Dust Bowl Quotes

There is a muse, but he’s not going to come fluttering down into your writing room and scatter creative fairy-dust all over your typewriter or computer. He lives in the ground. He’s a basement kind of guy. You have to descend to his level, and once you get down there you have to furnish an apartment for him to live in. You have to do all the grunt labor, in other words, while the muse sits and smokes cigars and admires his bowling trophies and pretends to ignore you. Do you think it’s fair? I think it’s fair. He may not be much to look at, that muse-guy, and he may not be much of a conversationalist, but he’s got inspiration. It’s right that you should do all the work and burn all the mid-night oil, because the guy with the cigar and the little wings has got a bag of magic. There’s stuff in there that can change your life. Believe me, I know.

Time present and time past Are both perhaps present in time future, And time future contained in time past. If all time is eternally present All time is unredeemable. What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation. What might have been and what has been Point to one end, which is always present. Footfalls echo in the memory Down the passage which we did not take Towards the door we never opened Into the rose-garden. My words echo Thus, in your mind. But to what purpose Disturbing the dust on a bowl of rose-leaves I do not know. Other echoes Inhabit the garden. Shall we follow?” <...> Go, said the bird, for the leaves were full of children, Hidden excitedly, containing laughter. Go, go, go, said the bird: human kind Cannot bear very much reality. Time past and time future What might have been and what has been Point to one end, which is always present.

Leave the dishes. Let the celery rot in the bottom drawer of the refrigerator and an earthen scum harden on the kitchen floor. Leave the black crumbs in the bottom of the toaster. Throw the cracked bowl out and don't patch the cup. Don't patch anything. Don't mend. Buy safety pins. Don't even sew on a button. Let the wind have its way, then the earth that invades as dust and then the dead foaming up in gray rolls underneath the couch. Talk to them. Tell them they are welcome. Don't keep all the pieces of the puzzles or the doll's tiny shoes in pairs, don't worry who uses whose toothbrush or if anything matches, at all. Except one word to another. Or a thought. Pursue the authentic-decide first what is authentic, then go after it with all your heart. Your heart, that place you don't even think of cleaning out. That closet stuffed with savage mementos. Don't sort the paper clips from screws from saved baby teeth or worry if we're all eating cereal for dinner again. Don't answer the telephone, ever, or weep over anything at all that breaks. Pink molds will grow within those sealed cartons in the refrigerator. Accept new forms of life and talk to the dead who drift in though the screened windows, who collect patiently on the tops of food jars and books. Recycle the mail, don't read it, don't read anything except what destroys the insulation between yourself and your experience or what pulls down or what strikes at or what shatters this ruse you call necessity.

I ain't a Communist necessarily, but I have been in the red all my life.

What you're experiencing isn't a dry spell. It's a dust bowl. Tell me, do you find cob webs in there every time you get yourself off?

That was when I learned that kindness could break a heart just as sure as meanness. The difference was the kindness made that broken heart softer. Meanness just made the heart want to be hard.

The world was full of awful people who did terrible and ugly things. Most of them were only awful because of the scars on their hearts.

A lot of his songs, when they started out, sounded like old music. They arrived on his doorstep, wandering orphans, the lost children of large and venerable musical families. They came to him in the form of Tin Pan Alley sing-alongs, honky-tonk blues, Dust Bowl plaints, lost Chuck Berry riffs. Jude dressed them in black and taught them to scream.

I want you, As soon as you realize how bad this is for you, You’d better disappear from here. But until that day, I’m taking you. You’re mine!

Of all the countries in the world, we Americans have been the greatest destroyers of land of any race of people barbaric or civilized," Bennett said in a speech at the start of the dust storms. What was happening, he said, was "sinister", a symptom of "our stupendous ignorance.

Footfalls echo in the memory Down the passage which we did not take Towards the door we never opened Into the rose-garden. Time present and time past Are both perhaps present in time future And time future contained in time past. (I) What might have been and what has been Point to one end, which is always present. Footfalls echo in the memory Down the passage which we did not take Towards the door we never opened Into the rose-garden. My words echo Thus, in your mind. But to what purpose Disturbing the dust on a bowl of rose-leaves I do not know. (I) Go, go, go, said the bird: human kind Cannot bear very much reality. What might have been and what has been Point to one end, which is always present. Go, said the bird, for the leaves were full of children, Hidden excitedly, containing laughter. Go, go, go, said the bird: human kind Cannot bear very much reality. Time past and time future What might have been and what has been Point to one end, which is always present. (I) At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is... At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is, But neither arrest nor movement. And do not call it fixity, Where past and future are gathered. Neither movement from nor towards, Neither ascent nor decline. Except for the point, the still point, There would be no dance, and there is only the dance. I can only say, there we have been: but I cannot say where And I cannot say, how long, for that is to place it in time. (II) All is always now. Time past and time future Allow but a little consciousness. To be conscious is not to be in time But only in time can the moment in the rose-garden, The moment in the arbour where the rain beat, The moment in the draughty church at smokefall Be remembered; involved with past and future. Only through time time is conquered. (II) Words move, music moves Only in time; but that which is only living Can only die. Words, after speech, reach Into the silence. (V) Or say that the end precedes the beginning, And the end and the beginning were always there Before the beginning and after the end. And all is always now. Words strain, Crack and sometimes break, under the burden, Under the tension, slip, slide, perish, Will not stay still. (V) Desire itself is movement Not in itself desirable; Love is itself unmoving, Only the cause and end of movement, Timeless, and undesiring Except in the aspect of time Caught in the form of limitation Between un-being and being. (V)

I am drawn to Tom Sawyer Island because a tribute to Mark Twain would not be out of place in a theme park of my own design. Should Vowell World ever get enough investors, I'm going to stick my Tom Sawyer Island in Love and Death in the American Novel Land right between the Jay Gatsby Swimming Pool and Tom Joad's Dust Bowl Lanes, a Depression-themed bowling alley renting artfully worn-out shoes.

There is a muse, but he’s not going to come fluttering down into your writing room and scatter creative fairy-dust all over your typewriter or computer station. He lives in the ground. He’s a basement guy. You have to descend to his level, and once you get down there you have to furnish an apartment for him to live in. You have to do all the grunt labor, in other words, while the muse sits and smokes cigars and admires his bowling trophies and pretends to ignore you.

There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-

The wind blew the dust along the ground into his mouth as he sang.

The way I figured it, Jesus had the poor close to His heart because they were the ones who had nothing else to hold onto.

Nobody can go back to how it was. The dust bowl dried us all up bitter as seeds and spat us out all over the land and none of us yet has taken root.

In the place of the bells, where battle is waged, The reeds all lie broken in Chalco today. Dust yellows the air, our houses are smoking, The sobbing is rising—from the lips of your Chalcans!

I’d been there not six weeks, Dust Bowl dirt still coating my young rowdy’s lungs—and despite my God-fearing ma, that’s what I was, a dirt-farm rowdy, pure as a cow pie, cunning as a wild hog, and already well acquainted with the county sheriff, the dust layering my every breath leaving little room for the Holy Spirit to breathe on me.

His mother is wishing her boy would come home." Lots of mothers wishing that these days, while their sons walk to California, where rain comes, and the color green doesn't seem like such a miracle, and hope rises daily, like sap in a stem.

One thing I like about the 1950s is that kids were hip without any sense of irony about it.  They were dressing in fifties cool-cat clothing with complete sincerity.  Nobody wanted to be“retro”back then. With the Depression still fresh in everybody’s mind, did anyone in the 1950s dress up as the Joad family from The Grapes of Wrath, and go to Dust Bowl-themed parties because they thought it was cool?  Probably not.  In the past, the past was something you wanted to forget about rather than romanticize.  I really miss those days. 

Life can be sneaky sometimes, so be ready to make other plans and pivot on a dime.

The name Oklahoma is a combination of two Choctaw words— okla, which means "people,

Grief and healing are works in progress, and each day they can look different. Just be open to however they manifest.

Mama often reminded us that God didn’t like ugly and wasn’t fond of fools or falsehoods.

