself. To the inner monster it must be even more obscure, since he has no visible thing to compare with others. To a criminal, honesty is foolish. You must not forget that a monster is only a variation, and that to a monster the norm is monstrous.
β
β
John Steinbeck (East of Eden)
β
I remember my childhood names for grasses and secret flowers. I remember where a toad may live and what time the birds awaken in the summer -- and what trees and seasons smelled like -- how people looked and walked and smelled even. The memory of odors is very rich.
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β
John Steinbeck (East of Eden)
β
Sometimes when she was alone, and she knew she was alone, she permitted her mind to play in a garden, and she smiled.
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β
John Steinbeck (East of Eden)
β
There's a responsibility in being a person. It's more than just taking up space where air would be.
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β
John Steinbeck (East of Eden)
β
My father said she was a strong woman, and I believe a strong woman may be stronger than a man, particularly if she happens to have love in her heart. I guess a loving woman is almost indestructible.
β
β
John Steinbeck (East of Eden)
β
For how can you remember the feel of pleasure or pain or choking emotion? You can remember only that you had them.
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β
John Steinbeck (East of Eden)
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Riches seem to come to the poor in spirit, the poor in interest and joy. To put it straight - the very rich are a poor bunch of bastards
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β
John Steinbeck (East of Eden)
β
But 'Thou mayest!'! Why, that makes a man great, that gives him stature with the gods, for in his weakness and his filth and his murder of his brother he has still the great choice. He can choose his course and fight it through and win
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β
John Steinbeck (East of Eden)
β
What freedom men and women could have, were they not constantly tricked and trapped and enslaved and tortured by their sexuality! The only drawback in that freedom is that without it one would not be a human. One would be a monster.
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β
John Steinbeck (East of Eden)
β
It takes great courage to back truth unacceptable to our times.Β There's a punishment for it and it's usually crucifixion.
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β
John Steinbeck (East of Eden)
β
Yes, you will. And I will warn you now that not their blood but your suspicion might build evil in them. They will be what you expect of themβ¦I think when a man finds good or bad in his children he is seeing only what he planted in them after they cleared the womb."
"You canβt make a race horse of a pig."
"No," said Samuel, "but you can make a very fast pig.
β
β
John Steinbeck (East of Eden)
β
[He] fell right into the oldest conviction in the world-- that the girl you are in love with can't possibly be anything but true and honest.
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β
John Steinbeck (East of Eden)
β
Eventlessness has no posts to drape duration on. From nothing to nothing is no time at all.
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β
John Steinbeck (East of Eden)
β
Samuel rode lightly on top of a book and he balanced happily among ideas the way a man rides white rapids in a canoe. But Tom got into a book, crawled and groveled between the covers, tunneled like a mole among the thoughts, and came up with the book all over his face and hands
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β
John Steinbeck (East of Eden)
β
You're getting well,' Samuel said. 'Some people think it's an insult to the glory of their sickness to get well. But the time poultice is no respecter of glories. Everyone gets well if he waits around.
β
β
John Steinbeck (East of Eden)
β
But think of the glory of the choice! That makes a man a man. A cat has no choice, a bee must make honey. There's no godliness there.
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John Steinbeck (East of Eden)
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Nearly everybody has his box of secret pain, shared with no one.
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John Steinbeck (East of Eden)
β
Look now -- in all of history men have been taught that killing of men is an evil thing not to be countenanced. Any man who kills must be destroyed because this is a great sin, maybe the worst we know. And then we take a soldier and put murder in his hands and we say to him, "use it well, use it wisely." We put no checks on him. Go out and kill as many of a certain kind or classification of your brothers as you can. And we will reward you for it because it is a violation of your early training.
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β
John Steinbeck (East of Eden)
β
I am sifting my memories, the way men pan the dirt under a barroom floor for the bits of gold dust that fall between the cracks. It's small mining-- small mining. You're too young a man to be panning memories, Adam. You should be getting yourself some new ones, so that the mining will be richer when you come to age.
