“
The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.
”
”
David Foster Wallace
“
If
"If freckles were lovely, and day was night,
And measles were nice and a lie warn't a lie,
Life would be delight,--
But things couldn't go right
For in such a sad plight
I wouldn't be I.
If earth was heaven and now was hence,
And past was present, and false was true,
There might be some sense
But I'd be in suspense
For on such a pretense
You wouldn't be you.
If fear was plucky, and globes were square,
And dirt was cleanly and tears were glee
Things would seem fair,--
Yet they'd all despair,
For if here was there
We wouldn't be we.
”
”
E.E. Cummings
“
I might like to have someone courting me. But it would have to be someone who is a square shooter and who has a train load of courage. And it would have to be someone who doesn't have to talk down to folks to feel good, or to tell a person they are worthless ifthey just made a mistake. And he'd have to be not too thin. Why, I remember hugging [my brother] Ernest was like warpping your arms around a fence post,and I love Ernest, but I want a man who can hold me down in a wind. Maybe he'd have to be pretty stubborn. I don't have any use for a man that isn't stubborn. Likely a stubborn fellow will stay with you through thick and thin, and a spineless one will take off, or let his heart wander.
”
”
Nancy E. Turner (These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901)
“
Now hollow fires burn out to black,
And lights are fluttering low:
Square your shoulders, lift your pack
And leave your friends and go.
O never fear, lads, naught’s to dread,
Look not left nor right:
In all the endless road you tread
There’s nothing but the night.
”
”
A.E. Housman
“
The Sinclairs are athletic, tall, and handsome. We are old-money Democrats. Our smiles are wide, our chins square, and our tennis serves aggressive.
”
”
E. Lockhart (We Were Liars)
“
Whatever you focus on expands,
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
What shows up in our lives is a direct reflection of our inner thoughts and emotions.
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
I am a Prince," he replied, being rather dense. "It is the function of a Prince—value A—to kill monsters—value B—for the purpose of establishing order—value C—and maintaining a steady supply of maidens—value D. If one inserts the derivative of value A (Prince) into the equation y equals BC plus CD squared, and sets it equal to zero, giving the apex of the parabola, namely, the point of intersection between A (Prince) and B (Monster), one determines value E—a stable kingdom. It is all very complicated, and if you have a chart handy I can graph it for you.
”
”
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
“
What are?” Juniper’s eyes reflect the bronze shine of Saint George’s standing in the square. “Witching and women’s rights. Suffrage and spells. They’re both…” She gestures in midair again. “They’re both a kind of power, aren’t they? The kind we aren’t allowed to have.” The kind I want, says the hungry shine of her eyes.
”
”
Alix E. Harrow (The Once and Future Witches)
“
Emancipate yourself from mental slavery. None but ourselves can free our minds.
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
It is the vice of a vulgar mind to be thrilled by bigness, to think that a thousand square miles are a thousand times more wonderful than one square mile . . . That is not imagination. No, it kills it. . . . Your universities? Oh, yes, you have learned men who collect . . . facts, and facts, and empires of facts. But which of them will rekindle the light within?
”
”
E.M. Forster (Howards End)
“
It is the vice of a vulgar mind to be thrilled by bigness, to think that a thousand square miles are a thousand times more wonderful than one square mile, and that a million square miles are almost the same as heaven.
”
”
E.M. Forster (Howards End)
“
Give my regards to Broadway,
Remember me to Herald Square,
Tell all the gang at 42nd Street,
That I will soon be there;
Whisper of how I'm yearning
To mingle with the old time throng,
Give my regards to old Broadway,
And say that I'll be there e'er long.
”
”
George M. Cohan
“
Come back down here, heat supply,” I commanded. “I’m going to close my eyes and you are
going to tell me about math so I can fall asleep. Tell me some theorems. Is that what you called them?
Tell me how Einstein knew e equals mc squared. And start with once upon a time . . . okay?”
“You’re a little bossy, you know that?”
“I know. I have to be. It’s to make up for not being born with a calculator. Now share your wisdom,
Infinity.”
“Once upon a time—”
I giggled and Finn immediately shushed me, continuing on with his “story.
”
”
Amy Harmon (Infinity + One)
“
The so-called 'psychotically depressed' person who tries to kill herself doesn't do so out of quote 'hopelessness' or any abstract conviction that life's assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire's flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It's not desiring the fall; it's terror of the flames. And yet nobody down on the sidewalk, looking up and yelling 'Don't!' and 'Hang on!', can understand the jump. Not really. You'd have to have personally been trapped and felt flames to really understand a terror way beyond falling.
”
”
David Foster Wallace (Infinite Jest)
“
But here’s what physicists tell us. Things, in the quantum world, do not happen in steps. They happen immediately.
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
It’s right underneath your fingers, baby. That’s all you have to understand—everything is right underneath your fingers.
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
You never answered," he said. "You got the hots for me, or not?" His dark eyes lit up with a smile.
Squaring her shoulders, Holiday started talking. "Della assumed I might have the hots for you. And you know what they say about assuming, right?"
“It makes an ass out of you and me," Della answered, and gave Kylie the elbow. "Get it. A.S.S.U.M.E."
Holiday cut her eyes to Della in visual reprimand, then started walking away. She got three steps and swung back around. "Are you coming?" she snapped at Burnett.
"You didn't ask me to," He answered.
"Well, I assumed you would know I needed to discuss what happened."
He arched one dark brow upward. "And what did you just about assuming?
”
”
C.C. Hunter (Awake at Dawn (Shadow Falls, #2))
“
It is the vice of a vulgar mind to be thrilled by bigness, to think that a thousand square miles are a thousand times more wonderful than one square mile, and that a million square miles are almost the same as heaven. That is not imagination. No, it kills it.
”
”
E.M. Forster (Howards End, The Longest Journey, A Room with a View, Where Angels Fear to Tread and The Machine Stops)
“
Where do humans meet for normal dates?’
How the hell would she know? Except then she remembered Mary saying something about a colleague of hers meeting a man…What was the name of the place?
‘TGI Friday’s.’ she said. 'There’s one in Lucas Square.'
'Fine. Tell her eight o’clock tonight.'
'What name do I give her?'
'Tell her it’s…Hal. Hal E. Wood.
”
”
J.R. Ward
“
Scientists tell us that 98 percent of our 60,000 thoughts are repeats from the day before.
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
I am not going to give you power over me as I did before—to the point that I have to start from square one. I worked hard to get where I am today.
”
”
Charlena E. Jackson (Dying on The Inside and Suffocating on The Outside)
“
I’m much better off as I am and I’m coming to the conclusion that the happiest people are the ones who have missed everything they thought they wanted.
”
”
E.H. Young (Chatterton Square (Virago Modern Classics))
“
If we simply devote our minds to feeling rich, to being grateful for all the already-apparent riches in our lives—say, our families and our wonderful friends—being broke would disappear. We only experience it because we devote our thoughts to it. That’s how powerful our minds are.
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
The wind rises. It rushes through the square, midnight-cool and mischievous, fluttering the pages of Miss Cady Stone’s notes. It smells wild and sweet, half-familiar, like Mama Mags’s house on the solstice. Like earth and char and old magic. Like the small, feral roses that bloomed in the deep woods.
”
”
Alix E. Harrow (The Once and Future Witches)
“
Anytime we worked a quilt, it was the thing to do to set out an empty chair. It was for the missing woman. The friend who might call, just as you'd sat to quilt, and who might bring a loaf of bread, lend a hand, do a square....
There are times I miss the things I haven't done in my life. The things that Savannah is so good at doing, like taking up the empty chair.
”
”
Nancy E. Turner
“
Man’s chief delusion is his conviction that there are causes other than his own state of consciousness.” —NEVILLE GODDARD, BARBADIAN AUTHOR AND MYSTIC
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
The universe is limitless, abundant, and strangely accommodating.