Much of Texas took its prohibition seriously. Not Dalhart. It took its whiskey seriously, in part because some of the finest corn liquor in America was coming out of the High Plains.

Rioting over food: how could this be? Here was all this grain, food enough to feed half the world, sitting in piles at the train station, going to waste. Something was out of balance.

Whether they are part of a home or home is a part of them is not a question children are prepared to answer. Having taken away the dog, take away the kitchen–the smell of something good in the oven for dinner. Also the smell of washing day, of wool drying in the wooden rack. Of ashes. Of soup simmering on the stove. Take away the patient old horse waiting by the pasture fence. Take away the chores that kept him busy from the time he got home from school until they sat down to supper. Take away the early-morning mist, the sound of crows quarreling in the treetops. His work clothes are still hanging on a nail beside the door of his room, but nobody puts them on or takes them off. Nobody sleeps in his bed. Or reads the broken-back copy of Tom Swift and His Flying Machine. Take that away too, while you are at it. Take away the pitcher and bowl, both of them dry and dusty. Take away the cow barn where the cats, sitting all in a row, wait with their mouths wide open for somebody to squirt milk down their throats. Take away the horse barn too–the smell of hay and dust and horse piss and old sweat-stained leather, and the rain beating down on the plowed field beyond the door. Take all this away and what have you done to him? In the face of a deprivation so great, what is the use of asking him to go on being the boy he was. He might as well start life over again as some other boy instead.

Who spilled these stars across the sky like sparkling dust like clouds of light? They pour their milky shine into the deep black bowl above their heads white glittering too many to count.

That was when I learned that kindness could break a heart just as sure as meanness. The difference was the kindness made that broken heart softer. Meanness just made the heart want to be hard. Running

Currently, U.S. soils are degrading ten times faster than they can be replenished. Tilling also dries out soil—it was a key factor causing the Dust Bowl crisis in the 1930s—and disturbs the microbiome.

For four centuries now, the American people have resigned themselves to natural disasters and acts of God: floods, prairie fires, blizzards, tornados, hurricanes, dust bowls, epidemics, academics, lawyers, and politicians.

So cotton growers, siphoning from the Ogallala, get three billion dollars a year in taxpayer money for fiber that is shipped to China, where it is used to make cheap clothing sold back to American chain retail stores like Wal-Mart.

It is all about praising. Created to praise, his heart is a winepress destined to break, that makes for us an eternal wine. His voice never chokes with dust when words for the sacred come through. All becomes vineyard. All becomes grape, ripening in the southland of his being. Nothing, not even the rot in royal tombs, or the shadow cast by a god, gives the lie to his praising. He is ever the messenger, venturing far through the doors of the dead, bearing a bowl of fresh-picked fruit.

Dear Patton: I've been feeling blue lately but I wasn't sure if it had anything to do with the amount of rain we've had over the last few weeks. What are your thoughts on that? Ms. Diller Cary, NC Dear Ms. Diller: Rain can have a profound effect on someone inclined toward melancholy. I live in Los Angeles, and, as of this writing, we've just experienced three weeks of unending late-winter storms. The sky has been a limitless bowl of sludgy, hopeless gray. The ground, soaked and muddy, emits burbly, hissing spurts with every step, which sound like a scornful parent who sees no worth, hope, or value in their offspring. The morning light through my bedroom window promises nothing but a damp, unwelcoming day of thankless busywork and futile, doomed chores. My breakfast cereal tastes like being ostracized. My morning coffee fills my stomach with dread. What's the point of even answering this question? The rain--it will not stop. Even if I say something that will help you--which I won't, because I'm such a useless piece of shit--you'll eventually die and I'll die and everyone we know will die and this book will turn to dust and the universe will run down and stop, and dead dead dead dead dead. Dead. Read Chicken Soup for the Soul, I guess. Dead. Dead dead. Patton

Guthrie is best known for “This Land Is Your Land,” his ballad about the Dust Bowl, which gave farmers in his native Oklahoma an extra kick in the pants during the Great Depression. He set his thoughts about Trump’s rental policies to a song he titled “Old Man Trump.” The lyrics continue with this: Beach Haven ain’t my home! No, I just can’t pay this rent! My money’s down the drain, And my soul is badly bent! Beach Haven is Trump’s Tower Where no black folks come to roam, No, no, Old Man Trump! Old Beach Haven ain’t my home! More

When they had gone the Moungari fell silent, to wait through the cold hours for the sun that would bring first warmth, then heat, thirst, fire, visions. The next night he did not know where he was, did not feel the cold. The wind blew dust along the ground into his mouth as he sang.

This is the “woman’s pluck” story, the dust-bowl story, the burying-your-child-on-the-trail story, the I-will-never-go-hungry-again story, the Mildred Pierce story, the story about how the sheer nerve of even professionally unskilled women can prevail, show the men; the story that has historically encouraged women in this country, even as it has threatened men. The dreams and the fears into which Martha Stewart taps are not of “feminine” domesticity but of female power, of the woman who sits down at the table with the men and, still in her apron, walks away with the chips. 2000

This story takes place a half a billion years ago-an inconceivably long time ago, when this planet would be all but recognizable to you. Nothing at all stirred on the land except the wind and the dust. Not a single blade of grass waved in the wind, not a single cricket chirped, not a single bird soared in the sky. All these things were tens of millions of years away in the future. But of course there was an anthropologist on hand. What sort of world would it be without an anthropologist? He was, however a very depressed and disillusioned anthropologist, for he'd been everywhere on the planet looking for someone to interview, and every tape in his knapsack was as blank as the sky. But one day as he was moping alongside the ocean he saw what seemed to be a living creature in the shallows off shore. It was nothing to brag about, just sort of a squishy blob, but it was the only prospect he'd seen in all his journeys, so he waded out to where it was bobbing in the waves. He greeted the creature politely and was greeted in kind, and soon the two of them were good friends. The anthropologist explained as well as he could that he was a student of life-styles and customs, and begged his new friend for information of this sort, which was readily forthcoming. ‘And now’, he said at last, ‘I'd like to get on tape in your own words some of the stories you tell among yourselves.’ ‘Stories?’ the other asked. ‘You know, like your creation myth, if you have one.’ ‘What is a creation myth?’ the creature asked. ‘Oh, you know,’ the anthropologist replied, ‘the fanciful tale you tell your children about the origins of the world.’ Well, at this, the creature drew itself up indignantly- at least as well as a squishy blob can do- and replied that his people had no such fanciful tale. ‘You have no account of creation then?’ ‘Certainly we have an account of creation,’ the other snapped. ‘But its definitely not a myth.’ ‘Oh certainly not,’ the anthropologist said, remembering his training at last. ‘Ill be terribly grateful if you share it with me.’ ‘Very well,’ the creature said. ‘But I want you to understand that, like you, we are a strictly rational people, who accept nothing that is not based on observation, logic, and scientific method.’ ‘"Of course, of course,’ the anthropologist agreed. So at last the creature began its story. ‘The universe,’ it said, ‘was born a long, long time ago, perhaps ten or fifteen billion years ago. Our own solar system-this star, this planet, and all the others- seem to have come into being some two or three billion years ago. For a long time, nothing whatever lived here. But then, after a billion years or so, life appeared.’ ‘Excuse me,’ the anthropologist said. ‘You say that life appeared. Where did that happen, according to your myth- I mean, according to your scientific account.’ The creature seemed baffled by the question and turned a pale lavender. ‘Do you mean in what precise spot?’ ‘No. I mean, did this happen on land or in the sea?’ ‘Land?’ the other asked. ‘What is land?’ ‘Oh, you know,’ he said, waving toward the shore, ‘the expanse of dirt and rocks that begins over there.’ The creature turned a deeper shade of lavender and said, ‘I cant imagine what you're gibbering about. The dirt and rocks over there are simply the lip of the vast bowl that holds the sea.’ ‘Oh yes,’ the anthropologist said, ‘I see what you mean. Quite. Go on.’ ‘Very well,’ the other said. ‘For many millions of centuries the life of the world was merely microorganisms floating helplessly in a chemical broth. But little by little, more complex forms appeared: single-celled creatures, slimes, algae, polyps, and so on.’ ‘But finally,’ the creature said, turning quite pink with pride as he came to the climax of his story, ‘but finally jellyfish appeared!