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β
John Steinbeck (East of Eden)
β
Sometimes a kind of glory lights up the mind of a man. It happens to nearly everyone. You can feel it growing or preparing like a fuse burning toward dynamite. It is a feeling in the stomach, a delight of the nerves, of the forearms. The skin tastes the air, and every deep-drawn breath is sweet. Its beginning has the pleasure of a great stretching yawn; it flashes in the brain and the whole world glows outside your eyes. A man may have lived all of his life in the gray, and the land and trees of him dark and somber. The events, even the important ones, may have trooped by faceless and pale. And then -the glory- so that a cricket song sweetens his ears, the smell of the earth rises chanting to his nose, and dappling light under a tree blesses his eyes. Then a man pours outward, a torrent of him, and yet he is not diminished. And I guess a man's importance in the world can be measured by the quality and number of his glories. It is a lonely thing but it relates us to the world. It is the mother of all creativeness, and it sets each man separate from all other men.
β
β
John Steinbeck (East of Eden)
β
In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted short cuts to love. When a man comes to die, no matter what his talents and influence and genius, if he dies unloved his life must be a failure to him and his dying a cold horror. It seems to me that if you or I must choose between two courses of thought or action, we should remember our dying and try to live so that our death brings no pleasure to the world.
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β
John Steinbeck (East of Eden)
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Lord, how the day passes! It's like a life - so quickly when we don't watch it and so slowly when we do.
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John Steinbeck (East of Eden)
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I could be held back just by being needed. Please try not to need me. That's the worst bait of all to a lonely man.
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β
John Steinbeck (East of Eden)
β
Cathy's lies were never innocent. Their purpose was to escape punishment, or work, or responsibility, and they were used for profit. Most liars are tripped up either because they forget what they have told or because the lie is suddenly faced with an incontrovertible truth. But Cathy did not forget her lies, and she developed the most effective method of lying. She stayed close enough to the truth so that one could never be sure. She knew two other methods also -- either to interlard her lies with truth or to tell a truth as though it were a lie. If one is accused of a lie and it turns out to be the truth, there is a backlog that will last a long time and protect a number of untruths.
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β
John Steinbeck (East of Eden)
β
He was born in fury and he lived in lightning. Tom came headlong into life. He was a giant in joy and enthusiasms. He didn't discover the world and its people, he created them. When he read his father's books, he was the first. He lived in a world shining and fresh and as uninspected as Eden on the sixth day. His mind plunged like a colt in a happy pasture, and when later the world put up fences, he plunged against the wire, and when the final stockade surrounded him, he plunged right through it and out. And as he was capable of giant joy, so did he harbor huge sorrow.
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β
John Steinbeck (East of Eden)
β
After a while you'll think no thought the others do not think. You'll know no word the others can't say. And you'll do things because the others do them. You'll feel the danger in any difference whatever-a danger to the crowd of like-thinking, like-acting men...Once in a while there is a man who won't do what is demanded of him, and do you know what happens? The whole machine devotes itself coldly to the destruction of his difference. They'll beat your spirit and your nerves, your body and your mind, with iron rods until the dangerous difference goes out of you. And if you can't finally give in, they'll vomit you up and leave you stinking outside--neither part of themselves, nor yet free...They only do it to protect themselves. A thing so triumphantly illogical, so beautifully senseless as an army can't allow a question to weaken it.
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β
John Steinbeck (East of Eden)
β
The Hebrew word, the word timshel - 'Thou mayest' - that gives a choice. It might be the most important word in the world. That says the way is open...Why, that makes a man great...He can choose his course and fight it through and win...I have a new love for that glittering instrument, the human soul. It is a lovely and unique thing in the universe. It is always attacked and never destroyed - because 'Thou mayest'. ch 24
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β
John Steinbeck (East of Eden)
β
Do you take pride in your hurt?' Samuel asked. 'Does it make you seem large and tragic? . . . Maybe you're playing a part on a great stage with only yourself as audience . . . there's all that fallow land, and here beside me is all that fallow man. It seems a waste. And I have a bad feeling about waste because I could never afford it. Is it a good feeling to let your life lie fallow?