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
When you get an e-mail and reply to the sender, you simply obliterate everything they sent you and then, in small square brackets, write: [deletia] It stands for everything that's been lost.
”
”
Douglas Coupland (Microserfs)
“
On an evening when Perdita's away on a school trip, Harriet sits in front of her computer eating sample squares of lavender shortbread and practicing her favorite form of procrastination: writing highly positive reviews of her eBay, Etsy, and Amazon purchases. Five stars for everybody. She didn't finish one of the books she just gave five stars to. She just liked the author photo. Five stars for the portrait photographer, then. She's been doing this ever since some of her students told her they do this with one-star reviews. Opposing random negativity with random positivity - that's the main thing.
”
”
Helen Oyeyemi (Gingerbread)
“
An idea has just come to me from nowhere, to wit: Might not the ancient and nearly universal belief that sperm could be metabolized into noble actions have been the inspiration for Einsten's very similar formula: 'E equals MC squared'?
”
”
Kurt Vonnegut Jr. (Bluebeard)
“
I got out of the car and slammed its door. How matter-of-fact, how square that slam sounded in the void of the sunless day! Woof, commented the dog perfunctorily. I pressed the bell button, it vibrated through my whole system. Personne. Je resonne. Repersonne. From what depth this re-nonsense? Woof, said the dog. A rush and a shuffle, and woosh-woosh went the door.
Couple of inches taller. Pink-rimmed glasses. New, heaped-up hairdo, new ears. How simple! The moment, the death that I had kept conjuring up for three years was as simple as a bit of dry wood. She was frankly and hugely pregnant. Her head looked smaller (only two seconds had passed really, but let me give them as much wooden duration as life can stand), and her pale-freckled cheeks were hollowed, and her bare shins and arms had lost all their tan, so that the little hairs showed. She wore a brown, sleeveless felt dress and sloppy felt slippers.
'We-e-ell!' she exhaled after a pause with all the emphasis of wonder and welcome.
'Husband at home?' I croaked, fist in pocket.
I could not kill her, of course, as some have thought. You see I loved her. It was love at first sight, at last sight, at ever and ever sight.
”
”
Vladimir Nabokov
“
There is a most profound and beautiful question associated with the observed coupling constant, e - the amplitude for a real electron to emit or absorb a real photon. It is a simple number that has been experimentally determined to be close to 0.08542455. (My physicist friends won't recognize this number, because they like to remember it as the inverse of its square: about 137.03597 with about an uncertainty of about 2 in the last decimal place. It has been a mystery ever since it was discovered more than fifty years ago, and all good theoretical physicists put this number up on their wall and worry about it.) Immediately you would like to know where this number for a coupling comes from: is it related to pi or perhaps to the base of natural logarithms? Nobody knows. It's one of the greatest damn mysteries of physics: a magic number that comes to us with no understanding by man. You might say the "hand of God" wrote that number, and "we don't know how He pushed his pencil." We know what kind of a dance to do experimentally to measure this number very accurately, but we don't know what kind of dance to do on the computer to make this number come out, without putting it in secretly!
”
”
Richard P. Feynman (QED: The Strange Theory of Light and Matter)
“
Ron Paul is crazy,” the guardians of respectable opinion assured us. What they really meant was that Ron Paul defied traditional political categories and advanced positions outside the Clinton-to-Romney continuum. People whose minds have been formed in ideological prison camps for 12 years have learned to confine themselves within an approved range of possibilities. Tax me 35 percent or tax me 40 percent, but don’t raise the possibility that taxation itself may be a moral issue rather than just a matter of numbers. Either bomb or starve that poor country, but don’t tell me there might be a third option. The Fed should loosen or the Fed should tighten, but don’t tell me our money supply doesn’t need to be supervised by a central planner. As always, confine yourself to the three square inches of intellectual terrain the New York Times has graciously allotted to you.
”
”
Thomas E. Woods Jr. (Real Dissent: A Libertarian Sets Fire to the Index Card of Allowable Opinion)
“
A Truer, Grander Vision “You can never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.” —
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
Once we begin to look for what’s right, our lives begin spinning in unimaginably exciting new directions.
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
An unnatural wind whips toward the center of the square. It smells like drying herbs and wild roses. Like magic.
”
”
Alix E. Harrow (The Once and Future Witches)
“
She remembered again that ten square miles are not ten times as wonderful as one square mile, that a thousand square miles are not practically the same as heaven.
”
”
E.M. Forster (Howards End)
“
The United States, almost alone today, offers the liberties and the privileges and the tools of freedom. In this land the citizens are still invited to write their plays and books, to paint their pictures, to meet for discussion, to dissent as well as to agree, to mount soapboxes in the public square, to enjoy education in all subjects without censorship, to hold court and judge one another, to compose music, to talk politics with their neighbors without wondering whether the secret police are listening, to exchange ideas as well as goods, to kid the government when it needs kidding, and to read real news of real events instead of phony news manufactured by a paid agent of the state. This is a fact and should give every person pause.
”
”
E.B. White (One Man's Meat)
“
The greatest discovery and development of the coming years will be along spiritual lines. Here is a force which history clearly teaches has been the greatest power in the development of man and history, and yet we have been merely playing with it and have never seriously studied it as we have physical forces. Some day people will learn that material things do not bring happiness and are of little use in making men and women creative and powerful. Then the scientists of the world will turn their laboratories over to the study of the spiritual forces. When this day comes, the world will see more advancement in one generation than it has in the past four.
”
”
Charles Proteus Steinmetz (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
I’m glad to report that even now, at this late day, a blank sheet of paper holds the greatest excitement there is for me—more promising than a silver cloud, prettier than a little red wagon. It holds all the hope there is, all fears. I can remember, really quite distinctly, looking a sheet of paper square in the eyes when I was seven or eight years old and thinking, 'This is where I belong, this is it'.
”
”
E.B. White
“
Look through the Bible and nowhere does Jesus say, “Worship me.” His call to us was “follow me.” There’s a big difference. By making Jesus out to be a hero, we miss the whole point. Jesus wasn’t saying, “I’m cool. Make statues of me; turn my birthday into a huge commercial holiday.” He was saying, “Here, look what is possible. Look what we humans are capable of.” Jesus is our brother, our legacy, the guy we’re supposed to emulate.
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
Q: Do you have any advice for upcoming writers who want to pen weird stories?
A: READ, damn it. Fill your brain to the bursting point with the good stuff, starting with writers that you truly enjoy, and then work your way backward and outward, reading those writers who inspired the writers you love best. That was my path as far as Weird/Horror Fiction, starting with Lovecraft, and then working my way backward/outward on the Weird Fiction spiderweb. And don’t limit your reading. Read it all, especially non-fiction and various news outlets. You’d be surprised by how many of my story ideas were born while listening to NPR, perusing a blog, or paging through Vanity Fair.
Once you have your fuel squared away, just write what you love, in whatever style and genre. You’ll never have fun being someone you’re not, so be yourself. When a singer opens their mouth, what comes out is what comes out.
Also, don’t be afraid to fail, and don’t be afraid to walk away. Writing isn’t for everyone, and that’s totally fine. One doesn’t need to be a writer to enjoy being a reader and overall fan of genre or wider fiction.