As I listened I felt a dull numbness, like the effect of chloroform, rather than the primal, anarchic agony you usually feel when you encounter someone you have loved now turned to dust, in some object like a little bowl, and you are required to believe that it is still the same person who once smiled at you.

How well do you know the people who raised you? Look around your dining room table. Look around at your loved ones, especially the elders. The grandparents and the aunts and uncles who used to give you shiny new quarters and unvarnished advice. How much do you really know about their lives. Perhaps you've heard that they served in a war, or lived for a time in a log cabin, or arrived in this country speaking little or no English. Maybe they survived the Holocaust or the Dust Bowl. How were they shaped by the Depression or the Cold War, or the stutter-step march towards integration in their own community? What were they like before they married or took on mortgages and assumed all the worries that attend the feeding, clothing, and education of their children? If you don't already know the answers, the people who raised you will most likely remain a mystery, unless you take the bold step and say: Tell me more about yourself.

The villainous sun and the starved bank did not seem related—yet.

Porcelain bowls faded and gathered dust. Women and men grew old, their faces lined with age. With time, all things withered. Except your spirit. The soul always remained.

The bull has been killed, sweating the last of its blood into dust and dark bronze bowls. It went quietly to its death, a good omen for the games to come.

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Dust and dark married, creating a pillow to smother hard on our faces.

Of all the countries in the world, we Americans have been the greatest destroyers of land of any race of people barbaric or civilized,

Going to the outhouse was an ordeal, a wade through shoulder-high drifts, forced to dig to make forward progress.

It’s beautiful,” I whispered. “Green as grass.” I remembered grass. It could get as green as that dress.

Real mothers were the ones who cleaned up the sick and pushed away the tears and hugged a child tight around the neck. Blood or no, that was what they did.

At the wedding, women served a dish of cabbage that had been shredded by wooden kraut cutters, mixed with ground pork and onion, wrapped in bread dough, and baked.

Remember your Creator in the days of your youth, before the days of trouble come and the years approach when you will say, “I find no pleasure in them”— before the sun and the light and the moon and the stars grow dark, and the clouds return after the rain; when the keepers of the house tremble, and the strong men stoop, when the grinders cease because they are few, and those looking through the windows grow dim; when the doors to the street are closed and the sound of grinding fades; when people rise up at the sound of birds, but all their songs grow faint; when people are afraid of heights and of dangers in the streets; when the almond tree blossoms and the grasshopper drags itself along and desire no longer is stirred. Then people go to their eternal home and mourners go about the streets. Remember him—before the silver cord is severed, and the golden bowl is broken; before the pitcher is shattered at the spring, and the wheel broken at the well, and the dust returns to the ground it came from, and the spirit returns to God who gave it. “Meaningless! Meaningless!” says the Teacher. “Everything is meaningless!

The new migrants from the dust bowl are here to stay. They are the vest American stock, intelligent, resourceful; and, if given a chance, socially responsible. To attempt to force them into a peonage of starvation and intimidated despair will be unsuccessful. They can be citizens of the highest type, or they can be an army driven by suffering to take what they need. On their future treatment will depend the course they will be force to take.

Geuze compared sea-level rise to other transformative catastrophes, such as the Dust Bowl of the 1930s, a partly man-made natural disaster that profoundly changed the geography of America and also expanded the role government plays in ensuring the long-term welfare of even the most vulnerable people. “We’re going to need a new New Deal,” Geuze argued. “It is going to require a rethinking of the social contract between governments and citizens.

We ate it sitting on the couch, bowls perched on knees, the silence broken only by the occasional snort of laughter as we watched a pert blonde high school student dust vampires on the television. In almost no time we were slurping the dregs of our third servings. (it turns out that one reason we're so good together is that each of us eats more and faster than anyone either of us has ever met; also, we both recognize the genius of Buffy the Vampire Slayer.)

the offensive player should know how to put her full focus on the ball, not the player with the ball, to always be alert for interceptions, shift quickly to offense after an interception, and move the ball into her team’s scoring zone.

Elizabeth ran her finger along the windowsill, gathering dust. The view was almost exactly the same as from her own bedroom, only a few degrees shifted. She could still see the Rosens' place, with its red door and folding shutters, and the Martinez house, with its porch swing and the dog bowl. She'd heard once that what made you a real New Yorker was when you could remember back three laters -- the place on the corner that had been a bakery and then a barbershop before it was a cell-phone store, or the restaurant that had been Italian, then Mexican, then Cuban. The city was a palimpsest, a Mod Podged pileup or old signage and other people's failures. Newcomers saw only what was in front of them, but people who had been there long enough were always looking at two or three other places simultaneously. The IRT, Canal Jeans, the Limelight. So much of the city she'd fallen in love with was gone, but then again, that's how it worked. It was your job to remember. At least the bridges were still there. Some things were too heavy to take down.

Time present and time past Are both perhaps present in time future And time future contained in time past. If all time is eternally present All time is unredeemable. What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation. What might have been and what has been Point to one end, which is always present. Footfalls echo in the memory Down the passage which we did not take Towards the door we never opened Into the rose-garden. My words echo Thus, in your mind. But to what purpose Disturbing the dust on a bowl of rose-leaves I do not know. Other echoes Inhabit the garden. Shall we follow? Quick, said the bird, find them, find them, Round the corner. Through the first gate, Into our first world, shall we follow The deception of the thrush? Into our first world. There they were, dignified, invisible, Moving without pressure, over the dead leaves, In the autumn heat, through the vibrant air, And the bird called, in response to The unheard music hidden in the shrubbery, And the unseen eyebeam crossed, for the roses Had the look of flowers that are looked at. There they were as our guests, accepted and accepting. So we moved, and they, in a formal pattern, Along the empty alley, into the box circle, To look down into the drained pool. Dry the pool, dry concrete, brown edged, And the pool was filled with water out of sunlight, And the lotos rose, quietly, quietly, The surface glittered out of heart of light, And they were behind us, reflected in the pool. Then a cloud passed, and the pool was empty. Go, said the bird, for the leaves were full of children, Hidden excitedly, containing laughter. Go, go, go, said the bird: human kind Cannot bear very much reality. Time past and time future What might have been and what has been Point to one end, which is always present.

Of all the countries in the world, we Americans have been the greatest destroyers of land of any race of people barbaric or civilized,” Bennett said in a speech at the start of the dust storms. What was happening, he said, was “sinister,” a symptom of “our stupendous ignorance.

Of all the countries in the world, we Americans have been the greatest destroyers of land of any race of people barbaric or civilized," Bennett said in a speech at the start of the dust storms. What was happening, he said, was "sinister," a symptom of "our stupendous ignorance.

It sets one dreaming—to interchange thoughts with beings whose thinking had an organic background wholly different from ours (other senses, other appetites), to be unenviously humbled by intellects possibly superior to our own yet able for that very reason to descend to our level, to descend lovingly ourselves if we met innocent and childlike creatures who could never be as strong or as clever as we, to exchange with the inhabitants of other worlds that especially keen and rich affection which exists between unlikes; it is a glorious dream. But make no mistake. It is a dream. We are fallen. We know what our race does to strangers. Man destroys or enslaves every species he can. Civilized man murders, enslaves, cheats, and corrupts savage man. Even inanimate nature he turns into dust bowls and slag-heaps. There are individuals who don’t. But they are not the sort who are likely to be our pioneers in space. Our ambassador to new worlds will be the needy and greedy adventurer or the ruthless technical expert. They will do as their kind has always done. What that will be if they meet things weaker than themselves, the black man and the red man can tell. If they meet things stronger, they will be, very properly, destroyed.