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β
John Steinbeck (East of Eden)
β
I think the difference between a lie and a story is that a story utilizes the trappings and appearance of truth for the interest of the listener as well as of the teller. A story has in it neither gain nor loss. But a lie is a device for profit or escape. I suppose if that definition is strictly held to, then a writer of stories is a liar - if he is financially fortunate.
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β
John Steinbeck (East of Eden)
β
Maybe we all have in us a secret pond where evil and ugly things germinate and grow strong. But this culture is fenced, and the swimming brood climbs up only to fall back. Might it not be that in the dark pools of some men the evil grows strong enough to wriggle over the fence and swim free? Would not such a man be our monster, and are we not related to him in our hidden water? It would be absurd if we did not understand both angels and devils, since we invented them.
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John Steinbeck (East of Eden)
β
The greatest terror a child can have is that he is not loved, and rejection is the hell he fears. I think everyone in the world to a large or small extent has felt rejection. And with rejection comes anger, and with anger some kind of crime in revenge for the rejection, and with the crime guiltβand there is the story of mankind. I think that if rejection could be amputated, the human would not be what he is.
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John Steinbeck (East of Eden)
β
In human affairs of danger and delicacy successful conclusion is sharply limited by hurry. So often men trip by being in a rush. If one were properly to perform a difficult and subtle act, he should first inspect the end to be achieved and then, once he had accepted the end as desirable, he should forget it completely and concentrate solely on the means. By this method he would not be moved to false action by anxiety or hurry or fear. Very few people learn this.
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John Steinbeck (East of Eden)
β
But I think that because they trusted themselves and respected themselves as individuals, because they knew beyond doubt that they were valuable and potentially moral units -- because of this they could give God their own courage and dignity and then receive it back. Such things have disappeared perhaps because men do not trust themselves anymore, and when that happens there is nothing left except perhaps to find some strong sure man, even though he may be wrong, and to dangle from his coattails.
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John Steinbeck (East of Eden)
β
I believe that there is one story in the world, and only one, that has frightened and inspired us, so that we live in a Pearl White serial of continuing thought and wonder. Humans are caught - in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too - in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well - or ill?
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John Steinbeck (East of Eden)
β
It's because I haven't courage,' said Samuel. 'I could never quite take the responsibility. When the Lord God did not call my name, I might have called his name - but I did not. There you have the difference between greatness and mediocrity. It's not an uncommon disease. But it's nice for a mediocre man to know that greatness must be the loneliest state in the world.'
'I'd think there are degrees of greatness,' Adam said.
'I don't think so,' said Samuel. 'That would be like saying there is a little bigness. No. I believe when you come to that responsibility the hugeness and you are alone to make your choice. On one side you have warmth and companionship and sweet understanding, and on the other - cold, lonely greatness. There you make your choice. I'm glad I chose mediocrity, but how am I to say what reward might have come with the other? None of my children will be great either, except perhaps Tom. He's suffering over the choosing right now. It's a painful thing to watch. And somewhere in me I want him to say yes. Isn't that strange? A father to want his son condemned to greatness! What selfishness that must be.
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John Steinbeck (East of Eden)
β
We all have that heritage, no matter what old land our fathers left. All colors and blends of Americans have somewhat the same tendencies. It's a breed - selected out by accident. And so we're overbrave and overfearful - we're kind and cruel as children. We're overfriendly and at the same time frightened of strangers. We boast and are impressed. We're oversentimental and realistic. We are mundane and materialistic - and do you know of any other nation that acts for ideals? We eat too much. We have no taste, no sense of proportion. We throw our energy about like waste. In the old lands they say of us that we go from barbarism to decadence without an intervening culture. Can it be that our critics have not the key or the language of our culture?