”
”
T.E. Grau
“
Quantum physicists discovered that physical atoms are made up of vortices of energy that are constantly spinning and vibrating; each atom is like a wobbly spinning top that radiates energy. Because each atom has its own specific energy signature (wobble), assemblies of atoms (molecules) collectively radiate their own identifying energy patterns. So every material structure in the universe, including you and me, radiates a unique energy signature. If it were theoretically possible to observe the composition of an actual atom with a microscope, what would we see? Imagine a swirling dust devil cutting across the desert’s floor. Now remove the sand and dirt from the funnel cloud. What you have left is an invisible, tornado-like vortex. A number of infinitesimally small, dust devil–like energy vortices called quarks and photons collectively make up the structure of the atom. From far away, the atom would likely appear as a blurry sphere. As its structure came nearer to focus, the atom would become less clear and less distinct. As the surface of the atom drew near, it would disappear. You would see nothing. In fact, as you focused through the entire structure of the atom, all you would observe is a physical void. The atom has no physical structure—the emperor has no clothes! Remember the atomic models you studied in school, the ones with marbles and ball bearings going around like the solar system? Let’s put that picture beside the “physical” structure of the atom discovered by quantum physicists. No, there has not been a printing mistake; atoms are made out of invisible energy not tangible matter! So in our world, material substance (matter) appears out of thin air. Kind of weird, when you think about it. Here you are holding this physical book in your hands. Yet if you were to focus on the book’s material substance with an atomic microscope, you would see that you are holding nothing. As it turns out, we undergraduate biology majors were right about one thing—the quantum universe is mind-bending. Let’s look more closely at the “now you see it, now you don’t” nature of quantum physics. Matter can simultaneously be defined as a solid (particle) and as an immaterial force field (wave). When scientists study the physical properties of atoms, such as mass and weight, they look and act like physical matter. However, when the same atoms are described in terms of voltage potentials and wavelengths, they exhibit the qualities and properties of energy (waves). (Hackermüller, et al, 2003; Chapman, et al, 1995; Pool 1995) The fact that energy and matter are one and the same is precisely what Einstein recognized when he concluded that E = mc2. Simply stated, this equation reveals that energy (E) = matter (m, mass) multiplied by the speed of light squared (c2). Einstein revealed that we do not live in a universe with discrete, physical objects separated by dead space. The Universe is one indivisible, dynamic whole in which energy and matter are so deeply entangled it is impossible to consider them as independent elements.
”
”
Bruce H. Lipton (The Biology of Belief: Unleasing the Power of Consciousness, Matter and Miracles)
“
The ancient Egyptian calendar is Precessionally Sexagesimal (Besides being theologically/decanally decimal). That means that the toggling between its "enhanced" Civil Calendar (i.e., 365 days yearly) and the geometrical Original Calendar (i.e., 360 days yearly) is based on the precession of the equinoxes (rather than being solely anchored in the solar system); where 148 squared over 365 equals to 60; and 148 multiples of 360 over 365 equals to the height of the Great Pyramid.
”
”
Ibrahim Ibrahim (The Calendar of Ancient Egypt: The Temporal Mechanics of the Giza Plateau)
“
Why the devil couldn’t it have been blue?” I said to myself.
And this thought—one of the most profound ever made since the discovery of butterflies—consoled me for my misdeed and reconciled me with myself. I stood there, looking at the corpse with, I confess, a certain sympathy. The butterfly had probably come out of the woods, well-fed and happy, into the sunlight of a beautiful morning. Modest in its demands on life, it had been content to fly about and exhibit its special beauty under the vast cupola of a blue sky, al sky that is always blue for those that have wings. It flew through my open window, entered by room, and found me there. I suppose it had never seen a man; therefore it did not know what a man was. It described an infinite number of circles about my body and saw that I moved, that I had eyes, arms, legs, a divine aspect, and colossal stature. Then it said to itself, “This is probably the maker of butterflies.” The idea overwhelmed it, terrified it; but fear, which is sometimes stimulating, suggested the best way for it to please its creator was to kiss him on the forehead, and so it kissed me on the forehead. When I brushed it away, it rested on the windowpane, saw from there the portrait of my father, and quite possibly perceived a half-truth, i.e., that the man in the picture was the father of the creator of butterflies, and it flew to beg his mercy.
Then a blow from a towel ended the adventure. Neither the blue sky’s immensity, nor the flowers’ joy, nor the green leaves’ splendor could protect the creature against a face towel, a few square inches fo cheap linin. Note how excellent it is to be superior to butterflies! For, even if it had been blue, its life would not have been safe; I might have pierced it with a pin and kept it to delight my eyes. It was not blue. This last thought consoled me again. I placed the nail of my middle finger against my thumb, gave the cadaver a flip, and it fell into the garden. It was high time; the provident ants were already gathering around…Yes, I stand by my first idea: I think that it would have been better for the butterfly if it had been born blue.
”
”
Machado de Assis (Memórias póstumas de Brás Cubas)
“
e never fall twice into the same abyss. But we always fall the same way, in a mixture of ridicule and dread. We so desperately want not to fall that we grapple for a handhold, screaming. With their heels they crush our fingers, with their beaks they smash our teeth and peck out our eyes. The abyss is bordered by tall mansions. And there stands History, a reasonable goddess, a frozen statue in the middle of the town square. Dried bunches of peonies are her annual tribute; her daily gratuity, bread crumbs for the birds.
”
”
Éric Vuillard (The Order of the Day)
“
Move On With Your Life Also Let Your Memories Visits You Frequently Is What Slowing Down Everything And Probably Brings You Back To Square One Again !!
”
”
eBee
“
You can go back time and time again to the shoe store, but it will never sell milk.
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
Your wildest misperceptions, your weird imaginings, your blackest nightmares all mean nothing.” —A COURSE IN MIRACLES
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
You will not break loose until you realize that you yourself forge the chains that bind you.” —ARTEN IN THE DISAPPEARANCE OF THE UNIVERSE, BY GARY RENARD In
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
Our ideas of God tells us more about ourselves than about Him.” —THOMAS MERTON, CHRISTIAN MYSTIC
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
The most dangerous ads, as far as I’m concerned, are the new prescription drug ads, because they teach people to be sick.
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
Except she's not a baby anymore: her jaw is hard and square, her shoulders wide, her eyes blazing with a grown woman's helping of hate.
”
”
Alix E. Harrow (The Once and Future Witches)
“
Neither E=mc [squared] nor Paradise Lost was dashed off by a party animal.
”
”
Winifred Gallagher
“
She remembered again that ten square miles are not ten times as wonderful as one square mile, that a thousand square miles are not practically the same as heaven.
The phantom of bigness, which London encourages, was laid forever when she paced from the hall at Howard's End to its kitchen and heard the rains run this way and that where the watershed of the roof divided them.
”
”
E.M. Forster (Howards End)
“
Time—how often has she heard it described as sand within a glass, steady, constant. But that is a lie, because she can feel it quicken, crashing toward her. Panic beats a drum inside her chest, and outside, the path is a single dark line, stretched straight and narrow toward the village square. On the other side, the church stands waiting, pale and stiff as a tombstone, and she knows that if she walks in, she will not come out. Her future will rush by the same as her past, only worse, because there will be no freedom, only a marriage bed and a deathbed and perhaps a childbed between, and when she dies it will be as though she never lived. There will be no Paris. No green-eyed lover. No trips on boats to faraway lands. No foreign skies. No life beyond this village. No life at all, unless— Adeline pulls free of her father’s grip, drags to a stop on the path. Her mother turns to look at her, as if she might run, which is exactly what she wants to do, but knows she can’t. “I made a gift for my husband,” says Adeline, mind spinning. “I’ve left it in the house.” Her mother softens, approving. Her father stiffens, suspicious. Estele’s eyes narrow, knowing.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
Furthermore, some of the best people in the country were connected with the Communist movement in some way, heroes and heroines one could admire. There was Paul Robeson, the fabulous singer-actor-athlete whose magnificent voice could fill Madison Square Garden, crying out against racial injustice, against fascism. And literary figures (weren’t Theodore Dreiser and W. E. B. DuBois Communists?),
”
”
Howard Zinn (You Can't Be Neutral on a Moving Train: A Personal History of Our Times)
“
On the day that five angry creditors came calling at Thirsby Square, Mr. Yates inconveniently fell nose-first into his porridge and died, leaving Mrs. Yates to clean up the mess in the kitchen and at the bank.