Here, let me do it,” Peter says, coming up close behind me. I jerk away from him. “No no, I’ll do it,” I say, and he shakes his head and tries to take the measuring cup from me, but I won’t let go, and flour poufs out of the cup and into the air. It dusts us both. Peter starts cracking up and I let out an outraged shriek. “Peter!” He’s laughing too hard to speak. I cross my arms. “I’d better still have enough flour.” “You look like a grandma,” he says, still laughing. “Well, you look like a grandpa,” I counter. I dump the flour in my mixing bowl back into the flour canister. “Actually, you’re really a lot like my granny,” Peter says. “You hate cussing. You like to bake. You stay at home on Friday nights. Wow, I’m dating my granny. Gross.” I start measuring again. One, two. “I don’t stay home every Friday night.” Three. “I’ve never seen you out. You don’t go to parties. We used to hang out back in the day. Why’d you stop hanging out?” Four. “I…I don’t know. Middle school was different.” What does he want me to say? That Genevieve decided I wasn’t cool enough so I got left behind? Why is he so clueless? “I always wondered why you stopped hanging out with us.” Was I on five or six? “Peter! You made me lose my count again!” “I have that effect on women.

[S]ong, as Augustine observed, is the awareness of time. It is time. It is the hymn of the Vedas that is itself the flowering of time. In the Benedictus of Beethoven’s Missa Solemnis, the song of the violin is pure beauty, pure desperation, pure joy. We are suspended, holding our breath, feeling mysteriously that this must be the source of meaning. That this is the source of time. Then the song fades and ceases. “The silver thread is broken, the golden bowl is shattered, the amphora at the fountain breaks, the bucket falls into the well, the earth returns to dust.” And it is fine like this. We can close our eyes, rest. This all seems fair and beautiful to me. This is time.

Mabel grips Eleanor's arm tight as the bowl fast along the country lane, Dilly's hooves kicking dust into sultry July air. Limbs of the trees which stand like sentries beside the lane reach out and curl above them, joining like the high arches of a cathedral to form a cool green canopy, shading the little pony and trap and its occupants from the fierce heat of the afternoon sun.

By 2026 and certainly thereafter, hundreds more colleges will go defunct. How do we know? Because exactly eighteen years after the baby bust of 2008, the number of American high school graduates will fall off a cliff. Those who had been planning on attending college nearby may pack up and leave for good, joining college employees who have no reason to stick around, together turning once thriving towns into dust bowls. The southern US will be hit hardest, as it represents nearly 45 percent of American high schoolers as well as the most colleges closing shop. (In Texas, only 56 percent of high school students go to college anyway.) The South will only be able to revive its local economies by attracting people—natives or foreigners—willing to uplift these dilapidated communities

The Golden Bowl, 1904 It had rained heavily in the night, and though the pavements were now dry, thanks to a cleansing breeze, the August morning, with its hovering, thick-drifting clouds and freshened air, was cool and grey. The multitudinous green of the Park had been deepened, and a wholesome smell of irrigation, purging the place of dust and of odours less acceptable, rose from the earth.

1: Everyone Knows It was in the summer of 1998 that my neighbor Coleman Silk—who, before retiring two years earlier, had been a classics professor at nearby Athena College for some twenty-odd years as well as serving for sixteen more as the dean of faculty—confided to me that, at the age of seventy-one, he was having an affair with a thirty-four-year-old cleaning woman who worked down at the college. Twice a week she also cleaned the rural post office, a small gray clapboard shack that looked as if it might have sheltered an Okie family from the winds of the Dust Bowl back in the 1930s and that, sitting alone and forlorn across from the gas station and the general store, flies its American flag at the junction of the two roads that mark the commercial center of this mountainside town.

Nesta didn't care that she was covered in sweat, wearing her leathers amongst a bejewelled crowd. Not as she staggered onto the veranda at the top of the House and gaped at the stars raining across the bowl of the sky. They zoomed by so close some sparked against the stones, leaving glowing dust in their wake. She had a vague sense of Cassian and Mor and Azriel nearby, of Feyre and Rhys and Lucien, of Elain and Varian and Helion. Of Kallias and Viviane, also swollen with child and glowing with joy and strength. Nesta smiled in greeting and left them blinking, but she forgot them within a moment because the stars, the stars, the stars... She hadn't realised that such beauty existed in the world. That she might feel so full from wonder it could hurt, like her body couldn't contain all of it. And she didn't know why she cried then, but the tears began rolling down her face. The world was beautiful, and she was so grateful to be in it. To be alive, to be here, to see this. She stuck out a hand over the railing, grazing a star as it shot past, and her fingers came away glowing with blue and green dust. She laughed, a sound of pure joy, and she cried more, because that joy was a miracle.

Though the rooms were deserted, there was no speck of dust, and I would learn that none could cross the marble threshold. However I tracked upon it, the floor was always clean, the tables gleaming. The ashes vanished from the fireplace, the dishes washed themselves, and the firewood regrew overnight. In the pantry there were jars of oil and wine, bowls of cheese and barley-grain, always fresh and full.

Collapse is the constant state of humanity, she tells herself; the story of the flood and the great ark that saved the creatures two by two is only the first refrain of a song that is to be sung over and over, the earth's gradual and repeated diminishment, civilization foundering to dust, until the final death of the children of Eve with the apocalypse, the seven seals, the seven trumpets, the seven angels, the seven bowls.

Taking the bowl in his hands, he turned it as he read aloud, “Lord our God, hear my prayer, the prayer of my heart.” Looking up, he held my gaze a moment before continuing. “Bless the largeness inside me, no matter how I fear it. Bless my reed pens and my inks. Bless the words I write. May they be beautiful in your sight. May they be visible to eyes not yet born. When I am dust, sing these words over my bones: she was a voice.

I usually enjoy setting up a new kitchen, but this has become a joyless and highly charged task. My mother and I each have our own set of kitchen boxes, which means that if there are two cheese graters between us, only one will make it into a cupboard. The other will be put back in a box or given to Goodwill. Each such little decision has the weight of a Middle East negotiation. While her kitchenware is serviceable, I’m a sucker for the high end: All-Clad saucepans and Emile Henry pie dishes. Before long, I’m shaking my head at pretty much everything my mother removes from her San Diego boxes. She takes each rejected item as a personal slight – which in fact it is. I begrudge her even her lightweight bowls, which she can lift easily with her injured hand. Here she is, a fragile old woman barely able to bend down as she peers into a low cupboard, looking for a place where she can share life with her grown daughter. At such a sight my heart should be big, but it’s small, so small that when I see her start stuffing her serving spoons into the same drawer as my own sturdy pieces, lovingly accumulated over the years, it makes me crazy. Suddenly I’m acting out decades of unvoiced anger about my mother’s parenting, which seems to be materializing in the form of her makeshift collection of kitchenware being unpacked into my drawers. When I became a mother myself, I developed a self-righteous sense of superiority to my mother: I was better than my mother, for having successfully picked myself up and dusted myself off, for never having lain in bed for days on end, too blotto to get my child off to school or even to know if it was a school day. By sheer force of will and strength of character, I believed, I had risen above all that she succumbed to and skirted all that I might have inherited. This, of course, is too obnoxiously smug to say in words. So I say it with flatware.

He put a pan on the stove and roasted the rumali roti quarters for half a minute on each side just until the butter in the dough sizzled, then placed them on a plate and trickled them with truffle oil. Then he placed a paper-thin slice of heart of fennel dusted with roasted cumin over them. In a bowl next to that, he laid out chicken in the simplest Mughlai sauce of steamed onion in cream with the slightest hint of saffron. Finally, he tucked a perfectly curled papad into the bowl.

Nwella came up with a silver bowl and a big soft brush, and before Madrigal knew what was happening Nwella had dusted her chest, neck, and shoulders with something that glittered. “What—?” “Sugar,” she said, giggling. “Nwella!” Madrigal tried to brush it off, but it was dust-fine and it clung: sugar powder, which girls wore when they planned to be tasted. If her rose petal lips and naked back were not enough invitation to Thiago, Madrigal thought, this certainly was. Its telltale shimmer might as well have been a sign that said LICK ME.