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John Steinbeck (East of Eden)
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It is argued that because they believed thoroughly in a just, moral God they could put there faith there and let the smaller insecurities take care of themselves. But I think that because they trusted themselves and respected themselves as individuals, because they knew beyond doubt that they were valuable and potential moral units- because of this they could give God their own courage and dignity and then receive it back. Such things have disappeared perhaps because men do not trust themselves anymore, and when that happens there is nothing left except perhaps to find some strong sure man, even though he may be wrong, and to dangle from his coat-tails.
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John Steinbeck (East of Eden)
β
Dear Pat,
You came upon me carving some kind of little figure out of wood and you said, βWhy donβt you make something for me?β
I asked you what you wanted, and you said, βA box.β
βWhat for?β
βTo put things in.β
βWhat things?β
βWhatever you have,β you said.
Well, hereβs your box. Nearly everything I have is in it, and it is not full. Pain and excitement are in it, and feeling good or bad and evil thoughts and good thoughtsβthe pleasures of design and some despair and the indescribable joy of creation.
And on top of these are all the gratitude and love I have for you.
And still the box is not full.
John
β
β
John Steinbeck (East of Eden)
β
In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted shortcuts to love. When a man comes to die, no matter what his talents and influence and genius, if he dies unloved his life must be a failure to him and his dying a cold horror. It seems to me that if you or I must choose between two courses of thought or action, we should remember our dying and try so to live that our death brings no pleasure to the world.
We have only one story. All novels, all poetry, are built on the never-ending contest in ourselves of good and evil. And it occurs to me that evil must constantly re-spawn, while good, while virtue, is immortal. Vice has always a new fresh young face, while virtue is venerable as nothing else in the world is.
β
β
John Steinbeck (East of Eden)
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I remember clearly the deaths of three men. One was the richest man of the century, who, having clawed his way to wealth through the souls and bodies of men, spent many years trying to buy back the love he had forfeited and by that process performed great service to the world and, perhaps, had much more than balanced the evils of his rise. I was on a ship when he died. The news was posted on the bulletin board, and nearly everyone recieved the news with pleasure. Several said, "Thank God that son of a bitch is dead."
Then there was a man, smart as Satan, who, lacking some perception of human dignity and knowing all too well every aspect of human weakness and wickedness, used his special knowledge to warp men, to buy men, to bribe and threaten and seduce until he found himself in a position of great power. He clothed his motives in the names of virtue, and I have wondered whether he ever knew that no gift will ever buy back a man's love when you have removed his self-love. A bribed man can only hate his briber. When this man died the nation rang with praise...
There was a third man, who perhaps made many errors in performance but whose effective life was devoted to making men brave and dignified and good in a time when they were poor and frightened and when ugly forces were loose in the world to utilize their fears. This man was hated by few. When he died the people burst into tears in the streets and their minds wailed, "What can we do now?" How can we go on without him?"
In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted short cuts to love. When a man comes to die, mo matter what his talents and influence and genius, if he dies unloved his life must be a failure to him and his dying a cold horror....we should remember our dying and try so to live that our death brings no pleasure to the world.
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John Steinbeck (East of Eden)
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Our species is the only creative species, and it has only one creative instrument, the individual
mind and spirit of a man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man. And now the forces marshaled around the concept of the group have declared a war of extermination on that preciousness, the mind of man. By disparagement, by starvation, by repressions,
forced direction, and the stunning hammerblows of conditioning, the free, roving mind is being pursued, roped, blunted, drugged. It is a sad suicidal course our species seems to have taken.
And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion, or government which limits or destroys the individual. This is what I am and what I am about. I can understand why a system built on a pattern must try to destroy the free mind, for this is one thing which can by inspection destroy such a system. Surely I can understand this, and I hate it and I will fight against it to preserve the one thing that separates us from the uncreative beasts. If the glory can be killed, we are lost.
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John Steinbeck (East of Eden)