”
”
K.E. Ormsbee (The Water and the Wild)
“
S-A-T-O-R
A-R-E-P-O
T-E-N-E-T
O-P-E-R-A
R-O-T-A-S
The palindrome means something like “The farmer Arepo works with his plow,” with rotas, literally “wheels,” referring to the back-and-forth motion that plows make as they till. This “magic square” has delighted enigmatologists for centuries ... The magic square also reportedly kept away the devil, who traditionally (so said the church) got confused when he read palindromes.
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Sam Kean (The Violinist's Thumb: And Other Lost Tales of Love, War, and Genius, as Written by Our Genetic Code)
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Sitting on top of a burning cottage was a huge gold and green scaled dragon. Its massive wings closed around its body. Its spiked tail flicked, sending large parts of the roof crashing to the square below. In its right claw, it held Andorria. It rotated its head from right to left, spewing out large streams of flames.
"Nice of you to join us, Aiden!" the dragon bellowed.
Aiden took a step back. In great confusion, he recognized the voice.
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Michael E. Coones (Commander Courage: and the Forgotten Books of Darkness (Commander Courage and the Lost Planet Airmen))
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You only care about the things that you can use, and therefore arrange them in the following order: Money, supremely useful; intellect, rather useful; imagination, of no use at all. No”—for the other had protested—“your Pan-Germanism is no more imaginative than is our Imperialism over here. It is the vice of a vulgar mind to be thrilled by bigness, to think that a thousand square miles are a thousand times more wonderful than one square mile, and that a million square miles are almost the same as heaven. That is not imagination. No, it kills it. When their poets over here try to celebrate bigness they are dead at once, and naturally. Your poets too are dying, your philosophers, your musicians, to whom Europe has listened for two hundred years. Gone. Gone with the little courts that nurtured them—gone with Esterhaz and Weimar. What? What’s that? Your universities? Oh, yes, you have learned men, who collect more facts than do the learned men of England. They collect facts, and facts, and empires of facts. But which of them will rekindle the light within?
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E.M. Forster (Howards End)
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Kell smiled back. And then Lila brought her free hand to his jaw and tugged his mouth toward hers. The kiss was there and then gone, like one of her smiles. “What was that for?” he asked, dazed. “For luck,” she said, squaring her shoulders to the wall. “Not that I need it.
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Victoria E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
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Can't believe you're making me say this am willing to fill any role required by you i.e. buddy best buddy laborer unpaid driver unpaid gardener unpaid father of your children coat etc just tell me which and how we'll manage come home will square things with your Pa - Charlie
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Helen Oyeyemi
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Nor were the Arabs content with praising the lighthouse: they even looked at it. “El Manarah,” as they called it, gave the name to, and became the model for, the minaret, and one can still find minarets in Egypt that exactly reproduce the design of Sostratus—the bottom story square, second octagonal, third round.
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E.M. Forster (Pharos and Pharillon)
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Currently, our minds are devoted to things we do not want. Our positive intentions occupy but a tiny sliver of our minds. The rest is focused on the problems we hope the intentions will eliminate. The majority of our brainpower is devoted to the old beliefs of scarcity, problem relationships, and a God who shoots fire bolts from heaven. The
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Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
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There is still quite a lot of life out there, but it is mostly very small. According to a wildlife census by an ecologist at the University of Illinois named V. E. Shelford, a typical ten-square-mile block of eastern American forest holds almost 300,000 mammals—220,000 mice and other small rodents, 63,500 squirrels and chipmunks, 470 deer, 30 foxes, and 5 black bears.
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Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
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One of the problems with getting people to accept the first tenet of Marxism (infrastructure determines superstructure) is that we can look around us and see superstructural forces feeding back into the infrastructure and making changes in it. Because we are the “political size” we are (and thus have the political horizon we do), it’s hard for individuals to see the extent of (or lack of) those changes. We have no way to determine by direct observation whether those changes are stabilizing/destabilizing or causative. And when we are unsure of (or wholly ignorant of) the infrastructural forces involved, often we assume that the superstructural forces that we have seen at work are responsible for major (i.e., infrastructural) changes.
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Samuel R. Delany (Times Square Red, Times Square Blue)
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A square space with complicated ceremonies going on in it, the purpose of which is to transform animals into men. Two snakes, moving in opposite directions, have to be got rid of at once. Some animals are there, e.g. foxes and dogs. The people walk around the square and must let themselves be bitten by these animals in each of the four corners . If they run away all is lost. Now the higher animals come on to the scene-bulls and ibexes. Four snakes glide into the four corners. Then the congregation flies out. Two sacrificial priests carry in a huge reptile and with this they touch the forehead of a shapeless animal lump or life-mass. Out of it there instantly rises a human head, transfigured. A voice proclaims: "These are attempts at being.
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David Lindorff (Pauli and Jung: The Meeting of Two Great Minds)
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Scientists now know the brain receives 400 billion bits of information each second. To give you some idea of just how much information that is, consider this: It would take nearly 600,000 average-size books just to print 400 billion zeros. Needless to say, that’s a heck of a lot of reality. So what do we do? We start screening. We start narrowing down. I’ll take that bit of information over there, and let’s see—this one fits nicely with my ongoing soap opera about the opposite sex. When all is said and done, we’re down to 2,000 measly bits of information. Go ahead and take a bow, because even that’s pretty impressive. We’re talking 2,000 bits of information each and every second. But here’s the problem. What we choose to take in is only one-half of one-millionth of a percent of what’s out there.
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Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
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Objectively (i.e., in theory) there is utterly no conflict between morality and politics. But subjectively (in the self-seeking inclinations of men, which, because they are not based on maxims of reason, must not be called the [sphere of] practice [Praxis]) this conflict will always remain, as well it should; for it serves as the whetstone of virtue, whose true courage (according to the principle, “tu ne cede malis, sed contra audentior ito”)35 in the present case consists not so much in resolutely standing up to the evils and sacrifices that must be taken on; rather, it consists in detecting, squarely facing, and conquering the deceit of the evil principle in ourselves, which is the more dangerously devious and treacherous because it excuses all our transgressions with an appeal to human nature’s frailty.
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Immanuel Kant (Perpetual Peace and other Essays on Politics, History and Morals (Classics))
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She feels so good and welcoming, like home. Reluctantly, I relinquish her, and Bob gives me an awkward one-armed hug. He seems unsteady on his feet, and I remember that he’s hurt his leg. “Welcome back, Ana. Why you cryin’?” he asks. “Aw, Bob, I’m just pleased to see you, too.” I stare up into his handsome square-jawed face and his twinkling blue eyes that gaze at me fondly. I like this husband, Mom. You can keep him. He takes my backpack. “Jeez, Ana, what have you got in here?” That would be the Mac, and they both put their arms around me as we head for the parking lot. I always forget how unbearably hot it is in Savannah. Leaving the cool air-conditioned confines of the arrival terminal, we step into the Georgia heat like we’re wearing it. Whoa! It saps everything. I have to struggle out of Mom and Bob’s embrace so
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E.L. James (Fifty Shades Trilogy Bundle (Fifty Shades, #1-3))
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While Lou loved the raucous music, loud voices, and chaotic movement of a dinner rush, the calm of prep-work soothed her soul and gave her time to think. Some people did downward dog, some burned incense in front of a Buddha statue, some prayed the rosary; Lou chopped the vegetables into tiny squares, filleted fish, and reduced veal stock. Her meditation smelled better, and even if she didn't find a solution, at least she got to eat.