That story, of course, isn’t unique to California, or to beavers. Europeans began despoiling North American ecosystems the moment they set boots on the stony shore of the New World. You’re probably familiar with most of the colonists’ original environmental sins: They wielded an ax against every tree, lowered a net to catch every fish, turned livestock onto every pasture, churned the prairie to dust. In California’s Sierra Nevada, nineteenth-century gold miners displaced so much sediment that the sludge could have filled the Panama Canal eight times.14 We are not accustomed to discussing the fur trade in the same breath as those earth-changing industries, but perhaps we should. The disappearance of beavers dried up wetlands and meadows, hastened erosion, altered the course of countless streams, and imperiled water-loving fish, fowl, and amphibians—an aquatic Dust Bowl. Centuries before the Glen Canyon Dam plugged up the Colorado and the Cuyahoga burst into flame, fur trappers were razing stream ecosystems. “[Beavers’] systematic and widespread removal,” wrote Sharon Brown and Suzanne Fouty in 2011, “represents the first large-scale Euro-American alteration of watersheds.

ONCE, WHEN I WAS THIRTEEN YEARS old, my parents moved me from the land of flat, grassy prairies and towering, angry tornadoes and life-giving cool country air to the mysterious land of suffocating dust and prickly cactus and life-sucking desert heat to lord over a park of western-themed amusements that bring delight to many young children and a handful of immature grown-ups. In other words, we moved from Kansas to Arizona to run a theme park, but it sounds much more exciting when I say it the other way, and I want you to think this is going to be an exciting story. What I mean is, it’s absolutely going to be an exciting story. Prepare yourselves accordingly.

How do you fancy making some dark cherry ganache with me, and we can fill these little yuzu shells with that instead? They can be a temporary special: a macaron de saison." I scrape the offending basil mixture into the bin. "Whatever you want." Her brightening eyes betray her. "That's the enthusiasm I was looking for," I reply, smiling. "What shall we call them then? It has to be French." We surrender to a thoughtful silence. Outside the cicadas are playing their noisy summer symphony. I imagine them boldly serenading one another from old tires, forgotten woodpiles, discarded plastic noodle bowls. "Something about summer..." she mumbles. After conferring with my worn, flour-dusted French-English dictionary, we agree on 'Brise d'Ete.

Taste the soup now, and season with salt: you’ll need less than if you add it any earlier. Ladle into bowls, and swirl (if you like) with a tiny dash of cream. For restaurant-style pretty, spoon the cream into the centre, and swirl it with the wrong end of a spoon. Scatter the pistachio-pepper mixture in a line straight down the middle of the bowl, bisecting the pretty cream pattern, and grate over a very fine dusting of Parmesan. Notice how completely beautiful it is. Serve, and sit with the dark burn of November earth, and the musty taste of late autumn, and the fierce bite of the pepper, and feel warmed, as if you were sitting by a bonfire in the field with the flames rising in front of you, and your best friends beside you, and the whole world waiting for you.

Collapse is the constant state of humanity, she tells herself; the story of the flood and the great ark that saved the creatures two by two is only the first refrain of a song that is to be sung over and over, the earth’s gradual and repeated diminishment, civilization after civilization foundering to dust, until the final death of the children of Eve with the apocalypse, the seven seals, the seven trumpets, the seven angels, the seven bowls. In the end, the earth will crack and the wicked will be cast into the lake of fire. Marie suspects this fiery end would be the stone and the soil and the waters of the earth itself, through human folly and greed made too hot for it to be willing to bear any more life upon its back. So it will go, and so it would be; and Marie cannot stop it, even if she had the force of will any longer to do so. 7.

Marie sighs and rubs her weary face with her two hands. Collapse is the constant state of humanity, she tells herself; the story of the flood and the great ark that saved the creatures two by two is only the first refrain of a song that is to be sung over and over, the earth’s gradual and repeated diminishment, civilization after civilization foundering to dust, until the final death of the children of Eve with the apocalypse, the seven seals, the seven trumpets, the seven angels, the seven bowls. In the end, the earth will crack and the wicked will be cast into the lake of fire. Marie suspects this fiery end would be the stone and the soil and the waters of the earth itself, through human folly and greed made too hot for it to be willing to bear any more life upon its back. So it will go, and so it would be; and Marie cannot stop it, even if she had the force of will any longer to do so.

A Meal We sit at a clean table eating thoughts from clean plates and see, there is my heart germfree, and transparent as glass and there is my brain, pure as cold water in the china bowl of my skull and you are talking with words that fall spare on the ear like the metallic clink of knife and fork. Safety by all means; so we eat and drink remotely, so we pick the abstract bone but something is hiding somewhere in the scrubbed bare cupboard of my body flattening itself against a shelf and feeding on other people’s leavings a furtive insect, sly and primitive the necessary cockroach in the flesh that nests in dust. It will sidle out when the lights have all gone off in this bright room (and you can’t crush it in the dark then my friend or search it out with your mind’s hands that smell of insecticide and careful soap) In spite of our famines it keeps itself alive : how it gorges on a few unintentional spilled crumbs of love

The filth of these all-male rooms was horrifying. Moldy mandarin orange skins clung to the bottoms of wastebaskets. Empty cans used for ashtrays held mounds of cigarette butts, and when these started to smolder they’d be doused with coffee or beer and left to give off a sour stink. Blackish grime and bits of indefinable matter clung to all the bowls and dishes on the shelves, and the floors were littered with ramen wrappers and empty beer cans and lids from one thing or another. It never occurred to anyone to sweep up and throw these things in a wastebasket. Any wind that blew through would raise clouds of dust. Each room had its own horrendous smell, but the components of that smell were the same: sweat and body odor and garbage. Dirty clothes would pile up under the beds, and without anyone bothering to air the mattresses on a regular basis, these sweat-impregnated pads would give off odors beyond redemption. In retrospect, it seems amazing that these shit piles gave rise to no killer epidemics.

BONNIE BROWNIE COOKIE BARS Preheat oven to 350 degrees F., rack in the middle position.   4 one-ounce squares semi-sweet chocolate (or 3/4 cup chocolate chips) 3/4 cup butter (one and a half sticks) 1½ cups white (granulated) sugar 3 beaten eggs (just whip them up in a glass with a fork) 1 teaspoon vanilla extract 1 cup flour (pack it down in the cup when you measure it) 1/2 cup chopped cashews 1/2 cup chopped butterscotch chips 1/2 cup semi-sweet chocolate chips (I used Ghirardelli)   Prepare a 9-inch by 13-inch cake pan by lining it with a piece of foil large enough to flap over the sides. Spray the foil-lined pan with Pam or another nonstick cooking spray.   Microwave the chocolate squares and butter in a microwave-safe mixing bowl on HIGH for 1 minute. Stir. (Since chocolate frequently maintains its shape even when melted, you have to stir to make sure.) If it’s not melted, microwave for an additional 20 seconds and stir again. Repeat if necessary.   Stir the sugar into the chocolate mixture. Feel the bowl. If it’s not so hot it’ll cook the eggs, add them now, stirring thoroughly. Mix in the vanilla extract.   Mix in the flour, and stir just until it’s moistened.   Put the cashews, butterscotch chips, and chocolate chips in the bowl of a food processor, and chop them together with the steel blade. (If you don’t have a food processor, you don’t have to buy one for this recipe—just chop everything up as well as you can with a sharp knife.)   Mix in the chopped ingredients, give a final stir by hand, and spread the batter out in your prepared pan. Smooth the top with a rubber spatula.   Bake at 350 degrees F. for 30 minutes.   Cool the Bonnie Brownie Cookie Bars in the pan on a metal rack. When they’re thoroughly cool, grasp the edges of the foil and lift the brownies out of the pan. Place them facedown on a cutting board, peel the foil off the back, and cut them into brownie-sized pieces.   Place the squares on a plate and dust lightly with powdered sugar if you wish.   Hannah’s Note: If you’re a chocoholic, or if you’re making these for Mother, frost them with Neverfail Fudge Frosting before you cut them.

And it seems to me that life, this brief life, is nothing other than this: the incessant cry of these emotions that drive us, that we sometimes attempt to channel in the name of a god, a political faith, in a ritual that reassures us that, fundamentally, everything is in order, in a great and boundless love—and the cry is beautiful. Sometimes it is a cry of pain. Sometimes it is a song. And song, as Augustine observed, is the awareness of time. It is time. It is the hymn of the Vedas that is itself the flowering of time.131 In the Benedictus of Beethoven’s Missa Solemnis, the song of the violin is pure beauty, pure desperation, pure joy. We are suspended, holding our breath, feeling mysteriously that this must be the source of meaning. That this is the source of time. Then the song fades and ceases. “The silver thread is broken, the golden bowl is shattered, the amphora at the fountain breaks, the bucket falls into the well, the earth returns to dust.”132 And it is fine like this. We can close our eyes, rest. This all seems fair and beautiful to me. This is time.

large mixing bowl, cover with plastic wrap or a damp kitchen towel, and set aside in a draft-free place at room temperature until the dough doubles in size, about 45 minutes. Gently remove the dough from the bowl and place it on a clean surface. Cut the dough into 4 pieces and shape into 4 smooth bâtards (you will shape them into baguettes later) by stretching out the dough from the center only once, to maintain an oblong shape. Find a surface in your kitchen free from drafts and lay a kitchen towel dusted with flour on it. Place the bâtards on the kitchen towel and cover with plastic wrap or with another kitchen towel, this one a little bit damp, to prevent a crust from forming on the surface. Leave the loaves to proof at room temperature until they double in size, 20—25 minutes. Shape the loaves by lifting them off the towel and stretching them out from the ends. Use the side of your hand to create a crease down the middle of the dough. Fold the dough onto itself at the crease, pressing it firmly against the work surface to seal it. Using the palms of your hands and

As I write this note, it is May 2020, and the world is battling the coronavirus pandemic. My husband’s best friend, Tom, who was one of the earliest of our friends to encourage my writing and who was our son’s godfather, caught the virus last week and has just passed away. We cannot be with his widow, Lori, and his family to mourn. Three years ago, I began writing this novel about hard times in America: the worst environmental disaster in our history; the collapse of the economy; the effect of massive unemployment. Never in my wildest dreams did I imagine that the Great Depression would become so relevant in our modern lives, that I would see so many people out of work, in need, frightened for the future. As we know, there are lessons to be learned from history. Hope to be derived from hardships faced by others. We’ve gone through bad times before and survived, even thrived. History has shown us the strength and durability of the human spirit. In the end, it is our idealism and our courage and our commitment to one another—what we have in common—that will save us. Now, in these dark days, we can look to history, to the legacy of the Greatest Generation and the story of our own past, and take strength from it. Although my novel focuses on fictional characters, Elsa Martinelli is representative of hundreds of thousands of men, women, and children who went west in the 1930s in search of a better life. Many of them, like the pioneers who went west one hundred years before them, brought nothing more than a will to survive and a hope for a better future. Their strength and courage were remarkable. In writing this story, I tried to present the history as truthfully as possible. The strike that takes place in the novel is fictional, but it is based on strikes that took place in California in the thirties. The town of Welty is fictional as well. Primarily where I diverged from the historical record was in the timeline of events. There are instances in which I chose to manipulate dates to better fit my fictional narrative. I apologize in advance to historians and scholars of the era. For more information about the Dust Bowl years or the migrant experience in California, please go to my website KristinHannah.com for a suggested reading list.

When a middle school teacher in San Antonio, Texas, named Rick Riordan began thinking about the troublesome kids in his class, he was struck by a topsy-turvy idea. Maybe the wild ones weren’t hyperactive; maybe they were misplaced heroes. After all, in another era the same behavior that is now throttled with Ritalin and disciplinary rap sheets would have been the mark of greatness, the early blooming of a true champion. Riordan played with the idea, imagining the what-ifs. What if strong, assertive children were redirected rather than discouraged? What if there were a place for them, an outdoor training camp that felt like a playground, where they could cut loose with all those natural instincts to run, wrestle, climb, swim, and explore? You’d call it Camp Half-Blood, Riordan decided, because that’s what we really are—half animal and half higher-being, halfway between each and unsure how to keep them in balance. Riordan began writing, creating a troubled kid from a broken home named Percy Jackson who arrives at a camp in the woods and is transformed when the Olympian he has inside is revealed, honed, and guided. Riordan’s fantasy of a hero school actually does exist—in bits and pieces, scattered across the globe. The skills have been fragmented, but with a little hunting, you can find them all. In a public park in Brooklyn, a former ballerina darts into the bushes and returns with a shopping bag full of the same superfoods the ancient Greeks once relied on. In Brazil, a onetime beach huckster is reviving the lost art of natural movement. And in a lonely Arizona dust bowl called Oracle, a quiet genius disappeared into the desert after teaching a few great athletes—and, oddly, Johnny Cash and the Red Hot Chili Peppers—the ancient secret of using body fat as fuel. But the best learning lab of all was a cave on a mountain behind enemy lines—where, during World War II, a band of Greek shepherds and young British amateurs plotted to take on 100,000 German soldiers. They weren’t naturally strong, or professionally trained, or known for their courage. They were wanted men, marked for immediate execution. But on a starvation diet, they thrived. Hunted and hounded, they got stronger. They became such natural born heroes, they decided to follow the lead of the greatest hero of all, Odysseus, and

With each new course, he offers up little bites of the ethos that drives his cooking, the tastes and the words playing off each other like a kaiseki echo chamber. Ark shell, a bulging, bright orange clam peeking out of its dark shell, barely cooked, dusted with seaweed salt. "To add things is easy; to take them away is the challenge." Bamboo, cut into wedges, boiled in mountain water and served in a wide, shallow bowl with nothing but the cooking liquid. "How can we make the ingredient taste more like itself?With heat, with water, with knifework." Tempura: a single large clam, cloaked in a pale, soft batter with more chew than crunch. The clam snaps under gentle pressure, releasing a warm ocean of umami. "I want to make a message to the guest: this is the best possible way to cook this ingredient." A meaty fillet of eel wrapped around a thumb of burdock root, glazed with soy and mirin, grilled until crispy: a three-bite explosion that leaves you desperate for more. "The meal must go up and down, following strong flavors with subtle flavors, setting the right tone for the diner." And it does, rising and falling, ebbing and flowing, until the last frothy drop of matcha is gone, signaling the end of the meal.

Fresh Pasta Dough Recipe INGREDIENTS: 1 ½ cups flour ½ cup semolina flour (pasta flour) 2 whole eggs, at room temperature 3 egg yolks, at room temperature DIRECTIONS: In a large bowl, whisk together the flour and the semolina. Create a well in the center and add the eggs and egg yolks. Using a fork, break up the eggs then gradually start to draw flour from the edges of the well into the mixture. If the dough gets too firm to mix with the fork switch to mixing with your hands. Continue to work in flour until the dough no longer sticks to your hands; you may not need to incorporate all of the flour. (I used a bit more than what the recipe called for.) Transfer the dough to a lightly floured surface and knead the dough for 8 to 10 minutes or until it is smooth and pliable. Wrap the dough tightly in plastic wrap and allow to rest for at least 30 minutes. If using a pasta roller: Divide the dough into 4 pieces. Starting with the machine set to the widest setting, pass the dough through the rollers. Fold the dough into thirds and pass it through again 2 more times. Continue passing the pasta through the machine, reducing the setting a few notches each time. You may need to dust a bit with flour if the dough sticks to the rollers at all. Once you reach your desired thickness, use the cutting attachment to cut the pasta sheet into fettuccine. Dust the cut pasta with more flour to prevent sticking and repeat with the remaining dough. If using a rolling pin: Divide the dough in half. Dust your surface with flour and sprinkle generously on your rolling pin. *Roll out the dough as thin and as evenly possible, adding flour as needed to prevent sticking. Use a paring knife (a pizza cutter works great!) to cut your dough into even ribbons, then set aside, dusting the cut pasta with more flour. Repeat with the remaining dough. (At this point, the pasta can be transferred to a sealable plastic bag and frozen for up to 3 months; do not defrost before cooking.) Cook the pasta in a large pot of generously salted boiling water, checking for doneness after just 1 minute; fresh pasta cooks very quickly. As soon as it is al dente, no more than 3 or 4 minutes, drain, reserving some of the cooking water if desired for saucing the pasta. Toss with your sauce, loosen with some of the reserved cooking water as needed and serve immediately. *Note:  You must get the dough as thin as possible and cut them into small strips, otherwise, it will be too thick and end up having the texture of dumplings.