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Amy E. Reichert (The Coincidence of Coconut Cake)
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Or maybe you just have some kind of alligator kink. The water shut off, and Prophet turned his head to see Tom exiting the bathroom naked. Tom stopped short when he noticed Prophet’s stare. He smirked a little and shook his head when Prophet shoved his hands into his pockets in a futile attempt to hide how turned on he was. Looking squarely into Tom’s eyes, Prophet knew what—who—he had a kink for. And the voodoo bastard knew it too. Knew
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S.E. Jakes (Long Time Gone (Hell or High Water, #2))
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Dusk settled over our shoulders like a damp purple blanket. The river- the churn and clank of boat traffic, the shush of water, and the tangy smell of catfish and mud- was slowly beaten back by honeysuckle and cicadas and some bird that cooed the same three syllables in a lilting circle.
It was all so familiar and so foreign. I pictured a young girl in a blue cotton dress running down this same road on cinnamon-stick legs. Then I pictured another girl, white and square-jawed, running before her. Adelaide. Mother.
I would've missed it if I hadn't been looking: a narrow dirt drive crowded on either side by briars and untrimmed boughs. Even once I'd followed the track to its end I was uncertain- who would live in such a huddled, bent-back cabin, half-eaten by ivy and some sort of feral climbing rose? The wooden-shake shingles were green with moss; the barn had collapsed entirely.
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Alix E. Harrow (The Ten Thousand Doors of January)
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The news that she had gone of course now spread rapidly, and by lunch time Riseholme had made up its mind what to do, and that was hermetically to close its lips for ever on the subject of Lucia. You might think what you pleased, for it was a free country, but silence was best. But this counsel of perfection was not easy to practice next day when the evening paper came. There, for all the world to read were two quite long paragraphs, in "Five o'clock Chit-Chat," over the renowned signature of Hermione, entirely about Lucia and 25 Brompton Square, and there for all the world to see was the reproduction of one of her most elegant photographs, in which she gazed dreamily outwards and a little upwards, with her fingers still pressed on the last chord of (probably) the Moonlight Sonata. . . . She had come up, so Hermione told countless readers, from her Elizabethan country seat at Riseholme (where she was a neighbour of Miss Olga Bracely) and was settling for the season in the beautiful little house in Brompton Square, which was the freehold property of her husband, and had just come to him on the death of his aunt. It was a veritable treasure house of exquisite furniture, with a charming music-room where Lucia had given Hermione a cup of tea from her marvellous Worcester tea service. . . . (At this point Daisy, whose hands were trembling with passion, exclaimed in a loud and injured voice, "The very day she arrived!") Mrs. Lucas (one of the Warwickshire Smythes by birth) was, as all the world knew, a most accomplished musician and Shakespearean scholar, and had made Riseholme a centre of culture and art. But nobody would suspect the blue stocking in the brilliant, beautiful and witty hostess whose presence would lend an added gaiety to the London season.
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E.F. Benson (Lucia in London (The Mapp & Lucia Novels, #3))
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there are restraining cuffs on each corner. Above it is an expansive iron grid suspended from the ceiling, eight-foot square at least, and from it hang all manner of ropes, chains, and glinting shackles. By the door, two long, polished, ornately carved poles, like spindles from a banister but longer, hang like curtain rods across the wall. From them swing a startling assortment of paddles, whips, riding crops, and funny-looking feathery implements.
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E.L. James (Fifty Shades Trilogy Bundle (Fifty Shades, #1-3))
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He retrieves a fluffy white robe from the bathroom and drapes me in it. Then he sits next to me and opens the black folder.
Inside, there’s a single sheet of paper, covered in words and symbols. There’s a rough square in the center of the page, surrounded by wavy lines. Is that supposed to be water? Inside the square, there are small symbols: cliffs, mountains, an oval lake. The symbols are labeled. The Pillowy Mountains. Shipwreck Cove. Bathtub Lake. Pirate’s Lookout. Rum-un Cliffs.
There are three fancy Xs on the map, drawn with curlicues and shaded in. One in Rum-un Cliffs, one in the Pillowy Mountains, and one in Pirate’s Lookout.
“Is this a treasure map?” I ask, tracing my fingers over it. “Did you draw this? It’s so cool.”
He nods. “X marks the spot, see? You have an hour to find the three treasures and bring them back to me.”
A treasure hunt? He’s made a treasure hunt for me?
A n4ked treasure hunt?
“Pirate treasure?” I ask, blinking up at him.
“Uh-huh.”
I can play pirates. I have the perfect thing.
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E.J. Frost (Daddy P.I. (Daddy P.I. Casefiles, #1))
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Most people associate the word abracadabra with magicians pulling rabbits out of hats. It’s actually an Aramaic term that translates into English as, “I will create as I speak.” It’s a powerful concept. It’s why Edison often announced the invention of a device before he’d actually invented it. It’s why Jim Carrey wrote himself a check for $10 million long before he ever made a movie. This principle simply says, “Whatever you focus on expands,” and in the experiment you’ll learn that there’s no such thing as an idle thought and that all of us are way too cavalier and tolerant of our minds’ wandering.
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Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
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The Abracadabra Principle. Most people associate the word abracadabra with magicians pulling rabbits out of hats. It’s actually an Aramaic term that translates into English as, “I will create as I speak.” It’s a powerful concept. It’s why Edison often announced the invention of a device before he’d actually invented it. It’s why Jim Carrey wrote himself a check for $10 million long before he ever made a movie. This principle simply says, “Whatever you focus on expands,” and in the experiment you’ll learn that there’s no such thing as an idle thought and that all of us are way too cavalier and tolerant of our minds’ wandering.
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Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
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Nobody doan never have touch Porhl! When I little, de brudder try. Oh yeah. I raise up dis bony knee hard in his what he got dere, and dat were dat and nobody since! You hear dis gul, Mr. free man Jacob Early? And nobody since! An I ain’t no Jez’bel, she screamed. In this way was Pearl’s decision made, and by the time they were on the march through Milledgeville she was drummer for Clarke’s company. She just hit the drum once every other step and they kept the pace, some with smiles on their faces. She looked straight ahead and kept her shoulders squared against the shoulder straps, but she could tell that white folks watched from the windows. And none of them knew she wasn’t but the drummer boy they saw.
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E.L. Doctorow (The March)
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It was his hope that the clouds of materialism obscuring the Fatherland would part in time, and the mild intellectual light re-emerge. “Do you imply that we Germans are stupid, Uncle Ernst?” exclaimed a haughty and magnificent nephew. Uncle Ernst replied: “To my mind. You use the intellect, but you no longer care about it. That I call stupidity.” As the haughty nephew did not follow, he continued: “You only care about the things that you can use, and therefore arrange them in the following order: Money, supremely useful; intellect, rather useful; imagination, of no use at all. No”—for the other had protested—“your Pan-Germanism is no more imaginative than is our Imperialism over here. It is the vice of a vulgar mind to be thrilled by bigness, to think that a thousand square miles are a thousand times more wonderful than one square mile, and that a million square miles are almost the same as heaven. That is not imagination. No, it kills it. When their poets over here try to celebrate bigness they are dead at once, and naturally. Your poets too are dying, your philosophers, your musicians, to whom Europe has listened for two hundred years. Gone. Gone with the little courts that nurtured them—gone with Esterhaz and Weimar. What? What’s that? Your universities? Oh, yes, you have learned men, who collect more facts than do the learned men of England. They collect facts, and facts, and empires of facts. But which of them will rekindle the light within?
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E.M. Forster (Howards End)
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[The Self is] expressed by certain typical symbolic images called mandalas. All images that emphasize a circle with a center and usually with the additional feature of a square, cross, or some other representation of quaternity, fall into this category…There are also a number of other associated themes and images that refer to the Self. Such themes as wholeness, totality, the union of opposites, the central generative point, the world naval, the axis of the universe. . .the elixir of life – all refer to the Self, the central source of life energy, the fountain of our being which is most simply described as God. Indeed, the richest sources of the phenomenological study of the Self are in the innumerable representations that man has made of the deity.