From the Waverley Kitchen Journal Fig and Pepper Bread Mary’s Note: Sometimes the two most improbable things make the best combination. Ingredients: 2 cups whole grain spelt flour 2 ½ cups unbleached all purpose flour 1 ½ cups coarsely chopped figs 2 tsp coarse black pepper 2 tsp sea salt 2 tbsp olive oil 1 dry yeast packet 1 ½ cups of warm water Whisk flour, salt, pepper, and yeast until blended, by hand or with whisk attachment of mixer. Add olive oil and warm water. Knead for 10 minutes, or use dough hook attachment of mixer for 5 minutes, until dough is smooth and springy. Oil a large bowl, place dough inside, and cover bowl with a damp hand towel. Let sit in a warm place for approximately 1 hour, or until dough has doubled in size. Softly knead in the chopped figs and evenly distribute throughout the dough (lightly flouring your hands can make handling the dough easier), shape into an oval, then place on a baking sheet. Snip three shallow lines into top of the dough with scissors, then lightly dust the dough with flour. Let rise, uncovered, until dough swells a little more—10–15 mins, or longer if the kitchen isn’t warm. Place tray in 350° oven for 40–45 mins until crust is slightly brown and the loaf sounds hollow when tapped on the underside. Cool on a wire rack.

The city had changed beyond recognition. Wrecking balls and bulldozers had leveled the old buildings to rubble. The dust of construction hung permanently over the streets. Gated mansions reached up to the northern foothills, while slums fanned out from the city’s southern limits. I feared an aged that had lost its heart, and I was terrified at the thought of so many useless hands. Our traditions were our pacifiers and we put ourselves to sleep with the lullaby of a once-great civilation and culture. Ours was the land of poetry flowers, and nightingales—and poets searching for rhymes in history’s junkyards. The lottery was our faith and greed our fortune. Our intellectuals were sniffing cocaine and delivering lectures in the back rooms of dark cafés. We bought plastic roses and decorated our lawns and courtyards with plaster swans. We saw the future in neon lights. We had pizza shops, supermarkets, and bowling alleys. We had trafric jams, skyscrapers, and air thick with noise and pollution. We had illiterate villagers who came to the capital with scraps of paper in their hands, begging for someone to show them the way to this medical clinic or that government officee. the streets of Tehran were full of Mustangs and Chevys bought at three times the price they sold for back in America, and still our oil wasn’t our own. Still our country wasn’t our own.

All the days of my appointed time will I wait." Job 14:14 A little stay on earth will make heaven more heavenly. Nothing makes rest so sweet as toil; nothing renders security so pleasant as exposure to alarms. The bitter quassia cups of earth will give a relish to the new wine which sparkles in the golden bowls of glory. Our battered armour and scarred countenances will render more illustrious our victory above, when we are welcomed to the seats of those who have overcome the world. We should not have full fellowship with Christ if we did not for awhile sojourn below, for he was baptized with a baptism of suffering among men, and we must be baptized with the same if we would share his kingdom. Fellowship with Christ is so honourable that the sorest sorrow is a light price by which to procure it. Another reason for our lingering here is for the good of others. We would not wish to enter heaven till our work is done, and it may be that we are yet ordained to minister light to souls benighted in the wilderness of sin. Our prolonged stay here is doubtless for God's glory. A tried saint, like a well-cut diamond, glitters much in the King's crown. Nothing reflects so much honour on a workman as a protracted and severe trial of his work, and its triumphant endurance of the ordeal without giving way in any part. We are God's workmanship, in whom he will be glorified by our afflictions. It is for the honour of Jesus that we endure the trial of our faith with sacred joy. Let each man surrender his own longings to the glory of Jesus, and feel, "If my lying in the dust would elevate my Lord by so much as an inch, let me still lie among the pots of earth. If to live on earth forever would make my Lord more glorious, it should be my heaven to be shut out of heaven." Our time is fixed and settled by eternal decree. Let us not be anxious about it, but wait with patience till the gates of pearl shall open.

The war was lost The treaty signed I was not caught I crossed the line I was not caught Though many tried I live among you Well-disguised I had to leave My life behind I dug some graves You'll never find The story's told With facts and lies I had a name But never mind Never mind Never mind The war was lost The treaty signed There's Truth that lives And Truth that dies I don't know which So never mind (...السلام و السلام) Your victory Was so complete Some among you Thought to keep A record of Our little lives The clothes we wore Our spoons our knives The games of luck Our soldiers played The stones we cut The songs we made Our law of peace Which understands A husband leads A wife commands And all of these Expressions of the Sweet indifference Some called love The high indifference Some call fate But we had names More intimate Names so deep And names so true They're blood to me They're dust to you There is no need And this survives There's Truth that lives And Truth that dies Never mind Never mind I leave the life I left behind There's Truth that lives And Truth that dies I don't know which So never mind (...السلام و السلام) I could not kill The way you kill I could not hate I tried, I failed You turned me in At least you tried You side with them whom You despise This was your heart This swarm of flies This was once your mouth This bowl of lies You serve them well I'm not surprised You're of their kin You're of their kind Never mind Never mind I had to leave my Life behind The story's told With facts and lies You own the world So never mind Never mind Never mind I live the life I left behind I live it full I live it wide Through layers of time You can't divide My woman's here My children too Their graves are safe From ghosts like you In places deep With roots entwined I live the life I left behind The war was lost The treaty signed I was not caught Across the line I was not caught Though many tried I live among you Well-disguised

I couldn't help staring at him, slurping up every atom and utterance and whistle in his voice. He'd become more relaxed in the kitchen, relaxed yet assertive. He bit his thumb in thought and the contrast between his big, strong hands and this adorable, boyish habit made me woozy. "Well... what are we doing with this dish?" "Let me think," I said, letting my exhalations calm me down yet again. "I think the dish needs something more to ground it. Something earthy." "That's the lovage," he said, now looking in the fridge, his jean-clad butt poking out. "No, the lovage is the wild card," I said, as steadily as I could, even though I was intensely distracted and slightly astonished that a man's butt excited me so much. "That flavor remains suspended in your mouth," I continued. "You need something that goes deeper." As I said it, he slowly approached me. I lifted my hand to make way for him but he caught it in midair. "I need something?" he asked, tightening his grip with a little smile and a little threat. He walked one inch closer and that inch set my heart fluttering again, the air between us compressed and tickling. "Yes. Um, I mean..." Still holding my hand, he grabbed a bowl of toasted almonds. "Like this?" He dropped one in my mouth with his free hand, his fingers barely touching my lips. I didn't feel like eating it. I felt like either running back to my apartment and hiding under the covers, or maybe just pretending I was someone else and kissing him right then and there. But I ate the almond and resigned myself to imagining his lips on mine. His hand was still around my wrist... his finger on my lips... "Or, maybe this." He gripped me tighter and, with his other hand, picked up a frond of dehydrated kale, as big and light as a feather. He touched the end of my lips, but when I opened my mouth, he pulled it away. "Careful," he said. "It crumbles." He placed it on my lips once more and I took a bite, little flakes of kale falling like green fairy dust.

Agnes leaned over the edge of the crate and cooed at the chicks. “Oh, they’re all so adorable at this age…” “Focus,” said the dust-wife. “Oh, yes, of course. I suppose we’ll have to keep it, won’t we? He won’t just let us borrow a chicken…” The chicken seller did not look like a man who would routinely let customers borrow chickens. Marra shoved her hands in her pockets and tried to look like someone who was possibly a nun and definitely not the queen’s runaway sister. After a minute or two, though, it became obvious that she didn’t need to bother. The chicken seller gazed at Agnes, who was picking up each chick and whispering to it, then slowly turned to Fenris. He didn’t say anything, but his eyebrows were eloquent. “She’s very particular about her chickens,” said Fenris. “Very particular.” “It’s not taking,” Agnes whispered to the dust-wife, just loud enough for Marra to make out the words. “It won’t take. Oh, it was a silly idea. I don’t know why I thought it would ever work…” “Keep trying,” ordered the dust-wife. The chicken seller looked back at Agnes, then to Fenris again. His eyebrows inched higher up his skull. Fenris remained absolutely deadpan, as if it were perfectly normal for women to whisper to chicks before buying them. Marra didn’t dare look at Agnes, because if she did, she was going to burst into hysterical laughter. “Fine,” said Agnes in the tone of someone reaching her limits. Marra’s ears popped. “There!” “That took,” observed the dust-wife dispassionately. “Not well at all and I have to keep…I’m pushing it…it doesn’t want to stick; it’s like jelly sliding down a bowl!” “Keep pushing,” said the dust-wife. “Keep blessing it over and over if you have to.” “Oh dear…” Marra darted a glance at the chick in question. It was a dark, fuzzy, little lump with a bright yellow bill and, for a chicken, a remarkably phlegmatic expression. The chicken seller’s eyebrows did a complex dance across his forehead. He named a price that was frankly ridiculous for a day-old chick. “Don’t be absurd,” said Marra, stung out of her silence. “It’s a chicken, not a phoenix.” The chicken seller’s eyes drifted back over to Agnes, followed by his eyebrows. “The sooner we pay,” rumbled Fenris, “the sooner we will go away.” The price mysteriously plummeted.

There was only one thing in the room that was different. For a moment or so he couldn't see what the one thing that was different was, because it too was covered in a film of disgusting dust. Then his eyes caught it and stopped. It was next to a battered old television on which it was only possible to watch Open University Study Courses, because if it tried to show anything more exciting it would break down. It was a box. Arthur pushed himself up on his elbows and peered at it. It was a grey box, with a kind of dull lustre to it. It was a cubic grey box, just over a foot on a side. It was tied with a single grey ribbon, knotted into a neat bow on the top. He got up, walked over and touched it in surprise. Whatever it was was clearly gift-wrapped, neatly and beautifully, and was waiting for him to open it. Cautiously, he picked it up and carried it back to the bed. He brushed the dust off the top and loosened the ribbon. The top of the box was a lid, with a flap tucked into the body of the box. He untucked it and looked into the box. In it was a glass globe, nestling in fine grey tissue paper. He drew it out, carefully. It wasn't a proper globe because it was open at the bottom, or, as Arthur realized turning it over, at the top, with a thick rim. It was a bowl. A fish bowl. It was made of the most wonderful glass perfectly transparent, yet with an extraordinary silver-grey quality as if crystal and slate had gone into its making. Arthur slowly turned it over and over in his hands. It was one of the most beautiful objects he had ever seen, but he was entirely perplexed by it. He looked into the box, but other than the tissue paper there was nothing. On the outside of the box there was nothing. He turned the bowl round again. It was wonderful. It was exquisite. But it was a fish bowl. He tapped it with his thumbnail and it rang with a deep and glorious chime which was sustained for longer than seemed possible, and when at last it faded seemed not to die away but to drift off into other worlds, as into a deep sea dream. Entranced, Arthur turned it round yet again, and this time the light from the dusty little bedside lamp caught it at a different angle and glittered on some fine abrasions on the fish bowl's surface. He held it up, adjusting the angle to the light, and suddenly saw clearly the finely engraved shapes of words shadowed on the glass. "So Long," they said, "and Thanks ..." And that was all. He blinked, and understood nothing. For fully five more minutes he turned the object round and around, held it to the light at different angles, tapped it for its mesmerizing chime and pondered on the meaning of the shadowy letters but could find none. Finally he stood up, filled the bowl with water from the tap and put it back on the table next to the television. He shook the little Babel fish from his ear and dropped it, wriggling, into the bowl. He wouldn't be needing it any more, except for watching foreign movies

Children.” Westcliff’s sardonic voice caused them both to look at him blankly. He was standing from his chair and stretching underused muscles. “I’m afraid this has gone on long enough for me. You are welcome to continue playing, but I beg to take leave.” “But who will arbitrate?” Daisy protested. “Since no one has been keeping score for at least a half hour,” the earl said dryly, “there is no further need for my judgement.” “Yes we have,” Daisy argued, and turned to Swift. “What is the score?” “I don’t know.” As their gazes held, Daisy could hardly restrain a snicker of sudden embarrassment. Amusement glittered in Swift’s eyes. “I think you won,” he said. “Oh, don’t condescend to me,” Daisy said. “You’re ahead. I can take a loss. It’s part of the game.” “I’m not being condescending. It’s been point-for-point for at least…” Swift fumbled in the pocket of his waistcoat and pulled out a watch. “…two hours.” “Which means that in all likelihood you preserved your early lead.” “But you chipped away at it after the third round—” “Oh, hell’s bells!” came Lillian’s voice from the sidelines. She sounded thoroughly aggravated, having gone into the manor for a nap and come out to find them still at the bowling green. “You’ve quarreled all afternoon like a pair of ferrets, and now you’re fighting over who won. If someone doesn’t put a stop to it, you’ll be squabbling out here ‘til midnight. Daisy, you’re covered with dust and your hair is a bird’s nest. Come inside and put yourself to rights. Now.” “There’s no need to shout,” Daisy replied mildly, following her sister’s retreating figure. She glanced over her shoulder at Matthew Swift…a friendlier glance than she had ever given him before, then turned and quickened her pace. Swift began to pick up the wooden bowls. “Leave them,” Westcliff said. “The servants will put things in order. Your time is better spent preparing yourself for supper, which will commence in approximately one hour.” Obligingly Matthew dropped the bowls and went toward the house with Westcliff. He watched Daisy’s small, sylphlike form until she disappeared from sight. Westcliff did not miss Matthew’s fascinated gaze. “You have a unique approach to courtship,” he commented. “I wouldn’t have thought beating Daisy at lawn games would catch her interest, but it seems to have done the trick.” Matthew contemplated the ground before his feet, schooling his tone into calm unconcern. “I’m not courting Miss Bowman.” “Then it seems I misinterpreted your apparent passion for bowls.” Matthew shot him a defensive glance. “I’ll admit, I find her entertaining. But that doesn’t mean I want to marry her.” “The Bowman sisters are rather dangerous that way. When one of them first attracts your interest, all you know is she’s the most provoking creature you’ve ever encountered. But then you discover that as maddening as she is, you can scarcely wait until the next time you see her. Like the progression of an incurable disease, it spreads from one organ to the next. The craving begins. All other women begin to seem colorless and dull in comparison. You want her until you think you’ll go mad from it. You can’t stop thinking—” “I have no idea what you’re talking about,” Matthew interrupted, turning pale. He was not about to succumb to an incurable disease. A man had choices in life. And no matter what Westcliff believed, this was nothing more than a physical urge. An unholy powerful, gut-wrenching, insanity-producing physical urge…but it could be conquered by sheer force of will. “If you say so,” Westcliff said, sounding unconvinced.

How Etha missed the varied hues of Illinois! The jade of tender corn husks, the violet shadows of distant trees, the furry scarlet spears of sumac. In Oklahoma, the palette was nothing but brown. Brown bridal trains of dust billowed behind tractors. Curtains turned from white to strong coffee. Folks spit river mud after a duster. Washes of beige, cinnamon, and umber bled into the blue sky, depending on which direction the wind blew. The people, the land, the buildings absorbed the dust. All other colors leached away, while brown and its infinite variations remained.

how can your crippled body handle the rigors of study and preaching? God’s work is the most strenuous on earth.

never shoot when in doubt.