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Edward F. Edinger (Ego e Arquétipo: Uma síntese fascinante dos conceitos psicológicos fundamentais de Jung)
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- Molly Noptkins tells the U.S.O.U.S. operatives that her understanding of the apres-garde Auteur J. O. Incandenza's lethally entertaining Infinite Jest (V or VI) is that it features Madame Psychosis as some kind of maternal instantiation of the archetypal figure Death, sitting naked, corporeally gorgeous, ravishing, hugely pregnant, her hideously deformed face either veiled or blanked out by undulating computer-generated squares of color or anamorphosized into unrecognizability as any kind of face by the camera's apparently very strange and novel lens, sitting there nude, explaining in very simple childlike language to whomever the film's camera represents that Death is always female, and that the female is always maternal. I.e. that the woman who kills you is always your next life's mother.
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David Foster Wallace (Infinite Jest)
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On the other hand, some of the family’s impatience with the public is justified. When I use Federal Express, I accept as a condition of business that its standardized forms must be filled out in printed letters. An e-mail address off by a single character goes nowhere. Transposing two digits in a phone number gets me somebody speaking heatedly in Portuguese. Electronic media tell you instantly when you’ve made an error; with the post office, you have to wait. Haven’t we all at some point tested its humanity? I send mail to friends in Upper Molar, New York (they live in Upper Nyack), and expect a stranger to laugh and deliver it in forty-eight hours. More often than not, the stranger does. With its mission of universal service, the Postal Service is like an urban emergency room contractually obligated to accept every sore throat, pregnancy, and demented parent that comes its way. You may have to wait for hours in a dimly lit corridor. The staff may be short-tempered and dilatory. But eventually you will get treated. In the Central Post Office’s Nixie unit—where mail arrives that has been illegibly or incorrectly addressed—I see street numbers in the seventy thousands; impossible pairings of zip codes and streets; addresses without a name, without a street, without a city; addresses that consist of the description of a building; addresses written in water-based ink that rain has blurred. Skilled Nixie clerks study the orphans one at a time. Either they find a home for them or they apply that most expressive of postal markings, the vermilion finger of accusation that lays the blame squarely on you, the sender.
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Jonathan Franzen (How to Be Alone)
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A similar lack of concern about Jesus’s earthly origins can be found in the first gospel, Mark, written just after 70 C.E. Mark’s focus is kept squarely on Jesus’s ministry; he is uninterested either in Jesus’s birth or, perhaps surprisingly, in Jesus’s resurrection, as he writes nothing at all about either event. The early Christian community appears not to have been particularly concerned about any aspect of Jesus’s life before the launch of his ministry. Stories about his birth and childhood are conspicuously absent from the earliest written documents. The Q material, which was compiled around 50 C.E., makes no mention of anything that happened before Jesus’s baptism by John the Baptist. The letters of Paul, which make up the bulk of the New Testament, are wholly detached from any event in Jesus’s life save his crucifixion and resurrection (though Paul does mention the Last Supper).
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Reza Aslan (Zealot: The Life and Times of Jesus of Nazareth)
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The actualization and formation of one uniform whole from the meanings of single words, which Ingarden calls, "the sentence forming operation", performed by a creative act of consciousness is not the same as the realization of an ideal quality, for example, during the creation of a real object. The carpenter does the latter, when he builds a table, for example, realizing in it such ideal qualities as 'square-ness', 'circularity', 'redness', etc. An intentional act cannot do this— Ingarden says, "it is beyond its powers". An intentional act can only create actualizations of ideal senses of ideas and form a new whole out of them, i.e., a new sense which is the meaning of the newly formed sentence. In this sense, a sentence cannot contain real contents of the ideas and ideal qualities, it can only point to the latter as the source of its meaning, whose actualizations, but not realizations it bears as a meaningful sentence.
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Wojciech Chojna (Roman Ingarden's Philosophy of Literature: Phenomenological Account)
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I couldn't stop thinking about that hand, gone mottled seemingly overnight. Even at ninety, his nails were clean and square. Though I'd never watched his hands purposefully, I realized I knew their habitual gestures better than my own: the way the shelf of his pinkie moved crumbs around on the tablecloth while he spoke on the phone; the way he kept his palm on his forehead as he slept, occasionally opening it as if reasoning with someone, or calculating the make on a deal; the way he spat on his fingertips when he was counting money. Sometimes he dismissed things by pushing air away with four fingers, as if hey weren't worth the trouble of an impassioned rejection. Sometimes by smacking the air left to right with the back of his hand. And sometimes, he ridged his hand as if he was about to shake someone else's but then rotated it and opened the fingers slightly in a Yiddish-like gesture that meant Just look at that a*****e.
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Boris Fishman (Savage Feast: Three Generations, Two Continents, and a Dinner Table (A Memoir with Recipes))
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«Ben, milioni di persone potranno dire di essere stati al Richard Rodgers Theatre per vedere Hamilton. Noi siamo gli unici che possono dire di essersi seduti sul marciapiede e di essersi fatti una scorpacciata di pezzi di Broadway in una sola sera.»
«E tu sei sicuro che sia meglio? Perché...»
Arthur mi zittisce con un bacio.
«Ben giocata» dico.
Ci alziamo.
«Davvero, mi dispiace...»
Altro bacio.
«Okay, ma ho rovinat...»
Altro bacio.
«Lasciami dir...»
Altro bacio.
«Che mi baci ogni volta che cerco di scusarmi non è male, come problema di coppia.»
«Ben, sono felice. È stato meraviglioso e romantico e perfetto. Sei il re delle riparazioni.»
Ci tuffiamo nel cuore di Times Square. Valanghe di pedoni continuano a separarci, ma noi troviamo sempre il modo di riunirci, senza permettere ai passanti o ai selfie di gruppo di tenerci lontani. Quando ritrovo la sua mano per l’ennesima volta, me lo tengo vicino. Non voglio più lasciarlo andare.
Né stasera.
Né mai più
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Becky Albertalli (What If It's Us (What If It's Us, #1))
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but the period of human birth is comprehended in a number in which first increments by involution and evolution [or squared and cubed] obtaining three intervals and four terms of like and unlike, waxing and waning numbers, make all the terms commensurable and agreeable to one another.10 The base of these (3) with a third added (4) when combined with five (20) and raised to the third power furnishes two harmonies; the first a square which is a hundred times as great (400 = 4 × 100),11 and the other a figure having one side equal to the former, but oblong,12 consisting of a hundred numbers squared upon rational diameters of a square (i.e. omitting fractions), the side of which is five (7 × 7 = 49 × 100 = 4900), each of them being less by one (than the perfect square which includes the fractions, sc. 50) or less by13 two perfect squares of irrational diameters (of a square the side of which is five = 50 + 50 = 100); and a hundred cubes of three (27 × 100 = 2700 + 4900 + 400 = 8000). Now this number represents a geometrical figure which has control over the good and evil of births. For
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Plato (Republic)
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Today, if a landowner feels the urge, he can put a backhoe into his hillside pasture and disembowel it. He can set his plow against the contours and let his wealth run down into the brook and into the sea. He can sell his topsoil off by the load and make a gravel pit of a hayfield. For all the interference he will get from the community, he can dig through to China, exploiting as he goes. With an ax in his hand he can annihilate the woods, leaving brush piles and stumps. He can build any sort of building he chooses on his land in the shape of a square or an octagon or a milk bottle. Except in zoned areas he can erect any sort of sign. Nobody can tell him where to head in—it is his land and this is a free country. Yet people are beginning to suspect that the greatest freedom is not achieved by sheer irresponsibility. The earth is common ground and we are all over-lords, whether we hold title or not; gradually the idea is taking form that the land must be held in safekeeping, that one generation is to some extent responsible to the next, and that it is contrary to the public good to allow an individual, merely because of his whims or his ambitions, to destroy almost beyond repair any part of the soil or the water or even the view.
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E.B. White (E.B. White on Dogs)
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Eena focused on the younger version of herself. Her hair was tied back with a pink ribbon. The ruffled dress she wore was soiled up to the waist in wet grains of sand. A short, square shovel was gripped tightly as the child concentrated on her digging efforts.
Curious, Eena stepped closer to the girls. Ian followed along silently. Eena could feel his eyes on her, searching her profile before turning to the sand scene. She approached her younger self and stopped to watch. At first, she smiled at the darling ponytailed child. Then the spoiled girl’s mouth opened.
“Angee,” the five-year-old called the younger version of Angelle. “Go get water.”
The older child jumped up at the command. “Yes, Eena.”
“A whole bucket full.”
“Yes, Eena.”
“Angee, don’t step on my holes!”
The older girl quickly picked up her foot, checking to be sure there were no child-made burrows nearby. She nodded at the little five-year-old. “Okay, Eena, I’ll be careful.”
Instead of being grateful, the ponytailed child tilted her head and bugged out her eyes. “Hurry up, Angee!”
“Okay, okay.” The young Angelle lifted her skirt to watch for surrounding holes while carting a bucket in her other hand towards the lake.
Eena frowned at the sight. She heard Ian snicker beside her.
“I was a brat,” she admitted ruefully.
“You still are.
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Richelle E. Goodrich (Eena, The Tempter's Snare (The Harrowbethian Saga #5))
“
God said, 'Let there be light.'
Here's a paraphrase:
Let there be electromagnetic radiation with varying wavelengths traveling at 186,282 miles per second. Let there be radiowaves, microwaves, and X-rays. Let there be photosynthesis and fiber optics. Let there be LASIK surgery, satellite communication, and suntans. Oh, and let there be rainbows after rainstorms.
'Let there be light.'
These are God's first recorded words.
This is God's first recorded miracle.
Light is the source of vision; without it we can't see a thing. Light is the key to technology; it's how we can talk to someone halfway around the world without so much as a second's delay because light can circle the globe seven and a half times a second. Light is the first link in the food chain; no photosynthesis equals no food. Light is the basis of health; the absence of light causes everything from vitamin D deficiency to depression. Light is the origin of energy; in Einstein's equation E = MC squared, energy (E) is defined as mass (M) times the speed of light (C) squared. The speed of light is the constant. And light is the measuring stick for space-time; a meter is defined as the distance traveled by light in a vacuum during a time interval of 1/299,792,458 of a second.
Light is the alpha and omega of everything, and that includes you.
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Mark Batterson (Whisper: How to Hear the Voice of God)
“
When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings.
[Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.]
— all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text
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Virginia Woolf (Orlando)
“
When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings.
[Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.]
— all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text.
”
”
Virginia Woolf (Orlando)
“
When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings.
[Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market place, together with scores of peasant boys with the label ‘I am a base Pretender’, lolling from their mouths. The Queen’s cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess of R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs. W.E. Gladstone, and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.] — all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando’s life. She skipped it, to get on with the text.
”
”
Virginia Woolf (Orlando)
“
My bisnonno is such a man...Fine, you laugh again. Not so handsome,I think,but just as proud. He struts through the square with his new shoes. He buys a carriage. But he gives to the poor,too, to the Church.He is kind to his siters; he is a friend to many.He is raffinato, a gentleman. And the girl he chooses? Hmm? Hmm?"
"I don't know, Nonna. Elizabeth Benedetto?"
"Hah!" Nonna slapped her hand hard against her knee. It bounced soundlessly off the leopard plush. "Elisabetta. Elisabetta, daughter of a man who works on another's boat. Elisabetta who has many sisters and who is intended for the Church if she does not marry. I don't remember her family name, if I ever knew. Maybe Benedetto.Why not? It does not matter.What matters is that no one understands why Michelangelo Costa chooses this girl. No one can...oh,the word...to say a picture of: descrivere."
"Describe?"
"Si. Describe.No one can describe her.Small,they think. Brown, maybe. Maybe not so pretty, not so ugly. Just a girl. She sits by the seawall mending nets her family does not own. She is odd,too,her neighbors think.They think it is she who leaves little bit of shell and rock when she is done with the nets, little mosaico on the wall. So why? the piu bella girls ask, the ones with long,long necks, and long black hair, and noses that turn up at the end. Why this odd, nobody girl in her ugly dresses, with her dirty feet?
"Michelangelo sends his cousins to her with gifts. A cameo, silk handkerchiefs, a fine pair of gloves. Again,the laugh.Then, you would not have laughed at a gift of gloves, piccola. Oh,you girls now. You want what? E-mails and ePods?"
"That's iPods,Nonna."
"Whatever. See,that word I know. Now, Elisabetta sends back the little girst. So my bisnonno sends bigger: pearls, meters of silk cloth, a horse. These,too,she will not take. And the people begin to look,and ask: Who is she, this nobody girl,to refuse him? No money,no beauty,no family name.You are a fool,they tell her. Accept. Accept!
"And my proud bisnonno does not understand. He can have any girl in the town.So again,he gathers the gifts, he carries them himself, leads the horse. But Elisabetta is not to be found. She is not at her papa's house or in the square or at the seawall. Michelangelo fears she has gone to the convent. But no. As he stands at the seawall, a seabird,a gull, lands on his shoulder and says-"
"Nonna-"
"Shh! The girl tells him to follow the delfino....delfin? Dolphin! So he looks, and there, a dolphin with its head above the water says, 'Follow!' So he follows,the sack with gifts for Elisabetta on his back,like a peddler, the horse trailing behind.The dolphin leads him around the bay to a beach, and there is Elisabetta, old dress covered in sand,feet bare, just drawing circles in the sand. She starts to run, but Michelangelo calls to her. 'Why,' he asks her. 'Why do you hide? Why will you not take my gifts?' And she says..."
I'd been fighting a losing battle with yawning for a while. I was failing fast. "I have no idea. 'I'm in love with someone else.'?
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Monty küçük tuvaletin kapısını kilitleyip, klozetin kapalı kapağının üstüne oturdu. Biri tuvalet kağıdı rulosunun takılı olduğu plastiğin üzerine, cehenneme kadar yolunuz var, yazmıştı. Kesinlikle diye düşündü o da. Ama senin de cehenneme kadar yolun var. Herkesin. Kapıdaki Fransız kadının, şarap içerek yemek yiyenlerin, siparişleri alan garsonların, hepinizin canı cehenneme. Bu kentin ve içindeki herkesin canı cehenneme. Sokak köşelerinde sırıtarak dilenen serserilerin, türbanlı Sihlerin, sarı taksileriyle birbiriyle yarışan yıkanmak bilmez Pakistanlıların da. Göğüs kıllarını alıp, memelerini büyüten Chelsea'li ibnelerin de. Hepsinin canı cehenneme. Aşırı pahalı meyvelerinden piramitler yapan Koreli manavların, onların plastik ambalajlara sarılı lale ve güllerinin de. Beşinci Cadde'de sahte Gucci satan beyaz cübbeli Nijeryalıların da. Brighton Sahili'nde küp şekerleri dişlerinin arasında tutarak çaylarını cam bardaklardan içen Rusların da. Hepsinin canları cehenneme. 47. Cadde'de elmas satan şapkalı, kirli gabardin takımlı, Mesih'in gelmesini beklerken sürekli para sayıp duran Yahudilerin de. Sokaklarda sürtenlerin, yaşlıların ve de spastiklerin de. Kendini beğenmiş, metrolarda sürekli gazete okuyan, kolonya sürünmüş Wall Street borsacılarının da. Hepsinin canı cehenneme. Washington Square Park'ta, bellerinden cüzdan zincirleri sarkan patenli punkçıların, her yere bayrak asan, otomobillerinin açık camlardan dinledikleri müziği bangır bangır herkese dinleten Porto Rikoluların da. Naylon eşofmanları ve St. Anthony madalyonlarıyla gezip, saçlarına durmadan briyantin süren Bensonhurst İtalyanlarının da. Enginarı Balducci'den, eşarbı Hermes'ten alan, büzük dudaklı, asık suratlı ev kadınlarının da. Asla pas vermeyi bilmeyen, savunma yapmayan, her turnikeye girişte bir adım fazladan atan varoş çocuklarının da. Babaları Tokyo'ya iş gezisine giderken mutfakta oturup esrar çeken okullu uyuşturucu müptelalarının da. Mavi giysileri içinde kabadayılık taslayarak dolaşan, kalın enseli, Krispy Kreme'e giderken bile kırmızı ışığı takmayan polislerin de. Knicks'in, Indiana'ya karşı oyunu nedeniyle Patrick Ewing'in, Charles Smith ve onun Chicago maçındaki başarısız uzaktan atışlarının, John Starks'ın Houston maçındaki korkunç şutlarının da canı cehenneme. Jordan'ı hiç yenemedikleri için cehennemin dibine kadar yolları var. Sürekli söylenip duran bücür Jakob Elinsky'nin de canı cehenneme. Hep sevgililerimin kıçlarına bakıp duran Frank Slattery'nin de canı cehenneme. Ben gidince özgürlüğünü ilan edecek Naturelle Rosariao'nun da canı cehenneme. Güvendiğim ama beni gammazlayan Kostya Novotyny'in de. Karanlık odasında film banyo edip duran babamın da. Karlar altında çürüyen annemin de. Bu kadar çabuk kurtulan İsa'nın da canı cehenneme. Çarmıhta yalnızca birkaç saat, cehennemde bir hafta sonu sonra melek ordusuyla eğlence. Bu şehrin ve içindeki her şeyin canı cehenneme. Astoria'daki tek katlı evlerden Park Avenue'daki dublekslere, Brownsville'deki projelerden, Soho'daki mağazalara, Bellevue Hastanesi'nden Alphabet City'deki meskenlere, Park Slope'un kahverengi taşlarına kadar her şeyin canı cehenneme. Bırakın Araplar her tarafı bombalasınlar, bırakın sular yükselsin ve bu fare delikleri yok olsun, depremler yıksın tüm bu yüksek binaları, alevler sarsın her yanı. Yaksın, yıksın, bitirsin. Ve senin de canın cehenneme Montygomery Brogan. Her şeyi mahveden asıl sensin.
”
”
David Benioff (The 25th Hour)
“
Ralph dichiarò che per lui l’aristocrazia non lasciava un vuoto che la signorina Stackpole stessa non riuscisse a colmare, e che in quel momento non si poteva trovare un uomo più contento di lui. In questo diceva la verità, perché quei frusti giorni di settembre, nell’enorme città semivuota, portavano un fascino avvolto in sé, così come in uno straccio polveroso può essere ravvolta una gemma dai mille colori. Quando a sera rientrava nella casa vuota di Winchester Square, dopo una serie di ore trascorse con le sue relativamente ardenti compagne, s’aggirava per la gran sala da pranzo oscura, dove la candela che egli entrando prendeva dal tavolo nell’atrio costituiva tutta l’illuminazione. La piazza era silenziosa, la casa era silenziosa; se apriva una delle finestre della sala da pranzo per far entrare un po’ d’aria, udiva il lento scricchiolio degli stivali di una solitaria guardia di città. Il suo stesso passo, nella casa vuota, sembrava alto e sonoro; alcuni tappeti erano stati avvolti, e dovunque andasse egli risvegliava una eco malinconica. Si sedeva in una delle poltrone; la grande tavola da pranzo scura luccicava qua e là alla debole luce della candela; i quadri sulle pareti, tutti molto scuri, apparivano vaghi e indistinti. C’era un’aria spettrale, come di pranzi da lungo tempo digeriti, di discorsi conviviali che avevano perduto la loro attualità. Questa punta di soprannaturale forse aveva qualcosa a che vedere con il fatto che la sua fantasia prendeva il volo e che egli rimaneva nella sua poltrona molto più in là dell’ora alla quale avrebbe dovuto essere a letto; senza far niente, senza nemmeno leggere il giornale della sera. Dico che non faceva niente, e confermo l’espressione, proprio perché in quei momenti egli pensava a Isabel. Per lui pensare a Isabel non poteva essere che un ozioso passatempo, che non portava a niente e giovava ben poco ad alcuno. La cugina non gli era mai sembrata così affascinante come in questi giorni trascorsi a scandagliare, alla maniera dei turisti, gli abissi e la superficie dell’elemento metropolitano. Isabel era piena di premesse, di conclusioni, di emozioni; se era venuta in cerca di colore locale, lo trovava dappertutto. Faceva troppe domande perché lui potesse darvi risposta, e varava audaci teorie, su cause storiche ed effetti sociali, che egli era incapace nella stessa misura di accettare o di confutare.
”
”
Henry James (The Portrait of a Lady)
“
We chose not to discuss a world warmed beyond two degrees out of decency, perhaps; or simple fear; or fear of fearmongering; or technocratic faith, which is really market faith; or deference to partisan debates or even partisan priorities; or skepticism about the environmental Left of the kind I'd always had; or disinterest in the fates of distant ecosystems like I'd also always had. We felt confusion about the science and its many technical terms and hard-to-parse numbers, or at least an intuition that others would e easily confused about the science and its many technical terms and hard-to-parse numbers.
we suffered from slowness apprehending the speed of change, or semi-conspiratorial confidence in the responsibility of global elites and their institutions, or obeisance toward those elites and their institutions, whatever we thought of them. Perhaps we felt unable to really trust scarier projections because we'd only just heard about warming, we thought, and things couldn't possibly have gotten that much worse just since the first Inconvenient Truth; or because we liked driving our cars and eating our beef and living as we did in every other way and didn't want to think too hard about that; or because we felt so "postindustrial" we couldn't believe we were still drawing material breaths from fossil fuel furnaces. Perhaps it was because we were so sociopathically good at collating bad news into a sickening evolving sense of what constituted "normal," or because we looked outside and things seemed still okay. Because we were bored with writing, or reading, the same story again and again, because climate was so global and therefore nontribal it suggested only the corniest politics, because we didn't yet appreciate how fully it would ravage our lives, and because, selfishly, we didn't mind destroying the planet for others living elsewhere on it or those not yet born who would inherit it from us, outraged. Because we had too much faith in the teleological shape of history and the arrow of human progress to countenance the idea that the arc of history would bend toward anything but environmental justice, too. Because when we were being really honest with ourselves we already thought of the world as a zero-sum resource competition and believed that whatever happened we were probably going to continue to be the victors, relatively speaking anyway, advantages of class being what they are and our own luck in the natalist lottery being what it was. Perhaps we were too panicked about our own jobs and industries to fret about the future of jobs and industry; or perhaps we were also really afraid of robots or were too busy looking at our new phones; or perhaps, however easy we found the apocalypse reflex in our culture and the path of panic in our politics, we truly had a good-news bias when it came to the big picture; or, really, who knows why-there are so many aspects to the climate kaleidoscope that transforms our intuitions about environmental devastation into n uncanny complacency that it can be hard to pull the whole picture of climate distortion into focus. But we simply wouldn't, or couldn't, or anyway didn't look squarely in the face of science.
”
”
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)